#I don't really know why am doing this since we will get the real episodes 48 hours from now XD

[tryinghardtobeoptimistic]

Might get spoiled so click at your own risk

Okay, this preview [X] makes everything clearer now

Just my takes if you will 😉 Spoiler ahead Spoiler ahead Spoiler ahead (just basing on all the previews I've seen)

This somehow put my heart at ease that atleast for our Gentlebeard/Blackbonnet will have a happy ending together as couple. Everything is in the episode description.

Episode 6 is pretty much that party on the boat. So my take too is wedding or pre-wedding party for Lucius and Black Pete. Then we have Ned Low crashing the party, torture involves. According to the preview - "they look to Blackbeard/Ed for the assist only to find Stede is more readily available", so it seems that Stede will be the one saving the day. I also think yes they will bang cause of those pics in bed ;) (and that's just right after the party crashing cause Stede's wound is already healed/healing)

Episode 7, preview says:

I think towards the end, Ed and Stede will somehow choose to separate for a while to clear their heads off and really think what they want (Ed wanting to retire while Stede continue the piracy). Hence the dress down of Ed. Maybe ep will end in a cliffhanger while the 2 are separated, British navy will attack the Republic of Pirates.

Now for the final ep, what makes me kinda sure they will be together (which will happen in the beginning) is this scene where they were fighting the British navy and running towards each other. You can see the expression of Stede here, like he doesn't want to lose Ed again, never ever and vise versa. Also a lot of touching happening. I felt like they decided they don't ever wanna let go. Then just based on the preview again, everyone will team up and eventually win. As for Izzy, not quite sure if he got abducted or he's making a fuckery. And no I don't believe he will die.

And I don't know but trust OFMD writers, I just know they are on our side, they won't give us everything we wanted and take it all in the end (fcking shame on me if they did tho 💔 Also if I'm not mistaken David said that he prepared an ending which is pretty much satisfying just in case they won't get a Season 3 renewal.

So that's it :) I've never really written a fanfic but everything is running in my mind.

[cassiebones]

Agatha Harkness: Character Study

I'm gonna be real with you: I do not read Marvel comics. I have read some that others have bough for me (Miss Marvel, for instance, which I loved) but I'm not really into comics like that. So I do not know the lore surrounding Agatha. Everything I know is from WandaVision and Agatha All Along and everything I write will also be based on that.

That being said, let's begin.

Agatha is dramatic.

This bitch is the most dramatic person I have ever seen and I love that for her, to be completely honest. She also gives so few fucks sometimes. Like when she was naked in the middle of a residential street, her cheeks just in the wind. Beautiful. Love to see it.

Like every time she wants to make a dramatic exit, she deliberately swishes the tail of her coat as she walks away. Even when there's nobody there to see it. Just for the vibes. Love that.

And she loves deeply and sometimes without her permission. You can just tell. When she's under Wanda's spell, chasing teen down the alley and he gets hit by the car, she is immediately concerned for this random child's safety. She makes sure that he's okay before anything else. You can't tell me that now, in episode four, she doesn't care for this kid like he's her own son (even if he's not). She gives him her coat, leaving her without the ability to swish it dramatically; that's love, bitch.

And I think she has this deep-seated guilt inside her. Like she blames herself for Nicholas's death, which I do think she does. She couldn't save him from his fate, as hard as she tried. I think that a big part of her anger at Rio is directed at herself, as well. She let her son go, which she will never forgive herself for.

And she loves Rio. We can see that so clearly when they share that moment in the woods. She tries not to, of course, but she can't really resist for long. And I don't think it's just because of their sexual past, but their romantic one, as well. There's no doubt in my mind that they were married in their past life. That, despite legality, they probably had a big ceremony, probably with witnesses there. They declared their love and pledged to be with one another, til death, smiling because they know even death won't keep them apart (one of them is Death, after all).

I am not really sure if Agatha was with a man before and that's how she got Nicholas, or if she had somehow adopted him with Rio (???) idk. All I know is she loved her son and she did not give him up for the Darkhold. His death left a pretty sizeable gap in her heart for sure. I feel like, no matter how Nicholas came into their lives, Rio also considered him hers.

(Side note: I need there to be a fight where Agatha takes out all of her grief about Nicholas on Rio, blaming her for his death and reaping his soul and Rio just shouts back "he was my son, too!" Is that too much to ask?)

She loved Rio and Nicholas so much and she lost them both in one fell swoop. When she got her hands on the Darkhold and Nicholas was already gone and Rio was the one that took him completely away, she made herself disappear so that Rio couldn't find her until Wanda took away her magic. Because the second that magic was gone and no longer hiding her, Rio found Agatha, probably yearning for her for however long it had been (decades? centuries?) since she'd last laid eyes on her. I wonder if there were any other "shows" that Rio was a guest star in. Medical dramas? Sitcoms? Dark comedies? Mockumentaries (totally not picturing their Parks & Rec characters rn)? Did Rio come to her as soon as Wanda took her magic? Did she wait a bit, try to play it cool? She definitely did with the crime drama.

Also Agatha's relationship with each of the other coven witches is...interesting.

I feel like Lilia was somewhat of a mentor to her in her early years, when she was still a young child, just learning to do magic. Maybe she was a neighbor. Maybe Agatha's mother detested her, which is why Agatha was fascinated by her.

Then there's Jennifer Kale, who is probably a bit younger than Agatha, but still centuries old. Had they met prior? It feels like they had a situationship that soured quickly. Maybe Jennifer was once a member of one of Agatha's covens, but dipped out before she had her powers - and life - drained. She was bound anyway, but not by Agatha, at least. I feel like they've kissed at least once, anyway.

I don't think Agatha had met Alice before, but maybe she knew her mother. She probably was a fan of the cover (she knew it so well) and might've crossed paths with Lorna once or twice. Lorna, who was terrified of a generational curse that may have been placed on her daughter. I can imagine Agatha saying, a bit callously, "at least you have a child to worry over still." I love that she was the one that figured out the protection spell for Alice.

Agatha is smart. So smart. She has centuries of knowledge, but it's not just that. She also - despite her callousness - is pretty intuitive. She is able to sense when somebody is stressed or double-guessing themselves and say exactly what they need to hear. She shows kindness in those moments. True kindness. For her, I believe it takes effort to be seriously cruel. She might have to justify it to herself.

She's obviously not a saint. She was the villain (yes, villain) in WandaVision. One of them, anyway. The major one. But I really love antagonists like this: complicated, three-dimensional, not completely evil.

When Agatha Harkness cares, she does so deeply and sometimes against her will. I can't imagine she immediately fell in love with Rio Vidal. That was definitely a slow burn, but one that fully consumed her eventually until the only way to really get away from Rio was to shroud herself with dark magic so that Rio couldn't find her. I think she knew that, when and if Rio found her, she would be unable to resist for too long before falling back into her embrace.

I really love this character.

[purpledemonlilyposting]

I didn’t know whether to send this ask on the lorch blog or the main, but re: why people view Dios as a villain from your last stream, I think there’s 2 main reasons:

- his entire portrayal at the end of adolescence where he’s taunting Anthy and begging her to come back to Ohtori as she & utena are riding away

- when he’s shown on the carousel after Utena gets stabbed. It’s the same carousel that’s shown before Akio goes to unlock the gate, and I’ve seen a few people claim that his speech to Utena is almost mocking her for her efforts

I’m not trying to be a lorch here, just wanted to give my 2 cents on this topic

It's best for Utena asks to go here I'd rather not clutter up my main blog XD

That's Akio at the end of the film. Dios is only seen once in the film when Anthy has a vision of him in Utena's place during Juri's duel.

(Edit: And like a couple glimpses of him by Juri and Miki which don't even ask me wtf it means the movie is nuts.)

The second argument is the one that really drives me crazy. If you've paid attention at all to Utena's symbolic language: when you see a character who is a dark silhouette you're not seeing the truth.

The "Dios" mocking Utena on the carousel whose sentences Akio finishes is not the real spirit of Dios. Akio has been trying to convince Utena that he and Dios are still the same person in order to get Utena to do what he wants.

But far, far away from the carousel with the mocking false version of Dios another Dios appears, one whose face we can see, one who seems to be the same one that came to Utena in her coffin. The one that exists because of Anthy. I don't think it's a coincidence that Utena meets him once again in a space between life and death.

This Dios says to her: "Don't look so sad. You've tried so hard until now. Don't blame yourself. You've treasured the Rose Crest ring until now. A kiss, to show my appreciation".

He then leans down to kiss her ring. The ring that is, remember, a promise that Utena will retain her childhood nobility and free Anthy from her eternal suffering.

Unlike the false puppet Dios this one is laying there crumpled on the ground with her. They're both far away from the carousel in a quiet, intimate moment. Akio is unaware this is happening. I see the true spirit of Dios kissing the ring the same as Anthy blessing the sword.

And he blesses her ring as the chorus in the background swells with the words: "I have vanished yet I still live. I exist. I am here. I exist. I am here."

And then in one of the most badass moments in anime Utena slams her fist into the ground and lifts herself back up. Refusing to give up on saving Anthy from this. She's only been stabbed once, Anthy is being stabbed a million times.

Now what seems to have happened is some people have gotten it in their head that Utena slamming her fist with the ring on it into the ground is her rejecting Dios. You know, cause they desperately want this to be "feminist" in the way that Utena don't NEED no man to help her! Despite the fact its more sexist to act like you can't be inspired to act by someone of the opposite sex.

Utena embodies Dios' spirit. She has since the beginning. Dios has been her ally throughout the entire show. That's why Anthy's heart has been moving to her instead of her memories of what Akio used to be. How is anyone possibly reading it as a rejection other than a willful misinterpretation based on what they WANT the show to be rather than what the actual text is communicating.

I even had someone try to tell me the ring is smashed to pieces here which uh... no?

The ring is a symbol of the promise to Anthy. The promise to become like the prince Anthy once loved and believed in for HER sake.

We see this true spirit of Dios two more times in the final episode. First he's lounging around listening to Akio brag about how Utena is going to lose. To me it seems like he's just waiting for Akio's defeat now that he has passed his purpose on to Utena. A purpose he's known he can no longer fulfill, because Akio exists and he no longer does outside of Anthy's wish and will that he could.

Akio doesn't notice Dios at all in this scene. He's just monologuing to himself about how Utena, the one who embodies the spirit of the Prince he once was, whose power he is hungry to regain, is a fool for being so persistent. And that's why Akio will never change the world. Because this twisted world and system only exists due to the hold he has on Anthy and his efforts to fully control every piece of her.

And then my final piece of evidence that Dios is Utena's ally: he vanishes behind the drink Akio is sucking up that represents Utena's remaining lifeforce. Dios quietly disappears forever behind that glass. And it's that exact moment that Utena opens the way to Anthy.

It's also worth noting that the fake puppet Dios peaces out when this happens too.

So anyone saying "Utena rejected Dios in the end" I have to assume is hearing this through 2nd or 3rd hand information from someone who has never experienced the actual show as anything beyond a "sword lesbians" mood board on Tumblr.

[immaturityofthomasastruc]

IOTA Reviews: Emotion

Hey, remember Felix? You know, that minor character who is the entire reason Gabriel has all of Ladybug's other Miraculous? The writers remembered he existed more than halfway through the season.

Let's get into the eighteenth episode of Miraculous Ladybug's fifth season: Emotion

We start off with Marinette and Adrien getting ice cream, and just like last episode, right when they're about to kiss, Adrien stops at the last second. While we don't see it, it's heavily implied that Gabriel is behind this. It turns out that Adrien has to get ready for some dance for rich people. While it has a name and I think it was mentioned in a few earlier episodes this season, it's really just some dance for rich people, so I don't care enough to remember it. Of course, all of the rich characters we know are invited, like Kagami, Chloe, Zoe, and Prince Ali. Lila, on the other hand, wasn't invited. This might sound important, but nothing happens with her until the end.

Zoe isn't going because of the “character development” she's gotten, so she offers to let Marinette wear her dress to the dance, which just so happens to be a masquerade ball. Tikki asks why Marinette even wants to go to this party she wasn't invited to, but all Marinette says is that it's so she can tell Adrien that she didn't have to keep the dance a secret from her. Why didn't Marinette just call Adrien? Because then we wouldn't have a story.

At the ball, Adrien and Kagami are the king and queen or whatever because their parents are really determined to make their ship sail even though the two show no real interest in each other (insert your own joke about the writers here), but they're interrupted by Amelie, Emilie's twin sister and Felix's mom. She's worried because her son has been missing for weeks, but Gabriel couldn't care less about the little twerp.

At the party, we get a somewhat amusing joke where Chloe fails to recognize Marinette under her mask, where Marinette not only says her name is Zoe, but her “underling” is named Chloe too. But speaking of...

Chloe: How rich are your parents? Rich? Very rich? Immensely rich? Of course, otherwise you wouldn't be here! It's too bad we can't bring out underlings with us. I'm sure these tin cans can serve properly but we can't make fun of them! (grabs a drink from a butler robot before kicking it) So lame!

Okay, did the writers just stop caring about writing convincing dialogue for Chloe? This is a problem I've noticed a lot this season. Yeah, Chloe was bad in the last four seasons, but here, she constantly talks about how Sabrina is her “underling” (Passion), or how she finds Marinete's suffering to be amusing (Derision). It's not really out of character, but it's weird how she's so much more blunt when it comes to boasting about how full of herself she is. It feels like a lot of her lines this season were meant to be placeholders for stuff the writers thought they'd change later, but then they decided to keep it in anyway. And of course to show how stuck up the other rich kids saying the same kind of stuff Chloe normally says, which is somehow less subtle social commentary than Hop Pop shouting “EAT THE RICH!”.

Adrien and Kagami talk about how they're expected to follow orders, while pretty much saying that Kagami is a Sentimonster since the camera really wants to show off her ring.

Oh wow. what does this mean? Wow, this is such a compelling mystery with so many twists and turns. I am so very invested right now.

However, as the two talk, it's clear that Adrien isn't himself, literally.

“Adrien”: Let's leave, I dare you.

Kagami: Are you insane? We can't do that.

“Adrien”: Of course, we can. I can.

Kagami: (gasps) You'd do that?

“Adrien”: Wanna bet?

Kagami: No, we can't.

“Adrien”: See? You're not as free as you claim. Don't you think we should be able to decide our future?

I'll get back to this later.

Marinette tells “Adrien” that she loves her, but Chloe figures out that Marinette crashed a party she wasn't invited to. Of course, because this is Chloe, we're supposed to ignore how unnecessary this plan was for Marinette. Seriously, Marinette crashing the party in “Gabriel Agreste”, as illogical as it was, made sense, because they needed to stop Chloe from showing Gabriel incriminating footage of Marinette. Here, Marinette had no real reason to crash this party when all she had to do was call Adrien, and Chloe, like her or hate her, makes a good point in that she wasn't invited. But again, since this is Season 5 Chloe, she could say she opposes human trafficking, and the writers would still find a way to make her look like the bad guy.

Chloe tells the other rich kids to help her expose Marinette, but because they're so stuck up and entitled, they refuse to touch her. I'll give you all a moment to groan from that unfunny joke. Then we get this conversation between Marinette and “Adrien”.

“Adrien”: All eyes are on you.

Marinette: They're looking at me like I'm a monster.

“Adrien”: Look closer, Marinette. (whispers into her ear) They're the monsters.

I officially take back everything bad I ever said about the Canto Bight scenes from The Last Jedi.

While I get what the episode's going for, we really haven't seen a lot of the 1% doing things that would actually warrant this level of scorn from the audience. Yeah, most of them were egotistical snobs, especially Chloe, but you can't really see this as a shot at the elite when it's aimed at their children instead of their parents. All we've seen in this episode is the rich kids being jerks (and even then, it's played for laughs), Chloe rightfully trying to get Marinette thrown out of a party she had no reason to crash, and Gabriel and Tomoe trying to pair their children together. If you want to show the audience how bad rich people are, you need to show them actually abusing their power and mistreating others. As bad as the aforementioned Canto Bight scenes were, they still worked because it managed to back up the point it was trying to make.

Compare this to characters like the Ferengi from Star Trek or the World Nobles from One Piece. These are allegories for the 1% that work because they do a better job at exaggerating aspects of them that can translate to how we see the elite in our world. With the Ferengi, they represent everything wrong with cutthroat businessmen who base their entire society over financial gains, and with the World Nobles, they represent the disconnect with the common people by being so arrogant, they wear helmets that prevent them from breathing the same air as the commoners. If you wanted to show how bad the rich were, especially considering what's going to happen in a few minutes, you needed to do more to make the audience not like them so we'd be more happy to see them get their comeuppance.

Marinette figures out that Felix impersonated Adrien once again (it honestly stops being impressive when he's done it during literally every episode he appears in), and he decides to transform using the Peacock Miraculous in public for some reason, calling himself Argos.

Argos' design is okay. The suit and coattails look pretty nice, and the coloring on his face works a lot better than Gabriel's. The only problem I have is the way the hood looks. It looks too goofy to go with the rest of the suit. It kind of reminds me of that salmon suit Squidward wore in that one episode of SpongeBob SquarePants.

Before anyone else at the party can do anything, Argos reveals a Sentimonster he created, Red Moon.

Red Moon is... a red moon. It's just a red moon that floats above the city, and it gives Argos the ability to make anyone bathed in its light disappear with a snap of his fingers. If anything, this shows how overpowered the Peacock Miraculous is, and that Gabriel was a real idiot for not trying anything like this while he was Shadowmoth.

Anyway, after making everyone think his cousin is a supervillain as part of his brilliant plan, Argos decides to tell everyone in the room about what his Sentimonster can do. He demonstrates this by, of course, choosing to snap away Chloe before targeting Gabriel and Tomoe. You really have your priorities straight, buddy. Argos then carries Marinette outside before throwing her in a dumpster, because if he snapped her away, than Ladybug couldn't fight him.

But then Argos decides to go to the streets, and decides to snap away a bunch of innocent civilians... while singing a jazz song. To anyone curious as to what it sounds like, I must warn you, it isn't for the feint of heart.

I take back everything bad I ever said about the Hawkmoth rap.

First off, I'm just going to say it, Bryce Papenbrook cannot sing. Argos is clearly trying to sound like a suave and confident villain like Doctor Facilier from The Princess and the Frog, but his delivery is terrible. It either ranges from flat monotone to trying to shout while dealing with a sore throat. The point I'm trying to make is that there was a good reason someone else did the singing voice for Adrien in the recent movie.

Second, this doesn't do anything to make us root for Argos as a character, because there's no reason for him to be doing this. I can understand why he'd use his power to get rid of Gabriel and Tomoe (even Chloe, given we know how much she's done), but why is he suddenly going nuts snapping a bunch of random people who haven't even met him before? The episode tries to make him a character who only does bad things because he has no choice to, so him doing this to a bunch of innocent civilians makes no sense.

Finally, WHY THE HELL IS THIS SCENE A MUSICAL NUMBER?! It's hard enough to see Argos callously wipe out a bunch of bystanders, essentially committing genocide, but the tone of the song is all upbeat and cheery, while the lyrics are about how Argos should get whatever he wants. What is the purpose of adding a song here? Are we supposed to find this funny? Is it meant to establish Felix as a wild card? Is the song supposed to make us like him more because of how catchy it is? What was the writers' endgame here? Like I mentioned earlier, this flies in the face of the characterization the episode is trying to establish for him.

Marinette transforms into Ladybug and arrives on the scene, confronting Argos over what he did last season.

Ladybug: You're the reason why I lost the other Miraculous in the first place! And why he took them! You gave them to him without any regard for the consequences it might have with the people of Paris!

Argos: True, except I work for no one. I only helped Monarch cause it served my plans! I needed the Peacock Miraculous and today I need yours and Cat Noir's so I can make my wish!

Ladybug: Your wish?! What do you want?! What are you trying to do?! You're destroying the world and we don't even know why!

Argos: When I merge your Miraculous together, I'll make a wish to create a better world! A free world, where no one will be under anyone's control anymore, where no one will be excluded like I was! A world without people like you to decide what's right or wrong! Who gets powers and who doesn't!

Dude, you're literally playing God right now by snapping away people who did nothing wrong, while singing a song at that. You have no right to lecture Ladybug on how to use power responsibly. And once again, even though we just saw him happily snapping people out of existence like the kid from that one Twilight Zone episode, the episode is going back to portraying him as someone who's only doing this because he has nothing to lose.

Ladybug tries to use her Lucky Charm, but gets nothing in response. This is because her plan is to get Argos to give up, but even in episodes where her plan was to get Akumas to give up, she still got her Lucky Charm (Rocketear, Qilin, Penalteam, Reunion, Perfection, Intuition), so this doesn't really make any sense. Ladybug calls Argos' bluff, so he wipes out everyone from existence. After running into Kagami and snapping Adrien back into existence, Argos is surprised that they aren't thanking him for wiping out all of humanity, and in fact, see him as a complete psychopath.

We then learn Felix's true plan. Earlier that day, Argos capitalized on a opening he had been hoping he would get for weeks, and then created Red Moon. Right after Adrien's date with Marinette, Argos ambushed Adrien, and snapped him out of existence with Red Moon's power. He then decided to impersonate Adrien so he could infiltrate the dance and snap Gabriel, Tomoe, and everyone else out of existence.

I think my feelings on this plan can be perfectly summarized by Tony Stark.

First off, why did he need to sneak into the dance? All Felix had to do was transform into Argos, and nobody would know who he really was.

Second, why did he need to impersonate Adrien? Felix claims he's doing this for him, yet all he did was steal his girlfriend and ruin his public reputation. As a matter of fact, why did he even snap Adrien away? You're already wiping out all of humanity, so I don't think temporarily doing the same to Adrien will earn you any goodwill.

Third, why did he waste so much time screwing around with Marinette and Kagami? I sort of get why he would try to get in Kagami's good graces (keyword being “try”) by trying to convince her to rebel against her mother more, but why did he dance around with Marinette while pretending to be Adrien? Felix later says he wanted to spare Marinette for Adrien's sake, but he barely knows her, and whether she finds out Felix impersonated her boyfriend or not, she's going to be pissed at either you or Adrien because of your galavanting. In fact, I don't think he ever told Adrien that he danced with Marinette while at the dance in the first place.

Finally, he really needed to wait for this for weeks? If your goal was to get rid of Gabriel and Tomoe, why didn't you just ambush them yourself instead of waiting for a public function? This isn't like has last few appearances where he needed to rely on his intellect. He has superpowers now. All he has to do is create another Sentibug or some kind of assassin Sentimonster and he can be rid of them easily. Instead, he waited weeks for a chance to steal his cousin's identity, dance with his girlfriend, talk trash about Kagami for listening to her mother when he's supposed to be helping her and Adrien, blow his cover in a crowded area by transforming, and use his killer moon to erase all of humanity from existence while singing. Remember, this is the show that usually makes jokes about Marinette's obsession with unnecessarily complicated plans.

Anyway, Argos tries to use his powers to bring Marinette back, but for some reason, they won't work. My best guess is that it's because Marinette transformed into Ladybug, but that shouldn't chance the fact that Argos snapped her with Red Moon's power. After trying to justify his genocide by saying he never wanted to hurt Adrien and Kagami, Argos remembers how his powers work and brings everyone back. After Ladybug lets him go scot-free, Argos goes to a private place realizes that he may have made a few mistakes for almost wiping out all of humanity, tearfully snapping Red Moon out of existence, calling it “his sister”. Because I guess we were supposed to emotionally connect to the giant moon that showed little to no signs of sentience this entire episode? Argos transforms back to Felix, and we learn that Amelie knew where he was the whole time, and she was apparently testing Gabriel for some reason.

After Adrien explains to Marinette that his father ordered him to not tell her about the dance, Adrien goes to talk to Gabriel about it. Gabriel, being Gabriel uses his control over Adrien to force him to never talk about Marinette again. Gabriel then gets a call from Lila, and even though she's been nothing but helpful to him since Season 3, he's apparently tired with her. Why is he suddenly rejecting the help of his most competent (by comparison) ally?

Also, the episode ends with the revelation that Lila somehow knows Gabriel is Monarch. Why? How? I DON'T CARE, BECAUSE THIS EPISODE SUCKS!

Oh my God, this episode was just terrible! “Derision” and “Adoration” definitely got to me with the way their stories were handled, but this was the first episode in a while to really piss me off. The plot was contrived as hell, basically being a repeat of “Gabriel Agreste”, and you all know how I wasn't exactly a fan of that episode. Think about it: Marinette sneaks into a party, Felix tries to scheme against Gabriel, and Marinette and Adrien end up getting caught in one of his schemes.

The social commentary about how bad the rich were just felt more pretensions than anything else. I get that it's meant to teach children a lesson about the real world, but the episode feels so confident in what its trying to say when it's not that deep, even by kids' show standards. Rich people are bad? Yeah, I think someone like me who lives in the same country as Elon Musk, Jeff Bezos, and Mark Zuckerberg knows that. Will you actually teach kids about the financial conditions that allow the wealthy to abuse their power or the cutthroat methods they'll resort to in order to turn a profit? No? You're just going to tell kids that rich people are jerks without giving any actual evidence in the same episode you're using to try and to teach them? Man, these writers just keep hitting it out of the park here!

This whole “Rich people suck” message also falls flat because Felix is the one pushing it. You know, someone who already comes from a rich family? It's not like Bruce Wayne where he uses his money to help the people of Gotham, as Batman or not. Felix just whines about how “tHeY'rE tHe MoNsTeRs.” when he's just as well-off as they are. The episode tries to do a subtle discrimination message as evidenced by his rant as Argos earlier, but it doesn't work because we have never seen anyone discriminate against Felix for who he is. Yeah, the episode once again tries to hint at him being a Sentimonster, but because the show hasn't just pulled the trigger and confirmed it, it's hard to really sympathize with him being “excluded” when we've never seen him being treated differently by others in earlier episodes, and even if he was a Sentimonster, nobody would know or be able to discriminate against him in the first place.

I don't know why the show keeps trying to excuse Felix's actions when once again, he pretty much committed fucking genocide yet the episode still wanted us to feel bad for him realizing his actions had consequences. If he actually wanted to own up to his mistakes, he'd either hand over the Peacock Miraculous to Ladybug or help Ladybug stop Monarch. For someone who claims he hates when people abuse power to make others suffer, he's no better, judging from how both times he's gotten to use a Miraculous, he's either screwed over Ladybug (Strikeback) or endangered a lot of innocent people. And if you're wondering why I didn't point out any double standards between the treatment of Felix compared to Chloe, that doesn't really matter. No matter how you feel about Chloe, whether you feel like she got screwed over or not, it doesn't really make how the writers are glorifying Felix any better or worse, as his potential “redemption arc” isn't off to a good start.

The plot was stupid, Felix was an idiot, and it felt like more effort was put into the musical number than the writing. In my opinion, this is easily the worst episode of the season so far.

Although at the very least, now that we have even more evidence that Adrien, Felix, and even Kagami are all Sentimonsters, I think I know what clip I can start using to describe my feelings on this plotline.

THE BIGGEST IDIOT OF THE EPISODE IS... FELIX

For someone who managed to outsmart Gabriel on multiple occasions with no superpowers, Felix's intelligence really took a nosedive the second he got the Peacock Miraculous. He came up with a completely unnecessary plan that involved impersonating his cousin's identity and mocking his friend when he's supposed to try and win their favor, he danced with his cousin's girlfriend without his consent, transformed in public, smearing his reputation even further, and proceeded to gleefully wipe out humanity through a musical number, and needed other people to point out how immoral his actions were. Of course, Marinette gets second place thanks to her plan to break into the party and later letting Argos get away.

[octocharger]

ok i'm sorry this show is what i'm reviving this account for real quick but i've been turning this over in my head and i kinda gotta get it out real quick so uh. spoilers for Lost and Founder's Day, Battle of the Dimmsonian, Lost in Fairy World and Operation Birthday Takeback under the cut? we ball

Peri is kind of... giving me slight gifted kid right now?

i mean, watching this show i've noticed that he's got a lot more anxiety than i've seen people point out, lemme try to explain in Lost and Founder's Day, he starts off all suave and cool, which is honestly incredibly different from what we've seen of him *besides* when he explains to Dev why he can't go to Fairy World in Lost in Fairy World, and i'd argue the end of Operation Birthday Takeback, where he's trying to cheer Dev up with a wish. the latter of them seems like this more so, but i think it's painfully obvious that in all 3 of these occasions he was putting on a more confident act, that same showman-like personality he started with but, frankly, most of the time, he seems anxious or tired and exasperated, mostly to do with Dev probably. for the record, i do NOT think he hates Dev AT ALL. it's kind of a complicated relationship between the two that i love but i'm not gonna get into here ok, so Peri puts on a showman personality when he's not that, so what? yeah, in A New Wish alone i don't really have much to go off of yet, and i could just be entirely wrong, but there's some details i wanna take note of to at least potentially back me up here: - He was Timmy's godbrother as a baby - He was the most popular kid *ever* in spellementary school and a pretty smart one at that

for the first point, i bring Timmy up because. he was a notorious menace. like i don't think i need to get into that, and i think for the fact that Peri managed to deal with him growing up, people might compare him now to how he was back then, even younger than Peri can genuinely remember

for the second point, we don't know much about Peri's academic life that i can say for certain, but i think it's entirely possible that he was revered as gifted as far as we know, which could lead to him constantly trying to exceed himself on that last note, i wanna bring up how he acts in Lost in Fairy World, where he constantly tries to assure his parents that he's got everything under control (when he clearly doesn't)

i feel like these are all a bunch of scattered thoughts that i wanna let other people try and connect the dots with me with this idea... anyway, it might also be worth mentioning that, again, he's the first fairy baby in thousands of years. assuming he went to the Fairy Academy to become a fairy godparent there's a good chance he was surrounded by classmates who are like. thousands of years older than him. reminder that Peri is like. 20? 30? he's like a fetus to these guys. he might be getting compared to with people with thousands of years of experience with life that he doesn't have he also mentions, albeit in an offhanded comment, that fairy godparenting is a family business...

anyways these are all a bunch of random 6 AM thoughts that i have been turning over n all that in my head since last night's episode

btw not related but i feel like adding on, i'm pretty sure Peri's still Dev's godparent, he didn't wish for him to STOP being his godparent, just to leave him alone

[wolvesroampastelgalaxies]

Edit: All chapters up on Tumblr & ao3 :p

Okay, so I saaaaid 3 chapters. But like every good ending to a movie franchise, we going halfsies. ;P I will be dead honest, I have only seen the fist episode of FoP: ANW and have no desire to continue, because, as a 24 yo woman I should not feel this distraught about a cartoon. Also, I'm recalling things from the OG series by memory. So if things don't quite line up with canon or lore, just let me have the liberation that comes with fan fiction. Also, I know the show takes place ~20 years ahead, I like to think Timmy kept his fairies till he was 18 and so it has been 12 years since they have last been together.

Second Star To The Right And Straight On Home ⭐️ (Part 1)

Timmy had been working on this sales report for the first 3 hours of shift. His hands were cramping as his eyes strained at the screen. Maybe he needed glasses? Definitely needed to start taking magnesium supplements. Was he really getting that old? It wasn’t like he had done much in his life to feel old at 30. That was another thought, he hadn’t done much of anything. He’d been at this job for nearly three years, maybe a handful of failed dates, and spent his free time napping on the couch after eating room temperature pizza. 

  What am I doing?

  Introspection always vined its way like poison ivy through the ridges of his brain when left with his own thoughts.  

  I need fresh air, maybe take a walk, go grab a drink this weekend, anything to break up the monotony.

  Monotony: he never used that word. The world was starting to bleed into the black and white screen he worked with, smearing into something gray. This was torture, working under florescents when there was real sunlight. His cubicle was near the back of the office and closest to the windows. It magnified his gloominess by teasing the bright colors of the outside. He frequently cast glances to see streams of sun peeking through tree leaves. Most times, there was a finch sized bird sitting on the closer branches. Timmy noticed it the first time when, strangely, he was feeling watched. Or maybe he was desperate for attention. 

  Lately, when he’d go to check on the little bird, it was missing, leaving him discontent. It was a strange color, akin to lavender or periwinkle. No amount of Google searches revealed the species. It wasn’t uncommon for Cosmo and Wanda to take animal forms. Green and pink dogs were definitely harder to explain. There were no strange looks when they were pins on his backpack or- 

  Wait. 

  Timmy’s brows furrow and he moves his hands to grip the arms of his chair, sitting up straighter. Though he was looking outside, all focus was on whatever was unfurling in his head. 

  Cosmo and Wanda .... did I ever have dogs? No. Definitely not a green one. I had fish, it's a wonder they stayed alive for so long. 

  Why did he think of those names? Why could he picture personified versions of everyday objects? Always the same color. Green and pink. Pink and green. Because he knew them. He knew they weren't pins on a backpack or an .... umbrella? 

  They were my fish. Right? But they were also people. No, that’s not quite right either. 

  They were his fairies. And he remembers skydiving. He’s never been skydiving. But how does he know the sting of wind on his face?  And why was his parachute talking? Timmy nearly knocks over his chair as he gets to his feet, heart rate increasing like the one and only time he went to the gym. A co-worker catches the sudden movement, sensing a source of panic. 

    “Yo, Turner, you good man?”

  Timmy barely registers the words and makes a noise in the back of his throat as a reply.

    “I’vegottogo.” He tumbles out, snatching his car keys and phone from beneath the desk. 

  He has to find that fishbowl. 

💫💫💫

    The house had been shut up since his parents left on their yearlong Winnebago journey. Outside of Facebook posts and a few messages he rarely spoke to them. They were never really the attentive type. At least not to their son. Timmy has a hard time getting the door open. Images and dialogue clog up his concentration. It’s like their occurring in the moment and yet he’s recalling them from the past at the same time 

  Wishing for Christmas every day? Really immature Timmy.

  ‘We’re two halves of a whole idiot!’

  Wanting to be a girl for the day was a bad idea from the start. What was I thinking? Even if Trixie Tang was hot. Wanda did warn me though.

  'This bike stinks. I need one that’s cool as I am!’ 'This bike is as cool as you are!’

  'Did I really wish to be in the internet? Oh dear God I’m so happy it wasn’t the modern-day web.

  'And here's Wanda with the news: Vicky 's going to kill you when she finds out what you're up to!’

  His head pounds from the jumbled jargon he once knew as it takes meaning again. No wonder he felt so bored with his life now. He had fairies and dumb wishes with dumb, sometimes disastrous outcomes as a kid. Cosmo and Wanda were his fairies! There was a whole world of fairies, anti-fairies, and pixies and magic!  And there was a whole book of rules, all of them he sees himself breaking. As well as being the source of new ones.

  When the keys finally make it into the doorknob and he throws it open, not bothering to retrieve them or close the door. After he had moved out, his parents didn't do anything with his stuff. Just shoved boxes and the miscellaneous in as they needed. Everything was mostly in the same spot. Including the fishbowl.  

  It was right where it should be on his nightstand. Timmy went to reach for it but pulled back, staring intently. Dust had covered the glass surface, and he was afraid that disturbing any of it might cease the onslaught of memories. He wanted these memories, he wanted to know his life hadn’t been useless. That there were people who wanted the best for him and didn’t abandon him when there was a stupid decision to be made. Knowing that two tiny fairies said they cared for him. 

  His heart was pulsing hot bolts of pain at the thought of having lost them in the first place. At wondering why his god-parents left him and where they were now. 

  After a long moment, he tentatively reached out, bringing it closer, letting clips of childhood reflect off the glass. It was barely big enough for one guppy, much less three goldfish. Three. There had been three.   

  There was no cringe or embarrassment attached to this wish. In fact he remembered being the happiest he’d ever been in his life. It has been him and his god-parents for a long time, and he never thought it could get better. It was an overwhelming feeling of love that encompassed past and present. Cosmo and Wanda for once hadn’t warned him of the repercussions, despite them being epoch-making; they all knew it was so worth it. 

  Sadness has such a way of tainting things. It crept unnoticed as another memory took place. It was in this room. He felt a tight squeeze around his arm and saw Cosmo’s face pressed into his shoulder, muffling sobs, his dramatics matching the situation for once. A light kiss pressed itself into his temple as Wanda patted down his hair. Tiny hands pulled at his shirt and tears stained more than his clothes. Then there was nothing. Like it was all a dream that faded with the night and the sun was rising a now dull dawn.

  Timmy rubbed at the dust with his thumb, smearing a tear across it. He remembered the third one. His voice choked on something bitter as he saw through the eyes of his younger self, hugging the baby fairy when it all went away. 

    “Oh Poof, I - I’m so sorry.”

    “Don’t be. And it’s Peri now.”  

          💫 💫 💫

  Was that really the first thing to say after 12 years? The strain in his own voice prevented what Peri thought might be condescending. Call it intuition or an inference, but he knew Timmy would come back here. After Dev granted his wish, he sat there dumb struck until the kid asked him what happened next. Peri had pictured the reunion with so many different outcomes that, for a moment, he was scared of ‘next.’ Timmy was all the way back in Dimmesdale, across the country, though that was no problem with a little magic. Magic however, could be independent if left without clear boundaries. Peri had no idea how this wish would work out. Would it be instant? Would it come back in pieces? Would it work at all? He was sure he found a loop-hole. He could recall several times his magic went against Da Rules without the intention, and as dangerous as it was, this was his fail safe. 

  This was Peri’s first time shapeshifting into his human form that was not directly from his normal one. His little finch self has flown through the cracked window, its symbolism lost on him.  A human body felt clumsy, but it seemed like the right choice. What if he hadn’t remembered they were fairies yet? Granted, he was still trying to figure out the wings and crown, it was difficult to hide the markers of his true self.

  It would not have mattered if Poof appeared as a fairy or disguised as human, Timmy could see Cosmo and Wanda in him. He had just been a year or two out of his beach-ball stage when Timmy had turned 18, and the then young kid was already resembling his parents. Now, Timmy was struck with the resemblance to his god-parents. His little Poof had Cosmo’s smile and Wanda’s hair, but his eyes were uniquely his own and easily the most identifiable. Timmy had seen those lavender eyes glitter as they first took in the world. He hated anyone or anything that turned those eyes into blank spaces all this time.

  Peri might not have been going by his government name, but he made a noise akin to it when Timmy pounced on him. Petite as he was, something he got from his father (well, before retirement), he felt enveloped by the embrace. Even as a human, Peri was slight and though Timmy was no body-builder, he wasn’t a teenager anymore. The differences didn’t register as he felt the warmth of Timmy’s near crushing hold. His body recalled the last time they were like this, when it was goodbye. As his mind caught up to the haptic memory, the contrast between then and now made him break.

  My brother remembers!

 Relief was meant to be calming, coming out from a storm unharmed, but for them it was a tsunami. For all the bravado and charisma he showcased, over a decade of longing revealed itself. Timmy wasn’t much taller but it was enough so he could hide his face in his brother’s neck, for once not holding back the tears. He felt the human’s cheek press against the side of his head and it was the most contact either had in a time they had stopped counting. Timmy couldn’t believe this, he never wanted to let go, never wanted to forget a single second of this. How could any magic replace this?

  The moment could not bridge the years apart had they stayed this way for twice as long. Timmy had to force himself to push Peri back by his shoulders, one hand staying there and the other pressed against the back of his head to get a better look. If he still had them, he’d wish for the tears to stop so he could see properly.

    “Oh my God. Poof, look at you! You grew up! How-how could I have missed this?” He hiccuped.

   Peri didn’t bother to correct him, the name was childish but they had both been children when Timmy named him and if anyone had a pass to say it, it was his big brother.  The fairy took a shaky breath, attempting to blink away the kaleidoscopic effect of tears. 

    “Like -,” he has to step back, letting both of Timmy’s hands rest on his shoulders, or he might never stop crying, “Like I said, don’t be sorry.” He smiled pitifully. They could fix it now

    “We used to watch - oh what was that show? Sleazy and Cheezy! And you about got me killed!” He laughed, wanting to recall as much as possible

    “And - and remember the time mom was so mad because you were teaching me to shape shift!”

    “Tree and bee do sound the same!”

    “Okay but, you definitely stretched it with the bird and rocket mix up!”

    “Hey, I wasn’t gonna let you take the fall. You were already falling in on our roof.” 

  Reluctantly, Timmy let go of Peri’s narrow shoulders, the euphoria bottoming out. Peri saw the dimming of blue eyes, and an intense anxiety struck him. This time he was the one reaching out.

    “What’s wrong? 

  Timmy pulls away and moved to sit on the edge of his bed. A musty smell arose as the sheets crinkled under the weight. Peri watched as a perturbed look took form.

    “Why?” He finally says.

    “What do you mean ‘why’?”

    “I grew up, they wiped my brain. You could have lived eternity and forgotten about me.”

     Peri had a lightning-like shot of anger, “I could never forget about you. None of us could.”

     Timmy scoffed, “You’re telling me that immortal fairies, who have had countless god-kids throughout the centuries, would find me so important?”

     The fairy clenches his fist, stomping over to force the human to look at him. "You have no idea how hard they fought for you. Or how much of a hole you left for us. They haven't had a god-kid since you.” 

    “Really?” He concedes. It dissipates into something bitter and selfish when he sees Peri’s resolve falter.

    “Well -

    “I figured as much.”

    “No, you don’t understand.” He says the harshness leaving, replaced with empathy. He sits down next to Timmy. “It was very recent. And I was mad and couldn’t understand either, after all we went through.”

   “Thanks.” He says flatley. 

   “Will you just listen to me? When they met Hazel, they said it felt different from their time with you. Because they realized you meant more than being their god-kid. That it was the same feeling they have with me.”  

 They think of me like their son? 

  Timmy wills himself not to let go of another tear, but it has been an emotional day and having half your life re-written can be a little overwhelming.

    “Do they know, that, well, that I know ? ”

    Peri grins, a bit of debonair sneaking in, “Would you like to tell them?”

  He thinks of the first time he met his god-parents, at 10 it never crossed his mind to be skeptical because, hey, unlimited wishes. Now that he’s older, he realizes all the lessons he learned from them. And how he could get away with so much more with Cosmo and how Wanda would nag him like a mother. They were more his parents than his biological ones. 

    Timmy bumps his shoulder with Peri’s, “You realize we probably are going to be crying again?”

    “No doubt. Family reunions can be emotional.” He says with a curt nod, now wearing a full smile. 

  Family. His family. 

    “I gatta ask though, did you say your name was Peri?”   

[robynrocksforbrains]

I love you ×9

Ok so I am probably not the first person to notice this or point it out since I've only been a byler for like six months... BUT I did maybe go a little crazy about this. So I'm gonna talk about it.

So a few days ago I was thinking about the mlvn endgame argument "well Mike said 'I love you' nine times". And like, first of all, saying "I love you" doesn't undo a year's worth of deliberate lying and miscommunication. That's not how relationships work. Their issues are still very much real and very much not going anywhere because they're not even TRYING to do anything about them. But also... I was thinking: why nine times? Why that number specifically? Was it just random? Is there maybe anything to indicate that nine is significant? Is there maybe a scene in the first episode of s4 that tells us how we should react to the monologue?

So, the DND basketball montage. Great stuff. Amazing foreshadowing. Everyone loved it.

I got to thinking about it. Decided I needed to know what Mike's roll was. I kinda spiraled about it on twitter because I could not see it clearly and I couldn't tell if it was an eight or nine. Desperate times called for desperate measures so I recorded my tablet with my phone and found the perfect frame.

IT'S A NINE

CLEAR AS DAY! IT'S A NINE! GREATEST DAY OF MY LIFE!!

Anyway, I don't know how DND works. I don't know why this roll evoked the reaction it did from the party - most significantly, Mike's very disgruntled reaction (I don't mean The Party™ I just mean literally the party that is playing this campaign) I genuinely don't know what the fuck is going on in this game. But what I do know is they wanted us to associate this roll with failure. That's why it corresponds with a missed basket in the basketball game. That's why Eddie gets this ooo that sucks for you guys look on his face. That's why we hear a chorus of "nooo" from the party. That's why Mike says "no no no" and looks extremely upset. I don't know anything about DND, but I can read context clues.

So I'm not going to try to understand what's going on in the game, I'm just gonna go off what I think they wanted us to subconsciously pick up on.

So they show us all of this. They associate Mike with the number nine in the first episode and then that number shows up AGAIN in the last episode.

The monologue cannot be associated with anything but failure. Whether that be mlvns failing relationship, or their very real failure to save Max (at least before El revived her), and their failure to save Hawkins. The monologue does not stand apart from that. It is completely interwoven with these failures. If you have average media literacy, you know that. Even before I was aware of just how important byler is to this entire story, before I was aware that they've been setting up byler endgame since day one, you would never catch me thinking that the monologue was supposed to be received positively by the audience. You would never catch me saying mlvns love saved the world. (Although that's because I genuinely forgot about mlvn a few weeks after I watched s4). I think I received the monologue in the way it was intended to be received. I didn't fully understand it, or why they would execute it the way they did, but I still received it in the way I believe it was intended to be.

So I know the general agreement among bylers is that the monologue kinda sealed the deal for mlvn bones. Like I'm not saying anything new really. But I genuinely do think that Mike's roll in episode one, the reactions to it, and the missed shot it corresponds with were meant to foreshadow the monologue and how they wanted the audience to receive it.

This is fiction, everything means something. Everything is thought of. The timer (and maybe scores, I genuinely can't remember) in the basketball game had significance. Other rolls in the DND game had significance. Why would that be any different for Mike? Especially when his roll was a nine and that number shows up for him again when he says "I love you" nine times. And both of these things are associated with failure.

Not that we need any other reason to interpret the monologue as a less than good thing. It's just the way that it is, it's pretty easy to figure out how they wanted us to take it. But they still did give us a hint. I think it's really cool.

[fatum679]

The screenwriters are completely unprofessional and mediocrity.

hotd s2x02

The second episode was a complete disappointment for me.

My poor Helaena, no one comforts her, no one is around, Aegon walked past ignoring her. The mother talks about the debt while violating the debt.

We were not shown the Dreamfyre and how the body of Prince Jaehaerys is burned. More screen time was spent on Rhaenyra's suffering. Of course, why would showrunners show the suffering of other characters if they are not Rhaenyra.

And stop comparing Jaehaerys to Luke. Luke was 14, Rob Stark fought a war at 14, Luke was a dragon rider, he had a conflict with Aemond since childhood, he participated in his uncle's bullying, he and other children attacked him, he cut out Aemond's eye and did not bring apologies. This injury dooms him to lifelong suffering and health problems (do not forget that Aemond’s eye was pulled out without normal painkillers. Such wounds lead to infection, necrosis, fever, and the fact that Aemond did not die is very lucky) Jaehaerys did not bully anyone, he didn't cut out anyone's eyes, he was an innocent baby.

Helaena as a character is incredibly interesting and I'm disappointed that we weren't shown her normal relationship with the people, how she takes part in the small council or communicates with her dragon. I'm afraid that she will remain a background character. I'm disappointed that no one came to console her. And I didn't like the way Helaena spoke about ordinary people, because we know from the book they loved her. But I understand that she does not want to show her grief.

How the constant emphasis on Rhaenyra irritates me. We see Helaena and are then shown Rhaenyra and her children. We understood that she is a Mary Sue and the main character, but we can do without these cheap parallels and comparisons. This woman wanted to torture her little brother after her son cut out Aemond's eye. She didn't love her siblings, she ignored them, she is not a good big sister. Rhaenyra literally created the cause and created the effect. But they propagandize us that she is a “kind-hearted person”.

Daemon was shown as he really is and was in the books, finally. That he doesn't care about anyone except himself and his ego.

Aegon ignores Helaena. I am once again convinced that they have nothing in common, he was not even interested in how Jaehaera was feeling. Aegon acted like a fool by killing all the ratcatchers. But an even bigger mistake was putting them on display. Aegon remains a fool and makes mistakes.

Otto Hightower is the only one who really deserves to have a crown. He is ambitious and has no real love for his family, but he is a man of politics, he knows what is best for the kingdom. I support him as a ruler. Now I wonder what Viserys said about Aegon.

Criston Cole disappointed me. You talk about a white cloak even though you yourself are not faithful to your oaths. The writers keep making all the green party characters so repulsive. However, Criston just annoys me.

Alicent continues to care more about Rhaener than her children. She doesn't want to hold a public funeral for Jaehaerys, not because she cares about Helaena's feelings, but because she cares about Rhaenyra's reputation.

Alicent and Criston are a big disappointment. Alicent doesn't think about her children. Aemond is ready to pay the whore and talk about his mental traumas. Alicent does not reassure Helaena, Aemond, or Aegon. Alicent is a bad mother. She ignores everything. I don't like Aegon, but Alicent should have consoled him instead of walking past him. What is wrong with you? Where is your dead grandson's lit candle?

Fuck what the writers did to Aemond. I understand that childhood trauma and bullying leave consequences for the rest of your life. But Aemond, get your shit together. I consider this a retcon. Aemond from the first season would not go to a brothel, would not cry to a whore and would not pay for consolation. This doesn't look like him. Aemond from Season 1 would have gone to Vhagar and told her everything. I just watched this scene on 2x. The scene was disgusting to me. What is their age difference? 30 years? I hate alysmond and I hate Aemond x Madame. Madame seems to be manipulating Aemond. Thank fuck there was no milk sucking.

Jaehaerys was kill. Aemond, how much can you cry about Luke's death. Take responsibility for your actions, accept the fact that there were reasons for revenge and you did it because you wanted to take revenge for all the pain and suffering. It infuriates me. Why don't you talk about the death of Jaehaerys?

Corlys and Rhaenys talk about Daemon after sex. You guys don't have anything else to talk about. Maybe you could invite him into your bed? Cringe.

Laenor was dead - no one doubted it.

Mysaria was made not guilty of anything - obviously. Female characters on the black side can't be bad.

There is no drama in the twins' battle. I thought Ser Arric would be shocked by the prince's death and, like a twin, would be saddened by Jaehaera's condition and volunteer for the mission himself. But again we have evil greenies and he had no choice.

Daeron is exists.

BDSM games from Alicent and Criston.

The screenwriters are completely unprofessional and mediocrity.

🤮🤡

[genericpuff]

Okay, what the FUCK is Inklore?

My ULO pals and I have been deliberating on this one since it was announced. "Inklore", the brand new imprint from Random House Worlds - which is, in and of itself, an imprint of Penguin Random House - and Rachel Smythe Presents, an in-house program of sorts that's dedicated to graphic novels, specifically those that "tell updated, romantic versions of classic stories and mythologies, and caters to readers looking for bingeable, relationship-driven stories with a distinct visual voice."

Basically it's exactly how it sounds - they're creating an imprint for works like Lore Olympus, and using Rachel as the leading lady.

But let's dig a little deeper. Because the more I searched on Inklore, Rachel Smythe Presents, and Random House Worlds, the more it started to paint a picture of what's really going on here.

INKLORE

I talked about this in my recent analysis of LO's pacing problems, but Inklore launching in Spring 2024 conveniently lines up with what would seem like a reasonable end point for LO. Rachel's always lined up LO's episodes with real life dates and holidays - even when it's been at her comic's own expense - and while we've kept our minds open to the possibility that it could end later than Spring, there's no denying at this point that LO itself is dragging itself out, which gives me stronger reason to believe it's just trying to make it to March, specifically March 20th, which is the first day of Spring in the northern hemisphere. Because of this, our best predictions right now is that LO's series finale will either release on FP or unlock for free readers on either the 16th or 23rd of March (if it unlocks for free on either of those dates, that means we can expect the series to end behind the FP paywall on either April 6th or 13th, assuming they're aren't any more hiatuses, but at this point I doubt there will be.)

Moving on, let's look at the actual Inklore site-

Already you can get the vibe of what kind of work they're looking for through their imprint. This is for people like Rachel. Now, I'm definitely not going to rag on anyone's tastes, I myself am a weeb of epic proportions, but considering you're about to see what's really the highlight of this site, you'll get what I mean when I say this isn't for people like Rachel, this is for people like Rachel. Specifically Rachel.

RACHEL SMYTHE PRESENTS

Inklore seems to be just an imprint specifically for Rachel Smythe Presents, with a couple extra series tacked on to give off the impression of it being more credible than it is. It means the whole site can be dedicated to it, rather than having it shoved in haphazardly alongside Penguin Random House's other works. You'll see what I mean in a second, but let's magnify those questions real quick, shall we?

As soon as I saw the "we are not accepting unsolicited pitches for Rachel Smythe Presents", it dawned on me that Rachel's own fans don't know how imprints work. Why do I say that? Look no further than the comment sections on her announcement posts for RSP (which I'm abbreviating, but I assure you, it stands for "Rachel Sex Party"- /j)

Of course, there are plenty of "congratulations" comments and "please do xyz myth", in which case, please, don't let her touch more myths I beg you-

But then there are also the odd comments of people asking how to get involved themselves. People who are just, by all accounts, regular people on the Internet.

But wait, how do you get involved? Thankfully there's a handy URL in that FAQ telling us how.

And holy shit, it's hilarious.

Guys, it's so easy to get into Rachel Smythe Presents! All you have to do is finish a manuscript, find an agent who's willing to work with a new unpublished author (and hope that they're not a scammer), get your manuscript prepared for publishing and submitted to editors, and then hopefully land a book deal! Wasn't that so easy?? Thanks for demystifying the process, Penguin Random House!

Listen, okay, there's something to be said about how difficult it is to navigate the publishing world. While some of those difficulties are for good reason - to ensure that not just any piece of crap thrown on paper can get published - many more are rooted in privilege, racial gatekeeping, and sexism. It is still an industry being run by a lot of nasty old fucks who take full advantage of people desperate enough to get their book published.

All that aside, it's kind of hilarious - in a sad kind of way - to see fans of this comic assume that this project and its opportunities were ever made for them. It wasn't. It wasn't made for the Canvas creators, it wasn't made for the Wattpad writers, it wasn't made for the people who work in the medium that Rachel started out in to get where she is today. It was made for the people who are already 3 of the 4 steps into Penguin Random House's "helpful" guide on publishing. It was made for the Cait Corrains and the wannabe Rick Riordans.

At best, Inklore is simply a home that's been manufactured for Lore Olympus after it's done on Webtoons. It may remain on the WT platform forever - or maybe not - but Inklore gives it a way to be seen and acknowledged outside of its niche. Because, despite Webtoons attempting to make Lore Olympus a global phenomenon, it really hasn't sold well in other countries, especially those where it was translated which people from those countries have stated it's not translated well at all.

It goes to show that much of LO's claim to fame was manufactured within North America by Webtoons itself, and Inklore is just another one of those manufactured attempts.

Still don't believe me? Still think I'm wearing too much tinfoil?

There are still only two series that Inklore has to show for itself - and remember, it launches in two months - and of course the ones leading that charge are every single volume of LO, even the ones that aren't "new and upcoming" anymore.

And then there's their Instagram, which is just more of the same-

(wonder if they ever found a Marketing Manager? Not exactly the role you want to be left empty leading up to a launch, oop-)

But wait, doesn't that site layout look a little... off? Almost cheap, maybe? Am I being too harsh-

Oop, nope, it's the exact same template used for the LoreOlympusBooks.com website.

Wait a minute, what about the imprint that Inklore is attached to? Random House Worlds?

RANDOM HOUSE WORLDS

... Uhhuh. I'm not entirely convinced that Lore Olympus is in any way on the same level as fucking Star Wars but to the average onlooker, this would make Lore Olympus seem pretty big and important simply on the virtue of it sitting smack dab in the middle of a grid of massive franchises.

So I'll bite, where do these buttons go? They all lead to external sites selling books and merchandise (except for the Marvel Studios one, which hilariously doesn't have a URL attached, so that button goes nowhere LMAO)

... Oh. It's that layout again.

Not all of them have the same layout, mind you, but it seems to be the default layout for sites they just haven't buffed up yet. It would explain why the Star Wars and D&D sites are a lot more robust in their designs, while others just link back to Penguin Random House:

Now the Minecraft one does look better at first glance, but it's still just the same template as the LO site, with a slightly different layout, but working off the same design philosophy, like they just spent a few extra hours dragging things around and spiffying them up in a site editor.

So it seems a lot of the default sites are working off the same CSS stylesheets, which doesn't exactly look good for LO and Inklore's online identity.

But hey, it's gotta mean something that LO is sitting alongside such franchises as Star Wars, Marvel, Magic the Gathering, and Minecraft, right? These are some of the biggest franchises on the planet, and while LO does make a lot of money, it's still nowhere near the billions that these franchises generate every single year.

And that's what I would be saying, if I hadn't noticed the specific products that Random House Worlds was selling - all easily churned out merch, from cookbooks to spin-off titles, which aren't exactly the main draw for these franchises, simply stocking stuffers or otherwise fun gimmicks to try out.

(I actually own the Dungeons and Dragons tarot deck. It's shit. They don't actually tell you the suit of the cards, JUST the numbers, so you have to flip through the book and match up the pictures on the cards with the pictures in the book just to figure out if it's Cups, Pentacles, Wands, or Swords, which I'm sure you can figure out, if you're a tarot reader, is very inconvenient and doesn't make for a good card reading experience)

Point is, Random House Worlds seems to mostly be an imprint dedicated solely to the cheaper products and books they can make to pump up a franchise's merch count. Even the Critical Role site doesn't offer the campaign books, those are published by their own personal imprint Darrington Press and are offered on their main - and much better designed - site:

Instead it's selling printed versions of interviews and... mad libs.

Not made or even really endorsed by the Critical Role cast, because if they were, they'd be on the main site, where the good shit is.

Random House Worlds is, at least judging off what I've found here, the "trick the parents into buying it" imprint. It's simply there for parents to see, go "my kid watches / plays that!" and then buy a Beholder puzzle which their kid will undoubtedly start and then never finish and eventually throw out half-finished after all the pieces have been lost. It's the cheap merch money generating machine, with works written by people who were simply paid to write it, and not people actually involved in the larger franchises.

And this is the imprint that Inklore and Rachel Smythe Presents is going to be an extension of.

At best, Inklore will likely just be a home for Rachel's work post-Webtoons, with maybe the odd success outside of it. At worst, it comes across as nothing more than an ego project, another artificial attempt to place Rachel and LO on the same playing field as Marvel, Minecraft, Star Wars, and Dungeons & Dragons through the only means that they can - an imprint that specializes in off-brand books, which they're truly counting on people just seeing the logos and going "wow those are big franchises!" and associating LO with that status simply by affiliation - without it having anywhere near the actual level of prestige, household influence, or brand recognition.

Its readership is dying out, its stats dropping, and worst of all, the vast majority of people - of which its a very small amount - who have heard about LO without being a Webtoons user themselves have heard how infamous it is in its bad writing and poor art direction.

It has nowhere to go but down, and if you were hoping to be a part of Rachel Smythe Presents, then all I can suggest to you is to go through the very simple process of finishing your manuscript, finding an agent, finding an editor, and then (hopefully) landing a book deal with the 'esteemed' Inklore.

Good luck! ヽ(・∀・)ﾉ

[totallyjustabunchofhocuspocus]

I know "fuck canon" is always an option and generally the more sensible thing to do, but with last night's episode I had two smidgens of HOPE and now with Tim's apparent new interview I just want to crawl back into my cave again 🫥

Hi nonnie!

TLDR (cause I'm having THOUGHTS): I don't think anything is off the table, if I had to bet money I'd lay somewhat decent odds that Buck and Tommy get back together, and I don't think either side of the ship war has anything in particular that indicates victory.

I'll preface this by saying yes, 'fuck canon'is usually the more sensible option. 'Fuck canon' is where no one ever dies, people do not make stupid decisions, and couples never break up.

And I'll also preface this by saying that Buck is my favorite character (honestly one of my favorite characters of all time, not just this show) and my ultimate OTP is Buck/Happiness in this show, however he gets it and whoever gives it to him. I am quite happy being a multishipper and I started out in fandom spaces back in the mid-nineties, where the etiquette and relationship to the content were vastly, vastly different than today and that really colors the lense I view fandom through. In the ship war, I'm mostly Switzerland.

Still with me? Okay.

My main source of optimism re: Buck/Tommy is the simple fact that guys...911 is Not That Deep. It's a fun show (usually), predicated on ridiculous Situations (increasingly), and in movie terms is a cash-grab popcorn flick. Have they hit something with the characters and actors that often elevates it above its station? Absolutely. Are there parts that make you go, "whoa, this came from the shark on a highway weewoo show?" Of course! But 911 isn't fucking Inception. There's no hidden messages and jaw-dropping plot twists that No One Saw Coming.

Like...all the cries about "learn some media literacy you cretins!" really have me scratching my head because, uh, taking everything solely at face value--this absolutely is the Third Act Miscommunication in the relationship. Both parties expressed a desire for the relationship to be more. They broke up on the tried and true "I'm doing this for both our sakes'even though it hurts" and not a dealbreaker schism which they ABSOLUTELY could have done. Literally, one scene of "wow I can't wait to be a dad/oh, uh that's not something I want" and we have a reason to break up that has the exact same "no villains just circumstance" vibe.

On the other hand, it absolutely is a stopping point that is believably permanent.

They went out of their way to show how desperately much Buck wants to talk to Tommy (like we turned it into a meme, but they didn't really have to show him baking That Much) and how he's spiraling in a way we haven't really seen since Abby. In a Hallmark romcom this would be where the audience is reassured that our plucky protagonist has Real Feelings for the LI.

On the other hand, the show often uses Buck as comic relief and the keep away with the phone could absolutely be the indicator that this breakup isn't as serious as Buck thinks it is and he should move on.

The interviews are pretty disheartening, but the interviews for this show really honestly have always had a kind of weird monkey's paw quality to them. Like, they don't lie exactly, but there's a lot of misdirect.

As it stands now, the relationship 100% reads like a Hallmark romcom that is being written by people who Had a Gay Friend In College Guys, So of COURSE We Know What We're Doing...wait why are you discoursing?

On the other hand, as it stands now, it also wouldn't be surprising if this was the end. I honestly don't think they have 100% decided how it's going to go and the writing and especially the pacing this season has been so uneven that it's not hiding the flaws in the storytelling as well as it usually does.

But, if canon goes in a direction I don't like, I have no problem saying 'fuck canon' ;)

[antianakin]

Number 9 for the ask game! For both disneycanon and legends :)

9. worst part of canon

Man, this is a hard question to answer, mostly because there's so many things I could answer.

So I am assuming here that when you say "Legends" you actually just mean Lucas canon that existed pre Disney canon since "Legends" has never been and will never be canon in and of itself. If you were hoping to hear me speak about something that was ACTUALLY from Legends, I'm very sorry, but I'm not familiar enough with it and I don't think it works for the prompt anyway, so all of my answers are going to be from Disney Canon or Lucas Canon.

Some of these will land more in the realm of "the concept is fine/good, the execution was bad" and some will be more "the concept in and of itself is awful regardless of whether it was executed well or not."

In the Ahsoka show, the concept of Ahsoka facing her past with Anakin and how that's impacted who she's become is a great idea and it's really the only way to move her character forward, but the execution of it was so badly done that I wish it had never happened and we'd just never seen Ahsoka again or ever learned what she felt about Anakin. I've spoken enough about this show for anyone more familiar with me to know why I feel that way. If you haven't read my posts about it and want to hear more of them, you can search under the tags "ahsoka show" and "anti ahsoka show."

Turning the Darksaber into Mandalorian Excalibur is, perhaps controversially, a bad concept. It's introduced in the hands of a Mandalorian, sure, but it's also introduced specifically as a stolen Jedi relic. And between those two things, somehow the fact that it was in the hands of a Mandalorian got considered the more important part of it rather than the fact that it was a JEDI relic that got stolen from them.

And unfortunately turning the Darksaber into Mandalorian Excalibur has made the Mandos even more boring than they already were. It forces everything that was established about them in TCW to be basically erased and ignored. The whole aspect of them having a government of any kind, having a Council and a Prime Minister, is gone, and leaders are chosen by who can wield a stolen relic real good (or, more accurately, who can wield a DIFFERENT WEAPON well enough to defeat the person who IS wielding the stolen relic) rather than chosen more democratically by the people themselves.

The Darksaber also just isn't even being used very well in the narrative. It got handed to Sabine and we went through an entire lovely arc for her to earn it both the Jedi way and the Mandalorian way only for her to hand it off the very next season to someone who hadn't earned it at all. Then that person loses it and it somehow ends up in the hands of Din Djarin who seems to START an arc about earning it only for that to just get completely dropped so he can hand it right back to the same person Sabine handed it to last time and then it gets destroyed a few episodes later. There's not been any point to the Darksaber at all since it first showed up in Pre Viszla's hands in TCW. It should've stayed a fancy-looking stolen Jedi relic (and arguably should've just been handed back to the Jedi) if they weren't going to do a single interesting thing with any of the Mandos who ended up with it.

Moving on from the Darksaber, and looking at the Sequels, I think killing off all of Luke's Jedi students and destroying Leia's New Republic was a terrible terrible idea as a concept. I understand the idea of like... "Darkness always comes back, the fight is never completely over" but destroying ALL OF THE PROGRESS made in the last trilogy by the main characters just to force the new characters to do the exact same thing all over again is stupid. There are ways to do "darkness always comes back" as a theme without making Luke, Leia, and Han's arcs completely irrelevant. It doesn't feel hopeful by the end anymore, it just feels a little pointless because if everything is always going to be destroyed over and over again then why try to build anything at all? What's the fucking point of it all if none of the triumphs last long enough to mean anything?

And adding onto that, making the New Republic completely incompetent and also so horrible that they're basically the Empire in all but name feels equally frustrating as a concept because now not only were they destroyed before anything meaningful could be done with them, but it's not even a bad thing that they were destroyed because Leia failed long before Starkiller blew up those five planets. The New Republic was a failure from the moment of its inception because it's just filled with and run by cowards and greedy assholes who won't help anyone or do anything useful at all apparently.

I won't touch on R*ylo much because plenty of other people have, but everything about that was awful and it never should've been made canon.

While we're on romantic failures, I don't think Obi-Wan has ever needed a romantic interest, but that doesn't mean it couldn't be done well. But Obitine just wasn't it. Obitine was executed so incredibly poorly that it just made both characters radically less interesting and if I didn't already enjoy Obi-Wan as a character, his relationship with Satine would probably turn me off of Obi-Wan entirely given that he's literally a sexist asshole to her. Obitine never should've happened and if they HAD to do it, they should've gotten better writers to handle it so that it didn't ruin a beloved character as a result.

I'm sure there's more I could complain about, but that's what's coming to mind right now.

[spop-romanticizes-abuse]

i was thinking about how ariel from the little mermaid is criticized so harshly for "giving up her voice and family for some guy" when there was definitely a lot more to it than that.

ariel had dreams outside of eric. she wanted to see the world, she wanted to get acquainted with humans and human traditions and she wasn't satisfied with her life underwater. that was the whole point of "part of your world", she barely mentions eric in it. he was just a bonus in her new life, not her entire purpose.

why am i talking about a random disney movie? it's because i was thinking of lumity, and how amity also rebelled against her family for a new life. except.. amity really only mentions luz (and "the others" because let's be real, she did not give a shit about willow and gus at that point). amity's sole reason to go against her family's values was luz.

this, if anything, could be considered "giving up everything for a love interest" but people don't see it that way because amity's parents were shitty to begin with. but if you look at the little mermaid from a different perspective, you could argue that king triton wasn't a very good parent either.

he literally throws a temper tantrum just because his teenage daughter has a crush on a guy. ariel is legit terrified in that scene, and regardless of whether triton had good intentions or not, he made his daughter feel unsafe and turn to an impulsive decision in a moment of emotional distress.

all of this to say, you could argue that ariel had no reason to stay with her family either, given that her father lacks emotional sensitivity and does not sit down and try to communicate with his child, instead of destroying her collection and scaring her away.

coming back to amity, i can understand that luz inspired her to actually do something about her abusive parents, and that's sweet. but we never get to see what else amity wanted. since they never established a friendship arc between amity and gus or willow (she apologized to willow, sure, but the rekindling of their relationship happens much later on), all we know is that amity is tired of being abused and she wants to be with luz.

from an abuse victim's perspective, amity standing up against her parents was powerful. but unlike ariel, amity doesn't seem to want anything besides luz. and she never explores what she wants to do, now that she has successfully cut herself away from her mother's influence. her whole life revolves around luz after that.

there was that abomination brawl episode but even that ended up being about luz. the brawl was just a quick montage, it only existed for the emotional drama that came later on. in fact, even when the plot was focused on amity, it was more about her relationship with her father rather than her autonomy and personal interests.

there's a reason why a lot of people liked the mean girl version of amity. she had personality, she had interests and goals, she had CHARACTER. it was all fake and a result of trauma, but it was there and it helped flesh out her character. but after she is redeemed? there's nothing left of the old amity, not even the more positive/neutral traits, and her only personality is "luz's awesome girlfriend".

amity's arc should have been about exploring what she wanted outside of her parents' wishes. abuse often turns you into a shell of a person and recovering from years of trauma isn't as simple as getting a romantic partner. it takes therapy (and that is canonically an option in the boiling isles, let me remind you), it takes self-reflection, it takes giving yourself the permission to choose your own destiny and explore yourself outside of your abusers' expectations.

and amity gets none of this. her trauma and arc was resolved too quickly, even for a show that was cut short. they just gave her a makeover, got her into a relationship with luz and called it a day. the only reason people aren't giving her the ariel treatment is (probably) because lumity is a queer ship.

[mrs-monaghan]

there’s so much misinfo going round atm, see lots of people saying that after jk enlists with jm and does the boot camp he can apply for some special ???something and will leave separately where he is stationed or that just because jk / jm are enlisting on same day, they only will do basic training together then go to separate places ? and that they only chose the enlisting together option because it meant they could make sure they were out in time for june ?

ik it’s a bit hard to follow maybe with different sources and not real confirmation but do you know if any of it is true? my understanding was that they did the “enlisting together” scheme thing, (ie. it’s a purposeful application, they knew they were choosing this way) which meant they’ll at least be in same living quarters etc the whole time until they’re out ?

sorry for long Q! it’s ok if you dk it was just confusing D; thank you!

Hi anon. 😳 I am terrible when it comes to the serious stuff and have the attention span of a toddler when such topics arise. My mind registers them as boring and so I don't retain the in4. But my friends delved deep into this so I will gather as much as I can and do my best to explain the sitch

Let me start by correcting the biggest misinformation of them all. Thanks to fucking Mina with her fake subs and reaching conclusions, the vermin are confusing "Special Task Force" with "Special Forces"

JK said he wanted to join special forces. Well and good

But thats not what V is doing. V applied for Special Task Force which, while not easy (he said in the live its why he enlisted there, to challenge himself) its nothing compared to special forces. Special forces is HARD CORE. Its no joke. It's for those who actually want to go to war and proper fight for their country. Not for those fulfilling a mandatory duty... One they wouldn't do if they had the choice. Special forces, those people actually wanna be there. And if u know JK then u shouldn't be surprised that he would say something like this. Of course our dare devil bunny would enjoy joining something as risky as special forces.

But guess what? No one stopped him. He still could have gone there if he really wanted to. Just like in Winter package. No one told him to give up zip lining for beer tasting. He did that off his own volition since Jimin was going beer tasting. JK's happiness is where Jimin is. Period. (Suga's presence played a big part but we don't talk about Yoonmin)

(Edit: the whole thing takes almost 8 years to complete which again, is not something JK would actually do if he wanted to still stay a member of BTS. And of course satellite Jeon would again, never do it)

Jikook wanted to use the buddy system and they applied where Jin is on purpose because since the location is so risky, (front lines) not alot of people apply to serve there. So the chances of them being accepted were pretty high. I already talked a bit about that here.

Coldest and most dangerous. But before we panic, Jikook love snow so... thats good. But also;

2 things to note before we continue; 1) Tattoos are a none factor on why Jikook applied together or why JK couldn't be with V. They had 0 to do with that. And 2) All members and where they ended up it was their decision

So, here is a Korean explaining

They shall not be separated. They will train together and continue to serve together

One body. Shiet.

Nice. Even the breaks they will take together. Basically spend every minute together for those 18 months y'all.

They had to pass 3 rounds. Applying wasn't all. They had rounds to pass before getting accepted. So as we can see this was a whole ass process. They really worked hard on this to make it happen.

Apparently there is a show you can watch that explains the buddy system. Its 8 episodes, its called real man

The holding hands thing is legit 🤣🤣🤣

Jikook shouldn't have an issue then 🤭

Anon, people are in denial and the other half are trying to explain this away. If Jikook only went in together just so they could come out at the same time then they could have done what Vmon did. Apply separately at the same time.

This is one tough pill to swallow for antis. It's like the biggest fuck u Jikook could have ever done but at the same time I really don't think they factored anyone else but themselves when they made this decision.

18 months is no small amount of time so let's call a spade a spade; Jikook couldn't be apart that long. Fax 💯 JK wanted to be there for Jimin, Jimin wanted to be there for JK, of course. Them in the same place looking out for each other is all I as a fan who loves them can ask for. But at the same time, they needed this.

Anon, they will be together 24/7 for the entire duration of their time there.

Yes. Sleeping in the same quarters. It wouldn't make sense for companionship if they were separating the recruits who applied together. To be companions. Of each other.

The buddy system is there to help friends cope with this difficult mandatory thing that the government insists on doing to their young men. It's there to help them cope in any way possible. I imagine mostly mentally. So why would they train them together then separate them? ❓❓❓

It is said that you should make sure the person you apply with, is a person u get along with super well because for the next 18 months you will be together every moment of everyday. It's krazy to imagine that JK wouldn't rather do this with his actual boyfriend V, instead. Krazy. 🤯

Anygays, no need to worry my good people, Jimin and JK have got each other's back. All that's left is to wait for them and pray for them. May they always hold hands 🤭

Tihihihihihihi

[zmediaoutlet]

spn20rewatch, 1.06: "So you lie to them."

A lot is made of the way that the Winchester boys grew up isolated. Raised to be soldiers, moved from town to town. That should lead to a particular kind of raw-edged unsocialized set of feral outsiders -- but Sam and Dean are thoroughly not that. A large part of why, I think, is that they were always enrolled in school (until Dean aged out). They actually had lots of opportunity to engage with normal people, even if the relationships they formed weren't necessarily deep. To borrow from Fight Club, they had plenty of 'single serving friends' -- good for a short time, but not for a long time. This practice is how they're both so good with people -- they don't come off as all that strange in normal interactions when they're not working, because they're just... not that strange, at least on the surface. They're good with people. They're just not good long-term.

When Sam goes to college, part of the stated goal is for there to be a normal life -- or a life at all, because he doesn't seem to include the rambling hunting existence as a valid option. A big part of that normalcy included finding a girlfriend and making friends. Makes sense, especially since he must have passed through dozens of schools with pre-established friend groups that he could see he'd never really be part of. After a while he'd know there was no point in trying to integrate, if they were only going to be in that school for a few months. Stanford gave him the opportunity to put down some roots, to really engage, and it seems from what little we see that he made a good effort. ...But.

DEAN: You’re kidding. You still keep in touch with your college buddies? SAM: Why not? DEAN: Well, what exactly do you tell them? You know, about where you’ve been, what you’ve been doing? SAM: I tell them I’m on a road trip with my big brother. I tell them I needed some time off after Jess. DEAN: Oh, so you lie to them. SAM: No. I just don’t tell them… everything. DEAN: Yeah, that’s called lying. I mean, hey, man, I get it, telling the truth is far worse. SAM: So, what am I supposed to do, just cut everybody out of my life? (DEAN shrugs.) You’re serious? DEAN: Look, it sucks, but in a job like this, you can’t get close to people, period. SAM: You’re kind of anti-social, you know that? [...] DEAN: Dude, what kind of people are you hanging out with? SAM: No, man, I know Zack. He’s no killer. DEAN: Well, maybe you know Zack as well as he knows you.

We'll learn in a later episode how well it went for Dean when he shared the family secrets with someone, so his attitude here is understandable. That said, when Rebecca finds out that something monstrous is happening with Sam, she doesn't completely flip out -- the evidence is in front of her, and she appreciates Sam's help. So, maybe Dean's wrong about this. ...But we never see Rebecca again, and there's no indication that Sam actually kept up with her or Zack after this hunt.

Sam also never told Jessica the truth about his life, and he doubles down on that choice when he tells Dean in episode one that Jessica was never going to know. He thinks there can be a partition between the hunting life (that doesn't even count as life, and is dangerous and bad and must be kept secret) and the "real" life in the daylight, and sees no issue in closing his entire past and large parts of himself away. It's safer, and better, and he'll be able to get through it and have that normal life he always said he wanted.

It doesn't work that way, though, and not only because the plot intervened. We've already had the moral structure of this universe established and it is not acceptable to ignore those things you could have done something about, with your knowledge and skills. Sam's a hunter, got trained that way for ten years, and the pretense that he can be wholly in these friendships (or romantic relationships) while partitioning away a massive part of his history and personality is a farce that was doomed to end. His friends didn't know him because he couldn't let them know him. He says himself, he never really fit in. The 'normal life' he was after wasn't ever going to be an option. He understands that, by the end of the episode; accepting it will take a little longer. At least he and Dean are freaks together.

[bengiyo]

Love Sea Ep 6 Stray Thoughts

Last week, Mut and Rak went on a date to a nice restaurant for lunch and then to the grocery store. Mut was extremely charming, and then Rak's asshole cousin showed up at his house to start shit with him. Rak handed her her entire ass for her trouble, but then tried to buy a bunch of suits for Mut because he didn't want people to say rude things about Mut. Mut reminded him that he doesn't care about what others say before almost having sex with that man in a changing room. Meanwhile, Mook continued to fret about not being needed, and I'm glad Vie is into that.

Interesting. We're picking up from the mall. I don't mind the reassurance that they're okay after the last conversation, but Rak is still trying to buy things for Mut.

Chapter 6: Jealousy is a Sign of Love. OBJECTION!!!!!! I DO NOT SUPPORT THIS.

I like that Fort moves differently as Mut.

I love Mut sitting back and letting Rak unload all this grief and pain he's suffered about his family situation.

I am glad Mook is actually hanging out with some of her friends if she's been this attached to Rak the whole time.

Thankful again that some of the shows remember that they both have dicks.

I'm interested in Khom's perspective since there's a similar history here.

LOL why are these guys jealous at all? They're hanging out in front of Rak.

Interesting. I hope Connor wasn't trolling about having writers block sex with Rak.

All this jealousy is ridiculous.

Finally some Rak and Vie alone time.

Very amused that Rak is able to admit to Vie that he's feeling possessive of Mut and too stubborn to apologize.

Vie, do not use your acting ability this way.

A child!

Oh, this must be Rak's niece.

What is this royalty free music that sounds like The Ants Go Marching In?

Sometimes it feels like Mut takes this whole buying thing more seriously than I expected and it makes me wonder.

I love this child. She can stay.

On the real though, she seems to have a clear read on the adults in her life and I wonder what horrors she's had to process.

I really am trying to stay with this show since it seems to know what it's playing with. Even Meena knows the history with the grandfather.

Wow. My man asked for head earlier and would you look at that.

Whoa.... We never get face fucking in BL.

Whoa, Vie is part French.

BossNouel jump scare.

I've only had Meena for one episode, but I am now going to complain about how few nieces and nephews we get in BL. Who was the last one? Mork's nephew in My Ride? Also, what's up with them hiding Connor from us? I hope we get a strong resolution on this grandpa situation and the contract stuff. Even the kid knows this whole shebang is weird.

[heliza24]

Being a physically disabled Dimension 20 fan breaks my heart sometimes

I’ve been thinking about this since last Wednesday’s episode when we finally got a real scene with Lydia, one of the few physically disabled characters in the entire canon of the show. It was nice, but it was really just a lore dump. An excuse for exposition. A moment for Kristen to look good by expending sympathy/pity. (I’m a little frustrated about how that interaction went down. Extending the help action was nice but patronizingly touching the neck of a full-ass adult without consent was not. It was weird and not something she would have done to a nondisabled character).

I have watched almost all of D20 (still missing a couple of seasons) and as far as I know here’s where our list of canon physically disabled characters stand: Lydia Barkrock, Jan de la Vega (who feels pretty problematic to me, maybe more on that in a later post), one of the Dwarven statues in the temple in The Seven (who is not given the dignity of being brought to life like Asha), and Pete’s coworker in TUC2 who is in exactly one episode and is so unimportant I have forgotten his name. I guess you could make an argument that Gunny is disabled, but I don't feel that Lou or Brennan really talk about him or play him through that lens. So in terms of canon physically disabled PCs-- that leaves us with 0.

We do a bit better with neurodivergent characters and characters with mental health problems; Ayda (my beloved) is very well developed and Adaine is a PC. There have been some openly neurodivergent players, like Omar and Surena, whose characters also read ND to me. But that isn’t labeled or discussed in canon, so it's hard for me to know where to class that. I am going to focus the rest of this post on physical disabilities, since that is my area of lived experience. If another fan wants to write about their perspective of neurodivergence rep in the show, I would love to hear that, and will happily amplify.

There has never been a character with a sensory disability or a limb difference or a chronic illness (not a fantasy one, a real one) on Dimension 20. The only NPCs we have are nondescript, similar wheelchair users. And there has never been a physically disabled player at the table. On the flagship show of Dropout, a company founded on diversity and inclusion. It feels extremely pointed to me.

In fact as far as I can tell there has only been one (1) physically disabled performer on any of Dropout’s shows. (Shout out to Brett, you were great on Dirty Laundry.) Obviously I haven’t seen every episode of everything they have produced. If I have missed someone, please do let me know in the comments/reblogs. But it’s a problem. And Sam Reich even agreed with this criticism when I asked him directly about.

I do really hope they’re working on it, as Sam says. But why has it taken so long?

Dimension 20 has had trans and nonbinary and queer players. It has had players of many different races. I’m not saying that the diversity here is perfect; there should always be more POC in the dome, more queer people. We should keep pushing for that. (And we should also push for performers at the intersections of these identities!) But we’ve seen the ways this diversity has expanded and improved the different seasons, because diverse players create sensitively drawn, diverse player characters. They add details to their PC’s experiences that make them feel rich and alive. I’m thinking about each of Ally’s PC’s incredible capital G gender and Aabria “all my characters (even the stoats) are Black” and how excellent they all are. D20 would not be the show it is without this input.

And yet. And yet.

There are 1,000 interesting and complicated themes to explore around disability. Dealing with access. Dealing with ableism. Dealing with compassion and community care. Dealing with none of it and just being a cool fantasy or sci fi character that happens to be disabled. We don’t get any of it.

I watch my favorite show and I see myself in the ace rep and the female characters. But I don’t see all of me. I see a silent but ever present message: you aren’t quite welcome here.

I have this fantasy that I play in my brain sometimes that someday I’ll get to talk to Brennan in person, like maybe if I buy a VIP ticket and risk Covid to go to a live show or we run into each other on the street or something. I am able to look him in the eye and articulate why he NEEDS to include a physically disabled player in an upcoming season. I reference the ways he’s talked about inclusion and writing diversely on Adventuring Party. Maybe I hand him a handwritten letter, or hell, a printout of this post. And because he really cares about diversity and his shows and his fans he would listen to me, and cast a physically disabled performer in the next season.

But I think that might be giving that nondisabled man (whose work I adore, who I respect so much) too much credit. Because he’s had Jennifer Kretchmer, a physically disabled actual play performer, on adventuring academy to talk about access in gaming. He’s hired disability consultants. He knows about physically disabled people, enough to give us shoutouts as inconsequential npcs. And he still hasn’t thought to include us at the table. In over 20 seasons. None of that other stuff matters if we aren't given a seat at the story telling table, and the agency to craft our own narratives equal to other participants in the game.

When Lydia was telling her story in the last episode, I kept wishing for a prequel, where she is more than a plot delivery device and a kind but unimportant parent. I want to know about her adventures with her adventuring party. I want to see a talented, wheelchair-using actor play out the scene when she decides to put the gem in her chest. I want to hear about what happened after. I want to know how she survived. I want it so badly it hurts.

I am in the process of trying to find new indie actual plays that feature more disabled talent. I am learning how to GM myself so I can tell these kinds of stories. But it’s not the same as being a fan of something. Sometimes I don’t want to have to make my own representation. Sometimes I just want to turn on my favorite tv show, the one that I have cosplayed from and written metas about and loved whole heartedly, and see myself included.

If you’re another disabled or neurodivergent fan I’d love to hear your thoughts on this. If you’re not, I’d love for you to reblog this. I would love for the absence of physical disability in this show to be a topic of fandom conversation, at the very least.