the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it
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It's very interesting that queen of tears is playing so hard into the "these characters were born to love each other" notion. It's repeatedly empathised (and although in a comedic vein) by haein and hyunwoo and in their inability to let each other go no matter how hard things get. At the same time with the flashbacks to how they were each other's first loves and how the osts really point to the two of them being the "one" for each other, it really speaks to how much these characters were meant to be in each other's lives, essentially soul mates, destined to be together.
What's refreshing though is that they said okay you two might be soul mates but that doesn't mean your relationship doesn't take work and that you are going to drift so far apart that it's going to feel like love no longer exists between the two of you. They said hey, being destined for each other and having to still put in the effort to make your relationship work are not mutually exclusive and should never be because that's not how the real world works. But hey, put in the effort, talk, listen, learn, and grow and you'll see why you two were born to love each other.
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one of my favorite things about a lot of different musicals is when they have their opening number reprised in their finale, the same melody and lyrics having an entirely new meaning to them thanks to the context of the rest of the show.
and obviously there are a Ton of examples (Wicked, Come From Away, The Outsiders, SpongeBob... i know there are others i can't think of them), but there are two specific shows that I genuinely think are examples of the absolute best use of this.
to me, those two examples are Cabaret and The Great Gatsby.
like the other examples listed, each time this sort of thing happens, there is new meaning given to the same song thanks to the rest of the show happening in between, but both Cabaret and Great Gatsby have it in like... a very chilling way.
In Willkommen and Roaring On, these are both somewhat upbeat songs, introducing the club, the parties, the energy that the audience is Supposed to feel at this point. nothing else matters in the world, only the thrill of endless entertainment.
but this isn't what these shows are about. there are much darker stories going on underneath, and by the time we get to the finale, the audience is changed along with the characters - but the song is the same. Nothing else Matters. only the thrill of Endless Entertainment. We have No Troubles Here.
but another thing that i find so musically fascinating is that it's not just the audience's perception of the song that changes, no the music itself helps to drive the audience to those realizations. at the orchestra's break in Willlkommen (finale), it begins very similar to the opener, but gradually adds more and more dissonance, making it harder and harder to even bear listening to. In Roaring On (finale), the ensemble lines are just slightly more staccato, slightly more dissonance, slightly more unnerving to listen to.
it's just so fascinating to watch a musical, and have the same song mean something so incredibly different, just because of the context it exists within, and very slight musical changes.
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the words "the first of many, i'm sure" make me SO emotional because chimney really is hen's ride or die on a level that is genuinely untouched by any of the other dynamics on the show (in my opinion). he followed her down that hillside. he will follow her anywhere. he trusts her so completely. he never questions her instincts. he reminds her that she is the best caregiver he knows and the world needs her back. just like when she reminded him that he did everything right when shannon died and she always knew he would be a great captain. they keep pulling each other out of holes again and again. they are the first pieces of the 118 puzzle and them meeting is The Event that ushers an era of change at the 118. don't even get me started on the jonah of it all!!!! cause what do you mean she had to watch him almost die as his heart had stopped TWICE (while screaming and begging jonah to stop) but hen and chim are just always so in sync that they communicated wordlessly and managed to shock him even when hen was tied up and distraught and chimney was barely conscious and kind of delirious and then he CRAWLED to her because she couldn't move just so they could hold each other and and said "it was a team effort"?????? i am UNWELL. nobody is doing it like them!!!!!
(please also read @henrenologist's post on hen and chim which was the first thing i read after waking up and it immediately had me in my feelings about them and inspired me to write this sbsnsnskks)
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thinking about how even though dennis and dee are obviously so awful and cruel to each other most of the time, they always try to protect each other during life’s most scariest moments. like they rlly only had each other growing up due to frank and barbara being shitty parents and they still depend on each other at the end of the day:((
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i will never be done defending just for once as one of the best songs ive heard from starkid so far. ive flipped through a few of the older non hatchetfield musicals and its STILL towards the top of my list. maybe its because shes ME in another world. if id switched schools earlier, or been "too gay" or "too smart" for the boys in fifth grade. if my shoulder had never healed and i had to quit dance years too early. just for once is a gorgeous, incredible representation of what it feels like to watch everything, even your own life, happen, watch it all from the outside, and never be able to take charge of it.
ruth fleming is a wonderful, weird, gross character and not enough people are cheering for her. in this essay i will
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