#I did not feel at all that I was an adult at that age either

[tryxyhijinks]

Pratchett had some words about this:

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?

Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.

O: It’s a rather ghettoized genre.

P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.

O: It’s certainly regarded as less than serious fiction.

P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.

Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.

(Pauses) That was a bloody good answer, though I say it myself.

my creative writing prof also HATES fantasy. as in if she asks for an example of symbolism in a book, and you give something from a fantasy novel, she’ll ask for an example from a “non-commercial book” instead.

I dunno man, people can have preferences, but the second you discount the artistic merit of sci fi and fantasy I stop taking your opinion seriously. and there’s such a big culture in Canada of only valuing literary fiction, to the point where one of our biggest authors, Margaret Atwood, refused for a while to classify her books as sci fi or fantasy. she said they were “speculative fiction”, which is entirely separate and very highbrow (sarcasm).

and I could go on about how Octavia Butler and Ursula Le Guin wrote books every bit as intellectual (and honestly, even more so) than their literary counterparts, but I am also an enjoyer of schlock!! I think there’s artistic merit in animorphs, and in isekais where a japanese schoolgirl reincarnates into a magical spider who has to level up like it’s a video game! it’s like with everything, you can’t draw a clean line that separates ‘art’ from ‘non-art’ or even ‘lesser art’, and pretending you can do so just makes you look ignorant and goofy. in my opinion.

[haveihitanerve]

BUS! I know I came back to land for a reason…

Also- for-word: um. Be prepared? Its not innocent. At all. Not about a bus. Um. yeah. Don't watch around people. Yeah. thats all the advice i can offer. Now go off into the world Penelope Jemima B. D. And show the world who you are 😭

(the amount of distress i had while watching this is insane) anyway:

Idk what AJ and Tom were saying at the very beginning but cuteness 

“You're gonna fucking love it.” Tom is an iconic king but also AJ and Sam laughing at his dumb little jokey intro will always be the cutest thing to me

“Hopefully in that order…” yes please lol

“BUS!” AJ really enjoyed that- gorgeous cackle, 10/10. Sam doesn't know what to do with that and Tom has just reverted to repeating it bc… wow

“First murder.” “last murder” goodness gracious what lmaooo

Toms little pat on AJ’s back as they started the scene 😭

AJ awkwardly scooting away as Sam comes closer but also moving closer because he needs to at all times be touching them 😭

“You don't see young people reading anymore.” Ok idk if its intentional or not but every time we get a scene like this in any way sam always starts insulting young people for being on their “tablets and iphones” and etc etc, and i don't know if its an actual grievance that he has at this point lmao(even tho we as fans connect to them thru this but wtv lol) or if hes mocking old people for their grievances and either one works for me really lol i just wanna knowww

Sam: Good book? AJ: *every book ever created ever in the history of ever leaves his mind* yeah yeah, uh u-yeah uh its the-the the- the sexbook. Yeah thats such a good book AJ, i agree

“Quite a coincidence.” AJ: *blinks, not sure what to do with that information just casually dropped with nothing else* wha-what Sam: *smirks* Tom: *offstage* :D 

Sam: I wrote the sexbook Tom: *oh did you??* *legs crossed, hand over mouth, classic tom pose that slays every. single. time.*

“Arthur big dick” Tom shaking with silent laughter, AJ almost caving with a laugh, Sam laughing as he says it. Idk shared laughter means a lot to me

“Name five of them.” No thats foul- because AJ couldn't even think of one and now you’re making him come up with fivvveee titles sam??? Thats loowwww XD

“Big Dick 1, 2, 3 ,4 and 5.” The groan of the crowd lmaooo- they really wanted to hear AJ come up with creative titles lol

Tom’s disappointed nose pinch in the corner XD

“Im just gonna fangirl here real quick-” yes AJ! Yes! Finally we are represented!!

Sam: You're a girl? *slowly removes his hand from Aj’s shoulders* AJ: *did not think that far ahead, nor that it’d be commented on* ye-yes? Sam: ah.*contemplates* this is much creepier than I thought it was LMAOOOOO (Toms little grin shaky laugh in the corner 🫠)

“I just feel like your writing- it just really gets to the heart of- of the sexual experience.” truly, inspirational work Sam

“Didn't like it.” Silence as AJ just stares at him. :| yes. Do continue. 👀

Tom and AJ’s laugh as Sam just doesn't answer XD

“He-hello?” AJ sounded genuinely concerned for Sam lol

“Where did you go?” “the sea.” regrets it before the words are even out- XD

The way they both broke, shook for a few seconds, and then straightened in sync is insane

Its like a fricking switch was flipped holy shit- laughing- then suddenly sitting upright and focused again lol wow

Toms little giggling in the corner omfg-

“Are you getting off? Whe-where are you getting off?” He heard the joke and immediately corrected lmaooo

“Well, turn to page seven!” “Ahhh!” “Ahhh!!” the whole finger pointing and like “hahahaha i knew you'd say it you shit” is amazing and i adore it

“How old are you?” Has to clarify for the scene, i appreciate it sam lol

“32. How-how-” “okay.” “okay.” yeah maybe its better not to clarify sam’s age- seeing as hes been at sea for 60 years yet was clearly an adult when he wrote the book and- lets not get into it

“Im actually getting off at the next stop-” “mhumhmh” AJ and Tom’s little smiles at his dumbass joke ahhhh i love

Also- side note- his book gets off already at page seven??? Thats pretty early right? Or am i tweaking? Actually its a book about sex called Sexbook so nevermind, ignore me

“Im actually a writer myself.” “oh really? What have you written?” “big vagina 1, 2, 3.” Sam completely folds at that, and Tom’s little smile as AJ smirks, proud of himself ahhh such dorks :) 

“But i haven't- *breaks* i haven't released any yet because *voice shakes with laughter* im too afraid. *sam casually dying in the background trying not to laugh* Im too afraid of showing my work *breaks again* cause i will be judged.” The hand to the heart is truly my favorite thing XD

“Jemima.” Sam: *shit what was my name again* AJ: Arthur B. D. Sam: *thats right thank you* Arthur B. D. WOW!!! AJ remembered a name!!! Brilliant. 

Brilliant stagecraft of leaving the bus AJ, adore

Tom gets to be in a scene now! Yay!

“Boys…” Sam thought he could sit down and relax- nope! AJ is trying, but, yep he has to stand again too lol

Tom unbuttoning his shirt just to reveal a shirt underneath is a power move holy shit-

“As the united kingdom communist part we just cant take that.” Tom squints at him: mmmhmmm. *shakes head because he does not like that* Sam: *does it back equally as passive aggressive* mmmmmhhhmmm

“Us fine upstanding, british *lacking a very substantial british accent* communists that we are.” 

I see Tom is trying to revive Xavier???? Or smth…

“Oh what did you just stutter to me?” His strut-

AJ’s tongue in cheek smile as he approaches-

That chin tilt???????? Oh ma my my-

“How did you get my name so wrong?” ahh how quickly the mighty fall😔

“Magnus o. Puss.” AJ’s almost break at the name lmaooo

“Cause i have a full magnus full of o puss.” Sam’s breaking of character so completely that he just covers his face in shame lmaooo XD

“You just wiped your nose.” “Sorry.” “you're wearing a jumper.” wow tom- just insult everything about him i guess XD AJ: 😔sorry…

Aj trying to escape the scene. Tom: don't just sit down and cry! No mercy…XD

“Flatmate.” “oh!” AJ’s relief lmaooo

Tom: I’m the other flatmate. :/ keep trying buddy, one day you'll join the scene again lmaooo

“Get on the couch.” “how was your day?” “how was your day?” “how was your daaaay?” the way theyre actually sitting really close together with Tom almost leaning against Sam’s shoulder 🫠

“You know, my writing,” “We’re big fans.” Tom casually interrupts to clarify and support- and like- i know its for the scene and they’re building a really quick relationship- but AJ actually is a writer/director and they do actually watch his stuff-😭- anyway-

Sam and Tom’s continuous looks at each other “Oooooooh!”

“Its from your time.” THERE WE GO!!! SOME OLD JOKES!!!! “Oh yeah, just us two 65 year old women with our 32 year old flatmate!” lmaoooo they're all women and not one of them originally meant to be XD

“Well we were five.” “At first it didn't do much for us.” I would hope not Tom, but thanks for clarifying…

“As we matured-” “as we matured-” “Like our bible-” “like our bible-” im loving this casual repetition they have going on, wonderful

“It was spiritual but also exciting.” “like cocaine.” “like cocaine.” Sam would know… and still with the repetitions XD

“That would be convenient to the plot.” I love how Sam feels the need to say this aloud and not just subtly hint at it- because knowing the two idiots he’s on stage with- sorry, chaos demons- they would totally let him try to build it up like that, and then never actually get the plot going in that direction lmaooo

“Oh my gosh.” Sam and Tom both cracking at his gasp- now drum roll, will Aj stick to the plot or is he throwing in a curveball???

“Is it convenient to the plot?” Tom looks like he doesn't want it to be- just to annoy Sam lmaooo

“And i looked out the window temporarily-” *almost breaks* Aj- i love you, but there are more casual ways to let this further the plot, you know that right XD

“Well this sounds perfectly plausible.” After he and Tom just destroyed any way it could be plausible

“You've cracked my code did you?” we get a snippet of Aj’s delightful laughter, beautiful

“Pass the torch up. There you go.” AJ: *finger point of “clever”* lol

“You cant go off again back to sea.” “..okay.” AJ’s break at the easy agreement lol-

AWWWWWWWWWWWWWWW i did not expect a cute hug scene!!!!!! Yay!!!! 🫠💗

Ok- i will be honest- i really though Aj was going in for a kiss at first- and i kind of believe Sam thought so too with the whole “i always wanted a daughter” to solidify its purely sweet and not romantic just in case aj gets any more ideas lol

Sam’s “oh!” and hunch drop into Big Dick because he thought he was Tom’s assistant??? And not big dick, but here he is again lmaooo

Tom’s little vibrating act made AJ fold and i think its wonderful XD

Tom climbing on a chair because he needs to be taller ofc, classic

“You could look, im not wearing underwear.” Sam, not only looking, but doing the appreciate, yeah head nod is crazy

“Im everything you fear.” AJ interrupting his build up to monologue to snort is priceless

“You were just a lowly intern-” Hang on a fucking minute sam- Tom is how old???? That was 60 years ago- i don't care how young and lowly he was- he was at least a teenager which makes him a seventy something yead old man- y'know what its better not to ask

“Even you couldn't… open it.” Tom freezing in place in an effort not to laugh, Sam’s head hanging in disappointment, and AJ just having the time of his life 

THEM GENUINELY JUST LETTING/MAKING AJ WRITE THE ENDING OF HIS SEX BOOK ON STAGE IS THE BEST AND CRAZIEST THING EVER WHAAAAAAAT

Tom’s little head drop forward like “what are you saying aj? Oh you're doing this? Okaaay…” 

“Penelope.” sam. Sam. sammy. Samuel. Its Jemima. 

“Im trapped in a vagina.” Tom, AJ, and Sam all cracking at the perfectly set up joke, classic

“How is he doing this?” Sam not helping at all and making AJ come up with it XD

“He says it just- hes a ghost.” AJ has given up lmaooo

“Astral penetration.” AJ BREAKING FULLY, FOLD ON STAGE, MID STAGE!!!!

“Magnum o, full stop, puss.” Sam checking his watch to see how much he has to speed this up lmaoooo

“Hell die inside of that vagina.” *both break* XD

“Im in my office on another floor…” Tom really wanted to be in the scene and they keep forcing him out XD

“Hes astral penetrated me-” Sam fully folds on stage too- he knew, he just knew AJ would make it weird- specifically made it so that they were established as daughter-dad relationship- and yet AJ still found a way LMAOOOO

“Don't make me call security.” “Call security! I don't care!” “Security.” “JA. I am secure.” Tom baby im just not sure thats what he meant XD

“Im just going to put this out there: we have several copies.” lmaooo Aj come on!

“But then your friend would die inside wouldn't he?” AJ: *HAHAH FUCK YOU!!!* “ahh fuck.” Sam is impressed lol

WHERE DID HE GET THE SWORD?????

[drenched exit] sam: awww come on! *disappointed as though he didn't help set it up*

[door closes with a moist SMACK] Tom: *smiles because hes proud of himself*

“You've been meditating inside a big member!” why do they keep making it worse better

[juicy splash] Sam: *makes sound of disgust and disappointment*

“Its perfectly natural!” You tell ‘em king!

Physic powers?????

“You-you've pinned it to the wall.” … aj… theres no emoji or anything to convey my expression rn, but i assume its the same as yours so… yeah…

“You must challenge him.” AJ: *breaks fully because he did not expect sam to just appear behind him while hes being tortured?? by a man rubbing his own nipples*

“Feel the tension!” i feel the tension alright😭

Aj having to laugh mid battle (real) because  w h a ha t???

What is going on😭😭😭

OH MY GOD WHAT???? SAM ESCAPED THE VAGINA????

pleasedontkisspleasedontkisspleasedontkisspleasedontkisspleasekisspleasekiss

“That vagina was so acidic.” Sam please don't say things like that while you're dying in AJ’s arms- XD

“Im so happy i met you on the bus that day.” You mean literally that morning?? Or did i miss a time jump?

“The big vagina 4. *moans*” Death. 

aj helping tom up from the floor😭🫠

AND, SCENE!!! wow. That was… wow. Ok. Um. So. If you couldn't tell, i got very distressed towards the end. Like very. It was very good though, kinda what i expected. I’m sad Luke isn't there but glad he wasn't because it would have been so much worse 😭 but uh. Yeah. that was fun! So… hope you enjoyed???

@snek-of-eden you were so right, the chaos is unmatched and wow. Thank you!!

@dawn-speckled

[the--highlanders]

i'd love to hear your thoughts on jamie's relationship with gender

anon you just activated my unskippable cutscene

in terms of jamie's gender. the first thing we have to look at is where he's coming from, contextually. and where he's coming from is a culture with a language that makes no distinction between the words for man and husband, or woman and wife. you're a boy or a girl, and then you get married and you're a man or a woman. if you look at the dictionary entry for 'balach', the word for boy, you also get 'bachelor of any age'. jamie in the highlanders is 22 years old, but he's still excluded from his cultural definition of manhood by virtue of not having a wife.

I also want to point to gèidh / gàidhealach by mark spencer-turner here. while it's more looking at modern gaelic constructions of gender than historic ones, I think its idea if the gaelic man as a gaelic speaker + who has a wife + who participates in specific social/cultural behaviours and situations is something that can be back-projected. and the modern-day rigidity of excluding men somewhat from full access to manhood if they, say, work an office job rather than a more traditional job also feels relevant. traditional constructions of gender - in any culture, but specifically here in gaelic culture - are built on so many small building blocks of participating in the 'right' social behaviours.

and then we've got jamie. he's a good enough piper to be compared to his father. clearly an apt enough fighter, and not willing to back down from a fight, either. presumably did all the right things and was seen in all the right places for a teenage boy to be, growing up. in that sense, he's not particularly non-conforming. and yet, crucially, he's queer, which throws a big wrench into the whole 'heterosexual marriage is key to access to manhood' thing. I don't think jamie necessarily had a good grasp on his queerness growing up, but I /do/ think the idea of growing up and getting married felt Wrong to him - and from there you end up with a general alienation from the idea of being A Man, too. he doesn't want to be A Husband, so he doesn't want to be A Man, because they're sort of the same thing. he's more comfortable with the idea of being balach, a boy, a bachelor of any age.

now as always the phantom piper does a lotttt of heavy lifting here for me, just by being so Interesting about jamie's family dynamics. on-screen, his father is his only named relative, the man who others compare him to and contextualise him against, the piper who taught and raised him - but it's his mother's pride he remembers, when he's finally fully qualified as a piper himself. his father doesn't get a look in, here. as a child, he idolises his grandfather - his father's father - and wants to be just like him. as the oldest son, he probably bears his grandfather's name. in the highlanders, he's called /wee jamie/, which I tend to think of as a translation of his descriptive name - seumadh beag, little jamie, as opposed to his grandfather. but somewhere along the lines, that idolisation breaks, and as an adult he doesn't describe his grandfather in particularly glowing terms. it's his grandmother he wants to be like, and whose words he turns into a core part of himself. everyone he knows sees him in light of his father and grandfather, sees him as the inheritor of their legacies - but in himself, he's much more comfortable with the women in his family, and wants to be more closely connected to them. his closest icons for masculinity are distant from him, somehow, or actively distasteful.

(he also has a male best friend who dies in his arms, so. negative points for the heterosexuality once again)

I don't think jamie ever really labels his gender, or that it would occur to him that he might want to do so. it probably sits oddly with him if someone calls him a man, but he shrugs it off. travelling in the tardis is incredibly freeing in that sense, because he's free from the weight of social expectations - nobody sees him as the successor to his father and his grandfather, just as himself. and he's ultimately able to explore his queerness, embrace that part of himself, and not live with the expectation that he'll have to follow the same pattern of life as everyone else, no matter how much he dislikes the idea. after a certain point, he probably just stops thinking about his gender entirely, so he winds up a bit apathetic to the whole thing. there's other things about him which are far more important. but I think there's always something of a wound inside him from 22 years of struggling with everyone's expectations that he'll grow into something he's not, thriving in some areas and absolutely failing in others - and I think if he was ever in a situation where he got to introduce himself with a descriptive name, it wouldn't be seumaidh beag. he's not a younger version of his grandfather. he's not seumaidh dòmhnall, either, jamie son of donald, son of his father. if he had the choice, I think he'd probably be seumaidh mairead, jamie son of mairead, son of his mother.

[mercurial-thrills]

Three Reasons Why YOU Should To Join a Writing Group

In the age of the Internet, you can find writing groups everywhere. Though us writers are often introverted and prefer solitude in our activity, it can be helpful, and even heartwarming, to be part of a writing group.

So, here are three reasons why:

It can help you create more like-minded friends – If you are an adult, this can be particularly helpful. A writing group helps you meet new people who have the craft of writing in common, and who knows? Some of them might also be interested in hobbies like arts and crafts, crocheting, D&D, gardening, and true crime. At the same time, you may not jive with everyone in your group. However, my experience shows that most of us are non-judgmental: we’ve all been beginners before, after all.

It can help you focus on the task at hand – Let’s say you’re in a writing group and you meet weekly to share something you’ve written that week. If you want to attend that meeting and hear everyone else share what they’ve written, you may also feel obliged to write a little bit. External motivation tends to be more impactful than telling yourself that you should write, right?

It can help you receive useful critique – Chances are, you’ll encounter someone who’s been writing for longer than you have, or has more experience in writing than you do. This means they will be able to pick out things you did not notice when reviewing your writing. Plus, you’ll be able to meet with people who will be able to find ways you can improve, other than discussing it with friends who either don’t care or have less experience in critique. Not all critique is helpful, after all.

As someone who has been in various writing groups over the years, many of them have been tolerant and accepting. Many places, such as Discord servers, have strict policies against being mean and discrimination. Chances are, you will find a place that works for you, whether it is local or online.

Because my two current writing groups are local, I cannot suggest them unless you live in the area. However, they can be found locally in schools, colleges, through the NaNoWriMo website (if you still use it, of course), and in other local groups. Otherwise, you can find them online through platforms like Discord and Slack.

I hope this post was helpful. Being friends with people who write has changed my writing, and my life, and I hope considering joining a writing group does the same for you.

[kenobion]

Andrew Garfield on The Jonathan Ross Show

[atopvisenyashill]

any thoughts about how could it be the dynamic between viserys-naerys- daeron ii in fire & blood 2?

okay so straight up the dynamic i’m MOST interested in learning about in f&b2 is the viserys-naerys-daeron ii dynamic. first of all, those first two are just UNGODLY DISTURBINGLY YOUNG when they have children. viserys has naerys, his YOUNGEST child when he is sixteen. naerys has daeron when she is fifteen. viserys is a grandfather before he is 32 years old. it is truly babies raising babies out here!! i mean fuck, daeron has baelor under significantly less traumatic circumstances but he’s still only 17 by the time he starts having kids! that’s all just wildly interesting and disturbing to me. like, that alone, how close in age they all are because they all married & started having kids at crazy young ages, explains so much about why this period has always felt particularly deranged to me (“this period” being post dance where we get this incredible string of deranged freaks from aegon iii to aegon iv that ebbs into this vaguely “we’re having a targ renaissance yay” era that erupts into civil war anyways! i LOVE this conceptually i’m so ready to be annoyed when f&b2 comes out and i’ve hyped this all up for some more dumb sex stories from another court fool ajsjs).

but then secondly, okay, when you look at the timeline- daeron is born in 153 and the birth nearly kills naerys 15/16 year old naerys. aegon iii is still king for four more years. that last year, aegon iv spends his time (and the next two years after that) shacked up with megette. then aegon spends a few years shacked up/probably raping casella vaith the hostage, before running off to war. then he spends more time raping naerys, wherein she has a miscarriage, and aegon is sent away so he doesn’t rape her to death. daeron marries myriah, has a child with her. but before that child is two, in quick succession, his father comes back home & immediately starts raping his mother again, his mother nearly dies having twins & now he has a sister younger than his son, and daena unveils her new bastard who everyone thinks is aegon’s, and baelor is so distraught by all this he fasts himself to death. viserys is king, and likely dead before daeron’s second son is born and before daeron turns twenty. suddenly the person responsible for making sure aegon doesn’t rape naerys to death are daeron & aemon, who have NO authority over aegon. this man has the audacity to stay alive for twelve more years.

that shit is insane. daeron’s father is only around when he’s raping his mom. the closest things daeron has to a father figure are his uncle who wants to fuck his mom, his grandfather who is probably busy constantly (and also only in his thirties 😭), and his batshit insane cousin baelor. his childhood is marked by almost constant instability until it stabilizes for the worse when his cousins all get locked in the maidenvault, then gets thrown into upheaval once again as baelor & viserys die and now his dad who is only around when he’s raping his mom is suddenly back in town and has total control.

and naerys. she’s like if aemma lived long enough to parent her kids, but worse bc you could argue there was fondness of a sort between aemma & viserys. aegon and naerys hate each other. she is constantly pregnant and on death’s door from the age of fifteen (three years older than her father!) until the day she dies, in her early 40s. it sounds like worse than hell to me. it is a lifetime where the only source of comfort you have is the son you birthed at fifteen, because maybe your life is a nightmare but if you raise him to be marginally less evil, he won’t destroy the innocent little girl you know is going to be sent to court to be his wife. everyone else is actively holding you hostage and applauding you for taking the abuse so well. your whole life is screaming for help and all you get is tears telling you you’re so dutiful and brave.

and viserys just. watches it all happen. of course he does! his kids are simply ungrateful! he had to get married at twelve and his wife wasn’t born in westeros so they had nothing in common and at least they have a living father, they have no idea how lucky they are. why should daeron and naerys blame him when he gave them everything because he had nothing? it’s a shame it wasn’t naerys that offed this man. i do think she was his favorite kid tho and i bet he’s not subtle about it at all.

[envolvenuances]

and I think child modelling should be illegal I'm not even joking

[caffeinatedopossum]

I'm starting to feel like bpd is actually just what happens when there's an overlap between adhd, ptsd, and depression- which I think is much more common than physciatrists think

I have a lot of theories but also like I need to do way more research on this before assuming things because I know this is already a greatly stigmatized disorder and I don't want to erase anyone's experiences or make it worse.

[cosmicheartz]

me: yea Solange was pretty shitty to Narinder for a while post usurp but i dont think she did or said anything that was extremely fucked up

also me: When Narinder attempted to bury the hatchet with Solange she literally told him that the only way to earn her forgiveness was to kill himself or die along with telling him on multiple occasions she should have killed him

[featherymainffins]

Why you all got ok mothers leave some for the rest of us

[kindacreepy-kindaugly]

haven't been sad like this in a long time

[bats-and-the-birds]

The Batkids on being mistaken as Bruce's biological children.

Look, the Batkids have all been forced into various social gatherings, and enough of them share vague features with Bruce that some of the older members among Gotham's old money, or the younger ones that are out of the loop, sometimes mix up the facts.

Dick gets it from the very beginning. Old women pinch his cheeks, still tan from a life outside of Gotham's gloom, and tell him, Such a sweet little boy, and just like your father at your age. His hair used to stick up just like yours. Dick didn't like it at all. He bit the first person that told him he had Bruce's eyes, and stomped on the foot of an old politician that told him, With your father's height, I thought you'd be taller by now.

He laughs it off as an adult, but sometimes, it still eats at him. People still tell him that they thought he'd eventually be as tall as Bruce, or that he should be thankful for his inherited jaw line. It's not the comparison to Bruce that bothers him anymore, or even being mistaken as his son, but rather, the fact that he sometimes struggles to remember exactly where his features actually came from; parental faces turning fuzzy in his distant memory.

Jason thinks it's funny, the first time it happens. Mostly because it's his nose of all things. Your nose is bent, grumbled the old man sitting across from him at the gala, Just like your father's. Tough luck on the genetics. The man didn't realize the bent noses were because they'd both been broken in the past. Jason spent days after studying Bruce's face, trying to figure out if their noses really bent in the same way, and eventually came to the conclusion that, yeah, they really did. From that point on, each time either of them broke their nose, Jason would distantly think, Ah, damn, there goes the family resemblance.

As an adult, Jason takes care to make sure people don't often seen his face. The hood does a pretty good job of that. Besides, he doesn't move in circles where the mistake could be made anymore. Still, sometimes he looks in the mirror at the bump in his nose and thinks, Family resemblance. Yeah, right.

It happens less with Tim. Anyone that made the mistake with Jason and Dick also remembered Jack and Janet Drake. It's not until he's almost an adult that a new hire at Wayne Industries, some kid from out of town, sees him and Bruce in the office together and remarks, Oh, you two furrow your eyebrows in the same way when you think. My mom says that my dad and I do that too. We inherited it from my grandpa. Tim feels unsettled all day and makes a conscious effort to not to furrow his eyebrows anymore.

There's no mistake to make with Damian. At least, not the same one that can be made with the others. He's the blood son, and he's a perfect mix between Bruce and Talia. Of course, there's the well-meaning, if confused, adults that assume he's adopted like the others. He corrects them, swiftly, and sometimes aggressively.

There is one incident. It happens while Bruce is gone, after he's been staying with Grayson for a few months. He knew, of course, that people thought that Grayson looked like Bruce. He could even see the similarities. Superficially, of course. However, he never considered that Grayson looking like his father also meant that Grayson looked like him. Not until an old woman leaned over to him at a gala and said, You look just like your father when Mister Wayne first brought him out to these things. The hair, that disgruntled little frown. He hated these parties too. Couldn't ever sit still. Gosh, I really can't believe it's been long enough that he has a child of his own. It took Damian a while to realize what happened, and even then, he couldn't bring himself to tell her that he wasn't actually Grayson's son, or that he and Grayson weren't actually that far apart in age. He felt strangely guilty the rest of the night, and he never dared to tell Grayson about it.

It happened to Steph exactly once. Really, she doesn't look like Bruce at all. It was a man with exceptionally thick glasses, who actually told her that she reminded him of Martha Wayne. She's pretty sure he was just trying to be nice. She tries to forget about it. She never tells Bruce.

You have his eyes, is what Duke gets. Which confuses him, because, uh, no, he doesn't. Not even close like Dick's. He says as much to the woman that said it to him, and she squints her eyes at him and responds, No, you definitely do. Not in the shape or the color, but you look at things the same way he does. Duke thinks about that sometimes, and he swings back and forth between being annoyed and weirdly proud that he apparently looked at the world like Batman did.

People tell Cass that she has his smile. She beams with pride at that. After all, she learned it from him. She studied, closely, the way his mouth ticked up at the corners, both while he stretched the dazzling, fake smile across his face for the public, and the genuine, gentle smiles that he gave her while he helped tie her hair back or slip on her mask, and now she could replicate them both perfectly. She didn't like the fake one, but she knew it was necessary.

[al-luviec]

I ran out of tag space but oomf had some good notes

smthn easy for today (sorry)

[meejijis]

Crazy how a couple of years ago when the dark times from 2016 to 2018 of the dsp fandom vs the dsp critical blogs fandom wars was around, the same anti that used to "call" me out for shipping a height gap pairing spreading misinfo saying im a p word and harassed/send hate other ppl in the dsp fandom alongside the other dsp critical blogs is somehow still an anti and still acts like an anti at the age of 25. That's sad.

[fuckyeahgoodomens]

Terry Pratchett about fantasy ❤

Terry Pratchett interview in The Onion, 1995 (x)

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?

Terry: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.

O: It’s a rather ghettoized genre.

Terry: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.

O: It’s certainly regarded as less than serious fiction.

Terry: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus.

Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.

Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.

(Pauses) That was a bloody good answer, though I say it myself.

[lambilegs]

getting acquainted with the dildo: attempt #1

contains: sevika teaching reader how to suck the strap, dry humping (reader doing it on sev's thigh), friends with (resolved, thank god) tension, slight humiliation kink, a bit of a spit kink, teasing, inexperienced reader, implied age gap (both reader and sevika are adults), sevika calls reader "kiddo" teasingly, reader's body is referred to w/ the following terms: "pussy," "clit," "cunt"

when you tell sevika that you've never used a strap-on before, you nearly beg some higher force to let the ground swallow you whole. you two have been friends forever, but lately, it's undeniable that some sort of molten desire has been pooling at the center of what you have. maybe it was always there, and had just been in denial. but, it's undeniably present now, impossible to ignore, thick and heavy in the air, lining every interaction with a sort of hot lava.

and it's made confessions like this, ones filled with sexual secrecy and exposed desires, carry a lot more weight than they did prior. you're pretty much confiding in a woman who you're aching to have sex with about just how much experience she should and shouldn't expect of you. it's way more vulnerable, and it feels like you're spoiling her prematurely by peeling away sexual secrets that in a different circumstance, one with just regular dating, she would've discovered on her own in the context of wanting to have sex with you. but, doing it in a friendship, when you don't even know for sure what she feels, is more uncertain. it's farther away from the line of actual romance and desire, and therefore feels risker to admit. because if your inexperience deters her, maybe she'll easily dismiss and rid herself of any attraction she might've once harboured for you, since it'd be simpler to as just friends.

so, to say the least, you're scared when confessing this secret to her.

at least, that's until you see the way her lip curls up when, while laying on her couch, you confess that you're nervous about one day using the strap due to never having done it before. she seems equal parts intrigued and amused by the revelation. from where she sits, picking at one of the screws in her arm, she asks, tone low, steady, "well, do you feel ready?"

"I don't know." you stare up at the ceiling, for the thought of maintaining eye contact through this conversation is a bit too unnerving for your liking. "I mean, I'm sure everyone feels... not ready when they start using it, right?"

she shrugs. "maybe. to a degree. but, you don't need to push yourself if it really scares you." her voice has turned tentative, face absent of the initial mischief. with the way she angles herself away from you, it seems that she's somewhat uncomfortable with giving such earnest advice.

"thanks for the sex-ed," you laugh, trying to ease the mood some.

"well, considering I've actually worn the strap and you've barely touched it, you could use all the advice you can get."

you try not to visibly tense up at the casually tossed comment. you knew sevika has used a strap, of course you did. you've been at her apartment enough times to catch sight of her lube or dildos (because, yes she has several) scattered about. but, god, the idea of it taut on her pelvis, ready to be used to pump into you, has your thighs tightening.

"well, then, oh-wise-one, what would be your advice?"

she shrugs, avoiding your gaze for a few seconds before saying, "getting acquainted with it. with things like sucking, touching, you know."

"sucking?"

"yeah." the corner of her lip quirks up as she raises an eyebrow at you. "never done that either?"

you feel your face warm, feeling awfully pathetic under her pointed gaze, years of experience behind it. "no." you groan, swiping a hand across your face. "god, I'm gonna be so horrible at it when I first do it."

"then, practice."

you scoff. "with who?"

"by yourself?" she drawls, casting you an incredulous look as though she aims for you to question your own stupidity.

you huff, turning away. "I can't do it on my own, how will I know if I'm even doing it right?"

"then, I don't know," she sighs exasperatedly, lighting her cigar. "someone you trust, I guess. someone who wants their dick wet."

"the only person I know who wants to get their dick wet is you," you snap, a petulant part of you hoping you can embarrass her as much as she does with you.

her lips wrap around the tip of the cigar, that scar on the bottom one seeming to deepen. it's almost entrancing, hooking your eyes in and leaving you resistant to its power.

you only snap out of the spell when she says, "is that your way of asking for it to be me?"

the words have your lips parting before you can force them shut. what the fuck is that supposed to mean? you're well-aware of the tension that's been there between you two, of course you are. but, you never imagined that sevika would actually initiate anything. sure, she's flirted here and there, and you're convinced she's started purposely mentioning stopping at babette's for the sole purpose of making you jealous (after all, she always has such a shit-eating grin whenever you fidget or glare at her in response). but, still, it's never amounted to an actual offer, an actual step over the threshold between friendship and, well, something else.

you know it's the more responsible decision to say no, and shut this down before things get complicated. or at least until you clear up whatever it is you guys consider yourselves to be in relation to each other, and if it's something that carries as much emotion to her as it does to you.

but, part of you wants to give into the throb between your legs, the thick tension crackling in the air, the way her gaze is resting on you calmly, as though debating whether or not she should pounce. and god, you want her to, itching with curiosity as to what she'd say if you teased back.

and so, you do. "why, are you offering?"

you get a world of satisfaction from the way she coughs at the question, puffs of smoke blowing from her mouth as she roughly clears her throat. beneath it all, though, is a very apparent underbelly of nerves in your stomach, tingling in anticipation for her answer.

when she finally sets the stupid thing down, giving her lungs a well-deserved break, she says, "why, do you want me to?"

you grit your teeth, a spark of irritation set aflame from this back-and-forth. you wish she could treat you with the courage she does anyone else, just answering your question then sweeping you off your feet with no action required of you. but, no, she just has to be cautious, and hesitant, and sweet. today, of all times.

you sigh. you suppose it's on you to end this game. your chest is tight with anxiety, the words about to roll off your tongue heavy and filled with consequence. but, you push through, anyways. if you remain vague, she will too. if you say no, you may lose your chance with her for god knows how long. so, the only option is: "fine, yes."

immediately, regret weighs upon you, sinking down into your guts. you shift, eyes pointed down to your knees, trying not to panic, when a small huff meets your ears.

it's sevika. sevika chuckling.

your eyes tentatively raise up to her, nails digging into the plush of the cushioned seat you're on. her small, endearing gap flashes as she shakes her head slowly, her laughter sounding split between amused and incredulous, bordering on a scoff.

you feel nearly glued to your spot when her eyes finally rest upon you, the grey shine in them wrapping around you and pulling, pulling and pulling.

she leans back in her couch, spreading her legs out. "well, then, hop on, kiddo."

and that's how you wind up on her thigh, her arm wrapped around your torso as you fist at the fabric taut over her broad shoulders. her mechanic hand squeezes into the silicone balls of a dildo, eyes stuck on your lips as she traces the tip over them. your breaths are heaving with anticipation as she strokes the head along the inside plush of your lips, getting the bulb of it wet and slick with your spit. the experience is exhilarating, for you know she's capable of going harder than this, of fucking your throat raw. but, no, she wants to take her time with you, draw out every drop and dribble of pleasure for the both of you.

"who knew you had it in you?" she muses with a raspy laugh.

before you can even speak to protest, she slides the entire head in, capturing your voice and transforming it into a broken, wanton moan of surprise. her eyes practically gleam at that, and she slides the dildo out of your mouth's confines with a pop before sliding the tip back in. your lips latch on automatically, hugging around the head and letting it roll around the flat of your tongue. despite the sheer anxiety of having sevika's attentive eyes on you, the motions of her push-and-pull into your mouth is almost -- well, relaxing? the repetitiveness of it, the way it gives you something to direct all your five senses to as it lolls about in your mouth, your lips tightening and loosening -- it makes your brain feel softened, hazy, lost in this.

"ah, look at that," she coos, her tone hushed and sharpened with an edge of mockery. "sucking on that like that's all you're good for."

the playful degradation makes your clit fucking throb, and without meaning to, your hips automatically jerk forward, the firmness of her thigh making your eyes nearly roll back.

"oh, someone liked that," sevika mutters.

her thigh suddenly bucks up, sending you bouncing on her lap and nearly toppling over if not for her muscular arm steadying you. the pressure against your pussy makes you whine around the toy, your lips stretching open to release the noise only has her pushing it in deeper, nearly a quarter of it now sliding up and against your tongue.

"suck it in and out, just like that," she whispers, her eyes burning into your skin as she intently watches you. you try to follow her directions, but your sucks are too eager, too fast, and sevika reaches her hand up and gently grabs your jaw, coaxing it into fluid motions that has the dildo being softly pressed and released by your lips' grip, over and over and over again.

you know this is a horrible idea, a fact that only becomes more punctuated with every thrust of the toy into your mouth. you know you should've had some more self-control, and should've put a stop to this inane idea before it had manifested into a reality. but, no, you just had to think with your pussy, and now look where it's landed you? on your friend's, a good, loyal, helpful friend's, lap, practically rutting like you're in heat and sucking dick with zero technique.

"when that gets a bit too repetitive, you can lick it." she abruptly yanks the dildo from your mouth, and an embarrassing wad of spit stretches out with it, spilling thickly down your chin. your face is practically burning from the heat of humiliation, but sevika doesn't seem to mind, only smirking and saying, "now, I was gonna tell you you can get messy with it, but you're a step ahead."

now that your mouth is finally freed, at least you get to spit out, "you're such a dick," as though your pussy isn't practically leaking with arousal.

"oh, so you suck off any asshole, then?"

"maybe I will once you're done with this lesson," you haughtily snap back.

her eyes narrow at that, but she says nothing to it, smacking the tip lightly against your mouth. "open."

despite your snapping, and much to your annoyance, your mouth immediately goes slack, falling open for her.

"tongue out, now."

you obey, sticking it out.

she snorts, shifting in her seat as she raises the dick to you. "such a little sub."

you roll your eyes at her words, jerking when she grabs your jaw, forcing you to face her. "keep those eyes on me."

your pussy clenches down on nothing. god, you need her. not that you'd ever admit it -- the last thing she needs is another ego stroke.

"show me how you'd lick this."

giving you so much control causes your confidence, however little you had of it, to waver. you hesitate before tentatively stroking the flat of your tongue along the head, maintaining eye contact with her the entire time. a tiny burst of pride ripples through you when you see her eyes widen imperceptibly. it's barely there, but you know her well enough to know it wouldn't have happened unless, at the very least, a small part of her was surprised, or maybe even impressed.

the reaction eggs you on, and you do it again, running your tongue along the entire length of the dildo, using the tip to trace along the bulging veins. when that's done, you lap at the head, the flat of your tongue quickly moving along it in steady movements.

when sevika speaks, her jaw is clenched, and the deep breath she takes shudders. "good."

"yeah?" the clear effect you're having on her is most definitely getting to your head, and it makes you desirous to push and prod at her more. "am I being good?" you end the question with a kiss right to the tip.

almost as though sevika is tethered to the toy, she swallows hard at the sight. "yeah," she says, her voice firm. "you're doing good."

the praise has your hips bucking again, and you internally curse at the leverage you've so clearly given her, another wicked smile curling at her lips.

her thigh resumes its actions from before, pumping up to meet your clothed core as her arm grips your waist tightly, keeping you anchored as she encourages you to rub yourself on her. your body acts before your mind can catch up, hips pressing down so that your clit receives some friction through the layers of fabric. you hate to admit it, but sevika's muscled thigh is a perfect helper.

"you can flick your tongue on the tip, too," she says, her voice a lot rougher than it was a few minutes back. you derive some pleasure from it, for even if your resolve is loosening and waning in wake of her touch, at least hers seems to be too.

"how?" you ask, your voice an embarrassing pitch from the desperation accompanying the word. but, as soon as it slips from you, your mind conjures up a single image, and it drives you to ask, "can you show me?"

"you kidding me?"

"no." you bat your eyes, hoping it'll get her more susceptible.

"I'm gonna need a bit more convincing than some pretty eyes."

oh, well, never mind. you deflate physically, though something tickles your stomach at knowing she finds your eyes pretty.

"oh, c'mon, please, sevi," you say, tugging on her arm with a jutted bottom lip.

after a few moments of casting you a deadpan stare, she sighs, tentatively turning the dildo around and raising the head to her mouth. voice warm, so velvety, she murmurs, "like this."

you hold your breath as the tip of her tongue pokes out, flicking along the head of the toy, flapping over it fast and hard. she may not realize it, but she's giving you a crystal clear shot of exactly how she'd look devouring your clit. you pocket the mental image, already knowing you'll pull it out the next time you get off.

when you follow suit, lapping at the tip, your tongue's point making little zig-zag wags, sevika's hand tightens on your hip, and with just one pull, you're back to riding her thigh. the pleasure coursing through your pussy, deep and aching from the pressure, is making you lost in sensation. your eyes flutter close as your hole clenches and your clit swells up, sevika's muscular thigh hard and lovely.

meanwhile, she's easing the toy into your throat, laughing when you gag all over it, spit gushing from your mouth. she's relentless in her practice, just coaxing you to move faster on her thigh as you struggle to accommodate the dildo, pathetic whines tumbling from your mouth everytime she pushes it in and your throat seizes with a choke. it leaves you more sloppy, more wet, more nasty than you were before, saliva trailing down your chin and getting your neck cool and sticky.

sevika's hand slides up your waist, just barely grazing the side of your breast on the way up, before brushing a thumb against the corner of your mouth, wiping away the residue. the touch seems wholly intimate compared to the ones that preceded, especially when she uses the digit to encourage your mouth to open and take the dildo in again. she seems to be more cautious of your limits now, easing it only halfway in. your eyes flutter shut, sucking nonsensically at it, losing yourself to the rhythm as you jut against her thigh faster.

sevika's eyebrows furrow in as you speed up, her breathing laboured, and you nearly giggle around the toy at the evident impact you're having on her. but, that's not all there is to it, for her expression only has a series of more hot, tempting mental images bursting through your mind. her panting like that when thrusting into you, her eyebrows scrunching in concentration like that while she lavishes attention all over your soaked cunt.

the thought has you bouncing faster, and sevika growls. actually fucking growls. her hand abandons your face, opting to grip your ass tightly and drag you harder against her. your bud is practically weeping with desire now, desperate to have its wants sated as you grind down harder. the weight of the toy on your tongue, the way your mind is numbed from the bodily chaos of sucking, thrusting, clutching -- it sends you rolling close to your orgasm, just barely teetering on the edge of it.

what finally sends you hurdling past it is how sevika bites her lip when she pulls you forward again, her thigh pumping up and down to meet your thrusts. she looks so concentrated on you, her dark eyes hooded and intense, and the pure want on her face makes you feel so desired, so aroused at the idea of how many ways you can get that expression on her face again. that, paired with another aggressive press from her thigh, and a tight suck on the dildo, sends your body crashing with an orgasm, walls spasming as your thighs go taut. you writhe in her arm, nearly tipping all the way back if it weren't for her catching you and holding you close. your chest presses flush to hers as you tremble like a leaf, clit sopping and stinging in sensitivity as she continues pushing against it.

you whine in protest, slightly lifting your hips, and she immediately takes the hint, slowing her movements to a stop. all the while, you keep sucking on the dildo, the shape of it in your mouth, the way it offers you something to latch onto and ground yourself with, practically addictive.

sevika watches you carefully for a few moments before gently tugging it out, a string of saliva hooked between the head of it and your bottom lip.

you moan in surprise when shr leans in and runs her tongue along your chin, curling it right at your bottom lip, swallowing down the saliva all for herself.

"you're such a mess," she mumbles, sucking languidly at your chin.

"it's not my fault," you grunt, voice raspy from all the noises you made. now that the heat of the moment has worn off, the searing burn of embarrassment begins to imprint itself on you. god, you were so loud, so desperate, so--

"you looked good."

you lick your lips, some of the nerves calming. "yeah?"

"don't let it get to your head."

"that's true, I already had my fair share of head for today."

her eyebrow raises at you in a distinct lack of amusement. "you're lucky you're cute."

your stomach sizzles with oh-so-stupid butterflies. god, why does she have this much of an impact on you? and it's so effortless on her end too, which makes it all the more frustrating for you.

"you think I'm cute?" you ask, forcing your tone to sound teasing so she doesn't realize just how earnest you are.

when she falls silent for a few moments, you tense up, wondering if she can tell how serious you are.

"who's the one leaking through my favourite pants right now?"

or maybe not. face twisted into a cringe, you grip her shoulders to stumble into a standing position, her hand still loosely hanging by your waist. "on that note, I think I'll go wash up."

her fingers dig with a bit more pressure into your skin, and to your shock, she says, voice gruff, "not just yet. just sit for now."

you let her tug you back into her lap, your arms immediately winding around her neck. "what for?"

she shrugs. "just comfortable." her eyes finally lift to you, and it's like you could plummet to the ground with how swept over her steady gaze makes you feel.

"was it not you who just made made that stupid pants comme--"

"do I need to get the dildo again?"

you burst into laughter, eyes crinkling as you shake your head at her. "is that gonna be your go-to whenever I piss you off now?"

"amongst other possibilities." her fingertips ghost your waist, and you shiver.

other possibilities? you know it's not the smartest thing to dwell on -- after all, she might've just said casually with no serious intent. but, sill, your stomach warms from something you had been trying your best to avoid this entire interaction.

hope.

but, when she touches your waist like that, and seems to struggle to remove her hand from you as you walk away, you can't resist the little part of you of that whispers, maybe it's warranted.

but, you don't want to get ahead of yourself. so, you keep it at just a maybe.