#I don't think he's evil but I think there's something more to it then just his unfinished work

[narsh-poptarts]

my dark link thoughts coalesced into wonderful headcanons and crazy amounts of forced perspectives and dutch angles

also sorry HW i would have included your dark link(s) but i do not have passion for your game <3 maybe next time

Some thoughts below

I have thoughts about dark link that boil down to basically two things: 1. it's always the same dark link, and 2. dark link has a very difficult time changing.

No matter how many times dark link is brought into existence, he is formed from the shadow of link usually to test link's will. that shadow can be duplicated (as seen in HW) but generally speaking it's the same guy, sharing the thought space, you know how it is. In terms of sentience/thinking for himself, I don't think there's all that much of it. He is a dark reflection/shadow of link, so shares his abilities and thought patterns (for combat) with added aggression and. evil. i guess.

As said by navi, "conquer yourself", and all that. He's a challenge to the inner will power.

That being said!!! he can have a little bit of individuality, as a treat. Just in the form of being mean and sadistic <3 he's got thoughts, he's not just a combat doll (tho in times of low power, or a greater power having the reins, he reverts to that), so he can be frustrated, vindicated, happy, etc etc. though when your thoughts are mainly "evilevilevilevilevil" your idea of these emotions are a bit skewed.

When he's summoned for each different link, i hc that it's all the same magic, so the same dark link every time. he "remembers" in an abstract sense of his role in the same way a link or zelda "remembers" their own reincarnation. tho his is less of a reincarnation and more being used over and over again. a persistence.

The iteration that's summoned reflects the current link at the time, the part of link that needs testing/defeating, so it's not an existence that he himself can change to match the present. he's locked to that first copy/shadow only. So if he were to have a second encounter with an older link, he'd look like the first time they fought, unless he was specifically re-summoned. i hc he's got limited magic, so this is not something he can do himself.

in a links-meet scenario, his form would be limited to those specific forms of the links, and it would always be the points in time in which he first encountered them, unless there's other magic either he or someone else has access to to allow him to change forms to match.

now you might be saying at this point "wouldn't he be a weaker match if he was put up against an older link?" yeah probably lol. but also!!! i like the idea that with the limited magic he has, he's able to change juuuust enough to stay relatively evenly matched. being able to play to different strengths and all that. but the base stuff is still the same, so he is decently easy enough to read if link remembers the kind of stuff he was pulling back when he originally fought dark link.

dark link also knows about all this so while limited to the particular skillset, is able to adapt slightly.

but yeah been thinking a lot about a links-meet au where dark link is there choosing a different link to be every time he appears to the party.

though there are a couple links that he never impersonates in their games!!! so can't change into those guys unless he gets a new round of copycat magic.

Anyways goodbye guy standing there with standard camera angle, i have dutch angles and forced perspective

[wemlygust]

People will often say something like, "Evil Maximus deserves to suffer and die horribly, because he [list of unforgivable atrocities].” But, 1) it is VERY possible to be 100% convinced someone did something and be wrong. Any system with extreme punishments WILL, INEVITABLY inflict that punishment on innocent people. There is no way to design a system that won't do this to multiple, even many, innocents, EXCEPT by not allowing the extreme punishments for anyone at all. Because human judgement is and will always be imperfect, no matter how certain you feel, and no matter how angry, and no matter how justified you are in your rage. 2) what do people mean when they say "deserves"? What is the definition of "to deserve"? I do not think there is any way to define this that does not boil down to either A) the person is fundamentally evil according to some absolute morality system of the universe, aka a God, aka this is religion affecting the legal system, or B) "he deserves to die" literally just means "I want him to die," and is a way of expressing that wish in a passive-voice way that abdicates the speaker's responsibility for the wish. And no matter how badly you may want someone to suffer and die, we are humans, we are flawed, we fuck up. We ESPECIALLY fuck up when we are angry. And we know from studies that people tend to be, to one degree or another, racist and/or sexist (including the tendency to see men as more violent or less deserving of kindness), even we they are sure that they are unbiased. So we'll end up killing or tormenting people who could have been redeemed, or who were 100% innocent, or who were guilty but actually they grew up in an environment that prevented them from ever learning any better, etc. I don't think revenge ever actually makes anything better, especially not state/government/beaurocratic-driven, no-take-backs revenge. And ESPECIALLY not when there is, as in America, strong profit motives to fill prisons. This post is longer than I meant it to be, but the point I am getting at is, even if you on a personal level would quite like to see someone dead or hurting (which is what "they deserve [xyz]" probably means), that doesn't mean it is a good or just idea to try to actually incorporate that feeling into the law to be carried out in a systematic way which WILL also hurt people you do not want to hurt. And if you say, "I will not help so-and-so when they are poor or seriously injured, because they deserve their suffering," and you incorporate that idea into the law, that will absolutely hurt many more innocents, or at least regular, doing their best imperfectly within their circumstances, human beings, than it will people like whoever the wretched person you know or imagine in your head (maybe both) is. Basically, sometimes, in order for the law to be just, protect as many people as possible from harm and do as little harm as possible, it is necessary that sometimes a bad action, or a bad person, be punished less and suffer less than we or those they harm would like to see them suffer (than people say they "deserve" to suffer). Tldr: the word "deserve" is kinda bullshit and unhelpful but very hard to stop using but still also bullshit anyway /good lord why am I on tumblr right now

some of yall don't understand what human rights mean and it is legitimately worrying how some of you think that if a person is 'bad' enough they should have their human rights taken away

[abysswalkerastraea1]

Concurrent Resurgence

A staggering impossibility had occurred on the night of your death. And now, reborn and unhinged; bound to that creature they call the Miles County Clown, you'd witness first-hand just how far your depravity could go.

17k words

Size kink

Art is so dominant I needed an outlet to express this

A staggering impossibility had occurred on the night of your death. Just like any regular woman, you screamed and cried and ran from the miles county killer, in a state of frenzy and terror up until the very end.

Your life hung on the precipice as you lay upon the ground, torn open from the midsection and gasping on wet breaths, watching that demonic clown hunker down low, leaning over your friend Vicky as he devoured her face.

You remembered the world becoming dimmer and dimmer, wondering when you'd be devoured next, hoping to God you'd die first so that you didn't have to feel the excruciating pain Vicky had.

Your wish had been granted mercifully, the sound of police sirens and shouting fading out as you heard the final cacophony of a gunshot, and then your world turned black.

Lying as a bloodied corpse in the morgue, you didn't expect to open yours eyes ever again, life beating steadily throughout you even as something dark and heavy like lead anchored you boundlessly to miles county.

You came to the conclusion that you and Art miraculously died at the same time, yours from your injuries while his was from a gunshot to the head. You both breathed your last breath, and now you were both alive.

It was as though his dying soul had latched onto your corpse, a shard of it replenishing what should have been dead and burdening you with rot, decay and evil.

Art had tried to kill you on many occasions since then. He was pleasantly surprised at seeing you whole again, grinning and waving jovially, eager to murder you all over again, only..

You couldn't die, it was as though you were both the oxygen and the blood that keeps one another alive; if one dies, so does the other.

It took some back and forth, cat and mouse antics to learn this. He'd try and catch you, gripping you by the hair with a mallet in the other hand, bringing it down in a devastating blow. You think he realised something had changed when you caught his wrist with an incredible strength you never used to possess and forced his head through a break wall.

Art had given you something, and he cursed you because he knew he could never get it back.

You were two halves of the same coin, polar opposites and yet vastly similar now. Humanity remained within you, somewhere, but your emotions became dim, your morals deathly low, and evil began festering.

You became violent. Explosive, uncharacteristically wrathful. It didn't feel wrong, either. It felt good, and the effort it took not to absolutely maim someone was immeasurable.

Still, humanity lingered in certain things you did, and especially the way you processed emotions, even if they were as muddled as dirty water.

You and Arts lives were intertwined now, and although he had eventually gotten over the fact that he couldn't kill you, you saw him more often than you liked, your meetings often tedious and full of hate.

For the most part, him seeing you often resulted in the biggest, most dramatic eye roll you had ever witnessed, his middle finger sticking right up at you. He didn't find you fun anymore; you were as immortal as him, and that meant you were untouchable, as was he.

You don't know if it was coincidence or some sort of fucked up connection that made you cross paths so often. It made sense, considering a part of him lived within you.

And just like always, Art was there to make everything worse.

For the longest time you tried avidly to enter civilisation again, whether that be from trying to get a decent job, to going to parties and attempting to make friends, or even just simple things like getting your hair done and a manicure.

Half of you wanted your humanity to be in complete control again, enjoying the freedom of joy and life. The other half began condemning regular humans, wanting to be forcefully ostracised from society and it's confinement.

Parties didn't help. On your list of things that did help, partying was the absolute rock bottom. Your alcohol tolerance was still horrifically low, and your ire and hate for the people around you jumped tenfold.

So, all that would really happen is you'd try as politely as possible to make friends at a party, get rejected, and savagely smash their heads into nearby picture frames. Or whatever happened to decorate the wall.

You'd then drink, alone, and become devastatingly drunk. And of course each and every time, Art would find a spare minute or two to observe you once you made your horrible walk of shame home, appearing from the darkness just to point and laugh at you and buckle over.

With your newfound strength and wrath, this often led to fights with you being the instigator.

Bottle in hand, you smashed it into the clowns face viciously, watching his expression turn to one of dramatic shock as he fell backwards from the force, your drunk self falling with him.

You were so intoxicated that once you hit his body you could hardly stand back up. Head laid against his shoulder awkwardly, you groaned and tried to ground yourself with a hand against his chest, collapsing with your feeble attempts.

You winced as your face made contact with the floor all of a sudden, Art having pushed you off roughly with a grimace.

Art knew he couldn't kill you, but he could break your ribs for good measure, grinning at the sickening crack of his boot ramming into your side. It caused you to vomit and go unconscious.

You woke up the next day in broad daylight, laying in the piss stained alleyway littered with rats. Chunks of your vomit and dirt spelling out 'Whore' across your forehead.

Since then, you and Art had toned down your rivalry somewhat, no longer fighting like cat and dog every other night, viciously finding ways to carve each other up.

You avoided each other for the most part. On occasion Art would seek you out just to be an asshole, slicing your cheek with a scalpel just after you'd finished doing your makeup, which infuriated you. Or after having your hair freshly done, he'd smear questionable substances all over it.

You had gotten so angry at that, that you'd went to his rotten workplace and tore half of it down before he managed to stop you.

Art - having realised the repercussions of having an enemy that he could not kill, that would be around with him forever and that would ruin his artisan-level work - certainly toned down his pestering.

You didn't see sight of him for a month after that. Let the asshole cry and lick his wounds, you had thought joyfully.

And now, he breaks into your home like it was his own, eating from your fridge and using your shower. You detested it at the beginning, throwing fully fledged tantrums at the fact that no matter what, you could not kill him. And hurting him too badly would in turn hurt you.

It was something you came to accept. After almost a year of fighting and stubbornness, you both began to yield, realising a stalemate when you saw one.

Art no longer smeared literal shit in your hair and you no longer broke his weapons. Seemed fair.

On the two year mark, Art frequented your home even more. Probably because it had everything he needed, and it had gotten to the point that you didn't even bat an eye at him. You'd still fight, where he'd end up laughing and mocking you and you'd end up furiously screaming at him, but it never really escalated from there.

Physical confrontation did happen rarely, but nothing..drastic. That shard of him within you had made you struggle to control your anger even after two years.

And then other times you sat silently on your settee, blanket drawn up to your chin as you watched a horror film alone. Just like every night, Art would come in and ignore you, but sometimes he'd be curious as to what you were doing, and flop down beside you far too casually.

You'd spare him a neutral glance, carelessly throwing the end of your large blanket at him. He'd excitedly accept it. He viewed it as one of your ritualistic customs when watching something you deemed as scary. Him accepting the blanket meant he was curious to know just what this 'terrifying' movie was about.

"Okay so, they can't find the key to unchain themselves to escape, so that guy has to saw his leg off.", you elaborated quickly, watching the scene unfold.

It wasn't your favourite film but it was on TV at the moment. Art folded his arms, watching patiently as the story proceeded. Your attention eventually faltered as a text message came through.

You responded promptly before putting your phone down. Then, another came through, and another, and you'd giggle to yourself quietly, typing. Art lolled his head back and to the side, watchful. You never really used that device anymore, he wondered what it was that gripped you so much.

He didn't have to wonder much longer as he ripped your phone from your hands and darted up, standing to his full height as he swiftly perused the text messages.

You jumped up after him, reaching a hand up to grab at him only for him to lift the phone above his head, gaze staring up to read them.

"Give me my phone now! I swear to God Art I'll fucking--", the rest of your complaining fell on deaf ears. Art rolled his eyes, all you ever did was pull tantrums and shout. And you never shut up, prattling on about one thing or another, screaming profanities and empty threats that Art didn't even deign to laugh at anymore, that's how common they were.

Eyes scanning the messages, a grin began to grow on his face, until full fledged laughter erupted silently. You seethed at him, clawing at his hands to try and grab it. Art eventually gave in, rolling his eyes at your continued threats, putting a hand against your shoulder and roughly shoving you away, phone thrown into your lap as you fell against the settee.

Before he left, Art turned back with his horn held between his legs obscenely, stroking it with a surprised face, eyebrows high and lips forming an 'o' shape.

You glared at him, but couldn't deny the way your cheeks reddened as his stroking got faster and his eyes rolled back in mock euphoria. You folded your arms and shrugged; you had nothing to say to that. Yes you were sexting some random guy and yes you wanted some dick.

Art tipped his hat with a dead expression, his mimicry representing a gentlemanly 'farewell and adieu', and his expression reading 'desperate whore'.

Before he finally departed, Art held up a scissors in one hand and a pliers in the other. He snipped them sassily, threateningly, grinning all the while.

"Yeah, well, if he's shit you're more than welcome to use them on him." You assured, and you meant it too. This guy seemed a little odd anyway, but desperate times call for desperate measures.

Art seemed pleasantly happy with that, giving you a thumbs up with his back turned as he left the house in his Santa getup.

It was probably because you were overly horny, but...

No, you shook your head. Now is not the time to think of him like that. Honestly, you were getting more depraved every week.

••••••••••••••••••••••••••••••••••••••••••••••

You don't know what you were expecting, but it was.. anticlimactic.

You had become so sinful since your rebirth, average sex no longer doing it for you. The first guy was okay, an asshole, but okay. You tried so hard to be pleasant and normal but frustration and an unhinged desire coursed through you desperately.

It wasn't as though his dick wasn't to your liking, he was just so average and fucking human that you didn't even manage to get to the part that you desperately craved, your disgust evident.

Anyway, he seemed to think you had a bad attitude - you did - which led to arguing. You were not backing down and neither was he.

Raised voices turned into insults, both of you storming out of your bedroom and down the stairs as you reigned your anger in and told him to get out.

You could see Art from the front door, he must've came home at some point, focus taken from the TV as he watched you both scream at each other, boots propped up on your fucking coffee table which you told him not to do so many times-

And then your cheek was turning as this assholes hand met the side of your face.

You could feel your teeth clenching. Your face remained stoic, eyes burning with fury. You could see Art chuckling cruelly in the background, shoulders moving silently, incredibly invested in how this is going to play out.

It was only then did the asshole seem to notice a flash of black and white in the background, turning with an ugly scowl to the clown who now suddenly stood with a large smile, hands clenching and unclenching in anticipation.

He faltered, mild confusion and anger still evident in his scowl. An angry finger pointed in the clowns direction. "Who the fuck is that? You got a queue lining up after me, honey?" He spat the vile words at you, acidic and full of disgust.

You didn't have a chance to respond, lips quirking in mild amusement and eyes smouldered like a fiery, dark pit. The man scoffed, rolling his eyes at the demonic clown, before gazing back down at you with his lips snarling enough to bare his teeth.

"I knew there was something off about you, you fucking slut. Too proud to put out and, let's be honest," the man gave you a slow, disgusting once over, "not much to look at."

Something in you snapped, but all that came out was a gentle, breathy laugh, your eyes shining and dancing with a peculiar emotion. You wonder what it reflected. Judging by the way Art tilted his head from afar, assessing, before beginning to chuckle to himself even more, it must've been something ominous.

"What the fuck are you laughing at, asshole? Want me to come over there and give you something to really laugh at?!" The man roared at Art from across the room, utterly furious, fists clenched until the knuckles turned white.

Art began pointing and laughing now, wide eyed and crazed as he nodded vigorously as though to say 'please do!'

Before he could, you gripped his arm gently; your expression depicted a mocking sense of disappointment. "I've ruined your night, and wasted all of your precious time." You huffed, throwing your hands up in the air in defeat for him, indignant at yourself. "And like you said, I'm really not looking my best, am I? I apologize.", you smiled sweetly up at him, eyes squinted almost cutely.

The man paused at your admittance, evidently not used to any woman ever agreeing with him. He relaxed somewhat, nodding to himself as though to say yes, you are the problem, not him.

Arts dark eyes bored into your form, entranced, unsmiling, deadly.

"I'll make it up to you."

Your smile spread eerily wide, slow and deliberate and full of glee, frozen on your face. There was something ominous about you, mouth spread so far it looked as though you were doing a poor imitation of how a human should smile. It was too wide, too happy, unnatural. Slowly, you made your way to the kitchen.

The man appeared shocked and faltered, squinting at you as though to decipher what's going on. It felt like his eyes deceived him, searching desperately. Did he hear wrong? Did he miss something? Turning back towards the clown for some semblance of an answer, he seemed to have vanished. There was no trace of him ever being there, and there was no sound.

All was too silent, too calm, and it made his nerves stand on end, unsure, horrifically uncertain about everything he had just witnessed. He needed to leave.

The man tensed, back stepping at the sudden eeriness. It was so quiet, in fact, that part of his mind doubted that he had ever spoken to someone in the first place. Shaking his head, he turned to leave. There had to be a logical explanation for all of this. Without another thought, he turned and made his way to the front door.

His keys suddenly dropped to the floor from his hand. The sound was loud, and would probably shock anyone out of a daydream. Though, a second later, the horrific cry that surely tore his vocal chords was loud enough to make it evidently clear that this was all very real.

If not that, then the knife embedded in his back surely did.

The life that had been temporarily drained from the house now sprung to life viciously, all at once.

Gripping a fistful of his hair, you dragged him roughly through your living room, kicking him so hard in the chest he convulsed, air struggling to enter his wheezing lungs. Blood covered his chin, eyes wide and unable to comprehend these sudden events; Questions swirled in his horrified orbs.

Lips curling in disgust, you jumped on top of him and began violently beating him. The man struggled hard, trying to buck you off of him and attack you back but to no avail. You were as immovable as a wall, face stoic and nonchalant as the man flailed back and forth, desperate to escape.

His eyes were wide, terrified, blood pouring down his face. In a flash, you held his fist tightly, catching it before it could make contact with you. You began to chuckle, mirth dancing in your irises, squeezing so hard you could feel the bone snapping.

It wasn't normal, this level of power, but it felt so beautifully natural to you, something dark and radiantly evil crying out in glory at your actions, delightfully satisfied.

He roared in pain, tears involuntarily streaming down his face, hand mangled and deranged looking as he cradled it to his chest. He shuddered violently, eyes wild in horror. "What the fuck are you?!"

"Me?", you thought aloud softly, bloody hand to your chin contemplatively as you stared up at Art, who was so suddenly by your side that it made the man flinch and choke on his breath in fright.

"I'm a..slut, right? That's the word you used?" You looked at the man for confirmation, who shook his head swiftly in regret, face contorting miserably as he realized his grave error. He began to sob.

You gazed up at Art, who was clenching his hands rhythmically again, laughter shaking his shoulders. There was more than satisfaction at watching this asshole get beaten; almost a hidden connection of evil sparking between you both. He was corrupting you, but you yourself made these choices. You, avidly, enjoyed this outcome.

"Is that right, Art? He said slut, didn't he?", you hummed in thought, scratching your head for an answer. Your crimson hands dyed your hair a terrifying red as you curled a lock thoughtfully between your fingers.

Art nodded slowly, unable to take his eyes off the way your blue orbs became corrupted, like sediment contaminating a clear pool. They shined as black as his now.

"It's funny," you began with a dreamy sigh, eyelashes fluttering back down at the miserable sight below you. The whites of your eyes appeared disturbingly bloodshot. "For being such a slut, I haven't managed to get a good look at you yet. We didn't get too far earlier, did we?"

The man below you was hyper ventilating now, shaking his head furiously, knowing and fearing where this was going. His mangled hand joined the other in what looked like to be a feeble prayer, chest rising and falling rapidly. "I-Im sorry! Youre not a slut, you're--youre stunning and I'm so, so fucking sorry--"

Your act dropped then, eyes dead and void. A sense of dread hung heavy in the air for this man; There was no way out, and no amount of pleading would change that. You lifted your knife carelessly in the air, twirling the weapon hauntingly. The look the man gave you would stay in your memory for a while, it was full of pure, unadulterated terror.

You brought the knife down, slicing in his groin. The man screamed so loud you thought his vocal chords had torn. Blood pooled around you, soaked you, bathed you in a pretty crimson to match your nails.

Art was a hysterical mess, hunched over and pointing and laughing, miming a condescending, fake sobbing at the pathetic man. He held a sinister mirth in his eyes, absolutely buckled.

Grotesquely, you dug your hands into the gaping wound you had made in the man's genitals, rummaging around with the sounds of squelching blood permeating the air. Finding what you were looking for, you held it up high between your finger and thumb, expression holding that all too familiar disappointment.

Your lips quirked, "Not such a big man now, are you?"

Art was rife with laughter and joyfulness, and before you knew it, your giggling turned into cackling, blood smeared all over yourself as you held your stomach, tears falling down your cheeks in sick, dark satisfaction.

You hadn't laughed this hard in years, hadn't felt this liberated and happy in a while. Everytime you calmed down, giggles becoming quiet, Art would hold up the castrated organ absurdly, wiggling it like an ugly worm with a look of surprise on his face, eyebrows high and mouth open, and you'd be on the floor cackling madly once again.

It must've been a grotesque sight, you on your knees upon the floor, blood sinking so deeply into your clothes you wondered if it would come out, wiping tears of laughter away only to smudge deep streaks of red across your cheeks. You looked like an animal, rabid and violent.

Art gazed down at your crazed form with a smirk of satisfaction, chaos swirling in his eyes. It was as though he had been waiting for that part of him to corrupt you, for your anger to explode, for your unhinged desires to manifest.

After some time, everything fell peacefully quiet. It was comfortable, and dare you say amicable. Your breathing was the only sound in the room, slowing down as you gazed down at the way your feet were absolutely soaked red.

Leaning back on your hands, you caught sight of the demonic clown with his arms folded, leaning against the wall. He seemed serene, no longer smiling but definitely not frowning either. His black eyes perused the coating of blood on the floor, making their way up to study you deliberately.

His stare was intense, and you couldn't stop your cheeks from lifting upwards into a smile. Pushing yourself to a stand, you grimaced at the mutilated body on the floor and shivered in disgust.

You nudged at the corpse with your foot, cringing. "Maybe mortal men just aren't for me, anymore. "Though," you began as an afterthought, "even if I had a boyfriend, you'd probably kill him anyway." You sighed, fully acknowledging this.

You weren't even aggravated by that fact anymore. It would've really angered you once, but what's the point? You and Art seemed bound together forever, by the looks of it. You couldn't imagine him sitting idly with another person in the house. But then again, neither would you.

Art deliberated, gazing upwards in brief thought, before shrugging too. Yeah, probably. Just to get under your skin, mostly. And maybe an inkling of something else. He finally nodded, eyes staring down at you from his nose, like an old librarian with their glasses on the end of their nose. Snobbish. He had a reputation to up hold, you know. His nonchalant expression read 'well, you're not wrong.'

You scoffed, though offered a small smile nonetheless. He was amusing. For a silent clown, he was awfully verbal with his theatrical ways.

But now you began to think solemnly; What you just did - the killing, the maiming, the castrating - was vile. It was unforgivable, sickening. Your human half knows this, and something is conflicted within you. It felt like two halves of yourself were at war.

Even still, you felt joy. And you know that's wrong, and it's absolutely maniacal. But what's even more astounding is right here, on a late Saturday evening, you and that stupid clown stood with an air of tranquillity and comfort, together. If this was two years ago, you'd be within inches of maiming each other.

Like a domesticated couple, Art got to work on disposing of the body, dragging it with ease to your back door, before disappearing. It left a streak of smudged red on your tiles. You got to work cleaning, rolling your sleeves up as you hunted for something to make your floor shine again. It took a while, but he was gone for some time anyway.

By the time everything was relatively tidy, it was past midnight. The stain on the floor had disappeared thankfully, and you felt refreshed after a hot bath, changing into comfortable pyjamas and fluffy socks.

You sat in your bed, blankets pulled comfortingly up to your stomach. Your bedroom was filled with dim lights, and they had their necessary effect of making you feel content.

You had chosen a random film to watch on tv. It didn't really matter which one because your thoughts were otherwise occupied. It played serenely in the background, but something was bothering you.

A part of you felt slightly deflated. You were still undeniably frustrated and borderline desperate to have this desire quelled within you, and now that you had a moment to yourself, it barrelled to the forefront of your mind.

It was a ridiculous feeling, but you couldn't help that you were so pent up. Maybe you were ovulating. That did tend to make your hormones go haywire.

Even still, you hadn't long killed a man. It would be wrong to..indulge after that, wouldn't it? You pursed your lips in thought, two sides of yourself fighting menacingly. You couldn't tell if your good was being corrupted, or if Arts evil that had tainted you had brought out repressed, dark feelings that most humans surely kept hidden.

You didn't feel guilty, which was peculiar. Your nature before meeting Art often held a lot of empathy. You could feel yourself shifting, but you could never pinpoint the change until it had already been demonstrated. From the way Art pierced his black eyes into you, you bet he could see the transformation easily.

Your thoughts were interrupted as the background noise of the TV suddenly became incredibly interesting to your brain. You paused, peering at the TV as the sounds of quiet gasps and sloppy kissing filled your room.

It wasn't even particularly erotic, but..

Even just the sounds had your pulse increasing ever so slightly. In your desperate state of mind, it was easy to imagine how that messy kissing felt, tangled up in somebody else, remembering the feel of bolts of arousal shooting down your body in tingles as it became more passionate, more eager.

You were in a trance, frozen as you watched and drank up every detail. Male hands gliding down a womanly figure, cupping her heavy breasts and listening to the shaky inhales and exhales she made, back arching into his hands needily.

You felt a hot warmth bloom in your abdomen, a pulse beating steadily between your thighs. How were you so affected by this? You weren't even just mildly turned on, you were in a state of full blown arousal, a stickiness oozing between your legs. You felt like some of that was from earlier, mostly from the anticipation of sex rather than the futile attempts that asshole made on you.

The image now depicted the man positioning the woman on her hands and knees, readying her. You gripped your blanket, wanting so badly to be touched like that again and actually enjoy it.

Your eyes were fixated on the screen, hyper analysing every detail you could take in. The world around you faded.

The actor on screen gripped the woman's hips roughly, situating himself behind her. He gave her no time to prepare before sinking in slowly, and you watched the way her lips spread open in a quiet moan, brows furrowed and chest rising and falling rapidly.

A wave of heat flashed through you, making you warm enough that you had to kick the blanket off your person. What film was this? It was incredibly pornographic, not that you were complaining..

Your bottoms were next to go, tossed haphazardly to the floor; you were sweltering. Granted, the room was far too warm anyway, but what you were witnessing on screen had you in a completely different state of over heating.

All you had on now was a pair of black, silky underwear and an oversized top. You felt dishevelled, and sighed as the scene ended far too quickly for your liking and the TV adverts started to play.

You watched on in boredom as Christmas adverts began popping up colourfully with the sound of bells ringing. You felt mildly irritated, your arousal fizzling considerably, but still prominent. You were left with the sticky reminder between your thighs, head lolling back against your bedframe.

Your head rolled to the left, eyes staring down your nose at the sight of your bedside drawer. Specifically, the one that held a lot of intimate objects. You felt a little cautious using the vibrator because knowing Art, he'd curiously come up to see what the noise was; he seemed to have acute hearing.

But if you went under the blankets, vibrator hidden between your thighs, there's no way he'd hear that. Your door was firmly shut and the buzzing was incredibly muffled under your duvet. You'd be quiet and keep it on the first setting.

You were astounded once again at just how wound up and sensitive you are, vibrator delicately touching your clit as your phone displayed a pornographic video.

The cock on the screen was a good size, and as you watched it's girth spread the woman's puffy labia, a sudden desperation gnawed through you. You pressed the vibrator onto your clit more directly, the bottom of your t shirt caught between your lips as your tits jutted out prettily on display, nipples pert.

You bit down on the fabric to quell your whines of delight, breathing sharp and fast through your nose as the vibrating against your clit became over whelming, body alight with a white hot fire that spanned from your abdomen down to your toes.

Your sodden hole clenched needily, you wanted to be filled but you needed a man to do that. You wanted to receive a worthy dick that would split you in half just like the woman on your small screen.

The scene changed abruptly, and what was shown next had your hips bucking desperately into the vibrator, teeth now clenching the fabric hard as your breathing became heavy through your nose, pleasure intensifying.

The man had the woman on her knees, his member shoved ruthlessly into her mouth as he gripped a fistful of her hair and used her like a toy. Saliva decorated her mouth, and you watched with rapt attention as the mans heavy balls slapped her chin; it all seemed degrading, but..

A moan escaped you, muffled, and your back arched as you moved a hand between your thighs and touched the outside of your entrance; you were absurdly wet, sinking straight through your underwear and smearing your inner thighs.

You so desperately wanted to grab the dildo from your draw and push it deep within yourself, hard, but you refrained. Your climax was approaching anyway, and you could hardly stop yourself from whining at the thought of being the woman on the screen, sucking a hard dick as you made a messy pool of wetness below you, begging to be split apart.

From there, it was a hasty descent into blinding pleasure, your wariness dimming as low moans escaped your lips. Your eyes were shut now, permanent soft frown creasing your eyebrows as you were so close to your peak, cresting at the very precipice--

A loud bang resounded in your room, loud enough to drag you out of your delirious stupor. Your eyes shot open in annoyance, wondering if you had kicked your remote control off of the bed, but then your blood turned to ice in your veins.

In fact, you sat so absurdly shocked that all movements ceased, eyes wide and unblinking at the now ajar door of your bedroom which you definitely, without doubt, unequivocally, had shut earlier.

You blinked rapidly, vibrator dropping from your hand. It buzzed obscenely on the bed with a sheen of lubrication covering the tip, but you hardly registered it.

The door was less than halfway ajar, your dark hallway the only thing you could see, and..

A hand flew to your mouth in utter mortification, cheeks flaming crimson. You felt dizzy with a multitude of emotions.

A messy, hand written note was celotaped to your door. In jagged, capital letters spelled 'Art was here'. With a crude, childish winky face drawn beside it.

Your breathing increased suddenly, limbs shaking with not only the almost-orgasm you were about to receive, but also the unusual fluttering of your stomach in nervous humiliation and something else.

You felt severely perplexed, biting your nails as you tried to reminisce, tried to pinpoint when and how he had opened the door without you knowing and celotaped that preposterous note to your door. How was that even possible?

Clearly, Art wanted to grab your attention just as you were about to orgasm, most likely banging your wall from the hallway, hard. It sounded like a picture frame had fallen.

That made sense. At the very least, one thing did. But what about the rest, how was he able to furtively open your door, noiselessly, undoubtedly watching you?

You bolted up straighter, eyes darting around anxiously. Oh my God, he hadn't just intuitively known you were touching yourself, he must've heard something. Were you loud? You couldn't remember, you were so dazed.

Your mind created pictures of your thoughts, envisioning him opening your door just a crack and--

Your hands covered your face. You were so embarrassed. Had he been watching you? He surely had. And alongside this humiliation, why did you feel a flutter of nervous excitement roll through you? Were you so depraved?

Your hands kneaded your blanket, gripping handfuls and releasing rhythmically. Holy God, Art had made you feel many things over the years.

Hatred, annoyance, recent joy and laughter, fear, anxiety, you could go on and on, but this?

This was something new. And yeah, maybe he only did it to get under your skin. What better way to mortify a woman than catching her red handed, touching herself, and calling her out on it?

But..

Your thoughts took it a step further.

Was there..any other reason?

You bit your lip in contemplation, arms wrapped around yourself comfortingly. At some point over the past two years, brief thoughts of the demonic clown had entered your mind, fleeting sexual thoughts that left as quickly as they came.

Because, well, you were evidently desperate at this point. And he had a certain charm about him, once you got passed the ire you once held for him. And he was a man, or in a man's body, anyway.

Your mind swirled with questions, dirty thoughts, and unending embarrassment each time you realised he probably saw everything that you did.

And he probably saw the way your teeth gnawed into your shirt to silence yourself, heavy breasts poking out beneath, fully exposed, expression one of unbridled, desperate pleasure.

Your heart beat felt like it was in your ears, anxiety high. The door remained open for a reason. He wanted you to come out, and then wanted to absolutely humiliate you.

You got along a lot better now, as evidenced earlier, but that didn't mean that he'd stop messing with you.

Begrudgingly, you knew that even with your enhanced abilities and strength, you were no match for him. If he wanted to truly be hidden, he would. If he wanted to truly be swift and unseen in his movements, he would be.

You often found your bizarre abilities only worked when you were angry, or felt some sort of negative emotion.

Otherwise, you were just a regular human, having no control over that shard of terror that lingered within you from your rebirth.

Steeling your nerves, you took slow steps towards the door. You were still clad in your long t shirt and fluffy socks, and schooled your expression into one of stern stoicism.

You couldn't avoid that asshole forever.

Gripping the door handle, you stepped fully into the darkness of the hallway, enveloped. Standing still for a few moments, you realised he obviously wasn't outside your door, waiting to terrify you.

Swallowing nervously, you made your way downstairs. The stairs groaned and creaked like they always did, but it sounded absolutely deafening to you as it signalled your descent.

Out of everything that he had ever done to you - from killing you, to breaking your bones, stabbing you and everything else - this made you feel the most vulnerable.

Your living room was pitch black, not a single light illuminating the area. You held your breath, listening as intently as you could.

Silence.

Your throat felt too dry to call out to him. You knew your voice would shake, your words would stammer. It would make the situation even more shameful, so you remained quiet.

Your eyes surveyed the living room in darkness, honing in on any unnatural shadow that seemed a little too eerie; he wasn't here. That frightened you more than if he had taken this moment to jump out at you.

Uneasy frustration welled up within you. Not only had your pleasure been ripped away from you, your legs uncomfortably sticky, but now you felt incredibly exposed.

Inhaling deeply, you glared holes into your kitchen door. Two things could happen here: Either he was in there waiting to scare the hell out of you, or he wasn't in there at all, making you more on edge.

You pushed the door open, trailing inside with faux confidence, switching the lights on.

Nobody was here.

If anything, the kitchen was still surprisingly how you left it earlier - clean. Eyebrows drawing together into a scowl, you grabbed a glass of water, chair screeching as you took a seat.

Art must've pulled that trick on you and then promptly left, entering the night to no doubt destroy another victims life.

Brushing your dishevelled hair out of your face, you sat back against the chair defeatedly. Well, your emotions aren't going to change what's already happened, and you'd have to face that asshole at some point.

Evidently, tonight was not the night.

Glancing at the clock, you couldn't believe that it was already 3am. Your eyes felt heavy, your limbs felt weary and you were burnt out.

Peering around the kitchen, you realised that you must've left your phone upstairs.

That's fine, you needed to sleep anyway. Pushing yourself to a stand, you trudged sleepily up the shadowed stairs, rubbing at your burning eyes with the back of your hand.

You felt content at the moment to sleep off the crazy events of the day and worry about them tomorrow. Your door was open, just as you had left it, and the comforting glow of your warm lights that emitted from inside welcomed you with open arms.

Stepping into the safety of your room felt relieving, and as you turned back to close the bedroom door firmly, you came face to terrifying face with a chest.

You froze, mind pausing in fright at the sudden, tall body that blocked your doorway. You blinked rapidly, face displaying astonishment, and snapped your head up at the perpetrator, wide eyed.

What stared back down at you made caution well up inside you. Art stood tall, appearing out of thin air clad in his absurd Santa costume. It suited him, and the bulky material only served to make his structure appear even bigger, more menacing.

Your eyes fluttered up at him with uncertainty, darting rapidly between his face and his chest as you struggled to maintain his intense eye contact.

The clowns face was all sharp contours, edged smile of amusement plastered to his face as he leaned his shoulder against the doorframe, arms crossed languidly across his chest, widening his overall structure considerably. Has he always been this big?

He watched you with a wide, salacious grin, eyes alight and unwavering, and from the glint in his eye you knew what was about to come.

You swallowed, feeling your mask of neutrality betraying you as your body heated up, displaying a pink hue to your complexion. You didn't know what to say, how to act. Art could see this, the way you'd open your mouth only to close it, eyes darting around nervously.

You were usually so full of complaints, insults and incredibly argumentative when he had 'crossed the line', as you so often called it. As he so often did. Since your rebirth, you were all fire and wrath, near enough ripping his head off for something as simple as leaving a bloody mess on your floors or your door handles, if he didn't clean it anyway.

Of course, Art had begrudgingly agreed with you long ago to cease the truly harsh fighting, but that didn't mean that you didn't bicker, in a sense. He liked your ire, the way your teeth would grind together in anger, the way you'd go into an absolute fit if he threatened to childishly mess with your makeup and clothes, or anything you held valuable, really.

It was funny, and he knew you secretly got a kick out of it. Once the cat and dog game was over, you'd snap back to being a sweet, little human. It was interesting, and so amusing.

But this? Art peered down at you deliberately, perusing your flushed exterior with a smug, self satisfied grin.

He had been looking for new ways to get you to crack. So far, everything annoying he did was met with your aggressive screeches, and that was fine. But he needed something juicy, needed something that would really bother you, rile you up.

For a while, he struggled to find anything. He couldn't go too far with his schemes - you were both bound together, after all, so that would be met with futility.

He truly enjoyed bothering you, that was true, but his methods got boring. What could he possibly do that would make you think twice, or go silent? What would really shock you, make you revert back into your humanity, so full of emotion?

As a point of reiteration, he could have done many crude, evil and horrific things, but he couldn't because of your peculiar connection. So, he had to settle for something that was..bearable to you, but also astounding.

He came across this opportunity by pure chance. He knew what you got up to behind closed doors, you were a needy thing, but he didn't really think twice about it. He kept the knowledge of it quiet, however, just in case he ever needed to utilise it for fun.

It didn't interest him, initially. He enjoyed inflicting pain, mentally and physically, so the fact that you would so often touch yourself to induce pleasure wasn't particularly within his territory of fixations. He had other things that kept him occupied.

However, hearing your laboured breathing and quiet little moans had piqued his interest on this particular day. He had no reason for that, other than the simple fact that he wanted to spy on you. It was an urge that came by on a whim; it meant nothing, it is nothing, but Art often acted spontaneously on how he felt in the moment.

Mortal flesh did so often have its urges.

And a light bulb certainly lit up within his mind - this was the perfect way to humiliate you.

He had watched the way you gnawed at your t-shirt to keep quiet, pretty pert tits on display as you brought yourself closer and closer to completion. Art had grinned wickedly at the scene, hands fisting and shaking in excitement at the thought of never letting you live this down.

But, upon watching further, witnessing the way your head lolled back pleasurably, back arching and legs splayed wide in pure need, he couldn't deny the barely restrained desire to storm in and tease you until you were wracked with sobs.

Art had frowned in puzzlement at that feeling - it was incredibly rare for him - but his smile soon returned, shrugging as he accepted his feelings. If anything, this would only serve to embarrass you even more, he thought.

And now, dark eyes trained on your rapidly warming face, Art was enraptured by the amount of emotion that seemed to demonstrate itself. Your expressions changed quickly, and the details were minuscule, but he could see you entering a vicious cycle of bewilderment, embarrassment, anger and self consciousness.

It was as though your brain didn't know whether to lash out or guard itself. It was entertaining.

The silence hung heavily. Arts position remained the same, leaned casually against the doorframe, and yours remained as rigid and tense as ever. Your mind felt muddled. With a slow breath, your expression fell flat. Even still, you couldn't look him in the eye, and instead glared heavily at his chest.

"Stop it.", you began with a quiet, indignant scowl, chastising him. Your eyebrows drew together, so incredibly uncertain. His eyes bored holes into you and it was making you squirm. You were too stubborn to turn away.

Even still, you'd admit defeat temporarily. You didn't have the energy to battle him right now. With a huff, you turned on your heel and made your way to the bed, exasperatedly throwing your arms up into the air.

"Fine, stay there and stare all night for all I care; I'm tired." But you did care, didn't you? It gnawed at you.

Barely making it to the bed, you stopped abruptly at the sound of fingers snapping at you once, twice, seeking your attention. With a roll of your eyes, you slowly turned to look at him, expression thunderous. "Art, I'm not in the mood for this, and-- is that my phone?"

You barely breathed the question in masked panic, eyes wide once more as your phone dangled teasingly from his fingertips, wide grin stretching impossibly further.

The clown shrugged softly as though to say 'maybe', shoulders beginning to move rapidly, rising and falling in laughter as he held a hand to his mouth in faux astonishment at whatever was showing on your phone.

He feigned a look of bashfulness, fanning his face for a moment, eyes fluttering, before pointing and laughing at you some more. Your face twitched in it's attempt to remain calm and neutral, but Art could see right through you.

Covering his eyes obscenely at whatever was on the screen, but still very clearly peeking through the gaps in his fingers, Art swiftly turned the phone around so you could have a look.

That's when your mouth went dry and heat began to pinken your face even more. On the screen displayed the porn you were looking at earlier. You must've forgotten to close the tab, leaving the video running.

The volume had been turned up far too loud, the sounds of slurping and moaning vibrating through your skull deafeningly. A woman on screen had her hair gripped hard in a fistful, the man above her sliding his thick length between her lips. The sounds were filthy, and so so loud. You gripped the sides of your face loosely in devastation.

This time, you stormed up to him furiously, lunging and making a grab for your phone. "Stop it!", you repeated, shrieking this time.

You missed the phone entirely as he lifted it higher. You seethed, teeth clenched in frustration as the sounds continued, except now they had increased exponentially. From the way the screen turned down at you, you could see the man lifting the woman's thighs over his shoulders before he--

You shook your head furiously, shame blooming deep within your chest as you roughly slapped a hand against his chest for leverage, trodding onto his boots on your tiptoes to try and make another grab for your phone.

The attempt was futile, art was so tall and his arms were so long that you could never reach it. Your body was pressed up against his own, stretching high to make even minor progress in retrieving your phone. You could feel your anger boiling, scowling as you reared an arm back and aimed a punch for his sternum.

Everything happened incredibly fast after that. Before you could make contact, your forearm was gripped hard, your body was spun and your arm was wrenched behind your back.

You yelped, back pressed firmly to his front. You jerked side to side rapidly, releasing a cry of frustration in your attempt to get out of his iron grip, but to no avail.

"Let me go right now!" You attempted to sound demanding and aggressive, but it came out whiny, your voice shaking. You could feel the clowns body vibrating with laughter behind you, hand so tight around your arm you couldn't move at all.

On any other day, when you and Art would undoubtedly get into situations like this due to his pestering, you had a far better chance of escaping because you were often angry.

But today, you felt..more vulnerable than anything. You felt so puny, so small and human and fragile. It was a dirty trick on his part, and it prevented your usual unnatural strength from bursting forth.

Well, even with that strength, you don't think you could truly win against Art anyway.

Tossing back and forth regardless, you huffed and cursed at him repeatedly, knees slightly bent from the way he held you tightly and put pressure on you.

"You're a fucking asshole!", you seethed, practically feeling the mirth roll off of him in waves at your predicament.

A strong hand wrapped it's way around your delicate jaw, holding firmly but not painfully. Your head was pushed upwards almost playfully, fingertips tickling the underside of your face.

You met your own scowling expression in the body length mirror that decorated your wardrobe doors. It was as long as the doors and just as wide, giving you a clear view of Arts smirking face hovering above you.

You took in your dishevelled complexion, hair a wild mess, face lightly perspiring and your long pyjama t shirt barely reaching just above your knee.

You were hunched slightly due to being immobilised, and the hand that cradled your jaw looked absolutely massive. It was big enough to crush your skull if he wanted to, big enough to easily smother your mouth and nose without actively trying to.

Your scowl had lessened considerably at this point, that vulnerable expression returning once more. From this view, you hadn't realised just how tall he was compared to you. He was lithe, but wearing that Santa costume made him fill out a little, appear wider.

On a normal day his size would swallow your stature whole, casting a shadow over you, but in that costume?

He looked huge.

The stark realisation of this, paired with the absurdly intimate way he had your back flush to his chest and his calloused hand wrapped around your jaw with a salacious smirk, forcing you to stare at him in the mirror - you couldn't help but flush.

You found that you couldn't look away, your head attempting to move only to have his grip tighten, his grin sharpening. He loomed above you like an evil blight, eyes dark and calculating.

The sounds of the video continued in the background, a particularly loud cry having drawn you out of your thoughts, and it caused you to flutter your eyes to the floor and away from his charcoal irises.

You couldn't deny the heat that began to flourish within you.

It only increased tenfold at the feeling of a firm hand slowly gliding it's way from your jaw, descending directly to your waist, then further to your hip, squeezing.

Your eyes widened, head snapping back up at the mirror in bewilderment. You were met with the sight of his rough hand caressing you, smiling all the while.

"What the hell do you think you're doing?" You spat rapidly in disbelief, words shaken and sounding far weaker than you would've liked.

He had never done this to you before. Art liked to cause pain, not..

Not this. Not any semblance of pleasure, of intimacy. Your lips opened in a quiet gasp, body tingling as the heat of his hand drew circles along your hipbone before delving lower.

You jerked in his grasp, flushing heavily at the sight of his hand gliding lower and lower until his fingers played with the hem of your t shirt.

"D-dont you dare!", you squeezed your thighs together, body squirming against him with struggle. He had long since released your numb arm, and instead opted for wrapping a long arm around your waist, your head resting against his chest as his daring hand gripped the fabric of your t shirt and teasingly went to lift it, only to stop, awaiting your reaction.

His shoulders began to move with glee, chest vibrating. Your reactions were priceless as you squirmed and attempted to back away from his hand, only to back further into his body.

This infuriated you, your flushed complexion displaying panic and bashfulness.

Those mischievous fingers danced along your thigh, lifting the fabric once again, higher this time, before dropping it. His expression held one of mock surprise, lips downturned neutrally and eyes wide, eyebrows lifted.

"Don't-- don't do that! I mean it!", you whined miserably, heat encompassing your body. It caused him to pause, eyes snapping from your almost exposed thighs to your pleading gaze.

That sharp, predatory grin returned. The heat of his hand squeezed your thigh and slipped under the fabric, tickling the edge of your underwear, fingers playing with the intricate, laced detail.

Your breath shuddered, eyes wide, and you unconsciously moved a hand to grip at his wrist. Whether to push him away or pull him in, you didn't know anymore; you felt overwhelmed, and the way your chest rose and fell rapidly portrayed that.

Art snickered, unwrapping himself from your body and taking a step back, his boots thumping. With a playful roll of his eyes, he held his hands up in mock surrender, as though to reassure you that it was all a harmless joke, and attempted to smile softly, innocently. It made him appear all the more sinister.

You spun around on your heel, taking a step back yourself as you scrutinised his display of surrender. It was uncharacteristic. Despite that, Art shook his hands exasperatedly in the air, sighing as though to say 'it was a joke, don't you believe me?'

You shook your head slowly, lost for words. You couldn't speak, throat dry and mind racing. You wanted to run away.

Art rolled his eyes up to the ceiling, before rolling them back to you dramatically, grin plastered on his face. At your retreat, he experimentally took a step forward, rather comical if not for the situation, and chuckled at your jittery self.

You furrowed your brows, not falling victim to this act anymore. You were going to kick his ass tomorrow, but for now you needed to retreat into the safety of your blanket, tail between your legs. "Get out.", you pointed towards the door sternly.

Arts eyes followed your finger to the door, before blinking over to you once more. His gaze swept over your form, head tilting in thought. He began to smirk.

Before you could react, Art leapt forward three steps, making you yelp and scramble backwards, narrowly missing falling over the edge of your bed as you backed your way towards the wall.

The clown snickered again, standing up tall and no longer doing that comical hunched appearance when he lunged at you. Now, he stood to his full height, back straight and stature big, before his boots thudded along your floor as he slowly advanced in a predatory fashion.

"I swear to God if you come near me--", you pressed yourself against the wall, watching his looming figure get taller and taller.

Your neck craned upwards, stare defiant as he hovered above. Heavy hands suddenly planted themselves violently either side of your head, crowding you in.

You flinched, blinking rapidly at the way he leaned down to become eye level with you. Your cheeks were pink again, eyes darting across his face for an answer to his weird behavior. What the hell was going on?

He was alluring, you thought, and it made thoughts race in your mind. Was he going to suddenly hurt you? Was he truly just playing? Was he actively flirting with you in his sick type of way? You had never fell this silent in front of him before. You needed to gain equal ground against this asshole.

"That's enough. What, are you interested in me now?", you scoffed, daring to lean forward into his space, face so close to his you could feel his silent breath; it was a front, you felt jittery even now, but you wouldn't allow him to mess with you any longer.

Art grinned, not at all reacting to your faux bout of confidence. He shrugged half-heartedly, wiggling his eyebrows suggestively. It left you dumbstruck. What he did next made heat spread so unbelievably throughout your body.

You were so flustered your head felt heavy, and it only increased tenfold as your wrist was gripped in his big hand, fingers limp and relaxed, before he brought the digits you had touched yourself with to his lips and slid them in slow.

You shuddered, inhaling sharply at this display of intimacy. His grip was slack on your wrist, seeming to omit to the fact that you could escape if you really wanted to.

But you didn't want to. The thought didn't even cross your mind, and his eyes narrowed in a knowing sense of smugness at that.

Arousal swelled in your lower belly, pooling between your thighs as Arts tongue danced between the seam of your fingers, the ticklish feeling sending tingles through your nerves.

Art peered down at you, mouth full of your fingers, his grin turning nasty as he bit them lightly. Despite the clear threat that he could rip them out of the socket, your eyes remained lidded, pupils blown wide and hand lax as you let him caress you with his tongue and teeth. Crowded so close together against the wall, he could hear your heart beat thumping.

Dropping your wrist from his grip, Art reached down, bending at the knees to hook two hands below your thighs. You cried out as you were lifted high, legs resting in his grip.

He did this with ease, as though you were weightless. Sitting down on the bed, he adjusted you so you could sit on his lap, facing away from him. You could see yourselves in the mirror.

Art hooked his legs between your knees and spread them open. You wiggled against his hold, embarrassed at your exposure. Your black, lacy underwear was displayed, t shirt bunching up at your hips. You couldn't bring yourself to snap at him to stop fucking with you because..

Well, you were eager, far more eager than you thought. Had you always harboured this feeling towards the clown?

You were crimson faced, lips quivering as you tried to make your expression as neutral as possible; He had you on his lap like he was actually Santa, and you were the one telling him what you wanted for Christmas.

The thought had you lowering your head in bashfulness. No innocent Santa would have you spread and bared like this one.

The expression Art made in the mirror was one of mock surprise, eyebrows high and mouth forming like a circle. Before you could even ponder about it, a large hand was brought down to your inner thigh, fingers inching their way further in, caressing the sensitive area before cupping your clothed sex.

You held your breath, staring stubbornly back at him in the mirror. His hand was warm, and you couldn't help but shudder at the feel of his hand trailing upwards slowly, dancing over your clitoris briefly, then your mound, and up to the waistband of your underwear.

His fingers dipped below the waistband, gauging your reaction, but you refused to give one. Cocking an eyebrow in curiosity, you felt his hand descend, lower and lower, fingers gliding over your silken lips before delicately resting over your hole.

You flushed darkly, gritting your teeth as Art made an even more astounded expression, shaking his head slowly as though to admonish you for the mess between your legs. His fingertips rubbed circles in the lubrication oozing out of you, dipping in slightly but never far enough.

A small sound escaped your throat, barely audible, but loud enough for him. A slow, smug smirk stretched his face wide, and you could only huff defiantly. "I-- That's not because of you! I was like this before you rudely interrupted, remember?" You pouted.

Art rolled his eyes, nodding his head in quick succession with a look of mock belief at your words. He knew you were lying and so did you. Then, with a sly grin, two fingers glided upwards towards your slippery clit.

You gasped that time, quiet but still embarrassingly deafening to yourself, gripping the fabric of his forearm tightly.

A tingling sensation flooded your system, your body shifting and legs widening. He continued to massage the area, direct and blissful. You bit your lip, unwilling to let him see how much you enjoyed this.

Art chuckled, shaking his head at you with a nasty grin, eyebrows low and cynical. His dark eyes swirled chaotically, full of challenge and amusement and something else.

Hand descending further into your soaked underwear, two fingers dipped into your slit, thoroughly lubricating his calloused fingers.

Art paused, winking at you in the mirror. You attempted to glare back at him in the reflection, but you lacked the effort, and instead your eyebrows were drawn together softly, lips parting as two fingers slid into you to the knuckles, delving deep and curling sinfully against your greedy walls.

"Oh!", you moaned, hips lifting instinctively. Art began to thrust his fingers into you deep and hard, listening to the lewd squelching and how it seemed to fluster you terribly.

The feeling was intense; you hadn't been properly touched in so long, so to feel his thick, rough fingers curling rhythmically within your hot core, it made your nerve endings sing and your hips buck.

You gripped his arm hard, gasping, body fully resting against his own, head lolled back against his shoulder. Arts shoulders shook with laughter, terribly amused by the sight of you falling apart, but he wanted more from you. He wanted to break you, he wanted to make an unintelligible mess of you.

You were so prideful, you'd never live this down.

A fist gripped your hair roughly, tangling the locks before his fingers began to pummel into you expeditiously. It was too much, too fast, and you couldn't help but kick your legs uselessly, crying out.

"Ah, ahh-- Stop it, too much--", you whined, panting as the sounds of your wetness became loud, thighs drenched. You could see in the mirror the way his hand moved ferociously, molding the fabric of your underwear.

Your pleas made him speed up, thrusting so hard and so fast you wailed, thrashing upon his lap and dampening the fabric of his costume.

This was what you wanted, you thought heatedly. You wanted someone to render you immobile, shatter your mind. The view of his sinister smirk boring holes into you was alluring, head forced backwards with the grip in your hair. It made heat prickle along your spine.

Your hips began to move with his fingers, desperately seeking more, any semblance of pride vanishing as you chased your high. Your constant grinding made you feel the thick, long length pressing up against your ass, and you couldn't help but moan wantonly, pushing yourself into it with need.

His hand was drenched in your fluids, and it made him snicker. If this was you now, imagine you later when he forced you to take his cock.

Suddenly, your underwear was torn off of you, exposing the image of his large hand going in and out, curling, and thrusting deeply. The visual was arousing, your eyes half mast and dilated.

Those sinful digits eased their way out of you, smoothing up the length of your puffy labia, cupping it soothingly. You sighed, panting lightly, body relaxed and pliant. His hand was hot and it made you feel content.

His palm lifted suddenly and jerked back down with a quick, firm slap. You jolted, wincing at the sting it caused, but before you had a chance to return back to contentedness, it struck again.

This time, it was sharper, and you gasped, scrambling to sit up but being forced to remain where you were as an iron grip wrapped it's way around your midsection.

Again, that firm hand slapped your sensitive folds, and you whined miserably at the pain and pleasure it caused.

Your lips were beginning to darken red from his assault, and yet you were still undeniably wet from his ministrations.

Your legs began quivering from the overstimulation, and you drew them together, trapping his hand. He seemed to let you, tilting his head with a quirk of his lips.

"S-stop tormenting me. Can't take it, not today. Please, just..", you paused, gnawing at your lip; you didn't want to admit to him what you really needed.

Art blinked rapidly, almost innocently down at you. He held a cupped hand to his ear, his other hand waving for you to continue, as though to usher you to speak the words he knows you're going to struggle to admit.

You pouted petulantly, eyes sparkling with unshed tears from frustration and the light stinging of your folds. Your peak had been building, only to be abruptly halted.

"No," you groaned weakly, "don't make me say it, you asshole." Your words lacked any real ire, and instead sounded exhausted. You were so pent up, so desperate at this point. As soon as the offence left your lips, two fingers began circling around your clit, refusing to touch directly. Art all but smiled at you patiently, face splitting with glee.

You sighed softly at the soothing pleasure, head lolling back against his shoulder. It felt so good, and you tried to buck your hips to make his fingers slip over your clit, but to no avail.

This caused you to release a frustrated whimper, feebly bucking your hips again, but this time Art stopped his stroking altogether, fingers hovering above the area you needed them most.

"No, I-I'm sorry!", you rushed out insincerely, desperate for his touch. You could feel tears dancing along your lash line, threatening to spill pathetically.

"Don't stop. I.. I need this so badly. Please.", you relented, biting your lip nervously, eyes fluttering to the floor in shame. You felt that familiar vibration; he was laughing at you.

Even still, the clown did deliberate. On one hand, he could continue tormenting you. That would be fun, and it was the initial plan, but even he couldn't deny his mortal desires. He had a strong threshold for such matters; he wasn't often interested enough.

If anything, he never paid enough attention to whether it was a man or a woman that he was maiming. That only goes to prove how disinterested he was in the whole affair of carnality.

This situation was unique, however. He was bound to a human he had once killed, who had just as miraculously as him managed to rise from the dead, and was stuck with you for ever. And, you are a woman. He couldn't damage you terribly, and he couldn't kill you. What better way to make you submit to him than by fucking your prideful, spiteful, hot-headed little self into the bed?

You were so easy to aggravate, spitting venomous insults and screeching in anger at him. That was all well and good, but he wanted to see the look on your face when he pummelled you dumb.

If death was out of the question, then immobilising you with his own body would have to do.

Gripping your waist tightly, Art maneuvered your body with ease, spinning you in his lap until both your thighs sat either side of him. A hand held your lower back firmly against his body, standing up halfway to tug down the bottoms of his Santa costume. They fell to his knees, and he promptly sat back down, grinning.

You hovered over his thick length, flushing red in anticipation. Hands finding leverage upon his shoulders, you let your wet lips rest against the tip, shivering as you did.

He felt big. You hadn't really managed to look at it, but from the feeling you knew he was going to split you open.

He seemed to be barely touching you, grinning cheekily as he awaited your next move. His cooperation made you uneasy, you wondered what he had planned.

The thought disappeared swiftly as you bared your hips down onto him, letting the tip nudge past your swollen lips, sinking in an inch or two.

You inhaled sharply, feeling the beginning of his girth and pausing in your descent. "I-I haven't done this in a while and you feel--mmm-," you bit your lip, sinking down a further inch, your insides pulsating and stinging.

You squeezed him tightly, walls rippling and attempting to mold to his shape. You gasped again, lips parting in surprise as you lowered slowly, delicately, his size stretching you.

You gripped his shoulders, fabric bunching up in your hands. Your thighs were shaking from the effort it took to descend patiently. Even with how wet you were, his hot length dragged against your insides, another inch being enveloped in your tight heat.

"Nng, its--so big", you breathed shakily, eyes glistening again. Art observed your pained expression in awe, smirking and winking at your compliment.

Two hands held your hips tightly, fingers digging in to the delicate flesh. You sighed delightedly at the contact, not at all preparing yourself for the sinister spark in the clowns eyes, before he slammed your hips down into his forcefully, tearing through you and settling within you to the hilt.

You cried out woefully, arms instinctively wrapping around his neck as a pained sob was wrought from you. He could feel you shaking against him, panting against his ear, and couldn't help but chuckle nastily at your pain.

"W-wait, I need to adjust--", you began softly, voice quivering, but was given no time as Art lifted you up to the tip then dropped you back down. Your soft ass slapped against his lap, a horrible pain mixing with pleasure inside of you.

"It hurts! You're too big--!", you whined pitifully, tears dripping from your eyelashes. You gripped around his neck hard, body contorting in pain, shallow breaths hitting his ear.

Art knew this. You were so tight he had to grit his teeth, but he revelled in the concoction of pleasure and pain that wracked your body. You were too weak to fight him, trying to lift yourself off of him only to collapse back down, crying out as he filled you again. He could feel your tears soaking into his costume, and it made his cock fill with blood.

You were so full, the stinging sensation unbearable, and as he lifted you again, dragging your sodden hole off of him, he thrust up into you, letting your hips drop as he met you halfway and slid in.

A surprised moan was torn from your lips, a boiling heat enveloping your body as pleasure tingled and spread throughout your nerves. Art enjoyed your pitiful, pained cries, but he knew that the pain began to melt away as your breathing went from shallow, pained pants to breathy exhales.

The stinging became a dull sensation in the background, your insides igniting blissfully as those strong hands lifted you up once more, sliding all the way out before filling you up rhythmically.

"Mmm, Oh-", you moaned breathily, lips permanently parted. You no longer contorted your body awkwardly and instead began to melt against him, curling about his form needily.

Your hips began to take control, moving up and down his rock hard length, eyes closed against his shoulder as he emptied you and filled you over and over, thrusting up to meet your downward motions hard, filling you deep.

"Yes--Oh--", you couldn't stop the noises tumbling out. He wasn't even doing much, merely meeting your thrusts, but he was so big and long and thick and mouthwatering-

"Need more", you whined weakly, nuzzling your face against his neck, the fur of his Santa costume tickling your nose. "Please.", you added softly, thighs shaking so badly you didn't have the energy to lift yourself up fully.

Instead, you lifted your hips half heartedly, attempting to at least try, feeling that over whelming pleasure every time he thrusted upwards into you.

Each downward pull made you needy, and each thrust had you seeing stars. You could feel the grin on his face beside your cheek, body moving with silent chuckles. You were so responsive, feeling those big hands trail from your hips and down to your soft globes, pulling the cheeks apart.

You could feel your hole opening, feel his rigid length sinking in even deeper. You realised that he could probably see himself driving into you from the mirror reflection, your sopping core on full display as it sucked him in greedily.

You peered over your shoulder curiously, lidded eyes honing in on the mirror. The erotic visual had you writhing in his grasp, gnawing at your lip as he stared right back at you, lifting a hand to wiggle his fingers at you.

It was weirdly humiliating, but before you could turn away to nuzzle back into his neck and hide, his hand was brought down sharply in a loud slap upon one of your round cheeks.

You gasped, lips parting as your gaze remained frozen on his slowly retreating hand, waiting with bated breath, before it bared down upon your jiggling flesh again, and again, and again.

Your body jerked each time, a gasp escaping upon each impact, but your eyes couldn't leave the sight behind you, infinitely aroused at how displayed you were, at how massive he looked below you.

Art soothed the red handprints on your cheek with a gentle rub, looking at you in the mirror with mock concern, lips pouting out at you as though you were the cutest little thing.

You couldn't handle the embarrassment any longer, and turned back around to wrap your arms around his neck, thighs giving out below you. Two hands returned to your ass again, before gliding up into you faster this time, one thrust after another, drawing longer moans out of you.

The increase in pace made you writhe upon his lap, mewling in delight. You let yourself be manhandled, swiftly reaching down to grip two hands at the bottom of your t shirt and rip it over your head.

Your breasts bounced free, nipples teased against his body with each thrust, igniting a white hot sensation directly to your clitoris. You moaned a lot deeper this time, mouth below his ear, gasping and mumbling pleas.

Art reached a fist into your locks and wrenched your head back, hearing you wince and watching the sultry way you bit your lip at his rough actions.

You finally made eye contact with him, face to face, your complexion a dark pink. You put up no fight against his hold, even as he wrapped his fist tighter and pulled your head back hard. Your neck was bared, and you watched those charcoal eyes drop smoulderingly to your jiggling breasts.

His teeth attached themselves to your neck, biting and caressing the column of your throat, before finding an appropriate area and sinking his teeth in hard.

You cried out noisily, the sound pleasurable but stunted by pain, sounding more like a yelp. The harder he bit, the faster he fucked you, and you were soon delirious on the pain and pleasure, feeling his teeth latch on harder and harder until warm liquid oozed from the puncture of your skin.

Tears dripped from your eyes, cascading down your cheeks as you hiccupped and sobbed, your neck pulsating painfully. You didn't fight him, so caught up in the way he split you open.

The demonic clown paused, drawing back from your bruised and swollen neck, eyes flickering from the blood trickling down to your collar bone, and all the way up to your sparkling eyes, tears streaking your cheeks.

You winced, hair still wrenched back, moaning weakly at the pain, your breathing turning shallow again.

A hand cradled your jaw, thumb wiping a stray tear, and you couldn't help but nuzzle into the warm palm, comforting and big. It wasn't often he got to see your tears. The sight made him want to make you cry more, spill those fat droplets from your eyes.

Art tilted his head a fraction, inquisitive at your display of affection. You seemed to latch onto him, needing to be touched, gripping at him and melting against him. It was a far cry from your usual self.

His fingers moved down to the puncture wounds on your neck, pressing onto the tender flesh and making more tears spring from your eyes. It felt bruised and the skin was beginning to rise.

Blood dripped down your neck, and he used two fingers to swipe a clean line up your neck, coating his fingertips in the red substance.

Your eyes honed in on his crimson fingers, alight with need. Art tilted his head the other way, deciphering, and burned his gaze through your intimate display as you gripped at his hand and brought his fingers to your lips.

You suckled the tips, cleaning the crimson off of him, before taking his fingers into the back of your mouth, lathering them slowly.

Your own fingers dipped into the wound, wetting the digits red, before you hesitantly brought them towards his lips. His thrusting slowed, eyebrows lifting minimally, a shard of surprise running through him at your carnality. Your blood was alluring enough to halt his ministrations.

Finally, that dangerous mouth opened, slowly enveloping your smaller digits, tongue curling around them sinfully.

Your stare was unwavering, blinking from his mouth to his eyes before settling on those wretched depths. They swallowed you whole, scrutinizing your own visage. His smiling had long since ceased, a stern neutrality overcoming him even as you drew your fingers back and wrapped your arms around his neck to press your bloodied lips onto his.

The urge overcame you, tongues battling against one another messily. The remnants of your blood mixed between your lips, a soft moan of delight escaping you.

You never thought you'd be kissing this maniac. It sent heat coursing through you, borderline delirious from the feel of being so wrapped up in a being that was so dangerous.

Your passion resumed, hips lifting enough to feel the drag of his dick in your tight heat, before gliding back down with a light slap of your ass against his lap.

You were so wet it began to lather your inner thighs, dripping down your legs and coating his balls.

Your desire began to reignite, no longer a simmering heat and instead increasing to a boiling wave that overcame you. You grinded your hips, breaking your lips apart to gasp at his depth.

Art became watchful of your eager display, letting you pleasure yourself with his body. You leaned back, arms around his neck and extended straight so that you still had some leverage, and moaned wantonly as your position changed and his cock began to stimulate that lovable spot deep within you.

"Oh fuck--mmm--", your head lolled back, tits bouncing rhythmically as you increased your pace. You could barely hold your moans in now, overwhelmed by the pleasure of his length hitting you just right.

Art recognized the increase in your pitch and the way your body moved desperately upon his, and grinned. He wiggled his eyebrows playfully, gripping handfuls of your jiggling ass and beginning to meet your movements with his own, fucking up into you hard.

"Yes, right there, oh my god-", your legs were no longer folded below you, resting back on your knees. You had swiftly moved them, sitting fully into his lap now with your legs extended either side of his waist. This added even more depth to his movements. You could no longer grind your body against his, simply taking whatever he gave you.

"It's so deep, oh-" you began to quiver, needing so much more,  but all he could do was smirk down at you amicably, as calm as ever, watching you fall apart as each thrust directly pummelled into that spot.

You felt like ripping your hair out in frustration, body squirming upon his own in distress. Each thrust was like a shot of an addictive drug, filing you up and making you feel so high, but you needed that unrepressed carnality that you craved.

Shaking your head with a pinched expression of dismay, you leaned forward to wrap your arms fully around his neck once again, head resting on his shoulder as you whimpered.

His rigid length bruised against your cervix, hands on your hips and holding you down just to get that inch deeper. You were shaking, exhaling little 'ohh's into his neck, eyes squeezed shut.

"Don't care anymore; Need it harder", you whined pathetically, warming his neck with your hot breath; you were starting to crack. "Please fuck me. Need you so bad. Making me feel so fucking good-Oh--"

Your waist was gripped in a bruising force, lifting your body up and down like a pliant doll, fucking you vigorously. Your sweet admittance sent a thrill through his body, so he supposed out of the kindness of his heart, he could cease his teasing. For now.

Art gave you a lascivious smirk, eyes twinkling mysteriously. With a slight shrug and a nod, he seemed to silently agree with himself that it was time to get serious.

The world around you blurred as you were thrown onto the bed, hips forced into position. Your body bared itself on hands and knees and you tentatively peered upwards towards the mirror, fists clenching into the quilt in anticipation.

You watched the large, looming clown settle behind you, swallowing your body whole. With a playful wave at your watchful gaze, Art thrust forward and buried himself within you.

Your breath escaped your lungs in a silent gasp, body lurching forward from the force as he held you in place and began fucking you deep and fast.

He didn't tease you this time. Everything that had happened previously had been leading up to this moment, and it was mind shattering.

Repetitive 'uh's and 'ohh's sprung from you at each thrust, his cock splitting you open well and good just like you've craved for so long. He felt massive in this position, your velvety insides hot and tighter.

Gliding out until the tip, he'd push back in smoothly, coated in your arousal. It drove you wild, the lewd smacking of skin and wet squelching that increased more and more as he drove in faster, harder.

Your knuckles were white from how hard you gripped the bedding, unintelligible praises falling from your lips at the way he made you feel.

" 'm so full, oh my god-", you cried almost lovingly at the sublime feeling of him tearing through your snug heat, near enough bruising your cervix.

With a cynical pout down at you, mockingly awed by your kind praises of his ample size, Art reached forward to grab a fistful of your hair, wrenching your body backwards so your back bowed enticingly. It made your ass look rounder, made it jiggle and ripple more against his unrelenting thrusts. It hypnotized him, his cock rock hard.

Your upper body was suspended by the hand in your hair, and you could now clearly see how ravaged you looked in the mirror. The looming Santa behind you dwarfed your figure, all jagged smile and wiggling eyebrows at your pleasured expression.

Your tits bounced prettily in the reflection, witnessing the way his normally piercing gaze faltered and darted down to the erotic scene, before darting back up to your face. His smirk appeared lascivious at being caught, and he gave a comical, light shrug.

For some reason, an infernal fire roared within you at that; This creature was evidently attracted to your feminine form. It made you moan louder, reaching forward to play with your round globes teasingly, jiggling them with your incessant fondling, biting your lip at him in the mirror.

You were becoming feral for him.

Art cocked an eyebrow, head tilted in rampant interest at your display. That same jagged smile returned, and almost as a reward, he leaned forward and circled two calloused fingers over your sensitive clit.

Your reaction was instantaneous, legs shaking and body jerking at the intense pleasure. It made you nearly collapse forward if not for the grip in your hair, his cock still relentlessly spearing you.

"Fuck, just like that, ohh--", you cried blissfully, shuddering. Arts expression appeared sternly concentrated on your exclamations and the way your body sucked him in greedily. His thunderous expression was terrifying, but it only served to increase the heat within you tenfold, your body pliant and melting into his ministrations.

He shattered your equanimity, your mind turning to mush and only thinking of his thick hands and his fat cock-

Your thighs were violently quivering, struggling to not collapse. Your moans increased in pitch, high and breathless and weak.

" 'M so close, your cock feels so fucking good and I'm going to cum, im--ohh!"

Your body was roughly dropped, a violent hand forcing you into the bed. Your ass remained high while your cheek laid itself upon the blankets, face contorting in mindless, pleasurable relief as those murderous hands gripped at your hips and began fucking into you so expeditiously you wailed.

His heavy balls slapped your clit with each filling thrust, teasing the bundle of nerves to the point your knees began to quake, on the brink of collapse.

"Fuck, fuck!", you shrieked in repetitive succession, breathing erratically as his thick, long, veiny cock fucked you so good that you just burst-

Your knees did collapse this time, but firm hands kept your hips situated perfectly to receive his godly pistoning. With a high, keening noise you didn't know you could ever make, so desperate and whorish, your pussy contracted and gushed.

Your thighs were soaked and dripping, your bedding ruined. You could feel the way his grip tightened bruisingly on your hips at the feeling of your insides pulsating steadily, milking him, demanding he fill you up like you craved.

Your self consciousness and any semblance of pride were shattered into a million pieces at the mind numbing euphoria you felt. It enveloped your entire body in a blanket and made you feel like you were floating. Your insides fluttered intensely making your breathing erratic and short.

Your face was forced even further into the bed as you reached two arms back, planting a hand on either side of your round cheeks.

With a flushed, fucked out visage staring back at Art from the way your face was turned on its side, you spread your enticing cheeks apart, moaning. "Need you to fucking fill me, need you to fuck me so full please please-"

Art couldn't deny the intense arousal that shot through his body and engorged his cock unnaturally further. Your dainty fingers spread your cheeks so far apart he could see the way your hole split around his length, the muscles parting forcefully at his intrusion. Your virgin, tight puckered hole caught his attention the most, and he moved a thumb to rub the area tenderly, a promise that he'd make you scream yourself hoarse the day he managed to fit his cock into that narrow passage.

You'd cry, he'd make sure of it, and the thought and the visual in front of him was enough to have him seizing your hips so strongly that they would bruise, fucking you brutally and hearing your sobs of pain and pleasure, before his hips stuttered once, twice against your cervix and a flood of hot, ropey squirts painted your insides.

He filled you so deeply it made your body think it needed to pee, if only to expel the amount of cum within you. It was unnatural, but he wasn't a mortal. If anything, the absurd amount made you melt dreamily into the bed, thoroughly fucked and bred and satiated for the time being.

You felt the clown retrieve himself, sliding out with a lewd squelch. Your hole gaped and quivered, his cum oozing out of you messily and coating your thighs. You moaned pleasantly at the feeling of two fingers scooping out the sloppy mess, coating his fingers with it before pushing them into your mouth. You accepted the gift, a noise of delight escaping you.

It made you want to suck his cock and have him fill your mouth until you choked. The thought was arousing, clitoris pulsating lightly as you reached down and rubbed it in lazy circles.

His body moved behind you, two hands gripping your ass cheeks before a hot, long tongue nudged your fingers aside and lapped at your clit. You moaned wantonly, pushing your hips back into his ministrations, feeling that heat invade your abdomen again, signalling another orgasm.

"Oh God, fuck, your tongue feels so-feels so--", you cried out as two fingers sunk into you to the knuckles, pushing the sloppy cum back into your hole dirtily, all the while his tongue lapped at and lathered your clitoris, licking broad, rough stripes up the bundle of nerves until you were a whining mess.

"Fuck, fuuuck, don't know if I want your tongue or your cock more, mmm-"

Art chuckled into your sodden pussy, eyebrows low and sinister. You were shameless, your pleasure ridden brain void of anything else other than the need to be fucked dumb.

A high pitched cry of pleasure tore him out of his condescending thoughts about you, his mouth drenched in your splattering orgasm. His fingers curled within you, brutally fondling that area that had you outright weeping into the pillows.

Little 'too much!'s and 'stop!'s were cried out to him desperately, your body convulsing as though you were possessed. Wiping his mouth, Art sat back and admired his work.

You were panting, pleading in a high pitched, pathetic tone. Your body was overwhelmed, tired and bruised, and Art sat back on his knees and thought for a moment, hand to his chin.

His eyes rolled up to the ceiling in brief contemplation, and then he shrugged, situating himself behind you again.

You whimpered at the feeling of him forcing his sturdy cock into your puffy walls once more. The sound you made was strangled and weak, drool dripping down your chin shamelessly, body losing function of itself. You were crying openly, brought deeper and deeper into a submissive sort of headspace.

He grinned sharply, his cock hardening at the sight of your pathetic state. He bet he could make your body lose all inhibition and piss itself. You'd be so ashamed, and he'd make you lick the liquid off of his cock; a good girl for Santa.

He began to fuck you, patting your messy hair adoringly. You whimpered and wailed, pleading for more, pleading for less. But he found that he wasn't finished with you just yet. You wanted this, didn't you? You told him so yourself.

With a comforting stroke of your hair, Art smiled mockingly down at you, pouting his lips out at your cuteness. He couldn't go back on his word; he was going to fuck you until you couldn't walk.

The comforting stroke of your hair turned sinister, gripping a fistful up to the root. Your pretty, wet eyes stared back at him over your shoulder, lips quivering.

Thrusting into you, your mouth opened in unbridled pleasure.

•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•

Epilogue

You had fallen unconscious. He had drawn orgasm after orgasm out of you to the point that you begged him to stop, crying so much that you couldn't breathe. Art adored your tears, awed and fascinated by them. The only reprieve you were given was your exhausted, slumped body falling soundly asleep. It was exquisitely blissful, but too much to bear.

You awoke with a weak groan, pushing yourself up to a seated position. You were naked in the blankets, but Art seemed to have the decency to clean you up slightly, your inner thighs dry and not at all the mess that they were a few hours prior. That was oddly sweet of him. And unexpected.

You wrapped a dressing gown around your body, wincing as you stood on shaky legs. Your insides felt battered and bruised, your hips dark with fingerprints. Making your way downstairs, your eyes were sleepy and lidded as you switched the kettle on to make yourself a coffee.

You had a moment of peace to yourself, or so you thought.

In came strolling that demonic clown, looking as fresh as a daisy and wide awake as he bounced preppily over to you, plonking his cup down beside yours in a silent request that he, too, wanted something hot to drink. Preferably hot chocolate.

He no longer adorned his Santa costume, instead dressed as he usually was in that monochromatic suit, face paint as immaculate as ever. He smiled down at you dazzlingly, or as brightly as a demonic entity could, patting your head like you were a golden retriever before grabbing the hot chocolate that you had barely stirred with your spoon and taking a seat at the table, newspaper in hand.

You eyed him warily, exhausted, and felt a small amount of embarrassment flourish within you at how normal he was acting and how drained you felt and looked and..

Not to mention the memories of last night either. You promptly locked them away in a box and threw away the key for now.

You reached up to grab a box of cereal from the shelf and sighed. You couldn't be bothered to eat right now, even though your stomach was grumbling noisily.

What you didn't expect was for a white hand to flash in your peripheral, grabbing it for you, before gripping your hips and spinning you to face him.

The pressure on your hips made you visibly wince, and Arts expression turned to one of shock, mouth an 'o' and eyebrows high. You frowned weakly at him before pushing his hands off of you with barely any effort behind it.

"Hurts." You pouted up at him, shaking your head lightly. You felt so weak, you really needed to replenish yourself and eat something.

Art cooed down at you, pinching your cheek lightly. You scowled now and moved away from him, thoroughly drained. He could sense that your usual fire had been doused at the moment, and held a finger up to represent a lightbulb moment.

Before you could contemplate it, you were picked up bridally and sped into the living room, making you squeal and giggle breathily. Art dumped you onto the settee, turning the TV on and putting on a horror film.

He jumped beside you, blanket covering both yours and his legs, and you couldn't help but smile dreamily at him.

He fucked you good and hard last night, and now wants to watch one of your favourite horror movies? What a gentleman. Art deadpanned at your bizarre expression, clicking his fingers in front of your eyes to snap you out of it. You only smiled wider, eyes crinkling.

"You know, you're sooo sweet when you want to be."

Art comically guffawed at your admittance, shaking his head swiftly to deny such a thing, lifting a finger to the side of his head and twirling it in a clockwise motion to signify you were crazy for ever thinking something like that.

The overly dramatic, rare expression had you giggling again, soft and sweet. Art rolled his eyes at you, waving you off as though to say 'yeah, okay, don't get used to it'.

Seeing this as a prime opportunity to tease, you were swiftly silenced as a slice of cake was shoved into your mouth. You don't know..where he got that, but he was a clown, after all, and it tasted edible.

Sighing contentedly, you chewed the sweet treat slowly, watching as the scene on TV displayed a possessed woman in the shower, scorching water melting her skin as she carved her mouth apart with glass.

You loved this movie, and Art seemed intrigued, cackling silently beside you. Wrapped up in the blanket, you leaned against him comfortably, and he seemed unperturbed by it, eyes honed in on the screen.

You don't know why he was being so gentle with you. Art never did things unless he wanted to, and that was enough of an answer for you; he simply wanted to act this way right now. Even still, it made you feel warm, and you supposed living eternally together wouldn't be so bad.

Well, that was until you fell asleep, awoken by the chill of having your thighs spread apart and cake smeared all over your puffy, abused folds.

"Art! What the hell are you doing?! I told you I'm in pain--"

Art chuckled evilly, leaning down to lick a gentle stripe up your icing covered lips, savouring the sweet taste.

Your breath hitched, but you still held your hands against his shoulders, faced etched with nervousness. "P-please don't. Can't..can't handle it right now."

Art tilted his head a fraction, staring up at you in awe. You had retracted to that submissive headspace again, and he found that he relished it. Repressing a cheeky grin, Art held his hands up placatingly, schooling his expression to one of neutrality, or rather barely masked amusement, and used his finger to draw an imaginary X over his heart.

"You mean you won't..be too much? Really? I'm having a hard time trusting you, you're literally grinning at me right now..." You huffed, expression incredibly wary.

Art covered his mouth with the back of his hand, teeth clenched as he grinned and laughed. Even still, he coughed once, face falling flat to prove he was.. moderately serious about being gentle with you.

In truth, he just wanted to eat your juicy pussy and hear you moan his name again. He bet he could get you to ask him nicely to fuck you.

For added effect, Art splayed his wide hands on your thighs and tickled the skin with either thumb, rubbing soothing circles into the flesh. Again, you had that dopey, dreamy expression on your face, and he began to think he really did damage your mind last night.

"Fine, just..be gentle, okay? I'm in no mood to quarrel today."

Art shrugged lightly. He kind of felt the same. It was refreshing hearing your soft voice instead of your screeching one of anger, or seeing your fluttering eyes at him rather than your stone cold ones.

Who knew that fucking you silly would make you so tame, so pliant. It was rather funny. Guess it proves that all you needed was a bit of dick to calm you down.

And Art was feeling surprisingly generous today. With a quirk of his lips, he settled between your thighs and placed them onto his shoulders.

Tongue darting out to lick up from your hole to your clitoris, he lathered the nub gently, lowering his lips to suckle it.

You gasped softly, widening your legs for him and biting your lip. The pleasure was instant, a heat boiling in your abdomen and fluttering down to your toes.

He was good at playing the part of devoted and gentle, and gripped at your hand delicately, lacing his fingers with your own in an intimate display. He watched you blush a pretty pink, mouth parting in awe at his uncharacteristic tenderness.

As you stared into his smouldering eyes, he smothered your clit beautifully, making you moan and buck your hips up into him.

He knew the moment your moans turned deep and sultry as he prodded a finger at your entrance, that you'd soon be backtracing your words and pleading with pouty lips that he fuck you gently.

There was an undeniable connection between you both; you were bound, after all, and even he wasn't immune to the effects of it. He'd still aggravate you, and absolutely wreak havoc on your wanting body, but he also rather enjoyed the peaceful tenderness of these moments, save for your breathy moans and the sounds of someone dying on the TV.

It made him feel peculiarly content. With a smirk into your sodden folds, Art thrust a finger into you deeply, standing between borderline pleasurable and 'too much', as you had said.

You had yet to berate him, he noted.

Within a few minutes, you were a mess down there, soaked and sticky with cake. He remained true to his word, not at all being rough, and instead holding you delicately in warm hands as he sucked and licked at your glistening folds.

"Art, it's the best part of the movie- Ah--"

He rolled his eyes at you, though did spare a single glance at the screen when he heard the sound of a chainsaw.

In no time, you were panting and reaching your peak, soft cry breathed into the air as his fingers curled and pumped into you, tongue massaging your clit. You gushed down his wrist, quivering.

Art smiled innocently up at your flustered self, imitating dabbing his mouth clean with a napkin. He jumped up and sprung beside you once more, pulling you into his sturdy lap and leaning back comfortably.

His eyes didn't leave the screen, fully focused.

You shifted, wiggling to get comfortable and felt his hard dick pressing against you. You bit your lip and glanced at him guiltily - you had just proclaimed that you were in pain today, and now you were having thoughts of him fucking you?

You settled back against him, flushed and buzzing with arousal. The film was almost over. Art grinned behind you, eyes ablaze with mischief. He knew what you wanted, but like you said, he was missing the best part of the movie.

Maybe if you're lucky, he'll fuck you later. But for now, you'd sit tiredly spent against his chest, chuckling at the brutal massacres on screen. More cake miraculously appeared, which always helped. It was pressed against your lips forcefully and you were more than happy to take it, humming in delight.

"Who'd have thought that you killing me all those years ago would evolve into this.", you smirked at him, pressing a chaste kiss to his lips. "You're actually really cute. No idea how I never noticed it before." Your girlish expression lit up your face, eyes sparkling.

Art looked exasperated at your comment and shrugged. He smiled cheekily, pointing at himself as if to bashfully say "who, me?"

Your giggles rung throughout your home, his silent laughter making your body move. You felt a sense of contentment - a partner in crime to maim people with and to fuck you dumb.

Your eyes swirled black, corrupt and tainted, and promptly shut sleepily.

What could be better than this?

i need him so bad. this is pure smut. i made an epilogue to add fluffy things but it turned into smut 💀

also this isn't related to sporadic contingency at all, its just a standalone fic x

[archangeldyke-all]

hi Angel!! Hope you are doing well (I know you are with the Sevika content)

I was thinking of Sevika w a girlfriend who LOVES to bite her like just “nom” any time they can (I suggest this because of the Caitlyn and Sevika moment yes)

heehhehehehhehehe micron i love u

men and minors dni

it's a good thing sevika likes being bit, because you just can't help yourself.

it's how you show affection, sometimes! or, even, if you're pissed you'll nip her to let her know. and fuck, how could you not wanna gnaw on her, when her muscles are so big and chew-able.

the only problem is, most of the time you end up turning sevika on, even if you don't really mean to.

she reaches across the table on your dinner date to wipe your mouth clean for you, and you'll nip her fingers in thanks; sevika ends up throwing a handful of coins on the table and dragging you out of the restaurant to get home.

she's being unreasonably bitchy to theiram after a bad day and you'll nip her earlobe to calm her down. it does more than calm her down though, and you guys end up making out at the bar.

if you ever need sevika to say yes to something, you just gotta give her a hickey. by the time you've sucked the bruise into her skin, sevika's putty in your hands, smiling drunkenly up at you andready to agree to anything you say.

"sevika, baby..." you coo, your thumb rubbing the hickey blossoming on her skin. "please come to the opera with me. when 're we ever gonna get the chance again? we can dress up nice, smoke a big joint on the way up, and pig out on all the nice appetizers and wine..."

"yeah, alright." sevika agrees happily, smiling up at you. "we're gonna find some dark corner to make out in though." she says. you grin and swoop down to kiss her again.

if you ever need her to relax, you pin her to the closest flat surface and start nibbling on her collarbones. she'll melt under your touch, and you'll start scratching at her scalp. when she finally lets out a gusty sigh, you can talk to her.

"what's goin' on, baby? you're all stressed."

"just... silco." she mumbles. you chuckle, nipping the tip of her nose. she smiles.

"dunno if you know this but... silco's not here." you tease her, gesturing out to you apartment. "he doesn't even have a key. you're safe here, baby." sevika rolls her eyes and bites your cheek, pulling you in for a hug.

and, best of all, if you need her desperate and begging for you all you have to do is really sink your teeth into her.

"'s cute how easy you are for me." sevika teases from above you.

you scowl and pout, and then smirk a bit when you remember your superpower. "c'mere." you demand, pulling sevika down.

when you sink your teeth into her shoulder, sevika collapses on top of you, her confidence and bravado evaporating with your teeth in her throat. she whimpers and whines, wiggling against you. "y-you're evil." she whines.

you giggle. "thought i was easy."

sevika just pouts, before shooting forward to kiss you again.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai @my-taintedheart

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

@lavandasz

[utilitycaster]

this may seem needlessly finicky but I do actually believe it's important: calling Verin a himbo is just one of many examples where like, one of the cast says something off the cuff and it's not exactly the right word or it is highly contextual, and that is fine because no one is perfect especially in improv, but then it gets repeated ad infinitum within the fandom when it never really fit in the first place. We have Verin's stats and he's decently more intelligent than average with a 13 (smarter than most of Bells Hells for one; as smart as Pike); it's just he's the guy with a bachelor's degree with good grades followed by military service in a family where everyone has two PhDs - Matt said "himbo of the family" the way in a family where most people are exceptionally tall you'd call the 5'11" child the short one. In Call of the Netherdeep he appears as thoughtful and competent and promoted to a difficult position at a very young age, and in the campaign his appearance is simultaneously as a leader of troops in a dangerous mission, and someone who cares enough about poetry from a completely foreign and distant culture to have tried to learn more about it. I'm sorry, but if you're using the word "himbo" I don't think you're processing a thing about the character yourself; you're just the latest repetition in a game of telephone that's been going on since mid-2021.

And that's not deeply bad on the surface, and I'm using Verin not because he is the character most wronged by this sort of thing but because he's recent and it's really clear where the word came from and that it's not a good assessment, but something I happen to have a decent knack for is pattern recognition in language. I usually find it really easy to pick up on when someone's plagiarized because of the language and pattern shifts. I tend to remember urls and out of place words well. So I do tend to notice when everyone suddenly starts using a single turn of phrase and I tend to flag it. Sometimes that's not bad; sometimes it means everyone came to a similar conclusion and that's the best way to express that conclusion. But like, when Taliesin called the Yios episode a gas-leak episode and the entire fandom started parroting it? The line "bone-dry takes"? The fact that a lot of ship defenses I see were phrased precisely as "I have eyes"? without actually talking about the ship itself? the fact that I've seen a spike in the use of the term "ontologically evil" including in myself and not all uses are actually correct? And extending this beyond strictly language but consider any headcanon with minimal textual support that catches like wildfire (sidebar: remember how we make, or made fun of the SPREAD THIS LIKE WILDFIRE tendency on Tumblr a decade ago? same concept of repetition of a specific turn of phrase without internalizing) all sort of ping this.

And it's fine, truly, to come to fandom and turn off your brain. I know this will sound sarcastic from me, and that's because I don't personally agree, but I do strongly agree that you can do what you want in fandom and you don't have to listen to my opinions so in the end, yeah, it's fine because I am not the arbiter of "fine". But I think critical thought is a vital exercise and I think precision with language is part of it and so if you find yourself using the same exact words and thoughts as everyone else, that should, ideally, trigger a process of "but are these the right words? what do I see when I see this character and how would I describe them? do I agree with this assessment?" Fandom is an interesting and easier microcosm than reality in which to start doing that.

[katerinaaqu]

What's your opinion on how Telemachus was handled in Epic (so far) ? I'm curious 😀.

And what is different from his Odyssey portrayal ? Not counting the fanart that infantilizes him, I'm strictly talking about the musical itself.

Hahahaha you guys definitely wanna put me against a wall one of these days! XD But I absolutely LOVE this question! Hahaha okay here goes;

Absolutely I wasn't gonna talk about the fanart and all that is part of the designing process and arguably that is part of every person to do. They could easily choose the depiction more Odyssey-accurate and still use the musical sound so yes you do well to mention it because yes I myself wouldn't touch the design part in this ask

Anyways long story short; I don't like it.

Storywise it is overly-simplified and shows only one portion of his possible emotions; the one that tries to connect with his father. That part is genuine and I see where the portrayal such as the song "Legendary" came from. Arguably Homer himself also touches the subject of glory through one's deeds and I see where the musical came from when Telemachus says what he says but the song was too bbbly, too naive portrayal of Telemachus and in a way completely disregarded the true depth of sadness and depression in Telemachus.

In the Odyssey Telemachus never connected to his father because his father was never there. To the point where he was even doubting whether he was his son or not. He basically says that "everyone calls me that but how can I know? The dude was never there. Possibly never will be here again". His whole energy was the total opposite than Epic.

Epic portrays Telemachus in a manner that reminds me of Disney's Little Mermaid in "Part of your world"; a bubbly teenager who dreams to start his life or to be making a legendary name for himself like his father and in childish naive energy says "bring me all these monsters to fight them!" while in his childish naive nature was also making him afraid or worried to face the bullying of the suitors (the way the suitors were portrayed as if Jorge wanted to make them EVEN MORE evil also had me cringe like Antinous calling Penelope "tramp". Antinous called Penelope more or less "divious" because of her scheme against them but that was all. In here they are competing for her hand while calling her names without reason? Yeah right....). He seemed like the average teenager that needs the adult to get him to realize video games is not the life and that he needs to do something about his future! Does he also seem low-key sad? Yes. But just like Ariel in the Disney movie was pictured as a dreamer that wanted escape from his confided situation through bubbly and childish dreams.

Odyssey Telemachus was both emotionally and psychologically exhausted; his mother was taken down by grief and endless waiting and had confided herself in her chambers, trying her best to avoid the suitors that were at her home for FOUR YEARS, constantly crying at this point. Telemachus also saw his grandfather lose his mind in sorrow and his grandmother melting away by desperation and sadness and dying or potentially killing herself by it. The last thing he wanted was "to be legendary". In fact Telemachus gave me the exact opposite energy than a dreamer. He was very down to earth and his main goal was to get out of this nasty situation, trying to grow as a person to set himself free from this torment. He had so much in his plate that the last thing he wanted was to dream. In fact he gave me the impression of a person with no more the luxury of dreaming. He almost seemed crushed to the point of breaking himself almost like every other member of his family. (He gives me the impression of a person that after spent years of trying and fulflling their dreams now they are forced to work in a work they hate for survival and think that "dreams are for fools. No luxury for them!")

Like I said Menelaus described Telemachus as a spitting image of his father including his eyes, which is something I find the most important. Menelaus compared Telemachus's gaze to Odysseus; a man that fought a war with him! A man exhausted by the evil he saw and caused. Telemachus's profound grief was so intense that his look was equivalent to a man Menelaus fought a war with! He was the opposite of what we see in Epic! In fact we know that Telemachus was also very much silent and tried to keep a low profile so he didn't need to face the humiliation of the men that were literally plundering his wealth and harassing his mother and himself. The last thing he had in his mind would be to "be legendary". He was also plundered by the fact that not only was he doubting that Odysseus was his father per se but also he was in doubt that this Odysseus that everyone named his father would be alive or dead. He didn't know that. He was actually almost certain that Odysseus was dead but that part in the back of his head was not yet leaving him in peace which is why he needed Athena's guidance

Which brings me to the next part; Athena In Epic Athena appears to...give Telemachus the boost to fist-fight the suitors for some reason and mind you he still gets his ass handed at him! It made it seem as Telemachus's only problem was that he didn't have the guts or skills to fight the suitors and Athena gave him a solution! (potentially a message to stand up against bullies for teenagers? Perhaps but still I felt it massively undermined Telemachis's situation in the book) As I have answered to another person around here, Telemachus's problem was that the suitors claimed the law of hospitality and named themselves ODYSSEUS'S guests. Telemachus could not yet take over as king and he had no power to send them away. Plus he was plundered by doubt about his own inheritence. What Athena did was not to make Telemachus a fighter for he already was (we see how well he stands against them at the side of his father in the Odyssey) she came to encourage him to find out on his own.

Arguably the trip of Telemachus was a mirror counterpart of Odysseus's but instead of a trip that makes you lost like Odysseus was lost, it was a trip for self-discovery. Mind you, both the trip of Odysseus and the trip of Telemachus are cognitive trips; both characters learn in them and come in contact with places. Psychologically the trip allows Telemachus to escape this boarderline toxic grief in his home and explore the world. Also find out on his own information about his father. Now, arguably he never really finds out about his father's whereabouts for certain apart from Menelaus's vision but there is something he definitely gets out of his trip that is not talked about enough;

He finds out he REALLY is the son of his father and he gets information about what kind of man he was!

He hears from friends that fought with him how similar he looks to him; not just from his closed and secluded environment but of people outside his circle and his known people that he looks like him and they also give him information about him. No more the random comments the suitors he hated say or his sad mother who could either idealize his father to escape her grief or the loyal slave Euryclea who adored the family naturally like a mother; now it was also friends and known people of Odysseus that speak about him Telemachus is double-checking his information! Thus coming home much more confident on his inheritence and his own destiny and duty

Arguably the Odyssey is as much Telemachus's story as it is Odysseus's. Telemachus was in one way a spectrum of Odysseus; fighting a different type of war; losing himself in a different type of sadness. His story was a story of coming of age not a story of a goddess that teaches him how to stand up against bullies. Telemachus already does that in the Odyssey by calling the council. Arguably he was alays standing against the suitors but his position did not allow him to do something drastic! I think just like many things Epic missed this by a mile; reducing Telemachus's profound grief, sadness and uncertainty to an average teenage escapism story rather than the fact that Telemachus had no luxury or energy for escapism, Athena's advice for self-discovery to the average "raise your fists and fight your bullies" story ignoring the deep cultural details that led Telemachus to that tight spot in the first place and of course it completely abandoned the importance of Telemachus's trip which could be a subject of a movie on its own! (Quite frankly Telemacheia covers more chapters in the Odyssey than Odysseus's own flashback! It covers 5 rhapsodies of the Odyssey while Odysseus's story covers 3-4)

I hope this answers some questions! I will be happy to elaborate more.

[jupitermoontarot24]

POV: You're In a Scary Movie 🎃 Villain or Victim?🔪

HI guys! Just a snippet from my Patreon from back during halloweek. Come Join Me For More Fun Readings Over There Weekly!

THANKS & ENJOY 💗 Patreon linked: HERE

Piles 1-5 and oh yea... BOO

Pile 1🤬

You would be the villain. I think you would be the villain because you're sexy and you bring all the cats to the yard.  you provide food and comfort. It's like if everybody in the neighborhood had cats and dogs and you put dog treats in your yard everyday, you know you will be attracting everybody's dog. like can you stop? lol and you might just be like oh well I'm just giving the dogs a treat but everybody else is like no. Yeah it's like you're so connected with people that people are like getting hypnotized. In this scary movie you could be seducing somebody's wife or seducing a couple. So the reason why you would be a villain in this is because maybe people wouldn't know what you're doing with the people that are seduced. like where do they go and what happens to them? Yeah it gives you collect souls or you do something with them. Okay so it could be like this couple has joined a cult. they look to you as a savior, as a guidance for them. It could be somebody else who's trying to get away from being hypnotized in this movie because they're afraid that it will cause them to  spiral. But honestly it seems like it's real true guidance from Spirit though. like in this movie you are looked at as a villain but it's just because this person is scared of the real truth. okay it seems like this person could be watching a couple be seduced by you or alert by you so this person is on high alert because they're like pile four is alluring people into them. So the only reason you're the villain in this movie is because you're the magician. So kind of like how people will burn witches at the stake but all witches are not bad witches. Pile 1 doesn't just have one person, they have two people, they have multiple people so what are they doing behind the scenes? They could also be getting Karma in this movie but it's weird because they don't see you doing anything like they can't see what you're doing so it could be like maybe you're doing magic. So in this scary movie this person is suspicious of you. They don't come to you and fight you but they might go to the man in the couple and see why or they might get in contact in some type of way. for some people the couple that you seduce is not together anymore because they both like you were one of them likes you more. Okay so to this person in this movie your villain plan would be to send out a frequency that reaches people and makes them loyal to you and then you harvest their energy or their souls and it makes you more abundant in the physical world. I think you do send out a frequency that goes to people, it brings them to their higher self it brings them to a piece of Nirvana and helps them gather resources for themselves strength…or it’s a evil ploy. It gives dr.doofinsmirk

Victim: none?/ everyone

Uzumaki

Pile 2 🔪

Okay so you would be the victim. they're going to be somebody who is obsessed with you or really really likes you. but the thing is this person wouldn't want you to be out they wouldn't want you to be a hot girl. no other girl no other person would be enough for this person but you.This person can already have a partner/girlfriend but they don't satisfy them enough. like this gives Joe energy from the show where it's like he might be obsessed with somebody but then once he gets them he becomes obsessed with somebody else. they would try to trap you but I feel like you would trap them instead. The crazy thing is is that you do know this person but it's not like you guys were ever in a relationship like you could have just worked together you could have went to school together, you could have mutual friends that ended up at the same places but this is not somebody who you romantically were involved with.I don't like this energy like that like the other pile was a little bit lighter but this person is kind of dark. So in this scary movie this could be a group of people or just a specific person but I feel like they feel that getting you would even the odds like it would make whatever situations balanced. Okay so this person probably did have a accomplice. it seems like this person could have manifested through their third eye basically evil eye because the third eye is very significant so this person could have been sending evil eye and trying to infiltrate you through the mind. The villain was trying to infiltrate you from the inside so you would basically unravel and be lost. Yeah, it seems like you were very hot girlish because this is Bratz rock angelz as the picture so I feel like you're somebody who was on the go, who was cool, who really left a impression on people and on this person specifically. so this is somebody that you could have just met on your adventures like not somebody that you really deep involved with. The accomplice could have made it their mission to make you cry. Maybe they didn't see you as emotional,  maybe you didn't come off like that and this person could have come up as emotional but you give steady and calm and balanced. They tried to plant things in your mind that weren't true basically make you crack,make you sweat. Okay so you're the main goal of the villain could have been to knock you off play with your head maybe close down certain chakras. Basically make you scared/ scare you off. I feel like everything dark comes to light and this person didn't want you to shed light on them so they were trying to cloud your judgment. They could have tried to do this through accomplice.So you definitely beat this villain by playing the switcheroo. you could have lured them to a certain place expecting you to be there but you aren't and instead you got them accomplished. it seems like they get offed energetically though I think you and your lover so maybe you can have like a surprise lover in this movie but they come and you guys energetically kill them off so it almost gives like couple versus couple or just accomplice versus accomplice like Kim Possible. Checkout pile 3

Villian: associate, could have been one your friends.

Blink twice, Bratz rock angelz ,death proof

Blink twice

MAJOR TRIGGER WARNING FOR THIS MOVIE

Pile 3 👻

Unfortunately pile three you would be a victim. You would be a victim for being the it girl/boy. Have you watched this movie form the picture Love Don't Cost a Thing ? The girl in the middle and her friends were kind of mean. So this could start off with somebody liking you romantically. This could also be a situation where your friend is obsessed with you like obsessed with you being The It Girl. In this scary movie I think you could be coupled up with somebody so you could be dating somebody and the whole time one of your friends is plotting to mess it up. it gives me Mean Girls. Regina George was looked at as the bad guy, it could be said that that was her karma but Cady pretended to be her friend to sabotage and then she fell in love with her boyfriend that's messed up lol. in this scary movie you're just doing your thing being perfect, being beautiful, dressing amazing, being the main character and you attract someone's attention :a guy/girl?. but you have a whole bunch of Love offers because you're the most popular good looking person around and there's a particular person that proposes something to you and one of your friends sees it and they're like I don't like this. they're like that offer should be made to me? why does this person get everything? Why do they look so good? Why are they so alluring. so they gather up weaponry maybe not literally but different things to make this downfall. Yes so this could be a situation where this friend is only popular because they're around you..  the person that wants you romantically could be real popular as well they could be really good looking and they can have a lot of money.  I feel like this person was already maybe shallow in the first place but when you got with this person it was too much. So I think it would be two people because it is two friends in the picture but one specific person could have been the one trying to really seek out the revenge. The thing is that I feel like realistically it wouldn't work like this person wouldn't succeed at this plan. but you would still be the victim because the plan was made for you but I feel like you will get out of this in such a smooth way that it's funny. I feel like the universe will protect you to the point where you might notice something is off, but it works out like you might not have to do much to get this person away. this is not the type of scary movie where you are fighting to the death at the end with the killer no. this is the scary movie where you do know there's something off and you sense something's off and maybe you're having some type of paranormal experience but it ends up getting solved and the two people kind of disappear or disintegrate off. So in this scary movie it's like one friend would actually have been doing something and you can feel it and the other person probably will try to gas light you. so you could be like something's wrong I feel something is off and it could be specifically this person and the second friend is like you're crazy I don't like when you act like this I don't know if I can be friends with you anymore.Orrrrr they could have just been like you're overreacted its nothing take a chill pill, yeah this person could have been shallow like I said so they could have just been worrying about their looks and how they feel when you were likenreally going through it.So I think this villains plan was almost unknown to them I don't think they really knew where they were going with this they just wanted to be you.

They could have wanted to Destiny swap with you and also by doing that made you be with somebody else. Yeah so maybe they didn't really like their partner like that so they're like I want to be pile 3 and I want their partner and they can have my partner. Their boyfriend/girl could have been involved. check out pile 2.

villains:  a Duo ? a couple, two friends.

Gothika, Love Don't cost a Thing, the craft

Pile 4👿

I think you would be the victim. it gives one of those movies where you know those scene where its this couple out on the town,having fun and they're just in the moment and little do they know it's somebody up on the balcony staring at them. yeah you could be just minding your business and there's somebody who is hot! behind the scene. somebody who doesn't want you to be as abundant and Luscious as you are. This could be the type of scary movie where it's like a wolf in sheeps clothing around. so this person might present something to you but it's like a gag gift. They want you to be stuck somewhere. So you could just be minding your business having a good time and maybe a specific person starts pursuing you and now you're dating this person and they're treating you well  maybe you guys even get married? And the whole time it's this person in the back upset! do we know why? It's because they broke up. Honestly this person could have broken up with their partner but usually their partner comes back like a dog but they didn't because they found you. So you will be the victim because this person will now be on the bottom and their use to being a top priority. This person will be upset but I don't think they would do anything to you per say. I feel like they might try to protect you as a couple? like they don't want anybody else to date  your partner so they'll make sure that you guys stay together or at least make sure nobody else gets in between the relationship but they will be also trying to put themselves in situations to talk to your partner. Yeah like maybe not trying to outwardly get them but say they have the kids together like oh I need you to drop off some paperwork to me, or we need to talk about signing the bills off on my name now. something to where they have to speak. Your partner is really loyal in the scary movie so it's like they're not going for it like they don't want to be with them but it seems like they're always there so they could be following you guys around. you might look up and you guys are at Disneyland with your kids and you're like is that them in sunglasses and a hat? then the villain is like it's no way  pile 5 is this perfect like it's something about them thats going to come out, they're not perfect.  you come off really perfect and balanced. They could have seen you as a villain. They could feel like you were trying to erase them and what they've done but they're plan was to erase you especially if you guys haven't been together that long. they were just trying to get rid of you so they can focus on what they had, the history they have or the relationship/kids. Even make you mad to the point where you leave like you get fed up with the situation and you're like I'm just going to leave. Villian:an ex, stalker

Obsessed

Pile 5 🥵

Definitely the villain. something is shady about you pile 5. Not going to lie you are the sexiest villain to ever be. the villain but this gives a crime of passion. is it a crime? sade voiceYeah like this is more sexy than anything else. so in this scary movie you and your lover can have a lot of eyes a lot of suitors. and that could drive you to do certain things. I heard evening the playing field. this could be a situation where you just get your get back. Okay this is the type of scary movie where it's a psychological war on your partner. so maybe you make them go crazy, they don't know who's really you, is this the real you or if you're playing a game with them maybe they just aren't sure about anything.  it only drives you even more. it makes you raise your level of taunting. yeah the movie for you guys is basic instinct. people could be or your partner could be almost paranoid being with you because it's like are they going to kill me? are they going to do something to me when I'm not looking. but it seems like this is if they did something to you. this doesn't seem just unproved kind of like if they broke your necklace, is pile 5 going to break my neck. are they going to slit my throat? You're the villain because people are scared of you especially if they do something to you. you're like the Grim Reaper.  that type of energy where it's like the reaper is looked at to be really scary but he only comes when it's your time to die it's not really his fault. yeah and you could be nosy or just know a lot of information, see a lot of things, have a lot of eyes, find out things about people really easily so that makes you even more scary. yeah people are like if I do something pile one, if I make them mad.. they go blow out a candle and end my whole life. If I'm not nice they can find out my secrets. Maybe people have received really bad karma surrounding you, like maybe they totaled their car and then somebody walks up to them and issues them a government official debt collect on top of that and the person that presents it has the same name as you or has the same initials something like that. so people like dang there go my karma from pile on. like you have voodoo dolls and you poke them when they do something bad to you or if they were just a bad person. Also people could feel like you're the villain because you are good at seducing people even if it's not on purpose like people might try to seduce you into seducing them. people could lose their partners and be like dang what a villain. so in this scary movie you're a hot Queen / King that everybody is scared of and steals people partners. Either way you give crazy psycho hot person. I would say that your plan as a villain would be to give Karma to people that did you wrong. But honestly I do feel like you would use their energy to become hotter and smarter and faster. 

victim: could have been ppl who weren’t there for you during a tough time, a person left you to drown in your own stuff. 

Scary movie: Jennifers body, american psycho,

💗💗💗💗💗XOXOXOXOXO💗💗 💗🕺🏽🕺🏽🕺🏽🕺🏽

SEE U THERE ;)

[error4343]

I'll use this post as excuse to rumble about something I wanted to rumble a long ago.

The thing with Midnight Mass is, on my opinion, everything can be red in (almost) down-to-earth fashion: think about vampirism as infection/parasite invasion and it suddenly makes more sense. It shows in many scenes (blood anomalies, Erin's spontaneous abortion, hints on some kind of telepathy connection, etc) but Joe's death is one of the most interesting to me.

To understand it we must talk about Pruitt's death first. Regardless of what biological mechanism is behind of it (I believe it was cytokine storm) from the looks of it, it caused severe damage to body. Hence, when resurrected, Pruitt is already starving, because all his body resources went to repair and start itself over again. Plus, remember about additional metamorphosis: tapetum lucidum, changes in organs and metabolism to able blood digestion, some otherworldly fuckery with senses to sharp them to the fullest and probably doubling on mirror neurons.

So, in the end, it's not just hunger, but a severe starvation. And now funny part begins: do you know that you don't need to be a vampire to do thing you'll regret while starving? You body can and will take over your consciousness if necessary to survive, and if starving, you can literally wind up with food in your hands not remembering how you got it. All because your brain decided to prioritize survival over thinking. Now, when it comes to Pruitt, I think when Joe visits him he still tries to fight it, but surely completely looses when he bushes his head. But from his talking manner only (also heavily affected by gushing wine), safe to say he isn't fully there even in the beginning of the scene.

It is not to say that Joe's death isn't Pruitt's responsibility, but to bring up, on my opinion, overlooked theme of how biology doesn't give a shit about morality of individual and what cruel trick it can play on one. Angel isn't good nor evil, it's a beast and it must eat, just like the rest of those who are now count as his kind.

I love that father paul is fully the archetype of the Good catholic priest who wants to heal the community and spread kindness and help the vulnerable and then he gets a bit hangry one time and decides "well... maybe some people are beyond saving, and so... it doesn't really matter... if I... kill and eat them..."

[book--wyrm]

Pengu Finale Liveblog ahhhhhh

Julian just absolutely brain blasting this old woman

Oh Rex is close enough to call her doll and make her breakfast he is not beating the deadbeat daddy allegation

OH NO DOES SHE KNOW OH MY GOD SHE KNOWS

NEVERMIND I WAS SO WRONG ABOUT EVERYTHING SHE HAS KNOWN ALL ALONG

holy shit holy shit holy shit

okay so they did find the bodies eventually holy fuck hooooooly fuck

oh my god rex literally teaching francis how to manipulate oz and use him oh my god ohhhhh my god this is so much more of a betrayal than if francis had just hated him for what he'd done

she knew all along she knew all along and she used him and she

she

oz was right ahahahahah every relationship in his life is fuckign transactional because he KILLED THE ONLY TWO BOYS WHO TRULY LOVED HIM, AND KILLED HIS MOTHER'S LOVE WITH THEM

dude he has to kill his mother now

this is a psychological nuke the likes of which i think sofia could not possibly have ever imagined.

Francis's FACE oh my god.

Julian baby boy maybe Sofia should stand out of sight to not break immersion

God this is absolutely not how hypnotism works is it

IT'LL BE EASIER NOW YOU LITTLE PSYCHO

"I see you in ways other people don't" while she is ACTIVELY USING HIM

dude. dude. I just. It's always the same with Oz, isn't it. Sofia, Eve, his mom. He's the biggest bullshitter in Gotham, and he's so full of it he doesn't have a clue how to sniff it out

God they are both so horrific to each other. Just his horrible cycle of selfishness and toxicity what a twisted family they are

HELLO VIC I MISSED YOU

Oh rip lmao I guess the gangs know the bliss is all gone

Vic baby he's saying all the same stuff oz does, only he believes it, so he can't bullshit people to his side

Oh hey that dude on the other side of the walkie talkie lived!!

Man Oz and Sofia haven't been face to face since ep 4 hahahaha

BERTO MENTION. she hasn't used that name in a hot second

Oh my god Sofia literally using that bird nest metaphor ahahahh whoever that anon was in my inbox you are a genius

Man. Sofia literally just laying out all their horrible family drama in the worlds worst family therapy oh my god

Dude I've been saying for weeks now that Sofia's superpower is to completely shatter people with the truth and. ohhhhhh my god ohhhhhh my god ohhhhhhhhhhhhhhhh

Wait. Is Sofia going to give that cigar cutter in her cleavage to Francis to use on Oz. I think she should give it to her.

Uh. Nevermind

Wow Sofia really is leaning into this evil therapy thing what the fuck. girl.

God i desperately want her to be the girl-jonkler running the aslume at the end of this show please please please

Also Sofia, I think it was the left. I mean I'm sure she knows just so she can do the other one next, but. man. she is fuckin sadistic. im love....

Julian so enthusiastic about all of this hahaahah

I love Sofia like, almost framing this to them or possibly herself as a gift she is giving to Francis. Is this cope? Is this something she sincerely believes? Or is she just being cruel?

I ALREADY FUCKIN KNOW

It's my finger you spineless prick hahahaahha but that doesn't matter to him because its your love he wants it's your adoration your pride and what actually happens to you? Doesn't fucking matter.

I NEVER STOPPED HATING YOU

Sofia's face right then like. damn dude. god i love her

She had enough love for all of them and he soured every last drop of it. For them, for him, for the world.

Sofia really does know the value of just letting a drama play out.

Francis saying Sofia is right this ep, Sofia saying Francis was right last ep, damn.

Oz really is... the only character in this show chronically incapable of learning

Damn mama cobb strong enough to smash a bottle. I don't think even i could do that.

Oh my god no wonder she said "they look at me like i'm not even theirs" because in her mind, she let their murderer go free

also is oz gonna hulk out that she's showing love to an imaginary jack and benny when oz has just seen her hate?

Oh is she just dying right now

Julian doing the get down mr president

MR DETECTIVE YOU DIPSHIT

Sofia baby you did great okay you already hurt Oz please just go to italy with your boy toy

Wow is he not getting this fucking stab looked at

EW EW EW EW

Yeah sure sure. Sofia stabbed you. Sure. Sure.

Oh noooo. Vic... baby.... he is such a believer in Oz's stupid self serving bullshit. He is so good. And pure. And he speaks from the heart and. And Oz acts like this is something Vic rehearsed

And they laugh about it but Vic doesn't understand. He doesn't understand that Oz isn't giving him advice on how to most effectively show people the fire you hold in your heart—he's teaching him the art of smoke and mirrors. how to con and grift and bullshit until even you don't know what's true and real

Christ. Vic is so fucking dead

She'd never look at me again unless i get this done.

Oz knowing now that this love is transactional. And fine. He'll make that transaction, he'll take down sofia and then maybe his mom will pretend again that she doesn't hate him, doesn't want him dead

it's not going to work, of course. it can't because this show is about him becoming the penguin. and it can't, because even that transaction was always a lie Francis told herself

I don't think she could ever have loved Oz even if he'd gotten her into a penthouse at age 20. I think she lied to herself to survive living with him, because what was the alternative? Losing all three of her boys?

AHAHAHAHAHAH SOFIA LITERALLY PICKING UP OZ'S GOLD SUMMIT MEMBERS i have to say. I did not anticipate this at ALL

damn girlie really is just gonna dip to go to italy or wherever

sofia really is just setting up the funniest game of capture the flag imaginable while cramming like seven olives in her mouth

i dont' say this often. i desire her carnally.

The gun in the glove compartment surely that will not come back later

Oz originally checking his image in the reflection of the car vs asking Vic now, treating this kid as his reflection

Damn. Is Link really going to fall for Oz's shit again after that truck of cigs thing? Or is this just a ploy to get Oz into the right place for Sofia to pick him up?

Actually maybe that's what loses Vic, that Link betrayed him, and Oz expected it. Idk we shall see

Penguin planning to run for mayor in a couple movies?

Oh Oz is totally gonna send sofia to arkham ahahaha poor baby

Oh my god I thought Sofia was gonna claim credit for Sal's death, not that Oz would give it up himself

I cannot tell you guys how fucking tempting it is to skip right to the end of this episode to see if i'm right you guys

Wow Oz really eyeing that Mayor's office

Is he going to kill Bella and frame Sofia. Is he gonna kill bella and THAT is what turns Vic on him.

oh my god LINK

HAHAHAH I WAS SO RIGHT SHE IS BURNING DOWN FALCONE MANOR

oh god that's the watch Sofia gave him for his birthday FUCK YOU CARMINE

Sofia really is gonna fucking screw over EVERYONE hahaha THREE CIGS BABY

oh god she is so hot i love her you self actualize through arson baybeeeeeeee

that shot of her throwing the cig like a dart is so much oh my god

babygirl i love you

you deserve the world

but yeah she is going into the cold according to the needle drop. definitely going back to arkham

... what's in the trunk. i don't think it's normal luggage. is it more bombs

there is still 20 mins left. i am afraid

This is clearly a trap for someone i just don't know who. Where is vic

I'm so afraid this is the last we get to see of Sofia.

She knows. She always has such a nose for bullshit lmao. Also fuck you Link you gotta know Oz is gonna stab you in the back.

I do think it's promising that Julian has not been seen all day tho. What is he doing.

I love this. I love that Oz and Sofia finally get this one moment to be truly honest with each other.

Well. At the very least, Oz gets to be honest with Sofia. idk that he knows how to be honest with himself anymore.

Why does this look like a chemical factory. I know it's not happening but it'd be so funny for Sofia to become the joker right now.

just dunk her in the goop

Man. Is he actually going to shoot her. Police pls come and save my girl. Cannot believe that's what I'm begging for now.

oh my god

yeah i called it but. Man. This is so painful to watch. also i think my julian prayers are not going to be answered it did not look like Sofia had planned any of this

okay i'm normal about sofia being arrested now.

Okay. I'm normal.

I'm back to not being normal francis and vic and oz all in one place this is all gonna blow up emotionally

Is francis in a coma. is she totally brain dead oh my god.

oh man she really is never going to say she loves him hahaha

she let jack and benny's murderer go and it never got her anything

is he gonna kill her now.

TELL ME YOU'RE PROUD OF ME oz you fuckin

he's so fucking delusional jesus putting her hand on his head

dude. is Vic actually gonna live through this episode

holy fuck

did not call that in the least

well. i was right about the pyrrhic victory for Oz

"All kinds of things" shut the fuck up.

God. I cannot believe Vic is living through this show. Admittedly as the kind of guy that his parents would have been ashamed of, but.

Wait. No no

don't

don't do it

no nondfonfodnfodnfodfn

please dont

pelase dont

oz don't you dare

nONONNNONONONONONONONONONONONO

PLEASE DOJNT DO IT NOW PLEAE

NO NO HE IS THEO NLY ONE WHO HAS SEEN THE WEAKNESS AND HUMAN IN YOU

OZ YOU

OZ

NO

WITH YOUR HANDS???? WITH YOUR FUCKIGN HANDS???? I THOUGHT HE WOUDL PULL A GUN AT LEAST YOU FUCKING

ODSOFANDFONSODNOSDAGNOGNIOAGDSASGJDISGNAGLNFGOSANFOSDO

SANO

NON NO NONONONO

VIC

vic. vic. vic barely lived a month longer than his family

all that good heart and he just. enabled a monster to rise to power. to make gotham worse

HE'S MUGGING HIM

YOU PIECE OF SHIT YOU PIECE OF FUCKING SHIT YOU BASTARD YOU

i

i

and the water takes him too.

JULIAN

oH MY GOD I WAS RIGHT AHHAAHHAHAHA

JULIAN

I WAS RIGHT ABOUT SOFIA GETTING MARRIAGE PROPOSALS HAHAHAHAHAH

SELINA KYLE???????? HELLO??????????????

bro.... oh my god..... this is....

I'm so happy.........

sofia smiling... sofia finding a new family member....

nvm i am so glad my original theories were wrong this is way better than anything i could have hoped for

oh my god

ohhhhh my god he actually is keeping his mom in a vegetative state.... exactly what she begged him not to do.......

she knows.... she knows... some part of her is aware in there ahahahahah

you should have let Rex kill him all those years ago

oh my god EVE???? EVE GIRL GET OUT BEFORE HE KILLS YOU TOO

oh no please tell me he never learned what happened with sofia and eve

hes literally just calling her ma. fuck me. mayeb that means eve is safe for now

NOT THE BATSIGNAL

[murfpersonalblog]

IWTV S2 Ep7 Musings - Sam Reid’s Autumn Brown Interview (Pt2) S3 Akasha, the Drop, & Amel

Ok, returning to the whole "Blame Amel For Lestat's Abusive Behavior."

Sam referred to something VERY important that I think people overlooked in his segment on the Ep5 revisit; they heard the Akasha bit and just ran with it. But this is exactly what he said:

[SR] Loustat "had the potential to have something very beautiful, but [Lestat's] too messy and chaotic, and Louis and Lestat are also...the beauty of their violence and hatred together, their dynamic...you know.... [AB] It's the best! They have exactly what each other needs. But also everything that makes both of them the worst parts of themselves and the best parts of themselves. [SR] And I think that's kind of cool, when we revisit that scene from Episode 5 in Season 1. And you see that in the in the Trial. I think there's something really wildly beautiful, between the two of them, in that violence. Because Louis is unhinged and angry at Lestat, and I think Lestat is more obviously--he's way more powerful, and his act of violence is, you know, like unforgivable. [SR] But there's this space that private space that they have in the coffin room...how much they hate each other...that's how much Louis hates him, and that's how much Lestat is...hurt, and then turns into this violent, angry, I hate you!.... They have that much hate. They also have that much love; because they're also vampires, and so they operate on like a level of like-- [AB] Emotion that's dialed up to-- [SR] Pure chaos! They're operating on that level, and then Lestat drops him from the sky, and it is an irredeemable event in their relationship. It cannot come back from that. And it creates this kind of cascade in a set of events, that leads to Lestat being killed. And I think that's part of our adaptation. It's not necessarily the the real events Anne Rice's books, but this is what is in our adaptation. And I think it does feed into that overall sentiment that Lestat acknowledges his evil, hellish self-loathing self...that is there; and we obviously heighten things and make it bigger. [AB] In Season 1 you know that there's something else going on, on the other side of the wall; because you can hear the fight dies down. There's a break, and you think it's over, and suddenly starts back up again. And we have this moment of Lestat taking Louis into the sky. We finally get to see what that moment was. And Louis is chilling--oh my god that little laugh that he does! He's like I'm gonna cut your head off! I'm gonna feed it to the lions and I'm gonna laugh about it! I mean, do you think for Lestat in that moment...? Cuz what leads to Louis saying that is Lestat asking Are you going to leave me? Had Louis just said: Yeah! and walked out the door and left with Claudia, would that have led to the explosion? Was it the act of him leaving, or was it the words that instigated that level of vitriol? [SR] Uhhh....I don't know about that. And I don't know if it's worth speculating what would have happened if that didn't happen.

--MURF INTERJECTION-- Thank GOD Sam shut that ish down, omfg. Again: STOP tryna find ways to victim blame Louis for what went down or say he "instigated" the fight! 🤬 It doesn't frikkin MATTER what Louis said or didn't say. All that matters is what happened TO Louis, and TO Claudia, that was what got Lestat "killed."

[SR] But I think more importantly is that--and this is something that I've felt has been really important about playing Lestat from the beginning, and probably something that people find probably a little bit confronting--but for me, for Queen of the Damned to work, Lestat has to have a level of toxic male rage in him, so that when he is angry, and when he's violent, it has to be a toxic masculine rage for Akasha to follow through with the events that she does. And why she says: You are everything about masculinity that's wrong and terrible. And so that's why you're going to be my right-hand guy, and you're going to help me kill them all. And I think...I always felt like, when he does have those spurts of anger, it does have to come from a very toxic place. [SR] Where we're going, when we're looking at it, obviously there's a scene back in Season 1: he's had a drink of this, like, fountain that nobody knows he's had. Nobody knows. No one in the show. Nobody knows. The only person who knows is Lestat. And most of the people watching the show don't know this, at this point in time. [AB] There's just that one little throwaway line about Those Who Must Be Kept, and then nothing else. [SR] And originally in Season 1, when they're in the sky and they're having that moment, Lestat was originally scripted to tell Louis about The Sacred Fount! In that moment, Lestat actually tells Louis about what he has inside of him; what, who he's drunk from. I'm trying to be really vague for anyone who's watching this, and has no idea, and I'm not going to give anything away! But anyone who does know, will know. But originally it's that he's up in the sky. [SR] And I think that is the parallel line that we're drawing with. That level of rage that Lestat has. That toxic abusive rage is also coming from an extreme monstrous power, coming from this intense monster that he has, and he has no idea how to control; he's trying to repress it all the time. But he knows, if he can, if somebody just ticks him off a bit.... He's a volatile guy already, but he's got this thing in that makes him go: AAH! [AB] It's almost going back to that element of vanity that you're were talking about: being like, you would do this to ME?! You don't even KNOW what I have within me! [SR] Yeah, exactly! So that also means that we can feed that shame and shock into his monstrous self--and acknowledgement OF his monstrous self--into his progressive spiral, into where we're going. (34:10 - 40:59)

So. All of this stuff about Akasha (& Amel) needs to be recontextualized, cuz what Sam said is that "ORIGINALLY" the 1x5 script had Lestat threaten Louis with the warning: I'm trying to restrain the monstrous thing in me that makes me go AAH; you don't even KNOW what I have in me, AAH!

But guess what else happened? OBVIOUSLY, THEY TOTALLY TOSSED THAT ISH OUT OF THE SCRIPT, in S1 AND in the S2 revisit. 😂🤣 The time to have teased/suggested that there was something controlling Lestat that made him "accidentally" hurt Louis came & went in BOTH seasons, so arse-pulling Amel so late into the show after we already got Lestat's admission during the Trial looks goofy AF.

Cuz possession is a lazy abuse apologia COP OUT. Having "It was Amel's fault all along" would've directly contradicted AND undermined their whole point about PERSONAL ACCOUNTABILITY that they clearly wanted to get across MORE than using spirit possession as a crutch to explain/excuse Lestat's abusive behavior.

Possession would imply too many things, distracting from the overall thrust of Rolin's vision for telling a very real & very "aggressive, toxic, beautiful love story" about the ways soulmates find their way back to each other after hurting each other over & over.

Esp. since Hannah Moscovich (Ep5's writer) has already been VERY clear about her take on Lestat's capacity for "evil." She mentions his bad actions in TotBT, when Lestat was HUMAN again--he wasn't even in his own vampiric body (attached to Amel/Akasha's blood), and he was STILL doing effed up things! So his issues have nothing to do with spirit possession.

[SR] "it does feed into that overall sentiment that Lestat acknowledges his evil, hellish self-loathing self...that is there; and we obviously heighten things and make it bigger."

(Funny, when Sam something it's flowers & praise; but when Hannah says the same thing it's boos & hisses from the exact same fans, lol.)

Vampirism EXACERBATES & INTENSIFIES aspects of ALL people's character/nature that was ALREADY there; "all feels amplified." Cuz ALL vampires have Amel's spirit in them, NOT just Lestat. ALL of them are powered by his monstrous spirit, and ALL of them are capable of heinous sadistic bloodlust & inhuman acts of violence--look at Claudia's 56 Floaters & Santiago at the Chateau & Armand chasing Malik (& book!Daniel) for the lolz; and how hard Louis tries to FIGHT succumbing to those same impulses too. (Nebamun/Gregory & Teskhamen drank Akasha/Amel's blood. Marius & Pandora & Bianca drank her blood. Sweet baby Khayman drank her blood. Her son Seth drank her blood. Even Big Bad Rhoshamandes drank her blood, and as twisted as he is, even HE was like naaah this heifer's crazy, I'm outta here. Plenty of vamps drank from the Sacred Fountain, and aren't half as crazy & abusive & evil as the vampires that DIDN'T: Magnus, Santiago, Santino, Bruce/Killer, etc.) So the (weak) argument that Amel/Akasha's blood alone is what drives vamps to go totally effing ballistic on their significant others whenever they get mad is patently false, by the book AND the show's own logic.

So I'm glad they got rid of those lines, and just had Les say EXACTLY why he "fought myself a million times; fought my nature, controlled my temper!" and got mad enough to beat the breaks off Lou:

It's INSECURITY--not that Les can't control the monster in him (though ofc that's a VERY legit fear, his struggles with his temper & anger issues); it's that he can't control his family; his husband & child; and can't even "force Louis to love me;" esp. cuz despite all the Dark Gifts he has, he CAN'T read Louis' mind or manipulate his thoughts the way he could back when Lou was still human.

Cuz what Lestat DOES have from Amel/Akasha is direct access to more raw POWER & more Dark Gifts than the average vampire his age. He got her blood straight from the source, not diluted across vampiric generations. Those Gifts are why his rage so dangerous--his ability to overpower weaker vamps & fly them up in the air to drop them & set Millennial Fledglings on fire just for irritating him, etc. Esp. cuz we know "he's a volatile guy already;" he's got patented anger issues up the wazoo ("I am cursed with my father's temper; I am burdened with my Maker's temper").

ALSO, why would Amel have possessed Les to do something so counter-productive to his Chosen One's survival as almost winding up in the incinerator right next to Antoinette? By that logic, we'd have to say that Louis chokeslammed Claudia cuz HE was possessed by Amel too! That entirely strips away precisely what Sam said: how much Loustat LOVES each other drives them to unhinged levels of violence AGAINST each other, AND ultimately Claudia, as they each fear she'll take them away from each other (to Europe/the incinerator).

Hence why AMC hasn't laid ANY breadcrumbs indicating that Lestat was "possessed" by anything--just plain ole oppressive patriarchal toxic masculinity, just like I've been saying all along:

Cuz that machismo's what draws Magnus to Les in TVL & Akasha to Les in QotD; and that "vanity" is what draws Raglan James to Les in TotBT, and that sin/guilt/shame/self-loathing is what draws Memnoch to Les in MtD. In every book until Merrick, Lestat proves the villain right, before he finally realizes how bad he's messed up AGAIN, and course corrects to try proving them WRONG about him.

But Lestat's character development is a marathon, not a sprint; so it's not until Blackwood Farm that Lestat finally simmers TF down, and it's not till the PL Trilogy that his redemption arc really shines best. In PLatRoA, Louis proposes to Lestat WITH AMEL STILL IN HIM, as the Sacred Core directly communicating with Lestat, with the greatest chance to ACTUALLY take over Les if he wanted to! Louis is arguably the MOST concerned about Amel staying posted up in Lestat & possibly taking over him, so sure, I CAN see AMC leaning into the fear that Lestat's underestimating the chance of being spiritually possessed; esp. when compared with Akasha & Rhoshamandes. But that's also what SEPARATES Lestat from those 2, cuz he IS different; he IS special--to Amel. Cuz Les has a massive capacity to LOVE; he LISTENS, and treats Amel like a FRIEND, a PERSON, not a monster. And Lestat was SAD when Kapetria darn near kidnapped him & forced the surgical operation that finally separated Amel from him--cuz Lestat's ALWAYS carried that fear of abandonment in him.

Cuz it's not about Amel at all: it's about the HUMAN SOUL in each & every vampire; at the core of Gothic lit as a genre.

Cuz vampires ARE monsters, but the whole point of TVC is how they all learn how to be BETTER monsters/people; and NOT act like "barbarians" & wild animals--hence: Lestat's Vampire Court in the Chateau Era at the end of the franchise. Hence: Lestat finally becoming WORTHY of Louis' love.

So if AMC succumbs to pressure from the Lestans and retcons S1 & S2 to blame it all on Amel, Imma call that weak ish out on the spot.

[le-higuu]

Transcription below the Read More:

Stan: wakes up disoriented, then jolts upright after realizing where he is.

Ford: "mm... Stanley?— Oh! Are you back?"

Stan: "...Yeah. I'm back."

Ford: "Do you... Remember what happened?"

Stan: "...Yeah. I..."

Stan: "I was actin' pretty weird, huh?"

Ford: "Well, sure, but you know me— weird is my specialty."

Stan: "Yeah, yeah, yuck it up."

Ford: "So, what is it like? Do you retain your adult memories? Fiddleford thought you might not, but you knew who he was, so I disagreed."

Stan: "Wow. You uh. Sure have a lot of questions. Never change, Six."

Fiddleford: I heard y'all yappin'. You back, Stan?"

Stan: "...Yeah."

Fiddleford: "Oh, good."

Ford: "So, which one of us was right?"

Fiddleford: "I ain't so sure he wants to talk about that Ford."

Ford: "Ah? Why's that?"

Fiddleford: "Well, I certainly don't wanna talk about my... episodes."

Ford: "But this is different, Fiddleford! There's so much we don't know!"

Fiddleford: "Well it ain't our business to know."

Ford: "Of course it is, I'm his brother."

Fiddleford: "Well I ain't —"

Stan: shouting, "Would'ya both shut your yaps!?"

Stan: "Look, it's just a weird thing that happens sometimes. We all had our laughs, now let's forget it. Okay?"

Ford: "...What do you mean, 'happens sometimes'?"

Fiddleford: "Ford!"

Ford: "What? This is important context!"

Stan: "HAH! Did I say that? I meant that— it— uh— happens to people. In general."

Ford: deadpan, "I have literally never experienced that before in my life."

Stan: "Well— duh— Y— YOU KNOW WHAT I MEAN!"

Fiddleford: "Well, Stan, if this were a reoccurring phenomenon, it'd help to know what might trigger it so we can avoid it in the future. Y'know— so you don't have to experience that again."

Stan: "...Right. Experience... That."

Ford: pauses for a second. "...Was it really so bad?"

Stan: "What?"

Ford: "Look, I know it's silly, and childish, and I was worried at first, but... Being able to just... pretend, for a while. Go back to when we were kids and things were so... simple."

Ford: "... I didn't hate it."

Stan: pauses for a second. "... I didn't hate it either."

Ford: "What's it like?"

Stan: collects his thoughts. "It's like... My brain just kinda goes into a fog, and I can't... think adult things? It's kinda fun sometimes, even. If I find a toy or a game to play. Sometimes it, uh... Wasn't."

Ford: "But it's not harmful to you in any way?"

Stan: "I mean... not as far as I can tell?"

Ford: "Then I see no reason for us to be concerned!"

Fiddleford: "But Ford, what if it happens while he's alone?"

Ford: "...Ah."

Stan: "Hey, don't worry about me. I've been fine on my own so far, right? Take it easy."

Ford: "But ... you haven't."

Ford: "The entire reason this happens is because you were alone for so long. And I don't want you to be just fine. Besides, it's.. partially my fault. The least I can do is support you."

Stan: "...So that's it, then?"

Ford: "What?"

Stan: "So, the only reason ya went along with this— did any of this—"

Fiddleford: "Hey, now.."

Stan: "Was because ya felt guilty? It wasn't even your fault!"

Ford: "Of course not, I—"

Stan: "Quit lyin' to me!"

Ford: "I'M NOT!"

Stan: "Yes you are! You think this is some sick science experiment, don't you?? Well, I'm not—!"

Ford: "I MISSED YOU TOO!!" Ford is hugging himself.

Ford: "I... I missed being your brother. And this— being able to laugh with you, and play, and tell stories... It was good! I... I missed that."

Stan: "... I missed it too. Ok? Why d'you think it even happens in the first place? I'm not dumb. But we can't really go back. No matter how much we want to."

Ford: "Why not?"

Ford: "Why can't we act like kids again? Don't we deserve to have that back? After everything? After everything this evil fucking world has taken from us... Don't we deserve to get something back for once?"

Stan: sniffs. "....maybe."

Ford: "Then let's figure this out. Together."

Stan: "... Wherever we go."

The brothers hug each other.

Fiddleford: thinking to himself, "Thank God they made up."

your age regressed Stan has interested me, would you be willing to do more?

very well <3

[teeldaa]

I wanted to rant a little about Wyll , Mizora and Raphael,their prewrite versions and my issue with how Larian wrote devils and cambions in general and some theories :p This has been sitting in my drafts for a while, I got sick and completely forgot about it ...I think i got carried away with my Raphael theories, because of that i wasn't even sure if I wanted to post this or not(warning:a lot of yapping) And sorry in advance for my bad English :p

Wyll and Mizora first thing that bothers me is i see a lot of people saying Larian rewrote Wyll because EA players didn't like him, but that's not true?!I was looking through Larian's interviews, they either said they’ve redone Wyll because it wasn't working for them, they lost a little bit of narrative room for telling all these stories that he had(x) or they weren’t telling his story as well as they could have done(x)so it was Larian's decision and not players feedback. Pre rewrite Wyll: He wasn't related to Ulder Ravengard, he was a descendant of Grand Duke Eltan,the founder and leader of the Flaming Fist.these are the lines that were datamined during ea(source)

Although Duke Eltan founded the flaming fists, his family had to sell their interest to pay off debt... in the release version if Wyll doesn't sign the contract with Mizora and Florrick is still in jail Cordula Eltan confronts him about Ulder(might be an Easter egg)

after getting caught for thieving, Wyll was sent to flaming fists by his father.he pointed out that he wasn't a good fighter and didn't fit in well there and then one day Spike and his fellow goblins attacked the village

this is the part that a lot of people miss,you could only get these lines if you modded the ea to play as origin Wyll(x) when confronting Fezzerk the narrator said these

Your belly crash into memory, Spike was the one who slashed out your eye this one held your head while he did it

The bile rises in your throat, you hate this cockroach, you hate his chief ,You hate…yourself you'd been selfish,lazy,lustful. you'd all but invited goblins to a slaughter

and If you made Wyll torture the prisoner, Spike would say"The Blade always knew how to throw a party!" So I guess Goblins used throwing a party as an excuse to trick Wyll into letting them in!

I think what they were going for with Wyll was... A nobleman who had to meet high expectations put on him by his status and his dad, went through a very traumatic experience(humiliated, injured, witnessed the slaughter of an entire village)and had no way of fighting back! he was in need of rescue and had no one to help him, so he took Mizora's deal and became the blade of frontiers to prevent that from happening to other people?!

I often see it being said EA Wyll was a "fake hero" or a "glory hound" or … which are not true, He was the only companion who prioritized saving the tiefling refugees over finding a cure, was ready to die for them and would have left the party if you sided with Minthara. He wasn't "evil" he just had more flaws... Wyll decided to break his pact after Mizora asked him to pay "a price he wasn't willing to pay", they were arguing then got kidnapped by mind flayers. these lines are from modded Wyll origin(x) said by the narrator:

one moment you'd been bartering with Mizora for freedom. the next whisked away by tentacle monsters

what was it Mizora had said?oh yes- 'over your rotting corpse'

Spike found Mizora's pod and put a collar around her neck that neutralized all her powers, She communicated with Wyll through his eye and promised to free him if he saved her. Before the party got to the goblin camp, drow came and took Mizora to Moonrise tower and apparently they had"big plans"for her I think this version of Mizora was working for her father based on these dialogues(x)

Mizora: Get .Me .Out of here Wyll: and if i don't? Mizora: then my father will. and your eternal soul will be his.

maybe that "big plans"had to do something with her dad?! The lines that implied she and Wyll might had been romantically involved at some point were these:

Wyll: Don't tell me - someone came to you, an object of desire. made you better. More than better Wyll: Same happened to me. Tav: Someone, yes. who was it you saw? Wyll: An old lover. tempting as a trail of rose petals, and just as fragrant.

and for anyone wondering what does she smell like...

Tav: Tell me more about this old flame of yours. Wyll: A giver and taker. without her, id hardly be who i am, for both better and worse

I kinda get why they decided to change their dynamic, but they made it so much worse... what Wyll and Mizora had was a toxic codependent relationship with a power imbalance but the game was taking it more seriously...in his act1 romance scene You could hug him and make him feel safe. the only datamined Wyll/Mizora interaction we had was this! and this version Mizora is way better! She didn't treat Wyll like a "dog" or use weird degrading pet names. i wish they kept her straightforward and no-nonsense attitude, she had so much personality, probably more content and plot relevancy too She was already lawful evil and the game made that very clear, making Mizora treat Wyll in a super dehumanizing way was just unnecessary in my opinion and it didn't do neither of them any favors. the release version Mizora supposed to be a cambion but she's not really written like one. the most important part of cambions lore is that they are outcasts! They grow up very lonely because they are never accepted by either society, Even in the bg3 artbook it is mentioned that they have to be resourceful to survive "as the forsaken of two races"

They're not always evil, they can be neutral or even rarely good(depending on their mother's alignment). I feel like they were doing a way better job with datamined version of Mizora, You could actually see her half human side more. Tying Wyll to Karlach's story was a bad idea… Zariel's characterization feels kinda off(Karlach called her the biggest liar in all the realms??)and Mizora doesn't exactly seem like the type of person who works for her...Zariel is a warmonger obsessed with stopping the Blood War because if the demons win they will conquer the Material Plane and start destroying things, she's more of a“the ends justify the means” type of evil. Zariel is not into politics of hell, i feel like Wyll should have been forced to fight in the blood war just like Karlach because that's the only thing Zariel cares about. and...if Zariel doesn't own Karlach's soul then why does she want her dead?!Shouldn't Mizora order Wyll to capture her alive?so she can take her back to Avernus? i find it kinda odd there's not an option to ask Mizora to remove your tadpole. I think she should be able to that, In that datamined interaction she had this dialogue:

That's an illithid tadpole in your brain, let it fester for long and you'll be birthing a squid from your head hole. You want that thing out? Brush the dust out of your eye and get over here.

And bg3 has a prequel comic called "Mindbreaker"and a devil(an erinyes who served Bel) did remove an absolute tadpole...

Wyll's transformation into a devil confuses me! The dialogues makes it look much more significant than it actually is...it's just horns, i wonder if Larian was originally going for a more drastic change, bg3 concept art Devils have very distinct features... and btw Mizora turning Wyll into a devil should have cure him, ceremorphosis doesn't affect fiends...

I feel like if they didn't tie Wyll's story to Karlach and didn't change his father, they could have kept most of Wyll's previous content like his ea romance scene which was great And it could still work for the current Wyll. Was all that changes really necessary? And they didn't even give Wyll a unique starting outfit when his Keyart Armor was already in the game files and it looks perfect on him.

Mizora's father Just for fun, there was this Harbs Narbs theory(x) that Mizora's father was Levistus(Archdevil of Stygia) Levistus is the Infernal patron of vengeance and betrayal,His followers are called bladereavers.he is an honorable duelist and his favored weapon is a rapier in that video he said that blade of frontiers tag gave Wyll an automatic rapier proficiency and armor of agathys(Levistus tieflings have that spell) ...and the spell" Tomb of Levistus" was datamined Levistus is described as a tall humanoid male with dark hair, a neat goatee and an extremely pale complexion but would be able pass for a human if not for his pointed teeth and coal-black eyes that practically radiated darkness. Mizora concept art also happen to have "extremely pale complexion" "coal-black eyes"and looks more human compared to other devil and cambion designs...

(I really like this design, specially those small blades that are hanging from her dress. I think the outfit she's wearing now in the game was supposed to be for her human disguise and this was for her devil form) I couldn't find anything else about Wyll, But i think he suffered the most from the upper city getting cut. I am very curious about his EA version's father and his role in the main plot...He probably was the main focus of Wyll's quest in act 3(because Mizora was supposed to end Wyll's contract if he freed her from Moonrise) I imagine this version of Mizora could also become a camp follower, She was tortured badly by goblins so it makes sense that she would help us defeat The Absolute...

Probably not a hot take, but I don't think they should have completely rewritten his entire character that late in development(Just to be clear, I like release Wyll and i think Theo Solomon did an incredible job voicing him.I just wish the narrative treated him better) I completely understand why someone would prefer the current version he's a sweet, loyal and brave folk hero but in my opinion he would have been more popular and resonated with more people if they kept his old self. EA Wyll was more charismatic, chaotic and extroverted, He had A LOT of struggles and flaws but he was trying his best to overcome them and that made him more relatable. The difference between EA Wyll and release Wyll to me is like the difference between Batman and Superman, Batman has a way bigger fandom and more films, games, cartoons and...even though Superman is this uncorruptible and aspirational symbol of hope with so many cool super powers. Another thing I like more was how they were doing the warlock/patron dynamic. The relationship was much more personal and complicated and original version of Mizora was superior in every way (I could be wrong, but I always assumed from the way Wyll talked about the powers Mizora was giving him that the whole thing was some kind of allegory for addiction) that's all i had to say about Wyll and Mizora...

Raphael first the stuff they cut

the most important thing that got cut was his deal that he could solve your tadpole issue in exchange of your soul

in this interview Senior Writer Adam Smith said this:

In one situation, for instance, a devil will approach players with a bargain for their soul. That might seem like an offer to immediately reject, but that deal might also help players understand and control the change happening to their character as the result of a magical parasitic infection.

and in this one Swen Vincke said he is a potential solution for the tadpole problem:

even in the first encounter he says "Oh, A mere trifle. How dear is one's soul, Really?" when you ask him what he wants. ...so i guess that means you could have had Raphael as your patron?!

it was datamined that he wanted the artefact (x) not the crown

the person that supposed to be inside the artefact, helping you and not letting you turn was Orpheus, so Raphael wanted him...for some reason!

there is also this List of All Cut Content!apparently Raphael supposed to be a Merchant and soul coins were there for trading with him...

Raphael the Merchant - Originally Raphael was meant to be a fully viable option to remove your tadpole, in fact the "Soul Coin" items that you collect in game where originally meant to be a powerful alternative currency accepted only by Raphael in exchange for possibly retrieving your soul as well as a long list of incredibly powerful artifacts from the House of Hope that would be sold by Raphael himself.

originally Karlach didn't have her Infernal Engine(x)so that's probably true!

in early access If you didn't give Gale magical any artifact, he would make a deal with Raphael(x) Gale would inform you that he no longer needed anything from you, he didn't exactly tell you why but if you passed the wisdom check the narrator would said this :

You flutter through his mind like a bat through the night and you see… fire. You hear laughter. You smell brimstone. mocking words drift back to you.'This is the House of Hope.'

Origin Karlach could have made another deal with Raphael! she had unique datamined dialogues with him and Korilla

there's 4 unused Raphael models(with different hair style)in the game i see people calling them earlier iterations but they are not, they were datamined all together later in the early access along with companions dream lovers in one room(it was called AA room) They could be for some sort of cut content/quest lines?!

Concept art Raphael doesn't have hair so idk maybe these were supposed to be his different human disguises?! Even in this early live stream he had the same devil model with black hair while his human disguise looked like Lord Farquaad...

this was also on that list of cut content

Mol and Raphael - Isn't it odd how Mol will just escape from Raphael on her own and say it was "easy?" Well it turns out that's because they cut whatever the final leg of that quest was meant to be, instead they allow Mol to escape on her own which more or less skips to the end and around the cut content.

there's one Yurgir line!(you can hear his datamined voice lines here)

now, Leave me. I must prepare for my return to hell, Triumphant.

(thanks @doomsbutt for looking that up) apparently it was supposed to trigger as a fallback for when Raphael can't appear! The tag checked for that dialogue says "Sets if the Last Justiciar contract was completed, but Raphael didn't show up" Currently this is not an option in the game, but we could have just tell Yurgir he can be freed by killing the rats!so maybe there was supposed to be an option that got cut ?!

Astarion and Kith'rak Voss asking Raphael for help were added after rewrite

in early access the game locked you in a cutscene when Raphael visited the camp, you couldn't switch character, pickpocket him or see his health bar!also in ea Korilla wasn't spying on the party

in conclusion Astarion quest, Raphael's dialogues with Karlach and Dark Urge + everything in act3 should be new. Raphael probably originaly had A MUCH BIGGER role, He was mentioned in all the larian's earlier interviews and was on all of the promotional stuff... I think they changed him really late in development as well *take with a grain of salt*larian beta tested the game in july 2022 I heard about that version twice, What they both mentioned that had changed was the House of Hope. one of them said even Hope and Haarlep didn't exist in that version*again take with a huge grain of salt, I heard from someone who had heard it from a beta tester in both cases*

the release version (@tellmeallaboutit sorry it took so long...I changed my mind several times while writing this, then forgot about it for a while...) I know it's because of that late rewrite but in my opinion Raphael's writing in Act 3 is not great!(like everything else in act3) He has a really good set up but it just goes nowhere,his deal just sucks...after Yurgir quest i was excepting the contract to be a song or poem, option to negotiate the terms, and consequences...but nope!nothing! And then you can just go and steal your contract?!(pretty sure that's not a thing, since contracts are magic that bonds your soul to a devil not a actual piece of paper)and even if you break the contract, he won't kill/punish you for some reason. First i wanna rant a little about Hope…i think after they decided to cut all of Raphael's original content, they wanted to give the player a reason to kill him so they made her! she is a prisoner who is being tortured to accept Raphael's deal and...that's not how Infernal Contract works, terms become binding when both parties willingly sign the contract, the contract is void if the devil uses force or even threats. this is from Fiendish Codex II :

The same goes for buying slaves...there's a reason why devils go out of their way to corrupt mortals and offer services, why bother making contract if they could just buy people?! that aside my biggest gripe with Hope is she's not representing hope as a concept , she's very brave and strong-willed but kinda pessimistic. literally the first thing she say to you is"you came. such a shame. curiosity killed all the cats it won't be so kind to you"like??!Isn't that the opposite of inspiring hope? i was re watching her cutscenes and majority of her dialogues are quite cynical...i feel like whoever wrote her and HOH quest straight up confused hope with persistence, strong will and determination! IMO Isobel is a MUCH better character to represent the concept! for anyone who says "Why can't Wyll and Karlach stay in the House of Hope"they cant! Hell is very lawful hierarchical place. You can't just stay there, other more powerful devil will absolutely attack and take over HOH right away after Raphael's death. Another thing that really bothered me about Hope's situation is that it doesn't really line up with what Raphael was saying earlier... To make it easier to explain what I mean, i tried to analyze pre-rewrite stuff separately first: *Disclaimer:I'm not talking about current canon of the game This is mostly just my thoughts and speculations as to what his character and story might have been before the rewrite, i know I'm most likely totally wrong* Destroying people's hope was not exactly Raphael's goal, He even gets upset if you agree to take his deal in the first encounter"Oh. That's disappointing.I prefer it when my clients put up a fight…" and"i really am at my magnanimous best when people make an effort" That's why IMO it just doesn't make any sense for him to torture and imprison a person who didn't take his deal right away, Since he explicitly wanted his clients to have hope and go explore all the options they have, because for some reason he was sure they can't find anything and going to fail every single attempt"only to realize victory was never an option" then they themselves come to him and ask/beg him for help and he gets to be their"savior" The thing I find interesting about pre rewrite Raphael that is completely gone in act 3 is his savior complex and how he tried to portray himself as someone who helps people in need. "House of Hope" is a VERY common name for nonprofit organizations that provide treatment, shelter, financial assistance and...(if you google it and pass through bg3 stuff you can find many of them)I don't think the name's a coincidence because of this line"This is the House of Hope, Where the tired come to rest, and the famished come to feed lavishly"he was supposed to be an option to heal your party from the parasite. He also talking about having"boundless compassion" and "infinite mercy" and his the gathering card is called "Fiendish Savior"These are not things I associate with the devils or the hells. He is named after an archangel. Raphael is known in various religions as an angel who does acts of healing. The name Raphael means "It is God who heals", "God Heals", "God, Please Heal" in Christianity "he is the patron saint of travelers, young people, happy meetings, nurses, physicians, sick people and medical workers. He can cure blindness, eye afflictions, nightmares and..." in Islam "he is a beautiful angel who is a master of music, he sings praises to God in a thousand different languages, the breath of which is used to inject life into hosts of angels who add to the songs themselves."

In the final release the name Raphael seems very random for a cambion but if we look at his cut content it makes a lot of sense,He was supposed to be the party's patron who would cure their "eye afflictions" This could be remnants of Mol's original quest, but notice how even her blind eye healed after she took on Raphael's deal. He could also fix Gale's orb and Karlach's "condition", Maybe that's why he was named after the archangel of healing. another thing I've noticed is in his boss fight when you try to hit him with radiant damage he says this:

I don't think a cambion should be able to that, because "Radiant damage doesn't do anything special to demons/devils but they aren't particularly resistant to it either" No creature is immune but aasimar and celestial do have resistance to radiant damage. and there's also angel/devil aesthetic in the HOH decor...

Both of these are definitely Raphael, The devil one is sticking his tongue out, There's a lot of tongue imagery in Raphael's clothing concept art as well. The angel one(?)has some kind of plants around his head same as that one Ascended Fiend design on the HOH floor(The actual design has antlers instead of those)

Speaking of Ascended Fiend, I find it really hard to believe that they made a uniquely detailed model just for a phase of his boss fight that could be missed. There is no cutscene or explanation why he has a third form(i know about that cut"Mephistopheles, hear your son!..."line but I don't think it's canon anymore, and it's definitely not the original reason why this form exists, The design is already on the HOH floor and on his clothing concept art so it was supposed to be something that he already had) It doesn't look like a devil to me...It is designed in a way to draw all your attention to its head...it has 3 animal skulls smashed together(?)and Stag Antlers. Correct me if i'm wrong but i don't think that skull is for a real animal right?! And those stag/deer antlers are the most in you face part of this design, They are also seen in one of Raphael's concept art design and even in Korrilla's outfit on her chest.

This made me wonder what exactly that Ascended Fiend design was even supposed to be(I saw some say it's a pit fiend But it does not look like a pit fiend at all, pit fiend are heavy, have big muscles and gargoylish appearance)And what's with the antlers? Okay, here's my delulu theory: I think the Ascended Fiend's design and Raphael as a character were both inspired by a Wendigo.

"Wendigos are described as having long limbs, long, sharp claws, and teeth, and their eyes are said to be sunken in and glowing red. They are also said to have a long tongue that they use to lick their victim's flesh and can shapeshift into other animal and human forms." "The Wendigo was gaunt to the point of emaciation, its desiccated skin pulled tightly over its bones. With its bones pushing out against its skin, and its eyes pushed back deep into their sockets, the wendigo looked like a gaunt skeleton recently disinterred from the grave.What lips it had were tattered and bloody … Unclean and suffering from suppuration of the flesh, the Wendigo gave off a strange and eerie odor of decay and decomposition, of death and corruption" "The wendigo craves human flesh and is constantly starving for it. The wendigo is known to have its preferences: the sweet fat of children, the soft skin of women, the course muscles of men (especially warriors and hunters) Wendigos are embodiment of gluttony, greed, and excess; never satisfied after killing and consuming one person, they are constantly searching for new victims."They also stalk their preys for a long time and prefer to terrify them before moving in for the kill. the description kinda fits the design right? Notice how Raphael's eyes are sunken into their sockets in his human form. this also explains why there is so many tongue symbolism in his house and concept art...and looking back at Raphael's dialogues again, there's a lot of Food-related proverbs/idioms/phrases (they definitely toned it down in Act 3), some even could possibly indicate that he might have been based on a wendigo"through a nice juicy brain""My last contract here fed me for decades" He also called greed his"favorite virtue" and Shadowheart said this about him"there were no right answer with that devil. He was toying with his food-us""A devil sought us out, Teased us with his help…But he also stared as if we were the banquet, Rather the one on the table."(this is a cut line from ea)

There's this line in act2"I have this picture in my head of you tossing and turning in the middle of the night, thinking strange things, dreaming strange dreams..." In Cree mythology, wendigo can possesses people through their dreams and cause its victims a feeling of insatiable hunger, the desire to eat other humans, and the propensity to commit murder. And these were "urges" from early access:

Nausea twists your stomach, But it's hunger not revulsion, Something inside you clammers for blood, For death and only the the tear of flesh will do.

Amid this flurry of questions you feel something else deep inside you, A hunger, A lust for blood.

Durge is the last addition to the origin characters so ea urges should have been for something else so...idk. i looked up to see if wendigos are a thing in 5e but I could not find a solid answer...(put pin on this, I'll have more to say about Raphael and dreams) Another big thing I feel was really missing and should have been explained in act 3 is Why was Raphael so sure that his clients wouldn’t find anything and always come back to him to matter what...first two act was setting up Raphael as someone who likes to play games that he is sure his clients cant win but there was no such game in act3. I believe the current narrative wants me to think it's all an act or it's just him being overconfident but that doesn't make much sense, He acts as if he has never failed before and has the upper hand and lots of advantages in these situations, He shows his true form right away and never hides the fact that he's evil and even denies you If you accept his offer in the first encounter. To me this is someone who is looking for a challenge. You can see this in the way he dealt with Mol and Yurgir(their act2 voice lines were dataminded in patch 8 of EA, So their deals with Raphael were written before that late rewrite...) In act2 Raphael trapped Yurgir in the Gauntlet of Shar by offering help to Lyrthindor...so Raphael did put Yurgir in a situation where he had no other choice but to accept his deal. I'm having a bit of a issue with this quest... i know they tied Astarion to this quest after the rewrite(this is why there is no deal when Astarion is not in your party) and It was supposed to be an option to free Yurgir(because of that unused line i mentioned earlier, I wonder if we were going to see free Yurgir again in Avernus cut content...)So they have changed this quest at least a little. I feel like Yurgir's soul was not Raphael's number 1 priority, He made a deal with Yurgir. There was always a loophole in that deal, He could have sent someone else to kill Yurgir all this time but he didn't. it seems to me that he's just messing with him? And there's this line "My last contract here fed me for decades"as if he keeps getting profit out of that contract?!i don't think he's getting those dark justiciars souls?So what or who was he feeding on all this time? This should have been the quest that basically established what type of person Raphael is and how he makes deal, But the difference between this deal and what he offered the player is so big that it doesn't seem like they were made by the same person. In Yurgir's case the contract was a song, there was a loophole in it, and Raphael didn't play fair, The "perfumed trickster" in act 3 suddenly is an honest and fair devil who doesn't backstab his clients?

Yurgir himself was soften up a little too much in act3, I liked that he was this evil, ruthless devil who could easily kill you and enjoy it, But had a sense of honor. he was reduced to "uwu little rabbit" in act 3 As if we did not see his bed and this is not the same person who said "I made him watch as i ate his concubines and young, Then i fashioned a codpiece from his skull.""Owe you? Every breath you take from this moment now on is my reward to you. Few walk away from me intact."idk it's just a bit inconsistent for me... And there's Mol! She was presented with a deal from Raphael and then suddenly She got kidnapped after right after that...I don't think it was ever confirmed that Raphael was involved in her kidnapping but "It's only a matter of time before the apple is plucked."and"she still has the unconditional freedom to choose the only option she has left"kinda makes me think he may have known this was going to happen?!He had no way of knowing this was going to happen and I don't think it's even possible for him to be responsible for her kidnapping, But he spoke as if he knew... And then in act 3 you can just find Mol and give her back her contract and that's it... which was pretty anticlimactic. It just feels unfinished and rushed, Probably because they cut off Raphael's content and Mol's original story was connected to that said content?! Maybe I'm just being nitpicky but i feel like Mol should have known Raphael's a devil?! He offered her a deal and smelled like sulfur?Like what kind of deal did he offer her that didn't require revealing his identity? (*take with a grain of salt* It wasn't just Mol, If what i heard from that version that they play tested is true, There were supposed to be more children npcs in HOH and i have a feeling the devil with the silver tongue in Wyll's story who took the farmer's daughter away is also Raphael. This could be a cut storyline?maybe?) There are also these lines that do not make much sense to me"You're the best thing for business since the Second Sundering. Countless sorry souls came running to my door after your work in the grove." "To repay you for the souls sent my way, I offer a taste of the truth."Which souls is he talking about here?Why would "Countless sorry souls"go to Raphael specifically after the grove incident?

after rewrite Those were all the pre-rewrite stuff... Kith'rak Voss scene with Raphael must be new, He was a very different character and was involved on that big "The Creche vs The Cult of the Absolute" fight in Rosymorn Monastery that got cut. Raphael originally wanted the artefact not the the The Crown of Karsus so him want to be ruler of nine hell is probably new?! which is ridiculous If you know anything about hell hierarchy and power scaling(the reason is to enforce law and order(?) as if hell isn't already like that and Asmodeus isn't a primal embodiment of lawful evil) Maybe that's just me but Raphael's writing in general feels very different in act 3, My guess is that they gave him to another writer after rewrite, he seems to have been written by a more skilled and talented writer before that...like if you compare the first meeting with him to his monologue before fighting him, the difference in quality is very much noticeable. Raphael himself went from being very smart, snarky and manipulative to straightforward, blunt and comically unselfaware. I guess the current narrative wants me to just ignore all the earlier stuff?! And i have other nitpicky issues, "Down comes the claw" is supposed to be a reference to Raphael's lullaby in Act 1 but that doesn't make sense,This was what happened between the cat and the mouse, and Raphael was supposed to be the fox watching them. if they player was the mouse, who is this cat that they were brightly smiling at? And why "claws coming down" was a form of "love"? My guess is that the original meaning of that rhyme is something that has been cut. In my opinion, the House Of Hope quest itself was pretty underwhelming with lot of questionable writing decisions and basically was a weaker and less interesting version of hag's lair in act 1. I feel like the writer was much more interested in shocking people or getting a reaction than writing a good story. The last thing that bothers me in act 3, Raphael suddenly out of nowhere became really obsessed with law and order...I mean that's what he says but he never really does anything to show that he cares about those things? His house is a chaotic mess and Neither Hope nor those "Eternal Debtors" should be there. Devils can take someone and torture them without owing their soul ONLY IF those people to come to hell themselves(which wasn't the case with Hope) and I couldn't find anything about those "Debtors" in dnd lore. What is even the purpose of their existence beside shock value? Those who sell their souls to a devil become divine energy for the hells, Lemures or soul coins after they die, All of which are relatively worse outcomes and i think he should have served an archdevil in Avernus(but he doesn't)...All that talk about hell's laws but he lowkey not following any of them... IDK maybe he wasn't originally meant to be lawful evil? In act2 he said this about Mol "She cheated, of course, but that's half her charm"i don't understand how can you find cheating charming if you love law and order so much? and he also said this"After all, if there is one rule I hold dear, it's that one must always give the devil his due." Doesn't this contradict what he's saying in act3? He basically said he doesn't care about any rule beside "giving the devil his due" here... And there's Raphael's magic the gathering card "Fiendish Savior"

MTG cards have 5 colors, each of them has their own meaning and mechanic(you can read about them x,x) Raphael's card is half black half red. Black is color of lack of ethical restraint, Power at any cost , self-interest and ... which still kinda fits his character. Red is "impulsive and emotional. The color of passion, frivolity, and chaos"."Red values freedom above all else. It wants to do what it wants when it wants, and to whom it wants, and nobody can tell it otherwise.""Red believes that life is an adventure and that it would be much more fun if everyone stopped caring about rules, laws, and personal appearances and just spent their time indulging their desires through experience." I think this was made before that late rewrite, because it doesn't really fit him any more.(Wyll card is also red and that's definitely for his EA version) Red doesn't always mean chaotic alignment but character with half red half black card are very often chaotic evil. Unlike devils, Cambions can be other alignments beside lawful evil so maybe they were doing something different?!or maybe he wasn't even a cambion?

(Just a warning, I'm about to over analyze a lot of details in bg3 artbook, early access and prequel comic to guess what they might have planned for Raphael before the rewrite, if that's something you don't really care about you should stop reading...A lot of this is just my theories and speculation about the og storyline) Raphael's design I think just like Wyll and Gale, they didn't give Raphael his actual design and he stuck with his ea placeholder model. His final design is really bland and it looks nothing like his concept art. (i can't post more photo because tumblr's limit but you can see them here) I prefer all of them to what's in the final game right now, all of these designs are very bold, detailed and fancy, which I think fits Raphael's over the top personality better. They all have a black and red color scheme with lots of gold jewelry. There's a lot of nature symbolism(vines,roses, thorns and...), Eyes, Tongues and dragons in there as well. I also really like how Raphael's devil form has unique features and isn't just basic tiefling with wings like the release version. I don't know what this is but apparently it was important enough that has its own section on his page...

Another thing I noticed, Gortash's final outfit is very similar to some of Raphael concept art. Specially that early sketchy design (even that dragon tattoo was originally meant for Raphael) similar symbolism: Eyes, Tongues, skulls and dragons, None of these can be found in other Gortash concepts So idk maybe this is just an unused earlier design for Raphael? (Is it just me or the dragon on Gortash's collar looks a lot like Tiamat? it's literally a dragon with several heads. I don't see how she could be related to either to Gortash or Raphael so i didn't look more into it)

Another thing all of these designs have in common is that they are clearly inspired by Jareth the Goblin King and different customs he wore in 1986 Labyrinth. It reminded me of this tweet from back in ea where one of the dev even compared Raphael to Jareth.

that kinda explains why there were children npcs in HOH in that beta version of the game... I was thinking about this comparison then something suddenly clicked for me, Jareth was a manifestation of Sarah's desires(at the beginning movie in her room you can see a picture of David Bowie with her mother). He was offering Sarah her dreams and was trying to get her to submit to a fantasy...And that's EXACTLY what the original dream visitor from early access was...Which is interesting because when i was reading about Wendigo, That also reminded me a lot of EA dreams and urges(They can shapeshift into different human forms and posses people through their dreams and...) I knew Raphael's original role was to be a solution to our tadpole problem in exchange of our soul and be a Merchant. So I thought he would be an ally against the Absolute, but probably had his own evil agenda and dealing with him had its own consequences(kinda like an evil equivalent of Malady from DOS2)...It never actually occurred to me that the reason he wanted Orpheus and our souls was because he was with the cult...This sent me down a rabbit hole. If you haven't played early access you can watch all the dream sequences here. just by these alone it's obvious that the dream person isn't the tadpole specially in the last dream Where their mask fell off... And I think the Absolute and the Dream Visitor were supposed to be the same person...There was this conversation with Lae'zel:

Tav: Those dreams linger in my memory. Do you think that strange figure will come back? Lae'zel: It is a certainty. I had assumed our parasites served a ghaik Elder. But i believe they serve a greater master still. Tav: The Absolute is this 'master'. I'm sure of it. Lae'zel: Perhaps. 'Absolute' may be a mere pseudonym behind which this master hides. Whatever this voice, Whoever this master, It dominates dreams and unites minds.

Minthara also had this line in EA"The Absolute has spoken to you already, in whispers and dreams, but at Moonrise you will be in her presence." and Absolute's pronounce changed depend on the person you're talking to. EA dream visitor was referred to by two names in the game files: Daisy and Desire. This was datamined about multiplayer(x)

Daisy: can have up to four "Daisy" character in game , one for each avatar, The "default" Daisy is the host. Desire : only one "Desire" in the game.based on the Daisy made by the host.

Some NPCs in game files also were referred to as desire, So they were probably Daisy in disguise. for example one of them was Counsellor Florrick.

I recently watch this(x)Remember i mentioned those 4 unused Raphael models that were in the same room with origin character's dream visitors. Now i know what they are, They aren't for cut content 4 naked models are customizable dream visitors for each 4 avatars and there are 4 Raphael for each of them because Now there are 4 extra Emperor with those customizable Dream guardians in there instead ...(They aren't in the separate room like EA and Origin don't have their own Daisy now so they aren't there)

Looking back at EA footage now, I think the original visit to HOH probably was a dream sequence...unlike the release version Raphael would only come to camp at night after a long rest and when the scene ended the whole party was knocked down (Basically you would wake up from it)

I think that's why he said a "lullaby" would suit the occasion? And if you talked to Shadowheart after the first dream, There was an actual option to tell her that our dream visitor could be "that devil, Raphael"

I didn't even remember this because i usually didn't use the tadpole powers(They were to have severe consequences) and i think you only get this if you met Raphael before you get the first dream...Does anyone know what Shadowheart would say if you pick this option?

There's also this Raphael's cut line:

I have a thousand mistresses, Karlach. Fear and pleasure blend quite well.

(I think it could be a reference to “Just fear me, love me, do as I say…”?! ) "thousand mistresses" is something that is not really physically possible BUT if was the dream visitor, this explains who these people could be. I think every person that was tadpoled had their own Daisy.

The Cult of the Absolute itself has changed quite a bit after rewrite, There was this theme of "Power at a Cost"that is gone. The Absolute was going to offer you "powers" but indulging in those corrupting powers would send you down a dark path and had long-term consequences. "Cultist of the Absolute"MTG card had this in the description "you embrace power at any cost, and if it consumes you, so be it." Now the Emperor is the one who insists that you should use this powers, but consuming tadpoles has no real impact, it just a for a powerup system.

I was re-reading bg3 prequel comic Mindbreaker, I noticed something really interesting. At the end of the first chapter a group of true souls teleported to a library to perform a ritual. Then suddenly they started speaking Infernal while they were standing on something that looks a lot like the marks on Astarion's back...

And then a tadpoled priest of Kelemvor "father Alby" killed the true soul lady that was standing in the middle, using a dagger that looked like Rhapsody(it wasn't a 1 to 1 copy but the design were pretty similar) and after that a portal opened and he was like"now it is revealed to us, my fellow true souls…the glory of the Absolute has no limits!" Okay so who's this ritual is for? (It's definitely not for neither The Dead Three, their chosen nor The Netherbrain), And why is this "ritual" look so similar to devil worshiping?! At the start of chapter 2 the comic described whatever happened there as this:

Divine magic is power imparted by a god upon one of their worshipers, a reward for prayer and good service in the deity's name. But there are other paths to power as well…Dark pacts with strange beings whose magic and influence rival the glory of the divine, even if they are not called gods by those who define such things. woe to any who fall under their sway or drink deep from their corruption.

It implies the Absolute is not a real God, and the description doesn't really fit the Netherbrain neither. The use of those "powers" that the Absolute offered were described as "Dark pacts"

After all that, I looked into whether or not devils even could have dream powers and turns out yeah a certain type of fiend do! There's 3 type of incubus/succubus, EA dream visitor was really similar to the fiendish type who are neither devil nor demon : "Fiendish succubi commonly used their ethereal form to slip through walls to reach a mortal's bedside, and linger there as they slept. Here, they filled their victim's dreams with debauched scenes and whispered of forbidden pleasures, tempting them to indulge in dark desires, appetites, and taboos. The more the succubus did this in their dreams, the more vulnerable their victim became to temptation in the waking world. Eventually, the succubus entered the mortal realm directly, in a pleasing form previously seen only in the dreams, and befriended or seduced their victim, so they could influence them directly and indulge all their desires so they would perform evil deeds of their own free will. When the victim was utterly corrupted, such as by committing three betrayals of thought, word, and deed, their soul was in the grip of the succubus, without need of contract or pledge. For a more virtuous victim, this corruption might take longer, but their downfall was all the more rewarding for the succubus. Finally, the succubus slew their victim with a kiss, and the corrupted soul went down to the Lower Planes as their prize." "Fiendish succubi could become ethereal by slipping into the Ethereal Plane. They could also magically charm a humanoid, in sight up to 30 feet (9.1 meters) away, and make them obey any command they gave them. The victim might resist, especially if made to perform a harmful or suicidal action." It's all very similar to EA dream visitor and that also explains why EA dreams were so seductive but the only thing that doesn't line up is succubus could only have one charmed victim at a time...so i'm not really sure.

Looking back on it now, I think the character who replaced Daisy wasn't the Emperor, It was The Dark Urge(or more precisely Bhaal) What we were resisting in EA dreams was the dream visitor themself, not the urge to kill them. This would happen if you failed that charisma check(I find it weird that some people still insist that original Tav was Durge/a Bhaalspawn even when the writer straight up confirmed that's not true.) My theory is those "urges" were the consequences of using the tadpole powers and not resisting the dream visitor. The character that the emperor replaced was actually Orpheus(Emperor existed even before the rewrite. I'm not sure what his original role was, But his name was datamined back in ea) Orpheus was the person in the artefact that help the party and prevented them from becoming mind flayers, Based on this datamined conversation with Halsin (x)

Halsin: You're aware of the monster inside you. You don't bow to the Absolute, like the true souls do. How is this possible…? Tav: A being called Orpheus is protecting me; Shielding me from the worst of parasite's magic. Halsin: That sounds…novel. But alright, Who is this Orpheus? I'd like to bend the ear of anyone who knows about these things. Tav: I don't know the truth bout him. I'm not sure he even has an ear to bend. Halsin: Hmm. There's so much stock you can place in mysterious friends with unknown agendas...

These were also datamined about Orpheus (x)

in the game files " the cube contains the long imprisoned spirit of a gith general, who wants to fall into our party's hand in effort to eventually break free."

He's forcing Shadowheart to either join the party or get killed by the party - either way the cube will be where it wants to be.

A mysterious character who is trying to survive and break free, who prevents the party from turning into illithid and Shielding them from the Absolute's influence...That's just the Emperor now. Raphael originally wanted the artifact, so there should have been some sort of connection between him and Orpheus. Orpheus from Greek mythology was a poet and musician who descended into the underworld/hells to bring her wife back, So maybe there was something going on that got cut? .............. Small rant about Mephistopheles I feel like they just slapped him in the game last minute... The fact that Mephistopheles had the Crown of Karsus but did not use it does not make any sense. Mephistopheles is a wizard, ruler of Cania and second most powerful devil next to Asmodeus. he was desperately looking for divinity so he could beat Asmodeus and take his place.(Especially considering what happened between him and his cambion son Magadon just for a portion of the god Mask's divinity. he managed to get only a fraction of that )He could have use the crown, Steal Asmodeus' divinity and easily defeat him. "frigid archivist who made a miracle into a museum piece" is not really who Mephistopheles is ,he's very power hungry and his "most damaging issues" are his "rampantly unchecked megalomania and recklessness in the pursuit of power" The chosen stealing the crown from him is weird on itself(IMO None of them were smart or strong enough to pull that off)And then Mephistopheles did not go after them and let them carry out their plan?why?! I even think Raphael being the son of Mephistopheles was something they added later for several reason: Everything that connects Raphael to him was added after the rewrite(Him wanting The Crown of Karsus, Astarion asking about his scars and Haarlep). This makes him way too similar to EA Mizora, She was supposed to have a powerful devil father. Raphael's concept art looks a lot like Yurgir and other devil concepts from Avernus cut content and shouldn't he be blue?!Because I read somewhere that Mephistopheles's red skin is the result of the experiments he did on himself and he was blue before all that?!

Mephistopheles's deal with Cazador and him wanting 7007 random souls is also kinda ooc for him. He is the one archdevil who prefers quality over quantity("He has the advantage of having the lowest quotas of the archdevils but with the limitation of the highest standards")that's why he's in debt to some of the other archdevils like Dispater and Levistus. He also only makes deal with skilled wizards and cunning sages(Cazador doesn't really fit the bill) My theory is Astarion's back scars originally might had something to do with Raphael himself. Cazador's lair in bg3 art book looks different, Notice how the set up for the ascension ritual isn't there(Instead there is a pool of blood?)

if you look at Astarion page on BG3 artbook, it is mentioned that whatever is carved on his back is part of a poem.

Mephistopheles doesn't make contract in poem form. When the set of the MTG cards that included bg3 characters was released, They published this video explaining each card, Brandy camel (community manager at d&d i think)said this about about Raphael:

Later in the same video she said this when discussing Astarion's card:

He's an individual who's kind of been operating in that place between being rising to nobility but hasn't quite made it there yet, So he's kind of under the thumb of Raphael and he's not super happy about it.

So originally i thought this could be a mistake but if Raphael was EA dream visitor, I can see how he could be involved with Astarion. Here's a little summary of Astarion's og storyline(source of datamined stuff here) So there was this chosen of the Absolute "the Butcher",He and Cazador had a rivalry over who get to control the Baldur's Gate graveyard.(You could have sided with either of them) Cazador sent some of his spawns to investigate the cult, We were supposed to meet them in act2. Astarion wanted to ally with a monster hunter named "Spencer" against them, But if we talked to spawns we would learn that "the Butcher" send his apprentice "Ohler" to the graveyard(he was putting tadpole inside the skeleton's head and that made them hostile toward the vampires ) then an ancient and powerful vampire called"the Alluring" killed him. They also mentioned how they were happy with their situation and that Cazador is an okay boss"It is good. You don't age and everyone is afraid of you. Cazador is a bit strict but he makes sure we are fed" So about how Raphael might have been involved, "the Alluring" was called "Desire/Alluring" in the game files so he(?) was EA dream visitor in disguise... That explains why Astarion was the only one who had nightmare about Cazador instead of tempting dreams like the rest of the party. also in ea if you speak on dead on gur and asked him who sent him he would say this :

Astarion : Who sent you… Was it Cazador? Gandrel: No… Maiden Fel… Astarion : Who is Maiden Fel? Gandrel: Reason… Even monsters… Have nightmares…

If hypothetically Raphael was Daisy, this "Maiden Fel"was also probably him too? ................ so here's another delulu theory: (I know it's not very likely, I wasn't even sure to include it) Raphael's name still bothered me, I couldn't help but think there must be a reason why they name a devil after an archangel. So I checked to see if I could find some sort of connection between Raphael and any of d&d deities(since angels associated with gods) i have two guesses. the first one is Beshaba. Beshaba is "chaotic evil deity of accidents, bad luck, misfortune, and random mischief" and her holy symbol is the horns of a stag. She is the twin sister and sworn enemy of Tymora, the goddess of good luck(they are kinda like Shar and Selune) Raphael has this line in act1"They do know how to write them in Cormyr, don't they?" "Tymora was the most famous deity around the country of Cormyr, after she protected their capital, Suzail, during the Time of Troubles. Her efforts prompted a resurgence of her faith throughout the nation." and there's this one fallen temple of Tymora in the city of Tantras literally called the unlucky"House Of Hope"(x) Raphael has these dialogues "One might say you're a paragon of luck. I'll be there when it runs out" "You're out of luck." which didn't happen This is less likely guess because dnd evil deities don't really have angels... my second guess is Lathander. He's the deity with most similarities to Archangel Raphael "Lathander was a deity of creativity, dawn, renewal, birth, athletics, spring, self-perfection, vitality, and youth. He favoured those who dispelled the undead and blessed those who planted new life. Lathander was also the god called upon to bless birth and fertility related ceremonies.""A common symbol associated with Raphael is the color green. This color is often used to represent healing and renewal, which are two of Raphael's primary areas of expertise. The use of green in depictions of Raphael can also be seen as a nod to the natural world, which is often associated with healing and growth.Finally, Raphael is sometimes depicted holding a fish, which is a symbol of abundance and fertility. This symbol is particularly relevant to Raphael's role as a healer, as it represents the idea of restoring balance and vitality to the body." And both Archangel Raphael and Lathander are commonly associated with the Sun. Lathander is also a god of "hope and beginnings", He and his followers"Strive to bring hope to others" that one statue in the House of Hope with a sun behind his head and plants around his neck looks pretty similar to Lathander's statues in the game...

There's more to this if Raphael was the Original dream visitor. Daisy also spoke of "change", "growth" and a "beautiful and glorious renewal" If you look at the art of "Cultist of the Absolute" MTG card, You can see a window on the background that looks a lot like Symbol of Lathander. In the prequel comic there was this panel where one of the protagonist asked the tadpoled true soul"father Alby"what happened to him and why is he doing all of this, he replied"A simple answer to both questions, I have been Awakened" Novices in the Lathanderian faith are also called the Awakened. In original storyline that supposed to happen in Rosymorn Monastery(x) Kith'rak Voss got some kinda information from there that he wanted to tell Vlaakith about! He had this cut dialogue "I will make for the plane-gate. Vlaakith must hear of this!".The Absolutists REALLY didn't want this information to reach Vlaakith. Even Daisy was going to make an appearance because of it, this was datamined:

We need a system for showing daisy and making them talk to the player in the world// Daisy insists that the player shouldn't let Kith'rak Voss escape.

Why is this information obtained from a temple of Lathander be so important to the cult of the Absolute? Avernus was supposed to be playable and Zariel was also an angel under the command of Lathander before her fall. so maybe there was something going on between Raphael and Lathander ?! like i said I know it's not very likely... ............. So that's all i had to say, I tried to look into it more specially stuff that was datamined from patch5 and 8 of Early access(there was A LOT)but i couldn't find much, Most of the stuff from those patches were deleted or unlisted on YouTube... Just remember I’m literally just sharing my opinion, it is not a personal attack on you or your taste :P ok bye.

[coefore]

Thank you so much for the answer - I've been thinking a lot about those implications as well, and I do hope they factor that in when writing the sequel like!! Objectively speaking, tfone Megatron is more of a glorified and charismatic gun — as you said, he doesn't have the insight tfone Orion nor IdW Megs has, nor extensive conections that tfp Megs has — Dee is quite literally, starting from scratch. He only has power and being able to say the "right" words on his side. I can't imagine Starscream would dispose him immediately else there won't be much of a sequel, but SS does opt to have Megatron to maintain a leader, it does mean either SS or the other Decepticon high command has to teach him. Which makes it fun to speculate on what would make SS think that way. Something something like Megatron holding the gun, but Starscream instructing him where to aim.

On the other hand though, it does make me wonder what made the High Guard esp Starscream the way they are. Can't really imagine the High Guard serving under the Primes to be so cynical and antithetical for what they stood for from the get go 🤔

Thanks for asking! I don't often reply to asks because I forget I have them!

Oh, I love me some manipulative Starscream. I like the idea that he would use Megatron as a metaphorical gun, as you said: he is young and pulling at his heartstrings with his betrayal is something that would be fascinating to see. I wouldn't like to have SS as just 'the evil guy that manipulates', though, because that's boring.

I would love to see him using Megatron to further a goal of the high guard back in Iacon (or wherever they were during the height of the Primes)! I want him to have ideals he wants to reestablish, and maybe he fails miserably because indeed he is a selfish little bastard but that's cool, he can get a little lost in the sauce.

Also, I can't stop thinking of Starscream just looking at Megatron and thinking "he is a baby" but like, sometimes it kind of is endearing in his head lmao. "This is a kid and I will give him the gun to shoot the Prime!!!!!!!!!!!" while Soundwave is just staring at him and wondering how fast he can reconsider this job at this point.

[owl-it-here]

AU idea - One Piece #1

So I was thinking about this fic I read about a year ago (or re-read it?) -> Luffy was raised as a marine and makes it everyone's problem [An amazing read - I recommend checking it out]

And I really like the idea behind it. Using skills that may have been learned before is always cool, especially if there's a chance that they may be canonical. More than that, I think we should go even further.

So far, we don't know enough about Brook and Jinbe's childhoods to make any assumptions (so I won't touch on them in any depth here - but they are both experienced in diffrent ways), but most of them, to put it mildly, had rather difficult childhoods. And that made them perfectly specialised in the areas they chose to remain safe and survive. Moslty had one mentor or were raised by themselves. All except Luffy and Sanji, if you think about it.

The education system in the OP sucks, just like the real one. But the difference in knowledge and experience should be used as an advantage to make comedy out of this tragedy.

Nami had Bellemere, who probably gave her a basic education. She later self-taught herself out of curiosity and a desire to survive. Her time in the Arlong crew gave her more problems than opportunities to learn (but she may have picked up a few tricks here and there).

Zoro studied in the dojo. He had one sensei, one slightly more experienced rival and one older one to talk to. (Definitely not enough but it sure gave him his rather unique perspective).

Usopp only had his mum. Later, maybe some villagers helped him a bit, or Kaya to thank for the stories - but he is also mostly self-taught.

Chopper studied only under two doctors, and neither of them was sane. Maybe some reindeer instincts from his herd passed on to him before he ate the devil's fruit (but he was young, and later under stress so).

Robin grew up on an island full of scholars, but is still mostly self-taught. And apart from her special interests, everything she learned was from survivalism (so a PhD in history (and related stuff) and random knowledge, if I had to guess - well she's clever enough to learn/teach herself more if need be).

Franky, as far as we know, studied technical fields. We don't know enough about him before he came under Tom's wing, but we can assume that most of his knowledge comes from those years. (He created his own little mafia family, but we don't really know if he learned from anyone how to manage it or not).

And then we have Luffy and Sanji.

Luffy had a grandfather who tried to teach him to be a marine and to fight. Makino taught him the basics (and attempted manners). Dadan and her gang showed him by their example how to be a good bandit. Shanks and his crew taught him the basics of being a good pirate. And of course his brothers, taught him how to be a real jungle kid and a few tricks. And all this probably gave him quite mixed signals - especially with his logic.

And finally Sanji. As a prince born to a scientist (an evil sperm donor, but still the person responsible for his education, who probably with his big ego believed that his children even without modification should be as brilliant as he was) Sanji certainly had some sort of super special royal education (which he tried to perfect because it was probably easier than a physical test and he wanted to fit in somehow). He learned manners, politeness and most of all kindness from his mum. How to cook, fight and be a pirate from Zeff. And probably a few other cooking and odd skills from the various chefs he met over the years on both the Orbit and the Bartie. Working in the kitchen is conducive to conversation.

So I've come to the conclusion that I want to read a fic where both Luffy's and Sanji's upbringing has a greater impact on the strawhats' journey. Yes, I want Luffy to occasionally use his random nautical knowledge to help them escape or get something. (Like the author used it to save Ace, but also to help Robin faster etc.). Someone should also note that the style in which he manages his crew is similar to the bandits. Or they should meet some on the way and only Luffy should know how to behave to be respected. I also want Sanji to talk more about things that pirates should know. Or even about political stuff. (Robin could add more too, but Sanji has a slightly different perspective on it than she does.) Even if he doesn't want to talk about his past, the excuse that he knows everything from Zeff works and is practically undeniable, because no one on the crew knows what he went through as a pirate.

It would have been fun to see Luffy explain to his crew why this marine is bad news, but the other one isn't so bad because his grandfather likes him or something. Or if Sanji, after fighting for Nami's freedom, had stopped and asked the crew if any of them knew a bit of hooks (and Luffy realised that Garp was trying to teach him that - but, as standard, he didn't explain just went on to practice-torture).

Bonus if the only person who can immediately use this random information is Zoro. Who on everything just says: it sounds just about right. Because it perfectly balances the Monster Trio in this way.

This could also be a good idea for a larger crew fic. After the whole situation with Nami, the crew starts talking about heading to the Grand Line and a dialogue like this ensues between them: Sanji: so where are we looking for the other members? The others: We are not looking? Sanji: And what about the watch? Grand Line is very unpredictable. Since you knew some pirates Luffy, I'm sure they talked about it…. Luffy: They told super cool stories! Sanji: Then how do you think we'll be able to have a night shift with just five of us? With such a small number of people, especially with no medic on board, it will affect my cooking….

And let's not kid ourselves but the food argument has a pretty good chance of working.

Luffy: Setting out I thought having 10 members would be ideal! Sanji: For influencing the Grand Line - sure - to just look for them there with the unpredictability and adventures waiting for us there - there aren't enough of us now. We need a few more hands and a pair of eyes.

And honestly this conversation probably doesn't affect Luffy that much, he continues to be as picky about selecting his nakamas as he was in canon, but maybe enough that they select perhaps 3 more people for the lineup. Which allows us to stay fairly ok with the storyline and right away adds diversity and some power. Which may have made some of the arks funnier because we have more room to play. (This Bites! makes it look like a good idea).

I call this idea: Luffy was brought up as he was, and that makes it everyone's problem, but it is Sanji's existence that makes everyone else question it - Zoro you should have a bigger problem with that!

In a nutshell: The gray cells are working!

If anyone ever uses it, PLEASE tag me - I want to devour it in every form. I probably could have outlined it better, but well it's just an idea.

[mvpsychic]

"Zoro would betray the crew" "Zoro would kill anyone in the crew if Luffy asked him to do so" And if I fucking kill YOU then what?

HE MOST CERTAINLY WOULD NOT ARE YOU OUT OF YOUR MIND WHAT THE HELL HAVE YOU BEEN WATCHING??!

How HOW can you watch this anime or read the manga and still believe Zoro could be evil and have a scheming plan all along to betray them?

He would take one look (ONE) at Choppers little shiny eyes and crumble completely if he ever were to betray them (HE WON'T, STOP THIS MADNESS AND DON'T PISS ME OFF)

He is literally DREAMING of impressing Chopper. He loves that little guy. He would never in a million years hurt him like that.

He took all of Luffy's pain for himself, and when Sanji offered to do so himself and be the sacrifice instead, what did Zoro do? knock him out. To take the burden himself.

He promises Luffy he would never lose again until achieving his dream, while acknowledging and treating Luffy's own dream as a reality. To him, the sky is blue and Luffy is, or will inevitably be, the king of the pirates. (without even knowing what Luffy's dream actually implies)

He bows his head to the same man he vowed to defeat for the sake of his captain and his crew (lets remember for a second that the reason he and everyone in the crew trained was NOT to achieve their own dreams, but to see their captain achieve his and be there to witness it).

He offered Kaido to smash his head instead of Luffy's when he knew he was not strong enough to defeat him just to buy Luffy some time.

AND LOOK AT HOW HAPPY HE IS TO SEE LUFFY AFTER, IDK, A WEEK WITHOUT SEEING EACHOTHER! how can you look at that expression and think "yeah he is a traitor and he secretly hates him and his crew so much" HUHH???

He looks at Luffy, a small brained stupid little lovable stretchy guy, with admiration. Look at that face. He would never wish REAL harm upon any of them. He wants to cut Sanji on the daily, but that doesn't really count.

He was ready to cut his feet off for their sake, and he was halfway there too! and he is always looking out for them. And just like these few examples, there's many more. So, yes, I refuse to ever engage the thought of Zoro being a traitor.

Besides, I do not believe Zoro is smart enough to pull something like that. That man is not that intelligent. "He could be deceiving us" huh? US? the readers and audience who know his every move, phrase and thought? really now?

Also, LUFFY WOULD NEVER IN A MILLION YEARS ASK ZORO TO DO SUCH A THING?? He picked his crew himself. He cherishes his crew like the treasures they are. He would die for them in a heartbeat. He is literally alive right now thanks to them (he would have lost himself after THAT otherwise). Every time a crew member "betrays him" he doesn't believe shit. He doesn't care as long as they come back to him unharmed. He wants his friends to be free, be happy, have adventures, achieve all of their dreams and eat to their hearts content.

He would rather eat every cherry pie in existence than have any of his crew members in pain, yet you believe he would go around just asking people to kill them?? you need psychological help if that's the case.

Now, anyone who genuinely believes that Zoro would ever do something like that, please don't even continue on watching the show or reading the manga, you CLEARLY are not paying attention and you are not enjoying shit.

I ask you to stop polluting this beautiful series and friendship with your nonsense.

[dtchloedecker]

Chloe smiled as Lucifer brushed his hand against hers. She didn't think that was intentional at first, but given that this was the second time he did it, she figured it had to be on purpose. It felt nice knowing he'd be watching her during her visit. She nodded at the CO at the door to the interrogation room and he opened the door. There sat Kinley in his holding cell a little too calmly for someone who got sentenced to life in prison. Like it didn't matter that he'd tried to manipulate her to kill Lucifer or had three people killed so Lucifer would show his devil face. "Thank you for coming," he said to Chloe when the door sat behind her. Just as soon as he started speaking, Chloe wanted to punt his stupid bald head across the parking lot. Instead, she kept her voice calm and even, but kept her disdain in there. "I only came to tell you to stop putting in requests to speak to me. We have nothing to talk about." NOW Kinley looked nervous, desperate even as he stood up. "I'm sorry," he said. "I don't have much time. They're going to transfer me back to Rome to be tried there."

Like I'm supposed to care? Out loud, Chloe let out a huff. "Can't say I'm sad to see you go," she said with disinterest as she slowly circled around the holding cell so she was standing directly in front of Kinley. "There is something you need to know," he said, but Chloe would hear it. "No, there is something YOU need to know," she said angrily. "You were WRONG about Lucifer. He is a GOOD man. One might say that he's even an angel." Biologically, Lucifer was still an Angel. Devil face or not, that didn't change. He wasn't perfect, but he was still good. Flawed, but good like any other human.

"I need to warn you about the prophecy," Kinley said as if he didn't hear a word Chloe just said. "Prophecy?" she shook her head at the old, bald priest. Was he going for an insanity plea or was he just bonkers? "You see, I thought that the prophecy was about you, Chloe," he explained. Chloe rolled her eyes and gave an exasperated look at the one-way mirror, which she knew Lucifer was watching from behind. She was done with this. She started making her way back to the door as Kinley droned on. "But, I realize now that I could've been wrong. If it's not you, who else could be Lucifer's first love?"

Chloe froze as she was about to knock on the door to be let out and then turned to face the old coot. Eve. Kinley definitely noticed her because it looked like a light bulb went off in his head. "You know who it is, don't you?" He asked in an eager and slightly creepy voice. He reminded her of a roly-ploy humanoid Gollum/Smeagle as he walked up to the bars of the cell where she was standing to be closer to her. "Is she here?" he asked. Chloe remained frozen. She didn't want to answer. She didn't care for Eve, but she wasn't going to throw the first woman under the bus.

After a few minutes, Kinley spoke again, drooping the Gollum/Smeagle vibe. "I just need you to hear the prophecy." Chloe had no idea how prophecies worked. Not in reality. She had no idea how all of this celestial stuff worked, but Lucifer did and he was here and he was her partner. Maybe he should hear the prophecy, too. "Alright," Chloe agreed reluctantly. And then Kinley spoke once more:

"When the devil walks the Earth and finds his first love, evil shall be released."

Chloe remained frozen. She had no idea how to respond or even feel. Was this about Eve encouraging Lucifer to embrace his devil more devilish side? No, that wasn't it. Lucifer couldn't just turn evil like that. Maybe it was something or someone else. But, what would Lucifer and Eve have to do with it? Was an apocalypse about to be triggered? Chloe felt very overwhelmed and then knocked on the door to get herself let out. "Detective Decker-," Kinley started to speak, but Chloe cut him off. "I got it," she answered as the door opened. She quickly stepped into the hallway and waited for the couple in question to come out of the observation room.

@lucifermorningstxr

Lucifer was doing everything in his power to demonstrate what he'd said in the garage to Chloe. While he never lied, he also knew the value of his actions, especially to the Detective. He could say things with the fullest honest intent of following through, but he was a man of swift action. He wanted to make it visibly clear to Chloe where he stood while not freezing Eve out completely, either. Again, he didn't hate Eve by any means, but they'd outgrown one another, and he wanted to really make sure things stayed on the up with the Detective. Even the car ride over to the jail was less awkward than it could've been, with the time being filled with the regalia of the partnership's past with Kinley. Leaving out the bit about the poisoning was the silently-agreed-upon best option too, as the pair had already put it past them and were trying to continue to do so with these jailbird meetings, but the detail was trivial vanity when the actual crimes at hand were accounted for. Lucifer even backed the Detective's comment about jail being his punishment, something that even yesterday he'd have let Eve convince him wasn't enough. This was how Earth's rules were. Who says old Devils can't learn new tricks after all?

As Chloe pulled him aside at the prison, he nodded in agreement to her instructions. "You're the boss, Detective!" He'd quip with a mischievous smirk before giving her his most sincere eyes. "I'm here to protect you. Forger the Devil on your shoulder, today I'm just backup. But I will come in if things go haywire. I know you well enough by now to pick up on your cues. Go on, Detective. I'll keep Eve behaved, go do your thing like only you can." He again brushed her hand, smiling with encouragement before stepping back to lead Eve into the observation room. He knew the stakes were high, but he also feared for the Detective being anywhere near that vile excuse for a man, even if this was a legitimate jail. So he'd do as she asked, but the second she needed him, he was ready to act.