#I doubt it’s common
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horseshoemybeloved · 2 years ago
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i had a dreamyou made fababoi stickers and i bought them and they were like. i cant even remember exactly what they were but i put them on everything i had
GOOOOOOD I wanna make fababoi stickers and buttons and stuff but for multiple reasons I can’t use em for profit 💔
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sakasakiii · 4 months ago
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imladris lads :D it started off as a few doodles of gildor bc of a great prompt i received from an anon a few weeks ago, and then spiralled into something else entirely bc i havent really taken the time to explore much of anything imladris-related? i really like the lindir-is-maglor concept so heres my take on how it couldve happened haha
as always, credit to Cartoon Network for the sparkly pink BG
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thanks so much for the ask!! here's my take on gildor :DD i really like the way anon asked the question and it was what inspired me to draw finrod in the mix too strangely enough?? the vibes are similar 🤭
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vivitalks · 8 months ago
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we don't talk about it enough but duck and billy's relationship in amnesty is truly a tragic one.
imagine: you rescue a mindless drone. you save his life, you give him autonomy, you give him language. you teach him trust. you protect him at your own expense. you name him billy. he knows three words in your language, and one is your name. you promise to keep him safe, and he betrays his programming to help you in return. he defies everything he was designed to do in order to aid you.
you save him from being a drone, but in doing so, you kill him. he was never supposed to be here this long. you gave him freedom at the cost of rapid decay, and now he's dying. and if he could just go back to his home planet, he would live, but he doesn't want to. because you're here. duck newton, his first friend, his savior, his guardian. you showed him that there is a better way to live - with free will, with pizza and playstations.
he's damned if he stays and damned if he goes. but you can't watch him suffer. that's not who you are. you're duck newton, local beefcake, defender of the disadvantaged. so you wait until he's engrossed in his video game - in humanity, in freedom of choice - and you strike him down out of mercy.
billy reverts to his original form: a four-armed being of light, once a drone, now a friend. he's beginning to disintegrate, but he has unfinished business here. he never finished his video game. and you give him one last gift of mercy: you lie to him. don't worry, you tell him - that character you're worried about? she's fine in the end. no, i know it seems bleak now, but she turns out okay.
you can't give him anything else, so you give him hope. it's the same thing he gave to you, all those months ago when you saved him.
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tategaminu · 5 months ago
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I'm sorry but it's hilarious that after almost two years of redditors/youtubers throwing shit to Rayla for not apologizing to Callum the moment she does it (twice in a row) he tells her she doesn't need to
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incesthemes · 8 months ago
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there is interesting johndean subtext and insinuations across kripke era, usually through an antagonist insinuating parent-child sexual violence in order to exert dominance over dean. this type of mockery exploits that ambiguous relationship between john and dean and reminds dean that he never had a normal relationship with his father, and that makes him gross and wrong. it doesn't actually matter in the end whether john was sexually abusive to dean. the core of their relationship was damning enough: dean was made to take the place of john's wife—to comfort john and raise sam—while simultaneously being his son. the codependent nature of their relationship implies the incest that underscores their dynamic. again, this is regardless of what literally occurred between dean and john because there is enough doubt toward the nature of their relationship that multiple antagonists can use it against them.
sonwife, brotherhusband—dean is stuck in a liminal space between family and lover and is unable to put his feet firmly on just one side and instead has to accept both together or abandon both together. he doesn't get to have a relationship with his family without it being simultaneously incestuous. he plays the role of wife to john and mother to sam as mary's replacement; he therefore becomes more than a son and transcends the boundaries of the familial into the incestuous. it's baked into the dynamic and he can't hope to escape the liminality in which he's stuck without abandoning his entire family altogether.
this ambiguous relationship is further acted out with sam, where people perceive them as lovers rather than brothers; where their mutual devotion trumps, neglects, and disallows any other close relationship outside each other; where their physical closeness is viewed through an unusually sexual lens despite no literal sex acts between them taking place on screen. once again dean is stuck in a liminal space, paralleling the ambiguous and uncertain relationship he had with john.
in the end, sex (and sexual violence) is just a symbol of this codependency and uncertainly incestuous dynamic. sex acts in kripke era end up being symbolic: misinterpretations of sam and dean's relationship; accusations of sexual violence; literal, on-screen sexual moments between the brothers and someone else. it's a literary device that highlights the incestuous themes of the show. dean hand-picks women for sam to fuck because it allows dean to be symbolically part of sam's sex life. henricksen accuses john of raping dean because it is a symbol of the unhealthy, codependent relationship dean had with his father. the samulet stays on during sex because sam is symbolically integral to dean's sexual gratification (seen too in the way both dean and cassie in 1.13 appear to kiss the amulet at least once in the dark room). sex is used to signify more than what's literally on the screen, and the connections between the literal sex acts and the blurred lines of dean's familial relationships allow for a reading of incest between both john and dean and sam and dean.
it never mattered whether johndean or samdean had a sexual relationship in the canon because that was never the point. the point is the liminality that permeates the narrative. sam, dean, and john all stand upon a threshold between acceptable and taboo. the point of it all is the doubt and anxiety, the are-they-aren't-they that is never answered. the absence of incest within the text invites the understanding that the incest was, in fact, always there.
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haliteatiger · 8 months ago
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Happy Werewolf Wednesday, ya'll! We're serving up a big pot of tea tonight so get those cups ready!
Special thanks to Blackbackedjackal and King for their help in putting this together, editing, and especially to Jackal for being so supportive and encouraging. I'm very much not normally the type to do call-out posts, but people need to be aware of Dogblud, as she has hurt, not only myself, but quite a few others as well, and seems to have somehow gotten away with behaving like this for 20-odd years. I'm of the mind she shouldn't be allowed to do so any more, hence this post.
TL;DR - Beware of Dogblud, aka Ashryn, aka DogofBlud, aka ThatDogMagic. Very, very long post under the cut.
With everything happening with DogBlud and Blackbackedjackal's studio, I felt emboldened to come forward with my own experiences with her. This is something I've been carrying around since it happened roughly 2 years ago. It was one of the main reasons that put me off drawing werewolves, my own characters, or engaging any more in the fandom. I've hinted at it a few times but I've never had the energy to come forward and deal with the fall out. I wanted to move on with the rest of my life because IRL was more important than online drama. And I knew her behavior would come back to bite her sooner or later, regardless of what I did. 
It's been very validating to see that I was right.
It was around the time that Blud and I became friends that I was feeling a bit burnt out on werewolves. I'd been trying to pull together my own werewolf-related project for something close to 12 years. The past 4 years had also been pretty draining on me creatively and socially, as it had for a lot of artists with regards to the pandemic. I also had some IRL things I was dealing with: mainly with my marriage and transitioning between medications to manage my anxiety + bipolar.
Unfortunately, I didn't have the foresight to screenshot everything at the time. I do have logs from back when we roleplayed together. There are several conversations in them but because they were saved as text documents, they're pretty dubious in terms of solid evidence. 
It would have been better if I had taken screenshots as it was happening, rather than just saving the logs. With what I *do* have, however, I feel as though it may be enough to make the point that I'm trying to make, and to exhibit how horrible things got.
I'll provide some context.
I had talked with Blud on and off over the years, and we had always gotten along. We had a lot in common and after we had started talking more, our friendship eventually grew into a collaborative project. We were going to combine our stories and write a comic based on it. We had a lot of discussions on how Blud was reticent to do this in the beginning and how she wanted a contract to be made up so that in the event that something *did* happen, we could both walk away feeling like it was handled fairly.
Honestly, I should have listened to the first alarm that went off in my brain, when, in an act of ominous foreboding she said something along the lines of don't be so sure, it could happen. It was in response to me being like "we're getting along so well and share so much of a bond right now. I can't fathom that being a problem!" 
The contract never materialized. It was something we had decided to do *after* we had put together something of a prototype project to see how well we worked together. It made complete sense to me at the time as we were both eager to focus on the fun parts of writing and drawing together.
It was decided that I would be the lead artist (doing coloring and final lines) while Blud would do everything else (which was inking, layouts, and the majority of the writing). The both of us felt that she had more experience in those areas. I also believed that she had a better knack for it as well. I had felt that she had a better understanding of story structure than myself. And I thought that Blud had felt the same way about my art. That I had the experience to take point on that. 
Since I had collaborated with other artists and writers before, I attempted to approach the project with the same sort of professionalism I always do. Especially the projects that I genuinely thought stood a chance of being published in the future. We had started out trying to get a feel for each other's flows and rhythms. I had expected Blud to try and meet me in the middle of where our processes would potentially differ from one another, so that we could develop a fairly smooth workflow.
I had also expected, according to our discussions on the matter, that we would value each other's opinions on things and take them into consideration. We had such good synchronicity already.
In the beginning, there wasn't any unusual behavior that caught my attention. Blud was a bit uncomfortable with trying out new things but I did my best to accommodate her so that our project could move forward without too much turbulence. She had also mentioned to me before that she was autistic, and since my husband is also autistic, I knew how difficult it could be when it came to adapting to new routines. But when it was time for her to deliver the first set of layouts, it wasn't at all what I expected.
What I had expected was something with margins, clearly marked boxes, and figures that I could do rough lines over. I also expected notes that confirmed what we had discussed earlier about the project; that way I knew what she wanted or if there would be any changes. She took offense to this, feeling like I was violating our agreement. Though Blud did try to give me space with regards to the actual art, and while she would offer criticisms here and there, I trusted her opinion as an artist and as a friend. But apparently that didn't go both ways. In fact, Blud seemed to be offended that I expected more from her.
Blud agreed to concede. She suddenly seemed fine with the changes that I had asked for after seeing the layouts. I guess she was feeling overstimulated by the change and I might have been applying too much of a critical tone to her responses to begin with. I have had to deal with rejection sensitivity throughout my life and it's certainly prompted me to approach what people say to me online with a bit of scrutiny (sometimes too much).
And while I was mildly annoyed, although admittedly I was more concerned with Blud's overall reaction to my asking for clarification about several things in the layouts, I let it go. But it seemed like there was a problem. The majority of my ideas were either rejected or outright overridden with Blud convincing me that my faulty memory had made me unable to remember what we had agreed upon. Or that I might have been misremembering in my own favor.
There was one time where we were discussing a monster's design. Blud had already decided to settle on one design that she had come up with, even as I continued to offer other suggestions. The story was to take place in my setting, so I was under the impression that I got to decide what kind of creatures should populate it. The conversation ended somewhat ambiguously. I had assumed that we'd come to a solid conclusion later. 
I came back the next day and it turned out that we were using her design because that was what we had decided on. "Don't you remember? You really need to do something about that faulty memory of yours, Tek. I can't be doing this for you all the time."
At which point, Blud would go back and meticulously scour the conversation until she managed to find a set of lines that would make it seem as though I had 100% agreed. Even when I tried to explain that I had meant something else, she took it as an affront on her inability to understand nuances due to her autism.
I admit that my memory isn't that greatest at times, but I've never had anyone complain about it before. And none of my friends have ever minded providing reminders to me if I did misremember something incorrectly. We all forget stuff at times, right? It's *still* something that I'm self-conscious about because (like a lot of people with ADHD) my memory seems selective at times. This was, apparently, a problem that I needed to manage. 
And even as I'm remembering these incidents to the best of my ability, I've already spent so much time recounting all of this to friends. I feel confident in my recollection. There are some details that may overlap or become entwined with other things, but it all basically tells the same story. Especially in conjunction with what's been said by others. You're free to take it as hearsay since I do not have screenshots to back this up.
I will mention (since I've been told it's something that Blud has taken particular interest in) that at one point, I did have a crush on her. I was having some problems IRL, and it was nice to have someone whom I felt actually understood me. I also felt like I saw a lot of myself in her. I think that, at one point, I did describe her as the kind of "girlfriend" I would want. Blud seemed to indicate the feeling was mutual.
Between our collaborative partnership and all of the details we shared about our lives, it did feel like an intimate relationship at times. I had no intentions of pursuing it. We were not compatible in our romantic and sexual identities, and I had no intention of leaving my current partner for her.
I had begun to notice red flags, even if I wasn't ready to accept them yet.
I've had experience with abusive relationships in the past but they were in person, and not online. I knew what to look out for and yet I was being willfully ignorant about our friendship. I wanted to give Blud the benefit of the doubt. I wanted the project to work *so* badly that I was willing to work with her increasing demands as the months went by.
I had no idea that those demands would change into, quite literal, temper tantrums. It would then trigger my fawning response which was due to an abusive family situation that I had dealt with before I moved to Canada. The tactic was this: concede to someone until there was a time that they either understood reason or I had the chance to use it against them if necessary.
I started to take screenshots. I wish that I had taken a lot more of them so that everyone could get a better idea of what was happening. I did go back and manage to record the majority of the first outburst. It was the first inkling I had that Blud wasn't playing with a full deck of cards. I knew that that would be one of the first conversations that she would promptly delete. And consequently, I was right.
This assortment of screenshots will exhibit the first serious confrontation that Blud had with me. I am absolutely *not* proud of how I handled this. I was literally panicking at the time and doing whatever I could to get her to calm down. Because I have a temper that can look similar to this in person, I knew that I had to wait until the post-tantrum clarity would hit Blud. I tried my best to not lose my own temper in turn but looking back, I feel that I came off as sounding too timid.
I didn't want to ruin this project.
I wanted to make a comic with an individual that I admired and respected as a fellow artist. And, with me not knowing how to respond, my main priority was to not make things any worse than they already were.
Below is the conversation in its entirety:
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I had taken this screenshot on my phone after I had stepped away to compose myself. Blud had handled the confrontation and criticism with a reasonable amount of apprehension. But what had not occurred to me was that I could have said something that would remind her of past experiences with a roleplaying group.
It was something that had evidently scarred Blud for life.
I took away the wrong things from what she had told me, choosing to focus on the aspects of the "betrayal" that had appeared to bother her the most. And in hindsight, I did not see the correlation. I was genuinely apologetic that I had hurt her feelings.
But I *will* critique Blud for her poor handling of the situation. Whether or not I had hurt her feelings, no one is entitled to act like this or claim that this is what attempting to resolve a problem should look like.
I wasn't sure on how to initially respond to Blud. It had been ages since I'd had to deal with someone flying off the handle like that.
The following screenshots are where the conversation picked up, after she had already deleted the above message:
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We had weathered the "storm" and after Blud calmed down, she was ready to communicate. There was a part of me that was genuinely sincere when I apologized to her. I did mean it when I said that I had no intentions of hurting her and that I hadn't considered how my statement would sound to her.
I had hoped that this had been a stress response due to factors outside of our collaboration. And especially when I took into account how she had interacted with me in the past. I knew that Blud had a lot going on IRL, and that she had already put a considerable amount of energy into this project.
I had taken her meltdown more personally than she could perceive that I would, because this was something that was acceptable to her. She had a "condition" that would absolve her of these abhorrent meltdowns and I needed to get used to them if we were going to continue working on that project together.
I was shaking the entire time we were typing in the chat.
I was sincere in my responses. I really did want to work things out with Blud and give her the benefit of the doubt. I could have been taking the things that she said too personally or maybe I had been reading too much into the situation. Was there a chance that I could have been misreading her outburst? I tried my best to keep an open mind though I was still somewhat baffled by the fact that she would have meltdowns as often as she did.
I confided in my husband and some other friends about the situation. They were also bewildered by Blud's actions.
By this point, I was struggling with the reality that this collaboration was most likely *not* going to work out but I still wanted to try. I still cared about Blud. We would still hang out together and talk about things like music, our characters, or our stories.
While I did have the foresight to go back and screenshot this section, I wasn't fast enough to get screenshots of everything else that I will be going over. Blud *did* admit to going back and deleting certain exchanges due to a mixture of shame; not wanting to look at them when she would scroll through our conversations. 
In retrospect, it was very telling.
And even after that meltdown, I still enjoyed the friendship that I had with her. I kept my guard up but I was willing to make compromises on her behalf if it resulted in better communication between the two of us. Blud made me promise to immediately tell her if I had a problem with something. I also agreed to keep notes of our conversations.
It worked for the most part.
In the end though, it became apparent that Blud wasn't willing to do the same for me (even after we had an extended conversation about it). I then realized that I had been tasked with basically *managing* her autism for her. I was already busy with my supposedly "bad memory" at the time; and Blud was more than ready to scroll back up through our conversations to cherry-pick a line or two of text to remind me of what was said earlier.
Because, for her, circumstances couldn't ever change. If they did, it would mean that Blud had lost control of the situation and that she was in the wrong. She could *not* be in the wrong. 
And if she was in the wrong? It would take solid evidence, three witnesses, and a court of law to prove it.
She had two other major meltdowns after this. I managed to step away from communicating with her through one of them and I don't remember the other meltdown lasting very long. She immediately deleted the texts of both of those instances before I could take screenshots of them.
It seemed like I could do nothing right when it came to Blud, no matter the lengths I would go to accommodate her. I knew that it was a common tactic used by abusers. I finally accepted that our partnership wasn't going to work out and I began thinking about an exit strategy. The final straw was when she began to expect me to be at her beck and call.
I had promised that I would be there for her, within reason, and I was willing to offer reassurances whenever she would ask me for them. The promise had been made back when we had first started to talk to one another with more frequency, before Blud had shown me her true colors. I would end up completely underestimating just how badly she would need reassurance.
To be frank, I underestimated a lot about Blud in the beginning.
I would end up mentioning that I enjoyed my space in several different conversations with her. That there was a chance that I might be offline for several days so I could take care of things IRL and recharge my social batteries. I'm somewhat of a recluse. And an adult who enjoys things that aren't online.
She said that it was fine.
I became incredibly anxious when I would talk to Blud, especially after her somewhat abrupt change in personality.
I then attempted to put my foot down about boundaries and this is what she had to say:
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I decided to walk away for a bit and I came back after I had had some time to think things over. This wasn't healthy for either of us. I wrote a couple of sentences to say goodbye to Blud before I blocked her. I knew that my actions would probably infuriate her. She had told me in the past that she *hated* not being able to have the final word... which she was able to do through email:
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“And I'm not letting you pretend you have control over the situation, or the high ground. You distinctly have neither. But since you're determined to stick to your 'principles' on this, I've decided to make it easier for you.”
She thought that she was absolved of all sins just because I had said that I would stand by her at her worst. And at the time that I said that, I had no idea that her worst would be her trying everything possible to protect her boundaries while stomping all over mine. It didn't matter what she said or how often she would apologize when I would confront her. She kept doing it.
I admit that I wasn't perfect in this situation either.
There were times when I was condescending, critical, or downright mean when I talked to Blud because that was the way I had felt when she was talking to me. I soon realized that it didn't matter either way. I could have been using the friendliest tone imaginable and she still would have perceived it as either mocking or dismissive on my end. There were even a few times where I would preface my explanations with an advisory “please know that I am not attacking you and try to read this in an understanding tone,”etc. I would then post an explanation I had spent hours picking at to ensure that there was no way she could misinterpret the intent. Even so, she still read the majority of what I said as criticism and would take it to heart.
I never expected Blud to do something that made her uncomfortable; nor did I expect her to overextend herself when it came to our project. I would go out of my way to make sure everything was fine when we would talk about it. I only expected mutual respect in return.
When we would get into discussions (arguments), she would never attempt to understand my point of view or let me explain myself. It would have made it about me when it should have been about Blud and her needs. She sometimes would agree to come to a compromise about something, but only if I would admit that I was in the wrong.
I know that if Blud was to look at these screenshots, she'd be incredulous that I'm trying to distract from the horrible things that *I* did. And those horrible things that I did? I tried my best to work with her.
It wasn't just her poor teamwork that bothered me. It was her attitude and the lack of respect that she showed me. She would never ask me to clarify something that I said; always assuming that it was a criticism against her. I can only speculate that Blud did not want to hear about how any of this was her fault, like in the email she sent me.
I don't know if I was actually her friend at any point. Friends make efforts to understand one another. Ideally, they’d want their friendships to continue, and they would want everyone to be getting along and having fun. She seemed to actively defy that.
I would argue that things like this don't just happen in a vacuum. There's almost always a reason for such things, but it's honestly a mystery to me as to where this vitriol comes from. I don't know why Blud sees monsters in every word, especially if they come from a  "friend". 
I've seen her viscously mock herself during meltdowns; it seems like she hates herself and expects everyone else to hate her too. I think that she wants it to be the truth, so that it validates the feelings she has about herself. The behavior patterns that I'd been exposed to are consistent with the idea that Blud is seeking confirmation about the personal assumptions she has about herself. It's what makes her so volatile to those around her. Yet, she refuses to break the cycle.
I hope that she can make that choice in the future but at this point, I'm not holding my breath.
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The way this made me cackle
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mamawasatesttube · 25 days ago
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i think at this point kon fans who dont give a shit about bernard dowd deserve financial compensation
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autumnwhistles · 25 days ago
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(note: this is purely from a character perspective, not a comment on CCs.)
grian and scar have now both been in opposite positions to the original 'cactus ring', and it's so interesting to compare their attitudes to sacrifice on both ends. whether or not scar threw the fight in the cactus ring, he did offer for grian to kill him before it began. grian declined this, but was clearly fighting with the intention to win during the fight itself – he's giving scar a chance, but not sacrificing.
in secret life, scar's on the other end of things. he's fighting another winner – who herself has been sacrificed for previously – and, like grian, is going into what he assumes to be a fair fight... but which is in his favour due to the others' willingness to sacrifice themselves for him. this is a common pattern for winners: in whichever order, they take the win once, and are once willing to sacrifice themselves to let another take it.
cut to wild life.
this time, it's grian in the final two once more, yet again against an – albeit more distant – ally. he's got a win under his belt already, so you might expect him to do what pearl did, what scott did, right? sacrifice their chance at glory to let another taste it for the first time.
and yet:
"I'm going to have to kill Joel"
"Can I win this? I worked so hard on this series, I'd love to win it!"
because here's an important thing about life series!grian: though he's willing to even the playing field, he's not willing to sacrifice – not when it matters. pledge your loyalty to right a wrong, yes; give lives to gain allies hours, yes; refuse others' sacrifices to fight on fair terms, yes. but in the end, no matter how much he wants to stick with friends, no matter how bad he feels about it, no matter how may "i'm so sorry"s he gives – he will put his own life first, in the end.
there's a reason he's the reason for so many of his allies' deaths, after all. and in its contrast, the wild life finale showcases this beautifully.
(and for the record, i don't see anything wrong with this from an out-of-univere perspective – it's been 5 seasons and 3.5 years since Grian's last win, and even if it hadn't been, it's the CCs place to judge fairness, not ours.)
#it would be so SO interesting to add martyn into the mix#(<– probably my most common quote but. he's the brainrot singularity ok)#i don't doubt for a SECOND life series martyn is extremely selfish#(it was so nice to have that recognised after limlife – even if it arguably did get worse over time)#(cue cc!martyn's 'ren's death permanently made martyn more selfish after 3rd life')#but the thing is – does the win even mean much to him anymore?#he was so ready to take the crown he was so ready to end it all#and yet#next series he's right back. everything starts as normal. nothing changed#does it even matter anymore? is there a point? to me it's no coincidence he's started placing lower afterwards#(before it was 6th (last member of dogwarts to fall in 3rd life despite being on the losing side of the war) 3rd 3rd 1st)#there's no way he has of knowing his fragment was repaired by a listener – he has no idea what fragments even are + is unconscious in the-#-void + has NO idea watchers and listeners are even at play!#(that's sth there's often confusion around – he's NOT a listener in his lore! he's not on a similar playing fieldl! and though the watchers#did reveal themselves at the end of last life/ that was wiped from c!martyn's memory as he went into the light (lore stream)#he's a regular confused traumatised person whose changed for the worse over the death games whom the watchers dislike after evo#who just wants things to be over with...)#anyway this to say#though if he WANTED to get to the end i'm SURE he wouldn't sacrifice himself (c!martyn at least – it's still relatively close to the win so#-not sure abt cc!martyn)#...does he actually want to?#anyway martyn ramble over#wild life smp#wild life spoilers#3rd life smp#secret life smp#grian#goodtimeswithscar gtws#trafficblr#double life smp
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recent-rose · 15 days ago
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yknowwww there is something... deeply uncomfortable about the way mel never speaks directly to viktor in the 'build hextech weapons' scene. she really only speaks to jayce. plenty of people have pointed this out already but like the one scene they actually share a meaningful interaction and she treats him like he's beneath her. all this after jayce has emphasized how important viktor is, that hextech is theirs, together. she unequivocally ices him out, there's no other way to interpret this scene. the way it's shot too - from viktor's perspective, looking up at her, as though to reinforce the same belief in him. like he doesn't even bother expecting respect from her - or anyone from the upper echelon of piltover. he's fully accustomed to being dehumanized by everyone around him at this point. sometimes even by jayce, despite the trust they clearly have in each other.
then of course after this scene is viktor experimenting on himself. it's pretty clear that he has internalized his own dehumanization. crazy.
#dont open these tags unless you want to read an essay im so serious#quick disclaimer i do properly ship jayvik as of s2e9 aha#sorry abt the like. spam. but yk this what rewatching an insanely detailed show with fresh eyes does to a mfer#arcane#.txt#i think mel and jayce (among others) both exhibit the same kind of casual classism#jayce somewhat more obviously with his whole 'the zaunites are dangerous' spiel#and mel more subtly. its in the way she shows very little concern for the plight of the undercity until yk. it explodes in her face#she's been on the council for a decade. has done little but rub elbows with the elites of piltover and amass her own fortune#pretty clear she hasn't so much as blinked at the horrific state of zaun. this makes her a very willing participant in its oppression fyi#and then of course her treatment of viktor#ive seen it pretty heavily debated and i don't really see any reason to deny or defend these actions of hers#likewise when jayce accosts viktor and reprimands him for going to the undercity or makes a hextech weapon there's no reason to excuse him#these are clear examples of classist behaviour and i dont think it does anybody any favours to ignore it#jayvik#<-tagged bc those who do not want to read criticism of or about mel will likely have it blocked#im not here to stir the pot thanks#there's also something a bit kooky about the idea of 2 privileged rich kids commiserating about the sad state of the undercity#meanwhile a literal resident of said undercity whose perspective they could REALLY use is dying in a lab using his own body to try and#cure a common zaunite ailment/disease#meanwhile they wont help until they feel piltover is 'safe' (aka has WMDs to use against any perceived threat aha....)#anyway#its all very complicated and i dont doubt that their intentions were good (...mostly) but the road to hell and all that#it just rly bothers me that viktor was like. right there. a wealth of insight into zaun. and neither jayce nor mel even bother engaging him
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chirpsythismorning · 10 months ago
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I’m gonna be honest, I’ve been preparing myself for byler endgame. However, I have not been preparing myself for fans’ reaction to the downfall of milkvan. Like just thinking about it makes me sick. It is going to be absolute chaos.
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furoruisa · 28 days ago
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If they are going to make Bela bi they can do it w someone that is good or at least show they can change
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age-of-moonknight · 1 month ago
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“Reborn,” Moon Knight: Fist of Khonshu (Vol. 2/2024), #2.
Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit
#Marvel#Marvel comics#Marvel 616#Moon Knight: Fist of Khonshu#Moon Knight: Fist of Khonshu vol. 2#Moon Knight: Fist if Khonshu 2024#Moon Knight comics#latest release#Moon Knight#Marc Spector#Iron Man#Tony Stark#you can’t tell me Mr. At One Point Had His Own Star Trek Uniform didn’t immediately clock the classic#«I’m a doctor not a…» set up hahaha#(Although maybe I’ve played too much Rainbow Six Siege because it also reminded me of Jäger’s «I’m an engineer not a medic!»#love that guy ANYWAY)#okokokok this is….interesting#I’m I guess you could say intrigued that so far it seems this volume is shaping up to make addressing Marc’s self-proclaimed addiction#to violence a central theme as it’s come up in both comics released so far#I guess I never thought they’d take it seriously since such descriptions of one reason why Marc does what he does is because he’s hooked#on the sort of high-octane rush that comes with combat have popped up in his comics for years#but that language was pretty common in 80’s and 90’s comics portraying tough guy characters willing to kill people#but it’ll be interesting to me at least to see how this more serious approach will develop#Mr. MacKay has given me little reason to doubt him so far but if they continue with this#idea of treating addiction seriously since they’re using the language associated with it I hope they’ll address it#with the appropriate gravity such a topic necessitates#anyway don’t mind me musing in the tags
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just-null · 1 year ago
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hiii!! noritoshi always looks so cute in your art style! i just wanna give him a big smooch, and i was wondering what noritoshi would act around someone with a snake, thanks!! and i love your posts!!
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Noritoshi'd be cautious at first. A snake is a reptile that should be treated carefully. Assuming the snake belongs to you, he'd ask questions. It's natural to be curious, and who knows a snake better than its owner?
He'd want to hold it but wouldn't feel ready unless you insisted it was okay. That and you'd have to guide him along the way.
Noritoshi is fascinated by things he doesn't get to experience often, so he might fall in love with the little scaly friend right then and there. The longer you look at him the longer you can catch small glimmers of fascination in him as he looks on at the snake.
Oh, how he'd run his mouth with questions faster than you could answer. "How often does it shed?" "What conditions does it like to sleep in?" "Do you really feed it rats?" "Is there a difference between a male and female snake?" "What do you do to entertain it?" and so many more. It's alright if you don't know an answer, he'll just write it down and find out on his own later.
A pretty snake like it's pretty owner, he thinks.
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bamboowick · 6 months ago
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Jason should get more kudos for somehow surviving as a demigod (and a child of The Big Three) despite being half-blind for who knows how long before finally getting glasses after being diagnosed by Asclepius at basically the end of the series.
(No wonder he couldn’t dodge any bricks or anything. He couldn’t see them coming)
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wordsforrain · 6 months ago
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Catharsis and joaks aside, we do all remember that guns are a plague in this country and that one candidate wants to make it harder to murder people with guns, and the other doesn’t fucking give a shit, right? And we’re all going to get off our asses and actually VOTE accordingly in November, right? We’re not going do give in to fucking doomerism, we’re going to vote so hard we win in a landslide, right???
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