#anyway.... celebrating price-burdon today <3< /div>
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"There is no other pianist/organist in Europe today who has moved, and I think ever will move me as much as much as Alan does." - Eric Burdon, 1966
#hi hello hiiiiiii happy 'i'm crying/take it easy' recording day <3#wanted to deviate a little from band-related things and make a little piece celebrating the price-burdon aaaaa#since they don't have an immortalized meeting-date like some other songwriting duos do 😔#when i do learn the date they met believe me i'll make it a national holiday but until then....#i will celebrate on the same day that they recorded two of the songs they wrote together 🙏🙏🙏 TWO ABSOLUTE BOPS MIGHT I ADD#g o s h they get me so emotional.... contrasting and complementing one another in the best ways#alan so distant at first and even a little jealous#but then warming up to him completely.... dare i say developing quite a soft spot for eric.....#meanwhile eric was always impressed by him and wanted him to go far#aGGGhGHgHgHGG their musical partnership and general relationship is just so... aaaaaaAAA even if the songwriting didn't go far#it's not the 'what if' between alan and eric that makes them so compelling to me... it's 1000% what we have in front of us#(that 32000 word essay is my pride and joy) (STILL NEED TO UPDATE IT AGGHH)#anyway.... celebrating price-burdon today <3#eric burdon#alan price#the animals#1964#60s fanart#60s rock#classic rock fanart#classic rock#british invasion#british rock#worried life arts
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“...It was 2 o’clock in the morning and we’d been working pretty hard. Mickie Most behind the desk, looking like a fresh-faced high school kid, wasn’t ready to give up. As long as the band wanted to record, he’d be there, pencil in the mouth, sitting in the producer’s chair, feet up on the console. Relaxed. Over the intercom, into the main room, he spoke. It was the voice of God, the producer. ‘OK, if you guys feel you’ve got something else to come up with, we need a B side for the new single. Have you got anything?' In the middle of the room AP sat behind the red-topped Vox Continental, his feet nervously tapping out a fast gospel-type rhythm, his fingers skating up and down the keyboard surrounded by baffling and studio blankets.
He was playing fast, uptempo, hot and nasty gospel. I was in the isolation booth, headphones clamped on my head. Pricey opened, swirling through the changes.” - Eric Burdon, I Used to Be an Animal, but I’m All Right Now, 1986 (p. 132).
#aaaAAAA CELEBRATING AND SOBBING SO HARD TODAY#thought sharing this little description of the recording session of 'i'm crying/take it easy' from eric's autobio would be fitting <3#never not thinking about 'hot and nasty gospel'....... that's one way to describe it eric 👀#mickie most really pulled an all-nighter for his silly nephews...... wow very cool mickie most#btw chas and hilton and john later join the others too!! they brought everyone lunch!! 🥹#i also really like when eric talks about how refreshing it was to finish a late-night recording session and leaving the studio#the next morning and seeing everyone traveling to work... knowing that he could go home and rest... aaAAA I RELATE TO THAT FEELING SO MUCH#very relaxing thought....#anyway i cannot get enough of how eric describes everything here#the (affection) is palpable and it's sweet to remember just how fond eric was of alan deep down#and that's to say nothing of alan's feelings towards him.... 👀#which i have written 32000 words about and WILL UPDATE WITHIN THE SUMMER. I NEED TO. I LOVE THE PRICE-BURDON AND WRITING ABOUT THEM.#eric burdon#alan price#things i said today#british invasion#60s rock#60s music#classic rock#the animals#aleric#this has everything.... a mickie most moment. subtle homoeroticism. alan price. (affection). 10/10 thank you eric
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