Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).。o♡
I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW
i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡
Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!
My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube
It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol
ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.
... lets start with a sight tangent.
Sketch from Life!!!
If you want to get better at backgrounds I recommend doing some sketching out in the real world!
When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.
If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?
If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.
All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.
ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.
now the actual thing...
BACKGROUNDS
(the pictures used for this are my own. I dug them out of my 2022 folder)
Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.
They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!
Brainstorming and Thumbnailing
I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.
I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.
Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.
Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.
References
I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.
Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.
In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.
Perspective
Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.
Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.
You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).
I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.
Cleanup
You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.
Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)
Lineart
I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.
Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)
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out of the black {part 1/3}
sylus/mc • gender neutral mc • 1k • ao3 link • part 2 • requests open
reblogs appreciated!!
pre-relationship || the real OTP here is MC/sylus's money :) || annoyances to lovers
Summary: Sylus gifts MC his card for their troubles, and finds that their taste is very different than what he's used to. Some encouragement is in order, don't you think?
“That’ll be six fifty-nine,” the tea shop worker says cheerily. MC nods, glancing down briefly to pull their wallet from their pocket. It’s been a long day, and on their way out of the office they’d decided that if it was a pick-me-up they wanted, then it was a pick-me-up that they’d have.
So, they’d gone slightly out of their way, parking their bike outside the tea shop they’ve frequented. They take off their helmet and fix their hair as best at they can without a mirror as they walk in. From there, it’s a simple task of waiting and deciding just what they want before they order.
Now, here they are, the last little obstacle between them and their beloved boba tea the tablet in front of them. They pull their card from their wallet…
And pause.
Right. They’d forgotten about the new card nestled behind their usual debit.
As they’d started getting closer with Sylus (maybe a bit closer than they should be getting), he’d gifted them a copy of his card. His stupid fucking black card, that he’d held almost carelessly between two fingers as he’d reached it out to them about a week or so ago.
“A treat for your troubles,” he’d smirked, and then pulled one of those little vinyl card stickers in a dark, metallic green from his pocket. “In case you don’t want the world knowing just what kind of card you’ve got in that little wallet of yours.” MC had scowled at him; how the hell he knew these stupid little details about them, they have no clue.
Not wanting to quarrel with Sylus (and knowing they’d lose), they just took the card, sitting down in a fancy nearby chair to apply the sticker because they really did not want someone catching a glimpse of this card in their pocket.
They hadn’t really planned on using it, thus why it was behind their own card. But, here they are, contemplating. They thumb at the card for a brief moment.
It’s a few dollars less from their own account. They’re not tight on money, but they definitely keep to a budget, and a few extra dollars here could mean another night of hot pot or a few more stuffed animals later. And, well, Sylus had invited them to spend freely.
They pull out the card, select the 25% tip option, and tap it to the scanner. The total comes to eight dollars and twenty-four cents, and they bite at their lip. It’s a bit much to spend on a single cup of boba tea, but Sylus shouldn’t miss it too bad, right?
A few minutes of waiting later, and they’re walking out with a cup of mango tea and a yellow straw, tucking both into their bag for the drive home. As they swing one leg over their bike, their phone buzzes. Curiously, they pause to unlock it and view the text.
New Message from Rich Asshole 6:27 PM
Do you think so lowly of me, sweetheart?
Attached is an image, a screenshot to be precise, of Sylus’s bank transactions. The contrast that MC immediately catches is almost funny.
Most of the screen consists of several large purchases, anywhere from a couple hundred to several tens of thousands of dollars. Then, at the very top and circled in red, is the eight dollar purchase MC had just made. They sigh, putting their phone back in their pocket.
Just as they merge back into the bustling Linkon traffic, their phone rings, the sound coming through their helmet. With an exasperated “Oh, my god,” they tap the side of their helmet to pick up the call.
“Hello, sweetie,” Sylus says, in that infuriatingly nice voice of his. MC glares at the traffic light they’ve just stopped at.
“What do you want.”
“Eight whole dollars,” Sylus begins, and MC can hear the stupid smirk through the phone. “And twenty-three cents. Have I failed to imbue you with a taste for the finer things in life?” The light turns green.
“Twenty-four cents,” they say, correcting him.
“It’s worse than I thought.”
MC sighs, turning on their right blinker and merging into the corresponding lane, making a turn just a moment later.
“Did you just call to talk about my apparently lacking spending habits?” they ask. Sylus really does seem like the kind of guy to get pissy that the latest object of his interest isn’t using his assets as frivolously as they could be.
“What did you buy?” Sylus asks, completely ignoring the question. MC knows better than to try and steer the conversation back.
“Mango tea,” they reply.
“What grade?”
“Uh. Commercial?” At this, Sylus laughs, a deep and smooth thing that MC can practically hear dollar signs in. MC groans. “God, Sylus, can’t I just enjoy my eight dollar tea? That’s overpriced for us peasants, you know.” Sylus hums again, infuriating as usual.
“You don’t need to be shy, you know,” he says. “I have more than enough to provide for you ten times over.”
“What are you, my sugar daddy?” MC scoffs, turning onto the street where the Hunters’ apartments are. “You’re like those stereotypical rich boyfriends on social media, ‘Ohhh look at what I bought my girlfriend, isn’t it so expensive? Aren’t I so rich? Look how I gift her my black card so she can spend thousands of dollars a day.’”
“I wouldn’t mind if you spent a few thousand a day,” Sylus says, voice casually earnest, missing the entire point. “Do you have such purchases in mind?”
“I can’t stand you,” MC says in lieu of an answer. “I’m hanging up on you now.” And, before he can answer, they do. They cut the call with another tap to their helmet as they park their bike on the street, taking a heavy breath as they take off their helmet once more.
They think about Sylus’s words as they walk up the few flights of stairs to their apartment, and as they unlock their door, a resolve settles in their mind. It’s a bit petty, maybe, but they find that they don’t care, fuelled by annoyance.
Sylus wants them to spend his money, huh? Well, then that’s exactly what they’ll do.
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Why the Minecraft Movie looks so bad
Okay, let’s see if I can make this work
Hi, I’m Watercolor, currently a student learning animation and visual effects. I’ve got some more technical explanations for why exactly the trailer looks god awful
I’m gonna do my best to explain this in simple terms, but if I don’t explain something very good, let me know and I’ll explain more. Alright, this is gonna be a long post
Starting off with the obsession with backlighting. See how it doesn’t really match the environmental lighting? That’s one of the major things that makes it look so weird to a lot of people. It could have been done to better distinguish the actors from the background, but it does that a little too well and makes them look way too out of place. The environment has a very nice constant (most likely singular) light source, which is most likely an HDRI.
An HDRI (or high dynamic range image) informs the animation software on how the scene should be lit, and is often a weird panoramic image of whatever physical area you want to replicate.
In a reverse case, adding a CG character into a real set, you could take an HDRI of the physical set, and use it to apply similar lighting. Adjustment will most likely have to be hand adjusted by the lighting team (and tbh they add a lot of extra lights in anyway. It just needs to look right) but it’s a fantastic starting point for the compositing and lighting teams.
However, the McM’s live set has way different lights set up then what is seen in the environment.
Here, for example, the live set is most likely being lit by standard 3 point lighting, which are not only the wrong color (the lighting on the environment is much more yellow) but also washes out any shadows that would help define the actors. If this movie wasn’t obsessed with backlighting, you could fix that by lighting the actors and environment from the front, but because the sun is in the back, they have to make the front of the actors unnaturally brighter to see them more properly. I have a slight idea on why the kid in red looks especially “photoshopped” in, and it’s mostly because his hoodie doesn’t have a similar reflectiveness to everyone else’s outfit, and his hair is a more neutral color, causing the highlight to be even more washed out. Also, while we’re here, the cube is a physical prop, but it was not lit up during filming, and all the light output was tossed on after. And it’s really inconsistent and honestly, lazy. For the most part they just hit it with a blue blur effect in post, it doesn’t actually cast any light.
Another major issue is the color difference between the actors and the environment. The color balancing on the actors is particularly garbage, they’re somehow desaturated while also being too saturated, I don’t know how they managed that. But the technical issue on why it looks odd, is because the physical camera cannot physically pick up the same vibrancy as the “camera” in the CG world. You might have seen an example of this when trying to take a photo with your phone, especially of a very colorful event like the sunset. It’s also why “ugly sonic” looked particularly out of place, he was 10x more saturated than anything else around him.
Having the actors on a very low effort green screen stage also completely ruins any chance of getting the proper ambient light or ambient occlusion.
Ambient occlusion is basically the bounce light from other objects in your scene, gamers might know this as a form of ray tracing (ray tracing is live changes in ambient occlusion, games without ray tracing bake in ambient occlusion to get a similar result)
When everything is CG, (again art style aside) looks pretty darn good actually!
I attempted some edits to see if anything could make it look better (left is original, right is mine), and I don’t think proper lighting or anything could actually fix what this movie has wrong with it. They should have made the whole thing animated, I don’t think any amount of bullying would fix this, the studio basically has to scrap the actors, and make new CG characters from scratch in the same style as the rest of the world.
All of this is not the fault f the animators, or any of the vfx team, they did their absolute best with what they had, this is 100% the fault of the higher ups on this project. I have no idea how this good this far into production without ANYONE saying that it was a bad idea (Either that, or a lot of people got fired, which is unfortunately a likely possibility)
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I’m scared to post this but if I don’t I’ll beat myself up about it. Fuck it we ball
I’ve been trying to put my emotions into words All day. But then I remembered. Oh right yeah. I can just. Say It.
Anyways Me being a loser (vent? I don’t know) under the cut
(Cool divider made by me using some splatoon assets I got off the wiki btw :•3 )
(This is kinda long. Way longer than I originally wanted. So super sorry about that)
Anyways for a little while now I’ve been considering that I Might be some form of nonhuman/otherkin. Specifically a shapeshifter, but dogs, cats (both big and small), wolves, and bears are things I relate to heavily as well. (Not sure “relate” is the best term for what I feel but ehh I’m having a hard enough time with this as is) The dog, wolf, and cat parts are because of the kind of shapeshifter I..am?? That feels kinda crazy to say (and saying THAT is giving me some serious self doubt. But as they say, Fuck It We Ball).
Edit (8-24-24)- adding in cuz I just remembered: some visual similarities to lizards/reptiles so throw a little bit of That in the mix idk
Anyways yea the type of shapeshifter I’m talking about is actually a species I’ve been Sorta developing over a couple years now, it’s all come about pretty naturally tho. It’s basically just my brain saying “hey I Hate these parts of being a human. Let’s do something else” idk how to word it. So the kind of shapeshifter I am is more so based on what I hate about my irl body. That definitely plays into my gender dysphoria, and vice versa.
The bear part I feel less strong about, but it makes sense I guess. That came around when I had an intense hyperfixation on Splatoon. My favorite character is Mr.Grizz. Who is a bear. That hyperfixation was also the catalyst for me trying tinned fish!! (This is important to me bcuz I’m an Incredibly picky eater. Not fully relevant to the rest of this but Oh Well. I’m already oversharing on the internet in an attempt to come to terms with my identity, why not share a fun fact, Yknow?) Ever since that I’ve also felt very strongly about salmon. My favorite fish (I didn’t have a favorite fish beforehand) is sockeye salmon I LOVE them. They’re beautiful. They’re poetic. I want to eat them. Also my current layout (as of writing this) is splatoon themed. Specifically Salmon Run and golden eggs. I love the way the world of splatoon makes me feel. I want to be completely immersed in it. Golden eggs look so tasty and are so gender I HAVE to eat them.
I don’t know if this is a kin thing or if I’m just thinking too hard about it (that could apply to this entire post but eh) but I also relate (again, maybe not the “correct” term but I’m working with what my brain has so shh) to Chara from Undertale. Idk something about a little kid falling down into a mountain full of monsters, being adopted by said monsters, and giving themself up just to try saving them…their cannonical distaste of humans…something about them as a character really feels so intensely Me. I don’t think I Am Chara, but. Idk. This is all very new to me (admitting that I feel these things at least. I’ve been consuming some kin content for a while now. It’s fun!! Love moodboards and stimboards so much they’re so fun)
And maybe, if anyone has even read this far, u might be asking “bee! Your name is Bee! Your account name is bee themed!! Are u a little honey making freakazoid out to get lost in the pollen sauce?”
To which I say:
All jokes aside. I don’t know man. Bees are very me, I am very bees, but I tried looking at bee kin/therian posts and i couldn’t really relate as well as i hoped. Although I might’ve just not scrolled down enough to find something that I really deeply felt in my gut. So just. Think of me like a fancy car (except creature) with a cool bee themed skin or something idk. (To be fair itd make more than enough sense for me to be a..kin?? Therian?? I don’t know. Of a bee. I have so many bee things. One day I will have more)
I’m still unsure of labels, if anything I just prefer the term nonhuman, gets the point across without being too specific, and doesn’t give me any of the bad icky feelings that make me feel like I’m lying no matter what I do or say.
Anyways yeah this was long and dumb and honestly? I’m terrified to post it. Ive been struggling to get my words out all day and I’ve been posting like a madman. But I guess using my social media as an outlet for all my emotions I otherwise wouldn’t really have anywhere to put will do that.
Sorry if none of this made any sense, I’m really trying to not only understand myself, but also to then Describe that understanding to other people. And I’ve never been very good at having people understand me.
If I end up realizing I was wrong I will promptly dig a hole in the ground and let nature overtake me and cover me in moss
(Also just a note: if anyone sees this, Reads this, and decides to like. Reply or reblog with words of encouragement/understanding or really Anything. I might not reply bcuz I have really bad social anxiety, especially on the internet. But trust me when I say that I read everything people say in the tags of reblogs, comments/replies, all of it. It’s all greatly appreciated, it really truly is.)
(Cool ass Mr.Grizz divider made by me with an asset from the Nintendo online app in Wandercrust I think. Though I believe all the pics u can get from that are also on the wiki) (I should make a salmon themed divider holy shit)
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