#sorry I just saw hadestown again and it’s all I can think abt
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ricky-mortis · 5 months ago
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“And Hades and Persephone
They took each other’s hands
And brother, you know what they did?
They danced”
I am once again positively ill about Spytown /pos
Lovely au by @dxppercxdxver
Curt’s suit inspired by the talented @szollibisz
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zukkacore · 5 months ago
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ANYTHING ANYTHING AT ALL ABOUT THE LOVERS UNIVERSE OR ANYTHING AT ALL
Hiiiii truly sorry friend this literally took so long!!!!!!!!!!!! b/c i sat here wracking my brain abt what tf i wanted to talk abt and i got all distracted by wanting to finish Biggest Lie and. i decided to just do what i did last time and. Just go over everything that was a reference or not to something else within Almost b/c I do think that is the easiest way to comb over this gd fic from head to toe. If i don't finish in one go I'll just reblog w/ additions and tag you in
"You're in love, aren't you?" / "You've been sighing all day" I've talked about this before, it's actually a pull from Howl's moving castle. Easily one of the most shameless things i've pilfered and it doesnt even really have a meaning, I just think the exchange is funny.
When J2 approaches, Porter Cliffbreaker lights up with the most insufferable, self-satisfied grin J2’s ever seen in his short life. “You’re early,” he practically purrs. - (In ch 3 for context. This is Porter seeing J2 for the first time.) Obviously we're continuing the Hadestown motif of "you're early" "I missed you". This is again part of the Porter n Jace whole Thing of like. Jace breaking up with him (not in the Big Break but you know). Obviously part of the reason Porter is being so smug is that he thinks Jace is coming crawling back to him. Lol. He thought, didn't he?
"I’m in the correct place, right?” / J2 turns to a tiefling girl in a plaid skirt and a ripped band shirt who is strapping bass guitar to her chest. “Hey, kid. Am I in the right class?” This is a weird pull but this is actually Twelfth Night to me, the scene where Viola first meets Olivia. I just think it's so funny when Viola comes in and doesn't know whether Maria or Olivia is the lady of the house. "The honorable lady of the house, which is she?" / "Most radiant, exquisite, and unmatchable beauty—I pray you, tell me if this be the lady of the house, for I never saw her. I would be loath to cast away my speech—" etc etc. There's a lot of Twelfth Night influence just b/c there's a lot of like mistaken identity stuff and being in love with someone while they're in love with someone else etc etc all that good stuff. I also think the scene where Viola has to woo olivia is just like. Hot. To be fair tho, J2 is kinda doing the opposite here, he's letting Porter down easy abt the breakup. It's a loose pull but i like the idea of J2 being so out of his element he doesn't even know he's in the right place.
“ What are you?” “I… can’t say. An olive branch? A… A best kept secret, maybe. Between you and the guy up top.” “A secret?” “A parting gift.” But also “What am I?” “That. But also why are you here? A beat. “I’m…” Finally, J2 settles on, “A messenger?” and “It’s—he wants to insist he’s not at war, here.” “Well, that’s a damn shame" is so this Twelfth Night exchange to me:
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^^^ to elaborate (sorry i didn't wanna type it out): Idk the viola n olivia vibes in this whole scene not just this part are so flirtaeous and i liked the mentions of war and divinity. Like Porter is the god of war and yet the clones existing as this kind of olive branch. And there's this question of What J2 Is. And there isn't really an answer to that. I liked this idea of him being a secret. A gift. The line "to your ears divinity, to any others profanation" was just. ough.
I'll do this like. It's a big block of text so:
The fluorescence flickers. Mindless, as if purely out of routine, he makes his way over to the sink, to the cabinets full of mugs and glasses. J2 spots Jace’s immediately—it’s purple, with a slogan from his favorite podcast. He snatches it by the handle and throws it against the floor, where it shatters into a million pieces. He thinks about Jaceprime, and about being Dispelled. Despite the fear he can feel rising in his chest, making it hard to breathe, he thinks for another long moment. What a satisfying crash. He wonders if his fear of oblivion is unique to simulacra, or if it's something Jaceprime also has to grapple with every day. He wonders about the weird glowing gem in his chest, and how Jaceprime always refers to a time Before, with him and The Big Guy, but refuses to say outright what happened. He thinks about Porter—and of rage. He stares at the shattered pieces of the cup on the ground. And after a moment of serious contemplation, he grabs another mug off the shelf, and he does it again.
Anyway^^^: That's a reference to The Haunting of Hill House! Both the show and the movie. Theodora says it in both versions. Here's the anecdote I love so much:
“When I was a child,” Theodora said lazily, “—'many years ago,‟ Doctor, as you put it so tactfully—I was whipped for throwing a brick through a greenhouse roof. I remember I thought about it for a long time, remembering the whipping but remembering also the lovely crash, and after thinking about it very seriously I went out and did it again
The variation from the show also includes something along the lines about "I learned a lot about my own mother that day. Taught her, too." which I completely forgot is such a movie special but. I think was also so vital to why I loved that line and wanted to include a nod to it. Like. I've already talked about this but i wanna reiterate that I do not feel bad making motherhood comparisons w/ Jace and the clones b/c he is their creator! He is their frankenstein! Anyway, the imagery of like, getting satisfaction out of doing something destructive, and then doubling down out. Even if you get repercussions from your parent. Or maybe because of that. Maybe spite is the motivator. It was so striking. I think we tend to get this perception of J2 as this soft baby boy but this is one of my fav moments of his because it's so impotent and petulant. It's so him trashing a bathroom to have some semblance of power. J2 has so little power, but he can destroy Jace's favorite mug! (also, yes it was a complicated woman podcast mug. Also in IYWD Jace mentions the fact that he started bringing crappy mugs to work bc his kept disappearing and this was kinda a nod to that.)
"I—Fuck, Porter! Why don’t you just tell me what to do!" Ok, this is also pretty broad. Pulling from a few things here. I mean. This is very Pearl-coded to me. I still think about that scene to garnet where she says "I'm useless on my own. I need someone to tell me what to do". Also Please don't laugh, I have an old Hugh grant comedy that's my favorite and there's a scene where the son is having an argument w/ his mom and when he says "Because we never have any discussions, we have an argument, and you always win! Why don't you just tell me what to do" and she goes "Because I want you to think for yourself!" and then he's like fine then mom its not up to you if hugh grant is my friend even if he did pretend to have a two year old son so he could sleep with the single moms at the single parent support group. I love this movie btw. which i've already said like the paternal connotations to godhood mean i don't feel TOO bad when Porter's vibe gets weird and paternal. There's also a definite "I want someone to tell me what to wear in the morning. I want someone to tell me what to wear every morning fleabag vibe. I mean. Who said that.
“I—I’m not a consolation prize, Porter,” I think this is technically broad enough to not be a when harry met sally reference, but Sally does say this to Harry when he's trying to apologize to her and he's basically like "lol if neither of us have a date to the new york party we can go together" which. If that's not the vibe for whats going on. Filling in a spot because the other person is lonely.
“I want you. I’m only here for so long, and all I know is. I like you, ok?” and “I think you’re right.” J2 is working to keep his voice steady. “We both know that I was made for you. Literally. But more importantly… I like you. I know that much.” This is such a weird pull but this is such a Parks and Rec "I love you and I like you" (evil version) for me. I think there's such an interesting distinction between like and love. There's something so sad about J2 trying to insist, to me anyway, that he would also choose this even if he wasn't destined to love Porter due to being Of Jace. Love is destiny, but "like"? Like has the connotation of. Friendship. New feelings, innocence, juvenile. Just enjoying each other's company. J2 has so little, and he enjoys being around Porter. He loves Porter, but he likes him. It's... almost... adolescent. But it's also very. Forget the sweeping romance. I would do laundry and taxes with you.
“I like you, too, Bluejay.” I mean. Barely a reference but we all know Bluejay is so Hey, little Songbird coded from hadestown. I've joked about this but legit i was so so so so so terrified to give J2 a nickname to individualize him b/c i was so scared of completely blowing it. And I was just like. This is BARELY an individualization. He likes blue. Is that the dumbest thing ever. Obviously the concept of ownership is so prevalent in almost, and J2 is so comforts of a gilded cage coded. He's the precious gift, the one who learns to love the cage that Jace rejects. He's ESPECIALLY hey little songbird coded to me, b/c it's about Jace running away (Persephone) and Porter finding someone else to replace him (Eurydice).
“Hey. What’s with the silent treatment?” says Porter. “Cat gotch’er tongue?” Um. Hey. Little songbird. Cat got your tongue? Always a pity for one so pretty and young... No excuse.
I'll pair it with Porter rises from his desk, and J2 is in the embrace of his arms. and It feels so good being in Porter’s arms. and “I can make it go away,” says Porter, so softly—tenderly—even as he tightens his grasp on J2, secure. etc etc. Because that's not like. As on the nose but that's ALL Hadestown comforts of a gilded cage imagery. Someone who could love these walls that hold her close, and keep her safe, and think of them as my embrace. etc etc. Just. This idea of J2 running away from somthing and straight into the trap that was so heartbreaking to me. "Strange is the call of this strange man. I wanna fly down and feed at this hand. I want a nice soft place to land. I wanna lie down forever." etc. Even as he's getting this like. Horrible revelation about the truth of what Porter did to jace, and he's feeling this new fear that this could be him, he was built to find comfort here. He was raised to find comfort here. Porter wants everything. And J2 owns nothing, not even himself. "Seeing as you've got nothing to lose, and I could use a canary"
To go to something... maybe funnier? Maybe not. Again. Silly pull. J2 sniffs. Finally, he braves a look up, blinking back tears as he says, “Can… you just hold me a little longer?” Porter’s smile makes him forget all else. “Of course.” Like. This doesn't take place in chapter 7, but to me, this is the smoking gun that J2 and Porter were always going to sleep together (i mean, they already have, but in a Mega Turbo Detect Thoughts Sex Trick Orgasm Way). This is actually something from When Harry Met Sally! Sally says this to harry when she's crying about her ex getting married. And he holds her and gives her a kiss and this is the first time they sleep together. Like this is so Hurt/Comfort (evil version) of that scene to me, and the nature of like, comfort that turns into sexual tension is fascinating to me. And like. There's something so comedic and pathetic and cloying about the way she asks it too. Like. The desperation but also the slight comedy of it.
I'll also say, if you wanna read this into it too. I do this this is All I've Ever Known (evil version). "all i've ever known is how to hold my own, but now I wanna hold you, hold you close, I don't wanna ever have to let you go. Now I wanna hold you hold you tight, I don't wanna go back to the lonely life" etc etc
 “He still loves you, you know.” / Jace is... “ —A good guy,” he insists hard, / “I—I know we are… of the same. But—I don’t understand it. If—” / “Porter, gods, Porter, if I loved you the way my master loves you…” / "How does he love me?”  OK. So this entire scene is a little bit Handmaiden coded in that it's like. Ohhhh what if we were fucking and I was pretending to do this in service of teaching you what the person you're supposed to be with and what they would do this is just instructional i prommyyyyy.
But Also this whole Thing to me I was taking on a kind of. Like. Reverse Twelfth Night thing? Like, the concept is very much closer to Orsino and Viola's deal, in that Viola loves Orsino while Orsino loves olivia (Say that some lady, as perhaps there is, hath for your love as great a pant of heart as you have for Olivia! You cannot love her, you tell her so. Must she not then be answered?". "I am all the daughters of my father's house. And all the brothers too") But I do really like the idea of Viola having to convey the depth of Orsino's longing for Olivia by using her own pining for Orsino. That's littered throughout this scene. There are a ton of nods to the exchange. "How does he love me" is a direct quote. There's also this:
If I did love you in my master’s flame, With such a suff’ring, such a deadly life, In your denial I would find no sense. I would not understand it.
But yeah it's this idea of like. J2 is channelling jace and getting extremely horny about it. He's imainging the depth of Jace's longing and he finds it genuinely moving. He things Porter deserves that. but also. J2 is using his own longing here, and essentially giving Porter a gift because he knows the depth of that longing would mean more to Porter if it was from Jace. Which of these is the truth? Maybe both
"With adorations. With fertile tears. With groans that thunder love. With sighs of fire" This is the only thing that is like. A direct quotation of something Viola says in Twelfth Night, and I just think its so horny and honestly? Effective. Why ruin a good thing?
OK! Last one!
J2 is getting what he wants. He gets to be by Porter's side, despite the risk. (And in his memories, Jace looks so happy. Doesn't Porter deserve that, too?) So why does this feel like… death? Like he’s dissolving into snow—dissipating in the warmth of the sun? That’s how it works, right? He doesn’t know that much, but it feels true, doesn’t it? When your heart breaks, you should die.
Like.... Am i gonna get stoned for this? Do I have the right in invoke Tony Kushner? Do i deserve this? I'm being so real here, this is one of those "janelle is using paradise lost to talk abt jaceporter" things that just feels deeply WRONG.
Anyway. This is 100% and Angels in America reference. And I... It feels a little wrong to put Jaceporter fanfiction and such a beautiful piece of art in the same breath but here we are. The line is:  "I don’t understand why I’m not dead. When your heart breaks, you should die. But there’s still the rest of you." Like... I just think that line is so sad and beautiful. Am... Am I allowed to do this??? Like. It doesn't feel right. It felt right to put it there. It was so clear in my mind. It just felt so emotionally true... J2 is so green... And it's this like. Invocation that he's a person but he's a simulacra. he's animated snow. How does being a person even work. How does it work when you've been robbed of your purpose?
It's just. That's how it should work, right? When your heart breaks, you should die.
Anyway. Thank you for my long winded nonsense. Genuinely sorry this took so long.
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