#I feel a bit so and so abt this one but

[ahyuggg]

amidst the hourglass sand ⏳

[bacchuschucklefuck]

typical tavern scene

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[dandelion-roots]

[ID: a series of drawings featuring Riz Gukgak from D20 Fantasy High. In the first, Pok holds Riz's shoulders in heaven as says, smiling, when you work until the dead of night, your friends know you do it because you love them. In the second, Riz is having a group hug with his party and the text reads, but is it really love that drives you, Riz Gukgak... In the next, a desperate, pleading Riz clutches the shoulder of an indifferent, faceless person and the text continues, ...or is it fear? In the fourth, Riz is younger and digging through crystals with bleeding hands; the text reads, what use are you when you can no longer dig. In the fifth, Kalina, shrouded in darkness with only her eyes glowing, reaches towards the camera with a smile; the text reads, when you're too scared to think. Sixth, Riz is filling out Fig and Kristen's papers under the light of a lamp, serious and tired; the text reads, when you're too tired to work. Seventh, Riz is lying in bed, eyes hidden behind hair, hand on his father's picture; the text reads, too sad to keep the mood up. Eighth, Baron stares into the camera; the text reads, too lonely, too insecure, too weird. Ninth, Baron is holding a defeated Riz by the throat; the text reads, to keep moving? Tenth, Riz is standing in the distance, holding his briefcase, and behind him is a football/soccer ball; the text reads, what use is a ball that can no longer roll? The last drawing just says none in brackets on a dark background. End ID]

[alienpupy]

ive been kind of obsessed with oxygen-deprived blue as a colour recently so i did a little experiment and managed to mix a nailpolish colour that makes my fingernails look suuuuubtly medically concercing ^-^

i call her cyanosis chic

[theloveinc]

I also like the idea of Bakugo coming home from a long, overseas mission only for you to be surprised when you meet him at the airport cuz he’s twice as beefy and four times more scary looking.

[ricky-mortis]

“And Hades and Persephone

They took each other’s hands

And brother, you know what they did?

They danced”

I am once again positively ill about Spytown /pos

Lovely au by @dxppercxdxver

Curt’s suit inspired by the talented @szollibisz

[mellosghosts]

m-magical girl wolverine?!! 😳🍓💝

[nadiajustbe]

I think the most beautiful thing about writing of Howl and Sophie's pair is that they are written as people before being written as a pair. Let me explain this very quick.

The thing about book Sophie and Howl is that they are not really fully fitting into any "classic" romantic trope. They are not exactly enemies to lovers, as their angry chats are definitely cannot be considered a life or death battle, they are not rivals to lovers because the only aspect of rivalry between them is the cleaningness of Howl's room. They are not friends to lovers, as their relationship just doesn't fit into "friendship" structure at the very start, nor they are roomates (yes, they live in the same house but that's not the core aspect of their relationships). Of course, you can go on and fit the name of the trope you found specifically for them, but that's the thing.

They simply cannot be processed through a pairings lenses only, in order to understand how they act in relationship you need to analyse them separately, as a characters first of all. Cause that's what the book itself does!

Sure, it doesn't have a whole lot of romance instead, but it gives us time to learn and observe the life of incredibly written, alive characters, understand them as personalities first of all, while slowly immersing the dynamic between two characters (in this case, Howl and Sophie) into work. They are written as personalities, both being fully separated and interviewing, changing eachother's point of view.

It's difficult to find a trope for them. They're are not a trope. They are Howl and Sophie, and that's probably the only way their dynamic can be properly described. Just as real people, they are not really fitting into the boxes of linial character progression, but go way deeper into being complex, filled with little differences and moments only people with their personality can have in romantic (or any different) kind of interaction. They're imperfect, and silly, and multidimensional and the reader knows them well enough to imagine them interacting way beyond of what the book says to them.

They are being people before being a ship, a pair of a trope — and that's why they work so perfectly charming in the end.

Howl and Sophie are unique in being themselves.

[so-very-small]

reminder that it’s okay to just write ‘the fun parts’ of a story if you want. if you get joy from writing the same scenario (like, a g/t meeting, certain comfort scenario, a specific fearplay moment) you can just write that. you don’t have to feel guilty for not writing build up or a whole story around it. if it’s just for you, it doesn’t need context. and if you wanna share it with others. a quick ‘hey these are my OCs [with possibly a brief description] when they [scenario here]’ is usually enough context for readers to enjoy it as a short story.

this applies to drawing too. write and/or draw what you want. let yourself go wild with ‘the fun parts’. you deserve to have fun.

[sakasakiii]

Hii! I just wanna say, your blog is life to me! Literally come here to scroll on tough days, and seeing all the character designs and funny comics makes everything better! Really love your art style and designs. I know this has been asked before but I'm wondering if I could use your art as profile pictures? I really appreciate the joy your art brings!

hihi hello!!! first off, thank you so much for your kind words! i'm sorry for how delayed this response has been (im just getting back into tumblr after one of many hiatuses... AGAIN!!!), but it warms my heart on my own tough days to hear you enjoy my designs and comics! it means a lot, so thank you again!! ❤️❤️

now onto your question about using my art as a pfp: that's absolutely fine! by the time i'm answering this it's likely a bit late already, but i hope this clears things up in the long run. im absolutely ok with anyone using my art as pfps/icons, just so long as you remember to credit me, don't claim as own, dont use for AI training, etc etc.... hope that clears things up, and sorry again for taking so long to see this!

[flovoid]

A famous psychiatrist among the celebrities married a man owns one of the most well known restaurant in del sol valley;

a nepo baby was borned.

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[amygdalae]

i think you should brag more about getting laid. someone has to around here

🫡

[liquidstar]

this is not a comprehensive list

[skitskatdacat63]

Kinda 😾 rn cause I realized the Senna show made the "can we be equal? 👉👈" scene SOOOO much less intimate/cute. Upon watching it, I was too distracted by "Oh! They're referencing dialog that actually happened!!" but now I'm peeved having rewatched the actual clip 😭

Why would they do this to me specifically