#I can’t be the only one who’s experienced this

[yes-these-obsessions-are-healthy]

With his romance with Lavellan, Solas learned a horrific truth—that him simply as a humble man was enough to be lovable. He had been plied out of the Fade by Mythal because of her need for him, and out of devotion, he became something more and dreadful for himself, for her. And she never reciprocated that devotion with the same intensity. He spent millennia fighting for her as a thing he detested—a man of war and death, a being whose mortal body imbued him with innate qualities and emotions that would further twist his Wisdom nature. He was producing the very poisons that would normally corrupt a spirit by virtue of [Being a Person]. The external influences now harbored inside him.

But Lavellan showed him. That being you are, the one that wished to ponder and reminisce of spirits, who valued liberty and freedom and knowledge and the wry observation? That was enough. That was always enough. But he can’t accept it, because millennia of being Fen Harel, being devoted to Mythal and her cause.. to sunder it from himself would feel like a magnificent loss. He has been that for so long, is there anything yet truly left of the Wisdom spirit that once was?

Not only that, but given corporeality, Solas is compelled by the operant [If I can, I must]. He CAN do something about the Veil, so he will. If he doesn’t, then he is forsaking the memory of he destroyed with his choice. He is forsaking his own principles. To do nothing in the face of injustice and cruelty is a sin he cannot bear.

He comes to the Inquisition as a “humble apostate”, both as disguise and because in his de-powered state he is of little greater use (if he had greater power I’m certain he would have nudged the Inquisition toward their goals). This is a costume he is wearing, or so he tells himself. He exists to advise, to suggest, to subtly direct toward more peaceful and humanitarian and spirit-friendly directives. He operates as his former [Wisdom] spirit state.

And Lavellan grows to love it, to appreciate it. She grows to appreciate [Solas as Wisdom]. That part of him, the part of him that he has put aside for thousands upon thousands of years, though his nature craves to return to it. Without his ability to be Fen’Harel, it is pretty much all he has. And oh, this mayfly mortal born of a “forsaken ignorant people”, she is drawn to him, seeing him as a [man], seeing him at his (comparatively) weakest, most ineffectual state and finding it pleasing. Desirable. [Enough].

Enough. He is enough as Solas, simply Solas. But if it is enough for Lavellan, why was it not enough for Mythal? No, no, there was a reason. There was a war. War requires more of people. It requires limits to be broken and terrible mantles to be donned.

But Lavellan is fighting an existential war against Corypheus. And she does not demand more of him. She values what little he is able to provide—guidance, insight, his magic. It is [Enough].

We Solavellans have dissected and discussed at length about the nature of the relationship being one built on deceit, the moral and ethical quandary of love cultivated under a false identity. Veilguard has confirmed the existential struggle and quiet agony that Solas experienced by transitioning into [Being]. While Lavellan should of course had been informed of his ‘true identity’ before falling in love with him, an argument could still be made that Fen’Harel is not his true identity but a long-worn mask that he wishes he could ditch. The man Lavellan fell in love with is who he should be, who he wants to be. Far more underpowered than he’s comfortable with, sure, but the personality for certain. Just a person giving advice, discussing at length about topics he enioys, exploring memories and ruminating over them, smirking over small verbal sleights of hand and sly tricks, engaging in philosophical debates. All of that is already there, that is who he is in peacetime. The man has known war and conflict for so long that he has mentally split Solas and Fen’Harel as two people, because he needed to, but they are the same. Solas who wields the martial prowess of Fen’Harel. Fen’Harel who possesses the wry levity and artistic sentimentality of Solas. SOLAS YOU ARE BOTH AND MORE THAN THESE TWO HALVES.

[spacecatdraws]

oh. this is interesting…

random personal lore drop below

(tldr: I don’t believe I can be a real system but I’m sure as hell not normal)

TW: (minor mentions) gvns, r@p3, d34th, (major mention) su1c1d3

I called myself endogenic because I don’t qualify as traumatized.

let me explain.

I’ve had anxiety, depression, ADHD, and other unidentified issues for my whole life. I roleplayed because it was my escape, life made me want to stop living so why would I stay there? When I was writing or drawing I was those characters, buried in their minds, filling in their bodies, but something would pull me back to reality and I’d feel it crumble. Some characters stayed longer than others. Slowly, I found out they weren’t character’s I had just made up; they were my theriotypes. I left it at that, that I was just a polytherian. But I’m not my types. I share a body with them. I have conversations with them, they care about me, we cuddle as best we can when there’s only one body to share. I love my parents. I love my friends. But life has always been terrifying to me. Sometimes things I’d never experienced would make me cry and hyperventilate. Gunshots make me freeze up and stop breathing. Mentions of sexual assault, of rape, of murder make me want to throw up and cry. Child abuse and childloss make me vengeful like I have nothing but rage. Labels and rules make me sick and dizzy. Poisoning and sickness make me feel like I’m drowning in them. I can’t recognize myself sometimes. My body isn’t mine. I always assumed I was just an odd therian. i learned about systems, and they described the things happening in my head. Some days I tie the door to my room shut because I want to starve and die and crumble so badly. But I always said to myself “my family and friends are fine, so I can’t be traumatized. It’s all in my head, and I’m a failure and a faker for ever thinking that I could be anything else. I’m just being a poser and hurting these people who have been through so much worse.” I believed so deeply that my issues were insignificant and that I didn’t have nearly enough mental problems to be a true system. I said to myself “I don’t have trauma. So I can’t be a DID system. But system is so comforting of a label, so I must be endogenic, and therefore I shouldn’t talk to anyone about my issues because I will just be taking away from people who truly are traumatized.” I never felt like I belonged in supporting spaces because I never got raped or shot or manipulated by my family or friends, even though those things dragged flashbacks from lives I never had, memories from the others in my body. My parents loved me, and my friends cared about me, so I wasn’t traumatized. I have no trauma, so I didn’t deserve to be in those spaces.

There are six of us. The host tries their best to take care of us, but takes out their emotions through cutting and starving themself. This isn’t my body. These aren’t my parents. I can tell these people care, but they’re not mine. I can’t remember what I did for most of the day. It’s all just fog. Fog and static.

If all endos are fake and posers, then I must be one too. Even though I hear my packmates, the others in this body, I love them so dearly, and I can feel their limbs and the memories are so strong it hurts me physically.

I can’t be truly traumatized, right? Not if my family was good.

Not if my friends were nice.

Even though this world makes me want to hang myself…

I don’t count as traumatized enough to be a true system.

I am nothing but a fraud.

ENDO LORE?????!????

[lichenes]

!!! SEASON 2 ACT 3 SPOILERS !!!

Could I request Silco x reader where the reader has been transported from the show’s timeline to the au episode where everyone is alive and happy and she finally gets to see her love again. Mix of fluff and angst plsss 💞

Thank you for the ask anon!! Happy Silco THE love of my life. I hope you like it!!! CW: established relationship (kinda not since hes dead... but... yk...), petnames (dove, sunray), parental!reader x jinx mentioned like once. wc: 525 .  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚ .  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚.  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚.  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚.  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚

You were in the malaise of the Hexgates for what felt like centuries. Your senses - not quite with you, sudden pangs of hunger like you’ve never felt before and a constant feeling of pain circulating like blood in your veins. Then, light.

You were panting when you ‘awoke’. “You okay?” Said someone you haven’t heard in a long time. Aged, tired but you knew it was him. You were in bed with silk sheets, ones you’ve asked your husband for, once or twice, as a birthday gift. The undercity was quite hot when the summer months ruled so it was a perfect gift. A perfect gift you never got, at least- in your reality.

“Hey.” Silco said putting his hand on the small of your back, moving it up and down to comfort you. After a moment of disbelief you turned to him abruptly and launched yourself at his neck, wrapping your hands around it. Quiet comfort. 

“…” Unbridled silence.

You pulled away from him and cradled his face as if to check if it wasn’t some twisted dream the Hexgates bestowed upon you. 

“Dove, what’s wrong?” He asked, genuinely concerned. Your eyes were full of tears threatening to spill as soon as you spoke up. You were hysterical from joy. “Silco- I’ve- I’ve missed you so much.” 

“You’ve seen me not hours ago.” You were crying, the tears staining the silk sheets you’ve dreamed of for so many nights. Cold, lonely nights without him. “I can’t believe you’re actually here and… and you look so beautiful- so happy-” He cut you off. “Dove- dove.” You looked at him, your vision blurry from crying. 

“I’m here, I didn’t go anywhere. I’m here.” He assured you, trying to calm you down.”

“...” You couldn’t utter a word. You knew what happened. Jinx was inconsolable. So were you. “I didn’t… I-” She tried to explain herself. You were both suffering, her maybe more than you, maybe… It wasn’t time to compare levels of ache. “Honey.” Jinx looked at you. “We need to get rid of-” the body. You couldn’t say it but she got what you were trying to convey.

After a while of sheer uncontrolled, frenzied glee you were experiencing you calmed down. “It was just a bad dream.” He said hugging you tighter than ever. “Nothing to be scared of my sunray.” He accentuated the possessiveness of the statement.

“My condolences.” Said someone random on the street. That was why you didn’t leave your house anymore. That was why Jinx had to force food into you and why you knew this stupid fucking walk wasn’t worth shit. Sun didn’t reach Zaun- what were you saying? The only person who had any chance at making Zaun reality was d- 

Now, you were eating breakfast with Silco. You could feel the warmth radiating from him, both physical and metaphorical. “You’re staring dove.” You chuckled. “Sorry, you just look so good in your robe.” I haven’t seen you in years. He looked at you, daringly. “Is that so?” You hummed affirmatively.

“I’ll never get enough of you, dove. Never.” A smile creeped onto your face. “Oh, is that so?”

.  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚ .  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚.  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚.  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚.  * 　　 ✦ . 　⁺ 　 .⁺ 　　 ˚ masterlist

[moraxine]

Fragments of Us [Ekko]

pairing: ekko x reader

words: 2k

summary: ekko wakes up in an alternate universe where you’re alive and everything feels right—but it’s not his world. torn between love and duty, he must leave to save his reality.

ARCANE SPOILERS!

i.

“Powder. Ugh, she’s so annoying sometimes. I told her that the graffiti on Sevika’s stupid bar wasn’t even that good—like, come on, who even uses pink for a skull?—and she just flipped out ! Called me a ‘wannabe artist.’ Like, okay?”

Ekko’s chest burns as he violently jolts awake, aware , coughing as if he’s been drowning moments before. His head is pounding, all memories flooding his mind and spinning round and round. It takes a few moments for his vision to stabilise and start clearing up.

What the hell happened?

“Hey, are you okay?”

Hearing your voice, familiar yet a voice he never thought his ears would detect ever again, he freezes. His eyes snap open, adjusting to the dim glow of the neon streetlamp. After a while of simply blinking, right hand on his forehead, he dares to turn your way, only to face you in utter shock.

There you are, right beside him, nervously fiddling with a small gadget in your hand while waiting for his answer.

Ekko’s breath gets caught in his throat.

His gaze desperately darts around, taking in the distorted version of Zaun. The buildings look eerily familiar but cleaner, more polished. And then there is you —alive, bright-eyed, rambling as if nothing in the world could ever go wrong.

This isn’t real. This can’t be real.

“You’re staring at me like I’ve got two heads or something. All good in there?” You ask, leaning closer as you gently tap his head.

No, no, no.

This must be some kind of twisted joke, a dream soon to turn into a nightmare, like the ones he experienced after your passing.

A strong wave of dizziness takes over and he loses balance. You’re not fast enough to catch him and he collapses on the floor, tears gleaming in his eyes.

“Shit, Ekko, I told you I’m fine walking home by myself! You need to focus on fixing that sleep schedule of yours. You work too much….”

You kneel down to check on him but as soon as you reach for his arm, he manages to pull himself up, wincing as his muscles protest. “I’m fine,” he mutters, his voice hoarse. “Just… where am I?”

Your brow furrows. “Zaun, duh. Did you hit your head?”

Zaun. But not his Zaun. This is different. Cleaner. Sharper. Brighter. Wrong.

You wave a hand in front of his face when he’s up on his feet again, snapping him out of his thoughts. “Seriously, you’re acting super weird.”

He shakes his head, trying to gather himself. “I’m… just tired.”

“Yeah, no shit,” you say, leaning back on your heels. “Well, you can sleep at my place if you want. It’s a bit of a mess, but it’s better than the middle of the street.”

“Why…Why are you helping me?”

I didn’t protect you. I let you die-

You scoff, crossing your arms. “You have to be kidding me, really.”

He stares at you, his chest tightening. You are so casual, so warm, so alive. This isn’t his world—it is someone else’s. Someone’s whom was able to keep you safe and happy.

You wave a hand in front of his face. “Helloooo? You good, or do I need to drag you there myself?”

He blinks, shaking himself out of his trance. “Yeah. Let’s go.”

“Finally,” you say grabbing his arm. “You’re lucky I’m such a good friend, y’know.”

As you lead him down the street, continuing your pointless rambling about Powder and some argument over graffiti, Ekko follows silently, his mind racing. He doesn’t belong here, but for the first time in years, being near you feels like he is home.

ii.

Ekko is standing in the corner of your cluttered workshop, his fingers trembling slightly as he tightens the final screws on a device he barely understands anymore. Weeks have been spent scavenging parts, tearing apart old tech, and sketching blueprints on scraps of paper. The machine is almost ready—his way out of this world is almost ready.

You, of course, don’t know. In fact, you seem to know nothing about Ekko lately. Ever since that incident outside the bar, he’s been acting strange in a way you can’t pinpoint.

“Hey, genius,” you call from across the room, pulling him out of his thoughts. You’re perched on a high stool, playing with a broken clock. “You’ve been staring at that thing for hours. What is it, anyway?”

He stiffens at your question, keeping his face carefully neutral. “Just… something to help me get around. It’s nothing.”

You narrow your eyes, unconvinced. “Since when do you get all secretive about your projects? You used to brag about your tech every chance you got.”

“Since now,” he mutters, avoiding your gaze.

It’s been this way for quite some time now—Ekko growing quieter, more distant, all while you try to bridge the gap with your usual chatter. You’ve noticed the way he avoids your eyes, the way he flinches whenever you stand too close. It’s not like him.

And it hurts.

“You’re acting weird, Ekko,” you admit, setting the clock down and leaning back on your hands. “Like, even weirder than usual. Did I do something?”

“No,” he says quickly, but his voice sounds strained, and the single word only makes you more assured that there is indeed something going on.

“Then what?” you press, leaning forward slightly. “You’ve been avoiding me for days. Is this about Powder? Because if so, she’s the one being difficult, not me.”

Ekko clenches his jaw, his hands tightening around the tool in his grip. He can’t tell you. You wouldn’t understand—not fully. How could he possibly explain that you’re not even supposed to be here? That this version of you isn’t his you? That in his world, you’re just a memory he carries like a scar?

“It’s nothing,” he says finally, his voice low. “Just… drop it, okay?”

You flinch at the coldness in his tone, but you force a laugh, trying to mask the sting. “Fine. Be mysterious, then. See if I care.”

Turning away, you pretend to focus on the clock again, but your heart isn’t in it. You want to push him, demand answers, but something in his expression stops you. There’s a pain in his eyes that you can’t quite place, and for the first time, you wonder if this is bigger than any conflict he might have had with people in the past.

Ekko exhales slowly, his shoulders sagging. He hates doing this—pushing you away. But if he lets you in, it’ll only make leaving harder.

Because he is leaving. As much as he wants to stay, to pretend this is his life, he knows it isn’t real. He doesn’t belong here. And the longer he stays, the harder it’ll be to say goodbye. Especially to you.

“Hey,” you say suddenly, breaking the silence. “For what it’s worth, you’re still my favorite nerd. Even if you’re being a jerk.”

He looks up at you, startled by the softness in your voice. For a moment, he wants to tell you everything—to explain why he can’t let himself get too close. To tell you he loves you. But that would be partially true as you’re not his. Instead, he just nods. “Thank you.”

You offer him a small yet warm smile and his resolve falters for a moment. But then his gaze falls on the machine again—his way out—and he reminds himself why he has to do this.

It’s almost done. Just a little longer.

iii.

Ekko stands in the middle of the workshop, his hand resting on the activation lever of the machine. The room hums faintly with power, the cobbled-together contraption sparking faintly as it waits for his final command. It’s ready. After days of work, this is it—it’s time to go back to the people who need him.

But his chest feels tight, and it’s not just from the lingering ache of exhaustion. It’s because of you.

The door creaks open, and his heart sinks. You’re standing there, your expression caught somewhere between confusion and anger. “What the hell is this?” you ask, stepping inside. “Ekko, what’s going on?”

He doesn’t look at you. He can’t. “It’s… nothing.”

“Nothing?” you snap, gesturing at the machine. “You’ve been shutting me out for God knows how long, and now I find you messing with… whatever this is you’ve made? Don’t lie to me, Ekko.”

He finally meets your eyes, and the raw emotion there almost makes him crumble. But he takes a deep breath and steadies himself. “I can’t explain it.”

You take a step closer, your frustration giving way to hurt. “Why? Why can’t you just tell me? I’m not mad—I just… I don’t understand why you’ve been acting like this.”

Ekko clenches his fists, his mind racing. He could tell you the truth—about the alternate universe, about the fact that you don’t even exist anymore in his world. But what good would it do?

“It’s better this way,” he replies quietly.

Your hands drop to your sides, and the look in your eyes nearly breaks him. “Better for who? For me? Or for you?”

“Y/n…” His voice cracks, but he quickly swallows it down. “I don’t belong here. I need to leave. That’s all I can say.”

You shake your head, your voice trembling. “You’re lying. You’ve been here all this fucking time, and now you’re just… leaving? Without a word?”

“I don’t have a choice.”

“Yes, you do!” you shout, stepping closer until you’re right in front of him. “Whatever this is, whoever you think you are—you’re my… friend, Ekko. You don’t just get to disappear without telling me why.”

His hands tremble as he reaches up to touch your shoulder, his gaze locked on yours. “You are—” His voice breaks, and he has to force himself to keep going. “You’re amazing. You’re… everything good about this place. You’re the reason I’m still alive. But I can’t stay.”

You stare at him, your heart pounding. His words feel final, and the weight of them crushes you completely. You fail to understand. Nothing makes sense, absolutely nothing. “Why?” you whisper, tears burning at the corners of your eyes. “Why can’t you stay? Is it something I did?”

“No!” he says, more forcefully than he means to. He takes your hands, holding them tightly. “It’s not you. It’s… me. It’s my world. I need to go back to where I came from.”

You can’t comprehend what he’s saying, but the desperation in his voice silences your questions. You nod, swallowing back the lump in your throat. “Fine,” you say, even though it’s anything but fine. “If you have to go… go.”

His hands linger on yours for a moment longer before he lets go. “I wish I could tell you how much you mean to me,” he says softly. “But I can’t. Not here.”

Tears spill over as you watch him turn back to the machine. “Will I ever see you again?” you ask, your voice barely audible.

He hesitates, his hand hovering over the lever. “I don’t know.”

That’s all he can give you.

With one last look at you, his expression filled with regret and longing, he pulls the lever. The machine sparks to life, and the air around him ripples with energy. You take a step back, shielding your eyes as the light grows blinding.

When the light fades, he’s there, his tired body slumped down on the ground. You immediately run to his side, kneeling down and pulling him to your lap. The room falls silent, the only sound the faint hum of the now blown up machine. You gently caress his cheek, tears running down your hot cheeks.

After a while, he wakes up.

And it doesn’t take you very long to realise.

You glance at the remains one last time.

And you hope that wherever he is, he’s doing what he set out to do—saving his people, his world, even if it meant leaving this one behind.

[docholligay]

I have no idea how wild the fandom for Hadestown is. If you don’t know me, if we’ve never exchanged words, and you have BIG FEELINGS about Hadestown that any level of critique will set off, I very much encourage you to move it along. I can’t do Hamilton 2 or whatever. (If I know you I will give you more leeway FOR SURE. I just want to keep strange weirdos out) 

First, I have to provide a little bit of context: I got in on the ground floor with Hadestown. 

Yes Doc, I too, have been obsessed with it ever since it was in previews--no, I mean, i saw folk singer Anais Mitchell perform the whole thing like 15 years or whatever ago in a converted garage venue. 

I wasn’t even in town to SEE HER, I was in town to see a different artist and this was back when live music was a bigger thing and not a dying scene, and people just bought tickets to whatever was playing on a free night. I like folk music, I liked the idea of what was then being called a folk opera. It was instant love. Orpheus and Eurydice is one of my favorite myths, I am from a rural and exploited place, I loved everything I heard, some absolutely glorious poetry going on there. Bought the concept album, forced so so many people to listen to it all the way through. Forced jetty to listen to it on our road trip! Before the musical came out even!

I have been following this musical ever since then. I kind of thought it would never get made! I followed the original version, and then the broadway one. What I’m saying is, I have what now amounts to about fifteen or so years of history with this musical, and all the changes it has gone through, and all my individual feelings about each of those changes. My evaluation necessarily lives within that context. 

This was part of the reason it took me so long to see the Broadway! I wanted the emotional space to feel however I felt about it, even if that ended up being, “I fucking hated that” and it’s hard to have that when someone buys very expensive tickets and a trip for you to see something you’ve been following for years. Part of jetty’s gift of this was “And you can hate it!!” and I knew she meant it, because when you watch something move and be workshopped and change, you get a lot of feelings about it. 

So I can’t really go, “I liked Hadestown/I didn’t” I mean, I have loved hadestown for a very long time. If all you wanted to hear was , ‘Did you like it?” oh yes! But I have at least four versions sitting my head right now, and they are all next to each other for evaluation in a way that someone who has only experienced the broadway can’t have. 

I want to provide this knowledge because my thoughts about it go so far beyond what is currently being staged on Broadway. No, this is not going to be me saying, ‘Everything was better with the concept album!” no, some things are, but this isn’t that I promise. 

Everything below this is spoilery

So, originally Hadestown was a slightly different story and admittedly, one that spoke to me more than the story I saw last night. It was a lot more specific in its earliest days--it was about an impoverished mining town. Hadestown was the company town, underground, and there was basically no mention of Hades and Persephone being actual gods, anything was winked to, but it was mostly about how the holders of capital have all the accountability of gods. The whole thing had a much stronger anti-capitalist framework, and Orpheus and Eurydice were basically naive kids who thought they could avoid involvement with the mine. Obviously, this very much spoke to me. It was matching my freak exactly. 

It is not that now. And that’s both totally expected, and disappointing to me personally. The show now is much more of a, I’m trying to put this in a way that feels less insulting because I don’t mean to be, very Captial L Liberal. Audiences who can afford Broadway tickets will eat up the vague notions of wishing for a better tomorrow and ‘show the way the world could be’ and putting this back into the framework of a story of the gods instead of the utter lack of choices available to people, that the game is rigged from the start, and Orpheus even having this chance is both an exception and a test hades expects him to fail. I get why this happens. Literally every story that has ever been brought to Broadway has had to be made more palatable to a broader audience. The story it is now, is much much more broad, much more life affirming or whatever, and much more easy to hear. I think I would like it better if I didn’t know the story from the very first versions. 

But that was not a problem last night! That was a problem when i heard the previews out of Alberta! So I’ve had years to adjust to knowing that they were going to blame Orpheus a lot more. Which I love that the Broadway seems to have backed off of! The Alberta production really sort of LAID INTO THE BOY in a way I aggressively did not care for, because it was the antithesis of the story as I understood it. Love that they took that back a step. 

Anyway, so, things I loved about the musical last night:

The staging of Wait For Me fucked SO SEVERELY that honestly it makes me forgive like 90% of the things I don’t care for in the final Broadway version, that I thought were done better in other versions. I almost cried, it was EXACTLY what I would have pictured in my head after hearing it all those years ago. It was incredible. I wish I could see it again, and study it. I am thinking about it right now! It will live rent free in my head. Perfect. 

The gal who played Eurydice has clearly listened to Anais Mitchell albums, because she sounded SO MUCH like Anais that it even took me back for a moment. 

I’m not sure if this is praise or a criticism: 

I don’t know how I feel about having Hermes as an overall narrator! I go back and forth on it and have since the Alberta came out. If I were going to do it I would do it differently than it is currently staged. Jetty was talking about how she loves when the instrumentals are onstage, and I’m the exact opposite--I mostly find it crowds the stage while not bringing much interest for me. But in general, i both like it and do not like it, to give a very useful critique. I don’t hate it, for sure. I love the opener for Wait For Me II. But overall I will probably need to think about it for another 15 years. 

Frustrations I have:

 I think I have decided that even for the MASSIVE INSANE BUCKWILD flaw of seemingly blaming Orpheus for Eurydice’s decision, the Alberta is the best version. I think I prefer the concept album on a personal level for a lot of things, but I think the Alberta is, well for starters, definitely more complete--the concept album has some massive gaps in it that desperately needed filling--but it preserved a lot of the poetry that the Broadway version seems to have stripped out while being much more mass appealing. I was particularly GALLED by the rewrite of Epic III, one of the things in the Alberta version that made me say, ‘Wow I am prepared to forgive a lot of horseshit for this song, my god” 

NEVER FORGET WHAT THEY TOOK FROM YOU

They took out "The heart of a king who loves everything like the hammer loves the nail" imagine writing that line and scrapping it, are you HIGH, fuck me running.

And I think this summarizes a lot of my frustrations about the changes between the Alberta and the Broadway. It no longer sounds like a folk opera. It has lost a lot of the poetry of the original, folk music being very grounded in lyric and somewhat less in vocal theatrics. 

Also, and this might just be an actors thing, I did not get any sense that Persephone and Hades love each other…at all. Part of the appeal for human beings named Doc who are me is that they love each other, and they can’t stand each other, and I didn’t FEEL that at all. Like i said this could be an acting thing--I was not overly impressed by our persephone broadly. But taking out her part in Chant II I think also really contributes to this problem. 

This is both the Alberta and Broadway versions: I MISS THE FATES BEING A REALLY TIGHT 40s STYLE GIRL GROUP SOB SOB SOB. In the original, the fates were the only characters ‘outside’ the story, and this was indicated stylistically by the fact that everyone else was singing folk music, and they were singing in this very different style. The idea fifteen years ago was that they actually would be dressed all in that style, but yeah, none of this happens now and i find it SOOOOOO disappointing personally. I hate their stupid costumes I hate the ‘rougher’ style of vocals I hate it so much ahahahahha. If I was going to force Anais to change one thing it would actually be this, even though it is insanely petty and silly. 

The best version of when the chips are down:

I don’t know if literally any of this is what you were looking for but I somehow deeply suspect not. I am IN THE SHIT with Hadestown though, so if you have any specific things you wanted to ask about or have me talk about, let me know! I am just cutting this off now because it’s already at 1700 words and I’m not sure anyone cares that much about my journey with the only musical I can truly say I knew about when it was still a twinkle in someone’s eye. 

(Yeah Doc, I have a question: Do you have anything mean to say about the concept album? OH BOY DO I. Some of it is to be expected like, "Uh, Anais you need the rest of the story here girl." but a huge one is I fucking HATE that she got Justin Vernon, who you know better as Bon Iver, to do Orpheus. He SUCKS. He sounds bored the whole time because that is how that motherfucker sings. I have HATED it since day one. Reeve Carney is perfect and literally what I started my local women's prayer and casserole circle to petition the Lord for.)

[tariah23]

It’s like, some of the major themes of the game revolve around misogyny and the patriarchy, not even if you squint. You can draw porn or make suggestive art of characters who’ve been through trauma, no one is saying that you can’t, but it’s like, it really really doesn’t make since for a character like (imo) Anya given the nature of the story at all. It’s such a short game afterall and we only got to meet her through her trauma and it’s just… :(. People already reduce her character to her being simply a victim of sexual assault and nothing else. But all of this extra shit is just as tone death and attention seeky (ppl wanna go viral for being edgy, go figure.) Like, ppl are drawing dumbass art of her to “own,” people now. They don’t care about her character or anything. The og artist that drew that Anya draws weird art of little girls anyway so what the fuck ever. Like I personally didn’t come out of the game thinking “Anya needs a good man who will fuck her raw and appreciate her body and love her forever 😍-“ like man, what game did YOU play or watch… This game leaves such a bitter taste in your mouth after experiencing the story and I believe that that was the initial purpose and like, ppl can have fun and interpret the story however they like in anyway that they find the most enjoyable to them. I don’t want to come off as an asshole who’s complaining but man, it’s just…???

[talkethtothehandeth]

My (ex)therapist said “I don’t think you have BPD because when people “like that” walk into a room, you can feel the energy shift *snaps fingers* like that— they’re draining, like energy vampires. I don’t get that with you.”

I did NOT accept I have bpd for years and it halted my treatment because of stigma in the mental health field (I am STILL not in DBT like I should be because of that one therapist) and I took it upon myself to try to manage it mostly alone with online resources.

People think we can’t have successful relationships when in reality I have a strong and healthy romantic relationship of five years and plenty of strong and healthy platonic relationships. People think we can’t get better but many people with BPD are capable of going into remission with the right treatment and tools if we’re not told how constantly horrible we are to have a disorder that only came about because we experienced such intense trauma and disconnect as innocent children. And our inner children are hurting so much that it causes our behaviors that are seen as only demonic and irredeemable.

TL,DR: Shame people and they won’t ever get better— give them help and opportunities to understand their disorders and show them that they’re still people who are capable of healing and deserve to heal and they will grow. Don’t water a flower and yell at the soil while putting it in a dark spot, you’ll destroy it. Give it fertilizer, sun, water and love, you’ll see growth. But we can’t change if we don’t accept what we’ve learned to be ashamed of.

I said it in a comment but I'm gonna say it here too. According to mental health professionals, a lot of people with BPD have trouble accepting their diagnosis. I wonder how much of that is related to people acting like it's "shitty asshole disease." I can totally imagine someone saying, "But I'm not a shitty asshole so they must be wrong." Instead of being told that it's often a result of growing up in an abusive environment and feeling like a bundle of raw nerves because of that.

I basically had my AVPD explained to me as like "okay so you got abused by your family and rejected by most of your peers growing up, that made you start to believe that you were unworthy of love and that seeking it out would only lead to rejection." Along with some other like... specific stuff. If they told me "yeah you have annoying coward disease and its made you a shut in," I'd refuse to accept that too.

[sanyu-thewitch05]

I’m sorry, but the bisexual to asexual(or aroace) train is wild.

More talk in the tags

[booksandpaperss]

I love when u can tell a fic author was a Percy Jackson kid even when the fandom youre reading is completely irrelevant to Riordanverse just by how they write

[deus-ex-mona]

my five surviving braincells when something remotely good happens:

[kendrysaneela]

I completely agree that that’s the story they’re trying to tell. It’s about these three people and the other characters and how they’re all trying to answer those exact questions. Or to avoid those questions. Maybe both. I think this is evident in the bucket lists as well.

First let’s break down the similarities and what they mean for each character.

Tristan

Kitesurfing

Break a world record

Dog, house

Fall in love, family,married

Threesome

Avery

See the world

Doctor

Know herself

Perform because she wants joy and to be bold

Threesome

Max

See the world

Fall in love have kids teach them to rely on themselves

Life to have meaning

Threesome

Let’s look at the threesome first cause it’s the only thing all three of them have in common

Threesome first.

Tristan was the first person to bring it up. And he essentially says that’s what he wants to do first because he says he wants that before everything. Tristan is the one to put the threesome idea on the table even if it was Avery who made the first move Tristan put it out into the world first

Avery. Avery needs prompting to come up with a fifth thing before she says threesome but then she enthusiastically says threesome after that.

So Tristan and Avery are pretty enthusiastic off the bat. BUT.

Max. Max says four items. Then he is told he needs a fifth. He can’t think of a fifth he says so he stalls. Then when (yet again Tristan) says it’s okay if Max says it’s a threesome. BUT. Max has already had a threesome. He won’t talk about it though. He made a pact. (Which he also did with Tristan and Avery but that’s a whole other thing for a different analysis).

Next similarity

Avery wants to travel the world (which she’s doing)

Max wants to travel the world (which he’s doing)

Next similarity

Tristan and Max both want to fall in love and have kids

The difference between Tristan and Max is that Max outright says he wants to fall in love and have kids and teach the kids to rely on themselves with no prompting

Tristan is prompted by Avery about “Six little Tristans” yes of course she’s quoting him when he said that earlier but she still had to prompt it this particular time

Those are all the direct similarities they had. But there’s also less direct similarities.

Less Direct Similarities

Tristan - Kitesurfing

Avery - Perform because she wants to feel joy and be bold

Tristan’s kitesurfing is absolutely because he wants to feel joy and be bold as well he just doesn’t outright say it. So there’s that on both their bucket lists as well.

And then in the same vein Max - Wants his life to have meaning. I’d say that’s in the same vein because ya know if your life has meaning I assume you’re experiencing joy and being bold. So it’s not as directly compared to Avery and Tristan but still comparable.

All of the things on this bucket list are about their lives and the meaning of them. What they want to do who they want to be how they want to be remembered.

Why is “Doctor Odyssey” a television show that very cleverly shows the depth of the human condition?

So, I have seen some people say that Doctor Odyssey is fun (especially because of Ody3) but also just a superficial show with no plot and I have to politely disagree. I think this show is the opposite, it's just supposed to look silly and superficial at first glance, as you can see when they repeat the phrase "we constructed a paradise" in the weekly recaps.

It is supposed to look like that, it is the idea of a cruise itself, for a week you escape the real world, you enter a new constructed one, which is supposed to be paradise without problems. But here's the thing, here is why there's a doctor and two nurses on this ship: it's just an idea, it's not real.

We especially see this in the episodes "I Always Cry at Weddings" and "Quackers" and of course in the main storyline of Max, Tristan and Avery navigating their relationship and their constant struggle with what they really want in life.

Let's start with "I always cry at weddings" to deconstruct the idea of superficiality with the weekly funny themes and the show only being silly because it's quite obvious here I think. I mean, a man commits suicide in this episode because he's deeply conflicted about what he really wants out of life and how he thinks there is an incurable darkness within him. And we see him, his bride and his best man as an example of how this construction, this idea of heteronormative happiness is just that for a lot of people: just an idea that doesn't guarantee you happiness, but actually destroys lives (not everyone's, of course). And we start this episode superficially, with a couple about to get married on a cruise, the perfect wedding in perfect paradise. But as the episode progresses, we see the cracks and then it gets very real. The scenes with the groom breaking down in the infirmary, the bride talking to Avery and Max after the suicide and her mother's confession are all absolute tearjerkers in the best way. I mean, watch that scene and then tell me again that this show is just a silly Riverdale for adults:

This is actually one of my favorite scenes of the show because the delivery of the line "we need to help this boy" is just perfect, the actress did an amazing job. Also, the character herself says "she pretended her fears away", which underlines the show's idea that this is a paradise where people should just forget their worries, but actually real life catches up with you no matter where you are, you cannot hide from it.

The other example I was thinking of is the latest episode with the Quackers community, which is super silly in a lot of ways and I love that, don't get me wrong.

And then you have this older couple, the leaders (?) of this community, who seem extremely superficial and silly, I mean, going on cruises to go on a quack treasure hunt? So silly. BUT then the cracks start to show again as one of them, the husband (I don't know what his name was, so I'll just call him the husband and her the wife), shows a serious condition, the compulsive urge to swallow objects. When confronted, the wife literally denies it, unable to face the ugly truth. In her world everything is perfect, she and her husband are on a never-ending treasure hunt on paradise cruises, and when something real, something problematic threatens that, she can't accept it at first. And we see that again later in the episode when she refuses to leave the ship:

She wants to stay in paradise, in denial, on the surface. But that's not possible, you can't ignore real life:

But this is her and her husband's dream, an endless paradise in search of ducks, and it's hard to let go and take a deeper look at life and accept that floating through life is a nice idea and might work for a while, but it can't go on forever:

regarding her husbands condition:

Once again the theme of what we want (superficial) and what is really going on (what is behind the construction of paradise) is mentioned.

All of this, and all of the recurring themes I mentioned, are also at play with the three main characters and their constant struggle with what they really want out of life. In a way, their calling to help people is fulfilled by their professions, but then they keep asking themselves, "Is this enough? Is this what I really want out of life, taking one cruise after another?

The theme of constructed ideas versus what is actually going on is also seen in their throuple situation. Max and Tristan have probably always seen themselves as straight, and now they are getting a deeper look at who they are and what they really want out of life. And that is scary, and it often takes years to deconstruct habits and self-image.

But there is no unnecessary weird teenage drama in this show, it is very real. It is supposed to look superficial, you only have to look a little closer to see that it is not.

So once you deconstruct the idea that this is all superficial, you will see that yes, it is silly, so is life and we need those silly and funny moments in life and in this show, but it is also very, very deeply human in many tragic but also good ways.

[marsdeathdefiances]

Going to force my mom to watch Troy later. I will share her thoughts with the class.

[bleutectic]

i always see other aro/ace people talk about the ‘bi/pan phase’, but am i the only one who also had a short while where i thought ‘wait nvm i’m not attracted to men, well then i must be a lesbian!’?

[steviescrystals]

i seriously need to get a new job and start making money again asap bc i cannot keep living at home much longer it’s driving me insane

(wrote an entire essay in the tags without meaning to oops)

[pennyserenade]

sejanus plinth is so personal to me and not just in the way that i love him, but also in the way that i’ve never seen existing between two cultures and peoples so perfectly represented. and like sure the hunger games certainly have taken it to the highest point and yeah no one is fighting to the death, but sometimes i have to listen to my own family debate about whether my people are worthy of living here. and it’s not just them. it’s everyone. it’s all around. i have to tell people i’m mexican almost immediately to avoid it and sometimes even that doesn’t stop them. i know that anger. it sits in my belly and consumes me too.

[glitterdisposition]

spotify bitches will have playlists called like “absolutely feral” “feminine rage” “women screaming” and then the first track is taylor swift