#I did this instead of my class work

[autumn-doodles]

Testing out Toonsquid with a dumbass clip I found from one of Harlan’s streams

[an-internet-introvert]

When burning pasta is so traumatic you have to rewrite history in your head

[lifeisstrange-incorrectquotes]

PLEASE STOP HARASSING DECK NINE DEVS AND LIS PLAYERS WHO DON'T AGREE WITH YOU.

Death threats are not okay.

Telling people to kill themselves is not okay.

Harassing people over fictional ships is not okay.

Harassing people over their opinion of a game is not okay.

Harassing already overstressed, overworked employees is not okay. ESPECIALLY since it's been documented they've been working under discriminatory and predatory management, been through multiple crunches, and have an unidentified neo-Nazi on their team who management did not properly address and fire.

You can still be critical of a game and not harass the people who made it. Hell, you can absolutely hate a game and still be respectful to the people who made it. I'm sure the creators are far more likely to listen to the fans if we give constructive criticism than if we irresponsibly and cruelly send threats.

I know most people who see this haven't sent hate, and to those people: this post isn't about you. I massively respect you for maintaining your rationality and empathy. But for those who have sent hate or are thinking of doing so, please reconsider. Sending hate isn't going to change anything; it'll only break the fandom even further apart and stress out overworked employees. If you're going to be mad, be mad at the higher-ups at Square Enix for turning the franchise into a cash cow and at the upper management at Deck Nine for overworking and alienating their employees. (Also be mad at that 1 neo-Nazi because seriously, WTF!?)

But please, even to the worst of the worst, do not send death threats or harass people.

[bomedew]

scene redraw from the spn anime !!! (confession i havent even really watched it. i watched like one episode and then half of this one bc i didnt know what Dean was holding at first)

[kingsofmob]

hello i enjoy the hot new anime

[ink-the-artist]

forgive me if you've been asked this before or if its annoying, but how did you learn to use colored pencils like that? your art is so special to me.

ty :) I took an art class for a few years where our teacher had us buy prismacolor pencils as one of the art supplies and had us use them kinda like paints, pressing down hard right away and blending the colors together. its not how youre supposed to use them she was just trying to teach us to use color and ig this was more to the point. I picked them up again years after i stopped going to that class just bc they were there and i wanted to play around w them a bit and ended up actually enjoying it when doing it on my own terms lol

[eddis-not-eeddis]

Folks, if you would kindly take some time to pray for me over the next three or so days. Midterms are hitting pretty hard.

[sbeana]

cold girl with warm heart and warm girl with cold heart. you see what i mean

[tetrapaec]

He came with me to art school but teacher said no portrait today :(

[railsrei]

Saw this weird ad on here the other day and I HAD to turn it into a DN shitpost. I still have no idea what it was advertising, but I put way more effort into this than I should have.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[atopvisenyashill]

my hot take of the day is that clearly the people who swallow the in universe targ & valyrian exceptionalism are being completely taken in by the exact system that george is trying to critique but also i think the people who over correct into this idea that not a single targaryen is worthy of like, our empathy or sorrow or are rightfully chafing against the structures put in place by valyrians, first men, and andals alike are also being incredibly 2d in their analysis. i feel like this happens most often when people try to make the case that andals are somehow oppressed in westerosi society on a cultural level simply bc valyrian supremacy trumps andal culture. i think this is incredibly silly to say or posit as the truth in universe because there is in fact some oppression of culture in westeros but it’s not the andals lol!!! it’s the first men, the dornish, the rhoynar/greenblood orphans, and the ironborn. there Is some level of,,,, idk bigotry/xenophobia towards valyrians but only valyrians who don’t worship the faith - people like larra rogare, who still follow valyrian gods, do face this bigotry because they’re Too Foreign, the same way someone like thoros, melisandre, taena, etc who are essosi but not from a still heavy valyrian-based society like volantis and lys, and that’s definitely important to the conversation, because it shows the Dominant Culture is in fact the Andal culture when it comes to westeros and that’s like,,, fine, and even more interesting to me to see how andals, who have been the dominant force on westeros for thousands of years, interact with valyrians, who clearly want to keep ideas of valyrian supremacy alive somehow and essentially try to get the other dominant force in westeros to buy in (which they do!). like, are these two at odds sometimes? yes! but i don’t think it’s correct to say that the andals face ~prejudice for being andals or followers of the faith either!

[fromtheseventhhell]

"The best calumnies are spiced with truth," suggested Qavo, "but the girl's true sin cannot be denied. This arrogant child has taken it upon herself to smash the slave trade, but that traffic was never confined to Slaver's Bay. It was part of the sea of trade that spanned the world, and the dragon queen has clouded the water. Behind the Black Wall, lords of ancient blood sleep poorly, listening as their kitchen slaves sharpen their long knives. Slaves grow our food, clean our streets, teach our young. They guard our walls, row our galleys, fight our battles. And now when they look east, they see this young queen shining from afar, this breaker of chains. The Old Blood cannot suffer that. Poor men hate her too. Even the vilest beggar stands higher than a slave. This dragon queen would rob him of that consolation." (Tyrion VI, ADWD) Should you reach your queen, give her a message from the slaves of Old Volantis." She touched the faded scar upon her wrinkled cheek, where her tears had been cut away. "Tell her we are waiting. Tell her to come soon." (Tyrion VII, ADWD)

I appreciate how George explicitly makes the point that slavery isn't just about the economic aspect and that it is, at its root, built on subjugation. Even the people who don't directly benefit from it will fight to keep the system in place just so they have someone beneath them. That's why all the criticisms of Dany not replacing the economy before abolishing slavery fall flat, because that wouldn't have worked either. The slavers would've fought to enforce slavery regardless because they enjoyed the power and privilege it granted them. We also get insight onto the slaves thoughts on Dany's revolution, which makes it feel like this perspective is only coming from the consideration of the slavers and not the people actually being subjugated. The slaves want to be free, they want Dany to free them, and that shouldn't have to wait until the people who think of them as property decide it's acceptable.

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[anaalnathrakhs]

i feel it's so fucking stupid and ungrateful but it still hurts a little when someone gifts me something i just don't like. i don't know. i know it's dumb and inaccurate to astrain that much meaning to a simple gift, but it feels kinda like they don't know me. i guess it feels like people don't see me, like a reminder that the person i reflect and the person i feel like are incredibly different.

[celestialulu]

crash bang wallop omg messyu doodles will i ever not draw lucy frowning the answer is no and also a lucy.. shes translating some ancient language or smth idk