#I did not feel at all that I was an adult at that age either

[genderqueerdykes]

holy shit wait…your 32???

I…im gonna cry

I didn’t know we can live this long…

not just trans mass but…

alterhuman…and plurals..and…

I can’t…

so happy

gonna cry……..

yes i am! i was born in 1992 :)

that's exactly why i have my age in my bio- i've wanted to show people that you don't "outgrow" fundamental parts of your identity. it's natural to adopt and shed identities as we age, but i've been out as genderqueer since 19! nothing has changed, i'm still the same genderqueer person i was all those years ago!

and if anything- life has gotten better in my 30s. as a word of advice to most people out there: your teen years and your twenties FUCKING SUCK!!!!!!!! they tell you those are the "best years of your life" but they're NOT- you're growing into a world that is terrifying and doesn't understand you. you're scared. your brain and body are still developing and you're constantly facing new challenges. those are honestly i think the HARDEST years of your life, hands down

when i was a teenager, i would think to myself "phht there's literally no way i'm making it past 25 lmao" and figure that life ends after 25. well, that day came where i turned 25... and nothing changed.

and then i turned 30. still, nothing changed

now i'm 32 and... nothing has changed. maturation happens with age, yes, but it doesn't mean that you're suddenly a completely different person. people have such a shitty view on 30 year olds, like it's somehow "embarrassing" to be above the age of 25 years old. people in their 30s are constantly picked on, we're constantly told to "act our age" when... we are. i'm happier than ever realizing that I made it to my 30s, still trans, still nonhuman, still plural

i've been in treatment for DID since 2017, and while i've healed a lot, i have not integrated with my alters, and i never will. i don't want to. this is how my brain functions. the dissociation can be a nightmare for me, but my brain needs different people inside of it in order to be able to function properly. we tried to force ourselves to live as a singlet for 3 years and what ended up happening was that host at that time cracked from being under the constant pressure and still has never returned. the amount of stress it placed on us to try to live as a singlet was not worth it. at all

there hasn't been a singular moment in my adult life where i stopped being nonhuman, either. that was something that i never even tried to force myself out of. i never viewed it as weird or something that i should "outgrow"- i told my own mother that i did not identify as human as a child and that never left me. even now, i still wear dog collars, ears, tails, and take nature walks and do things to make myself feel more like my nonhuman selves. i'm still a furry, too!

i might not be a queer "elder" yet, but i'm happy as can be to be able to be an older queer person who can use their experience to help younger folks. thanks for sending this message! trust me, there really is a life after your 20s. your teens and 20s suck massively. but after i passed 30 i became more down to earth about my age. it's not a bad thing to live past 20- in fact, it's a badge of honor. i made it. i'm still breathing, i'm still here, still queer, despite all attempts to prevent me from still being here.

i'm going to continue be here for a long, long time, and you can be here with me, too.

take care of yourself! thanks for stopping by!

[postcardsfromheapside]

No. I wasn't missing the point of most criticism. Literally, I saw post after post of people saying they wished the characters could be mean to each other. Some posts were more specific, like "I don't like Taash," (and I'm sure you can imagine what THAT'S about) and some were more ambigious but cited DA2 and how everyone was bitchy toward each other.

I honestly don't care where you work and what you do, because hopefully most of us after the age of 30 have experienced an adult job where we have to be reasonable with our coworkers, even if we strongly disagree, or outright dislike them. I had the suspicion that most people who think that there is "no conflict," or "low conflict" or "bad writing" in this game haven't experienced this kind of setting in any capacity. What I'm now hearing is that you might have, but you didn't absorb any of the dialogue, or switch out your party to listen to banter, which is an essential function for picking up information in any DA game.

I walked around Arlathan with Lucanis and Harding, and they have a whole ongoing conversation in which she threatens him with one of her special arrows. And he agrees that if Spite should take him over, she should do something about it. Harding isn't frightened, because Harding isn't a pushover, but she's not taking any shit either. Did you walk around with just the two of them right after recruiting Lucanis? Did you frequently visit the rest of the companions so that you could see just how much Lucanis and Davrin *didn't* get along? Neve mentions what sounded like a knock-down drag out fight.

**Just because this isn't explicitly mentioned to you doesn't make it bad writing - it means you haven't had the time we had with Inquisition to play the game over and over and switch out your party so you can see everyone's interactions with each other. You will actually have to play the game multiple times and switch your party out a fair amount in order to see these interactions. Or wait for people to post them to tumblr. You can complain about how unfair this is, or remember that Inquisition has 10 years on this game, and it's been out for just shy of a month.**

Why in the absolute fuck would Davrin manufacture conflict between himself and someone he could easily conjecture isn't pro-slavery based on the fact that within five minutes he could find out she's from Dock Town, she's a private investigator working with the Shadow Dragons, and LITERALLY WHEN YOU GET ONTO THE DOCK WITH HIM, her first priority as she's running back to Minrathous is to say "if the dragon wrecks havoc, the Venatori will take over." Davrin isn't an idiot, he could pretty well surmise that she's not "pro slavery" with only the barest of interactions and Rook saying "yeah Neve's cool."

Why would Neve yell at you? Why is it bad writing for the writers to give Neve a personality you don't agree with, because you're uncomfortable with how she reacts? Neve's an adult who is used to working on her own and people not showing up for her - she says this MULTIPLE TIMES - it's actually a large arc of bonding with her, as a friend and a lover. She's not going to scream at you, she's so far past the point of being loud about disappointment, she's on the other side, for one, and for another, she does in fact understand that the entire North of Thedas is on fire and blighting Treviso is pretty fucking bad when it has no major defenses. Rook doesn't endlessly apologize. She came back after a short pause and while I didn't have her healing abilities after that, it didn't take long for me to boost my bond with her back up and feel like we were friends again.

This honestly feels like you're having a personal reaction that you need to examine, and it's not something to do with the writing, since the game mechanics and the dialogue don't actually bear out what you're putting down here.

All of the companions who have conflict initially have to figure out how to trust each other and it sometimes takes most of the game for them to do that. If you didn't spend the time listening to their banter as they work their way through it, that's not Bioware's problem. That's you. And...I don't want to have repeated conversations where I go into Emmrich's (my romance) room and "vent"? I didn't do that with Cullen. I didn't do that with Anders. Why would it suddenly be a thing here? But if you listen in to people's conversations, they do express dismay and doubt and fear about the various quests they've been on. Again, it feels like you didn't spend the time eavesdropping or taking people out and listening to banter.

I have no idea what you're talking about with flirting. I flirted with every companion at first even though I knew I was running for Emmrich, and all of them responded according to their personality. I romanced Cullen in Inquisition, and he was pretty quiet initially, until you get to Skyhold, and similarly, most of the companions here retain a certain reticence until the game progresses. But if you're looking for people who get flustered - Lace and Bellara absolutely do! And Emmrich isn't flustered, but he's taken aback a few times before he collects himself and flirts back - though whether you'd actually recognize it for flirting, I'm starting to wonder. The fact that you can't tell with Neve is actually making me tilt my head at the screen, and I say this as a self-confessed disaster who is very very bad at knowing someone is interested. Even I can tell what's going on in DA romances.

This is probably a lost cause, but I urge you to either spend time playing the game again, or watch someone else who really loves DA (and is Veilguard positive) play so that you can watch without being in the thick of it, and hopefully experience more dialogue and different choices.

No, I'm not done yet, I'm house sitting and she left me snacks and soda and not even god could keep me from venting my spleen at this point.

"I wish the companions were meaner to each other in this game, like in DA2."

While I think there's a larger argument to be made discussing the similarities between DA2 and Veilguard, I need everyone to get so close to me right now about a glaring difference:

DA2 involved a ragtag group of assholes with their own agendas coalescing around Hawke's personality or exchange of favors. There was no larger "goal," except maybe Varric's expedition - everything else is encountered as circumstance. You wend your way through your companions' stories while a city winds ever tighter into itself, a spring about to literally explode.

There's zero reason for these people to be nice to each other. They have no point in being around each other except Hawke. They can bitch at each other all they like.

Rook becomes Varric's second in command (I've seen one post say it's about 6 months before the events of the game) with an explicit purpose: find and stop Solas. Harding and Neve are recruited as experts in their respective fields for this particular goal. When it all goes to shit, Neve recruits another expert, Lucanis, to deal with the fallout, and Harding finds Davrin, *also* an expert in his field (monster hunting). When Rook has to make a particularly consequence heavy decision, two more are added to the crew: Emmrich (Fade expert) and Taash (dragon expert). All of these people are extremely competent, and know from the jump that they have one particular goal in mind.

They join ready to work together on Day 1 because if they don't, there's simply no other alternative. It's lights out. Even when they mistrust each other, the direness of the situation is not lost on them. Infighting serves no purpose. That's why the struggle is directed inward: clean up your own house, so we can move as a single unit.

Honestly the fact that what people took away from this game was "I wish my friends were meaner to each other" and not "wow, I wish we all worked together to keep evil dictators from taking over" is fucking mindblowing when I sit back and reread this.

[kenobion]

Andrew Garfield on The Jonathan Ross Show

[atopvisenyashill]

any thoughts about how could it be the dynamic between viserys-naerys- daeron ii in fire & blood 2?

okay so straight up the dynamic i’m MOST interested in learning about in f&b2 is the viserys-naerys-daeron ii dynamic. first of all, those first two are just UNGODLY DISTURBINGLY YOUNG when they have children. viserys has naerys, his YOUNGEST child when he is sixteen. naerys has daeron when she is fifteen. viserys is a grandfather before he is 32 years old. it is truly babies raising babies out here!! i mean fuck, daeron has baelor under significantly less traumatic circumstances but he’s still only 17 by the time he starts having kids! that’s all just wildly interesting and disturbing to me. like, that alone, how close in age they all are because they all married & started having kids at crazy young ages, explains so much about why this period has always felt particularly deranged to me (“this period” being post dance where we get this incredible string of deranged freaks from aegon iii to aegon iv that ebbs into this vaguely “we’re having a targ renaissance yay” era that erupts into civil war anyways! i LOVE this conceptually i’m so ready to be annoyed when f&b2 comes out and i’ve hyped this all up for some more dumb sex stories from another court fool ajsjs).

but then secondly, okay, when you look at the timeline- daeron is born in 153 and the birth nearly kills naerys 15/16 year old naerys. aegon iii is still king for four more years. that last year, aegon iv spends his time (and the next two years after that) shacked up with megette. then aegon spends a few years shacked up/probably raping casella vaith the hostage, before running off to war. then he spends more time raping naerys, wherein she has a miscarriage, and aegon is sent away so he doesn’t rape her to death. daeron marries myriah, has a child with her. but before that child is two, in quick succession, his father comes back home & immediately starts raping his mother again, his mother nearly dies having twins & now he has a sister younger than his son, and daena unveils her new bastard who everyone thinks is aegon’s, and baelor is so distraught by all this he fasts himself to death. viserys is king, and likely dead before daeron’s second son is born and before daeron turns twenty. suddenly the person responsible for making sure aegon doesn’t rape naerys to death are daeron & aemon, who have NO authority over aegon. this man has the audacity to stay alive for twelve more years.

that shit is insane. daeron’s father is only around when he’s raping his mom. the closest things daeron has to a father figure are his uncle who wants to fuck his mom, his grandfather who is probably busy constantly (and also only in his thirties 😭), and his batshit insane cousin baelor. his childhood is marked by almost constant instability until it stabilizes for the worse when his cousins all get locked in the maidenvault, then gets thrown into upheaval once again as baelor & viserys die and now his dad who is only around when he’s raping his mom is suddenly back in town and has total control.

and naerys. she’s like if aemma lived long enough to parent her kids, but worse bc you could argue there was fondness of a sort between aemma & viserys. aegon and naerys hate each other. she is constantly pregnant and on death’s door from the age of fifteen (three years older than her father!) until the day she dies, in her early 40s. it sounds like worse than hell to me. it is a lifetime where the only source of comfort you have is the son you birthed at fifteen, because maybe your life is a nightmare but if you raise him to be marginally less evil, he won’t destroy the innocent little girl you know is going to be sent to court to be his wife. everyone else is actively holding you hostage and applauding you for taking the abuse so well. your whole life is screaming for help and all you get is tears telling you you’re so dutiful and brave.

and viserys just. watches it all happen. of course he does! his kids are simply ungrateful! he had to get married at twelve and his wife wasn’t born in westeros so they had nothing in common and at least they have a living father, they have no idea how lucky they are. why should daeron and naerys blame him when he gave them everything because he had nothing? it’s a shame it wasn’t naerys that offed this man. i do think she was his favorite kid tho and i bet he’s not subtle about it at all.

[envolvenuances]

and I think child modelling should be illegal I'm not even joking

[caffeinatedopossum]

I'm starting to feel like bpd is actually just what happens when there's an overlap between adhd, ptsd, and depression- which I think is much more common than physciatrists think

I have a lot of theories but also like I need to do way more research on this before assuming things because I know this is already a greatly stigmatized disorder and I don't want to erase anyone's experiences or make it worse.

[featherymainffins]

Why you all got ok mothers leave some for the rest of us

[kindacreepy-kindaugly]

haven't been sad like this in a long time

[barkingangelbaby]

listening to 311 and smelling N's weed (bc I can't smoke anymore </3)... yeah I am my parents daughter (but not a girl)...

[al-luviec]

I ran out of tag space but oomf had some good notes

smthn easy for today (sorry)

[meejijis]

Crazy how a couple of years ago when the dark times from 2016 to 2018 of the dsp fandom vs the dsp critical blogs fandom wars was around, the same anti that used to "call" me out for shipping a height gap pairing spreading misinfo saying im a p word and harassed/send hate other ppl in the dsp fandom alongside the other dsp critical blogs is somehow still an anti and still acts like an anti at the age of 25. That's sad.

[fuckyeahgoodomens]

Terry Pratchett about fantasy ❤

Terry Pratchett interview in The Onion, 1995 (x)

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?

Terry: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.

O: It’s a rather ghettoized genre.

Terry: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.

O: It’s certainly regarded as less than serious fiction.

Terry: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus.

Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.

Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.

(Pauses) That was a bloody good answer, though I say it myself.

[caffeinewitchcraft]

Ghost Eater

Summary: You don't like exorcists. They don't much like you either.

-----

You’d always thought big restaurants like the Brownie Industry only did well in small, midwestern towns like the one you came from. A year working in LA has taught you that, no matter where you go, people will always love garlic bread and sugar.

It’s your day off which means you’re pulling a double shift. You haven’t had time to wash your hair for the past two weeks so it’s frizzing out of your claw clip and flying wild around your face. The lighting is so dim that you’ve tripped over two black purses already, luckily not while you’re running food. The big dining room sounds like an apiary with the tittering laughter of the later adult crowd that’s filtered in from the theater across the four lane road. The main difference between the Brownie Industry here and the one back home is size. The ceiling soars overhead, supported by a series of concrete pillars separating the dining area into three sections.

Normally it would be three servers per section. Today, it’s just you in yours.

One more hour. That’s what the manager promised you. It might even be true if the host stand quits seating you after the table you’re approaching.

There are three people at the table. A woman whose hair might be light blonde or gray in the light of day, her eyes light and piercing. Her face is soft from age, emphasized by the tight, lace collar of her off-season sweater. She reminds you strongly of your mom’s nemesis on the HOA board. The man couldn’t be more out of place next to her despite their equivalent age. He’s wearing a leather jacket – again, it’s not cold here – and a Norwegian metal shirt underneath. His hair is definitely white, so white it almost glows. He’s frowning at the teenager across the table as if she’s touched his motorcycle without permission.

The teenager might be the first you’ve seen all night who doesn’t have their phone out. She’s decked out in what you consider grandma florals – a t-shirt scattered with daisy chains, a bucket hat made out of nana’s carpet bag, and a hand-crocheted scarf in pastel.  You can’t really see her face under the shadow of her hat and there’s an odd, blurred quality to the way she fiddles with her napkin. You let your eyes skip past her and back to the two adults. Teenagers don’t pay the bill.

“Welcome to Brownie Industry!” you chirp. You’re sweaty and red but the faded yellow light hides that. You’re a service industry pro so none of your exhaustion shows on your face when you ask, “Is this your first-time dining with us?”

If you weren’t so burned out, you’d have noticed before you introduced yourself.

“Are you Grady?” the woman asks. Her voice is more posh than you expected even with her lace collar. “Grady Pace?”

Fuck. There’s a noticeable temperature differential now that you’re close to them. The restaurant is warm from the number of bodies, maybe even warmer than the summer air outside, but stepping up next to their table feels like walking into an ice rink.

“I’m your waitress,” you say. You don’t have time for this conversation. You’ve got five minutes in your cycle to take their order and then you’ve got food to run. “If you need any other services from me, I have a website.”

“We messaged you,” the man says. His lips thin to the point his thick mustache covers them entirely. “You never responded.”

Because you’ve been making more money at the Brownie Industry than your other job. “I’ll take a look at it tonight.”

“Wait,” the teenager says, sitting upright. She looks from you to the adults and back again. When she smiles, there’s no humor in it. “This is why we drove eight hours to have dinner at the Brownie Industry? For her?”

“Katie, be polite—”

“I’m sorry,” Katie says, “It’s just—I found a priest, you know? An actual exorcist priest and you guys want to trust a waitress over him?”

“Ugh exorcists,” you say. The memory of sour cabbage is so heavy on your tongue that you stick your tongue out in disgust. When you see Katie’s look, you backtrack. “Effective! Definitely effective.”

“Your mistakes have cost us too much already,” the man says, shaking a finger at her. “We are not converting just for an exorcism.”

“I normally don’t agree with your father,” the woman tells Katie, “but in this case I would like to leave conversion as a last resort.”

“We wouldn’t actually convert,” Katie says, rolling her eyes.

“Pretty sure exorcists can tell when you lie,” you tell Katie. When her scowl deepens, you clear your throat. “Did you all need another minute to think about the menu?”

“We need you to help us,” the dad says. He scrubs a hand over his face. “Look, I know you’re at work and I’m sorry we’re bothering you.”

“We’re desperate,” the mom says. She reaches for her purse. “We’ll pay you. Triple the rate on your website or even quadruple. We need that thing gone by tonight.”

Katie covers her face. “Mom. You’re embarrassing me. Terry isn’t that bad.”

“Oh, he’s bad, young lady,” the dad says sternly. “A bad influence.”

“We caught her trying to perform another séance yesterday,” the mom confesses to you. She leans forward with a pinched expression. “So Terry’s friend Larry could visit too.”

“Interesting,” you say. The food bell rings, but you think you can ignore it for another minute. You study Katie’s blush. “Why did you do that?”

If she was being compelled, she won’t have an answer to your question. You’ve dealt with a lot of ghosts in your time, but so few are sentient enough – or powerful enough – for compulsion.

“Go on,” the dad says, gesturing at you. “Tell her.”

“Leroy, she’s embarrassed enough,” the mom says.

“No, she’s not, Sarah.” The dad – Leroy – gestures to you again. “Tell her.”

Katie huffs, clearly resistant. But when her dad huffs back, she caves. “So,” she says, “I have this YouTube channel—”

“I’m off in an hour,” you interrupt. You don’t care that you’re being rude. Your patience ran out as soon as she said YouTube. “I’ll meet you in the parking lot.” You turn to go.

“A moment!” Sarah shakes out her menu. “How’s the nicoise salad?”

Of course they’re going to order. They’d better tip too if they want you to help them with their ghost problem.

----.

“You said an hour,” mom Sarah says when you leave out the employee entrance. She’s shivering next to her daughter. Leroy is off smoking behind his motorcycle, parked next to the Tesla Katie is leaning on, but he stubs out his cigarette on the asphalt when you walk up. “It’s been two.”

“I had side work,” you say instead of it would have been one if not for you. You rub your bare arms when the familiar ghost chill washes over you. You want nothing more than to go home and wash the scent of garlic and brownie batter out of your hair. “Was there something wrong with my service?”

“No?”

You try to make your voice light. “I see.”

Sarah frowns at your tone anyway. “Why?”

“You tipped five dollars.”

Katie jolts like a scalded cat. “Mom!”

Leroy scrubs a hand over his face. “Sarah…”

“What?” Sarah throws up her hands. The parking lot lights catch on her Swarovski charm bracelet. “I tipped!”

“Like ten percent,” Katie says. She pulls her bucket hat over her eyes for a beat and then peeks at you from under it. “I’m so sorry. It’s not you, she’s always like this.”

“It was actually a six percent tip,” you say. You’re getting a clearer picture of this little family now. It’s becoming more and more understandable why Katie might have started summoning ghosts. “If you want to be precise.”

Leroy reaches for his back pocket. “Let me.”

Sarah swats at his hand. “We’re about to pay her a lot more than that!”

“For a completely separate job,” Leroy says. He pulls a twenty from his wallet and hands it to you with a grimace. “Sorry, Grady, I should’ve checked.”

“You should’ve paid if you cared so much,” Sarah retorts. She folds her arms over her chest. She taps her cheek and widens her eyes. “Oh wait… you never pay.”

“Sure,” Leroy says. This time it’s his turn to throw his hands in the air. “Sure, Sarah. I don’t pay for anything to do with our daughter’s private school or her dance classes or her health insurance—”

“If the court hadn’t mandated—”

“You make twice as much as me—"

“Guys!” Katie says loudly. Her mouth is a thin line of upset when she says, “Argue about what an expensive burden I am later when we don’t have an audience, okay?”

Her parents speak at the same time.

“You’re twisting my words,” Sarah says. “I never said—"

“Sweetie, you’re not a burden—”

“Can you just get this ghost out of me?” Katie asks you. She goes for nonchalance and falls short. “My parents haven’t been in the same room for the last five years for a reason.” She fakes whispering. “They don’t play nicely with others.”

Sarah bristles. “Katie.”

“God, I know how that is,” you say. The whole interaction is giving you the worst case of sympathy for Katie. Before her parents can say anything else, you change the subject. “How long have you been haunted?”

“Six months,” Katie says. She fiddles with her bucket hat so that you can see her eyes for the first time. They’re brown, like her dad’s, and have heavy bruises underneath. She shrugs. “They only noticed a month ago though.”

“I noticed your behavior had changed,” Sarah defends. Like her daughter, she fidgets. She plays with her bracelet and clears her throat. “I thought it was a teenage thing.”

“What signs did you notice first?” you ask the parents. They glance at each other and then away.

“Let’s just say we noticed different things,” Leroy says dryly. He pulls out his phone.

“Moodiness,” Sarah says. She ticks them off on her fingers. “Laziness. Disrespect. Over-sleeping.”

“Those are just teenager things,” Katie says with an astounding level of self awareness. She shrugs. “I’m a senior now. They’re lucky it didn’t start sooner.”

“I,” Leroy says, “noticed this.” He turns his phone towards you.

“Ah,” Sarah says, “Yes. That.”

You examine the picture. It’s of Katie on a small dirt bike. She’s wearing a helmet in the picture, but you recognize the fashion sense in the floral boots she’s wearing. The scene behind her is of the hills, low scrub brush recognizable to someone who’s lived in LA for the past five years. On the bike behind her is a smudge. It could be a cloud of dirt blown into frame or maybe a camera glitch. It could be if it weren’t for the leering face emerging from the cloud right behind her head.

“I just want to say I did not agree to getting her a motorcycle,” Sarah says.

“Mom, not the point,” Katie says.

“Look how close that creep is to my daughter,” Leroy says. He jabs a finger at Katie’s waist in the photo where you can see a ghostly hand. “I want him gone.”

“Dad, he didn’t mean anything by it!” Katie turns to you earnestly. “Terry never rode a bike before and I thought, like, what if he moved on after he got a chance to? It was a philanthropic effort!”

“Plant a tree if you want to be a philanthropist,” Leroy growls. “I want this guy away from my daughter.”

“He doesn’t mean any harm really,” Katie says. “He would move on if he could! He says he’s stuck to me because of how I summoned him. He’s like, really sorry. He even spelled out Sorry in the bathroom mirror once.”

“What,” Sarah says in a dangerous voice, “was Terry doing in the bathroom with you, Katie?”

Katie splutters. “Mom, don’t be gross!”

The family descends into bickering. You have heard about ghosts being stuck to a person before, but usually that’s when the person has some sort of psychic powers. Katie’s wearing crystal in her ears, but they aren’t charged. She might develop some talent later in life, but right now she’s a normal girl.

The parking lost is nearly empty now. You recognize a few employee cars, but very few customers. The kitchen will be cleaning for another half hour before they’re ready to go home.  The reality is that, if Terry is stuck, you might not be the best way to handle the situation. If he’s not…

Well.

It’s time to talk to Terry.

Opening your ghost sense is hard to describe. Some psychics liken it to a third eye, right in the middle of their forehead. You’ve always thought that sounded really cool like maybe the world gets cast in a blue hue when they do it and the dead appear like they do in movies. You’ve met other psychics who say it’s like a sixth sense. They know where the ghost is and it’s like they download all that information until their minds can just sort of conjure their image.

For you, it’s like letting your body remember it has a second mouth. Cats have an extra sensory organ on the roof of their mouth that lets them detect scents better. Your second mouth is a bit like that. You can still smell brownies and garlic and the city air of LA, but you can also smell/taste something else.

Something like…pepper?

Your eyes water and you sneeze so viciously that your eyes close. When you open them again, four people are staring at you in surprise.

“Gesundheit,” Leroy says.

“You sneeze like Dad does,” Katie says.

“Did no one ever teach you to cover your mouth?” Sarah asks in disgust.

“I wish you would’ve sneezed on her,” Terry says, nodding to Sarah. “She’s such a bitch.”

“Thank you for the commentary, everyone,” you say. You wipe your nose with the collar of your shirt as you consider Terry. It’s dirty anyway. “Terry. Interesting name for a ghost.”

Terry hasn’t noticed that you can see him yet. He’s floating behind Katie, one arm casually flung over her shoulder. It’s hard to place when he died based on his appearance alone. His hair is chin length, emphasizing the width of his jaw. Squire cuts have been popular for several decades and the bowling shirt he’s wearing could either be a modern fashion statement or a dated uniform. He looks to be in his mid-twenties, sun-kissed and with the air of someone who tells a lot of jokes at the expense of others. His arm around Katie strikes you as possessive, the glare he gives her parents venomous.

“I didn’t name him,” Katie says. “He said it’s short of Torrance.”

You blink. “Wouldn’t he be Torri then?”

“That’s a girl’s name,” Katie and Terry say at the same time. Their cadence is so close that it actually sounds like Terry’s baritone comes out of Katie’s mouth. For a moment, his arm flickers, clipping into her shoulder like a bad animation. When it does, Terry’s form grows brighter, more solid. Then Katie shivers and he’s forced out of her.

You and Terry click your tongues at the same time.

You remember how Katie’s hands seemed to blur at the dinner table. Terry’s not just haunting Katie. He’s trying to possess her. You wonder if that’s why Katie looked up an exorcist rather than a simple spiritual cleansing. Did she know how much danger she was in?

“Okay,” you say. You tear your attention away from Katie and Terry for a moment. Business first. “Sarah. Leroy. Who was it that found my site?”

“I did,” Sarah says. She raises her chin when you can’t hide your surprise. “When Katie was looking up exorcists—”

“She didn’t mean it,” Terry says. He pats Katie’s hat. “Right?”

“—I looked up alternative solutions,” Sarah says, not having heard Terry. Her confidence falters for a moment and she rubs her arm. “I have had some… negative experiences with exorcisms. I don’t want my daughter to go through that.”

Katie’s head whips towards her mother. “What? I didn’t know that.”

“It was a long time ago,” Leroy says. For the first time, he reaches out and hugs Sarah with one arm. You don’t know what surprises you more; Leroy hugging Sarah or Sarah leaning into his side. “When Sarah told me, we decided to put our differences aside. I vetted you through some of my contacts and they all agreed you’d be a safe bet.���

“I am,” you say. You’re not bragging either. You’re probably the safest bet in half the western states besides your older sister. “There are some…peculiarities in my method.”

“Charlatan,” Terry whispers in Katie’s ear. He’s grinning now. “Only charlatans are that confident. Look! She can’t even see me!”

Katie looks doubtful.

Usually, you’d try to talk to Terry at this point. Sometimes spirits can be negotiated with. They can be encouraged to move on or to take on a less aggressive form of haunting. Those that are truly stuck can be helped with the right sort of ritual work. But the way Terry’s affecting Katie’s mood and that fucking arm around her shoulders…

You don’t really want to talk to Terry.

“We can ask Terry to move on,” you tell the family.

“Nooooooo,” Terry says and flips you off. “Pass!”

“Sometimes spirits don’t realize how deeply they’re affecting their hosts,” you say.

“You don’t even know how deep I’m about to be,” Terry jeers at you.

“Many ghosts are confused when they’re called to interact with the living,” you say. “It can blur their understanding of death and, as a result, they cling to life. If they stick around long enough, their presence will affect the living like what’s happening to Katie. It’s not always malicious. It can be a symptom of that confusion.”

“Katie, tell her to piss off,” Terry hisses in the teen’s ear. “I’m not confused, I’m bored.” His voice deepens. “Tell her we don’t need her help. Tell her we’re going home.”

Katie opens her mouth robotically. “That’s…” Her brow creases as she tries to figure out what she was going to say. “It seems like we don’t need help then. Terry will move on when he’s ready, like I thought.”

“We aren’t paying you for a ghost therapy session,” Sarah snaps. It’s only because you’re really focusing that you can see the unease under her anger. She’s noticed something wrong with Katie. “Katie, Terry is going away today.”

“Fuck you,” Terry says.

“Fuck you,” Katie says.

Leroy’s head rears back. “Katie, you don’t use that language with your mother!”

“Fuck you too,” Katie and Terry say. The parking lot lights flicker.

“No, fuck you, Terry,” you say, stepping between Katie and her parents. Leroy starts like he’s going to pull you out of the way, but he doesn’t.

“Terry?” Leroy asks. He looks scared. “Terry said that? Is Terry possessing my daughter?”

“Not yet.” You eye Terry’s arm and the way his fingers are sinking into Katie’s arm.

“Oh fuck,” Terry says. He doesn’t look scared. Not yet. Instead, he grins. “You can see me.”

“Not every ghost is malicious,” you tell the parents without taking your eyes off Terry. “But some are.”

“I’m not malicious.” Terry runs a hand through his hair, still grinning. The parking lot lights flicker overhead again. “I care about Katie a lot.”

“Terry’s never hurt me,” Katie says.

You ignore her. She’s not even shaking Terry off now. Her gaze is dull on your face when you say, “I don’t mean to sound like I’m some sort of ghost therapist. However, it’s important to differentiate between malicious and non-malicious hauntings in my practice. My methods are unconventional and, if used indiscriminately, I can get in a lot of trouble.”

“We won’t tell anyone,” Leroy says. He steps into your periphery. His gaze flicks from you to the spot you’re staring at over Katie’s shoulder. “We want Terry gone.”

“Not a soul,” Sarah promises. She comes up on your other side. “Please help our daughter.”

“Terry,” you say. Your second mouth is yawning wide somewhere in the back of your brain. The taste of pepper isn’t as overwhelming now. “Last chance. Renounce your claim on Katie’s soul and slither back into whatever hole you came out of.”

“We’re soulmates,” Terry says. He bares his teeth at you. “Go on, Charlatan. Call on your God to banish me. I’ve been around for decades and no exorcist has ever been able to put a scratch on me. And when they manage to push me out?” He laughs and the temperature drops another ten degrees. An unholy light flickers in his eyes. “I just come right back.”

“Then I guess I won’t feel guilty,” you say.

“Guilty?” Katie asks.

You walk forward two steps and grab Terry’s face. Terry’s skin is soft and jelly-like. His facial bones undulate like rubber under your grip. “Hi, Terry.”

Now Terry’s afraid. “What the fuck, you can touch—?”

“Bye, Terry.” You drag him towards you. His fingers pop out of Katie’s arm with a wet sucking sound, and he claws at your wrist.

“Wait! Waitwaitwaitwait--”

You eat Terry.

People come from all around to eat at the Brownie Industry. They love the density of the desserts and the heaps of garlic spread over home-baked (shipped frozen) rolls. It’s a treat to know you’re always going to enjoy the meal even if you’re far from home or eating at the same location a hundred times. It’s consistency, sugar and butter. An easy addiction to have.

Eating ghosts is like that for you. They fizz in your second mouth like champagne and melt like fudge. It’s hard to describe and the ephemeral quality of it sends shivers down your spine. Somewhere Terry is screaming in anguish, maybe crying. You think that the family you’re helping is screaming something too, but the sensation of eating is so consuming you can’t hear the words.

Terry is younger than other ghosts you’ve eaten. He doesn’t have the depth of flavor you’d once been addicted to back in Illinois. The best ghost you’ve ever eaten had been like a six-course meal with all the centuries she’d been carrying. In comparison, Terry is like a bag of pepper chips. Interesting, but gone in a moment. Still, he hits the spot.

When you’re done, you burp a purple cloud of ectoplasm into the still night air.

Leroy is the first to speak. His eyes are so wide you can see the whites all around them. “Pay her, Sarah,” he says breathlessly. His hands shake as he reaches for Katie, steadying her on her feet. “Now.”

You smack your lips and graciously accept the wad of cash Sarah hands you. You raise your eyebrows. “This is more than three times my rate.”

“Consider it a tip,” Sarah says. She’s more composed than Leroy, but still pale. She studies you. “That was…revolting.”

“You didn’t have to watch,” you say. You put your money away and then perk up at a sudden thought. “Hey, if you can, can you leave me a review on my site?”

“I thought you didn’t want us to tell anyone?”

You wave your hand. “Secrets are bad for business. Besides, Terry deserved it. I’m sure they’ll understand if you write that in your review.”

“They…?”

You smile and don’t answer.

The family don’t ask many more questions after that. The parents promise to leave a review and Katie just stares at you as if concussed. You assure the parents that she’ll be back to normal as soon as the soul-shock wears off. 

“And if it doesn’t?” Sarah asks.

“Message me,” you say.

“You don’t check your messages,” Leroy says.

“Oh,” you say, patting your stomach, “I’ll be checking them a lot more often now.”

You’re hungry again.

---

(Patreon)

[werecreature-addicted]

Imagine an alliance between 2 tribes, the werewolves and the humans, lately there have been many disputes and grudges between the two tribes, so they planned an alliance, a marriage, the daughter of the leader of the humans should marry the leader of the opposing tribe, a young werewolf with the desire to start a beautiful family

He coughs trying to calm his heart as he imagines the great difference in size between the two and the good sex they would have COF COF

You were ready to do whatever it took to keep your people safe, and if marrying the Alpha of the werewolves to keep the peace, so be it. Really this was a good thing, it would double the land your people had access to, double the resources and riches, not to mention werewolves had proven to be formidable adversaries, and they were sure to make invaluable allies. so why were you shaking? why were you so scared? this was clearly the right thing to do for you and the people you served.

You supposed the fear was natural. you'd spent almost all of your adult life fighting these monsters. almost dying to their sharp claws and vicious teeth. it would probably be a while before you stopped seeing all werewolves as a monolithic enemy. Although, you already knew all werewolves weren't bad. When you were a child you would sneak away into the woods and play with a werewolf pup around your age. Now looking back you cringe thinking about how dangerous that was, no doubt one of you would have been killed if either of you had been caught. Still, he'd been sweet, if one werewolf child could be kind, couldn't they all be?

Your wedding was hardly even a ceremony. Guards on both sides lined the walls of the office, fully armed and tense, ready to strike if something should go wrong. you smiled tensely at your husband-to-be as you signed the paperwork officially making you a married couple, he did not smile back. The marriage license meant almost nothing to him, werewolves sealed their romantic ties in a different way.

Every human in the room goes stiff as the werewolf alpha tilts your head to the side, cupping your jaw with one hand and pulling the collar of your shirt to the side with the other. your heart races and you try to be pliant in his hands, but your mind is flooded with your memories from battle. how many times have you been bitten by a werewolf? how many times had you felt the searing pain of their bear trap-like jaws clamping down on you, crushing your armor, and tearing your skin? he bites you just as you start hyperventilating. You scream. he's killing you, he's going to rip your throat out this was all a trap, you're going to die.

He lets go of you and you collapse, your legs shaking too badly to keep you up, The werewolf pulls you back into your arms, licking at the wound he just left, you struggle, still panicked. "sorry, I know it hurt, humans are so weak," he murmurs still licking at your neck. it does soothe the pain, slowly you start to relax too. you hadn't died, he hadn't betrayed you. you were bound together now, Mated as they called it.

You put yourself together again in time for the celebratory banquette. you were a warrior and a leader, you had to be stronger than this, or at the very least look stronger than this. You stood statuesque next to your new husband at the head of the table, humans and werewolves alike cheered in joy, the war was over, the tribes united. People ate and talked merrily, although no one seemed brave enough to cross the invisible boundary line, werewolves ate with werewolves, humans with humans.

there was a lavish meal set in front of you but you didn't feel up to eating, instead, you examine your reflection in the back of a spoon, despite the wound only being a few hours old it's already scared over looking months old. You knew werewolves had some healing properties, you were surprised this magic could be transferred to humans.

"Does it hurt?" you jump at the rough voice, you'd almost forgotten your husband was right beside you.

"no. I'm just surprised that it doesn't," you admit. he reaches over and lays his clawed hand on top of yours comfortingly.

"I'm sorry it scared you," he says and you feel your face go hot you were embarrassed at your reaction. you knew he was going to bite you as a way to mark your union, you should have been better prepared. you look in his eyes, they're a strange yellow color, it's captivating, even if his expression is stoic his eyes are looking at you kindly. you remember again the werewolf boy you were friends with, and you wonder if he remembers you if he's even still alive. You hoped he was, you hoped you could see him again in this new life.

you blink, realizing you'd gotten lost in thought just staring at him. "I- It's alright I mean. I'll live," you stammer. He squeezes your hand reassuringly.

"Of course, you're so tough a single bite wouldn't be enough to take down my mate," he's teasing you you realize, it makes you smile a little. this wouldn't be so bad after all.

[woso-dreamzzz]

Foxes III

Jenni Hermoso x Child!Reader

Summary: You don't like touch

Spain loses to Japan.

A four nil defeat that leaves everyone a bit depressed.

Football's a boring game to you so you didn't really watch it despite sitting on the bench. Football is Mami's whole life though. You know that and you know this defeat will make her feel a bit sad.

You think that's kind of stupid because it's just a game but maybe it's different when you play a game as an adult. You don't know why it would be different but you decide that it must be because the whole team seems a little depressed about it.

"It's like when you lose a fox toy," Tia Ale says to you on the ride back to the hotel.

"I don't lose my toys," You reply, staring out the window.

"Well, if you did-"

"But I don't."

"What about when you left Roja at home?" Alexia says," Your Mami said you were sad about that. This feels like that to everyone else."

You were very sad when that happened. You missed Roja like crazy for ages after you first moved to Mexico. That must be how everyone is feeling now.

You head bobs up and down in agreement. "Okay."

You don't ask anymore questions on the ride home and Mami takes you straight up to your room for bath time. She wraps you in a nice fluffy towel before helping you into your pyjamas.

Dinner will be soon though so she throws a jumper on top of your pyjamas to keep them clean so you can go straight to bed after you've eaten.

Your hand closes around one of your foxes before leaving the room.

The girls are still a little sad, even you can tell that and you're not very good at working out what other people's feelings are.

You're the only one that's enjoying dinner which is seriously saying a lot because the food here is weird and you're very picky with what you're eating.

"Mami," You say," You still sad?"

Jenni's a little shocked at being addressed so openly. You don't like doing that in public. You're fairly silent around other people. She frowns.

"A little, osita," She says," Why? Are you feeling sad too?"

"I'm not sad," You reply. Your fork scrapes the plate wrong and you cringe, a whole body shudder going through you as you set down your cutlery.

Slowly, you shift in your chair before standing to approach Jenni.

Like your speaking, you're not big on touch either, at least in public. Jenni's used to you hanging out by her legs at home because she always wears the softest trousers and you like touching them but skin on skin had never been a big desire or need of yours.

Jenni has a hard enough time getting you to accept affection at home. She's already ruled out touching in public apart from hand holding and that was only because the alternative was a leash and you felt that was too restricting and made you breath funny.

But you curl into her lap now and give her a quick squeeze that bore some semblance of a hug. Jenni's too shocked to hug you back, jaw slack as you slip off her lap.

You go to Tia Ale next, clambering up into her seat with her and giving her a quick hug that's so fast that she doesn't realise what's happening until it's over.

Irene is next and, after seeing Jenni and Alexia go through it, she's fully prepared. But the moment her arms curl around to hug you back, you're wiggling away and already on your way.

Just because you're giving out hugs doesn't mean you need to be hugged back.

Codi's after Irene and then Mario, who both know now to allow their arms to go limp when you hug them. You go through all the Barcelona girls you know before coming straight back to Jenni.

You tug on her hand and she very gently takes yours in hers. She's slow and careful just in case you want to pull away but you let her hold your hand.

"Mami," You say.

"Yes, Osita?"

"With me...please."

Jenni stands and you lead her over to the girls in the team you've missed out, the ones that you don't know as well as the Barcelona girls. You drop Jenni's hand to hug each girl before squeezing Jenni's hand the moment you can hold it again, you other hand coming up to run your fingers over her comfortable trousers.

"That was a very nice thing you did at dinner," Jenni tells you as she tucks you into bed that night.

"Yes. Tia Ale said so," You reply, getting all snuggly and comfortable with a fox under each arm.

"Tia Ale is right," Jenni says," Your cuddles really cheered everyone up."

"Not sad anymore?" You check and Jenni nods.

"No one's sad anymore."

"Good."

Jenni presses a soft kiss to your forehead and pulls your covers all the way up. "Night, Osita. I love you."

"Love you too."

[vanessagillings]

I’m posting the ever-so-rare photo of myself alongside one of my characters based on my childhood because today is World Autism Acceptance Day, and I wanted to show my little corner of the internet who this particular autistic person is:  

I was officially diagnosed in February, at age 38 (I’m now 39). A lot of people thought I couldn’t be autistic.  Some people who know me in real life still don’t.  And until around 10 years ago, I didn’t think I could be either, because I was nothing like the stereotype media portrays. I was told that autistics lacked empathy (untrue), and never played make-believe (also often untrue) and only enjoyed STEM.  I was — and am — an empathetic artist -- and make believe?  I can spend days sketching finely bedecked bears brewing tea or carefully choosing the right words to weave tapestries of fiction — though perhaps my hyper focus was a bit of a red flag.  Even so, how could autism describe me?  I was a good student.  I got straight A's. I didn’t act out in class.  I can make eye contact…if I must.  And lots of girls hate having their hair brushed with an unholy passion, right?  Clearly I swim in sarcasm like a fish, so autism couldn't be why I was so anxious all the time, could it?

If someone had told me when I was younger what autism ACTUALLY is — instead of the nonsense I’d seen on screens — I would have seen myself in it.  I didn’t hear that autistics have sensory issues until I was in my mid-twenties, which is when I first began to really research autism symptoms, and I had almost all of them:  sensitivity to light, smells, fabrics, temperatures, textures, and certain touches, all of which make me feel anxious, I fidget (stim), I never know what the hell to do with my hands or where to look, I talk too little or too much, I have special interests, I have entire animated movies memorized shot-by-shot and can remember the first time and place I saw every movie I've ever seen but I often forget what I'm trying to say mid-sentence, I echo movies and tv shows (my husband and I have a whole repertoire of shared echolalias, making up about 20% of our conversations), I was in speech therapy as a kid, I have issues with dysnomia and verbal fluency, I toe-walk, I can't multitask to save my life, I like things just-so, I’m deeply introverted but not shy, I need to recover from all social interaction — even social interaction I enjoy — and I find stupid, every day things like grocery shopping, driving and making appointments overwhelming and intensely stressful, sometimes to the point where I struggle to speak.  It turns out, I am definitely autistic. My results weren't borderline. Not even close. And while these aren’t all of my challenges, and not everyone with these symptoms is autistic, it’s definitely something to look into if you present with all of these things at once. 

So why did it take me so long to get diagnosed? The same bias that exists in media threads through the medical community as well, and because I'm a woman who can discuss the weather while smiling on cue, few people thought I was worth looking into. Even after I was fairly certain I was autistic, receiving an official diagnosis in the US is unnecessarily difficult and expensive, and in my case, completely uncovered by my insurance.  It cost me over $4000, and I could only afford it because my husband makes more money than I do as a freelance illustrator — a job I fell into largely because it didn’t require in-person work; like many autists, I have been chronically underemployed and underpaid, in part due to physical illness in my twenties, which is a topic for another day.  But it shouldn’t be like this.  It shouldn’t be so hard for adults to receive diagnoses and it shouldn’t be so hard for people to see themselves in this condition to begin with due to misinformation and stereotypes. Like many issues in America, these barriers are even higher for marginalized groups with multiple intersectionalities. 

It’s commonly said that if you’ve met one autistic person, you’ve met one autistic person.  This is why it’s called a spectrum, not because there’s a linear progression of severity (someone who appears to have low support needs like myself might need more than it seems, and vice versa), but because every autistic person has their own strengths and weaknesses, challenges and experiences, opinions and needs.  No two people on the spectrum present in the same way.  And that’s a good thing!  No way of being autistic is inherently any better than any other, and even if someone on the spectrum struggles with things I don’t — or can do things I can’t — doesn’t make them more or less deserving of respect and human dignity.

But speaking solely for myself, the more I learn about autism, the happier I am to be autistic.  I struggle to find words and exert fine motor control, but my deep passion and fixation has made me good at art and storytelling anyway.  I find more joy watching dogs and studying leaf shapes on my walks than most people do in an entire day.  More often than not, the barriers I’ve faced weren’t due to my autism directly, but due to society being overly rigid about what it considers a valid way of existing.  My hope in writing this today is that maybe one person will realize that autism isn’t what they thought — and that being different is not the same as being less than. My hope with my fiction is to give autistic children mirrors with which to see themselves, and everyone else windows through which to see us as we actually are.

If you’re interested in learning more about autism or think you might be autistic, too, I recommend the Autism Self Advocacy Network  autisticadvocacy.org and the following books:

What I Mean When I Say I’m Autistic by Annie Kotowicz

We're Not Broken by Eric Garcia

Knowing Why edited by Elizabeth Bartmess

Unmasking Autism by Devon Price, PhD

Loud Hands edited by Julia Bascom

Neurotribes by Steve Silberman

(trigger warning: the last two contain quite a lot of upsetting material involving institutionalized child abuse, but I think it’s important for people to know how often autistic children were — and are — abused simply for being neurodivergent).

Thanks for reading 💛