#I could go OFF about these two

[hunterontheedge]

Men that kiss

[cyrantelnovapaleorayeeso]

also idk if that question was about the blood curse in general

so in the event someone who hasnt played love nikki needs to know

basically

enlightened dude tried to bring peace to the land and had this golden period of time where everything was prooty good

but he got assassinated uh oh!

so the blood curse is like u cannot do physical harm towards each other or u will be in mega pain and stuff :(

it did kinda stop wars and chaos....but ppl still didnt like the curse

this is also why everyone fights with clothing but u can still use weapons to take someone out permanently but u will be in pain oof ouchies not as much as the dead person tho (COUGHS)

bc shining nikki takes place in year 0 there is no blood curse and BOY do they take advantage of that

guns get pulled on people from the start, someone kills his father, and so on (also lots of ppl getting possessed)

there is styling power and designers reflection and stuff but this post is about the blood curse (also whim is new to infinity nikki)

that should be the basics but anyone else can jump in and add more

[flintbian]

There's a disabled angel in good omens 🥺

[cashmere-caveman]

i honestly think the worst thing that can happen to u as a writer in a fandom is when the compelling dynamics are not the ones u care about like i do NOT want to think about those guys bc ive got other priorities!!!!! ive got my blorbos and those ppl did not make the cut!!! but alas the narratives............

[jemmo]

seriously I don’t think any show has captured the pain of being a bystander more than miseinen. like i just can’t stop thinking about everything he’s told in this episode and everything he sees and how powerless he is to do anything about it. when you say bystander, you think of people that chose to do nothing, who just stand on the sidelines and watch but don’t get involved. and maybe that’s how minase started out, but this show proves over and over again that it’s not a choice anymore. given the choice and ability, minase would stand up and do something. he’s not the person anymore stood outside hirukawa’s house with the emergency number dialed but ultimately doesn’t do it. bc he cares too much now, and when you care, you want to help. but the world is so rigid in what they expect of him and hirukawa that there is no way to help.

i keep thinking about what the teacher said at the start of the ep. this doesn’t concern you. it’s already settled. don’t make your parents worry. when minase says he’s telling the truth, he’s told to focus on what’s important- and so the truth isn’t important here, neither is what hirukawa thinks or minase thinks. it’s what someone has already decided they are, and they are just too busy or just don’t care enough to go to the effort to see whether that decision is right. it doesn’t affect them whether hirukawa is the awful person they think he is or misunderstood, to them he’s just a part of the job they want to deal with and move on. even though no other adults are as present as hirukawa’s dad or minase’s mom, the show still has these small moments that show us that there is no other option for them to get help bc no one at school cares either. i said before they live in a world of ignorance where they’re unable to ignore, and so they deal with it all instead of being able to find help. and it feels equally horrible when you consider that unlike a parent, who yes should feel some responsibility or obligation but ultimately there’s nothing holding them to that, teachers are employed and paid to care, they should help these kids as much as they teach them, so to see them chose ignorance too is just as hurtful.

and back to minase, this episode showed us perfectly how much it can hurt when you know you can’t do anything. he can’t comfort hirukawa no matter how much he wants to if hirukawa won’t let him, he can’t change his mind and how he thinks of himself bc hirukawa’s trauma traps him in that mindset. he can’t stay by hirukawa’s side and support him if hirukawa sends him anyway, he can’t fight against what someone who’s hurting wants, all he can do is listen, bc no one ever listens to what hirukawa wants, so he will, even if it hurts him, even if he knows that it’ll hurt hirukawa too. minase is done with being a bystander but even here he is forced to be one, bc the truth doesn’t get through to hirukawa just like it didn’t get through to that teacher. what’s right, which would be to stay with hirukawa and help him, doesn’t matter just like it didn’t matter to that teacher, all he can do is listen and do as they say when people tell him to walk away, that he can’t do anything. and that’s why this show is excellent, bc it makes me feel the pain of knowing but being powerless just as much as I do the pain of actually experiencing these things.

[omtai]

it feels everytime mcr does something major everyone has got to complain for the next week and a half. feels like christmas dinner daily on tumblr the way everyone’s fighting all the time

[aroaceleovaldez]

Romantic in nature or not, I always just looked at that scene in MoA with the notion: Annabeth is convinced that Nico, a gay man, has a crush on her in this exact scene (or you know, a different scene in MoA, I don't remember), and since we know that Annabeth isn't the best on the emotional front, she read Luke's intentions incorrectly, and Percy did, as well, due to his jealousy of the guy.

(Now, I know that neither of these are the case, especially since I doubt Nico was thought to be gay until HoH, and this is around the time that Annabeth was starting to be characterized as Never Wrong About Anything Ever, but it's always been my go-to regarding the whole Luke-Annabeth debacle. What I mean to say is that I like your interpretation of the scenes, too)

Oh i actually believe Nico was fully intended to be gay starting around MOA at least (though I do believe Rick claiming he had figured that out about Nico earlier than that), because Rick was absolutely acknowledging queer topics in his writing at that time. Jason's arc particularly in the latter half of HoO is extremely bi-coded and there's just straight up a canonical polyamorous relationship in Serpent's Shadow, which came out several months before HoH.

Which does make Annabeth's line about that in MOA funnier, especially considering by that point Nico has held maybe one full conversation with her in the entire franchise thus far, maybe two or three if you wanna push it. I cannot emphasize enough how little they had spoken to each other - and tbh, continued to not speak to each other. Just in general. Like the most notable interactions the two of them have prior to the high-five scene in BoO are literally both in BoTL and it's one line and then one off-screen scene of Nico breaking up a fight between Rachel and Annabeth (where they were fighting over Percy) entirely for the purposes of going to save Percy. They barely interact in HoO. Nico and Annabeth have a chronic case of their plot lines being in different locations because only one of them is allowed to be active at a time due to their narrative roles. Annabeth is kidnapped for most of the TTC Nico scenes and Nico is at camp when they get to Annabeth, and then in TLO Nico's busy with all the Underworld stuff and flirting with Percy so he never interacts with Annabeth. Then Nico is off at Camp Jupiter when Annabeth's at CHB and then busy being kidnapped for the first stretch of the Argo II mission and only shows up when Annabeth is busy on her Arachne quest. And then Annabeth FALLS INTO TARTARUS when Nico gets there (and proceeds to pine at Percy) and then IMMEDIATELY after Annabeth gets out of Tartarus, Nico skips away with Reyna and Coach to drag the Athena Parthenos to camp. And then FINALLY they interact and it's not even Nico speaking directly to Annabeth really, just high-fiving her after insulting Percy to his face. He literally only says one word directly to her.

Like. I cannot overemphasize the absolute comical degree to which these two avoid interacting. They're like magnets repelling each other. And yet Annabeth is like "I think he has a crush on me - he spoke to me once, allegedly." Like ah yes, sure, HoO. Next you're gonna tell me you retconned them into having a FOURTH conversation! Don't get too wild!

[miyamiwu]

The 3 times Xia Fei talks about Vein in YE3

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art

[philsmeatylegss]

Yesterday, in NYC, a man lit a woman, who was sleeping in a subway car, on fire until she died. So the man arrested will be charged with terrorism as well as murder, correct? His attack was also threatening the lives of other homeless people (which it is assumed she was so). Surely he will also be charged with terrorism for scaring those people, right?

Or is it only terrorism when rich people are threatened?

Also, surely the fact the person who did this being an undocumented immigrant won’t be mentioned in every single news article about it, right? A woman was brutally murdered. Who gives a shit where the perpetrator is from, all we should care is that he is detained and punished.

Right?

We all agreed to this, right?

Or does race and immigration status only matter when a non-white and or undocumented immigrant commits a crime?

Same place, same police.

And I think we all know how differently this murder will be treated. And why.

[luck-of-the-drawings]

OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

[dykedvonte]

So I've been turning over this detail of the game over and over and I think I've found a good reason and wanted to share. During the guilt sequence, when Jimmy enters the ID hallway his ID covers up both Anya's and Curly's.

And for a long time I've always wondered why those two in particular. And I think the reason why is because even at this point of the game he's still dehumanizing them and ignoring who they really are as people.

During the entire guilt sequence he never acknowledges Anya and the pain he caused her by the rape and forceful impregnation to her, instead only focusing on the fetus and how it would ruin HIM. And even his subconscious that's calling him out for Anya has to take on the form of Polle, and he still refuses to even reference her.

And even though he apologizes to Curly, it's really only for taking away his role as captain. He's not sorry for causing the crash that made Curly in perpetual horrific pain, for abusing him before the crash, or for even the cannibalism. And as you pointed out, throughout the entire guilt sequences he's had of Curly it's only in his post-crash state. Also throughout each guilt sequence with Curly he still imagines Curly as his perfect victim friend who would gladly take on the role of a villain for Jimmy to be a hero.

The ID hallway shows the players that even when he feels guilty he still refuses to see who they really are. Throughout the game he steals from both Anya and Curly their bodies and their voices, and this scene is symbolic of that. Even when he's feeling guilty, Jimmy is still doing just that to them.

ITS LITERALLY ALL THIS.

My biggest gripe with any interpretation of Jimmy and his abuse of Anya and Curly is that he actually respected Curly more. He didn’t even care enough to see the person he was before the crash in his moment of penitence. He couldn’t even give him a name in the end. Curly was always a space for him to take, to project his worst qualities onto. Anya became that space due to the position of power Curly specifically had, he’s his boss and he can’t just do whatever, hence why his actions were always behind Curly’s back. The tragedy of this is that he realized how much power he had over Anya, his subordinate, practically the same in the societal pecking order outside of this one instance. An opportunistic chance for him, similar to how he exerts physical power over a post-crash Curly.

He sees Anya as a nuisance, a thing he can’t get out of the recesses of his mind but he still sees her, in a fucked up way, she’s his dead pixel. Something that slowly destroys the perception of his screen the longer he ignores it until it goes black. But Curly? He’s an escape, he’s not anything real because the Curly in Jimmy’s head is also not a person but a place holder for him specifically. He wants to be that man and his only true regret is the destroying the thing he wanted to be and thus making that role inaccessible to him.

[vaguely-concerned]

in his and davrin's banters, lucanis exhibits a certain little shit energy I don't think we see him have with anyone else other than illario and honestly I am living for this

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[shroommush]

PARADOXCICLE CHAPTER 22 SPOILERS UNDER CUT !!

An extra Robert and mr cycle drawing for the soul 🙏

Genuinely a bit obsessed with these two, please does anyone else understand 😭 i need them to sit in a grassy field together and vent each others traumas, i think theyd benefit from that.

Btw, (paradoxcicle by @blipple-is-confused) the author of the fic always reblogs my art and says nice things about it and im always too awkward to reblog and thank them, so ill just say now, thank you :] your fic is awsome! i know how cool the feeling is whenever people draw fanart of your story, so i will NEVER stop drawing fanart as long as this fic keeps going, because it DESERVES THE HYPE!!!

Side note mr cycle and robert deserve the world.

thank you for coming to my ted talk

[thedemonsurfer]

hi I'm talking about Ruin again

My kingdom for more fancontent with Ruin, especially post-Thanos snap.

Like! Authors were barely using him before, maybe a few fics with him shipped with Solar-- and then the Thanos snapping happened and now there's NOTHING (okay there's not nothing, but at the time of writing this, there are about twoish ongoing fics focused on him and a handful of others where he's a participating character)

AND LIKE. THAT'S SUCH A SHAME??? Ruin went from "alright youre kind of boring as an antagonist" to "I guess you're cute now that you're cured" to EXTREMELY interesting.

He's a villain that isn't an antagonist! He takes Sun's hero complex and Moon's martyr complex to the extreme! The only goal he had was to get rid of the threat offered by the creators, in a permanent and complete way-- and nothing else. He holds no ill will towards anyone else--hell, he's so willing to work with people that he doesn't personally like that it keeps throwing him off when others don't think the same way (like showing up to ask for Moon's help and getting tossed into baby jail and strangled instead).

He doesn't like causing harm. He made certain to stress that the whole dimensional evaporation thing wasn't painful, and he despises Dark Sun for being a sadist. He did his best to sabatogue Bloodmoon’s plan and minimize the damage to Earth.

He's desperate to be helpful and useful to others-- even if they keep taking from him without his consent, he still keeps volunteering. He also has a hilarious response of being belligerent when annoyed with someone, like pretending not to know about the wither shard.

He's exceptionally traumatized. Can you imagine what it was like running around for 50 years pretending you're infected, all the while watching the mental and physical deterioration of everyone you know-- and knowing it's YOUR fault they're like this? And it was the person who MADE you, your actual literal Creator, who first started the infection?

And he has no hope. Everything Ruin has done since Thanos snapping the dimensions has been a kind of filler for him, because he expects to die soon. Actually he's lived longer than I think he expected and didn't really know what to do with himself for a while in there. When/if Dark Sun or Nexus feeds him to the witherstorm, I'll be surprised if he tries to fight back.

Also he keeps getting kidnapped and imprisoned, which is kind of funny. I think we're up to 4 kidnappings, 2 jailbreaks, and 4 imprisonments.

Just like... he's a fascinating guy with strong personal motives, and a much more agreeable personality than our other strongly motivated ex-antagonist, Eclipse. There's a lot of potential to work with, and how to get him out of the hole he's dug himself into. Overcoming the whole "I erased 5000 dimensions, including one that your family member came from, and also indirectly caused a different family member to leave" is just one of the challenges!

I know it's not an issue of "but he's hurt/killed one of the other characters!" Because -points at Blood Moon and Eclipse-. Both (all five? six?) have killed other main characters and been antagonists, and it hasn't stopped folks from writing them. Hell, Eclipse killed his own estranged brother for no reason other than petty revenge, and folks still somehow make it work.

So yeah idk. I think Ruin is really interesting and deserves a bit more attention.