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aebinspa · 3 days ago

Text

meant to be

PAIRING: karina x y/n reader

SUMMARY: Your life couldn’t have been worse. You aspired to make a living as a photographer, but instead, you found yourself working in a fast-food restaurant alongside a colleague who rarely offered you any good company. Everything changed when the famous model Karina showed up at your workplace. After a few days, she managed to convince the editorial team to hire you as the photographer for her photoshoot. However, your career faced another threat when Karina pressured you to assist her with a strictly confidential operation.

GENRES: angst, lies, loneliness, we will face suffering in this life, but eventually, things will improve, and we will start over again and again, fluff at the end.

WORD COUNT: 6.9k

AUTHOR'S NOTE: english is not my first language! i'm not cut out for writing long stories. i went crazy countless times while writing this one :)) i added a little bit every day and it made the story more confusing. the next five things I write will be fluff, no more angst for a while + thank you for all the support you have shown for what i wrote. i am extremely grateful and happy that someone was able to appreciate them!

Life didn't end when you lost all your friends because of bad choices, didn't know where to put your hands, or stopped recognizing yourself in what you did and said. Life didn't end when you turned twenty. At least that's what you told yourself every morning to convince yourself to get up, when even what had previously seemed sensible lost all meaning.

In the eyes of your parents and your old friends, you had remained imprinted as a sour girl, difficult to manage but who, beyond some character problems, had always shown herself willing to help. Never to be helped. Perhaps this had a powerful impact. In your daily life, no one asked how you were in the morning. Was it more difficult for others to reach out to you and always receive a refusal or was it more difficult for you now to be alone, without anyone? And yet loneliness had always been so dear to you; a space where you could truly be yourself.

After trying to attend political science university for a few months and failing the first exam, you soon realized that it wasn't for you. The only luck was having met a girl who, between one lesson and another, had introduced you to the world of photography.

In photography, you discover a kind of joy that you could share. Often others would ask you for photos and you, with a big smile, couldn't wait to take one. Of course, everything got complicated when you had to come to terms with reality. There was no longer just photography, you also had to think about earning some money.

That's how you ended up working at a fast food restaurant that was open all day and, with the constant fear of running out of money at any moment, you signed up for all the night shifts. Someone had set you up by telling you that they paid more, but only when your first paycheck arrived did you realize that your dear colleague only wanted to get rid of the difficult shifts.

That night, you and Sunwoo, the beloved colleague who had actually made fun of you a few years earlier, were at the counter of the fast food restaurant busy playing UNO. It was more than rare to see customers at two in the morning.

“UNO!” Sunwoo shouted at the top of his lungs. “Fuck you, asshole! I’m tired and you dare win my favorite card game!” you threw the remaining cards of the deck off the counter. Sunwoo huffed and, with an agile leap, got off the counter and went to retrieve the poor cards that were now lying on the floor that was far too clean for the hygiene standards of the place where you worked. “It’s the only card game you know how to play, Y/n”

It was cold outside. A cold that froze the bones. Your winter uniforms didn’t warm you enough and the heating had suddenly stopped working the day before. Sunwoo didn't let it show, but he hated working more than you did. He had a dream more ambitious than yours and unfortunately, every door was closed in his face. The fast food place where he worked with you was the daily confirmation that failure was a constant in his life. And you were experiencing the same situation first-hand.

Sometimes photography gave you work, but you couldn't eat from it. Small jobs are undoubtedly formative, but not appealing to the taste of those big companies that looked at your disastrous portfolio.

While Sunwoo began to sweep the clean floor, you, lost in your thoughts, froze, feelinglessly staring at the street you looked at every night. Suddenly, you saw a black limousine approaching, and, scared that someone important might be there, you shook Sunwoo’s arm and pointed to the car. His eyes widened as well.

But to your surprise, the first person to step out of the car was a man in a tuxedo who then proceeded to open the back door facing the fast-food restaurant. A girl of medium height came out, wearing a black dress that hugged her body in all the right places. When she was closer to the door, you immediately noticed, illuminated by the decadent lights of the place where you were, that she had heavy makeup on her face that beautifully framed her eyes.

The young raven-haired girl sat on the stool in front of the counter. Sunwoo was still speechless. He could only mutter a shy, unprofessional “Ah, hi,” to which the girl responded with a sweet smile. Her gaze shifted to you and you flinched.

“Can I order?” she reached out to grab the menu Sunwoo had sat on earlier. “I guess so.” “The menu with the fattest, greasiest, biggest sandwich you have, please.” Sunwoo snatched the menu out of her hands and shouted “Right away!”, disappearing into the kitchen and leaving you in front of the girl. Outside, you noticed her date glaring at you.

“Not many customers come by, do they?” “We don’t usually see anyone. That’s why your visit surprised us a lot” The girl laughed in a strangely loud way. Strange, I thought she was more composed. “God, please. We will be more or less the same age, don't be so formal,” she wiped her hands on her dress laughing, and then looked at you ready to shake your hand “I'm Karina. It’s a stage name. I model full-time."

You shook hands with her, apologizing for how cold and greasy it might feel. “Well, I… I work here.” The girl smiled at you. “And do you like working here?” “What?”

Sunwoo came with Karina’s order and placed it before her, avoiding her gaze. When he crossed yours, you noticed that the boy had red cheeks. I whispered something to you but you didn’t understand.

It’s been too long since someone asked you what it was like to live a life you no longer wanted. Your mouth dried up and you were unable to answer. Karina shrugged and began eating the sandwich undisturbed.

With her mouth still full from the bite she had just taken, the model opened up to speak. It was evident she was nothing like the stereotype of a typical model; her authenticity was refreshing. Feeling overwhelmed, you moved two stools away from the client, seeking a bit of distance as you listened, intrigued by her unique charm.

"You took those, didn’t you?" Karina found it difficult to eat that part, but she couldn’t help but examine the few decorations in the fast-food restaurant. "Ah, those pictures," you turned your entire body to look at them. "Yes, I took all of them. They’re from our customers who left a special tip." "Special tip?" Karina asked, intrigued. "Yes, for a change of $4, you receive a Polaroid and agree to have it displayed on this wall. It’s not worth much, though, because I’m required to take two pictures for the price of one."

"They are all very pretty. I know some people." "There are a lot of people passing by. Sometimes they tell you their story, take a picture, and then leave, never to return. It’s almost as if-" "Romantic, yes" Karina finished the sentence for you, to your great surprise.

The silence that was created afterward was strangely comfortable. For someone like you who was always uncomfortable when she met strangers, the situation was quite strange. Karina, on the other hand, seemed completely at ease as she was happily humming and chewing at the same time. When the crow finished eating, she got up from her stool, stretched her arms, and put ten euros on the counter.

"Please don't make me change." "Pardon?" "I would like one of those photos. I'm looking forward to experiencing this too." What enthusiasm!

You took the Polaroid and waited for the young woman to pose before taking the picture. Karina made a big heart with her arms and gave you a wink. She is truly a model… "Are you done?" "Done!"

Karina approached you, then stood behind you and waited for the Polaroid to be ready. When she was ready, the girl screamed full of joy. You smiled unconsciously. "I love it, thank you!" she leaned it delicately on the counter and then turned quickly towards you, continuing to talk. "Let’s take the other one! Let’s do it together. Where is that boy? Boy! Boy! Ehiii!" Sunwoo ran out of the kitchen alarmed. "What- what happened?" "Nothing, Sunwoo" You put your hand on your forehead. "Can you take a picture of us? So we can hang it there." Sunwoo looked for your eyes but you avoided him, unable to explain. At which the boy approached the polaroid and urged you to pose. Karina chose the same place where all the other clients had been, saying she would keep the theme, and invited you to place yourself next to her.

Karina was a little taller than you, maybe a few centimeters, but in your eyes there seemed to be a huge difference. You stood closer to her to form the heart and pretended a smile of convenience to allow Sunwoo to take this photo. The proximity to the model sent a bizarre sensation creeping along your spine. Intrigued, you paused to take a closer look at her. In that moment, when no one else was watching, the radiant smile she had worn so confidently faded entirely from her face. Her eyes, once sparkling with warmth, now seemed overshadowed by a deep, unsettling darkness that only amplified her presence. Without warning, the model turned her gaze toward you, her lips curving into a wide grin that revealed a perfect set of thirty-two gleaming teeth. A chill swept over you, wrapping around your body like an icy blanket, leaving you momentarily breathless and disoriented. What the fuck?

"You did such a great job, girls. It's rare for Y/n!" You woke up from the nightmare of falling and responded to Sunwoo with a raised middle finger. "Oh, she's got quite an attitude. I need to leave," Karina said, finally letting go of you after holding you tightly. That girl was beginning to stir strange feelings in you. "The photo turned out just fine. Let me sign it and put the date on it. Come on!" Sunwoo timidly passed the Polaroid to the girl and watched her do everything she said.

With your arms folded you waited for her comfortable finish. Karina approached the corkboard and put your Polaroid on it. He smiled at her and turned, heading for the exit.

"Y/n!" Hearing your name pronounced by the model, you turned to her with an interrogative look. "Tell me" "See you!" and ran off into the limo, leaving behind a trail of expensive perfume and a cheap Polaroid.

That night passed faster than expected and Sunwoo told you - with attached photos - how this fantastic Karina was one of the most popular models in recent years. Besides being beautiful, she was about to debut in the cinema world. The moon was full and the cold was more bitter than usual. An uncomfortable feeling was in your chest, but you let it pass.

While you were going to work the next day, you took some pictures at the illuminated windows of that night. One of the projects you had since moving to that city was to create a collection of photos showing nightlife, although it was difficult to call it "life", of the traders, workers, or people just going out for fun. But you didn’t have enough prestige and money.

When you arrived at work, you greeted Sunwoo coldly, who returned. You worked hard until three in the morning because, as you well know, on Saturday mornings there were waves of guys full of life coming back from bars where they had only drunk, or from discos in the area. You found it a good opportunity to take some pictures for your photo project.

In no time at all it was six o'clock. The sun was beginning to rise and the first rays of sunshine came through the large windows of the structure. You and Sunwoo were getting ready for the end of the shift, but the boy seemed particularly agitated so you told him to leave before you. You would have waited for the other girl to give her the keys and start the shift after. Sunwoo thanked you and ran away. You knew how much he cared about his passion.

The sound of the door creaking open cut through the stillness of the room, jolting you from your thoughts. You glanced at the clock on the wall, your brow furrowing as you noted it was already twenty minutes past the time your colleague was supposed to arrive. Just as you were about to call out, "You’re lat—" your words caught in your throat. Standing in the doorway was not your expected colleague, but the enigmatic man who had accompanied Karina the night before. He stood there, an air of mystery surrounding him, his presence both intriguing and unsettling as he caught your eye.

"How can I help you?" you asked, even though you were pressed for time and the only one in the room. "I was looking for you. It was lucky that I found you right away," the other person replied. You tightened your grip on the broom you had been pretending to sweep with just moments before. "For what purpose?" you inquired.

The man reached into his pocket and pulled out a crisp white card, sliding it across the table to you. You glanced down to see a neatly printed address alongside the name: Vogue, Karina’s Photoshoot. Confusion washed over you as you looked back up at him. "What does this mean?" you asked. He shifted uneasily, avoiding your gaze. "Miss Karina has requested that you oversee her new photoshoot," he explained, his tone heavy with discomfort. "The previous photographer was let go… rather abruptly. I expect you to be at the studio in two days."

Your hands shook as you faced a big opportunity. You nodded slowly, your mouth half open, unsure what to say. The man smiled and walked away, leaving you stunned. The broom fell from your hands and clattered to the floor. Your knees felt weak, and your mind went blank for a moment. You couldn’t think. You wondered how powerful Karina was and what she wanted from you.

The next day you showed up in the hall of the huge palace, waiting fearlessly for someone to come and call you. You had spent the night before reading and browsing photography books or looking at random palettes that could help you match any clothing you found on Karina.

A tall woman approached you slowly, her expression grim as she pointed to a location on the map she had just tossed at you. What a kindness… You quickly walked toward the meeting place and, upon finding the door, opened it carefully. Inside, a crew of about twenty people turned their curious gazes toward you, along with Karina and her manager.

You slowly approached your collaborators and thanked them timidly for their attention. "We will do everything that needs to be done and we will accomplish it together. All we should do is unite everyone’s ideas and give life to some of the most beautiful photos ever made" Karina, sitting in a velvet chair, put her hand in front of her and laughed candidly.

It didn’t take five hours to create everything that needed to be created. The ideas came from everyone like a river in full flow. Fill a room with artists who are also competitive people and you will get the exact personification of an erupting volcano. You were the Vesuvius and the fashion industry was your Pompeii. The next day you swore to finish the project so that you could go on with the production of the photos.

Karina, who should have been bored at least by having spent the day waiting for others to do their jobs, approached you with a remarkable delicacy and touched your shoulder. "Can you come over there?" Karina pointed to a closet nearby; it was her dressing room. "Uhm, sure" There was no reason to say no. You looked over your shoulder before entering the dressing room with the girl with the brown hair. It was the first time you saw her in a suit and all you could think about was how well she wore anything. It must be nice.

Karina invited you to sit in the two-seater chair with her. Hesitantly, you approached and sat face to face with the girl who flashed a smile revealing thirty-two teeth. "I brought you here because—" You interrupted her before she could finish. "Let’s say you fired the photographer from Vogue so I could come here." "An insignificant detail," she replied.

In Karina's eyes, you saw the same darkness you had observed a few days earlier. It made you hesitant to speak, fearing the words wouldn't come out right. "You must help me," she said. "Why should I?" you asked. Karina rose from her chair and stood in the middle of the room, her expression unreadable as she continued to gaze at you.

"You must. And if you don’t, I’ll take the only real opportunity you’ve got in your miserable life off your hands." "What’s the excuse?" the conversation seemed too much for you, so you immediately put yourself on defense. "You are a beautiful girl, you are good at what you do. I like your photos, I am sincere" "But?"

The frigid air enveloped the room, wrapping around you like an unwelcome shroud, making each breath feel laborious and strained. With every second that passed, a chilling sensation crept through your body, as if the very warmth within you was being siphoned away, leaving you increasingly vulnerable to the oppressive cold.

“You must photograph the emerging actress and model Yuna at a moment that could cause a scandal and ruin her career forever.” “This is fucking crazy,” you jumped up and approached Karina, who didn’t move an inch “I’m leaving, I don’t intend to keep this job and do whatever bullshit you came up with. I knew you were crazy, I understood it immediately"

Karina rolled her eyes, grabbed your arm, and pushed you into the seat. “You’re not going anywhere. I’m capable of destroying your present life and your future life. Be careful what you do. Listen to me and calm down” Karina’s hands were extremely cold but your gaze was even more icy.

“Speak then, cheap model” “It will all be anonymous. Become her friend and her photographer. You have one week. The clock runs out before the day you have to send the completed photoshoot to the Vogue editorial office” “It’s called blackmail” “It’s called seizing opportunities. You won’t get them again”

You looked away for a moment before getting up from your chair and moving back to the center of the room. You walked back and forth, occasionally glancing at Karina.

“They’ll kill me anyway when they realize it’s me” “Don’t worry,” Karina stood up to get closer to you, “We’ll use an external computer and no one will ever know” “A person will be involved, I don’t think I’m capable of it” “She won’t die” Karina had an amused grin on her face.

You thought back to Sunwoo and how he loved what he did like no one else. However, the most selfish part of you had surfaced. You wanted to pursue a career in photography, and you were unconcerned about the people who would be affected by your ambition. You would have done anything to make your dream a reality.

“I’m in” You held out your hand to Karina, surprised by your sudden change of heart. When Karina squeezed your hand you noticed it was as cold as yours. And that perhaps you were more similar than you could have imagined.

You never imagined that the next day you would find yourself taking pictures of the woman who had asked you to ruin the life of another model without remorse. You had discovered that all your collaborators considered Karina a sweet, kind, and always available girl, while in your eyes, every time you looked at her, you felt like you were looking at a monster.

Once the photoshoot was over and, therefore, the work you had to do for Vogue, you walked into the Karaoke where Karina had asked you to meet. The room was insolently small - maybe the girl liked everything smaller - and the nauseating smell made you immediately understand what kind of dump it was.

“Don’t you like it here?” asked Karina, who was cross-legged and munching on some chips, which she offered you and you refused. “It’s pretty disgusting” “It’s okay. We won’t be here long”

Karina took her Gianni Chiarini bag and pulled out three photos. One was of Yuna, the other of a girl you couldn’t identify, and in the last photo, there was you.

“What does that mean?” “Yuna is having an affair with this girl.” Karina touched the face print of the girl whose name you didn’t know with her painted nail and then continued. “In case you didn’t understand, your photo is there because I wanted to let you know that I had you followed a week before I showed up at your place of work by a trusted friend of mine.” “What?” you were visibly shocked. “Don’t worry, honey. I will only use the information I have on you if you don’t cooperate.” A disturbing smile made you doubt her sincerity.

“Why are you so mad at this girl?” “Because she can’t keep what’s hers.” “What does that mean translated…?” Karina huffed and put the photos back in her bag. “We grew up in this industry together. We achieved success together. And then she cheated on me.”

You were stunned. “All this just because he didn't hold your hand throughout the journey of your life? Are you crazy-” “She cheated on me countless times. She told my parents that I’m a lesbian, they haven’t spoken to me since that day. And to top it all off, she stopped me from working for a year, taking away the most important collaboration of my life”

You almost felt sorry, but you didn’t say anything. Her eyes radiated something else. Maybe she too was human and was simply tired.

“Become her new fuck buddy. Treat her well and then you can be sure that you’ll end up finding her making out with someone else. Take as many pictures as you can and you’ll be free forever” “I don’t- Who told you I like women?” “My dear friend” “God, fuck Karina” “Um, maybe this collaboration will lead to something good?”

You looked up in shock and found a rather smiling Karina. “Do you start talking about sex when you're done talking about revenge? You’re crazy.” “I can’t help it if revenge turns me on like crazy.” Karina slowly ran her tongue over her upper lip, while you looked at her with wide eyes.

“Are you really… My god, you do this to everyone?” “Everyone who? You’re probably the last woman in three years that I’ve found truly attractive!” You rested your face on the fist you’d created with your right hand.

“Do you feel lonely?” Karina looked at you intently and nodded, gently moving her head. “Me too. That’s why I’ll help you. I see reflected in your eyes the same sadness that I feel." That's what it was.

“Y/n” “Tell me” “Do a good job” “I’ll try”

Karina finished all the chips that were left on the table, while you looked at her intently and prayed that the day you would meet Yuna would never come.

Unexpectedly, you received a call the next day: a very familiar voice invited you to participate in a graphic project that involved twenty different photographers who would take pictures of Yuna during a typical month of hers at the beach. Fans are certainly crazy to buy this, but it's all for the career, right?

Your first encounter with Yuna was ordinary. Where normal means you were struck by how tall and beautiful she was, even though Karina had gotten you used to it well. Yuna walked over to you and pulled you into a tight hug. “Y/n, right? I saw some photos of your portfolio and I loved them. The way you capture what's around is extremely sincere. Thank you for accepting. I am eternally grateful”

Yuna was warm. You noticed it immediately. Her body temperature had nothing to do with Karina's. Yuna's smile, moreover, really showed a sincere kindness. The photos you took were delicate, beautiful, and… real. But you remembered what Karina had told you and quickly came to your senses.

You spent two days taking photographs for one of the most beloved women in the world - that's what the charts said - and on the last evening, Yuna and her manager dragged all twenty of you to a pub.

Yuna, clearly drunk, stood up on a chair and started screaming. “Thank you! You were amazing! This project will come out amazing. Now let’s get our glasses up, we have to celebrate!” As everyone downed a few glasses of beer, you noticed a familiar face looking sweetly at Yuna. It was her girlfriend. You asked the boy next to you to switch seats and, perhaps nodding his head, he permitted you.

"Hi, I'm Y/n" "Ah, nice to meet you, I'm Haseul! Yuna showed me your photos. They're beautiful, congratulations" How cute, I almost feel sorry for using her like that. "I see you're looking at Yuna with sweet eyes… Is there something underneath?" the little laugh you let out right after should have helped break the tension, but it only made it grow even more. Haseul wiped the sweat on her pants and then spoke to you.

"I love her more than anyone else in the world" Ah. "It must be nice to love someone" You ran a hand uncomfortably behind your neck. "It's nice to have someone by your side. We're almost always together. I only have her. After what Yuna went through last year, she's become even stronger" A strong curiosity grew in you.

"What happened to her?" "Her ex-girlfriend cheated on her, Yuna found out and told her parents to shoot her an arrow that would cause her the same pain" "That's not possible" "Plus Yuna lost a very important job with Saint Laurent. She spent sleepless nights because of Karin-" Haseul quickly covered her face with her hands.

"Karina. Are you sure it was her fault?" "Ask anyone you want. She lied to everyone and messed up half the plans of people here just to go out and cheat on her girlfriend. Everyone hates her. She's just a pretty face in this industry"

Your head started to spin, maybe from drinking too much alcohol. “I’m going to get some fresh air!” “Shall I accompany you?” “It doesn’t matter, thanks.”

Outside, on the side of an empty road, you threw up next to a dumpster. Karina had been lying to you. She was evil, she was crazy, and a total dickhead. Everyone knew it but you. Because you had been a normal person until the week before. You had seen the surface, never what was underneath.

You understood that Karina would treat you like Yuna. You understood that the only solution would be to refuse, but your career was at stake.

Yuna came out and walked over to you. “I’m sorry you found out. I know everything. Karina isn’t the only one who can spy on people without being accused.” “Do you know everything?” “From the stupid meeting at the fast food restaurant to the job opportunities she offered you. Her dear friend, aka her manager, is Shin Yuna here’s dearest friend.”

You looked into her eyes. “I’ll have to… No, hurt you. I don’t want to.” I wanted to, but now I don’t want to anymore. “It doesn’t matter. Do it.” “How could I?” Haseul came closer to the two of you. “You can’t hurt us. When you find someone in life who loves you, life has a whole different meaning.”

The cold suddenly hit you. And, strangely, you thought for a second that those two were crazy. “Yuna would lose her job,” you continued “But I will never lose the people I love. And anyway,” Yuna put her arm around Haseul’s waist, “I won’t be in this industry for long.”

Haseul looked you in the eyes and smiled. “Don’t worry.”

As you made your way home, your eyes caught the massive posters of Karina that adorned the streets yet, beneath your admiration, a swirl of conflicting emotions surged inside you; you couldn't shake the nagging feeling that she was not only a bit unpredictable but also a master of deception. Despite all that, you felt an undeniable urge to kiss her.

The karaoke seemed more rotten than usual. Karina didn’t seem to belong there at all. The last day, the decisive one, had now arrived. You sat down, like the last time, in front of the raven-haired girl.

“Hi, Y/n. I see you well. How are you?” “Better than you can imagine” “My ears only want to hear good news”

You took her usual bag of chips from her hands and started munching on them. “What do you think of your modeling job?” “I hate it” Karina, to your surprise, answered without even thinking for a second. “Why?” “There is no sincerity in what I do. But it is the only job that puts me in contact with hundreds of people a week. It makes me feel less alone”

You put the chips on the table and took out the incriminating photos. “Yuna and Haneul, as you asked me and here I have,” you took out the USB stick, “the murder weapon!” Karina looked at you with wide eyes. “Did you… Do it?” “Your charm won me over, unfortunately, I have to admit it” Even though You were ironic, Karina's cheeks turned pink.

Karina pulled out a computer without making eye contact with you. Then she ordered you to open it. In front of your eyes was a fairly famous site where you were supposed to upload incriminating photos of Yuna and Haseul.

“Y/n. I have to tell you something" As you wrote the description of the photos you would publish immediately after, you signaled Karina to continue.

“Maybe it's because I haven't felt someone's affection for a long time, maybe it's because I can't look at myself in the mirror anymore without crying but…” “After Karina, after” “You said…” “Let me talk”

Seeing Karina so vulnerable and with teary eyes made you feel guilty, but what you wanted to do you would have done without complaining. Karina, however, seemed ready to let go of everything, to take a decisive step.

“Karina, kiss me” “Why should I do that? Are you crazy?” “Last time you seemed intent on doing much more!” you raised your voice. “If I kiss you it’s only because I want to show you how I feel!”

You both were incredibly close. The intensity of the conversation had drawn you from the karaoke sofas, and now you stood face to face, the air feeling thick between you. Karina was the first to make a move. She reached behind your neck, gripped your hair tightly, and swallowed hard. You didn't want to initiate the kiss; you wanted her to take the lead. And that’s exactly what she did. Karina leaned in and pressed her lips against yours, but the kiss was tentative, almost shy. She clearly wanted you to respond, but you held back. The kiss ended before it truly began.

“Why?” she asked, embarrassed. You, in response, checked your phone and went back to finishing the article on the computer. You connected your phone to the computer and transferred the photos.

“What about the USB stick?” “I’ll give it to you as soon as I’m finished”

Five minutes passed before you closed the computer. The die was cast. And so is your life and Karina's. There was no turning back, in any way.

“Y/n?” “Done” “Good…” Karina grabbed a blanket and wrapped it around herself. You did the same.

“Why did you lie to me?” “What are you talking about, Y/n? “Tell me the truth. Haseul and Yuna told me everything. I also spoke to other colleagues. All the same version. You’re a liar, Karina.”

Karina looked back at you with a blank stare. “And what are you?” “That’s not the point.” Karina slammed her fist on the table. “From everything they told you, did you only understand that I’m a liar?” “How can I trust you, Karina?”

Karina hugged the blanket and started biting her nails. "You know when I'm lying. You can feel it. You know when I’m not natural. I understood immediately when we met that there was a different connection between us." “Do you say that to everyone?” “You’re not funny, Y/n!” Karina screamed and threw the bag of chips in your direction, making a mess in the room.

“It’s not funny to make fun of people. You used me.” “I didn’t!” “So what did you do, Karina? How would you call what you did?” “I tried to keep you as close as possible… I don’t have anyone. Yuna wanted to leave me and I had sex with someone else the next day! Our relationship was over.” “People can’t love you if you pretend to be someone else.” “Everyone abandoned me. They abandoned me when I pretended to be the sweet and kind Karina and when I was the real Karina!”

Karina seemed to have reached a point of no return, but you could do nothing but pity her. Now you just had to tell her your truth.

“Karina, listen to me. Yuna got what she got because she moved on and recognized that love can be found anywhere. Her career is worth a thousand times more than a career like yours that was built on pain. Just forget about this life. Start over again." “The only one I have is my manager. I have no ambitions, I have no love. I just wanted someone to feel the way I do.” “We all fight for something, Karina! I fight for photography and you’ve been fighting against yourself for too long!”

Karina seemed to be furious. “You don’t understand. I’ve been alone all my life! The only one who’s close to me is my manag-” “No, he’s Yuna’s informant. When he handed me the ticket for Vogue, I immediately understood that he was not on your side, Karina”

“Karina” “I hate you. Will you stop throwing the truth in my face? I know, damn, I know I’m alone. I've never gotten along well with anyone. But with you, I had a good time. Time never seemed to end. You’ll abandon me too. You all do the same when I show you how I am”

You turned the computer towards her. “Karina, I posted the photos. Look at them. First, breathe and then rationalize” Karina did as you said, too vulnerable to go against you.

When she saw the article with the photo of you she couldn’t say a word. She just asked you, in a weak voice, why you did it. “We can start over, Karina. They already had everything. In their eyes, I saw what was missing in ours. Rise from the ashes Karina or die forever, it would make more sense than continuing to pretend to live in someone else’s body”

You got up from the room, knowing that the news with the photo of you and Karina kissing would do more harm to her than to you. You shut the door behind you. You turned around. Outside you waited for Karina, hoping she would come out so you could comfort her. But that didn’t happen.

The news caused a scandal. The billboards with Karina disappeared, her role as the lead actress in that new movie was deleted and for more than a month, all anyone talked about was that photo. No one recognized your face; next to Karina, you looked quite bad. Yuna called you and guaranteed that your name and work would remain in the photo book. The Vogue photos were never published. You stuck them up, with Sunwoo’s help, in the fast food restaurant.

Sometimes someone stopped to observe them and Sunwoo took care of answering their questions. Very naturally, he said that Karina loved coming to this fast food restaurant - before it disappeared - and that you were her favorite.

Six months had gone by, yet the ache in your chest refused to fade, a constant reminder of the unresolved feelings haunting you. Each night, you lay alone in bed, tears soaking your pillow, knowing that no one would come to comfort you—and that no one would offer her the same kindness. In those haunting hours, you grappled with memories and regrets, feeling the weight of your sorrow pressing down on you like a heavy shroud.

“What a beautiful day! Life has never been so beautiful!” “Sunwoo, it’s just your first role in a stupid TV series” “A stupid TV series that you’ll watch!”

You and Sunwoo had become great workmates again. This time, you were the one who requested more hours, and Sunwoo, despite having found a second job, had decided to work alongside you in each of them.

Sometimes you look at the street illuminated by the street lamps. You hadn't been able to move on. After Yuna’s photobook came out, your name appeared on many other projects. You had started working with many more idols. But there was no one like her.

“Still thinking about it?” “My mind is occupied with her, Sunwoo” “You couldn’t contact her?” “No one has her number and no one has been close to her. At least I know she’s not dead” “Yeah…”

It was four in the morning on a random Thursday when a black car pulled up on the road and parked in front of the fast food restaurant. Sunwoo let out a scream and hid behind the counter. “Is that the police? What have you done, Y/n?” “Stop it, you idiot, and get the emergency number ready. You never know”

But a woman with blonde hair, no makeup, and wearing a sweatshirt that looked very expensive, stepped out of the car. At first, you and Sunwoo couldn’t figure out who she was, you could only guess that she was extremely attractive from the way she walked.

When the first light from the fast food restaurant hit her face, Karina revealed herself to you with a shy smile. “Sunwoo…” she waved at the boy. “And well… Y/n… How are you doing?”

Sunwoo let out another scream. This time you did the same. Then you started to cry, unable to control your emotions. Karina threw herself at you and hugged you with teary eyes. After you both calmed down, Sunwoo fried you two large portions of fries and left the place for a moment, pretending to have received a call.

“Y/n. I look at you…” “Terribly, terribly” “Yes, well. You’ve lost weight” You squeezed her hands tightly. Warm tears fell onto Karina's white hands.

“Sorry” “Stop it, it’s okay. Look at me” Karina took your face in her hands and forced you to look at her. Then she continued to speak. “It had to be this way. I was reborn from the ashes, okay? But I want you to do the same. Let’s help each other. We’ve been alone for too long and…”

Karina stopped to look at the road, her eyes shining. “I missed you. The real you is so annoying, sexy, and cute at the same time. I'm happy to hear you're well."

Karina then looked back at you and looked at the palms of your hands. “Come with me. I'm full of money. Let's run away from here, let's go where no one knows us" "Karina" "It doesn't matter if you tell me now. You destroyed my previous life though! I expect you to pick up the broken pieces and put them back together"

She made you laugh and you thanked fate for having met her. You gave her a sweet kiss on the cheek. Karina looked at you with a raised eyebrow.

“Are you just kissing me back?” “Karina, there’s a time for everything” “You know, Y/n, I have a few things I need to tell you about myself. Did you know that I especially love dark chocolate and hate milk chocolate?”

“Karina,” you stood up from the stool and locked your eyes with his. "Tell me, Y/n" “We have all the time to learn to love each other” “And we have all the time to learn to live”

Sunwoo burst into the fast food restaurant, his eyes glistening with tears of joy. He couldn’t contain his excitement as he shared the incredible news: he had secured a role in a film directed by a renowned filmmaker. The moment was electric, filled with laughter and heartfelt congratulations as you both celebrated his achievement. Before leaving this familiar place, you and Karina decided to capture the memory with a photo at the very spot where your journey had begun. As the camera clicked, you were acutely aware that this moment marked a turning point. You stood there, smiling and cherishing the memory, knowing deep down that you were ready to embrace the future and leave the past behind, resolutely moving forward without looking back.

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sparrowlucero · 3 days ago

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i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

#does this not make sense or sound mean. I'm not trying to sound mean. it's fine. you'll like it if queernorm magic school sounds appealing #which it will to many many people #I think what happened is that they were studio mandated to make some changes that weakened the initial idea #but then the writers #all again tumblr art students #were just as interested if not more in making their own played entirely straight YA magic school thing #probably more than i even grasp as according to a friend who loves the show there's like.#cassandra claire harry potter fanfic references I'm not picking up on

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violent-viscera · 6 hours ago

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my true (respectful) thoughts of arcane s2

so much of the promotional material promised so much in the way of vi and jinx/powder and their sisterly relationship, but i feel like with the amount of storylines/plotlines they did in this season, it was just too busy to focus on anyone–let alone the two supposed protagonists of the show. i think the best way for me to articulate how i feel about the writing of this show is that it fell flat, lost its heart, and emotional impact of the first season.

i would have been okay with them straying from my personal favourite focus if:

the storylines had been fleshed out better

the decisions the characters made actually made sense

main characters didn't become plot devices (vi)

new additions of the show weren't just plot devices (isha, loris, maddie, etc.)

motivations of characters made sense

characters had even small lines/dialogue to articulate their intentions/ideas

less time spent on off-screen development

and the thing is with the amount of plot lines they were ambitiously aiming to see out to fruition, its really hard to also set up all these new facets or opposing characteristics in former characters–plus adding new ones too. for example:

caitlyn's facist arc that didn't really have much meaning or attention

jinx's s1 mental collapse which changed abruptly into her redemption arc via isha (plot device)

jinx's revolutionist arc (first, reluctantly and then, willingly w ekko)

vi's pitfighter/brawler arc which was literally just one clip (which ended up being a teaser that showed everything)

im almost grateful to the minimal screen time ekko got bc they didn't try to change the core and essence of who he was in s1: he stayed true to himself. he's just a boy with a huge heart and love for his people that chose to leave his happy ending in an alternate timeline to return to the ppl who needed him where he is almost guaranteed heartbreak in some way or another.

i think the main reason so many ppl loved the first season was bc the characters were relatable in one way or another and they became so multidimensional when you explored how their environment/circumstances shaped them. but this season bc it was so purely focused on the endgame instead of HOW everyone got there, the characters fell flatter, they lost a soul and heart, and i felt the show lost its charm.

i know we all have our favourite characters and storylines we want the show to focus on and i would have been okay if i didn't get my way. if the show didn't focus on jinx and vi, i would've lived (although the promotional material was unfairly misleading) if the storylines, characters, and everything else made sense to me.

of course, the animation was lovely and the music was catchy/heartbreaking. i dont regret watching the show out to its final episode. it was one of the most beautiful visual experiences of my entire life. i still love the characters and will never regret staying on board until the final moments.

but i cant lie and say im not a little sad at how it ended too.

edited add-on:

also, the voice actors did phenomenally. ella purnell just absolutely nails the delivery for every line and reed shannon also hurt me with how he portrayed ekko. so on and so forth.

but that being said, i also felt the dialogue and lines of each character felt much less impactful this season (again, writing.)

i liked viktor’s monologue at the end of act 2. that was compellingly well written

but the lines this season weren’t the same quality as silco’s monologue about drowning, jinx’s speech at the beginning of the doomed tea party, etc. everything just felt so flat and shallow this season overall.

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dresshistorynerd · 3 days ago

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His family owned the arsenic mine and he divested his interest in it eventually, though of course profiting off of it was certainly a hypocrisy he engaged in for several years even after becoming a socialist. I can't really ask much more than he should have done it sooner, since he could hardly decide how his father had made his fortune. I agree that his continued denial of arsenic poisoning was insane, but his factory did stop using arsenic in 1879, 6 years before he send that letter. And he didn't use the other poisonous dyes that were used frequently at the time. I'm sure his position on arsenic specifically was influenced by his family's fortune coming from arsenic mine and the need to be defensive about it. My point was rather that there has been no debate at all past many years weather viscose method is dangerous to workers or not and still it is used, even though the owners know and believe it's dangerous, which clearly he wouldn't have approved of. Overall his factory was reported to have good working conditions, much better than what was typical at the time.

I know he was a Victorian man and while I fully admit I very much enjoy his writing and work, I'm not hero worshiping him. I do have many criticisms for him, but surviving under capitalism in a way where he tries to make some positive impact is not one of them. I know every write up on him loves to paint him doing business as a hypocrisy and a point of criticism, but I find that very silly. He never became rich with his business, though it did most of the time bring him enough money to live a comfortable life (though there were times during which the business was not as great and he lived a less middle class life), because he despised commerce and did it enough in order to do arts in his own terms and survive. This whole criticism feels so much like that meme "you criticize society yet you live in society, curious, I'm very smart".

I would much rather criticize him for his racist attitudes. Even though he was anti-colonialist and opposed the British Empire and he didn't believe in inherent biological racial qualities, he did accept the premise that there were distinctions between races, he just thought those were caused by the living conditions of different peoples both environmental and the material conditions forced upon them. It's still racist. He was also clearly ignorant about many different cultures, especially non-white ones, and did sometimes engage in cultural supremacy. He also was part of feminist causes, but he very much did uphold very binary gender roles evident in the way he wrote about men and women, even as in some ways he tried to oppose them.

Edit: I took this comment in a way it wasn't intended, understanding now better the point, I can agree that it would have been better if I had brought up some of those valid criticisms too in the original post. For context, here's the additional exchange we had!

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no egency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

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floweycidal · 1 day ago

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do you think when flowey was a wee weed and just got into calling himself flowey that he had a kind of embarrassing stage he does not want to talk or even think about where he tried too hard to be the opposite of asriel and it was so obvious everyone could tell it was asriel

BAHAHAHAHA, YOU BET I DO! this is probably going to be as headcanon-y as it gets (kinda), sorry in advance. but really, making him a total sopping wet soggy loser is the best part of writing him. it's my favorite angle, no doubt.

the first month of being "flowey" was an exercise in second-hand embarrassment, except the person you're embarrassed for is yourself. and you can't even leave the room to escape it, because surprise! you are the room. you're a flower. stuck there. living it.

he had it all planned out. goodbye asriel dreemurr, the prince of crying-at-literally-everything, hello to... whatever cool and clever thing he was supposed to become. the details were fuzzy, but he figured being soulless meant the whole "evil" thing would come naturally.

it did not come naturally.

the cracks showed almost immediately. everything he tried just came out wrong. his threats sounded more like worried suggestions. his evil schemes kept accidentally making things better. his idea of entropy was essentially community service with attitude.

he couldn't even get the basics right. he'd tried tossing out sick burns, but they'd just hit with all the impact of a wet napkin. they weren't even insults half the time—just weirdly specific observations that petered off awkwardly.

he sucked at it. no way around it. he sucked ass.

so, he worked harder. determined to sound edgy, bad to the stem—whatever that meant—but it didn’t seem to take. every affront felt more like an accident than an attack.

and the laugh. god, the laugh. he practiced it, forced it, tried every variation. dry chuckles, derisive cackles, even an exaggerated villain’s howl. none of them worked. what kept slipping out instead was the exact same dorky laugh that used to bubble up when #she would do silly voices during storytime.

this was the worst. he was the worst at being the worst.

his own body double-crossed him at every turn, still running on years of ingrained kindness his mind was trying to stamp out. he'd be right in the middle of his most "menacing" speech yet, really getting into the whole eternal suffering thing, when someone would sneeze.

"bless you!"

every. time.

the number of “villainy” monologues ruined by his automatic politeness was actually impressive. really, it was almost a talent.

it was a drawn-out process, this transformation. no guidebooks or cheat sheets. however... i’d argue the closest thing he had to a mentor here was toriel.

she didn't know it was him. obviously. somehow that made it worse, because she kept almost-recognizing things. little stuff he hadn't managed to burn away yet.

a familiar turn of phrase. how he'd end sentences. that godawful giggle that still sounded too much like pillow forts and frolicking in the mud. how he’d fill glasses, just enough to make them brim above the edge. the efficient way.

each time her eyes would catch on these moments, these tiny betrayals of self, he'd slam that reset button with all six petals. nu-uh, no buckaroo.

her reactions were the compass he followed, pointing to what needed to be carved away. reset after reset, he got better at it. harsher. finer. a little less like the kid who used to run up to her with flower crowns and scraped knees.

the kindnesses got rarer; the callousness came easier.

never easy enough, though.

she'd still tilt her head sometimes, something glittering in her eyes like she was hearing the first few notes of a song she’d once known by heart. and he'd realize he'd effed up again, let some stupid little piece of asriel show through.

she’d never know she was teaching him how to stop being her son. to her, he was just some weird flower guy that occasionally felt eerily familiar, though she couldn’t quite put her finger on why.

every time she almost intuited something in him, he'd reload, desperate to finally become someone she wouldn't know at all.

ahhhhh. and so it came full circle. in his frenzied bid to unlearn being her child, he was still (by the most bruisingly contorted logic) turning to her for guidance. still just a kid, looking to his mom for answers. just… not in the way either of them would’ve wanted.

#flowey undertale #flowey the flower #flowey #toriel undertale #flowey ut #toriel dreemurr #sillyposting #not-so-silly #ask #i love toriel #half of me just wanted to write something for her #and him ig. he's there too

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joyfulzombieeagle · 2 days ago

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I have to write my thoughts on Wednesday's game since I have woken up from the high of Azzi's return :

The game was ugly, especially the first quarter mind you they are playing an unranked pretty cupcake team. Rotations are messy; the team needs to practice more for the post and paint. Must figure things out, or it will be ugly in December. They will be ready by March, but I'm not sure by December.

I am not worried about Paige because there will be off-shooting nights. Fans are just expecting her to be perfect every game. She wasn't doing anything wrong, but sometimes, your shots won't fall. It happens to the best, but she contributed to everything else. This is why it is nice we have different offensive options. We don't want the ND game to happen again.

SARH STRONG IS SPECIAL. You know how good you have to be to stand out in a team that has Paige Buckers tbh she could be equal to Paige as FRESHMAN!!!!!! This, with her restricting herself and still being unselfish, as Geno said, is an all-around player, impacting every stat in the game!!! I know she got the 3PT shot, but I would love it if they did more plays for her in the paint. The UConn team will be ok with her, that is for sure.

Ice continues to improve and become more confident, which is why she is in the starting lineup. Also, her FG% is really good. She needs to take more shots and rebound more.

Ash is ash; she is streaky but doing well defensively.

I love KK energy, but I don't see her in the starting lineup over Chen all season.

Chen is great, and she and Paige have great chemistry. She didn't have any turnovers, which is good.

JANA !!!! I wish you all give Ice the grace you give Jana. She is really good at rebounding especially offensive rebounds, but from the first game I saw, she is bad at layups. She just chucks them and hopes they go in, there is no need to rush her shot, but she does. I get why Geno was pissed as fuck. The layup she made was crazy. Who the fuck makes a layup like that? And she doesn't look athletic to me. I hope she proves me wrong.

Morgan is the best of the other freshmen. She makes many rookie mistakes, but you can see her hustle defensively, Allie still doesn't move me, I don't see her getting many minutes this season.

Q is not getting much time either.

For AZZI FUDD, I was so happy even if she didn't score anything. I am happy that the first game jitters were gone I am sure she was nervous as fuck and to me, she looked really really good for the limited time she got. I was most impressed with her defense; she was so aggressive, and she looked strong like the girl who fouled her was decked to the ground lol. Also, I think the team was not used to her playing with them, yet maybe they didn't practice together enough because when she subbed in the 3rd quarter, they passed her the ball once for a shot, and she missed lol. Her shots would fall eventually, and I see her getting in the starting lineup. The team needs her to be 100% the Azzi Fudd in March to win the ring. Let her accumulate, like Geno said, for now.

#azzi fudd #paige bueckers #uconn wbb #ice brady #sarah strong #kk arnold

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the-blue-wraith · 1 day ago

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My review for Dragon Age: The Veilguard (SPOILERS BELOW)

These are my personal opinions and not personal attacks to anyone who loves the game.

Pros:

Combat is invigorating.

Exploration is just fine, not too overwhelming.

Side quests are not lengthy.

CC was great and had lots of sliders and lots of good hair too.

Harding, Bellara, Lucanis, and Emmrich’s voice acting are in point.

NPCs are more active in terms of animation, unlike in previous games.

The codex you found in areas is short and easy to read.

Dragon fights are more challenging.

Banters outside the Lighthouse are compelling.

Emmrich and Harding's quest are impactful.

No major glitches, only encountered a few minor glitches.

Cons:

Writing is just basic. Humorous/aggressive dialogues are not totally funny/aggressive. Companions/Rook are too polite.

Dialogue after the fall of Weisshaupt feels off, they don't need to say directly to players that companions need to resolve their problems before fighting the Gods.

Interaction inside the Lighthouse feels like an interaction inside the workplace. I wish I was kidding.

Some dialogues are repetitive (ex. “The elven gods have broken free from their prison” “Dragons don’t have kings, they have queens”).

Factions lack introduction. We didn’t get to know each faction in depth.

Story and companions lacks conflict/disparity.

Choices from the last 3 games didn’t matter, and became a wasted chance to explore in Veilguard.

Can’t talk to NPC like in DA:I.

What's the point of having gifting scenes where all they could say is "thank you"?

Some voice actings are a bit off, lacks emotions (American Female Rook/Neve)

Enemy designs are repetitive.

Ability wheel is lacking, it should’ve let us get 5 abilities to use in battle.

Qunari designs are not good.

Overall music is too ordinary.

Romances are lacking and have no growth

I really enjoyed the combat it reminds me of Mass Effect. The best part here are the dragon fights because this was one of the things that I anticipated years ago, and I'm quite satisfied! I like the flow and conflict at the end of Act 2 up to Act 3. That scene with Varric in the Fade still hits hard to me. 😭 I know it was sad, but in that phase I was motivated to finish the game. I just wish the flow of Acts 1-2 were intense like Act 3. Like I said, it lacks conflict.

After finishing the game, I ended up liking Emmrich and Harding. I didn't give a shit about Harding back in DA:I but now I like her even more 😆. Emmrich's quest was the most impactful to me, I chose to revive Manfred, and after that, I saw how much he loves him, that scene was heartwarming. Kudos to their voice actors 🙌🏻

I resonate with Bellara's quest, but I wish it could've been more dramatic. Like after what happened to her brother, her companions should've given her a hug and comfort. But I still like her quest; kudos to her voice actress too.

What bothered me was that Varric and Solas both got sidelined. I wanted Solas to have more screentime! I wanted to see him more as a villain. I don't know why Bioware decided to kill Varric, to me, it felt like they just used him in the game to attract fans. If you ask me, that's disrespectful to Varric's writer, who got laid off.

The romance here sucks. I was disappointed in how they handled Lucanis' romance. I didn't feel the buildup of my Rook's relationship with him. I felt like he was interacting with me as a friend 😭. Veilguard has the weakest romance system in Bioware games.

Overall, I would rate this game 7/10. I think the game is decent, but not for everyone. This game is for casual players who want to experience different RPGs, but for DA fans? It really depends. As a longtime fan, I would say I'm half-satisfied with Veilguard. I just wish the writing/dialogue could've been better and not repetitive. I wish we had an option to become evil and upset companions if we make bad choices, but sadly the game lacks conflict and disparity. Veilguard didn't keep up with the current RPGs, despite its lack of RPG elements.

Will I replay this game? Yeah, someday maybe. Do I think the game is that bad? Nope, but it's lacking. The game is not for everyone. Do I think the game deserved the hate it got? Yes and no. Yes, because the writing/dialogue in this game is basic and some times felt off. And no, because I still think the game is fun. Do I want DA5 to happen in the future? Sure, why not.

Despite all my criticisms of this game, I still love Dragon Age. This series saved me in high school. If my younger self were here and witnessed Veilguard, I know she'd be happy because she waited so long for this game.

#dragon age #dragon age the veilguard #da the veilguard #da: the veilguard #datv #dav #veilguard spoilers #dragon age the veilguard spoilers #datv spoilers #dav spoilers #da the veilguard spoilers #veilguard critical #long post #pat rambles

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thegirlwhorideslikeasamurai · 2 days ago

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Thank you for sharing your thoughts! <3

To be honest, I don't know. The stories I'm reading and those I have read have a quite consistent audience that writes many (and even quite a lot of detailed) comments while these stories are being updated. But I usually read in other fandoms, so I can't tell if the demographic of these fandoms is generally more supportive of their writers or if these writers just know how to engage their audience. However, when I look at the stats of a couple of stories in the YOI fandom that started around the same time as CYHMH (summer 2022), I'm not so sure that it's just fandom demographics. Back then, there was one new story that had 10 chapters out with like 200 comments and I even saw one that had only 2 chapters out but already 300 comments. So, even back then and a long time before the movie cancellation, it was pretty much still possible to excite readers (For the record: I didn't look around for too long to protect my mental health, so the data I have to base my impression on is very incomplete.) Now that I know that many fans are very vocal about wanting more canon content, including some in-between-the-episodes stuff which CYHMH has in abundance, I'm genuinely puzzled. Having heard about the success of other novelisations and sequels, I doubt that's just about original content.

Interestingly, the movie cancellation didn't impact my stats at all. At that time I had a long-wished for uptick in engagement (supposedly due to the fact that I had resumed posting the improved & beta'ed version, but I'm not sure of that) and that uptick held on until about two months after the cancellation. It made me hopeful that I had finally found a steady audience. Interestingly, shortly after the eros-off ice chapter [about 2 months after the cancellation], comments and hits/chapter dropped massively and basically back to the low level they had been at in 2022.

The story has 477 comments (I'm counting the threads, not the total number), which is about 10 comments/chapter on average. From the outside that looks really good. However, a lot of that is from either readers who discovered the story later and made an effort to comment each chapter plus the success it had during the first half of this year. And don't get me wrong, I'm so happy every time a reader takes their time to comment on chapters that had been posted long ago because many readers seem to think that writers don't care getting feedback for these although most of us crave that. In many cases that finally got me the kind of feedback that I would have desperately needed to keep going in 2022, and if I had gotten that back then, the long break wouldn't have happened. Because no matter how much I appreciate these later readers (they're 3 in total, including you and I love every one of you <3), I also need some support and engagement when I post these chapters to keep staying motivated and not being on the verge of quitting writing again because just sharing them had made me feel so miserable.

Right now, there's still some engagement left. But knowing my experience with writing a series for my last fandom (before AO3), engagement drops with every instalment. So if, at this point, there is already so little excitement for my take on the ending of the show and my take on a continuation, I just know from past experiences that it will go down even further for the sequel. And for me, that really begs the question of whether I want to expose myself to another bout of losing my joy for writing and contemplating quitting it because I've already been there often enough.

At this point, I'm just at a loss about what to do. I feel like I did already everything that I could and it's still nowhere near enough: I did tons of research for this story, especially regarding Japanese culture and figure skating. I conducted a meticulous canon analysis to ensure that the characters are in-character and that everything that I add is a logical extension of canon to make sure that this story "feels" like YOI. I worked with a beta-reader because English is not my first language and in those chapters I've posted in 2022 it really showed. I respond to every comment and thank the commenter. And I post previews with little success, at least here on tumblr (not sure what the people on twitter do with them). There's hardly anything I could still try and it's not working.

Okay, I need to get this out of my system.

I have planned to post the sequel to my YOI novelisation in exactly a month from now. My beta said that the sequel feels like an actual continuation of YOI and a friend is even drawing a cover picture, which is just so amazing. But the more I think about it, the more it seems like I'm bound to regret releasing this story a couple of weeks later.

I won't lie. CYHMH had the total opposite of a dream start. I even paused the story for an entire year to get a beta reader because I failed to keep my audience interested and concluded that it was obviously bad. Or maybe it only did so poorly because it can't compete with other novelisations. I don't know and I don't want to know because if I learned the truth, I would probably shoot myself.

The story has 600+ kudos, but that's not reflected in the hits/chapter at all despite all the improvements I've made. The number of hits/chapter which had skyrocketed for a brief time span earlier this year (aka after I resumed posting the improved version) has decreased by 75% since June and hasn't recovered since. Often, I lose bookmarks and subscriptions within hours after posting a new chapter, which couldn't be a more obvious feedback.

I see this loss in interest also reflected in my chapter announcements and previews (not they had ever been great to begin with). Often, I'm the only person reblogging them because rarely anyone else does. On the other hand, my post that I would postpone the latest chapter due to the US elections was so popular and the contrast to the reactions when I finally posted that chapter was so huge that I wonder if people just want me to shut up and stop posting. To be honest, not posting would save me a lot of time and spoons because, let's be frank: writing for a mostly silent audience is just not it. (I have a little bit more engagement on other socials, but the downwards trend is the same there.)

There are only three chapters of CYHMH left to post. The story is at its climax and seeing the lack of interest and enthusiasm so close to the end is just so fucking disheartening after putting so much work into this story which I call my love letter to YOI. Maybe I don't write the kind of stories that inspire the majority of its readers to gush about it, but a part of me had been hoping for at least some people to be thrilled that the chapter was finally out. Or to be at least excited about the sequel. And I can't decide whether my writing just sucks that much to most people, if you're just silent because you only talk about my stories in some exclusionist fic club, or whether a sequel is just not wanted or needed due to the fandom being already saturated with that kind of story.

Would you guys prefer that I stop posting? If you really want to read my YOI sequel or just anything for that matter, I beg you to tell me and to support me.

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crystalflygeo · 2 years ago

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Sinful voice pt.2 ft “Morax”/Prof!Zhongli + fem!reader (modern AU)

cw/tags: Voice kink, daddy kink, dirty talk, female masturbation, oral and fingering implied but like it's just fantasizing?? petnames (sweetheart, babygirl, dear) Reader is DOWN BAD LMAO and suffers second hand embarrasment.

notes: EVERYBODY SAY THANK YOU @localplaguenurse!!They gave me a F A N T A S T I C idea that just inspired me to continue this wip and ended up not even being featured here yet but HEY... future p3!! //winkwink. That said I did NOT expect how much this would blow up and how ppl loved it and wanted more, y'all gonna make me giddy and/or cry pls (consider checking some of my other stuff too mayhaps? <3) Anyway I REALLY hope this delivers bc boi am I afraid of not meeting expectations vcgvhjbnjnmklal

Weeks had passed since your ‘big discovery’ and you still weren’t quite sure what to do with this information.

At first you chalked it up to just your imagination because… there was no way, right? Your new professor could just have a… similar voice… yeah… that was it.

Except the more you listened to his long-winded explanations the more you picked up certain words and intonations here and there and you knew you were just fooling yourself.

A lot had happened in these last few weeks, from organizing your new living space, to meeting your roommates, to grocery shopping, classes, and you had even considered the idea of maybe getting a part time job somewhere close by. There were plenty of small shops and places around the college campus neighborhood that not only offered valuable services to poor college students but also the opportunity to make a bit of money to help them out.

It had all been rather exhausting and stressing, exams, essays and projects were already starting too…

Lying back in bed you sigh and roll over, feeling the familiar faint throb of desire pooling between your legs, one you’d never really managed to sate with a person so much as with fantasies. But tonight, as you lay awake in bed aching for your usual touch, you feel conflicted.

Ever since that very first day you just couldn’t bring yourself to open up Morax’s website again. Hell, a new month had rolled over and you’d dutifully paid the subscription along with your other usual bills.

Part of you was itching for it, curious, frustrated.

And very very horny.

Thing is, your fantasies had often featured a faceless man, strong, imposing and dominating, taking you like a blushing maiden and making you beg for the pleasure he’d give, allowing him to do anything he wanted with your heated body. Now that man had a face… your history professor Mr. Zhongli.

You used to get off to imaginings of Morax tying you up and having his way with you, teasing you, fucking you into the mattress and making you cum over and over. Now it was Mr. Zhongli. Polite and courteous Mr. Zhongli with his refined gestures and well-mannered demeanor.

You wanted to cum, to reach that high and come undone and let out all the pent-up stress and frustration until you melted into a puddle and didn’t have to think about classes or money or life anymore, but the second your fingers began to rub at your clit, Mr. Zhongli’s voice would hit you with that even tone he used when scolding someone for gossiping during his lecture.

“Disgraceful behavior…”

A hot flash of shame burned at your face but for whatever reason it just turned you on more. You wanted to get fucked so bad you felt like you were going insane. You wanted that man to pin you up against a wall and thrust inside you until you turned into an incoherent moaning mess. You wanted to get bent over at his desk and filled up with cum until you were left gaping and oozing and told what a good girl you are. You wanted to get fucked on your hands and knees squirming and crying from overstimulation.

Lying in bed, you squeezed a pillow against your face and screamed.

You wanted to fuck your handsome history professor Mr. Zhongli.

-------------------------------------

It’s barely first period and you couldn’t concentrate.

You were sleepy, hungry and overall, in a bad mood. Standing in line at the cafeteria for a much-needed morning coffee and some snack you yawn and browse around your phone. Math. Gods you hated math.

At least you didn’t have history today. That was a whole other can of worms.

You figured you’d eventually have to get over it but it was just… so bizarre. Mr. Zhongli was quite the popular teacher, you’d learned. Extremely knowledgeable in various topics, a strict but kind and just teacher and good looking on top of all.

No wonder the upperclassmen flocked around him, probably half the campus lowkey had a crush on him, male and female students alike. It was genuinely a miracle he was not married or even had a significant other apparently.

And he was also Morax. Sensual dominating Morax who would just not leave your head-

“Good morning, how may I help you?” The cashier called out cheerfully and you pulled out of your thoughts.

“Morn-”

“Good morning.”

You gasp so sharply you almost launch into a coughing fit; your eyes widen and whole body tenses and oh shit-

Somehow you manage to trip and fall in the clumsiest, stupidest way possible.

“Woah-!”

“Miss?!”

Except you don’t actually fall, but someone manages to hold you, a hand grabbing your arm and the other pressed against your back steadying you as your poor brain goes into overdrive.

That voice!

It’s him!

Too close!

What is he doing here?!

Way too close!!

The seconds it takes for you to react feel like ages as you stare up at Mr. Zhongli like a deer caught in the headlights.

His hands are warm…

His cologne smells soooo good.

His eyes are gorgeous!

He’s so hot!!

“Are you alright Miss l/n?”

“I’M FINE! I-I’m fine!” You yelp, way louder than intended (or normal) and quickly scoot back to put some distance between yourself and the handsome professor. He picks up his dropped bag and dusts it a little, as well as his clothes, still pristine as ever. “I… think I got a little dizzy s-sorry I haven’t eaten yet and… yeah…” You chuckle nervously.

You see him frown slightly. “Going without food for long periods of time can be quite dangerous.” He states, obviously concerned. “Maybe you should head to the infirmary see Dr Baizhu, you look quite pale and the dizziness could be a symptom of low blood pressure. Do you have anything sugary to eat or drink?”

“I w-was about to buy something…”

“It might be best for you to sit down for the moment.” He nods, resolute. “Allow me.”

…And that’s how you end up sitting at one of the nearby small tables with a little glazed donut and a bottle of water, courtesy of your dear history professor.

You stare at the little treat in your hands, half eaten already as he insisted, at least your hands stopped shaking and some color returned to your face. Mr. Zhongli seemed content enough, sitting across from you.

“T-Thank you.” You mumble, refusing to meet his gaze. “How much was it? I’ll pay you back I have som-”

He sees you rummaging through you bag and raises a hand. “None of that, you needed it. I’m glad to see you’re looking a little better, please take care of yourself, health is very important.”

“Um, ok.”

Then he smiles, and it’s gentle, soft. “You’re Miss l/n, right? One of the new students from my history class?”

Huh?

“You didn’t do very well on the essay assignment…”

Ack. You sigh and take another bite of the small donut. “History is just… not my strong suit. Too many dates and names to remember.”

He chuckles and oh God who gave him the right to make that sound? Your skin tingles.

“Fair enough. I know my classes can be a little daunting, I’m very particular about certain topics and tend to ramble sometimes. But I can tell you really put effort into classes and pay attention to my lectures.” He looks pensive for a moment. “Let me propose something. I usually impart some private tutoring sessions to students on more advanced levels, but I could make an exception for you. If you have time available it could help lift your grades.”

You stare up at him in surprise, grateful to not have a mouthful of donut or you would have probably choked again like an idiot. Did you hear that right? A private tutoring session after hours at his office?!

Now that sounded like a title for one of Morax’s audios: Hot professor bangs his stu-NOPE.

“I-I’ll think about it! Sure.”

He nods and gets up, sparing a glance at his watch. “I have to leave now, please do consider it. And do try to eat at more regular intervals and take better care of yourself, you look quite tired.”

A polite way of saying you had marked eyebags, yep.

“I’ll try.” You mumble. Suddenly a little sad to see him go. “Professor… thank you.”

There’s that smile again, you could melt. “You’re welcome, my dear.”

----------------------------------

And yet that night, you’re once again rolling in bed unable to sleep.

My dear.

You couldn’t stop thinking on the whole incident, you’d certainly made a fool of yourself but the memory of his strong arms holding you, touch firm but gentle. The scent of his cologne that you wish had clung more on your clothes.

You really were down bad, this is ridiculous…

You bite your lip.

You shouldn’t. You shouldn’t.

Oh but you will, just one wouldn’t hurt.

Quite the opposite actually…

Unable to contain yourself (or your horniness) you take no time to pop in your earbuds and start scrolling. Hmm… there had been a couple new additions in these last weeks.

You can’t help but wonder why he does these. When. How. You never really considered or thought on it before, Morax has quite a lot of patrons (not a surprise) and thought you know nothing about sound and video recording or editing technically he’s making money just by using that honeyed velvet voice of his. That had to bring in some cash, right?

But then again, if you knew anything about these types of subscriptions it was that they required constancy and that meant hard work and dedication. Did he enjoy these? He really puts in the effort given the amazing quality…

You can’t help but picture your handsome professor unwinding a little after a long day, casual clothes, a cup of that tea he loves and setting up to record those dirty words and sinful moans.

Did he sometimes get worked up about these too? Did he also touch himself during or after recording a particular scenario? Sitting back slightly sprawled on the chair, brow slightly furrowed, stroking his co-

Aaahhhh you needed to stop thinking on him.

…

Yeah right.

“Daddy eats you out and prepares you for his big cock.”

Well, this looks promising.

The audio starts like many others, with some dialogue from him and setting the scene and oh… you had kind of missed the playful teasing tilt of Morax’s voice. You can’t help but chuckle lightly, this scene is so domestic. He calls you “sweetheart”, “babygirl” and there are the kissy noises.

You wish you could kiss him…

“Hmmm… daddy’s gonna get you nice and ready. Spread your legs for me.” Oh, you certainly do. “Daddy’s gonna get down here between them.”

You rub at your tights slowly, sensual, remembering his larger hands.

“Oh your little pussy is already so wet and swollen.” Morax coos, voice soft and airy. “You think it’s already ready I know.” He chuckles. “But you know daddy’s cock is big, yeah, your little pussy’s gonna need to stretch a little bit hm?” A kiss.

You whine.

“Shhh daddy’s gonna make you feel so good sweetheart.”

Lewd wet noises invade your ears and you waste no time starting to stroke yourself, slow and tender. He groans and sighs and you whimper, hips jolting from the bed.

Gods how was he so…

“Yeah… nice and gentle hmm, we’re gonna have so much fun.”

His words were a complete 180 from the long lectures about politics and wars, and yet, his voice…

“D-Daddy…” You sigh. “Please!”

“Oh I love how sensitive your little clit is… you like that babygirl?”

You rub and stroke at the little bundle of nerves and see stars already.

You were so pent up, so needy. Your orgasm was already building too quickly, mewling and whining at his words, his noises, trying to match the pace and follow his instructions.

“That’s a good girl.”

“F-Fuck-”

Your eyebrows furrow, your body trembles and you bit your lip to contain your noises. Morax warns you when he adds a finger, and after a few seconds another, chuckling low at how you clench, praising you, coaxing out your pleasure.

You can only picture him at the end of the bed, licking and sucking obscenely at your juices, pumping those slender fingers in and out, in and out…

That tantalizing voice teasing you, your fingers knotting that dark brown hair tipped amber, golden eyes staring up at you half-lidded but feral and fascinated. Focusing on you. Only you.

“A-Ah! Mhmm…”

“Now I want you to cum babygirl come on, in five… four…”

You stroke and pump faster, frantic, lost in that rapidly approaching high.

“Three… two…”

You cry out, a spark cursing through your veins.

“One… hmmm that’s it my dear.”

“Z-Zhongli…!”

He ushers you out of your release with soft words before saying something else, but your mind is floating and hazy. Your take off the earbuds and place them away catching your breath for a moment, arm draped over your face, the audio still has a long way to go but you’re drowsy and sleepy so you decide to call it a night.

It is only a little later, once you’re done with a quick cleaning and putting everything away, curled up under the covers and dozing off that you realize…

Shit.

You’d called not for Morax but Zhongli.

#genshin smut #zhongli smut #genshin x reader #zhongli x reader #zhongli x you #genshin imagines #genshin impact imagines #genshin impact smut #crys writes #fem reader #professor zhongli #man I really hope this doesn't feel rushed or forced vghbjnk pls I tried my best OTL I know the scene jumps are jarring but #fun fact 1 when I was in uni there was this one beautiful amazing french teacher that half the campus had a crush on #literally everyone loved her she was amazing she was not my bi awakening but boi she CEMENTED it #and it's funny bc literally like ??? girls and boys crushing HARD on her and she was bi and SINGLE and so kind and cool and around our age #anyway that's zhongli 1000%#fun fact 2 I once almost fainted at uni bc I had. in fact. not eaten breakfast or dinner the night before #and my blood pressure just dropped also bc the heat didn't help so rip I got better with a coca cola tho

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mistyscenter · 5 months ago

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I love that this fandom doesn't understand Baxter's character, I adore how they patronize him,a whole ass adult, for facing the consequences of his actions.

I love how people make him feel like a sad little baby when he leaves mc as if that's not something he made extremely clear. I love how people treat this 19 year old as if he's not old enough to understand the consequences of his actions. I love how Baxter is aware of his flaw's but feels like he can't break them because people only see him as a tool and this fandom reinforces that.

I love how people will get mad at Nico for doing the cardinal crime of being 6 years old but will baby a 24 year old Baxter. I love how people make him this charismatic rich guy when it's shown that he's a hot mess that doesn't know what he wants. I love that Baxter's whole character arc is about his self sabotaging tendencies and how everyone ignores that. I love that people fell in love with the mask he had for most of the dlc.

I love that this fandom lacks reading comprehension skills and understanding of nuance characters, great job everyone for not understanding how writing works :)

#our life #misty talks our life #olba #our life beginnings & always #our life beginnings and always #olba baxter #our life baxter #baxter ward #this is what i mean by “i don't haye Baxter's character” i think hes very interesting and we should look towards his dlc with critical eyes #because it's a fact that his dlc was rushed and that kab/gb lady doesnt care for him #it shown in the writing of his dlc #so that is interesting for me but is also interesting for me how ppl are quick to baby this man #like again baxter is fucking 19 when he leaves mc “but misty 19 year olds aren't fully growns up” hi 19 year old here #i know that bitch but im old enough to understand that my actions have consequences and affect others #which is smth Baxter is aware of as well #that's fhe thing that bothers me #hes young enough to make that mistake but old enough to understand it will impact mc view on relationships #romantic or platonic smth like that will affect you in some ways #and he knows because hes not a young teenager who still doesn't know how his actions impact people #hes legally an adult he can live on his own hes able to ride a car hes off to college #is not a grown up but is not a child either #as a 19 year old I would love of ppl treated him as a young adult making a dumb mistake #instead of a baby who didn't know any better #like even if he did regret it he knows that thats his fault #hes aware that hes doing this shit to himself and wont stop #thats the point of his dlc #anyways i should make a post on cove's autism

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lendmyboyfriendahand · 7 months ago

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I think Argon died at Alqualonde.

When the second host of the Noldor reaches Beleriand, they have a lot of grief. Those who died on the Grinding Ice are tragic, but easier to talk about. They died in pain and fear, but they were trying only to fulfill a promise and to seek a new home. Mourning Elenwe can be done in public, with no discussion of fault or her having deserved it.

Those who died fighting their own kin are harder though, especially as Fingolfin doesn't want to start diplomacy with new neighbors by mentioning such an evil deed. He's also too proud though to accept sympathy under false pretenses, even for the death of his son. Fingolfin couldn't stand listening to Cirdan say platitudes about the sea and Ulmo's mercy to drowned sailors, no matter how well meaning. So for a while, he simply doesn't mention his youngest son at all. Those who knew Argon know how he died; those who never met him think Fingolfin only has two sons.

("Two sons at least thous hast to honour thy words" - Fingolfin's own voice echoes bitterly in his head.)

Argon was bold, and headstrong. He saw a battle and charged into it, right alongside his big brother. So tall, he made an easy target. Maybe it was his own foolishness that got him killed, but not malice. He didn't even know why they was fighting.

Slowly, rumors begin to spread among the Sindar. They say the second host fought a battle before the rising of the Sun, nearly on the edge of the Sea. The host took losses, but did not let it deter them. Fingolfin's own son died, surrounded by enemies, a victim of his own bravery.

The battle was against orcs because who else would elves be fighting?

(Maglor is a storyteller first and foremost. A public gift to Fingolfin would be full of symbolism and double meaning between the two kings, but he can grant his uncle space to mourn.)

#silmarillion #silm #my writing #argon #alqulonde #first kinslaying #fingolfin #maglor #mourning #grief #also doylistically the first Kinslaying is the only one without named characters dying and I think that lessens the impact for readers #it makes it easy to just run past and say it's not a big deal #not like if Olwe had a named son who died and we could all tag fanfic about #and I think one of the Noldor attackers dying makes it interesting #Oh huh I just checked tolkiengateway and it looks like JIRT also had Argon die in Alqualonde in one draft. didn't know that

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torgawl · 8 months ago

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there's so many connections tying the moon, seelies and the jinn, but more concretely between the goddess of flowers and guizhong!!! by connections i mean they always appear associated with the moon and one another. as i was reading through the lore attempting to gather some of the moments these ties could be drawn, i ended up noticing other patterns that seemed to fit a similar narrative with other entitites as well. it quickly transformed into a post about the sun and moon symbolism in genshin. although i'm probably missing a lot of things, this is what i found while reading in-game information.

"records of the gallant"

this book is a compilation of stories and legends of many knight-errants in liyue, the second volume specifically is very obviously about guizhong. the association starts with the title “dust”, as she was the god of dust, and goes on to her description as “a maiden in a long indigo robe”, which matches perfectly her appearance. she is very often connected with the night time and the moon, and in this specific instance with seelies as well. seelies are described specifically as having had “beautiful physical forms and (…) great wisdom” in the past in the book “records of jueyun”. this book also talks about the seelie ancestor who once met a traveller from afar with whom they swore an oath of union in the presence of the three moon sisters before disaster struck and they were punished. both seelies and the moon are, throughout the game, always hand-in-hand with each other when it comes to symbolism and references and moments with guizhong like this one are no exception. i think it’s relevant to mention that at the end of the tale when this maiden disappears, the only thing left is a pile of dust mirroring guizhong’s ��death”. dust in genshin can easily be tied to life (specifically as the base of all life) through albedo and rhinedottir who, consequently, are connected to khaenri’ah and the art of khemia – one of the factors behind the fall of the nation.

memory of dust

memory of dust is a stone dumbbell gifted to zhongli by guizhong and its description is about one of their conversations. guizhong standed among a field of glaze lilies, flower associated with her, as she talks about humans and compares them to dust.

this scene also includes an allusion to her death with guizhong dissolving into dust and with her, the glaze lilies disappearing.

glaze lilies are said to transform the memories of the land into its fragrance during florescence and legend has it that the flower will open at the sound of pure, beautiful music. the interesting thing about this flower is that it only blossoms during the night time, being this way indirectly connected with the moon. this excerpt or circumstances are very reminiscent to another character in this game, nabu malikata, also known as the goddess of flowers.

the goddess of flowers

the goddess of flowers is very likely to have been a survivor of the seelie race, if not the seelie ancestor herself. this was revealed through us by an aranara, arama, who said “there was once a survivor of that race seelie deep within the golden desert who was friends with queen aranyani and the ruler of valuka”. queen aranyani and the ruler of valuka are titles given to greater lord rukkedhevatta and king deshret, respectively, and, as we know, they were both really close to nabu malikata. the goddess of flowers was also said to have horns by nilou, whose head piece is inspired in this detail, and when traveler sees her in liloupar’s memories they describe her appearance as being "ineffably beautiful”, comparable to "the totality of her jinn". all these characteristics are also associated with seelies.

the “flower of paradise lost” artifact set tells a lot of the story of the goddess of flower. the flower piece tells the story of how she was cast aside by the heavens and her kinship was punished by being stripped away of their minds just like what happened to the seelies and their ancestor, confirming her identity.

she was said to wander for a long time, her wounds gushing streams that transformed into gardens of which blue water lilies sprouted. lilies those that originated jinn, a mystical race of elemental spirits considered, just like seelies, creatures of wisdom. the goddess of flowers was also said to make purple flowers bloom wherever she stopped, more specifically padisarahs. much like glaze lilies and guizhong, padisarahs also went extinct after the goddess of flowers’ death.

nilotpala lotus

the one other flower that resembles the glaze lilies is the nilotpala lotus. they also only bloom at night and in its description, we learn of their connection to the three moon sisters.

although the moon sisters perished after the same disaster that struck the seelie ancestor and the solar chariot (that created the chasm with its fall), the flowers turned to serve a new master yet the nilotpala lotus continues to remember those happy days of the past. something interesting regarding the name niloptala is that it refers to "blue lotus" or "blue lily" and represents one of the several "attributes" or "accessories" of a deity commonly seen depicted in hindu iconography, defined according to texts dealing with arts and crafts, known as shilpa shastras. i think it’s pretty logical to parallel these flowers, that grow in the forest wetlands in sumeru, to guizhong, someone very known for her mechanisms and who is deeply tied to blue lilies.

goddess of flowers and king deshret

a long time ago, the goddess of flowers, king deshret and greater lord rukkedhevata were all very close friends who looked over sumeru (any resemblance to the liyue consortium is pure coincidence, or not). “flower of paradise lost” continues to tell the story of the gof and contains the depiction of what happened that led to king deshret obtaining forbidden knowledge. through king deshret's aspirations, she saw the possibility to transcend the absurd shackles that governed this world (heavenly principles) and so she helped him in his goal, leading to her sacrifice and consequent death. she is said to have turned into dust in the “vourukasha's glow” artifact set, once again paralleling guizhong.

she once again refers the punishment casted upon the seelie race by the heavens, warning king deshret of the consequences his actions may have. the most interesting thing to me in this passage is the fact she is depicted as being “wreathed in darkness” when guiding deshret towards discovering “all there was to know about the skies and the abyss”; this and the fact she could foresee future events. it actually makes a lot of sense as nabu (who shares a name with her) is an ancient mesopotamian god of literacy, the rational arts, scribes, and wisdom (can you see the pattern?) whose name means "enlightened" or "prophet". she reminds me a lot of sibylla, who met king remus “below the abyssal depths”. knowledge beyond what the heavens allow seems to be connected multiple times to the abyss. this comparison with sibylla gains even more strength when, in the same artifact set, she tells deshret “you seek but to chain the winds. upon the tombstone of divinity shall humanity become the god of gods”. this was also remus’ goal, something he strived for so much that he was willing to ignore prophecies of disaster as long as he could attempt to break the chains of fate.

oasis garden's mourning

this ascencion material with the image of a flower in the center tells us the goddess of flowers and king deshret built ay-khanoum together, also known as “city of the moon maidens”, for the jinn. it’s this material that tells us padisarahs went extinct after the gof’s death and that these gem discs lost their original “glad purpose”, much like what happened to the padisarahs as depicted in the artifact set mentioned earlier. yet, there’s another version of this story told in “the shepherd and the magic bottle”. in this book (told by a jinn) it’s believed that king deshret learned about the jinn's story as well as the story of the “dismal moon and the driving morning star” (likely connected to the seelie ancestor, the three moon sisters and the solar chariot) after capturing them and, afterwards, built ay-khanoum as a gift to commemorate them; in return, the jinn built the entrance to the mausoleum of king deshret. according to liloupar, deshret had deceived the jinn to gain their servitude, telling them that the goddess of flowers had not perished but was instead locked in a deep slumber in the orchard of pairidaeza (created by deshret as a cemetery for the gof), and that he could awaken her with the jinn's aid. there’s an interesting detail in “the shepherd and the magic bottle” where the jinni says that at the end of the city of the moon maiden’s play “everything was reduced to dust”.

sun and moon dichotomy

guizhong’s color is, as referenced earlier, blue like the moon. whenever there’s a deity associated with the moon or the moon-sisters (gof and guizhong) there’s also one that symbolizes the sun (deshret and zhongli), usually coming to form a duo. this traces back all the way back to the solar and moon chariot, their gods and the disaster that led to their separation. it’s interesting to note the fall of the solar chariot, as i mentioned earlier, was what led to the creation of the chasm. although according to what we have access in game the text implies this entity to be different from zhongli, there’s actually a lot of things tying him or creating that parallel between him and the sun or the sun god (who might have been a shade of phanes). we can also consider traveler and paimon as another example of this constant duality within the story, as the traveler is almost literally the morning star and paimon is symbolically connected to the moon and seelies too.

“before sun and moon”, that tells the story of enkanomiya, includes an interesting parable.

this parable clearly references the sakura tree in inazuma’s story but it also intertwines with the heavens and the entities related to the primordial one. tokoyo ookami is istaroth and she’s referred to as the king’s priest. if the king is the primordial one then it makes sense the king’s gardener would be another of the shades. it’s hard to interpret some text when everything is told in metaphors and sometimes information isn’t actually that reliable but the concept of love here reminded me of the solar and moon chariot as well as the seelie ancestor and traveler from afar from the kingdom of light (descriptions in “records of jueyun” and “the pale princess and the six pygmies”). it’s also a bit impossible to read of a tree spirit heavily linked to time and planted by the heavens and not think about irminsul. this concept of gardener or protector of the tree is also somewhat recurrent and can be linked to sibylla as well, a prophetess.

the triquetra has a lot of different meanings but it’s usually connected with three goddesses, three sun positions or three moon phases. another item that has a triquetra on it is mora, that also can be used for alchemy and transmutations. we also know mora was, at least in the beginning, created from morax’s own body so it’s interesting this symbol appears in the coins. “earth is where the alchemy gets its name” and the art of khemia (alchemy from khaenri’ah) literally meaning “art of black earth” in chinese also seem to point to a connection between the terms.

khaenri’ah connections

guizhong had a particular interest in mechanics: the guizhong ballista was one of her handiworks, built with the aid of the adepti, and she apparently collected khaenri'ah technology such as ruin machines for research. as i mentioned before in regards to her (god of dust) “death”, dust can easily be connected with both the art of khemia and concepts such as birth and life. as albedo says: “soil and chalk, the universe and earth, pure dust and the birth of human life”.

in the hidden palace of guizang formula domain, the challenge called voyage to the sanguine sky has the description: "this is the realm of clouds. guizhong, its former ruler, acquired several ancient and evil artifacts during her research into mechanics. the adepti created this realm to contain them." curiously, the fight in this domain is against two ruin guards and a ruin hunter. guizhong was presumably researching khaenri'ahn technology before she died in the archon war. considering ruin guards didn't start wondering teyvat until after the cataclysm, we can propose a question of how exactly she got them. mentioning remus again, the golems he created with the souls of his people within the golden ichor are hinted to be what referenced khaenri’ah to create ruin machines. the link between having the want to defy the heavens and the fall of nations is something we’re already aware, but the way these nations or people connect with each other is also very consistent.

“perinheri”, a book very obviously about khaenri’ah during the crimson moon dynasty, was the talk of the town for multiple reasons but one of the surprises in it was the mention to deus auri (zhongli) by angelica. her nation was defeated by deus auri but she refused to submit to the new god. the orphanage in khaenri’ah – that ties itself with the house of the hearth – seems to have collected children that could classify as descenders, looking for some sort of potential. khaenri’ah anticipated the arrival of "beings who could transcend the gods" and this seems to relate to the concept presented to us during one of sumeru’s archon quests that the traveler’s twin isn’t a descender despite traveler being considered one. it also fits rene’s description of a descender being those with “wills that can rival an entire world”. i can’t make a connection between these concepts but zhongli’s mention is definitely intriguing.

deshret was depicted in genshin animations as an 8-pointed star and the speculated door to khaenri’ah, below sumeru, also has the same star on it. there's two stars that could be in association to this symbol, the star of lakshmi and the star of ishtar. in both cases, the 8-pointed star is associated with the goddess venus, who was worshipped as a symbol of fertility and love. the star can be seen as a representation of the eight phases of venus, which includes her appearances as the morning and evening star.

lakshmi ('she who leads to one's goal') is one of the principal goddesses in hinduism. she’s associated with maya (illusion) and along with parvati and saraswati she forms the tridevi of hindu goddesses. the tridevi are considered consorts and auxiliary deities to the more eminent masculine trimurti gods (brahma, shiva and vishnu). saraswati is the goddess of learning, arts, and music, and the consort of brahma, the creator; lakshmi is the goddess of fortune, fertility, light, and material and spiritual fulfillment, and consort of vishnu, the preserver; and parvati is the goddess of power, war, beauty, and love. she is the consort of shiva, the destroyer of evil.

lakshmi, as his consort and divine energy, accompanied vishnu whenever he descended on earth as an avatar; she's the supreme goddess in the sect and assists vishnu to create, protect, and transform the universe. lakshami is associated with the lotus flowers, in reference to spirit liberation, and her iconography also depicts her with four hands, representing the four aspects of human life important to hindu culture: dharma (moral values), kama (pleasure), artha (prosperity), and moksha (final liberation, humanity’s ultimate goal).

the tridevi are the manifestations of mahadevi, the supreme goddess and the primordial power behind the creation of the universe (creator and destroyer). all hindu gods and goddesses are considered to be manifestations of mahadevi and she’s known by many names, some translating to ‘she who is primordial matter’, ‘the great illusion’, ‘the life force in all beings’, ‘she who is supreme knowledge’, ‘she who transcends the universe’, and ‘she who destroys’. mahadevi's is also called ‘night of death’ and ‘she who is death’, reinforcing her destructive nature.

the star of ishtar or or star of inanna is usually used in association with the heavens and is specifically connected to the planet venus. the eight-pointed star is sometimes shown alongside the crescent moon, which was the symbol of sin (god of the moon) and the rayed solar disk, which was a symbol of shamash (god of the sun). the morning star may have been conceived as a male deity who presided over the arts of war and the evening star may have been conceived as a female deity who presided over the arts of love.

inanna (or ishtar) is an ancient goddess of love, war, and fertility and her primary title was "the queen of heaven". many of her myths involve her taking over the domains of other deities. she was believed to have been given the mes, which represented all positive and negative aspects of civilization, by enki, the god of wisdom. she apparently took over the eanna temple from the god of the sky, an. alongside her twin brother utu, inanna was the enforcer of divine justice. in the standard version of the epic of gilgamesh, ishtar asks gilgamesh to become her consort. when he disdainfully refuses, she unleashes the bull of heaven, resulting in the death of gilgamesh’s friend, who has a subsequent grapple with his own mortality. inanna's most famous myth is the story of her descent into and return from the ancient mesopotamian underworld, ruled by her older sister ereshkigal. after she reaches the throne room, the seven judges of the underworld (whose function was to decree the fates of humanity) deem her guilty and strike her dead. three days later, someone pleads with all the gods to bring inanna back. all of them refuse, except enki, who sends two beings to rescue inanna. they escort inanna out of the underworld but the guardians of the underworld drag her husband down there as replacement. he is eventually permitted to return to heaven for half the year, while his sister remains in the underworld for the other half, resulting in the cycle of the seasons.

as genshin is a bit of a cocktail when it comes to mythology and any historical references, it’s hard to say if the stories of ishtar or lakshami can even be a straightforward parallel to the higher beings in genshin. but i think if there’s one thing to take from everything so far is that there’s a very meaningful recurrence of trios or the number three (e.g. triquetra, three moon sisters, evil trinity), as well as the constant appearance of sun and moon elements together and dependent of one another (either in regards to their roles or their personal connections), the sun always being the masculine and the moon always being the feminine. we know there was a time in which these elements co-existed together in heaven, although they seem to be fated/doomed to separate from one another (the tragedies referenced in this post being an example of that).

enkanomiya

there are three very interesting achievements with interesting names you get in enkanomiya. one is kairos' constancy, and is the one you get from completing time trial challenges. kairos, as we already know, is one of istaroth’s (god of time) names. this name is based on the greek god kairos, the god of moments. the other two achievements, which also have greek names, are hesperus' boons, for opening chests, and phosphoros' guidance, for following seelies. if these are names of deities with close relations to phanes or at least celestia, as it would make sense because it would follow the pattern for istaroth, then would it be that out-of-pocket to think these might be the names of the other shades or of the moon sisters? phosphorus (bearer of light, often translated as lucifer) is the god of the planet venus in its appearance as the morning star. hesperus (son of dawn), on another hand, is the evening star. (planet venus in the evening). venus, as mentioned before, relates to the eight-pointed star and we know this shape is also used as the symbol of istaroth in enkanomiya (light realm sygil).

which, by the way, are used in hilichurl camps. the hilichurl camp in front of the thousand wind temple in mondstadt was already a hint that they worshiped istaroth but i think it’s safe to say that with certainty. it’s just curious that they don’t really recognize the archons, thinking of the elements as that which is deserving of worshiping, yet recognize (at least one of) a shade of phanes. the name istaroth is derived from astaroth, one of the three demons in the "evil trinity" alongside beelzebub and lucifer, connecting istaroth and the morning star once again.

i don't plan to drag this any longer as this is already way too long but to finish it off, and summarising these ideas: i'd say the one of the biggest patterns present in the game is the constant mention of entities in heaven seemingly converging into the duality of sun and moon, the moon sisters and the sun god. i haven't properly dwelled on this to come to a any sort of definite idea but there’s too many details creating a consistent pattern for my brain to disregard these ties as non-intentional. obviously, all these characters i have mentioned throughout the post aren’t going to all be the same handful of beings, and that’s not what i’m trying to say, but i do believe the repetition of the same themes has meaning. maybe the same way mahadevi manifested herself as three other feminine gods who worked together with male deities, the heavenly principles or phanes also created the shades as a manifestation of the sun and the moon. or maybe ishtar, alongside utu as enforcers of divine justice, taking over the god of the sky's (ishtar's father) temple could mirror the twins and their journey. maybe kairos, phosphorus and hesperus are indeed the moon sisters or even shades of the primordial one. maybe guizhong isn't meant to be more than a parallel to other entities, but maybe she was truly more than what was originally presented. i don't think it's impossible that even if she isn't one of the big figures - goddess of flowers or a moon sister - that she could have originated from one or be related to one (nabu malikata having seelies as her people and jinni or khvarena as her daughters). similarly to how venti is hinted to have originated from istaroth (as he was originally "a single thread of the thousand winds", istaroth's title). or perhaps not. regardless, it’s fun to notice that many theories in the fandom sort of intertwine together to make a fuller picture based on scattered information across the game. i'm not sure if i'll go more in-depth regarding some of these "theories" as there's still a lot to expand but i hope all of this made at least a little bit of sense. thank you for reading this far!

#the day we get to know more about guizhong i'll be so happy i didn't even go through the contradictions regarding her death that are so sus #anyways a random click in my brain while going through the genshin wiki led to this mess of a post #i write posts because i'm really forgetful and i want to put my ideas into the same place so i can come back to them. i don't even know if #these were obvious things or not but i thought it was interesting. maybe someone else will too.#still brainstorming about whatever is happening in the havens what's up with the primordial one and who the twins are #the answers are probably right under our noses and yet my single braincell is about to explode lol #guizhong #goddess of flowers #zhongli #deshret #genshin impact #genshin thoughts

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