#I don’t think this can reasonably be called meta

[savanir]

A sister's love

The justice league hurriedly responds to a call for backup at a little in the middle of nowhere place by the name of Amity Park. 

The situation had seemed so simple. 

A Star Sapphire had suddenly shown up on Earth which isn’t immediately cause for concern but she was unidentified, so a lantern was definitely going to have to look into it if only just to make sure that nothing bad was going on. There are two planet side green lanterns, Simon and Jessica. So they responded to handle the potential situation. 

Things rapidly spun out of control when they realized it wasn't just a Star Sapphire. 

"I hate to say this but we're gonna need backup" Simon tells Cyborg, "the Star Sapphire has brought something with her. My first guess was a white martian but..." The other one can do some manner of density shifting, and he can go invisible, but they know ways around that. Whatever this one is doing isn’t that though.

"Why isn't this working!?!" Comes Jessica's slightly panicked voice in the distance, "he keeps just going through my creations! dammit, think think Jess" She tried to contain him with a flamethrower construct but he just ignored it, like he’s seemingly ignoring everything else she’s throwing at him.

"Our constructs have zero effect on the other one, the alien, meta? man I don’t know he’s human shaped" 

"What is the situation other than the two hostiles?"

"Uh we got some government agents who are retreating because of the Star Sapphire wrecking their stuff. And the civilian people here seem to be falling under her influence, so she must be human. She's from here, she needs emotional connection to pull that stuff off."

The people are furious, the violet glow around them clearly indicates that the girl is using her ring to amp them up but if Simon didn’t know any better he’d say this was red lantern stuff.

Well there are more ways to whip people up into a frenzy, by hurting their loved ones for example.

There is a brief moment where it can be heard that Simon and Jessica try to get into a more advantageous position. 

Simon grunts, "dammit, those agents seemed to have weapons that actually worked on the other guy but the Star Sapphire used her violet constructs to shield him and destroy their guns and we've been struggling since" this whole situation stinks, he has a weird feeling about all of it.

"Simon this is really really bad, i can't keep restraining all these civilians, we're running out of energy fast!"

Cyborg tries to get a visual on the situation from his position in the Watchtower while he’s notifying any league affiliated heroes who are nearby and available. 

But all of a sudden he realizes there is just nothing, just a big lap of void where the two lanterns are supposed to be, there is no cctv footage, no cell towers, no internet connection. Just what the hell is going on here.

Then the audio transmission starts to violently crackle.

A new voice laced with static can suddenly be heard, "There you two are"

"Shit"

"Is the justice league coming yet? Are they finally going to do something?" the staticy voice continues.

"Stay back you-"

"Or maybe they still need more of a reason to act" 

The audio cuts out. 

"Jessica! Simon! Come in!" ... "Shit!" 

Cyborg finally gets a clear picture with the satellite cameras and now sees the entirety of Amity Park has been covered with a crystalized violet dome. It’s then that he remembers the story Hal told quite some time ago now about a Star Sapphire who managed to put a whole planet into love stasis.

They are gonna need more help with this one he thinks.

Meanwhile Jazz is still shakily trying to figure out how her new pink powers work, now that all the fighting is over (for now), the GIW forcefully expelled from Amity, and the two Justice league people captured and restrained.

Everything happened so fast, one moment the GIW had knocked out her brother and were forcefully taking him away and while she saw them drive off (she was pretty sure she was screaming) a pink thing just froze her in place, She was pretty sure someone said something about “great love in her heart” and then she was… well she was flying and- and there wasn’t really any time to question things then so she may have kinda gone and ripped into the van that had Danny.

She’s pretty sure she healed him, and then things just completely spiraled out of control from that point on. and now she’s here.

She’s pretty sure this is crazy villain behavior, she’s going to get put on some sort of watchlist and then she’ll never get to be a psychologist but it’s fine.

Her little brother is safe, that’s all that matters. And she will keep it that way.

[deadsetobsessions]

“I think I’m going to move to Gotham,” Jazz’s tapped away at her laptop, clicking through her college acceptance letters. Danny sat up from where he was scrolling through his phone and stared at her. “Thoughts?”

“And prayers,” he sassed. “Because you’re going to need them. Why the would you pick Gotham when Harvard accepted you?”

“Gotham has Arkham. And Doctor Quinzel.”

“Isn’t she Harley Quinn? The Crime Princess of Gotham?”

“Yeah, and an acclaimed psychologist with hundreds of published work that revolutionized the mental health field! Sure, she’s more criminally inclined now, but I’d kill to pick her brains.”

Danny grinned. “Interesting word choice. You’d fit right in. It’s just weird that all of their psychologists turned into villains.”

“Okay, but I won’t. You’d stop me.”

“Or I’d join you,” Danny rolled back onto the floor.

“Don’t you dare, Daniel Fenton. You’d better stop me if I went villain.”

“But I feel like you’d have a pretty good reason for it though?”

“I appreciate the trust, dumbass, but I’m always this close to loosing it.” Jazz rolled her eyes as she jabbed a finger at Danny.

“Hah! You’ll fit right into Gotham!”

Jazz hummed. “So, Gotham?”

“Yeah, why not?”

——

“Danny!”

“Little busy!” Danny dodged a blast from a GIW agent.

“Why’d you pick up, then?”

“You don’t call often- hey, can you guys knock it off? I’m on a call!” Danny shouted. Surprisingly the agents stopped.

“Woah. You guys actually stopped?”

“We’re anti-ghost, not rude cavemen. Finish your call, Phantom, so we can get back to capturing you.” The agent with red hair said. Her partner nodded their head.

“Riiiight.” Phantom floated away a bit. “What did you want to talk about?” He asked Jazz.

“So, Dr. Quinzel-”

Danny heard a further off “Call me Harley, darling!”

“Harley,” Jazz continued seamlessly. “Is dating Ivy, a meta! Which, totally cute and their relationship is so healthy. Goals, honestly-”

Danny heard another far off comment, “Awe, thanks, Jazzy-wazzy!”

“But long story short, they got in touch with the Justice League about the GIW and they’re getting pulled back! And disbanded! Are you fighting the agents? Can you see if they’ve got the order to pull back?”

“Wait, seriously?” Danny perked up, the exhaustion from the fight all but gone. “I’ll ask.”

Danny turned to the two agents, pulling the phone away from his ear. “Hey! Did you guys get orders to stop hunting me? I heard the Justice League got involved.”

“What? We didn’t-”

“Shit, wait, we got orders.” Her partner jabbed their phone at her.

“Fuck. This isn’t over, Phantom!”

“Yeah, yeah! Shoo!” Danny watched them peel away. “Thanks, Jazz! Maybe I’ll finally get a peaceful school year.”

“R.I.P.” Jazz solemnly intoned.

“Dead-ass.” Danny replied, just as seriously before the both of them broke. Cackling, Danny said goodbye to Jazz.

“Maybe I should get some gifts? Hm… Undergrowth has some rare plants.” Danny muttered as he flew back home.

[prying-pandora666]

I don’t know how to say this tactfully, but I’ll do my best.

If other fans online have convinced you to see the gentle, optimistic, empathetic, fun loving, whimsical, forgiving, wise beyond his years genocide survivor, as a sexist, racist, xenophobic, abusive, pro-colonization, sexual assault perpetrator who doesn’t care about anyone else and doesn’t understand trauma…

You have been LIED TO.

Please just think for a moment!

ATLA was banned in China from the beginning for a reason. Because they didn’t want anyone empathizing with a character based on Tibetan monks. Why? Because they are an actual oppressed and persecuted minority IRL. Their religious leader lives in exile. Their second most important spiritual figure is the youngest political prisoner ever taken (and to this day no one knows if he’s alive or dead!). China has actual prison and labor camps. Tibetan people get sent there for “re-education”.

Can you please think about what these “fans” are saying when they stomp all over this allegory in TLA and try to frame Aang as the oppressor?

Do you really think it’s appropriate or these people who call Aang all these horrible (and inaccurate) things are being in anyway fair when they call Aang “white coded”???

Even without the real world context, Aang is explicitly the only survivor of a genocide. The last of his people. He has lost more than anyone else in the entire franchise. There’s a reason he clings so hard to Appa.

Do you think it’s fair to compare a 12 year old misreading signals and trying to kiss a girl who already consensually kissed him before, and immediately backing off and giving her space when she says no, to rape?

Tweens and teens miscommunicating and trying to comfort each other with kisses, only to realize that’s not what their friend needed and immediately backing off is the same as having your body violently violated against your will? The same as having your “no” ignored?

How do you think this makes survivors feel? To see people use their experiences as a shield and cudgel for ship discourse? It certainly upsets me as someone who experienced intimate partner violence, let me tell you! And I know I’m not the only one.

And how is it in anyway feminist or pro-Katara to ignore her own agency and deep love she shows for Aang? Yes, that includes her own crush on him! It IS reciprocated!

Lastly, you don’t need to demonize Aang to ship whatever you want to ship. Please understand that the majority of these takes are bad faith and born out of bitterness and insecurity over a friggin FANON SHIP.

And none of it is necessary! You can ship whatever you want! You don’t need permission or excuses. You can just ship them! You can make your case for why you like another pairing better without misrepresenting what happened in the show and what these characters are like, let alone what they represent.

There’s already plenty to work with in the show as it is! Otherwise why bother?

I’m imploring fans taken in by persuasive and manipulative metas to please just think about it. Get off social media and rewatch the show for yourself thoughtfully.

It doesn’t need to be like this.

[sarahreesbrennan]

Quick Evil Note

To all my wicked darlings, I have now received rather a lot of messages asking me about the influences of Long Live Evil. And I wish to get messages about LLE and truly appreciate the ones I do get! And I wish to answer them. But answers about influences are tricky.

The book has been out in the US for a little over two weeks, and it’s going so well so far, I couldn’t be more delighted and appreciative about its reception.

But also I’ve been informed (not asked) that two of my characters are obviously somehow both Harry Potter and Draco Malfoy of Harry Potter, and Wei Wuxian and Lan Wangji of Grandmaster of Demonic Cultivation. (Very puzzling as I don’t think these pairings - and one isn’t a pair - have much in common with each other or with mine. Vague hostility against a vaguely academic backdrop for a bit? For the record… in the book everyone is an adult and I don’t even have any academic backdrops to be vaguely hostile in front of…) This hasn’t happened to me in a long time, because I haven’t had an original novel out in a long time due to illness, and it is upsetting to always be discussed differently than writers who didn’t openly link their real names to their fan identity.

I have very different feelings and new appreciation for fandom than I once had. It’s been amazing to see and meet people who have stuck with me for decades. People are generally way more open and affectionate to and within fandom than they once were. Love matters to me a good deal more than hate. But getting death threats in your early 20s for excitedly telling your Internet friends you were going to publish a book does mark the psyche, and so does having your characters dismissed as other people’s characters.

And we can say there is nothing wrong with fanfiction or writing fanfiction and there isn’t! Fanfiction is great and can be genius. Terry Pratchett wrote Jane Austen fanfiction, and didn’t (and shouldn’t) have people saying Captain Wentworth = Captain Vimes. Still, when a TV show is discussed as ‘like fanfiction’ or when Diana Gabaldon said she didn’t like fanfiction and many said ‘YOU write fanfiction’ it isn’t intended in any kind spirit, even when it’s fannish folk saying it. And it’s just generally odd to have everyone call your apple a tomato, and has had professional consequences for me in the past.

However! All the asks I’ve received have been very kind, and I do want to answer them. I do want to talk about my influences because they are manifold and because I actually think it’s important to always talk about influences. I don’t believe stories exist in isolation - we tell tales in a rich tradition, and also a story doesn’t come alive to me all the way until it’s heard or read.

Long Live Evil is a love letter to fandom: it’s chock full of references to many many stories I’ve loved, to fairytales, myths and legend and Internet memes and epic fantasy and meta. My acknowledgements are endless partly for this reason. I do owe a great debt to many portal fantasies and archetypes and musicals and jokes about genre and plays through the ages, though I do think of my characters as themselves and nobody else.

I was frankly tempted to go ‘Yes I stole EVERYTHING! Bwhahaha!’ But while I am thoroughly enjoying and finding great freedom in my villain era, I do want to talk sincerely to you all as well, especially when asked sincerely interested questions.

But I’m a little scared to do so and have people say ‘AHA! Now we know what it’s fanfiction of’ (it’s happened before) or ignore me and go ‘we know the truth!’ (it’s happened before) and to feel like I’ve injured my book. Long Live Evil means more to me than any other and I really want to get talking about it right, and make sure it has the best reception I can give it.

So. Questions on all Evil topics very very welcome but answers to influence questions may come slowly. Bear with me. I am working on this!

[yvtro]

so there exists this popular belief that the main source of conflict between jason and bruce is that jason needs bruce (his dad) and not batman. it is something that i agree with, but i don’t think the fanon reading takes into account how much jason himself is not aware of this dichotomy and conflict of interest (at least in canon.)

i don’t reckon he would personally be able to articulate it, because the main reason the conflict arises is that he can’t draw a line between batman and bruce. bruce is a father to him both as a civilian and in cowl, and let me tell you, this becomes a problem as early as in his robin days. i would even argue it’s what indirectly leads to his death. when bruce benches jason after the garzona fiasco, jay latches onto the idea that he has a biological mother that he can find, who will be a parent to him instead. that is because while he knows (or knew) that he was loved, for him being son to bruce and robin to batman is the same. in his mind, being benched is as good as being thrown out of the family. and it makes sense, because when you read the 80s run, you really see that the way batman treats robin in the field is nothing short of paternal still. he even calls him “jay” when they’re patrolling alone. all the times we see jason and bruce bonding, even if it’s some fun pastime like going to a museum or a baseball match, it’s also a part of some batman investigation. and if you look further back, bruce asked jason if he wanted to be robin even before he took him in, as batman, before even revealing his identity to him.

so it is completely to be expected that for jason, bruce’s responsibilities as a father, as batman, and as a civilian, are all in the same category. and it also explains why jason confronts him about it in mask himself. in jason’s understanding, it’s not that bruce failed as a father because of his commitment to batman. in jason’s pov batman failed as a father, the same as bruce did, because they’re obviously the same person, and if it’s his no kill rule that caused this failure, then for sure the whole philosophy is kinda shitty. cue developing a whole new code that allows you to kill people in order to protect people you care about. (and it goes without saying that jason cares about everyone, the bleeding heart that he is)

going back to the core of the problem, i think that also because of that, realistically, jason wouldn’t want a deal where bruce accepts him “as his father” or “as a civilian” while batman still actively denounces his methods. he needs acceptance from batman as much as he needs it from bruce wayne, because he doesn’t differentiate between them (for a good reason). he doesn’t understand that there’s any tension between bruce as a vigilante and as a parent. and i think it makes it even sadder because he’s not really able to rationalise it as neatly as meta interpretations do. for him all that is happening is his father rejecting him.

[mon-chef]

FREE THOUGHTS ON CLAIRE BEAR

(from an ARDENT sydcarmy shipper)

• I’m finding it really hard to keep disliking Claire. (I don’t actually think I ever did.)

• Claire is deeply kind and also deeply bland.

• Do I pity her? Yes.

• Do I believe her and Carmy should be together ? No.

• Do I think her and Carmy are even good for each other? I definitely think Carm could stand to experience her kindness and some softness but no way, in the long run I don’t think they would be good for each other. (That’s neither of their fault’s tho)

• I don’t see her as some conniving villain that’s trying to steal Carmy away from his responsibilities, I see her as just a girl who wants to be with a boy she really likes (and who could blame her).

• I just don’t see it as her duty to keep a grown man focused on his job. In my opinion Carmy is all the way in the wrong. He’s wrong for not honoring his commitment to the team (AND TO SYDNEY!!!!!!). He’s also dead ass wrong for using Claire as a means of distraction. I get that he might not be aware that he’s doing it,but is still his fault and not hers.

• NGL it is wild that she “tracked” Carmy down after he gave her a fake number. If it had been me, homeboy would absolutely never had heard from me EVER AGAIN Like that’s so embarrassing. Technically it worked out for her so props, I guess, but Jesus she lacks shame is persistent.

• I think the fandom can be so unfair to Claire and it’s making me feel defensive of her. Even though initially I felt like she was a super unnecessary character. (Sort of like Renesmee in Twilight (like what is even the point of her?) I understand CLAIRE’s relevance to the narrative now I guess (thanks to some people’s meta posts) but I could probably still do without her tbh. I know there are reasons to dislike her but to frame her as some she-devil who’s manipulating a helpless man is textbook fucking misogyny. It is really weird that people cannot see that.

• I will be a SYDCARMY stan TILL I DIE and it hurts me to say this but I think them calling her Claire-Bear is sooo adorable. I mean think it’s stupid that they call HER that but it is such a cute nickname and it aligns with the Berzatto family nickname and I wish that Sydney got something similar. (This is could still happen,,,,,maybe)

————————

Just throwing some thoughts at the wall maybe I’ll expand on these later.

[hinamie]

i normally don’t contribute much of my opinions on chapter content n themes bc a. i think my role in fandom spaces is that of a fanartist and I want to keep my art at the forefront, and b. I am Insecure about how little of the manga I have actually consumed and don’t think I have a solid foundation on which i can offer any coherent arguments or insight. generally I like to leave the long meta 2 people who have been genuinely invested in delving into the manga with the intent of analyzing it . y'all do gods work u are the reason i am not flying through this series completely blind

that being said, i am not here to give criticism on pacing or story cohesion bc quite simply, that is not my wheelhouse. i do, however, want to offer my 2 cents on the concept of choosing to live for others as someone who (like a lot of people is the vibe i’m getting) also struggles w depression and self-worth issues and sees aspects of themselves in megumi as a result. i want to reiterate tht this is not an analysis, these r just my gojo voice personal feelings n u r allowed 2 feel differently based on your own experience :)

let me just say first of all that I can 100% empathize with people wanting to see megumi choose to live fr himself after a lifetime spent in a system notorious fr stripping people of their agency and turning them into tools. i think in a perfect world he Does come to the realization that he’s worth living for. but i also think that him /not/ having crossed that bridge yet is also a very valid n realistic outcome. he's a kid, he's just had the worst experience of his life, he's traumatized and then some -- i only have a bachelor's in psychology and god knows i'm no doctor but personally i wouldn't call that a mental space where self-love is likely to stick

it’s hard to claw yourself out from rock bottom. to expect someone to immediately be able to make the transition from being in the worst mental state of their life to realizing that they are worthy as a person is a tall order that i honestly don't think many people wld b able to fulfil. /I/ certainly haven’t been, and living for others has honestly been what’s kept me going for a long fucking time. even when I’m not necessarily at a low point, I still rly struggle w liking myself n thinking i’m a good person, but what’s been a genuine lifeline fr me when i can't love myself is to direct that love Outwards. If nothing else I know that I have things I can create, and things I can offer others. I've spent countless hours forcing myself to acknowledge that, no matter how much i don’t believe them, if the people around me insist that they see something of value in me or in my work; something tht makes them love me Despite, then that alone is worth staying alive for.

i personally (although i can see how others wld disagree) don’t view the 'living for others' frame of mind as waiting for someone to save you, but rather as holding out hope that there is More out there than your own self-loathing will let you believe. For megumi, it wld seem that his something more was the people he cares about. Yuuji gave him the agency to choose whether or not to keep living, and megumi made that decision of his own accord, which fr someone at their absolute lowest is still a huge achievement! there was agency in that decision, there was selfishness--regardless of the underlying motivation it proved that he /wants/ to live. little side note but i think that megumi Making a selfish decision to live for others' sake should also give a bit of hope that he does have it in him to eventually be able to b equally selfish in the value he places on himself.

anyway that's what i got source: i'm depressed . n look i get that with so little of jjk left, it Is frustrating that we probably Won't see megumi come to the conclusion that he's worthy and that he should live for and love himself. but at the same time i don't think that his decision to keep living for others should b condemned either, bc as someone who has also yet to cross that bridge, sometimes that rly is the first step

[1moreff-creator]

Select Two, Choose One: How will the Culprit get Found?

Since the latest DRDT chapter seems to have narrowed down the suspect list to just two people, many have speculated on how exactly the cast is going to pin down the correct suspect, and whether or not the audience has the tools to do so. I thought I’d throw my hat in the ring too! And while I’m still really 50/50 split, there is one piece of evidence that could change the murder method… in a way that points us to the culprit. Very inconclusive evidence, but it’s there. Let’s get into it.

Spoilers up to CH2 EP14. CW: Hanging, murder, blood, Eden and Ace!Culprit discussion

As a starting point, I’ll assume that the deduction that the culprit must be one of Eden or Ace is accurate, to simplify things if nothing else.

I will start with what I’ll call “meta only” arguments. In other words, things that characters can’t reliably use to narrow down the suspect, but that we the audience can take into consideration for theory-crafting.

-Mindset post-Nico murder attempt: Immediately after Nico runs out of the gym, the killer needs to be in the correct mindset to grab the tape, and they also need to be able to more or less figure out what Nico did to replicate it with Arei. Although, importantly, the killer doesn’t need to come up with the full plan on the spot, and they don’t need to fully understand what Nico was doing. At the end of the day, the only real similarities are the general idea of a pulley and a hanging.

Here’s more or less the train of thought Eden might have had if she’s the killer.

Eden: Hmm… The fan is broken and there was wire on it, Ace’s neck looks cut… Maybe Nico used some kind of pulley to hang him and it broke? Maybe I could do that… This tape looks useful for that.

Meanwhile, since Ace woke up in the middle of the murder attempt, he has to do a little less deducing.

Ace: Did I just get knocked- HOLY SHIT NICO IS HANGING ME WITH SOME SORT OF FUCKING SPINNING DEVICE AAAA-! Ooh, tape! :D

The actual planning of a murder would come later in the morning for Ace, once he sits down and has A Thought about it. Grabbing the tape in that context seems insane, but there may be precedent for Ace being prone to stealing the weirdest shit (we’ll get to it), so…

I think both of these are plausible. I wouldn’t say either can be disqualified like this, so we keep looking.

-Ripping/reconstructing the note: The note to Arei was ripped up and thrown into the trash, then Eden, Rose and Whit put it together.

Ace has no real reason to destroy the note, he could have just left it as it was. Maybe throw it in the trash since “it’s what Eden would have done”, but destroying it runs the risk of people not being able to put it together to point at Eden/Arturo. Although, you could argue Ace was trying to frame Nico specifically, so the note wasn’t useful and he threw it away because it made sense in his mind.

Here’s where we get introduced to a pretty big problem of having Ace as a suspect; that thing Teruko said, that sometimes assuming people will always act logically is a bad idea. Ace is the prime example; a lot of shit in this case makes a lot more sense if you assume Ace did it because he’s not smart enough to notice the problems with it. Such as using the method to frame Nico when only a few people in the class know what the method is; he maybe wouldn’t have noticed that that could point towards him as well. Ace is erratic, it’s very difficult to pin down why he does half the shit he does.

Eden, at least, makes sense. By destroying the note, then rebuilding it herself, she throws off suspicion with the exact argument she used in the trial; if she’s the killer, why do that? Just leaving the note as it is runs the risk of someone finding it and presenting it, which removes that argument, meaning tearing it is imperative.

And she would want the class to find it, not just because it makes her look more innocent if she talks about a building friendship with Arei, but because the note is where we get the “7:30” time, which combined with the fish making people think the murder was at nighttime, appears to give Eden an alibi.

In conclusion, the note being ripped makes more sense with Eden as the culprit… but it doesn’t disqualify Ace because he’s an idiot. And speaking of that…

-Fish Paradox: As outlined in my Ep13 murder theory revision, the problem with the fish is that everyone who benefits from the fish being at the crime scene only benefits if they have an alibi for nighttime, but that coincides with the time the fish disappeared, as Nico fed them and counted all of them after having dinner, so they couldn’t have taken it. Meanwhile, people like Ace who could have taken the fish, wouldn’t have a reason to as they don’t benefit from the nighttime alibi.

Except, it’s fucking Ace. It’s genuinely possible he thought people would see fish and instantly jump on Nico for some reason. See the problems that arise when you can no longer assume the killer is acting rationally?

Anyways, inconclusive (we’ll talk Eden later).

-No blood on tape: This heavily depends on exactly how Ace could grabbed the tape. His hands sorta get covered in blood instantly, so it’s hard to imagine he’d be able to do that without staining the entire roll of tape with blood. He couldn’t have easily washed it, either, since he passes out shortly after, and the blood would have likely dried by the time he woke up. This is definitely a point towards Eden, but can the cast use this? I don’t think so, because it relies on what we saw during the episode, which is not easy to prove in a trial setting.

-Dialogue and trial behavior: This one’s difficult, and as you might expect, inconclusive.

I would argue Eden has a higher amount of outright suspicious lines (“Teruko, wait—“ haunts me), but she also has a higher amount of seemingly anti-suspicious lines that make her look very innocent (see: the entire speech at the end of Ep 14).

She also has a moment where she steers the trial in the right direction by denying that Arei could have committed assisted suicide, but it’s worth remembering that if the class thinks that’s what happened and they learn of Eden’s relationship with her, they might assume Arei and Eden worked together to get Eden out. In other words, by denying the notion of assisted suicide, Eden!Culprit avoids the class reaching the right conclusion through the wrong method. Of course, if she’s innocent, it’s just genuine.

Comparatively, Ace operates at a much more stable level of suspiciousness I can only call “Ace level.” He’s constantly throwing suspicion on Nico, who the killer seemingly tried to frame with the method; he kept David and Arei’s conversation hidden; and was one of the first to jump on the “David’s the culprit” bandwagon. In a vacuum, this is super suspicious; hell, Levi was the fandom’s prime suspect for less.

But… it’s Ace. His behavior isn’t too different from the first trial. So while it’s possible he’s doing all this because he’s the culprit, it’s also possible he’s just being Ace.

Impossible to tell, I fear.

-Eden’s Night 2 paranoia: You might recall Eden being very worried someone was following her in night 2, which could suggest she was doing something suspicious (eg setting up the ball of clothes, more on this later) and was scared she’d get found out.

The problem is that there’s a perfectly fine explanation for Spotless!Eden. This is the night after her confrontation with Arturo, and Teruko did enter the same room as her; she could have just been paranoid because of the former, and felt someone was following her because of the latter. Moot point.

(I don’t think anyone else was following Eden because Teruko would have presumably seen them. Then again, I have overestimated our protag’s perceptiveness in the past)

-Eden’s strength: Eden is the weakest of the cast, so it’s very possible that half the Arei murder method is just impossible for her. But… we can’t know for absolutely sure what “weakest of the cast” means, and it’s not evidence that can be used in a trial. Ignorable.

-Motive, character writing and themes: I’m lumping these in together because I’ll give the same answer to all of them: the dev can just add an explanation in the inevitable post-trial trauma dump. We don’t know absolutely everything there is to know about these characters, or the way the narrative is going, so it’s impossible to confidently argue based on this. Physical evidence will always take precedence over these things in my books.

And that kinda settles it for that. There’s minor arguments like “Eden won’t die before we explore the Fork CG” (well, Xander did, so) or “if the Scrum Debate is Ace vs Eden then Ace is probably safe” (we don’t know what the Scrum Debate will be), but I’ll skip them to get to the more pressing matters.

That being trial-worthy evidence. What can the most dysfunctional cast of any fangan ever (/affectionate) use to fully commit to a culprit?

-Fish Alibi: If Ace has the problem of “no reason to bring fish,” Eden has the problem that her alibi literally starts directly after dinner. If Nico ate dinner with her and Hu, she couldn’t have taken the fish.

Except, of course, Nico could have had dinner earlier, and this point is completely moot. We can’t know yet.

-BDA: This is very obviously not what the cast will use to come to the conclusion given the discussions we’ve had, but I’ll bring it up anyways. This was explained in the episode though, so…

-Playground floor: sorastar6’s idea; since the floor of the playground is made of the same stuff as the relax room, it’d become sticky after getting wet from the water in the jugs, and thus, the culprit could have some stuck to their shoe. Unfortunately for some of you, we can’t easily look at the cast’s feet all the time, so this would only work for the characters, not us. However, Hu does mention heels as an example of something that can scuff the floor, and Ace wears heels, so small point to him.

-Missing glove: I still have no idea where this thing went. My only guess would be that the killer removed it to more easily put tape on Arei’s wrists, but by the time they’d strung her up, they decided putting the glove back on would take too much time (? I have no concept of how hard it’s be to properly put a glove on a dead person’s hand), and they wanted to get out of there as fast as possible. If true, that would mean they still have the glove on them, as it wasn’t in the trash. Again, if I’m right about this, the cast can use this, we can’t.

-Random garbage:

Something here. Rose would remember everything about it, so it’s usable. Maybe Ace’s gloves were damaged and he had to use the needle and thread to fix them? Maybe one of those napkins is the cloth with turpentine Nico used and only Ace would have identified and used it (assuming it wouldn’t have dried and MonoTV wouldn’t have thrown it out for some reason)? What even is that pink paper thing? Who knows.

-Ball of clothes: Held together by something Teruko identified as starch, there’s been around three hundred theories involving this thing. The only one that’s actually incriminating (for the two possibilities being discussed) is thebadjoe’s idea of the starch being from the enriched formula of the relax room, which could implicate Eden as she was acting suspiciously around the dress-up room on night 2.

I’ve seen it argued that the clothes would be dirty in that case, but that can be solved with an extra layer of clothes under the clothes that actually get starched up, which would later be either discarded, washed, or simply put inside the ball itself.

(This might be the last murder diagram I make for this case. Holy shit I can’t believe that)

Which is all well and good, but this is still ultimately assuming both that the cast has some way of making sure Ace couldn’t have done this, which I’m not sure exists, and that the starch comes from the relax room in the first place.

Because something I learnt, like, last week, is that people put starch on clothes. Like that’s a thing they do. So it’s entirely possible there’s starch for clothes in the dress-up room and anyone could have done this. If that’s the case, this cannot be used to argue at all. I don’t love the idea, since we don’t know if there really is starch there or not, but it’s there.

-Grammar: The letter to Arei pretty famously misspells “responsibel” (responsible), has horrible punctuation, etc. It’s possible someone in the trial will realize, ask Ace and Eden to spell the word, and whoever gets it right is cleared. We can’t know, but it’s a possibility. This also has the benefit of being obscenely funny.

-Custom weapon: If the killer used their custom weapon, it may point to them as guilty, as only they have access to it. However, I fail to see how a riding crop (Ace) or a wrench (Eden) would help in the slightest.

There is, however, one more item that only one of these characters has access to. And while I am very unsure of this assumption, if you ask me right now what is the decisive piece of evidence that will close the case once and for all, I will tell you:

-The shoulder band thingy:

Ace: Too fucking bad. Mine now. I’m keeping it.

Yep. This one.

For starters, remember that thing I said about the tape? That Ace has precedent of stealing completely random shit for no reason, and so it’s plausible he grabbed the tape just because? This is the precedent.

More importantly though, it’s something only Ace has access to, so if it can be determined it was used in the crime scene, it’s curtains.

And there is actually one place I could see it being used. Followers of my method theories know that, through the fire and the flames, there’s been one deduction that’s remain constant: the rope was tied to the ball of clothes, which was thrown over the railings to get the rope as high as needed. The ball also hit the lights, displacing the bulb and causing it to flicker.

(He he I snuck the image into a fourth post >:D)

I’ve always sorta assumed DRDT takes place in a physics exercise where air drag is ignored, but it’s true that this might be harder than I’ve been presenting it as.

So, we get the use for the shoulder band; a slingshot. I’m unsure on how it would be constructed (swingset maybe? seesaw?), but the idea is that. Create a slingshot, throw the clothes, badabim badabum, Ace is the culprit.

I’m not the only one to think of this btw. Reddit user (yes we’re cross-platforming for this) Makatrull seems to have arrived at the same conclusion. Great minds think alike ig.

Of course, this comes with its own issues. Mainly, how do you connect the shoulder band to the crime scene? The only way I see that happening is if the cast determines this is literally the only way the lights get broken, which… yeah, I’m gonna have to let them do the math on that one.

It’s impossible to judge without existing in the DRDT world. Is the ceiling higher than I’d previously assumed? Then it’s possible to come to this conclusion. Is it lower, and possible that even Eden would have managed to just throw the ball over the railing? Certainly. So, for now, inconclusive. When I say it’s the most likely to be the decisive evidence, I mean by like, 0.1%, I really have no clue.

———

There’s probably more, but that’s all I can think of for now.

Seeing as we’re reaching the end, I’m gonna say that regardless of the outcome, this might be one of my favorite trials in all of both canon and fan-made Danganronpa. So much shit happened. I’ll save my full thoughts for a more dedicated post, but goddamn, I can’t wait to see the conclusion!

Hope you enjoyed! If you made it this far, you deserve a shoulder band thing. Do with it as you please. See you!

[wolfjackle-creates]

Bring Me Home Arc 2 Part 5

It's Wednesday again, you know what that means! I'm going to officially start calling this Arc 2 instead of Chapter 2 because it's too long already and I only *just* get to the plot with the end of this segment.

Story Summary: Tim and Danny are both neglected by parents who care more about their work than their families. They deal with this by spending too much time online and find each other playing MMORPGs. They keep up their friendship as Tim becomes Robin and Danny becomes Phantom and don't bother keeping secrets from each other.

First, Previous

Word Count 1.3k words

-----

Tim clenched his teeth, but allowed himself to be pulled to the counter where they ordered an obscene amount of food thanks to the appetite of four metas. He insisted on using B’s card to pay for everyone.

Sam didn’t even wait for their food to be ready before she started questioning Conner.

“What do you think of rich people?” she demanded.

“Um… What?” Conner looked to Tim, eyes wide, clearly lost as to what he should answer.

Tim just shrugged.

“What. Do. You. Think of rich people? It’s not a hard question. I’m just trying to gage your actual punkness.”

“I don’t… I mean, Mr. Wayne is cool. I’ve met him a few times and he’s always been nice to me. But Lex Luthor�� He’s the worst.” Even now, Conner couldn’t help but shudder when he thought of his creator and Tim scowled into his soda.

“Don’t mince words, Kon,” Tim said. “Luthor should be shot and dropped in the deepest part of the ocean.”

Conner laughed and pointed to Tim. “Yeah, that.”

“Hmmm… It’s a start.” Sam nodded. “Really, there’s only one rule to being punk and everything else derives from that: the man sucks.”

“The man?”

And there it was. Conner was still learning a lot of slang. “She means the people in charge. That you can’t trust the government or people in authority to actually have your best interests at heart or to do the right thing.”

“Oh!” Conner’s eyes lit up in understanding. “Well, obviously! I’ve always had to look after myself. At least until I met you guys.”

Cassie elbowed him. “And now you’re stuck with us for life. You’re ours.”

“Damn right!” Bart held out a fist to Conner who bumped it with his own.

Danny laughed. “You weren’t exaggerating, Secrets. You guys really are ride-or-die.”

Tim looked over his friends and couldn’t hold back a soft smile. “Damn right we are. Just like you three.”

“Well, we know something about the ‘or die,’” said Danny.

Tim rolled his eyes. “You’re worse than Dick.”

Tucker’s mouth was open as he looked between them. “They know?”

“Yeah,” said Danny. “Tim’s known since, like, a week after the accident. And when they came by my house, my parents decided to show off the home defense system. Couldn’t keep it a secret after that.”

Based on Sam’s wince, she knew exactly what the home defense system could do to Danny. Tucker pulled out one of his devices and started typing on it. “Will you finally let me do something about that?”

Danny just rolled his eyes. “I’m fine, Tucker. Sam. Tim. All of you. My parent’s inventions never work right. Or they don’t know how to actually use them. They didn’t think the thermoses worked at first, for God’s sake!”

“Right.” Tucker rolled his eyes. “Because their guns have never worked. Tim, can I have your number and email? Maybe if we all get on him he’ll listen to sense one of these days.”

“Oooh!” Cassie bounced in her seat. “I’ll help! We’ve lots of experience in that with Tim. He’s also the worst at calculating reasonable risks.”

“Great!” Tucker typed her number and email into his PDA and they started setting up group chats. Bart joined in by discussing some of Tim’s more ridiculous civilian escapades.

Tim exchanged a look with Danny. This was so not going to end well.

“Well, while they’re sorting that out, more about punk!” Sam pulled Conner deeper into a conversation about fighting for freedom and liberty and how her ultra recyclo-vegetarianism fit into her beliefs.

Tim sighed and said, “Well, at least they’re getting along?”

Danny groaned and held his head in his hands. “We’re so going to regret introducing them, aren’t we?”

“I already do.”

And then their order was called. Of course Bart was at the counter before any of the rest had even registered it was their order, but Conner and Cassie jumped up to follow and help him carry it.

Sam tried to go help but Tim held out a hand. “They’ve got it, trust me. Having more people will just make it harder for them.”

She still stood, but by the time she turned to help, the others were already returning with hands full of loaded trays. She scowled as she settled back down.

“We would’ve helped,” she said as the others set the food down.

Bart waved her off. “We got it! Sides, most of this is for me, Conner, and Cassie.”

Danny shook his head. “I ordered just as much as you!”

Tucker agreed, “And I ordered almost as much.”

Cassie shrugged as she rooted through bags and grabbed her orders. “Well we got there first. Come on, I’m hungry. Quit arguing and grab your food!”

Danny passed one bag to Sam, “One salad for you.” And a second bag found it’s way in front of Tim. “And a nasty burger for you. You’ll never want to eat a batburger again after this!”

Tim rolled his eyes, but obligingly unwrapped the burger and took a bite. He hummed in appreciation. It really was a solid burger and the sauce was quite good. “I do like it, I’ll give you that. But I still prefer Batburger.”

“Ugh, you’re hopeless!” Turning his back to Tim, Danny addressed the others. “What about you three? Batburger or Nasty Burger?”

Conner shrugged, “This is great, but it’ll always be Batburger for me, too.”

Cassie elbowed him as she finished her bite. “That’s only because you and Tim get midnight burgers there too often and you are mixing up the taste with the memories. These are clearly better.”

Bart had already finished his first burger and was licking his fingers clean. “Yep. These are absolutely better.”

Tim threw an arm around Danny’s shoulders. “Fifty-fifty split! Means we can’t make a decision until you come to Gotham and try one yourself.”

“Oh, that’s what it means, does it? And when do you think I’ll make it to Gotham?”

“Any time you want! You can stay with me. Hell, I’ll even pick you up and bring you there.”

Danny grinned. “If I ever can guarantee a break from ghost attacks, I might take you up on that.”

“Right,” said Sam to Conner. “While they’re flirting”—she expertly ignored Tim and Danny’s spluttered protests—“have you ever tried wearing makeup? I think you’d look killer in eyeliner.”

Meanwhile, Tucker pulled out his PDA and some headphones and started showing a video to Cassie and Bart who shifted to better see the screen.

Tim took a large bite of his burger, unsure what to say to Danny after Sam’s comment.

Danny didn’t seem to have the same reservations and shifted so he could press his shoulder against Tim’s. “Sorry. She and Tuck like to tease me. They’ve been calling you my internet boyfriend for ages.”

That admission made his face heat even more, but Tim tried to shrug it off. “It’s fine.” He knew from Dick that if he continued to protest, everyone would just take it as further confirmation they were right.

Danny shrugged and grabbed another container. Tucker tried to protest, but Danny ignored him. “Here, try a chili cheese fry; they’re great.”

Tim let out a breath and grabbed a fry, getting chili and cheese all over his hands as he did. “Thanks.”

Somehow, the group managed to not get yelled at for an hour as they laughed and joked in the corner booth, but eventually an employee came over to ask if they needed anything else. Danny ordered a milkshake for Jazz, and the group filed out. Night had set in fully while they’d been eating and Tim looked up at the sky. The stars really were much more visible here than in Gotham.

And that was when a large, swirling-green gash opened up in the night sky and dozens of ghosts started pouring through.

-----

Next

Sam is so going to try and radicalize Conner. Tim is just gonna let it happen. At least this radicalization is better than what he'd been exposed to previously.

Tag List Part 1

@gremlin-bot, @bonebrokebuddy, @britcision, @lady-time-lord-, @welcometosasakiworld, @akikkobara, @phoenixdemonqueen, @dolfay, @skulld3mort-1fan, @we-ezer, @markus209, @sjrose1216, @onyxlightdragon, @dragonsrequiem, @jesus-camp-the-sequel, @spidey29phangirl, @kyrianclawraith, @evilminji, @introvert-even-on-the-internet, @emergentpanda-blog, @lexdamo, @v-inari, @idontgetpaidenoughforthisshit, @longlivethefallen, @undead-essence, @xye-chan, @liandrin, @seraphinedemort, @kisatamao, @schalensitzbucket, @caelestisdreamer, @runfromthemedic, @nutcase8691, @channajen, @tonicmii, @ambiguouslyominous, @vythika96, @addie-lover-of-stories, @ironicvixen, @violetfox2, @pickleking8, @mysticalcomputerdetective, @ark12, @mygood-bitch99, @squirrel-wolf, @satisfactionbroughtmeback, @sometimesthingsfallapart, @automaticsoulharmony, @d4ydr34min9, @revnantdpxdclover, @midigeria, @raginblastocyst, @feral-bunny31, @lunaria618, @ghostreblogging, @ace-aro-as-shit

[thegirlwhorideslikeasamurai]

When did Viktor choreograph Stammi Vicino and did he commission the music?

This post is the first part of series of metas in which I analyse Viktor's free programme with the aim to find the likeliest explanations of the source material.

1. Did Viktor commission the music for Stammi Vicino?

Let's start with a piece of meta information from interviews with the YOI staff! According to Mitsurou Kubo, the aria is a piece of music that exists in the world of YOI, but it's unclear whether it exists because Viktor commissioned it or whether it existed before. Sayo Yamamoto instructed the composer of YOI (Matsushiba Taku) to compose the song in the style of an Italian opera from the 19th century using some prepared plot for the piece (I assume that's about the lyrics). But unlike Shall We Skate, Destiny of Nights, or The Inferno, which are from soundtracks of movies that we know exist in YOI, Stammi Vicino has never been explicitly labelled a song from an opera—neither in the anime nor in any interview.

Or in other words: The information the creators provided can be interpreted either way.

However, we have this:

Technically, the YOI creators might just have used footage of this programme because there was no time to animate Viktor skating an entirely different routine. However, since the creators had to condense to plot of YOI to ~50% of its initial size into 12 episodes, every scene and every image demanded to be filled with meaning. Instead of animating Viktor skating a different programme, they could have used a series of pictures that show adult Viktor in different costumes (like those that had been drawn for Yuuri's room), but they didn't do that either, which suggests that Viktor commissioned Stammi Vicino.

From a storytelling perspective, it would make no sense to combine Yuuri's inner monologoue about Viktor having music written for his programme with a short scene of Viktor skating said programme if he didn't commission the music. As Viktor’s fan, Yuuri knows which songs Viktor commissioned because skaters love to talk about these things in interviews.

This scene makes it seem as if Viktor has been commissioning music for his programmes for several seasons at least. While this doesn’t rule out the possibility that he occasionally picked a song that already exists for whichever reason, Stammi Vicino applies to Viktor’s situation at the beginning of the show so neatly that the lyrics must have been tailored to him. The commentator’s words while Viktor is skating his FS furthermore suggest that this programme shows a new and personal side of him. Of course, that could also work for a song that already exists, but how likely is it that such a song 100% matches the vision of a perfectionist? A genius like Viktor would rather think “Okay, that’s nice. But this verse and that verse don’t match my idea at all. I think I'll call my composer and ask them to write a song for me.”

Stammi Vicino holds unambiguous references to Plato’s Symposium, which the YOI creators have talked about repeatedly. And while this is neither an argument for or against the song already existing long before Viktor even thought about a new free programme, it seems too coincidental from a storytelling perspective.

To me, all this points to Viktor commissioning Stammi Vicino because taken all facts together, it’s what makes the most sense.

2. When did Viktor choreograph Stammi Vicino?

The first time we see Viktor wearing the Stammi Vicino costume, is right at the beginning of episode 1 at the GPF. While there is no rule against wearing the same costume for different programmes and costumes are expensive, you don’t see this often in real figure skating. Some figure skaters even get a new costume for the same programme mid-season because matches the purpose better.

The music, the composition and choreography, and costume build the concept of a figure skating programme. The more perfectionist a skater is (and many top skaters actually are), the more specific you can bet they are about the concept. Viktor is a perfectionist who has full authority over his programmes and he could probably afford having several costumes per programme. Wearing the same costume for several programmes would be a breach of his characterisation.

Could Viktor have changed his programme mid-season if he had set his mind on it?

Let’s assume for one moment that Viktor did indeed create Stammi Vicino because of his encounter with Yuuri at the GPF in Sochi. Why would the creators have put him into the same costume as he wears three months later at Worlds but designed costumes for JJ and Chris?

Does he wear the same costume because he met Yuuri there? Well, Yuuri approached him at the banquet, which is held on the last day of an event when competitions, medal ceremonies, and the gala are done. To reflect Viktor's first actual meeting with Yuuri in a programme, wearing suit like the one he wore that night as a costume would make way more sense.

Some skaters change their programme mid-season. Some switch back to an old programme, other skaters create an entirely new programme. If Viktor had indeed created Stammi Vicino because of his encounter with Yuuri (and with the costume from the GPF), the earliest time he could have started working on it would have been after Russian Nationals, which are two weeks after the GPF. The one week he has between both events at home, leaves him just enough time to pitch the idea to his composer.

For a top skater like Viktor, the one month between Russian Nationals (late December) and Europeans (late January the following year) is enough to practise a new free programme and win with it. There are a couple of skaters who are reckless enough to do that like Stéphane Lambiel who switched his free programme right before Worlds 2005 and won.

However, the show refutes this theory because Yuuri himself says that he started practising Stammi Vicinio when the competitions ended for him. That was at Japanese Nationals which happen to take place at the same weekend as Russian Nationals—at a time when he has already seen Viktor skate this programme several times in competition and had footage to use for his practice.

All the hints the show gives us point to Viktor having created Stammi Vicino at the beginning of the season that is still ongoing in episode 1. And there’s a beauty in this choice because it gives Viktor an agenda beyond his love interest. Well-crafted characters exist outside of their interactions and relationships with the rest of the cast. Viktor had a life before Yuuri and this life was lonely and his (secret) longing for love was an inherent part of it. Especially in a show that is limited to 12 episodes and in which every image is filled with meaning, including details that hint at the characters’ past are beyond precious.

I’m preparing a follow-up post that subjects the lyrics to a detailed examination. And I'm planning another and probably very long and very technical post that analyses the composition of the programme.

Thanks for reading! 💜💙

If you enjoy my meta, please consider checking out my works on AO3 (link in bio)!

[ala-baguette]

Could you tell us more about Kingsleys fondness and protectiveness of Harry. Love u to bits xxxx

What’s that?  A Kingsley Shacklebolt meta, you say?  Don’t mind if I do!

A relatively common and much-loved comment I get from some of my readers is that they never gave Kingsley much of a second thought before reading Knowing Where to Look.  Let’s change that, because I need company in over-thinking about random side characters.  Plus, I find Kingsley Shacklebolt so damn cool and other people should too!  For such a small character who is mostly just in the background throughout canon, I am always so impressed by the volumes of information one can glean from his tiny one sentence lines.  So, let’s start by looking at a few of these moments.

I’ll begin with the first time we meet him in Order of the Phoenix where he is part of the Advance Guard.  I remember just falling in love with Kingsley right from the first time I read this chapter at roughly 2am the night the book was released.  A few notable lines I present for consideration:

“‘Yeah, I see what you mean, Remus […]  He looks exactly like, James.’”

“‘A surprising number of people volunteered to come and get you,’ said Lupin as though he had read Harry’s mind; the corners of his mouth twitched slightly.”

“‘Remus says you’re a good flier,’ said Kingsley Shacklebolt in his deep voice.  ‘He’s excellent,’ said Lupin […]”

“Kingsley Shacklebolt and Sturgis Podmore were examining the microwave and Hestia Jones was laughing at a potato peeler […]”

“‘I’m just telling the boy the plan,’ growled Moody. ‘Our job’s to deliver him safely to headquarters, and if we die in the attempt—’   ‘No one’s going to die,’ said Kingsley Shacklebolt in his deep, calming voice.”

Information I infer from this first encounter:

Kingsley is highly trusted by Dumbledore and the rest of the Order despite having only been a member for a month or so.  (I’m fairly certain he was not in the Order during the first war.)

Kingsley knew James on a personal level.  He’s on a first-name basis, he remembers his appearance well, and Remus would have had no other reason to comment that Harry looked like him if he did not.

Kingsley is curious about Harry—likely in part secondary to Harry’s fame, but also, I suspect, on a more personal level (whether his apparent past relationship with James or his current one with Remus and Sirius).

Remus talks about Harry when Harry’s not around (I could probably write a whole meta on this sad and sweet observation, but I shall resist and stick to the topic at hand).  We’ll come back to this.

He’s pure-blood or at least was raised with minimal exposure to Muggle technology.

He’s calm and level-headed and not afraid to call out melodrama, though he’ll do so patiently, respectfully, and gently. 

We have several smaller encounters going forward in OotP that I also find telling:

“[Kingsley and Mr. Weasley] were talking to each other as though they hardly knew each other. […] ‘Here,’ said Kingsley brusquely to Mr. Weasley, shoving a sheaf of parchment into his hand, ‘I need as much information as possible on flying Muggle vehicles sighted in the last twelve months.  We’ve received information that Black might still be using his old motorcycle.’  Kinglsey tipped Harry an enormous wink and added, in a whisper, ‘Give him the magazine, he might find it interesting.’  Then he said in normal tones, ‘And don’t take too long, Weasley, the delay on that firelegs report held up our investigation for a month.’”

“‘Molly, I’ll be late, I’m covering for Tonks, but Kingsley might be dropping in for dinner—'”

Harry caught the sound of his own name.  Kingsley Shacklebolt’s deep voice was audible even over the surrounding chatter.  ‘—why Dumbledore didn’t make Potter a prefect?” said Kingsley.  ‘He’ll have had his reasons,’ replied Lupin.  ‘But it would’ve shown confidence in him.  It’s what I’d’ve done,’ persisted Kingsley.  ‘’specially with the Daily Prophet having a go at him every few days…’

“Kingsley had run forward to continue Sirius’s duel with Bellatrix.”

“‘Alastor Moody, Nymphadora Tonks, Kingsley Shacklebolt, and Remus Lupin were all at headquarters [with Sirius] when [Snape] made contact.’”

My take-aways:

Kingsley has a good poker-face and can act a part that is required of him.

Kingsley is kind and considerate.  He goes out of his way to send Sirius a copy of the Quibbler with an article featuring Sirius/Stubby Boardman, for no other reason than to make Sirius smile in a time when Sirius had precious little to smile about.  Kingsley, in other words, is a big ol’ sweetie.

Kingsley drops in for dinner and any little festivities that happen at headquarters or with the Weasleys a few times throughout the series and is clearly welcomed any time, even when not truly on Order business.  Along with this, I speculate he doesn’t have much by way of family or close personal connections outside of his friends at the Order.

Even when he has only just met Harry, Kingsley is already concerned for his feelings (not just his physical safety) when Dumbledore doesn’t make Harry a prefect.  He is observant enough to notice that Harry is out of sorts and disappointed, which no other character particularly seems to notice.  He’s already attuned to Harry’s moods even then.

Also from this same moment, we see that Kingsley is one of the few characters who doesn’t seem to entirely blindly assume everything Dumbledore does is best.  He doubts Dumbledore’s judgment when he doesn’t make Harry a prefect. What else might he doubt?

Kingsley is brave and loyal.  He jumps in to duel with the most ruthless Death Eater present who just killed his friend.  Later, he does it again with Voldemort who he believes has just killed Harry.

Moody, Tonks, Remus, Sirius, and Kingsley are often described together.  From their interactions, I see these five having a particular bond, beyond that of simply colleagues.  They’re friends. What do all of Kingsley’s friends have in common?  (1) They all have affection for Harry they show in one form or another throughout the series.  (2) They all die.  I’ll let that sit for a moment—we’ll come back to it.

Now we come to The Half Blood Prince and Deathly Hallows:

“‘I’m not getting rid of Kingsley Shacklebolt, if that’s what you’re suggesting!’ said the Prime Minister hotly.  ‘He’s highly efficient, gets through twice the work as the rest of them—’”

“‘All right,’ [Uncle Vernon] said, stopping in front of Harry yet again. ‘All right, let’s say, for the sake of argument, we accept this protection.  I still don’t see why we can’t have that Kingsley bloke.’  Harry managed not to roll his eyes, but with difficulty.  This question had also been addressed half a dozen times.  ‘As I’ve told you,’ he said through gritted teeth, ‘Kingsley is protecting the Mug—I mean, your Prime Minister.’  ‘Exactly— he’s the best!’ said Uncle Vernon, pointing at the blank television screen.  The Dursleys had spotted Kingsley on the news, walking along discreetly behind the Muggle Prime Minister as he visited a hospital.  This, and the fact that Kingsley had mastered the knack of dressing like a Muggle, not to mention a certain reassuring something in his slow, deep voice, had caused the Dursleys to take to Kingsley in a way that they had certainly not done with any other wizard, although it was true that they had never seen him with his earring in.”

“‘Miss Granger with Kingsley, again by thestral—’ Hermione looked reassured as she answered Kingsley’s smile.

“Kingsley showed no pleasure at the sight of any of them.  Over Hermione’s shoulder, Harry saw him raise his wand and point it at Lupin’s chest.  ‘The last words Albus Dumbledore spoke to the pair of us?’  ‘Harry is the best hope we have.  Trust him,’ said Lupin calmly.  […] ‘All right, all right!’ said Kingsley, stowing his wand back beneath his cloak.  ‘But someone betrayed us!  They knew, they knew it was tonight!’   ‘So it seems,’ replied Lupin, ‘but apparently they did not realize that there would be seven Harrys.’  ‘Small comfort!’ snarled Kingsley.

“‘Now they’ve put a Taboo on [Voldemort’s name], anyone who says it is trackable—quick-and-easy way to find Order members!  They nearly got Kingsley—'  ‘You’re kidding?’  ‘Yeah, a bunch of Death Eaters cornered him, Bill said, but he fought his way out.  He’s on the run now, just like us.’

“‘I’d like to appeal to all our listeners to emulate their example, perhaps casting a protective charm over any Muggle dwellings in your street.  Many lives could be saved if such simple measures are taken.’  ‘And what would you say, Royal, to those listeners who reply that in these dangerous times, it should be Wizards first?’ asked Lee.  ‘I’d say that it’s one short step from Wizards first to Purebloods first, and then to Death Eaters,’ replied Kingsley.  ‘We’re all human, aren’t we?  Every human life is worth the same, and worth saving.’

“[…] Kingsley had stepped forward on the raised platform to address those who had remained behind [to take part in the Battle of Hogwarts].  ‘We’ve only got half an hour until midnight, so we need to act fast!  A battle plan has been agreed between the teachers of Hogwarts and the Order of the Phoenix.’

“Voldemort was now dueling McGonagall, Slughorn, and Kingsley all at once.”

“One shivering second of silence, the shock of the moment suspended: and then the tumult broke around Harry as the screams and the cheers and the roars of the watchers rent the air.  The fierce new sun dazzled the windows as they thundered toward him, and the first to reach him were Ron and Hermione, and it was their arms that were wrapped around him, their incomprehensible shouts that deafened him.  Then Ginny, Neville, and Luna were there, and then all the Weasleys and Hagrid, and Kingsley and McGonagall and Flitwick and Sprout, and Harry could not hear a word that anyone was shouting, nor tell whose hands were seizing him, pulling him, trying to hug some part of him […]”

Observations:

Kingsley is likeable and has a skill for garnering trust.  Both the Prime Minister and Uncle Vernon trust him despite having a general dislike for wizard-kind.

Kingsley is clever and adaptable and a good actor.  We see fascination with a microwave in OotP suggesting he had minimal exposure to the Muggle world, but by DH, he is already able to play the part of a Muggle, dress like them, and conform to their society, something that the likes of Arthur Weasley, who has obsessively studied Muggles for years, never manages.  He even knows enough to take out his earing (which he otherwise always seems to wear) to better appeal to the Dursleys conservative views.

A small speculation to which we can never know an answer but… Given that he knew Harry was listening, is it possible Kingsley’s choice of security question for Remus was intentionally chosen to offer Harry a little assurance that they had faith in him?

Kingsley is constantly described as calm and cool throughout all sorts of strife in the series, be he is not entirely unflappable.  After the Battle of the Seven Potters, the man is visibly livid, and I love it!  At no other time do we see so many exclamation marks in his speech.  He has suddenly been forced to face the possibility that one of his friends betrayed them, and he is not okay!  Even after this speech, he is totally flustered: he laughs derisively at Hermione’s naivety in an uncharacteristically impatient way; he seems panicked when he hears Voldemort had gone after Harry directly; he’s pacing the yard in a way that reminds Harry of Uncle Vernon as they’re waiting for the others to come back; he nearly comes to blows when Arthur arrives and is trying to get past him to see George… Can someone just please give the man a hug?  (Obviously, this is a trait I’ve exploited in KwtL.  Betrayal by a friend is definitely a sore spot for him.) 

The Trio sees Kingsley as untouchable.  Hermione’s relieved to be paired with him when they leave the Dursley’s house (and to not have to ride a broom).  Harry’s shocked to hear of him in hiding in much the same way they are.  They’re thrilled when they hear him speaking on the radio.  They have unwavering awe and respect for Kingsley.

Again, I speculate that Kingsley doesn’t have a romantic partner or children.  When Kingsley goes on the run, there is no mention of family which would have been a big concern if he had one. 

Kingsley has a strong sense of morality and a drive to stand up for those weak and defenseless. Despite the fact that his blood status and that his family was one of the Sacred Twenty-Eight would likely allow him to simply sit out the war safely, he’s still in the midst of it, constantly fighting for the little guy.

Kingsley is a natural leader, but he really only takes up the mantel when he has to (ie, Dumbledore and Moody are dead and the Order is leaderless)

Just another reminder that Kingsley dueled Voldemort and he’s a badass.

Kingsley is one of the first to rush to Harry after he’s defeated Voldemort.  He’s listed among all the people who love Harry most.  (Shut up, I’m not crying, you’re crying.)

So we come to what is perhaps more your question, kind Anon. What is Harry and Kingsley’s relationship like post-war.  As you point out, I write him as having fondness and protectiveness for Harry right from the beginning of Knowing Where to Look, and I have had readers challenge me (kindly) that Harry and Kingsley really weren’t that close in canon. 

I’ll agree that Harry was not close with Kingsley, but I’m here to argue that that’s not entirely true the other way around.  I think there’s subtle hints that Kingsley was fond and protective of Harry in canon.  Whenever Kingsley knew Harry was in danger, he came running.  I don’t think that was just duty to the Order.  There’s a personal component there as well.

We know that at least Remus and likely Sirius spoke of Harry amongst other Order members.  Before he even met Harry, Kingsley would have heard about Harry in ways that most strangers would not have heard of him.  It’s almost certain he knew many of the details of Harry’s experience in the graveyard when Voldemort returned (most all Order members would have been briefed on this when the Order was reestablished). He had likely heard tales from Sirius and Remus of how Harry braved Dementors and werewolves and time travel to rescue Sirius.  Maybe even rumors of his exploits with the Chamber of Secrets and the Philosopher’s Stone which Remus may have picked up from other professors when he taught at Hogwarts.  Remus even spoke of Harry enough to have mentioned that he looked like James— something that would have had no bearing on the mission.  The point is, the people surrounding Kingsley loved Harry, and I think that affection would naturally have bled into him just from the types of stories they were likely to tell about him. 

Then, all those people who surrounded Kingsley and who loved Harry die.  I think it’s very natural that as his friends— who were all so committed to protecting Harry— all died one-by-one, Kingsley would have taken up that mantel and felt the need to protect him in their place.  Even if it wasn’t one hundred percent from his own personal affection at first, he would have felt this a duty he owed his departed friends who all died in the name of keeping Harry safe.  After Harry emerges from hiding, older and more independent than ever, I think it would have been challenging for Kingsley to accept that Harry is not that kid he needs to protect (hence his sometimes-unwelcome paternal instincts in KwtL).  Furthermore, given my theory that he is without family and especially after the loss of so many Order friends and colleagues, post-war Kingsley may have been a little starved for affection himself which may have encouraged him to reach out more to Harry as he struggled with the isolation of his position of power. 

In conclusion, Kingsley loves Harry, and no one can convince me otherwise.  He’s prepared to give up his career for him, and though Harry would be completely devastated to know it, he’s prepared to give up his life for him. 

(A few random and less-related but perhaps still interesting headcanons:  As I mentioned above, I doubt he is married or has children.  I headcanon him married to his job and decidedly single and generally fine with that (who knows, maybe even aroace?).  I know his age is never really stated or implied, but I headcanon him to be a few years older than the Mauraders.  His vibe in the books just says forty-something for some reason.  My completely unfounded headcanon is that the Shacklebolt and Potter Families were friends—Kingsley’s and James’s parents moved in the same social circles, throwing Kingsley and James together enough growing up to be friendly but not besties.  Friendly enough that he may have attended Lily and James’s wedding, for example, but not so friendly as to have followed him into the Order the first time around.  Again, these bits are purely my imagination and yes have no real importance to the story.)

Thanks for the Ask, Anon!  I clearly have thought way too much about this. I hope you enjoy the insights into how my brain builds on characterization as I’m writing some of these smaller side-characters. Love ya back!

[messiahzzz]

Hello! I love your meta-analysis of BG3 and share many of the same opinions concerning our boy, Gale. I have an interesting question for you concerning the orbs "volatility" in relation to intimacy (both physical and non-physical). I used to believe it was cannon that Gale couldn't engage in physical intimacy because the Orb may detonate, but when I played as Gale I was able to sleep with Astarion. This is in contrast to when I played as Karlach and couldn't touch anyone.

So, all of this is to ask whether Gale's dialogue at the tiefling party was him protecting himself emotionally or if he truly thought that any excitement would trigger the Orb (ironic given they are fighting for their lives daily)? Additionally is this why the Weave scene only features an imagined kiss rather than a physical one?

thank you so much for the questions!! i’m very glad you enjoy reading my posts 💕

gale: with my condition being as volatile as it is, i fear any undue, er, excitement, may tip it over the edge. so to speak.

i do believe that gale was being honest in regards to avoiding physical/emotional excitement concerning the orb. his first and foremost priority is to make sure to avoid as many potential triggers as possible, being fully aware of the catastrophe that will occur if he doesn’t keep an eye on his condition at all times. fighting is inevitable given the situation the group found themselves in. on top of that, every single day for the past year alone has quite literally been a life or death situation for him, wondering how much longer he can hold on until the orb inevitably takes over. i also think that he has experienced his fair share of horrors and tough fights in his past, considering his status as an archmage, as well as him being mystra’s chosen. even with his now diminished powers & the tadpole in his head he still remains in his element. magic is his life, it comes as easy to him as breathing.

gale: i'm what one might call a wizard prodigy, who from an early age could not only control the weave, but compose it, much like a musician or a poet.

more importantly, the devnotes also proof that the orb is indeed the reason for his deflection during the tiefling party:

gale: i see. then perhaps we see each other in the same light after all. a resplendent one, flush with warmth and anticipation, but one which i must shy away from, for now. node context: still flustered, but pleased to learn you like him romantically. then getting to the point - he can't do anything until the orb is dealt with.

if tav directly tells him to cease the perceived flirting, he will reveal that he considered their relationship to be a "budding romance" at this stage.

player: if this is an attempt at flirting, you should stop. i'm not interested. gale: right. understood. you shall hear no more on the subject from me. gale: consider this budding romance thoroughly nipped. though i hope our friendship need not come to such an abrupt end.

yet at the same time, he is also completely flustered if tav is the one who initiates the flirting:

player: do you like having your belly rubbed? gale: the pleasures i experienced in mystra's embrace go far beyond the pleasures of having one's tummy tickled. i remember once, she took the smallest piece of the weave and made it into- gale: wait. are you saying... nodecontext: taking the question seriously, missing the flirtatious side of it. nodecontext: realizing that the player was flirting, getting flustered

regardless of which flirt option tav chooses to pick, the outcome remains the same:

gale: you know what, i think i've clearly had far too much wine. and you've had nowhere near enough. i think this is a conversation best held back on - for now. nodecontext: flustered, hesitating to explicitly say what he thinks you were offering, then backtracking altogether

while battle naturally is always accompanied by the unpredictable, (as well as the dread of facing a yet unknown enemy) i don’t think he experiences quite the same amount of trepidation as where matters of the heart are concerned. or perhaps it would be more accurate to say it’s an altogether different kind.

the budding relationship with tav is once again unfamiliar territory for him after all those years he went without mortal intimacy, years that have been spent with mystra instead. it’s understandable that he exercises caution at all times, knowing what’s at stake if he lets go for but merely a moment. i also believe gale to be a character who generally goes “all out” once he chooses to be intimate with someone. we know that he doesn’t do casual trysts, friends-with-benefits arrangements, or anything of the sort. instead he wants to build a deep connection first. gale is a romantic through and through, he only feels comfortable being intimate once it has been explicitly established that the emotions he feels for tav are indeed wholly reciprocated. gale puts his whole heart into everything he does, he would’ve felt that it was a disservice to tav if he was only able to give them (according to him) even less than the remaining fragments of a broken man he has to offer — once he decides to give himself, he gives himself fully.

another added factor, however, is that the tiefling party simply wasn’t the right time for him yet, even if he already felt some attraction to them. part of him perhaps would’ve liked to go a bit further, be more direct about his growing fondness for them. spending a night together, just enjoying each other's company, talking until the sun rises, perhaps even sharing their first kiss if he felt that the timing was right — but i don’t think he would’ve considered this to be the appropriate stage in their relationship to sleep with tav either way. orb or no.

gale also tells us this much during the Last Night Alive scene, as well as during the conversation after you just met tara. in an ideal situation he would’ve taken his time, courted tav properly, said it all better.

gale: if things were different, if we were home, i'd have taken the time to do things properly. to say it all better. but time is short.

gale: i always imagined what it would be like when you finally got to meet her. this wasn't quite what i had pictured. gale: i thought we'd be in waterdeep. you, curled up before a crackling hearth while i prepared us a ridiculously extravagant meal, served with a batch of my homemade hundur sauce.

time is short.

i always headcanoned gale to be on the demi spectrum. that he needs to build a close bond before sexual intimacy is something that even remotely occurs to him. tav is an anomaly in this regard — he knows he deeply cares for them, emotions that developed even in the short, few months they've known each other, and that he doesn’t have the luxury of time to let their relationship unfold in all the many ways he dreamed of. all he knows is that he loves tav, wholly and truly. and that, by the gods, he has to make the most out of the few extra heartbeats he’s been given. even if his death is inevitable, he will at least be able to show them the depths of his affection. leave them with shared memories of pure tenderness, a knowledge of a love so profound that it might perhaps even prevail way beyond his passing.

player: what about all we shared together? are you just going to give up? gale: this isn't giving up it's securing victory, at a price i am willing to pay. and everything we shared can live on - with you.

i wouldn’t necessarily say that gale was trying to “protect himself emotionally” during the tiefling party, but rather acted accordingly to the horrifying circumstances the tadpole gang (and especially he himself) find themselves in. i don’t think gale ever really considers a romanced!tav as someone he needs to be guarded around. evident in the way he immediately throws all doors open without any sign of hesitation once he has their assurance that their love is indeed mutual. gale pours his heart out to them regardless, not knowing whether his feelings are truly returned. he is not a character who shies away from being vulnerable by any means. he is an open book, that tav is free to peruse in as they see fit. a slither of trust is all he needs.

during the weave scene the connection abruptly fades once tav either imagines passionately kissing him or holding his hand during a romantic walk. a scene that again shows that he is genuinely stunned by what he’s being shown. after all, it doesn't happen often that gale of waterdeep is at a loss for words.

gale: i... i didn't think... narrator: *you perceive quick-fire gusts of embarrassment, trepidation, and finally... elation.* gale: sorry, i wasn't expecting... but it is a pleasant image to be sure! gale: most pleasant, in fact. most welcome. nodecontext: warm, with real affection

i do believe the weave scene in particular to be a turning point for him. sort of an epiphany. the first moment in which he realizes that he actually might like the idea of eventually being with tav as perhaps more than a friend. that he is filled with fondness whenever they’re near and that he is excited to see where their joined travels lead them next.

player: when i said we could be more than friends, you answered 'perhaps'. what does that really mean? gale: if i recall correctly, the waterdhavian dictionary of the common tongue of faerun defines it as an adverb that conveys the meaning of 'it may be that', or 'possibly'. gale: you see, i'm not a big believer in fate, but i do believe in serendipity. gale: life is a tempest of events that sometimes we brace against and sometimes embrace. gale: you're one such event that, one day soon perhaps, i'd like to embrace.

given my personal hc of gale being demisexual, i genuinely don’t believe that he entertained the thought before that. he was way too preoccupied with other more pressing concerns. his overall condition, the tadpole, mourning the loss of his powers, still dealing with a lingering sense of loneliness and melancholy. a yearning for better times, as well as disillusionment of being cast out and left behind, even if he has already worked through his romantic feelings for mystra and their unilaterally ended relationship by then.

gale: i'm hardly pining. it's been a year or more since mystra cast me aside.

tav’s advances genuinely catch him off guard, which is, according to my interpretation, also the reason why their shared connection abruptly faded. a general loss of focus. gale immediately bidding tav goodnight to reflect on the situation and sort through his thoughts again shows that this wasn’t how he expected this moment of teaching to unfold. it seems rather uncharacteristic of him to initiate a kiss in this specific scenario. tav was testing the waters, whether it happened intentionally or not, and gale found himself pleasantly surprised by the turn of events.

i also believe that we generally shouldn’t use origin playthroughs as a cross-reference for the actual canon. larian approached each story with more or less detail and there are already so many inconsistencies present that have been pointed out by other players. instead we should see origin pts as an oc kind of scenario — larian handing us the reigns of each origin character, a way for us to have fun and figure out all the atrocities we could possibly come up with. sort of like playing with our own set of barbies. (“go nuts, show nuts” as tunglr staff put it back in the day) for example, playing as w*ll doesn’t lock you out of raiding the grove and spending a steamy night with m*nth*ra right after either. which is something that contradicts everything he stands for/something he wouldn't naturally do. even if you try to play an origin character as close to their canon portrayal as possible, you will still encounter several contradictions and discrepancies during the duration of your game. larian sadly also has a chronic pattern of overlooking gale in terms of content, fixes, and overall responsiveness. so it’s easy to conclude that his origin story simply hasn’t been fleshed out to the same extent & treated with the same amount of care and consideration that certain other characters received. (which is awfully ironic considering he’s been proven to be the most popular origin character, but i digress)

basically, this has been my very long-winded way of saying: the reason why gale refuses to be intimate with tav pre-orb stabilization is indeed because he is afraid of the orb accidentally detonating during a moment of carelessness and/or indulgence, as well as because of gale’s own preferences when sex & romance are concerned.

[alexiethymia]

he makes her feel selfless and she makes him feel selfish

attempt at a meta or rather more incoherent gushing about these two

I love the contrast of the above scene, how Vash is joyous, all-smiling. While Meryl is wrecked, in tears. Most often, it seems that’s how they also remember each other.

Meryl likes to remember Vash happy and at peace. Vash remembers Meryl while she’s solemn and also a bit vulnerable. In a way, they inspire emotion in each other that’s hard for them to express. Vash has had a lot of sadness in his life, but while he will always wear a smile, I think he finds it harder to let himself be genuinely happy than to cry. Meanwhile, Meryl hates to cry. She hates to let down her guard and appear as if she can’t take care of herself, but with Vash, she really can’t help herself.

I ship WildeHopps (another goofy tall character hiding sadness with a smirk and a straight-laced, determined shorty. even their eyecolors are the same!) and I remember that there was a thing in the fandom about foxes that they can’t help but shout when they see their mate, and I don’t know how accurate the translations are, but even when they reunite again, Vash can’t help but shout out ‘Meryl!’ in happiness (seriously despite how surprised he was, he could’t help his smile. and he only called out meryl despite milly also being there, like rude, vash, if milly wasn’t such a sweetheart and loved you both to bits, but anyway, I digress…)

I really loved the fistbump (*cough indirect kiss cough*) scene so much because in asmuch as it was Vash comforting Meryl, it was also about him taking comfort in Meryl, which when we remember from his waterworks when Marlon called him out on it, he previously found really hard to do.

On Meryl’s side, we actually see that she has the same values as Vash. I love the Little Arcadia chapter/episode so much for this reason. Grandpa’s speech to Meryl about following your own path and your connection to your parents, resonated with her, but we as the readers also know that it’s something that would have also resonated with Vash. She wanted to resolve the conflict without anyone losing their life, and at first couldn’t understand why something like land would be more important than life. But push comes to shove, when she sees the resolve of someone to protect something, she puts her life on the line anyway. We even see traces of it in the anime with how she also shoots non-lethal shots, and that one time when she saved Vash, she shot the light to fall on the person instead of shooting the person. That sort of pacifism is present in her and Milly although they may not be as obvious about it as Vash, which is why despite himself, Vash finds himself growing closer to the girls and considering them as among his most important people despite the fact that he knew them only recently compared to the people from Home and Marlon. Even Milly’s principles regarding family bonds would also be something that would resonate with Vash, and it’s important that he was there in the shadows because I think that was the turning point in how he started to consider them his friends. So in a lot of ways, despite Meryl not wanting him to, I think Vash truly sees the vulnerability that she tries to hide. And I find it so believable and endearing that he would be drawn to her because of that similarity and connection between them.

they both inspire hope in each other

When I say that Vash inspires Meryl to be selfless, it’s in the way she will risk everything just so she can be there for Vash, to overcome fear and her own human limitations, just so she can hold him close. Vash (and through his connections with others like Luida) inspires in Meryl hope for a better world. At the same time, I always got the feeling that the type of love that Meryl felt was something she would be content to keep on giving to this person who always kept on giving to others, even when there was a chance that she would never get it back or have it returned. I imagine that she would have been fine with that as long as Vash felt that he was unconditionally loved.

When I say, Meryl makes Vash feel selfish, it is within the context that selfish for Vash is already a normal level or base desire of wanting to be happy in other people. I remember Legato’s observation of Vash, that he considered himself as having utterly no value in this world. Of course a person like that would be fine with dying!

But this person who considers himself worthless, eventually makes a promise like this.

Vash must know that there’s a high likelihood he’ll die. Someone as self-sacrificial as him wouldn’t want anyone, much less a person he cares deeply for, to be hurt by him. And yet he makes this ‘selfish’ request of Meryl anyways. And it matters so, so much that he does. Because it shows that he can consider himself as someone who can make another person happy. It’s a promise to her, as well as to himself, that he won’t let himself simply die. He wouldn’t anyway because of how much he values Rem, but with this promise, it feels like his wanting to live is finally something he wants to do for himself, and not just as a continuation of Rem’s memory. Like with the fistbump scene, this promise was as much for him as for Meryl. I know he still would have fought to live and to protect humans, but at the same time, in the wake of Wolfwood’s death, I also felt that he would have been at peace should he have died trying. So this promise was to tether himself (to her). It’s something to keep him fighting to live now that he knows there’s someone out there waiting for him, by his own actions at that. More than that or simply put, it’s just a simple thing of allowing himself to want something or someone.

And this is how Meryl inspires hope in him. All this time he’s loved humans, but it always felt like he was living beside them and not with them. He doesn’t know what it is with Meryl, maybe her sheer stubbornness, but somehow she ends up representing that hope, that possibility of finally living together with humans (with her). In contrast to Meryl’s hope, it’s a very simple and humane one. To have someone care for him, to have someone wait for him, to have someone to come home to, to have someone who loves him. And it’s funny that it seems that Meryl expects nothing in return for her overwhelming love for Vash, because Vash actually meets her halfway. He’s the one to initiate the kiss. He’s the one to make the promise and have her promise. Finally, he’s taking the chance of his happiness into his own hands and doing something about it. I just, I really can’t with them. No wonder I ended up being vashmeryl trash.

[briebysabs]

Vnc OP 1 - Sora to Utsuro

We are here again! I’ll be taking the time to talk of VnC’s first opening and breaking down the lyrics. Specifically in regards to what I will refer to as the dream loop theory. If you don’t know what I mean by that, the base summary is that the VnC universe is a story. Noé is the narrator, the character, the archiver and the creator. Noé is writing the memoires to manifest his memories. Let’s call it a memory world. He does this either to escape his regret-filled reality or to save Vanitas. However, when he “loops”, he doesn’t remember why he’s there so everything plays out the way it was written in the memoires.

Then Noé will live on, write the memoires again, and the cycle continues. And because he’s done this countless times, the memoirs gradually stray away from the original story. I’ll elaborate further when talking about OP 1. Right about now!

This was the main translation I could find for the full song (not including English covers but I could reach the same conclusions for those as well) If anyone has other translations for the whole thing, I’d love to see it. https://youtu.be/G_bJwB1YePw?si=xPVlV3_Fd57S-Bo1

/You’re pondering the simple things, pretty much human emotions and love/

/I hope one day you’ll understand/

/Too many wounds have left you patched together, a miserable sight/

/That doesn’t even know the definition of alive/

It is confirmed that this opening is from Noe’s POV. But keep in mind for the rest of this thread, it’s future Noé speaking. There are two main readings for the song; for the most part it’s Noé talking to or about Vanitas. And then there’s Noé talking to himself. This part has both interpretations.

Noé to Vanitas: Vanitas does struggle to understand his emotions throughout the story, that includes love. Vanitas is a broken individual, has too many wounds/trauma Noé cannot ignore and for a long time, was fueled by getting his “revenge”. Thus he’s forgotten what it means to live. You can also read into “doesn’t know the definition of alive” in a meta sense, from the beginning of the story he’s already dead.

And the very name ‘Vanitas’ is surrounded with the imagery of death, futility and mortality. So yes, Vanitas as a concept doesn’t know what ‘alive’ is.

Noé to himself: Noé as well is trying to figure out human emotions. This is a case study of a human after all. The memoirs follow Noe’s journey in understanding Vanitas’ thinking. And we’ve had Noé blatantly ask Vanitas what love means. But we can read this as Noé , sort of telling his past self that one day he will understand and feel this pain. Take note of “many wounds have left you patched together”. As I said, he could be talking about how “fragile” Vanitas is but what if this is about himself?

/No need to say “just the two of us” or anything/

/I have a feeling we can understand each other/

/And that’s fine for now/

This is calling to the Catacombs Arc, where Vanitas repeats Noe’s line of being able to do anything together. Interesting enough, it’s that arc where we see a bit of Vanitas’ backstory and it ends with the two sitting against each other. An understanding has been reached. Of course we all know that’s what VnC is about but of course he adds the ‘for now’ because what would this show be without its looming doom.

/I love this world and the light only you give me/

/Makes the world I see through these fractured eyes/

/Look gleaming and bright/

It’s these verses that made me want to spend more time on this. First of all, ‘I love this world’, a little weird right? I can only hope this translation is the most accurate but we’re saying ‘this’ instead of ‘the world’. Makes it sound like “I like this one. I prefer this one.” And ‘the light only you give me’ is very odd if we’re saying this is from Noe’s POV. Emphasis on ONLY.

Another reason why I believe it’s future Noé singing because why would present Noé say Vanitas is the only light he has? Vanitas is the only thing keeping him from falling apart. Vanitas being the sole reason Noé loves the world…doesn’t line up with the Noé we’re seeing now. Now it could be Vanitas is a “special” light. But that kinda raises more alarms because Vanitas is very admired in this song guys. And present Noé I feel wouldn’t be so sure in proclaiming this. The world being seen through fractured eyes could be multiple things. We know Noé sustained an injury on his left eye when Teacher bought him.

This could feed into a theory that has been speculated over the years that Noe’s vision was permanently altered and he sees things from that eye differently. Of course, it could refer to future Noe’s perception of life being broken due to the events of the series. Thus why Vanitas is the one thing that makes it gleaming and bright. You could then ask “But Vanitas is gone in the future so how is that possible?” In comes my theory. It’s interesting how Noé is often associated with light, the sun etc. but here we see him give those characteristics to Vanitas’ presence.

/There’s no such thing as a sure thing/

/But you can see me can’t you?/

Things get a little fuzzy here. Obviously, nothing is sure, nothing lasts forever. This period of happiness will pass. But “you can see me”. Assuming this world is a memory, this could be Noé being elated from seeing Vanitas. That his plan has worked. But you can also interpret this, I forgot who pointed it out but ty whoever you are, that this is the one moment Vanitas interjects in the song. Essentially saying, “you can see me, so this is not real.” As if trying to wake Noé up. And if you look at the OP itself, for most of it Vanitas is following or lagging behind Noé like a ghost. There’s even a part where Noé is looking at a drawing of a view instead a real one, Vanitas is yelling at him, trying to get his attention and Noé ignores him completely. Not to mention the OP starts and ends with Noé sleeping, Vanitas nor his belongings ever in the room almost as if it was all a dream hmmm.

You can see this also as Noé acknowledging the world he has created is only temporary. Noé knows this isn’t real, isn’t a sure thing. But then Vanitas comes in to be like “you can see me, can’t you. So is it that bad?”

/I’m pondering the simple things, pretty much emptiness and frigidity/

/One by one lies have increased/

/Playing with a simple puppet/

/My rusted head is shaking/

We’ve contrasted “human emotions and love” with “emptiness and frigidity” here. Frigid here means the bitter cold, stiff, lacking in warmth. The opposite of what Noé says this world gives him so safe guess, he’s talking about the reality he is escaping. Where Vanitas is dead as well as a lot of his friends. The lies have built upon each other, adding to my theory where the numerous times Noé has done this has created layers upon layers of worlds. And each one has more inaccuracies than the last. This is his story, a play, he is the writer and the puppeteer of everyone’s roles. When they appear, what they say and do is decided by what Noé writes in the memoires. But by all the loops he’s made himself a puppet too. His head being rusted could hint at many, many years passing since everything happened. What’s even more interesting is remember, Vanitas is the one usually associated with cold and emptiness. So why is Noé assigning those things to his thoughts? It really shows how future Noé has come to view Vanitas vs himself. Because ignoring any theories or whatever for a second, future Noé is clearly burdened with regrets and hate towards himself.

/Your laughing was reflected by a daydream/

/Without knowing yet we just want to laugh/

/Throw away the answer, whatever you want is fine for now/

We circle back to the dream thing again. What is a daydream? It’s something you fantasize about when you are bored or in need of a distraction. A reflection looks and behaves exactly like you, copies your movements, but is it real? We all know mirrors and reflections play a major role in the story. Whether having mirrors or frames in official art or volume covers. Characters reflecting each other like Vanitas/Astolfo, Domi/Louis, Ruthven/Noé etc. I think the “throw away the answer” is interesting, it could be Noé again knowing what the “right” thing to do is but is desperate to see Vanitas laugh. Feels very much like a “oh forget about all that, what do you wanna do?” Noé putting other people before himself and being selfless to a fault.

/I love this world that lacks everything/

/If the mechanical echoes/

/Everything seems to be laughable/

/I can’t be proud of it/

/But isn’t the burning dream beautiful/

Why would you love a hollow world? This is Noé saying this. How can a world lack everything if it’s meant to be real? Unless it isn’t. Unless it lacks what you truly desire even if you claim to love it regardless. Echoes fall into the same vein as reflections I brought up previously. ‘Mechanical’ implies it’s a machine, tying back to it being empty and hollow. Lacking realness. And it’s funny, Noé says he’s not proud of it. His world, his creation if you will. That it’s laughable even but then goes on to call it beautiful. Think about that for a minute. The dream is burning because Vanitas will always die no matter what Noé does. Everything will go up in flames, it’s only temporary but guess what? To Noé, this fleeting period of happiness is far better than whatever he has left when he wakes up.

/When the sky and the void meet look back because the dreams will come later/

/When the sky and the void meet look back be still in bloom/

/When the sky and the void meet born and die repeatedly/

/The future and lies break and laugh/

We’ll stop here because the song then goes back to the first chorus “I love this world and the light you give me” stuff. This part of the OP I would say is the most vague, you can read this a lot of ways. However you want to interpret it, there is a clear loop going on. We can see “sky and void” as metaphors for Vanitas and Noé. Personally I’d say Noé is the void because of that official art that has Vanitas with a clear sky in the background and Noé is sinking into the darkness. Similar to when he drinks someone’s blood and sees their memories.

But while Vanitas has a few purple butterflies, Noé is given that distinct glowing blue butterfly. Vanitas is Noe’s light. We talk about that art for hours but that's for another day. Plus given how Noé talks in this song, it’s safe to say he sees himself as the void. And once they meet the dreams will come later, to be born and die repeatedly. Meeting could be their actual meeting from chapter one and the cycle/memory world begins from there. It could be wherever fuck they were when Noé failed to grab Vanitas’ hand. The future and lies….what lies? Who my dear readers would be lying to us :000. But eventually that mountain of lies will come tumbling down.

And, no theory just pure delulu I’ve always headcanoned that when Vanitas dies Noé is going to break out laughing. So if that happens the op spoiled it.

[ladykakata]

I just saw your post about ian’s disorder and how it distorts his reality and makes him question why mickey remains in his life and you really hit the nail on the head. people rarely talk about gallavich’s relationship battles from ian’s perspective unless it’s to criticise him and I think a lot of people find it difficult to relate to his issues ig? but mood disorders go hand in hand with anxiety, identity and confidence issues. but I also think its a writing issue because so little of ian’s experiences with his illness comes from his own perspective. so it makes sense the audience tends to sympathise more with mickey because we don’t get to see ian’s personal struggle or his reasoning for certain behaviors and s10 is one of the rare examples where he got to explain his issues and the audience still couldn’t understand. sorry this is ranty lol but I’m just happy to see more meta that defends some of ian’s actions 😊

Thank you <3 It makes me sad to see so many comments practically demonise Ian, and while Ian DOES do questionable things, he's no more or less blameless than Mickey.

A comment on my post mentioned that Ian fought for Mickey just as much as Mickey fought for Ian ... in the early seasons. Remember, Mickey literally beat Ian up in frustration over the situation with Svetlana and the forced marriage. Does him attacking Ian get him off the hook for what he did? No. Does it justify it? No. It's context, not justification, which can be two entirely different things. Ian refused to let Mickey go, he loved Mickey and was visibly heartbroken at the idea his man was slipping away, even if Mickey was trying to cover up his own upset by acting aggressively. Stans might paint Ian as in the wrong again, saying he should have been supportive of Mickey going through the forced marriage and understanding it's not as 'easy' as Ian makes it sound for Mickey to just deny his father. But bearing in mind, their relationship was still very young, Ian knows Terry is a disgusting and violent man, but the sense of doom and horror is not the same unless you've grown up with it and lived it like Mickey.

Ian fought for Mickey. And Mickey fought for Ian during his bipolar struggles. Keeping score is NOT wise in relationships, so I wouldn't call this keeping score, more them trading places in who is asking the other to stay or saying they love the other during dark times.

Another point is that this was all before Ian's bipolar condition really started to manifest, so Mickey must have been even more confused that the man who was distraught over him entering a meaningless marriage was suddenly pulling away and questioning his devotion. Emotional permanence is difficult in a lot of conditions, again I am not bipolar myself but DO have pretty erratic emotional issues that mean I can go from feeling adored to feeling like the scum of the Earth everyone hates, and there's the persistent background hum of feeling unwanted that's lifelong. Ian gets a triple-hit in that he's a middle child (younger than Fiona and Lip, older than Carl, Debbie and Liam), he's inherited Monica's bipolar disorder and his chronically unstable home life tends to lead to the idea of feeling wanted by his parents and forgotten by most. I wouldn't be surprised if he felt like his mother just rejected him/abandoned him considering how often she is gone, Frank has literally attacked him unprovoked and it was only when he grew in height and gained some confidence he really started to push back, and he is neither the baby of the family nor the parent figures that Fiona and Lip were forced to be. The people he tends to form relationships with tended to lean towards lust with no real chance at a stable, happy relationship (Kash, a married man with children, and Ned, who is the same albeit Jimmy is an adult) before Caleb and Trevor, which wouldn't surprise me if he again subconsciously thought he was disposable.

I guess I'm picking up on the side effects of Ian's neurodivergence, and it pairs with a comment remarking on how people are supportive of mental health disorders until their effects affect them, then suddenly everything is unacceptable. Again, some of Ian's actions are not justified - I'm once again referring to him baiting Mickey into a physical fight by calling him slurs - but he himself explains why he did it. Mickey looked past it, and I do wonder if he's realising that yeah ... Ian, the man HE knew and who was proudly gay with very little tolerance for homophobia, suddenly turning around and calling him slurs was incredibly out of character and likely another moment of Ian's brain lashing out.

Ian did negative things to Mickey, and he should apologise. Just as Mickey has done things to Ian and should apologise. One is not better than the other. Mickey's reasons for doing things can lie with his upbringing, PTSD and circumstances, Ian's reasons can lie with bipolar disorder, his upbringing and circumstances. But they are still well-intentioned for each other, and I think they do help bring out the best in each other.

[starsreminisce]

I’m honestly afraid of sjm. Like i could imagine that she would introduce gwyn just to build another obstacle for elriel. And if she does that i will never forgive her for it. I will never pick up another book of her. Like no girl you already had lucien/az/elain there is no need for another person. And for that person to have such a horrible past where az is also a part of. So i just really hope it will be gwynriel

I can imagine the fear, as SJM does like to bait and switch her endgames. I know a lot of people were banking on Hunt not being Bryce's endgame because of her penchant for first loves not being forever loves.

But you're right, it doesn’t make sense for Gwyn to be an obstacle for E/riel when Azriel is already an obstacle for Elucien. The grave Azriel dug by calling her a mistake, leaving without apologizing, and giving her present to another girl who made him feel more settled to the point of contentment than Elain ever did is practically a tunnel to Tibet.

Nesryn wasn't even an obstacle for Chaolrene.

It's evident because there were no moments between Elain and Azriel after the Solstice.

E/riel has more stacked against them: the tropes SJM likes, the tropes she doesn’t, how she feels about forbidden romances, the way she believes a male ought to act towards the female, fourth wall hints through interviews, and pins on Pinterest. Shit, even her Pisces Venus gives us more ideas of what she values.

Of course, this is her world, her characters, her imagination. As much as people are sick and tired of her writing fated mates, I’m equally tired of reading about triangles where the only convincing thing that pulls a female to the "darker" version is simply because they are drawn to them "for whatever reason."

She did that already. It was Feysand. Rhys was her mate so it's a damn good reason for being drawn to him.

I think I’ve given enough chances and read enough Pro-E/riel metas that I’m still not convinced why Azriel, who treats Gwyn more like the other males treat their endgames in her other series, would end up with Elain over Lucien. We don’t have a Gwyn equivalent for Lucien, and Vassa is no longer a factor now that Lucien knows she has little time left and decides to come up to Velaris for Solstice.

It’s like what you said—SJM had the opportunity in HOFAS to give us a way to let go of Elucien/Gwynriel, but she dug deeper into her mating lore. The Cauldron had been refashioned into the world's kill switch, but we know that all mating bonds come from a higher being. Bryce didn’t see her own mating bond while holding Truth-Teller, so how is Azriel going to cut Elucien’s? Slicing the air between Elain and Lucien? lol.

So, with all that, if Tamlin-Feyre-Rhys, Ithan-Bryce-Hunt, and Dorian-Celaena-Chaol are her examples of triangles, we know she has a clear demarcation line of when one relationship ends and another begins. She made Ruhn and Hypaxia pretty clear they weren’t endgame, and let me tell you, my fake-dating heart was broken with Bryce and Cormac (they didn't even fake date!).

SJM loves her bait-and-switches and surprises when it comes to endgames, but she’s been consistent in showing the "why" behind each pairing. She doesn’t let someone go without the female having an epiphany, and if you remove the mating bond from any couple, there’s still that "Like Calls to Like" foundation between them.

I was shocked when Elain and Lucien were revealed as mates in ACOMAF, and ACOSF just confirmed that they’re still developing. I don’t need to know how Elain and Lucien are doing in ACOSF when I know Azriel had a difficult time with Elain, only to end the bonus chapter happy with Gwyn.

If SJM retcons that, then I’d seriously question her planning, and I might be better off letting the series go altogether.

Thanks for asking! I hope this was helpful!