#I didn't even need to take another one

[bo0tleg]

Decided to make one of these for Top Gun: Maverick too, you know... to dispel the pain I caused with my last post...

(this is my whatsapp history, not direct quotes from the movie)

(in the first one, I'm aware it looks like There's a 30 min gab between both messages. There is not, my internet just decided that they were going to let me see the message 30 min later)

[rdr2gifs]

I often wonder what sets Arthur apart and makes him particularly appealing to me compared to other characters (in general). One significant factor lies in how he perceives and interacts with women. Arthur views women as equals, rejecting any notion that he is superior because they often do tasks traditionally associated with women, such as laundry and other chores.

He also never doubts capabilities of women like Sadie, who perform tasks usually associated with men. It's essential to note that one of Arthur's initial scenes with Sadie may be misinterpreted, as Sadie herself belittles the work of other women, not Arthur.

Arthur maintains healthy relationships with the female gang members, with none of them serving as a love interest. He sees men and women as equal, believing everyone should be able to walk their own path in life. He treats women with respect and he doesn’t expect any reward for his behaviour (sadly this is how many men seem to think even in the current time). He doesn’t see women in the gang as a cover (Dutch) nor like a liability (Micah). He sees them as people and valuable members of the gang.

Even in situations where he has to help women, he never considers them any less capable nor downplays their abilities.

Arthur's respect for women is also shown in his interactions with individuals outside the gang, such as the circus lady and the rich widow. After the circus lady thanks him for his help, he’s quick to say she would’ve been able to do it without him. He encourages her to pursue her dream in a so far male-dominated industry. He doesn’t look down on the widow, who doesn’t know anything about survival. He doesn’t tell her to go back to the city where she came from. He tries to teach her in a natural and encouraging way, never acting as if he was better than her because he has more experience. He patiently teaches her without any condescension.

He initially doesn’t understand why Beau even tries to stop Penelope from participating in the women's rights march. I like to think this is because he thinks everyone should be able to fight for their cause/what they believe is right. Not to mention he very much enjoyed riding with these ladies and wrote about his experience with fondness.

Arthur's journal entries reveal his disapproval of mistreating women, recognizing the injustice in an era when women had limited autonomy. “He treats his daughter like a possession to be mistreated and abused as he sees fit. Strange creatures men.” It was definitely not common for men in this time to be thinking about women's autonomy.

I don’t want to praise Arthur for things that should be considered the bare minimum but these qualities definitely add more to his likability. And it’s great to see where your favorite character stands on important things like this.

⚘ While acknowledging that Arthur's antagonistic lines may be interpreted as sexist, it's important to consider them as optional elements mostly implemented to make 13 years old boys feel edgy.

[golyadkin]

Long road to Colorado

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[reineyday]

mishanks mafia au where shanks is the don of the gol family and and mihawk is a hitman hired by the government (it's a conspiracy!) to kill shanks.

when mihawk shows up, shanks puts up a great fight, and even tho shanks loses (he's on the ground with hawk's blade at his throat!), mihawk decides shanks is way funner than the government and doesn't kill him after all. mihawk intends for this to be the end, with exception for perhaps more fights in the future, but shanks has already fallen on love and starts trying his damndest to get mihawk to work for the gols.

mihawk always refuses, but when the government puts out a hit on mihawk because he broke contract, mihawk finds himself thoroughly protected by the gol family anyways. shanks, however, doesn't save mihawk fast enough to spare the hitman some torture so, in retaliation, shanks brings down the entire government and exposes the conspiracy while he's at it, with the finale being a grand announcement that mihawk is his, actually, back the fuck off and don't try this again.

by the end, mihawk still doesn't work for the gols, but if he marries into the family, well. "there's still a difference, red." (shanks whines about this daily.)

[electroniccollectiondonut]

I have not been in this fandom long enough to reasonably judge others' takes however. "EPIC fans are so silly to characterize odysseus as feeling guilty for his actions don't you know he's a war criminal" is definitely a wild one. like first of all to each their own so settle down and let people enjoy things ok. and secondly making choices with a bad outcome, even knowingly and deliberately, does not exclude the possibility of feeling bad about it later. in fact it makes for a much more in depth character because then you get to explore what he does or doesn't feel guilt over, and why, and if that guilt ever edges into regret or not.

[angelsdean]

don't know how people multi-fandom. dipped my toe into another one and immediately backed out bc everyone there was insufferable.

[xxplastic-cubexx]

just read the new mutants issue where Charles chose to stay behind in space and my god the juxtaposition between Charles trusting Erik and Erik joining the hellfire club and wondering at his own trust worthiness. I wonder how much of Charles decision was him ultimately trying to avoid the fact that his first class had seemingly betrayed mutant kind and not be willing to face them and how much of it was Dani and Illyana's reaction to him having Karma mind control Illyana. the fact that Illyana was depending on him to ease her mind through limbo and in choosing to stay he forced karma to do it instead, probably fucking up their relationship in the process.

I love him, this is crazy, how much of this is him trying to runaway and how much is this him not trusting himself to fix things and how much is it just him trusting Erik?

i keep trying to put into words my exact thoughts about the sitch but there really is a lot for one issue aintit... oh charles you and your brain...

[sysig]

Coding woes (Patreon)

[sage-nebula]

So I have only seen episode 90 so far (since subs aren't yet out for 91 and probably won't be until tomorrow afternoon at the earliest I'd wager), but I have to say . . . no offense to his fans, no offense to whoever decided to include him in this show for whatever reason, but . . .

. . . Uruto is mega-fucking-annoying.

[loverboybrightsideghost]

the will to practice leaving my soul after i get good jury comments

[the-alan-price-combo]

"There is no other pianist/organist in Europe today who has moved, and I think ever will move me as much as much as Alan does." - Eric Burdon, 1966

[tankgotstuckinthecircusgate]

i know that when carlo suddenly decided that he needs to marry guy made a whole list in his head n like had a deadlines n shit. like it was some kind of a task he needed to do

[meyerlansky]

if hotd really wanted to make my year they'd have just made eliot alys

put a long wavy wig and some mascara on him and we're off to the fucking races

[naivety]

🎲plzz

my sentimental pre/season 5 stiles pov sciles + pack study because i want to and stiles should've gotten to buzz his hair again post nogitsune.

Stiles is only kind of half-watching as Kira twists to slam her stick against the frame of the goal so hard it warps into a new angle, but he hears Mason’s oh shit just fine from the bleachers.

There's no way that kid doesn’t know all the soon-to-be seniors his bestie decided to hang out with are off the fucking rails in some way or another, whether or not the word werewolf comes to mind.

"Whoa,” Malia huffs as she lands back in her seat just to kick one of the doors open and stick a foot out. She folds her body in half to squint at the shape of Kira chucking her helmet in the grass. “Uh–"

"On it.” Scott’s already halfway out his seat.

help meee