#I can see him being a bit more troubled because like

[loveanddeepspice]

𝕋𝕖𝕞𝕡𝕥𝕚𝕟𝕘 𝔾𝕣𝕒𝕔𝕖

✞ synopsis:  you've come back to the small town you grew up in for a visit. though your relationship with the catholic church and faith in general have been strained since you were younger, you find yourself drawn back to the church... or more specifically... the new priest... you aren't ready to share your secret sin with him... but you may not be able to help yourself.

✞ pairing: sylus x curvy fem!reader

✞ rating:  18+ (minors do not engage)

✞ cw:  religion (catholicism), priest, lapsed faith, adultery, priest kink, suicidal mention, dead parent, sex, masturbation, drugs (marijuana), mentions of other drug use, drinking (more will be added when/if they arise)

✞ disclaimer: this fiction explores a romantic relationship between a lapsed Catholic and an unconventional priest. it is not designed to be inflammatory or critical. catholic authors were asked to participate in the process. we hope you enjoy it, but we know that these topics can be sensitive, so please skip this fiction if it will in any way offend you.

✞ chapter:  5 / ?

✞ co-authors:  redbriony, confuseddoughnut (they do not have tumblr)

✞ ao3 link:  here

✞ chapter synopsis: a series of risky decisions gets you into more than one kind of trouble.

✞ index: chapter 1 | chapter 2 | chapter 3 | chapter 4 | chapter 5

Please comment on this post if you want to be added to the tag list for updates!

The next few days were spent in the confines of your childhood home, your bed almost becoming your permanent address as you thought about that kiss. The kindness and how the words expressed resonated with you in a way you hadn’t felt in a long time.  But more than anything, how the kissing Father Sylus had made you feel - the tenderness of it all. But surely you were getting ahead of yourself and even found yourself a little disgusted with yourself over the whole encounter. 

But he had just been so close, too sweet, and his face was so beautiful, and all you wanted to do was press kisses all over him. 

But it’s wrong, isn’t it? 

Something inside you rebelled against the idea for obvious reasons. Any resolve you had would disintegrate when you decided to act or speak on it. 

But then, one evening, Rafayel called. You barely answered in time because part of you was hoping it would be someone else.

“Hey babe, just wanted to check up and see how you’re doing. Haven’t heard from you.” 

You blinked, frozen for a moment as you twisted into a sitting position on your bed. “Fine. What’s up?” 

He chuckled, and you weren’t sure if he was annoyed. You felt slightly upset at yourself for not reaching out when you could have. A normal rekindled friendship typically involves a friend being there for the other, especially after what he revealed to you. But before you could follow up with an apology, he spoke again.

“Nothing in particular. I wondered if you wanted to get some of the old gang together and go up into the woods like we used to.” 

You knew the place he was walking about, the old lumber yard out in the middle of the woods where the kids from town used to gather. It had been a favorite spot to hang out, build bonfires, other illegal shit teenagers liked to do when they wanted to get away from their parents. 

“What do you mean ‘the gang?’” You asked. 

“Well, uh, it’s just gonna be you and me. When I tried to call anyone else from school, they either laughed at me for being back here or didn’t answer.” You could hear his nervous laugh when his words cut off. “Still a small town, and everyone is the same.” 

You couldn’t resist, though. Even if you were a bit too old for that behavior. Reliving your past was one of the reasons you returned home in the first place. “I have nothing better to do, so yeah. Sounds great.” You paused, wondering if you had said the right thing, hoping that Rafayel understood what you meant. “Sorry, I’ve been…not myself lately. Lot’s on my mind.” You rubbed the back of your knee with your fingers before standing, keeping the phone to your ear as you crossed the room to where your suitcase lay open on a chair. 

“I get it.” He responded with a laugh, light and airy in a way that made you smile. “Life is pretty shitty, especially for people like us who - well, you know.” There was a hint of apology in his tone as you heard him open and close a door. “This is the perfect opportunity for me to listen to you now.” 

“I kissed the priest.” 

“Fucking, what? The hot one?” 

You sat on the edge of the bed, leaning forward a bit, a bit shaken now with your admission. Even though you had spoken it out loud, you still felt as if you couldn’t totally come to grips with the situation. 

“Well, yeah. He’s the only one.”  You said, curling your hand around the hem of the comforter. “And I’m also in love with a married man. I’m losing it. This is what happens to people who don’t peak in high school or something!” 

Rafayel said nothing, obviously processing. Then he began to chuckle, which turned into a laugh. Then, he let out the most ridiculous roar of laughter. 

“Wow,” he managed to gasp out after a bit, only to laugh again. You could imagine how his shoulders probably shuddered as they shook and the grin plastered on his face. “Okay, once Talia goes to bed, I’ll grab her car and pick you up. And then you’re explaining this whole damn story to me. Got it?” 

“Got it.” 

“I can’t even comprehend this,” Rafayel breathed after you recounted your tale of how you ended up back home, finishing off with the way Father Sylus had kissed you and the way your panic overtook you. He shook his head, hands clenching and unclenching, brow knitted as he looked at you. 

The two of you sat in Talia's car, parked outside the old lumber yard in the woods. The empty dirt parking lot was bathed in the moon's light peeking through the clouds. The bowl on the dash between you both served as a reminder that some things hadn’t changed and that this was the first place you had smoked weed. 

Rafayel picked it up, fingers curling around the glass as he brought it to his lips. The flick of the lighter illuminated his face in the dark car, shadows dancing across his cheekbones as he inhaled deeply. You couldn’t blame him for his reaction. 

When he passed it to you, you mirrored his actions, feeling the smoke fill your lungs and the earthy taste coating your tongue. You held it in briefly before exhaling slowly, leaning back into the passenger seat. 

“And Xavier asked me out.” You said. 

Your friend’s face contorted in disbelief before he let out a short burst of laughter. “You’re joking, right?” 

“Nope.” You giggled and looked out towards the old building before you, wondering how he could think you were making any of this up. 

“Damn, you have three guys chasing after you, begging for scraps. I bet the doctor has loads of money.” Rafayel clicked his tongue thoughtfully. “This is every girl’s dream! I don’t understand what the problem is.” 

And as if it suddenly hit him all at once, he started to laugh, and the laugh turned out to be contagious. You both soon ended up in a fit of giggles inside the growing colder car. 

“I mean, what am I supposed to do? Ask him to leave his wife?” You huffed. 

“Relax! Think about it. People get divorced all the time.” The high was definitely setting in as Rafayel rested his head on the back of the seat. “And if he’s as hopelessly infatuated with you as you said, he might do it anyway.” 

“Rafayel! That’s horrible.” 

He leaned in and playfully nudged your shoulder, saying, “I can’t help but be honest with you. Who would I be if I wasn’t?” He caught the look on your face and rolled his eyes, flicking the lighter absentmindedly. “Or, you know, you could just call him up and give him a piece of your mind. Maybe that will push him right in the direction of Silver Springs.”

You rolled your eyes and muttered, feeling the familiar laziness creeping into your body. You barely resisted the urge to snort at his suggestion. “The Fleetwood Mac song?” 

“Yeah, Stevie cursed him, you know. Lindsey. In ‘97. Hexed him right on stage in front of everyone. So if I were you, I would call him up and tell him what direction he can shove his thumb up his own ass.” 

You laughed again, shaking your head at Rafayel’s ridiculous suggestion. The pot was doing its job, making everything seem way funnier than it should be. 

“I don’t know, man,” you sighed, sinking further into the seat. “Even if Zayne does leave his wife for me, which would be so wrong, what about Father Sylus? I mean, I kissed a priest, for Christ’s sake!” 

Rafayel took another long drag from the bowl before setting it between you in the cupholder, smoke once again billowing in the car as he responded. “Hey, forbidden love is the hottest kind. And I figure if I’m going to get any entertainment out of this town, it’s gonna be from you at this point. So just call the fucking doctor while I’m still high.” With that, he shoved your shoulder, and you turned and shoved him right back. 

You grumbled as you reached for your phone, unlocking it as the smoke settled around you. You scrolled through your contacts until your thumb was right over the number. It was so tempting, especially with the encouragement of the young man beside you - but you stayed still. 

You’ll never get away from the sound of the woman that loves you. 

“Fuck it.” You breathed deeply, heart hammering, and hit the phone symbol. As soon as you heard the first ring, you nearly jumped. 

Why do I do this? A mantra in your mind, like a worm in your skull, beating against the insides repeatedly with a tiny hammer. 

You waited, putting the phone on speaker so the idiot beside you could hear. After a few long rings, you were about to hang up when there was a click. An unfamiliar voice picked up instead of the one you were used to, and the wave of anxiety almost made you dizzy.

“Hello?” Her voice was soft, not as straightforward or bubbly as you had imagined she would sound.

Silent, you swallowed thickly, and along with the fear, you felt the ache settle in once again. The sharp guilt began coiling around you. You looked toward Rafayel, who suddenly looked just as panicked as you. He quickly grabbed your phone, raising an index finger to his lips and giving you a stern look. 

“Hi! Uh, I’m calling about your car's extended warranty!” Rafayel quickly stated, cutting off whatever the woman was about to say next. Then, he turned and threw your phone out of the open window. 

The two of you stared at each other blankly. Then, all the adrenaline hit you at once, and the numb haze obliterated. 

“Oh my God, fuck!” You managed to say, trying and failing to fight the delirious laughter that began wrapping through your body. You barely noticed your vision clouded with tears, and your next laugh came out mixed with a sob. “That was his - and you just - HA! You threw my phone out the window!” 

“Listen, Y/N, I don’t think that was a good -” 

“FUCK.” You kicked the dashboard with your foot, the glove compartment popping open and spilling its contents onto the car's floor. “How could you throw my phone out the window like that?” you cried, turning to glare at Rafayel through your tears. 

He held up his hands defensively. “I panicked, okay? I didn’t want you to do something you’d regret later. That was his wife on the phone, not him! What were you going to say to her anyway?” 

“I don’t know!” you wailed, burying your face in your hands. The high rapidly dissipated, ruined, and replaced by a growing despair. “I’m a horrible person. What am I doing with my life?” 

Rafayel sighed and scooted closer, draping an arm lazily around your shaking shoulders. “Hey, you’re not a horrible person. Do you want a Xanax?”

“No, I don’t want Xanax! Go get my phone!”

“Okay, okay! Just chill out.” Rafayel moved to open the car door but paused, a muttered curse leaving his mouth before he hurriedly attempted to clean up the drug paraphernalia scattered on the console. Then he turned just in time to have a flashlight shone in his face. In all of your agitation, it appeared that neither of you had noticed the other vehicle that had pulled up. 

“Hi, Tara.” Rafeyel greeted the deputy at the window with a thinly veiled hint of irritation as he shielded his eyes with the back of one hand. “Good to see you.” 

Tara looked at him, and then her eyes landed on you and widened slightly, her mouth parting as she put the two of you together. “Really? You’re back home?” 

Tara was only a couple years younger than you, and there was no surprise that this was her chosen profession. You remembered how she used to hang around all the time in high school, staying behind and hoping you’d ask her to hang out to go to a party. Even back then, it was as if you couldn’t shake her, the girl pursuing anything and getting into anything she could think of. 

“So, uh.” Tara leaned over and peeked into the car, leaning her free hand on the window. Perfectly manicured nails and the same cherry red lipstick; her features and skin soft. “What are you guys doing?” 

You started to laugh again, unable to resist the odd delight rippling through you. Rafayel tensed, and his lips pressed together as he looked at you in warning. 

“Nothing, officer.” You answered with a grin. “Don’t you have more important things to do? What’s all we ever did when we came up here?” 

Rafayel slapped a hand to his forehead. Tara scoffed and looked around nervously, as if confused as to how you reached the admission you realized shouldn’t have slipped out of your mouth so easily. Her sudden lack of boldness reminded you of the faux courage she often displayed when she was younger, which was why you were never that close with her. 

As long as you’ve known Talia, she was the type to call the priest whenever something happened. Even though you partially expected it, you were still on edge seeing Father Sylus walking into the tiny police station with her. 

You were sitting on a bench with Rafayel, feeling angry and frustrated, and your high completely came down when the two of them walked in. Your head snapped up at the sight of the tall man next to Talia, looking composed and put together while she looked like she had just taken a sleeping pill. It truly was no surprise to see Talia rushing in to rescue Rafayel from whatever trouble he had gotten himself into. 

“Rafayel.” Talia’s small, five-foot frame was in front of her nephew. “You…” She rubbed her temples and let out a groan. 

“Sorry, Talia.” He held up his hands, which were cuffed together, a bit of a chuckle leaving his mouth as if he thought this was the most amusing thing that could possibly happen to him. 

You averted your gaze again, the memory of the kiss burning in your mind, and you couldn’t bear to look up. A fresh wave of shame washed over you. Talia’s exasperated voice faded into the background as your heart pounded. 

“Come on, let’s get you two out of here,” Talia finally said with a sigh. She turned to Tara, who was seated at the desk nearby. “I’m assuming there won’t be any charges? They were just being stupid, right Tara?” 

Tara glanced between you and Rafayel, conflict flickering across her face. You could see the gears turning in her mind, weighing the social capital to be gained by letting this slide versus following protocol. After a tense beat, she sighed and waved a dismissive hand. 

“Yeah, yeah. Come on, let’s go fill out the paperwork.”

Talia nodded curtly and followed Tara out of the room, and an awkward silence descended, thick and lingering, although you couldn’t pinpoint the cause of it. You kept your gaze fixed on the scuffed linoleum, tracing patterns with your eyes. 

“Hey, Father,” Rafayel said, “What’d Talia say when she called you?” 

“She asked for a ride, said she would kill you, and needed someone to perform the last rites.” 

Rafayel let out a short laugh at Father Sylus’ dry response, but you remained silent, still unable to bring yourself to look at the priest. Your mind kept replaying that moment - the gentle press of his lips against yours. How could you face him now, after what transpired between you? What would you even say? 

“Right.” Rafayel hummed, “Suppose I should thank you then. Potentially saving my soul and all that.” He nudged you with his elbow, “Ain’t that right, bestie?” 

“Yeah, thanks.” You mumbled, only lifting your head when Tara appeared in front of you to remove the handcuffs from your wrists. Talia moved before her nephew, jingling her car keys before dropping them into his hands. 

“Let’s get out of here before I change my mind, Rafayel,” She grumbled. He flashed her a cheeky grin but wisely kept his mouth shut this time. 

“I can take Y/N home.” Father Sylus nodded toward you once you stood and shook out your wrists. Nervously, your eyes flickered to Rafayel, who looked terrified for you for a brief second before mouthing the words, 'Touch his butt.'

A moment later, you found yourself outside the police station next to the priest who had consumed your thoughts since that ill-advised kiss. You shivered in the harsh autumn breeze that cut straight through the light jacket you wore. You risked a brief glance at Father Sylus. He stood without a jacket, radiating heat, and for a moment, you wanted to press against him to feel that warmth. 

You found your words. “I - I can get home on my own,” you said, a bit harsher than was necessary. “I’m an adult the last time I checked.” 

Father Sylus paused at the bottom of the steps and turned around. There wasn’t any tension or hesitation in his tone, just like the other night. He was just genuinely inquiring. “How are you feeling, Y/N?” 

Shivering slightly and wrapping your arms around yourself, you looked toward the man and offered a smile. Your voice had the faintest tremor as you tried to joke, “I’ve been better.” 

Father Sylus glanced at you from the corner of his eye as you fell into step beside him, releasing a little snort at your sarcasm, a gesture that, for some reason, sent a hot rush of awe through you. 

“That’s all right, Y/N.” He said with a sad smile. “We can talk about it later if you want. For now, the important thing is getting you home.” Reflexively, his hand came to rest on the small of your back as he steered you toward the parking lot.

Just the brief caress of his warm hand on your back made your thighs clench. It didn’t mean anything, you told yourself, but your stomach churned as the sweet electricity of his touch rushed through you. 

Stop it, you told yourself. He was just showing you where he had parked. Yet his lingering warmth was flooding your senses. Swallowing thickly, you pinched your brows together and hoped you didn’t actually upset him in any way. 

“Should I be worried?” he asked. 

“About what?” 

“The things you’re into.” 

Stopping, a hard lump formed in your throat, and the entire world fell into a hush. The nearly pitch black parking lot of the police station, the night chill, the beautiful priest that just - was he teasing you, now? 

“Again. I’m in my twenties. Weed,” you snapped, emphasizing the last word, “Isn’t a big deal.” 

His palm felt scorching through your jacket as he closed a hand around the top of your shoulder, squeezing gently. 

“Hey now,” He said, making your breath hitch as you stiffened slightly. “It was just a question.” 

You said nothing, simply sliding into the passenger seat of Father Sylus’s car.

A quiet settled between you two in the car, then. All you could do was look out the window at the dark neighborhood and overanalyze every word, every touch, trying to pinpoint exactly how you felt. But how could you even explain that the man beside you gave you the thrill of wanting to do something terrible? Because there had been a moment with him, something that broke the reality of the relationship the two of you had. It didn’t necessarily feel awful, more like an unspoken truth waiting to be expressed. 

You tried to control your emotions and thought process, registering that you were in front of your house now. Just as you were going to say goodnight and grab the door handle, you heard Father Sylus speak. 

“I owe you an apology for the other night.” The quiet murmur was easy to miss, but you did everything possible to hang onto the sound. A mix of breath. You looked back at him, trying to catch his eyes in the darkness only illuminated by the porch light from the distance. 

“I don’t want to make things difficult for you.” He continued, “I’d still like for us to talk.” 

As tempting as it was to open the car door and leave, the ache in your belly nearly overwhelmed you. A terrible, crushing sense of longing settled in. Knowing where the lines were drew a blank in your mind. Where the hell were you supposed to draw the line? Fuck, was this situation genuine, or just one of opportunity? 

“Can I ask an inappropriate question, Father?” You choked out, swallowing the lump of anxiety that wound its way around the base of your neck. You watched as he shut the car off.

“What is it?” He wasn't looking at you, but the hand still on the wheel tightened slightly. 

Inhaling deeply, your heart thumped at an aching speed as you murmured your question, your voice beginning to betray how much he affected you. “Do you kiss a lot of girls?” 

“I beg your pardon?” 

Why the hell did you mean to bring that up? What good would knowing do, even? Right, of course, you would just go ahead and ruin the image of purity - what was the worst that could happen? 

“Well,” You continued, unable to stop yourself but choosing your words carefully, “You kissed me. So, do you kiss a lot of girls?” 

Father Sylus was quiet for a long, brutal moment. You felt sweat bead on your skin despite the car being cool. Clenching your fists and digging your nails into your palm, you try to brace yourself. You hadn’t intended to ask your question so outwardly , but what other way was there to put it? 

“Y/N, you’re trying to minimize our connection,” he said. He took a deep, steadying breath and then rubbed a hand over his brow. “And I can ignore it. I can try to pray for the strength to bear it.”

Then, he met your gaze directly. In the light from the porch, you could see how his crimson eyes tore into you, emotion suddenly exposed and bared. For the second time, he had allowed you to glimpse what was hiding under the careful mask he put on. 

You almost flinched as he touched your knee, his tone dropping. “But I won’t diminish it.” 

You found yourself falling, then, into those wounded eyes. You slid your hand forward and set it over his, the heat from the simple touch making you feel like you had touched an ember. 

Before you knew what you were doing, you leaned across the center console to kiss him, slow and sweet. 

Please don’t push me away.

For a moment, you feel his surprise. However, just before you pull away, he pulls you forward, one warm hand sliding up your back and the other threading through your hair gently, reverently.

You moan softly into his mouth, and his grip tightens slightly. He deepens the kiss, pressing his tongue into your mouth. You lose yourself in the feel of his lips on yours, his hands on your body.

The gentleness he handles you with stokes the fire within you, warming you from the inside and slowly turning into a fever. You long for him to hold you tightly, to show you he wanted you too - you need that affirmation. 

Then his lips grazed the shell of your ear, voice husky and warm. “You’re far too close for your own good.” 

What sort of torment was this? All these words hung in the air that you wanted to say, but none came to your mind except for - 

“Fuck me,” you rasped. Your face felt hot as the words spilled from your lips, driven by the intensity of your want. “Please, I -” 

He silenced you with his mouth, capturing your lips again. His kiss is no less intense and consuming but maintains a level of restraint that a part of you hoped was rapidly crumbling. Your hands move on their own accord, reaching for his belt. 

A hand on your wrist stops you before you can go any further, his skin like silk against the pounding pulse point of your wrist. It was a heavyweight, slowly making its way up to where your heart was beating wildly. 

He’s looking directly into your eyes when he brings your hand to his mouth, kissing your knuckles gently. 

“No here, sweetheart.” His voice is feather-light as he speaks. “Not like this.” 

While he let go of your wrist, something unseen held you in place. But it was only momentarily before the horror of what you had tried to do crashed over you. 

“Oh, fuck, I’m so sorry, I - what the fuck am I doing?” 

With the state you were in, it wouldn’t take much for the well of tears to come. Unable to look at him, you unlocked the car door and pushed it open, nearly tripping on your feet as you stumbled onto the pavement. 

You didn’t look back, fearing falling apart, and slammed the door shut. 

Rather than going through the front door, you circled the house and went up the back porch through the kitchen. Once inside, you walked past your dad in the living room, who was sleeping on the couch with the television blaring and a near-empty bottle of beer within arm’s reach. 

You went into the bathroom in the hallway, shut and locked the door, then slid down onto the cold tile. 

The rejection shouldn’t have hurt as much as it did. No, this was different. Something deep inside, something raw and fiery, made the ache grow exponentially. It was the memory of the touch, the intoxicating mixture of scents. 

Anger clawed its way to the surface because you couldn’t even wrap your head around what you felt. How pathetic, how foolish, how humiliating. 

Clutching the sides of your head, you let out a scream, frustration causing your body to shake. 

You wanted so badly to disappear. 

Did God have a sense of humor or something? 

tag list: @celestialforce @readerxyourbabe

[localcanadiancreature62]

Animatic ideas/Song drabbles for Handyman Bill au Billford

@aaabatteryy Look at me making the resurrection aus idea that lead to us becoming mutuals into reality.

Another Believer from meet the robinsons/Bill's POV - Like think about it. It could be recontextualized into him trying to get Ford's trust again,cuz of the "i will make of you into another believer" part. The "Hello,i got something to tell you. But it's crazy,i've got something to show you" could be about Bill trying to apologize (plus confess his growing normal non toxic feelings for Ford) and also showing that he's going to change for the genius,the scene itself could be him trying to tell Ford about his real feelings but the man ignores him as he thinks it's a trick. "So give me just one more chance,one more glance. One more hand to hold" is pretty obvious with the triangle trying to make Ford give him a second chance and also try to make him look at him the way he used to again,and the "one more hand to hold" part is him wanting Ford to hold his hand and be with him again,the scene would be Bill attempting to convince Ford to give him another chance only for the man to turn his back on him. "Guess what? You got more than you bargained,Ain't it crazy? You got more than you paid for" would be about Bill mocking himself and saying that he bit off more than he can chew with his plan failing horribly while he ended up as a pathetic mortal triangle,the scene would be Bill basically hating himself as he chastises himself for going overboard with his own plan. "You've been on my mind (you've been on my mind),Though it may seem I'm fooling,Wasting so much time (wasting so much time)" is Bill obsessing over Ford but in a normal non toxic way and the "though it may seem i'm fooling" would be him acknowledging that Ford thinks that he's manipulating him again. "Wasting so much time" is Bill thinking that he's wasting his energy on a man that will NEVER come around but he still tries to get him back anyway.

Nuts from adventure time/Ford's POV - This is literally Ford being annoyed by Bill's persistent ass. "You're so annoying,you pitiful old man triangle,i'd like to help you but i don't know if i can" is Ford being frustrated by Bill's constant attempts to get him back while also wanting to help him recover and become normal but not knowing how considering that the triangle is stubborn to change and the scene would be him getting annoyed by Bill's "date" idea while simultaneously looking at him distantly as he knows that the triangle is only like this because of being very very troubled. "I thought you were nuts,but you're really really really nuts" is Ford discovering that Bill is more insane than he thought with his ever persistent attempts to get back together with him and the scene would be the genius rejecting all of Bill's advances as he gets more and more annoyed. "Every time i move eventually you find me and start hanging around. Just another lame excuse to see me,man it's getting me down" is Ford getting really pissed at the fact that Bill keeps following him everywhere and constantly going to his study just to see him,the scene would be Ford discovering Bill in his room in the kitchen where his Journal is etc while being incredibly exasperated by the triangle following him around like a lost dog. "You know i'm actually glad to see you. Maybe i'm the one who's *sigh* nuts." is Ford accepting that he missed the triangle after discovering him in his room again while realizing that he's crazy for STILL being attached to his former muse despite everything,the scene would be him finding Bill in his room again as he then kisses the unconscious drunk isosceles on the cheek.

[writingtraumaforever]

Uncontrolled Chaos: Chapter 6

Notes: Ya’ll. This election is gonna have me up all night. So I went ahead and typed another one. ANYWAY! Anyone else think Rouge and Sonic would be super flirty with one another simply because they’re both just naturally teasing little shits??? c: They’d be such a handful as a duo.

Summary: Rouge goes to Sonic for help.

Chapter Select!

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Start:

Sonic turns out to be in the oddest of places.

At home.

Well. Sonic doesn’t have a home. That’s why it’s so odd.

He has a quaint hut he built back when he first took Tails in, knowing he couldn’t just keep sleeping in trees or caves with a kid depending on him. Along with this hut came a shed for Sonic’s plane that grew into a large workshop over the years as Tails’ potential in mechanics advanced.

Even still, Sonic rarely was there. It was thought more as Tails’ home than Sonic’s— which was what it was built for in the first place, really. To give the young fox some shelter and stability.

Sonic may have been a kid too at the time, but he wasn’t stupid.

Sonic could only be found there when he was actively working with Tails on something in his workshop, collaborating with his Team for some sort of adventure, or- on very rare occasions- was sleeping there for the night.

So Rouge hadn’t really thought to go there.

Especially since Team Sonic is currently disbanded and doing their own things individually.

Standing outside the home, she places a hand on her hip and knocks with the other one, “Hello???”

She’d usually let herself in being an expert thief and all, but she’s trying to get in Sonic’s good graces currently considering she needs his help.

There’s no answer for a long moment, Rouge frowning as she switches her weight from her left foot to her right and knocks again, “Sonic??? I know you’re there—“

She’s interrupted by a loud rumbling sort of sound, metal being folded up as the garage door of the workshop is slid up from the ground and open.

A spiky, blue head peeks out from the bottom.

“Rouge??”

Rouge looks at the blue blur with a little smirk, tilting her head sideways to lean more into his view, “Hiya~,” she gives a little flirty wave.

Sonic’s smile upturns at this, seeming far too ecstatic to see her than he typically is. He walks out from the shop with a pep in his step, some sort of oil littered on his quills and fur making Rouge’s nose scrunch a bit in disgust.

“Hey! Long time no see,” he winks, stopping a few feet in front of her as he rubs his dirtied gloves on his chest to wipe them off some, “Sorry I didn’t hear ya. I was working on the Tornado. Took it out for a flight and ran into some trouble. Turns out I’m rusty with flying the thing..,” he chuckles and rubs the back of his neck.

Rouge offers a little quirk of her brow, “The kid didn’t take it with him??”

“Ah- he took the X,” he explains with a smirk, “the original stayed with me.”

“Ah,” Rouge smiles a bit, nodding as she looks him over a moment.

He looks like he’s doing well enough. Knuckles had said he went through quite a lot on those Starfall Islands, but right now? He looks no different than normal other than how filthy he is. Then again, Rouge doesn’t really know him well enough to tell much of a difference even if he was off.

“Did you need somethin’??” Sonic asks with a raised brow, “Something happen?? There trouble??”

Rouge tries to ignore how he sounds hopeful rather than worried.

“Not quite,” she answers, one of her wings stretching out to wrap around her as she grooms the wingtips a bit anxiously, “There’s been an incident.”

“Incident??” the hero questions, a curious glint in his eyes. If Rouge didn’t know any better, she’d say he was wanting something to be wrong.

Was he really that bored???

“Shadow,” she says simply, watching Sonic’s curiosity peak at that, “He was running an op for GUN and got knocked out.”

“Is he—“

“He’s fine,” she quickly answers before he can think the worst, “No real damage, just a solid hit to the back. But he’s healing fine since he heals quicker than most.”

Sonic nods at this, his face now becoming a bit unreadable rather than open and childish, “Then what’s the problem??”

“Well..,” Rouge sighs, her eyes averting as she plays with the tips of her hair at the nape her her neck now, her wing folding back up behind her back, “He’s not… himself.”

Sonic’s brows furrow a bit at that, a frown curling on his muzzle, “Whatdo’ya mean??”

“He’s acting strangely,” not sure how else to put it, “It’s like his memories are out of whack.”

“Well that’s nothing new,” Sonic snorts with a smirk, though he immediately goes back to being serious when this only earns him a glare from Rouge.

“He doesn’t have any head trauma,” the agent continues, looking a bit distressed now as she crosses her arms over her chest and looks down in thought, “Nothing showed up on any scans. There’s no reason for him to be acting like this..”

“How exactly is he acting??” Sonic questions, his own hand resting on his hip while the other dangles free at his side, “I mean— he’s kinda an asshole most days—“

“That’s just it. He’s not being an asshole, he’s being..,” she hesitates, looking at Sonic again, “scared..?”

Sonic’s eyes widen a bit at that, obviously shocked by this information. There hasn’t been many times Sonic has seen Shadow scared, but the few times he has??? It’s usually for a damn good reason.

And if Shadow is scared, they probably all should be..

“He doesn’t look at me like he knows me,” Rouge adds, trying to provide context, “And any time I try and talk to him about what happened, he shuts down and asks for-..”

Sonic leans in a bit, nodding for her to finish.

“…you.”

“Me??” Sonic barks, surprised at first but then laughing, “That’s a good one. Shadow, my rival, the Ultimate Buzzkill, asking to see me?? As if I’d talk to that—“

“I’m serious, Sonic,” Rouge reaches out, grabbing Sonic’s wrist and immediately shutting Sonic up as he looks at her a bit off-put by how worried she is.

Rouge isn’t one to show vulnerability like this..

And even if Sonic doesn’t know her and Shadow’s dynamic super well, he knows they’re likely the closest thing to family the other has..

He’s dealt with losing his family enough lately to know she’s not messing around..

And he shouldn’t be either.

“Just— come talk to him,” she pleads, though she tries to make it sound like an order, “See what you can get out of him. I don’t know what’s going on with him, but I don’t like seeing him like this..”

Sonic looks at her a long moment, lips parted as he searches her eyes for any sign of deception or dishonesty..

He just finds worry.

And some desperation.

He shuts his mouth, his own face reflecting his seriousness as he gives her a nod.

“Yeah. I’ll come see him.”

Rouge sighs at this, releasing his arm as she steps back from him, “Good. Thank you.”

He smirks a bit at this, trying to lighten the mood some, “No problemo.”

“Would’ve had to taken you hostage if you had said no,” Rouge smirks, her hand back on her hip and returning to her smug and flirty persona.

“Woulda had to catch me first, doll,” Sonic winks, matching her energy.

Rouge hums at that, tilting her head up at him with an appreciative smile before then scrunching her nose up in disgust, “But you have to shower first. I’m not going anywhere with all that stink.”

Sonic raises an arm to smell under his pit, a furrow in his brows, “It ain��t that bad.”

“It’s disgusting. Go make yourself presentable. I’ll meet you at GUN HQ.”

Sonic gives her a wink and thumbs up, “On it.” Then he’s dashing off inside the house, leaving a blue streak and a gust of wind behind.

Rouge sighs a bit as she turns to leave, spreading her wings to take off.

Sonic is already in the shower, thinking about everything he’s been told..

Shadow.

Shadow hurt.

Shadow scared.

Shadow asking for him???

None of it sounds right. And Sonic finds himself more worried than he’d care to admit..

Starfall Island was a shitty experience, but it taught him a lot. And while Shadow may be his rival, he doesn’t wanna see the guy in distress or pain..

He would’ve done the same thing he did for Knuckles, Tails and Amy for Shadow.

He cares about the guy.

Ya’know. In a ‘dude’ sort of way, of course.

But for Shadow to be asking for Sonic’s help??

It can’t be good.

And Sonic has a feeling this is the start of something bigger..

His toes curl involuntarily at that thought.

He finds a slow smile curling onto his lips, slight relief flooding him at this realization.

“Finally..”

[mochinomnoms]

I have no one to share this thought with, that's why I want to express it somewhere. In fact, I'm a newbie in the Twisted Wonderland fandom, but while I'm currently playing through the game (or rather the plot), I have one such question and dissonance. No matter how you look at it, the characters in the game communicate rather unpleasantly with the main character, I wonder what would have happened if the main character had reacted adequately, calmly, coldly and judiciously, that is, essentially not giving in to Crowley's manipulations. It would have been much more interesting to see this in the main character, because it becomes somehow awkward for me to watch how he is manipulated. Moreover, the characters' attitude towards him at the beginning was also rather unpleasant, well, until they became friends there. To some extent, I would like to see the main character as a realist who understands that he ended up in a world he doesn't understand, the director does nothing at all to bring him home, while the attitude of others towards him is simply disgusting. It just seemed at some point that the main character of the game resigned himself to the fact that he was staying in the world of Twisted Wonderland. Well, if it were me (I'm a realist), I would have looked for all possible methods myself, but to return home. This seems to me to be a much more adequate approach to such a turn of events. The question is, will other characters grieve because the adequate main character went back to his world (let's say he found a way to return back)? Perhaps these very close friends, namely Ace, Deuce and Grimm, who really were friends of the main character, will grieve greatly, the rest... Well, this is strictly my opinion, but it doesn't seem like the majority will simply not care.

P.S. Да, я тот человек, который смотрит реальности в глаза, а не смотрит на мир через розовые очки. Я встретил достаточно жестокости в своей жизни и... Вот почему меня раздражает, когда я вижу глупых персонажей, смирившихся со своей участью.

To be honest, the way you're explaining how you'd personally act in Yuu's situation is most likely how most people would react, so I don't see anything particularly wrong with it.

The way the player acts in-game is probably done so because if they acted accordingly, there probably wouldn't be a game, lol. Or at the very least a vastly different game. That's what makes fics so fun though, you are bound to find one that aligns with what you think would really happen, or just find one that's fun lol. Though, I personally don't see canon Yuu as just resigning themselves as much as they're super flexible and go with the flow. There are points in the game that Yuu is a bit snappy or blunt, and lines from the characters on the homescreen especially that point to the player being cheeky, a troublemaker, and touchy with the characters,

I do think more than just ADeuce and Grim would be sad about Yuu leaving though, Malleus is very close to the player, mostly because he's fascinated by their lack of reaction to who he is. Even if Yuu was more of a realist when meeting him, he's so fascinated (and starved for genuine friendship) that he's delighted by almost any version of Yuu. Kalim is also a sweetie, so he's gonna be upset as well, even if Yuu is just an acquaintance. At the very least, I would include Jack with the first three just because he seems fond enough of Yuu to let himself get “dragged” (he went willingly, lol) into their troubles during Book 3. The rest of the cast I think you can argue for as long as you get through their books, I think Pomefiore especially after Book 6.

But it's late and i don't have many thoughts left, so I'll end it there lol.

(also im sorry hon i don't know what the last bit is, i only speak english and spanish haha)

[demigodsanswer]

Percabeth Royal AU + First Time

I also got sent royalty AU + baby fic, so I'm going to combine them!

Vaguely high fantasy setting, but with more or an ancient Greek aesthetic than medieval England.

Annabeth is first in line for her mother's throne. Percy is like 5th or 6th inline his father's. And he'd probably never get it anyway. He's a legitimized former bastard after his father married his (low born) mistress after the death of his first wife.

But the two of them grew up together, and get along really well, and have stayed in contact through the years, even if they haven't seen each other in person in a while.

So when it comes time for Annabeth to make an adventurous match, she floats Percy's name. The marriage would strengthen the alliance to a formerly-rival nation, he's not so important as to cause trouble, but he is legitimate.

Athena isn't thrilled about this, but she allows Annabeth to make the proposal because she knows if she doesn't allow Annabeth to do the proper thing she wants to do, then Annabeth will do whatever she wants to do the improper way. Athena doesn't really expect Poseidon to accept.

But of course he does. This is a marriage well above what he expected for Percy. The marriage is arranged, and now it's time for Percy to finally see his best friend again.

He arrives, and he is the most handsome man Annabeth has ever seen. And that she wasn't expecting. She'd last seen him eight years ago, when he was a pimply 13 year old who was shorter than her. He wasn't that anymore.

And Percy is thinking similar things about her. He's pretty sure they're going to have a great marriage.

Athena's kingdom is a little more (a lot more) regressive on ideas of virginity, particularly for high-born girls, particularly for the heir apparent. So Annabeth has never so much as kissed someone in a meaningful way. She's read books, experimented with a few things on her own, and that's it. And Percy's culture expects proof of consummation the next day as part of the wedding contract. So Annabeth knows she will be losing her virginity on her wedding night. It's been discussed at length, much to her shame.

A week before the wedding, she confesses to Percy that she's nervous. Or, rather, she expresses her nerves by asking: "On the wedding night, what should I do?"

"What?"

"Is there something I should do to prepare? Is there something you like that I should learn about?"

"Uh ... no. I just want you to be comfortable and relaxed as much as you can. I will try to make it good for you."

"In your experience, do women do anything that makes it more relaxing?"

And Percy just has to sheepishly confess that he doesn't have experience of his own. "I'm a bastard. I never wanted to condemn my own child to that fate. Or disgrace a lady like that. Or pay for it and end up with some pox I'd give to my wife. So I've just ..."

"So we're both virgins, then?" Annabeth asks, not really realizing that that's a bit embarrassing for Percy in ways it's not for her.

"Yes," he said.

"That actually makes me feel a lot better."

The wedding night ends up being incredibly ... fine. It's romantic for sure. But the sex itself takes a few tries to get right, and then ends abruptly. But there's enough evidence the next morning to make the marriage count.

Conceiving an heir isn't a problem. Keeping it is. Annabeth has three miscarriages the first year. She and Percy decide to stop having sex for a little while, to let her body recover and let them both recover emotionally.

They end up taking a tour of the nation six months after they stop having sex (or P in V sex, they figure out the alternatives), and on the tour, they stop by a secluded waterfall. The guards are a little ways away, and they decide to fully enjoy the water.

They're hidden behind the waterfall, and Percy is so happy to be inside her again, he just starts talking about how his people worship the water, and believe they emerged from the sea itself, and that water is healing and life-giving.

When Annabeth suspects she's pregnant again about two months later, she insists they continue the tour because "it will be over soon."

But it isn't.

She returns to court wider than she left. This one she carries to term -- a healthy little baby girl.

They start conceiving all their babies in the water, just to be safe.

[saltpepperbeard]

jodiii JODI!!!! j o d i !

what if this:

is when they see their missing crew again 👀

....oOOOOAOAGHGFHGHGHGHFGJKDLFJKLDDS????

kaitlin,,, kAITLIN,,,,,, K A ITLIN!!!

WITH THE WAY ROACH AND PETE ARE LOOKING, I CAN SEE IT AND I'M JUST

...

dude what if it's them seeing lucius or hearing news about lucius and that's why pete looks the most poised to leap and that's why stede looks off in comparison because he feels guilty or torn or something equivalent. like obviously he'd be so relieved to hear about his boy's whereabouts, but so so torn about the cause

..............

:))) <3

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[good-beanswrites]

hi! may i request some mikoto + amane (platonic obvs) … anything? they are very dear to me 😭

Yes!!! Thank you so much for the request -- they really are such a good pair ;-; (The thing is, I had so many nice scenes in mind about how they parallel each other, but they wouldn't know or reveal that about each other so I kept restarting...) Anyway, here's something right after Mikoto's first trial/verdict!

Mikoto could pick up on someone’s bad mood from a mile away, though the skill was unnecessary when the other party very clearly and calmly informed him, “I’m in a bad mood.”

After refusing his offer, Amane turned back to a thick textbook she’d been taking notes on. Didn’t kids usually complain that school was already a prison? She must have wanted the full experience. He'd worked nonstop at his studies as well, but this was a new level. Amane often reminded him of his little sister, though she always took the extra step like this. His sister would have jumped at this opportunity to play a few rounds of their favorite card game.

“It’ll be fun!”

He flashed a smile, but it had no effect on her severe expression. “I know you’re just trying to comfort me about our verdicts. I refuse to be pitied.”

“Comfort and pity are two very different things. But anyway, it wasn’t either of those things.” He gave an easy shrug “To be honest, I’m just a little bored. It’s weird not having any work to do during the day.” 

Mikoto couldn’t remember the last time in his life he’d had so many hours to himself. A lot of the others were fun to play games with. A few of the sportier prisoners helped him stay active. He enjoyed smoking breaks with the other men. Still, he was left to his own devices for the majority of his time. It was maddening. He’d recently requested some more art supplies, having used up the last batch, but they had yet to come in. Now with the verdict announcement, he wasn’t sure they’d ever arrive.

“That is your own problem. I already have something to do.” Her eyes lingered on the cards for the briefest of moments before returning to the book. “I told you, I’m not in the mood for it.”

Regardless of her hostility, he took a seat beside her. He leaned his arms out on the table. “We don’t have to play the same game.” The last time they'd played as a big group, several prisoners pulling the tables together to fit everyone. Amane had kept very quiet, eyes darting around at the cards as she tried to keep up with the rules. Not many of the others noticed the frustration clear in her face. Mikoto wasn’t the type to let her win out of pity, though he had begun to mutter the rules and strategies to himself a bit more as the night went on… 

“Is there a game you liked to play at home?”

 “No. There was no time for games in the house.” 

“All work and no play… hah… I know what that’s like.” He slumped his cheek onto his arm, lazily shuffling the cards around. He felt bad for bothering the girl if she truly was upset. He thought it was the bad experience that made her reject him, he hadn’t realized there were also family issues attached. Usually he could read people well; maybe he was losing his touch. He seemed to be losing touch with a lot of things, these days.

He readied a game of solitaire. 

“Mikoto?” Amane kept her face turned away. “There was… one game.”

“Yeah?” Mikoto shuffled the cards back together. He slid them over to her. “You should teach me!” 

She didn’t touch them. “You probably already know it.”

“Nah, I only know a few games. I’m better with tarot cards, though those aren’t really the gaming type. Come on, what is it?”

She told him the name of the game, insisting it wouldn’t be worth playing. She kept her attention on the textbook, but her eyes weren’t reading any of it. 

“Ahh, I’ve heard of that one! We start with four cards, right?” He started dealing them out.

“No, five –” she pointed to the deck, urging him to add two more. 

“Right, right.” He laughed lightly. “And the goal is to get pairs, and put them in a pile, uhh, here.”

Amane shook her head. She shifted her body slightly towards him. “You must be thinking of a different game. There’s actually three piles for pairs. One here, one here, and when it’s your opponent’s turn…” 

Her eyes gleamed as she explained the rules. She pointed to various cards, telling him exact moves and point values. “And to win, you need to –” Her expression shifted. “You… you already knew all this.”

“Of course not!” He put on his most convincing smile. 

She deflated. “You’re not a very good liar.”

“Tch, tell that to the warden.”

His shoulders sagged along with her. If Amane could see right through him, why was the rest of Milgram still coming up with stories about what he did and didn’t do? “Well, I might already know the rules, but it’s been a long time since I’ve played. You can still give me a hand. Plus, if you really are in such a bad mood, it’ll be good to take a break from your studies. You should always take a break when things get too overwhelming, yeah?”

She gave him a withering stare.

“Eh? What’s that face for?”

“Alright, let’s play. You can go first.”

“I mean it, what was that look? Aw, come on…”

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[cheapshrimpysheep]

Yuutsum 1

SUMMARY: What if you also have a Tsum? Then your Tsum and the Tsum of the person you like keep giving signs that they like each other?

CHARACTERS: Twisted Tsumderland 1 Tsumsitters (Riddle; Cater; Leona; Jack; Floyd; Epel; Sebek)

TAGS: Fluff; GN Reader 

WARNING: Spoilers for the Twisted Tsumderland Event and the Tsumsitter cards Vignettes.

WORD COUNT: An average of 600 words per character.

COMMENTS: This was originally a request from @taruruchi for my 1k celebration. Which you can read here. And since so many readers liked it, I decided to do what I normally do when this happens: Do this for ALL the characters! Grouped by event in this case.

The beginning of the Riddle's part is the same as in the request, but I added a little bit more scenario after that.

I hope you enjoy 😉

Yuutsum 2 (Deuce; Azul; Jade; Kalim; Rook; Ortho; Lilia)

Yuutsum 3 (after going to the English server)

.

With your Tsum in your arms, you find Ace and Deuce, leaning over with their hands on their knees as if they were catching their breath after a run. They look at you first, but quickly the cute little creature you hold in your arms catches their attention. They both have that look on their faces like they think it's the cutest and most beautiful little thing in the world but don't want to admit it.

They say that Riddle also has one of those and it was the one they were chasing and trying to catch, but they lost it. The moment they said Riddle’s name, you felt your Tsum move enthusiastically for a moment.

They hear something, when they look they see Riddle-tsum in the distance and run towards it, starting the chase again. Your Tsum jumps out of your arms and runs with them, which makes you run after them too.

Your Tsum passes Ace and Deuce, which surprises them because they were so fast, and throws itself at Riddle-tsum, rolling together for a few seconds until they both stop. When this happened, Riddle-tsum didn't run away again, and the two were rubbing each other's cheeks happily.

Ace grabbed Riddle-tsum while it was distracted. It seemed upset about being caught. But the moment Deuce grabbed your Tsum that upsetness turn into anger. Riddle-tsum jumped out of Ace's arms, hits him in the face and threw itself right in Deuce's face to make him release your Tsum. Once back on the ground, Riddle-tsum positioned itself between your Tsum and those two. Glaring threateningly at Ace and Deuce.

Once again, it doesn't run away. You finally get close to them and approach the tsums. When Riddle-tsum sees you it relaxes again and looks at you with admiration. As if looking at a royalty.

Ace and Deuce suggest that you try taking them both to Heartslabyul, as Riddle-tsum doesn't seem to like either of them. They were small enough for you to be able to carry them both in your arms without any problems.

You take them both in your arms and Riddle-tsum immediately turns red. It looked like a tomato in white clothes. And it writhed as if it wanted to hide your arms in embarrassment. When you arrive at Heartslabyul, Riddle-tsum's blush had already subsided.

“Ah, prefect.” Riddle says when he sees you, Ace and Deuce arriving. “I see you were the one who managed to catch...” He looks at your arms to see his tsum, but his gaze automatically goes to your tsum instead. “Oh, there is one similar to you too. It looks... as charming as you.” he blushes just a little.

After explaining how you three caught Riddle-tsum, Ace suggests that they leave you and your Tsum with Riddle-tsum to prevent it from escaping again or causing trouble. Or hurt someone else. Riddle hesitates at first, as he is the one responsible for taking care of his tsum. But soon after, Riddle-tsum hits a student for breaking some rule and Riddle starts arguing with it so he stops attacking others.

You place a hand on Riddle's shoulder to try to calm him down a little and at that moment both of your attention went to your tsums. Your Tsum was between you and Riddle-tsum.

“You know, they remind me of the hedgehogs in a way.” Riddle says “And now they are reminding me of when they come closer to smell each other or to rub each other's noses. I can't deny that I find it quite cute whenever they do it.”

And then your Tsum starts rubbing its little round nose against Riddle-tsum's and caressing him to calm him down. And it works. And he returns the affection by staying very close to your Tsum.

Riddle blushes a little again, and says that, reconsidering Ace's suggestion and if you want, you could take care of your tsums together.

You were walking with your Tsum in your arms when you saw Cater and his Tsum on Main Street. Cater-tsum seemed to be curled defensively around something Cater was trying to retrieve.

“Look, you can't have it, okay?!” You hear Carter say to his Tsum as you get close to them.

You greet him by asking what they are doing. Cater gives you a quick glance before turning his attention back to Cater-tsum, as if he's afraid that if he looks away it'll escape.

“Hey, [Y/N]! I'm trying to get my-” He quickly looks back at you, more specifically at the adorable little thing you have in your arms. “Oh!... My!... Great Seven!” He turns his body towards you, his gaze so fixed on your Tsum that he doesn't even blink. “YOU HAVE A TSUM TOO! And it's the most adorable little thing I've ever seen in my life!”

Suddenly you both got jumpscared as something jumps towards you. It was Cater-tsum jumping into your arms! Despite the scare, you manage to catch it and it starts to nestle into your arms and cuddle your Tsum. Cater looks at the floor where Tsum was and sees his cell phone left behind. He retrieves it.

“We HAVE to take a pic of them!” Cater says excitedly “No! We have to do a whole photoshoot! Here! It's a great place to start.”

If you like taking pictures, your Tsum will be very excited. If you are shy, your Tsum will turn around to hide its face in your arms.

“Awwwww~ That’s even more adorable! Pwease! I beg you~" He says to your Tsum. Cater-tsum will also make pleading eyes at your Tsum.

The four of you spend a lot of time taking pictures in different places. Both pictures of the Tsums and of you with Cater. Until Cater and his Tsum have enough pictures to finally let you and your Tsum rest.

You sit on a bench, you with your Tsum on your lap and Cater with his Tsum on his lap, both of them editing photos on his cell phone. However, you feel your Tsum move and leave your lap to headbutt Cater's hand that was holding the cell phone, making it fall against his belly. After that, your tsum just stands there looking at Cater-tsum with a slightly annoyed look. Cater-tsum smiles with its tiny eyes and jumps against your tsum so they can cuddle each other.

Cater looks at the Tsums protecting the cell phone against his chest, watches them for a moment and then looks at you.

“Hey, if you want to do the same, just need to ask, you know~?” Cater says and winks at you.

If you accept, he'll put an arm around your shoulders and edit the photos with you, while your two Tsums cuddle on your laps.

Your Tsum was restless, impatient. It really wanted to go somewhere. So you pick it up and walk around campus trying to understand where it wants to go. Fortunately you don't need to walk far, as the botanical garden is one of the closest points to Ramshackle Dorm.

As soon as you enter, your tsum jumps out of your arms and starts jumping (its way of running) somewhere in the middle of some bushes. And you know that spot well. As soon as you stop seeing it, you hear a patient growl.

“Another one?” You hear Leona's voice. “Hey! What do you think you're doing?!” You follow the voice, pass through the bushes and see Leona lying down with two tsums on top of his torso. Your Tsum and Leona-tsum, cuddled up like two cats sleeping with each other.

“Herbivore, get your stuffie thing out of here and take the one that looks like me with you too. I'm not a nest to have two pesky armadillos sleeping on top of me!”

You kneel down next to him, looking at Leona-tsum with that “HE’S SO CUTE!” twinkle in your eyes. Leona-tsum looks at you and its sleepy eyes suddenly open, almost bulging. And it jumps onto your chest, knowing you would catch it.

“You got one.” Leona said. “Just one more to-” He interrupted himself, looking at his chest and seeing your tsum rising until it approached his face.

If you look at his face, you will see Leona's pupils dilating. And your tsum snuggling against his chest. You comment that you don't think your tsum will want to leave his side.

“Why don't you walk away with that one and see what happens? Maybe yours will follow.”

You are also curious to know what would happen. Leona-tsum was already sleeping in your arms.

You walk away with him, towards the exit of the botanical garden. Halfway there it wakes up and you feel it move in your arms. You stop and look at it. It seemed to have an annoyed look on his face, very similar to what Leona does when things aren't going according to his plans. You open your mouth to say or ask something, but it's Leona's voice that can be heard throughout the botanical garden.

“OI!” You hear Leona growl in annoyance. “Who do you think you are demanding anythin’ from me?!” And then you hear him roar.

You come back with Leona-tsum in your arms, and you find your tsum pulling one of Leona's braids towards you as if he wanted to force him to come to you.

“This thing really takes after you.” he comments, in a tone reminiscent of a father irritated with a child he deep down loves.

Leona tsum jumps out of your arms and lazily approaches your tsum. Your tsum lets go of Leona's braid.

You both see Leona-tsum rubbing his cheek on your Tsum's cheek, and making a movement as if it was licking your Tsum's face. After calming your tsum down, the two of them curl up to sleep together.

“Well, at least they're not bothering me anymore.” Leona says. He closes his eyes, but right after, he opens one of them again to look at you. “If you're also going to stay here with your stuffie thing, at least be useful. This floor isn't the best pillow, you know?” He makes that gesture for you to come closer with his index finger.

And if you let him use your lap to to lie down, he will fall asleep in 3 seconds, just like his Tsum did.

You were in the Ramshackle Dorm Lounge with your Tsum and Grim was in your bedroom, probably taking a nap after eating too much, when you hear someone knocking at the door. You go open the door, leaving your Tsum on the couch. You open the door and see Jack.

“Hi [Y/N]. Sorry to bother you, but this Tsum-” Before Jack could finish his sentence, you saw something near your feet come barreling through the door. You look back in time to see Jack-tsum turn to enter the Lounge. “Ah! Sorry. It won't sit still. Let's catch it before it does any damage.”

The two of you go to the lounge and stop right at the entrance. Jack-tsum was on the couch with your Tsum. Jack-tsum was jumping around your Tsum, its little tail wagging like crazy, and its eyes shining while also rubbing its face against your Tsum’s as if licking it. It was just like a puppy wanting to play.

“OI!” Jack shouted “Don't mess up [Y/N]'s couch!”

Jack-tsum sulked and your Tsum jumped from the couch to the floor. Jack-tsum followed it. Your Tsum approached Jack and smiled at him with its eyes, as if it were greeting him.

“Hum?” Jack’s ears pricked up as he looked down. “You also have a Tsum similar to you.” He didn't realize his tail had started wagging.

Jack-tsum followed your Tsum and you felt the need to bend down to see Jack-tsum up close. It looked at you with big bright eyes and its tail wagging wildly. You comment on how cute it is and reach out to pet it.

“Be careful.” Jack warns you “It doesn't let anyone...” You start to pet its head as it leans in your hand. “... touch it... What's the deal with this thing? Whenever anyone approached it would either move away or growl at them. How did you do that? I can't even catch it to take it to Savanaclaw.”

You say you don't know what you did either, if anything special. And you comment that it seems to like you. This makes Jack blush slightly.

“How would it not?” he says softly, and without meaning to. He clears his throat. “Um, do you mind if we stay here for a while? It seems to have finally settle down a bit.”

Your tsum goes to Jack-tsum's side and they both look at you as if begging you to say yes. You agree and the two Tsums bounce happily for a moment before they start running around the lounge together.

“OI! You two be careful!” Jack warns “Don't break or mess anything up, you hear?!”

You laugh and comment on how much you think Jack and his Tsum look alike.

“It's just the hair and the outfit.” he says a little embarrassed “Do I look round and soft?!”

“Round maybe not but soft...” You laugh and he blushes.

Before he could open his mouth to try to respond to that, the tsums started running towards you and ended up bump into you as they passed, which made you lose your balance. Jack catches you.

“What did I say?” he shouts to the tsums. He looks at you. "Are you okay?" In his arms, and he releases you, blushing a little. “Sorry about that.” he rubs the back of his neck. “It had never done this.”

“Maybe it was a bad influence.” you say and look at the Tsums. From the looks on their faces, especially your Tsum’s, it wasn't an accident.

You were walking down the Main Street with your Tsum in your arms when you hear footsteps running behind you, approaching quickly. You turn around in shock and see a very tall figure right in front of you. Then you realize it's Floyd.

“Boo~” Floyd smiles at you with something writhing violently in his arms. You look and see his Tsum trying to get free. You also notice, by the way he is holding Floyd-tsum, that he is using a lot of force. “Hi Koebi-chan~. Whatcha doin'~?” He sees something in your arms and looks to find your Tsum. “Woo! You have one too! And it looks so small and weak like you, how cute! He he.”

(What you don't know is that what really happened was that Floyd-tsum was loose and took off running when it saw you. The footsteps you heard were Floyd running to catch it before Floyd-tsum caught you.)

Your Tsum made a sulky face, while Floyd-tsum continued to struggle in Floyd's arms. You say Floyd-tsum is also very cute, it stops and looks at you with smiling little eyes.

“Do you wanna play with it?” Floyd asks and you say yes. “Sure, but careful how you handle it. It’s easy to set this guy-” The moment he let his arms go slack for a second, Floyd-tsum jumped into your arms.

With difficulty, but you managed to catch it without letting your tsum fall. Now you had them both in your arms. You saw it squeezing your tsum while it snuggled into your arms. However, your tsum didn't seem uncomfortable, quite the opposite, it felt like a passionate everyday hug.

Between letting Floyd-tsum jump out of his arms, until realizing that it wouldn't hurt you, Floyd stared at his Tsum with that serious face that all students who know him the least bit fear.

“Aw~ Aren't they cute together?” he says with his usual relaxed expression. He sees that you are having difficulty holding both tsums. “Let them go. They can walk on their own. Or hop, I guess.”

You do so. The two Tsums land on the ground and Floyd-tsum jumps up to continue hugging your Tsum. But before it can, Floyd quickly picks up your Tsum in his arms and starts squeezing it too.

“MY TURN!” Floyd says to his Tsum.

This one sulks, looks at you and jumps back towards you. You catch it and it hugs your forearm. You and Floyd laugh, until the pressure in your arm starts to increase to the point where it starts to hurt. The moment you grimace, Floyd's expression changes, he lets go of your tsum and rips his off your arm.

“I warned you.” he says to his tsum, with the same face he uses to threaten students who don't pay Azul. “Someone is not keeping their side of the deal.”

Floyd-tsum manages to escape and hugs your tsum again, but without hurting it. Floyd looks at you, who looks slightly sad, and sees you rubbing the forearm that Tsum was squeezing. He holds your wrist to see better. There is a slight reddish mark. He lets go of your wrist, turns to the Tsums and lifts his foot as if to step on his tsum. Before you could stop him, your tsum does it, getting out of Floyd-tsum's embrace and positioning itself between it and Floyd's sole when he was about to hit his Tsum. He looks at your tsum's fearless face for a moment and laughs heartily.

“HA HA HA HA! It also takes after you, Koebi-chan~” He puts his foot back on the ground and turns back to you. “We were going to Mostro Lounge. Do you want to come?”

With your Tsum in your arms, you were walking down Main Street when you heard a scream. It sounded like someone was being attacked by a dog or something. You follow the sound and see Epel, another Pomefiore student, and an Epel-tsum attacking this student while Epel tries to stop it.

Your tsum jumps out of your arms and runs (or hops) towards them until it stops between Epel-tsum and the student, preventing the tsum from attacking him again. And then, your tsum headbutted Epel-tsum so hard that it even knocked it upside down for a moment. Enough time for Epel to catch it. The other student runs away and Epel-tsum begins to struggle in Epel's arms.

“Stop it!” Epel complained “Ya can't go aroun´ attackin´ students!”

You approach them asking if everything is okay and if he need help. Epel-tsum stops and looks at you. You smile when you see that Epel also has a tsum and comment on how cute it is (like any tsum).

“No! Don't call it that!” The Tsum manages to jump out of Epel's arms and towards you.

He panics, but instead of the Tsum hitting you, it lands in your arms and just looks at you with a sulky face. You say it's still being cute, and once again, instead of it attacking you, its little face turns red with blush.

Epel freezes, completely confused for a moment until he thinks about what could be the possible reason for you being the only person who called the Tsum cute and it didn't attack. And when he thinks of the most likely reason, he also blushes.

Your tsum also jumped into Epel's arms, surprising him. It smiles at him with its cute little eyes and his blush deepens. Your voice is the only thing that makes Epel look away from your Tsum, asking if you could accompany him and his Tsum if they were going to Pomefiore.

In his dorm, needless to say, Rook wasted no time praising the Tsums, both Epel's and yours. But since Epel's Tsum didn't seem to appreciate the comments very much, especially if they focused on the fact that he was cute, Rook ended up turning his attention to your Tsum, which ended up bothering Epel's Tsum even more.

“It looks like someone is jaloux.” Rook says smiling amused.

That was the only thing that made Epel-tsum throw itself at him, to attack. Rook dodged it like a bullfighter with the grace of someone who was expecting it. Epel panicked and quickly picked up his tsum and apologized to Rook.

“There is no reason to apologize, Monsieur Pommette.” Rook says, loving the situation more than he should. “Truly. I must confess that my provocation was premeditated. C'est tellement beau to see your true feelings and emotions through your Tsum's lack of filter.”

“WHA-?! WHAT IS THIS SUPPOSED TO MEAN?!”

Rook just laughs, winks at Epel and starts walking towards the door. Halfway there he passes you, leans over and whispers in your ear: “Could you tame the little beast for us, Trickster?” and leaves.

Epel's Tsum struggled in his arms, angry... with jealousy.

Your Tsum was restless, impatient. It really wanted to go somewhere. So you pick it up and walk around campus trying to understand where it wants to go. You leave Ramshackle Dorm, pass the Botanical Garden and the Alchemy Workshop and arrive at the Hall of Mirrors.

As soon as you enter, your Tsum escapes from your arms and quickly jumps until it enters the mirror of Diasmonia. You follow it, but you realize that you lost sight of it the moment it passed through the mirror.

“Good afternoon, [Y/N]!” Lilia is the first to come and greet you. “To what do we owe such a wonderful surprise visit?”

You tell him about your tsum.

“Ah yes! Sebek also has a cute little lookalike. I can't wait to see yours. Although if it's as adorable or even more adorable than you, we're going to have a cuteness overdose problem in this dorm. Khe he. Well, from what I understand, and despite Sebek denying it, the personality of these tsums is very similar to the personality of those they physically resemble. So if your tsum wanted to come here, where do you think it would have gone? Where would you want to go?”

You don't think about a ‘where’ but rather a ‘who’ and that may have shown on your face, beacuse Lilia laughs amusedly.

“So maybe your tsum went to meet someone? Maybe a fellow tsum? Khe he he. I suggest we look for Malleus. Wherever he is, Sebek and Silver will be there too.”

The two of you head to the lounge, but before you get there you can already hear all the commotion. Aka: Sebek’s thunderous voice.

“Don't look at me like that! No matter who your looks resemble, you're bothering Malleus-sama and meddling in our, I mean my guard duties!”

“Actually,” You hear Malleus's patient voice say. “I am quite enjoying this little one's presence. It's as pleasant as [Y/N]'s own presence. Wouldn't you agree, Sebek?”

“HUM?! Yes! Of course sir! Please forgive me for implying that this Tsum's presence was inconvenient.”

You and Lilia arrive at the lounge and approach those two. Sebek, as expected, was standing very straight next to Malleus, who was sitting in one of the sofas. Coming closer, you see that both your Tsum and Sebek's Tsum are in Malleus' lap. And Sebek-tsum looked like it was... about to cry?

“AWW~ Look at you.” Lilia said, your Tsum turned to him. “You are even cuter than I imagined. *sigh* What an unfair competition. Ke he.”

The moment Sebek-tsum sees you is when it finally starts crying.

“HUM?! What is wrong with you?” Sebek inquires. “You are such a strange creature.”

“I think it's an too much emotion to see so many people it likes together.” Lilia says with a smirk.

“W-Well, regardless, it should learn to control itself!”

You come closer, worried about Sebek-tsum, and ask if it would like a hug to feel better. It looks at you, then at Malleus, back at you, Malleus, you, Malleus, and on until it almost gets dizzy and the indecision seems to make it more sad.

“I think I have an idea.” Malleus says. “[Y/N], would you like to sit next to me?”

You sit down, he asks you to come closer until your thighs touch, so he can place Sebek-tsum on both of your laps at the same time. It, still in tears, seemed to be thanking Malleus with his eyes and head.

“How intelligent and generous, my liege!” Even Sebek himself had a tear in the corner of his eye.

He was about to continue his praise when your Tsum jumped from Malleus' lap into Sebek's hands. He caught it as if he was saving it from a fall. It looked at him and smiled with its eyes.

“How precious.” He said with a tender smile, as he was still emotional about Malleus's act. Then he realized what he had just said and blushed in embarrassment. But he didn't stop holding your Tsum.

If you would like to read more from me, you can find it in my pinned post: INDEX

[nkogneatho]

Y'all know those insecure girlfriends on tiktok when their boyfriend does their makeup accurately, they go “what bitch taught you that?” yeah, Gojo is the male version of that.

He knows he is attractive, and that everyone dotes on him. But you look out of this world. Everybody wants you. Like all of his friends have tried to hit on you a few times. They said it's just playful, but his insecurities kicked in.

One evening, you showed up to one of his totally unserious basketball games with his homies, cheering him every time he dunks.

“Suguru, my girl's watchin'. Gotta show off a bit, yeah?” he smirks, licking his lips his reflexes were so good that barely anyone else could keep up with him. It was like he had drank 10 liters of energy drink with the sudden speed boost.

You hopped in his arms when the match was over, peppering his face with kisses as he enjoyed his victory, showing a middle finger to suguru to which he rolled his eyes.

“you look so cool when you jump so high, toru!” you squealed in happiness. He really did look cool.

“hehe, you liked that, baby? Jumped a little higher just for you.” he kissed your forehead.

“hate to say it, but he is undefeated.” suguru spoke up. “feel like we need to put you on the court, y/n just to distract him so we can win.” your cheeks started burning up at that. You and satoru have been dating for a few months, but you were still not used to the way everyone talks about him as if he's a simp for you. well, he is and should be.

“i would still win though.” your eyes shifted to gojo. You were a little offended at that, even though it was just messing around. It was his habit.

“alright. Let's have a 1v1” the men did not miss the shift of your tone. Suguru knew satoru might be in trouble, while the white haired wasn't worrying about it too much. Because you're not too savvy with basketball aside from what he's taught you, and he is a pro. Sure, you would be mad later, but nothing he can't make up to you.

The boys spread in corners, as you and gojo exchanged a competitive gaze—yours was competitive and his was more of a “i love when you get riled up”—before the match began. The game was not anything serious, so all you had to do was score five points. It was a piece pf cake for gojo but you were being surprisingly competitive. You scored two points just as soon as he did. His homeboys thought that gojo was going easy on you but suguru knew he was struggling. But he lives up to his name and score two points, making him just 1 score away from his sweet victory. There's no way you can win now. If you miss this chance, it's over. But you remembered something someone had taught you and all that “i'd still win though” just pumped up enough adrenaline and oh. my. god.

Gojo's jaw dropped as you shot a three pointer, your lips widening into an evil grin, and all the boys cheered at your win. You were sure they're gonna tease him about today until eternity. Toru was impressed…well, for a few seconds before he hit you with a,

“which motherfucker taught you that? because I don't remember teaching you this yet.” you were laughing but his reaction was genuine.

“hey, c'mon now. don't call me a motherfucker.” suguru slid in, a hand resting on gojo's arm. “i'm a good teacher, aren't I?” he winked at you.

“the fuck? When the fuck did you teach her?”

“last week when we were playing at toji's party.” gojo was too busy playing beer bong at that time.

“thank you, suguru. And you…" you looked at your man, "where is allat “but I'd still win though” attitude?” you mocked him.

“ight fine. you got me. i was just messin' around and ya'know that. don't get mad at me, baby,” he snaked an arm around your waist. “we're both winners. We gotta celebrate properly, right?” he leaned closer to your ears.

“now let's see who wins in the bedroom, tonight. hmm? You know i gotta settle the score, princess.”

[euthymiya]

[ ASKING PRICE — FT. KINICH ]

synopsis: kinich isn’t so happy that you spend time with ajaw. you’re more than willing to pay the price to make up for it

before you read: gender neutral reader ; established relationship ; slightly jealous kinich (of ajaw getting more attention) ; ajaw cameo! ; lots of kisses ;) (kinich not ajaw)

You laugh, and Kinich’s vein all but pops.

Normally, he’s agitated by Ajaw on most hours of most days. That much is a well known fact. But not today, though—because today, he’s absolutely infuriated. (And no, this is not on a limited, conditional, restricted, contractual, partial, temporary basis. This anger is very much here to stay and not go anywhere.)

You’re here to complete a commission with him, not spend your time giggling with a certain saurian. And your kindness is very much wasted going towards someone as pompous as Ajaw—still, there’s a part of him that admires it. Only you could manage to be kind to someone as difficult to get along with.

What he doesn’t admire, however, is that you happen to be the one person Ajaw also doesn’t mind being kind to. (Well, as kind as someone like Ajaw can get, that is.)

“—and when the Almighty Dragonlord, K'uhul Ajaw summons the howling winds, and sets the whole world ablaze, you can be the only survivor!”

It’s a grating voice, Kinich thinks distantly, rolling his eyes at the way you chuckle and give a grateful nod, entertaining the pure nonsense of a fool. Ajaw has approximately the same brain power as a dead saurian. That’s to say: none. How you manage to laugh at jokes made by such a simpleton is beyond the comprehension of someone like Kinich—but he supposes you’ve always been kind to a fault. A pity laugh certainly isn’t something you’re above, he supposes.

“Will I have the luxury of ruling by your side as your trusty sidekick?” You play along. It seems to please the dragon, earning a haughty laugh.

“I suppose you can have a small corner to call yours,” he agrees, “just make sure you push that slimy, slithering, miserly worm off a cliff and I’ll allow it.”

You glance over at Kinich as soon as the words are uttered by the obnoxious loud mouth beside you, and he can feel the last of his veins snap—that is, until you smile, giving him a playful wink.

“I’ll see what I can do,” you giggle.

“See?” Ajaw turns to look at him, making Kinich’s eye twitch ever so slightly. “You should be more like this one! The Almighty Dragonlord—h-huh? Hey!”

“Kinich!” You scold, watching as Ajaw cuts himself off with a scream, flying off into the distance from one irritated flick of Kinich’s fingers.

“What?” He huffs, crossing his arms as you throw your head back and laugh.

“You’re cute, you know. When you get like that.”

“Like what?” It comes out as a grumble. A rather petulant one, at that—he almost cringes hearing it in his own tone.

He knows what you mean, too. You know he does, so you reach over to ruffle his hair as his lips curl into a deeper frown. It’s not lost on you, however, that he almost seems to lean into your touch, almost seems to savor the feeling of your palm against his head.

“It’s cute when you’re jealous,” you tease. “Adorable, you know? Seeing you sulk is a bit rare.”

“I was not sulking,” he protests. That, of course, pulls a laugh out of you that makes him sulk even harder. “And I’m not jealous. Being jealous of Ajaw is absurd.”

“Oh but I think you were,” you nudge his shoulder, lips stretching into a knowing grin as he grunts. “Don’t worry, I’d never push you off a cliff.”

“That’s because you’d never manage to,” he shrugs. You give him a playful scowl as you huff, you don’t know that, under your breath. He fights back an amused smile, trying to keep his seriousness in tact. “Have you had enough fooling around? We have a commission to complete. You’re going to make me lose out on mora.”

“Is that so?” You say thoughtfully.

By now, Kinich knows that face. It’s not a very welcomed face, either—it means trouble for him. Some form of scheming on your end that almost always ends with you getting what you want, and almost always ends with him walking away as a loser of sorts. It’s his own fault, of course. Being powerless against your charms is a weakness he’s not entirely managed to overcome yet.

But he’s trying—and he’ll get it one day. He’s sure of it.

“I don’t like that face,” he says dryly, eyeing you cautiously.

“What face?” You gasp, mock innocence feigned even as the mischief creeps into your eyes. He can see it. Sense it. Feel it. Almost like he can tell a foe is coming even before they strike—it’s a practiced precision of sorts.

“That face you make when you’re up to something. I can tell you have something up your—”

You cut him off with a kiss to the corner of his mouth, making him go silent almost instantly. A small part of him can feel his cheeks burn, but the bigger part of him melts before he can even comprehend it.

“What if I paid you a better price,” you murmur, “and commissioned some of your time?”

A hand trails up his chest, rubbing slowly against the expanse of it over his shirt, stopping just over his heart. Evil, he wants to tell you, how evil you are to rest your palm right over his erratic heart.

Like you sense the pounding beat, you grin sweetly.

“You’ll need a better price than that,” he mumbles quietly when he finally finds his voice, clearing his throat subtly.

“Haggling over prices with me?” You pout. “Not even I can get a discount.”

“Of course not,” he says stubbornly. A strong arm wraps around you, pulling you against his sturdy chest as you bite back a grin. “I only accept offers with appropriate prices.”

“Fine,” you pretend to roll your eyes in defeat, leaning in to press a firm peck to his lips. “Will that cover it?”

“Not quite,” his arms tighten around you, pulling you closer. Impossibly closer. So close, you think his lips could knock into yours from a gentle breeze alone.

But he’s still. Patient. Painfully observant as his eyes stare into you and wait for what he wants—and, well, Kinich always gets his asking price. One way or another, he never walks away short of a single mora.

Or kiss.

So you lean in, pressing your mouth to his as your hands cup his face, tracing the skin above his cheekbone delicately as he sighs softly. His eyes flutter closed, and briefly, he thinks how nice it is when it’s just you. And him. And no Ajaw.

He should keep it like that more often.

He needs it, you think. Needs to feel you up close and personal, needs to know you’re here and staying, needs to know you’re his and only his.

He lets out a soft sound of protest when you finally break away, earning a quiet chuckle from you before you plant a sweet kiss to his jaw.

“How was that?” You whisper, kissing along his jawline, earning a small shiver of approval from him. “Was that payment enough?”

“I suppose for now,” he mumbles.

“Now you’re just being greedy,” you tease, grinning against his skin.

But you know as well as he does, you’re than happy to afford his prices. And then some, too. You’re as generous about spending as he is enthusiastic with taking.

“Or maybe you’re just being stingy,” he shoots back. With a fond shake of your head, your lips are back on his, cradling his face as he leans into you until he can’t tell where you start and where he ends.

It’s hard not to give into your charms, but he’s not so sure it’s a losing battle. It feels suspiciously close to a win, in fact—that is, if Ajaw stays far, far away. (And again, it would be nice if it was not on a limited, conditional, restricted, contractual, partial, temporary basis.)

He’s sooooo cute and his backstory literally haunts me I want to kiss him so bad you guys don’t get it. I was supposed to skip him but 173 wishes later I now have a c4 diluc and a c0r1 kinich 🥹

[joelsgoldrush]

“you can use my skin to bury secrets in” | 6.8k

old man!logan x f!reader

SUMMARY: Saliva floods his mouth as you rise to your feet, looking down at him from above. Gracefully angelic, and yet— “I know what I’m asking for,” you continue, your voice descending to a low murmur that scratches pleasantly against some dark and remote corner of his brain. Then you lower yourself onto his lap, your thighs bracketing his waist. You repeat your question: “Can I help you?” OR Logan had always known your generosity would get him in trouble. WARNINGS/TAGS: mdni smut 18+ cursing. drinking. pining. mentions of alcohol. dirty talk. age gap (reader's in her late 20s). logan’s POV. angst/self-deprecation (he just needs a little loving). religious imagery. feelings. petnames. chauffeur!logan. oral sex (m receiving, tiny bit of f receiving). sort of dom!logan. doggy style. unprotected p in v. creampie. A/N: i could say i'm sorry for this, but i'm not. love love love this old man (#needthat). heavily inspired by the song "i know" by fiona apple. @lubdubology my partner in crime who keeps putting up with me, tysm!!! hope you all enjoy it <3

The line between being a good and bad person is thin. So thin, in fact, that Logan finds himself stepping back and forth across it constantly.

Rescuing a kitten from a tree? Good.

Punching a guy at a bar because he didn’t feel like being acknowledged? Bad.

Saving countless lives from mass destruction? Good—heroic, even.

But killing others to do it? Bad—condemnable, scum of the earth.

Where does that leave him? Which side has laid claim to his soul? He’s long accepted he’ll never see the pearly gates.

When the day comes that his body can no longer take it, and he only grows wearier, he’s pretty sure there’s a special place in hell with his name on it, etched in some grave awaiting to be filled.

Maybe Satan’s already counting down the days until he shows up at his door, who knows?

Yet, the more time passes by, the less afraid he is of what lies beneath the surface. He’s learned to coexist with the darkness, with the kind of pain and loneliness that would crush most men.

He doesn’t know how, but he survives it—the agony, the memories, the solitude that hits him from time to time.

And still, he doesn't lose himself entirely. He’s tempted, of course, to linger in the past—it’s always easier to drown there.

If he could go back, he knows he wouldn’t be alone in choosing that path. Some days, it feels like the only option.

But there’s no you in his past.

Logan inhales sharply when your tongue teases his slit, lapping at the precum pooling there. You hum at the taste, your hand resting on his bare thigh, fingers pressing into his skin. Your other hand lazily strokes the length of him, working the inches your mouth can’t take.

It’s clear you’re enjoying this. He can tell from the way your lashes flutter each time he thrusts a little deeper into your slick warmth. A win-win situation.

Letting a girl like you do this to him? That’s bad. Very bad. Red flags all around.

He meets you when he least expects it.

It’s a night like any other. He’s been driving for God knows how long. His joints ache from being in the same position for hours, and a part of his left knee he didn’t even know could hurt begins to throb.

It takes everything in him not to call it quits for the night, not to turn around and head home like a coward.

When exactly his life fell into this monotonous cycle, he’s not entirely sure, but it happened somewhere along the way. Now, it’s all the same: taking care of Charles during the day, catching an hour or two of sleep, then gripping the steering wheel with white-knuckled intensity, driving through endless stretches of road, resisting any attempts at small talk from the passengers he chauffeurs around.

They all try—every single one of them. They think if they can crack his harsh and bitter exterior, he’ll open up, reveal something, anything to make their eyes go wide.

But why? Why do they insist on breaking through his shell? What do they hope to discover?

No one really cares what’s going on in his mind. They just want to feel good about themselves—like they’ve been kind, amiable, empaths intending to fill some empty and obscure corner of their own lives.

Logan refuses to be the person who grants them that satisfaction.

You slip into the backseat of his limo, closing the door with a soft click. The night clings to you, the scent of the bar still lingering on your clothes. The music is loud enough for him to hear from outside, and he sees the people lined up at the door, willing to cause a fight if it means securing a good time.

There's a slight frown tugging at your features, your lips pulled downward, though your voice is still polite when you blurt out your address.

Five minutes into the drive and you haven’t said a word. Internally, he’s savoring the silence, so happy he could jump on one foot.

This kind of peace is rare. He’d grown unaccustomed to it. The tension in his shoulders eases as the city lights blur past.

But, all good things come to an end, because—

“How’s your night going?” you ask, fiddling with the seatbelt to have something between your fingers. Logan glances at you through the mirror, his eyes catching yours just for a moment, long enough to see the faint, apologetic smile you offer him. He allows himself a heartbeat more to take you in before focusing back on the road.

You click your tongue, a soft sound of disapproval ringing in his ears. “Well, thank you.”

He lets out a quiet huff, grinding his teeth together. “I’d prefer if we stayed like we were before,” he mutters, his voice rough and gravelly. His attention flickers between the passing cars and the occasional glimpses of you that startle him every time he searches for the mirror. Cars. You. Cars. You. You. You. “Y’know, not talking.”

“But that’s no fun at all,” you retort, sliding more to your left, nearly positioning yourself in the middle of the backseat. It gives him a better view of you—whether intentional or not, he can’t say.

The lipstick on your lips is still flawless. A sparkly necklace glints just above the neckline of your dress, and matching earrings dangle from your ears. Wrapped in a leather jacket, you look effortlessly alluring.

This entire sequence is enough to confirm that by no means is he going to heaven. Straight to hell, he thinks, allowing his gaze to trace over each detail of your frame. Straight to hell.

You don’t give up. “Your aura is off.”

That prompts a crooked smirk from him, a shake of his head as he mumbles under his breath: “M’sorry, my what’s off?”

“Your aura,” you clarify, motioning toward him with a light jingle from the many bracelets adorning your wrist. “It’s the energy that surrounds you.”

Logan snorts, amused for a brief second. “Well, you weren’t exactly a beacon of life when you got in either.”

You chuckle softly, leaning back against the seat and looking out the window. “I’m much better now.” A pause before you continue, your tone shifting, losing strength. “My date stood me up. Last-minute cancellation.”

It’s not anger, nor is it disappointment, that laces your words. You seem more resigned than anything else. He’d have expected you to sound at least a bit more conflicted.

“I should’ve seen it coming. He’d been asking to move it forward for a while.”

Does he look like the type of driver who doubles as a therapist? He wishes he could understand why you're telling him all this.

“That sucks,” he still responds, because even though he hasn’t gone out with a woman in what feels like centuries, he understands that sensation all too well. “First time meeting him?”

Listen up, everyone—he’s genuinely engaging in conversation with another soul. This doesn’t happen often.

He hears you hum, eyes still trained on the outside world. You sigh, crossing your arms over your torso. “Would you mind rolling your window up? I’m kind of freezing here.”

“I’d mind that very much,” he says, his voice carrying its usual gruff edge. He fights the urge to grin, but then you unbuckle your seatbelt, leaning in closer to him. Your body is wedged between his seat and the passenger’s, and he perceives your stare boring into his side profile. “Put your seatbelt back on.” 

“You’re fucking with me.” Your finger taps his shoulder once, twice. “First, I get all dolled up for an idiot who bails on me, and now you have the nerve to make fun of me? Give me a break.”

Your eyes stay on him, a smile plastered on your face, anticipating any possible answer.

Crack, crack, crack—you intend to break through his shell, watching him from the front row, waiting for the moment it gives way.

Before you can say more, he cuts you off. “Seatbelt.”

It’s a command, an instruction, and you comply without hesitation.

Warmth pools and stirs low in his gut as he notes how quickly you obey him. 

Would you still look at him like that if you knew the blood he’s scrubbed off his hands? The flesh that his claws have shredded? The names of the lives he’s taken?

Would your warm gaze turn cold, filled with dread instead of curiosity?

Maybe this is hell. Are you the Devil in disguise, tempting him to cross a line he won’t be able to come back from?

A few minutes later, he pulls up to your building. A really nice one, he notes. You announce you live on the sixth floor. He doesn’t need to know that, does he? Why would you tell him that? Why give that piece of information to a complete stranger?

You linger in the backseat, as though you’re expecting him to turn and look at you. And he does, though not for the reason you might expect. “You got everything?”

Eager and full of life, you nod, clutching your purse to your chest. You avert your gaze to read his ID tag, the one that contains his personal details. “James?”

“Glad you can read,” he utters, pulling out a small bottle of liquor from under the seat. He drains it all in one go, savoring the fleeting burn as it slides down his throat, which is enough to keep him going. “C’mon, kid. I already charged you.”

“You drink while you drive?”

“Keeps me entertained,” he says dryly. It’s the only thing he knows how to do. Raising the empty bottle in your direction, he arches a brow. “Goodnight, darlin’. Leave me a good review on your way out.”

You roll your eyes at him, silent as you exit the vehicle, closing the door behind you. While fumbling for your keys, four words escape your mouth. Casual yet devastating, they ruin him: “I’ll see you around.” 

For a couple of days, you don’t bother him again. Bother—notice the implication of the verb in question.

He’d be lying if he said he didn’t think of you after that drive. Each time his phone buzzes, a small, restless part of him hopes it’s you, asking for his services, wanting him to be the one you seek out.

And it happens. The best things seem to occur when the moon hangs high and bright.

You: Hi.

He stares at the message, recognition washing over him. He knows it’s you; he can see the other texts you exchanged that night he took you home.

You: Are you working tonight?

You’ve got to be kidding him.

Logan: Why are you texting me?

He types the words with frustration, his thumb hovering over the screen longer than usual. 

You: Why are you answering me?

Oh, you’re smart. 

Logan: Take my advice. Talk to a guy your own age.

You: Damn. Already jumping to conclusions. I was just going to ask you if you wanted to have a drink with me.

Logan: I’m busy.

You: Well, what time do you get off?

Logan: I work all night.

You: Can’t even make a quick stop? I swear it won’t take you more than twenty minutes.

An impulse to throw his phone out the window surges within him, but he manages to restrain himself.

Then, as if on cue, the device vibrates again—of course, it’s you.

You: The drinks are on me. Let me know if you change your mind.

Do you think he’s going to let you pay for him? Absolutely not. 

What surprises him more than the message is how easily he remembers your address. It appears to be ingrained in his mind.

He cancels his next trip, scheduled for ten minutes from now, his new destination being your building.

Once he pulls up, he does what feels most natural: he honks. Multiple times. Maybe he’s lucky and you’ll tell him to fuck off.

But you don’t. You’re laughing as you make your way over to the limo, sliding into the backseat in the same way you did a week ago. Your plan had succeeded—you had him exactly where you wanted.

Far from hiding it, you make it evident, obvious. Your heartbeat thrums in the air, and Logan can hear it loud and clear, like the bass in one of those funky songs he likes.

There’s no room for mistakes. He won’t deny it. Even if the feeling is mutual, he can’t shake the idea that he’s doing something wrong.

In his eyes, you’re the forbidden fruit—irresistible, the ultimate temptation known to humankind, camouflaged in the fur of a pretty woman.

You, his paradise on earth, could only lead to one thing: a longing for a chance with you, which he should never be granted in the first place.

He’s diving headfirst into disgrace, and the more he realizes it, the worse it feels. If he were to be scolded like a child, maybe he’d feel relieved, but he’s no kid. He’s a grown-ass man who should be able to resist.

Yet, self-restraint is like sand slipping through his fingers—never lasting long enough.

“You came.” Astonishment. Uncertainty. Amusement. Blinking your eyes at him, you sit very upright, and you don't even bother fastening your seatbelt. “Honestly? I thought you were going to block me.”

I can’t, he thinks. I wouldn’t be able to. I’m not that strong.

“What happened this time? Another failed date?” he inquires, still not starting the car. A look of perplexity appears on your features, puzzled about why he’s not moving. “Ain’t you forgetting something?” He tugs on his own seatbelt for emphasis, the fabric snapping back into place against his coat.

Once again, you follow his lead. “I don’t need to get stood up to want to see you,” you say, placing your hand on his shoulder for balance—or so he tells himself. It takes him all his willpower not to collapse right then and there. “Besides, I’m not bad company. I’ve been told I can be pretty funny.” 

“I see…” he trails off, catching your gaze through the rearview mirror, not shocked in the slightest to find you waiting for him to look back. “Where to?”

“I don’t know.”

“Well, you should. You invited me.”

How easy it is to make your chest rumble with laughter, the genuine sound bubbling up, pure and unrestrained. He feels like some amateur comedian who has just realized his real passion is to cause this type of response in others.

Except, it’s not just anyone’s laughter he insists on provoking—it’s yours, and yours alone.

An unsettling sensation envelops him the second you retrieve your hand, not before squeezing his shoulder in a friendly manner. “There’s a bar I go to with my friends sometimes,” you suggest after a beat, shoving your phone in the pocket of your jacket. “We could try that one.”

The moment he steps inside, regret washes over him. Why is everyone here under forty? He feels ancient, like fucking Fred Flintstone.

A fossil out of place, meant to dwell in the shadows, not in a scene like this.

When he freezes in the middle of the bar, your fingers intertwine with his, tugging him along, and he follows after you like a lost puppy. The only thing he’s missing is the leash.

You’re met with his quirked eyebrows as you peer into his eyes over your shoulder, a toothy grin threatening to shake the floor beneath his feet. “You know, people usually sit down before they start getting shit-faced.”

“I’m not getting drunk tonight.” Logan exhales a deep breath, trying to hide his discomfort, his eyes scanning the room. “And neither are you,” he practically yells in your ear trying to make himself heard above the pounding music and incessant chatter. He wonders if you even hear him at all.

The two of you eventually settle at the counter, drinking in silence. Logan half-expects one of your comments to pierce through the quiet, but you delight in proving him wrong.

Instead, your head sways gently to the rhythm of the song playing in the background, and you take a trial sip of your beer.

He’s acutely aware of the stares from the rest of the patrons. He can pretend to be oblivious, but the weight of several pairs of eyes burning holes into the back of his neck doesn’t go unnoticed.

Being watched has never been his favorite pastime, and somehow, it feels even more uncomfortable with you by his side.

He knows what those looks imply, can nearly taste the hidden implications behind each fleeting glance.

What’s a girl like you doing with a man like him? A question that makes no sense.

Does he have money? A well-endowed reputation? Did he recently inherit any properties?

Are you truly that desperate for human contact?

Is your bed so cold that you decide to go for the first guy who can string ten words together?

Logan doubts whether this whole experiment is part of the community service you must be doing. Maybe he should look up your name online to see if any criminal records come to the surface.

Now that he takes a moment to ponder it, you certainly fit the mold of the criminal type. The kind who gets what she wants when she wants it, leaving a trail of intrigue on her wake.

His fingers circle the glass so tightly he fears it might shatter into a million shards. You notice his tension, nudging his arm with yours, aiming to meet his eyes.

When you do (because, as he said, criminals have their own ways), you smile, and he internalizes that gesture as something familiar, something he feels he’s grown used to. Something rankled in his memory.

It’s as if he’s known you for a lifetime.

“Thank you for coming,” you say softly, and he may be going down the path of hallucinations,  but your attention remains a little too long on his lips. Then, just as quickly, it flickers back to the rest of his face, and you lean back to drink from your beer once more.

Straight to hell, he thinks, tasting the remnants of whiskey on his tongue, for ever daring to believe himself worthy of even a moment of your precious time.

You’re probably the first person to have his full, undivided attention. And that’s… well, that’s saying something.

Most days, you’re pretty talkative, a steady stream of conversation, your words pouring out in an endless flow.

You tell him about your family, your career, that pet of yours that died when you were six years old. You mention a friend you no longer speak to, and the events that led to the downfall of your friendship.

There’s also that dish from your all-time favorite restaurant, the one you buy at least once a week because it never fails to comfort you.

Nonstop, you talk and talk, and Logan doesn’t mind one bit. Soon, he finds himself becoming an active listener—asking follow-up questions, chuckling at your jokes, even when they’re not funny at all.

He sincerely cares about what you have to say.

This whole situation with you is beyond his comprehension. Before he realizes it, you start wanting to spend more time with him.

Sometimes, you ride along in the passenger seat while he drives aimlessly through the city.

Sometimes, you invite him over, cook a meal, and he always takes the leftovers with him, as if a part of you goes with him when he leaves.

Sometimes, you come over to his place, and the roles reverse—you’re the one with the mic, asking the questions, fully aware that you’re treading on holy ground. 

Logan’s got a sign on his forehead that reads ‘Stop: do not enter.’ It’s rough around the edges, hardened by the years, all capital letters in stark blank ink. But in the end, you just take the sign and set it aside.

He never goes into too much detail. Not because he doesn’t trust you—it’s just that there’s too much to unpack, and you don’t need to know all of it. You’ll be better off not carrying the garbage he does.

Yet, you’ve got him by the throat, encouraging him to cough up disjoined pieces of his life, bits of his day, his thoughts, his feelings. It sounds stupid to him, but you make him feel alive. 

You never judge him, never flinch when he brings up stories from his past. As he sits at your table one afternoon, you look at his hands, his claws fully extended, and you don’t shy away. You rub the pad of your thumb across the rough skin of his knuckles, right where the adamantium tears through his flesh.

You don’t care that he’s a mutant, that he’s killed people. You don’t try to deny who he is or what he’s done. Oddly enough, you just wish to be by his side, staring off into the void with him. 

“But why?” he asks, partly flattered, partly frustrated. This could be compared to learning a new sport from scratch—he can’t figure you out, can’t understand why you haven’t run the other way yet.

He likes your company, though he’s always bracing himself for the inevitable day you find a better hobby and leave.

Your reasoning defies logic, and he’s afraid that at any moment, you’ll grasp the gravity of your choices.

Almost as if you could feel the turmoil brewing in his mind, you simply say: “You’re nice to be around.”

Nice. Nice. Nice. He’d cackle if he were alone. That word reverberates through him. When was the last time someone called him nice?

Bad-tempered, sure.

A pain in the ass? Definitely.

But nice? Not a term people employed to describe him.

It’s a quality reserved for you, with your endless charisma and kind heart, but not for a man of his kind.

He’s nothing more than a chauffeur, a driver, someone who does and says what’s necessary to survive. Does that make him nice? 

When he tells you he’s probably going to hell, you don’t try to make him feel better. Anyone else in your position might try to soothe him, to offer some hollow reassurance.

Your intention isn’t to change him, for him to pretend to be something he’s not. “Then I’ll meet you there,” you mutter, your shiny eyes searing into his. Under the table, your hand finds his, tender fingers grazing over his knuckles, and for once, he doesn’t pull away.

Could it be that an afterlife catching fire doesn’t sound so bad after all?

As much as he likes to admit how easily you can shift his mood, today is not one of those days.

He’s had a nightmare—nothing new, but this one had been… different. The empty bottle on the nightstand hadn’t been of any help; it never does when they visit him in his sleep.

The ghosts of those who used to be his friends, his family, tiptoe around his dreams in the form of shadows.

Blood. Screams. Shouts of his name. He can’t save them all. Walking through the wreckage, he dodges the bodies of those he couldn’t protect, the knot in his throat tightening with every step, not allowing him to breathe.

Wherever he turns, there’s death, destruction. Sadness. Did he save them all?

It’s always the same routine. He wakes up, screaming, chest aching from the effort. His lungs burn, and he has to remind himself that the limbs attached to him are his own and not the remnants of an immobile corpse.

Sweat clings to his skin, pooling at his temples and nape. He wipes it away with the back of his hand, rubbing at the soreness in his neck.

His phone rings somewhere in the distance, pulling him from his dizzy state. He scrambles to his feet, accepting the call just before it hits voicemail.

It's you. Despite it being late, he swears he feels the gentle kiss of the sun over his brow. Your sweet voice chases away the lingering shadows of his dreams, replacing the bitter taste in his mouth with something real—a reason to get up, to start moving.

He holds onto every second of the brief call, replaying those thirty seconds in his head as he steps into the shower. When the cold water shocks his system, it pulls him fully back to consciousness. He has to get ready.

Even though you insist on getting a taxi, he refuses. He doesn’t mind the drive. His gas tank does, his wallet maybe, but Logan? He just doesn’t.

At the end of the day, he’s protective by nature, and who knows what kind of men are roaming the streets at night?

God forbid they’re anything like him—eager to prompt a smile from you, trying too hard to impress you. He arrives at the conclusion that he’d rather lose fuel and money if it means orbiting around you for longer.

You make him feel better, and tonight, he needs it more than ever. He needs you.

(Now he’s driving. He honks five times when he pulls up to your building. You get on the limo, giggling as you say: “My neighbors must hate you.” He grins. You kiss him on the cheek. Subtle. Not the first time. Still, it doesn’t get old. He feels the faint residue of lip gloss on his skin. He doesn’t wipe it off.)

Not in the mood to cook, you declare as you step into his place. The mouth-watering aroma of the Chinese food you bought fills the air, but when he reaches for the bags, you insist that he sit and relax.

Sure, he can take a seat. But to expect him to relax with you around, playing this intricate game? That’s simply impossible. You’re asking for too much. He’s a player at heart, drawn to the thrill of the chase, and he will play along.

What seems inconceivable is the expectation that he can act as if nothing is happening between these four walls.

His attempts to focus on you are futile, as his mind betrays him tonight. All he hears spilling from your lips is pure and plain gibberish. Your very presence is no longer enough to anchor him.

Already immune to your charm, Logan eats his noodles, occasionally nodding when your voice rises at the end of a sentence, indicating a question.

But he nearly chokes on his drink the moment he registers your serious expression, having never witnessed you like this before.

“Are you even here?” you ask, shoving your food aside with a swift motion of your wrist.

What should he answer? What is it that you want to hear? Of course! I’m here, listening to you. It’s a delightful night. Should I start by telling you about my most recent nightmare? Quite the entertainment!

There’s a shake of his head as he lowers his gaze, escaping your concerned expression. “M’sorry.”

“Don’t be. I’m not trying to make you feel guilty.” You tug your chair forward, claiming a piece of his personal space. You know he doesn’t mind. “Want to talk about it? Did something happen?”

“My brain is just… off today.”

“Many thoughts at the same time.” Not a question. Have you completely figured him out?

“Yeah.”

He remains still, dragging his plastic fork across the now-cold steamed veggies, which have lost their appeal.

How amusing—your knees bump against his, drawing his attention. “Can I help you?” It’s new, the breathy tone you’re using, a whisper of agitation weaving through your calm demeanor. 

“Can you erase my memory?” he shoots back, attempting to smirk through the wave of memories that flash behind his eyelids. When he looks into your eyes, the siren in his head blares.

Your pupils are dilated, blown wide, chest rising and falling rapidly. Sweaty palms that you wipe on your jeans. Tongue darting out to lick your lips. Your heartbeat accelerates, drumming wildly like the fluttering of a hummingbird’s wings.

He hasn’t been with a woman in ages, but he knows how they react when they see something they like—or, in this case, someone.

“Logan.” His name rolls off your tongue once more, tinged with an unmistakable need. The thought of checking his temperature dances through his mind, but the heaviness in his limbs roots him in place. He feels feverish. “I want to help you.”

Oh, no. No, no, no, no—

“What—what are you on, sweetheart?” Get up. Find your keys. Drive her home. “You don’t even know what you’re sayin’.”

Saliva floods his mouth as you rise to your feet, looking down at him from above. Gracefully angelic, and yet— “I know what I’m asking for,” you continue, your voice descending to a low murmur that scratches pleasantly against some dark and remote corner of his head. Then you lower yourself onto his lap, your thighs bracketing his waist. You repeat your question: “Can I help you?”

He’s no longer in control of his actions. His right hand crawls up your knee, palming the fabric of your pants. It’s numbing: a lapful of you, your rich smell, your quickened pulse.

Tempting. So fucking tempted to take you right now, just like this, without the need for words. Your bodies can communicate in a language of their own, one that transcends spoken phrases. 

I want you, he lets you know through the way he gropes your breasts over your shirt, squeezing them together. He’s always been good with his hands. But what the hell am I supposed to do with a sweet thing like you?

His patience teeters on the edge of a precipice. “Tell me what you want.”

“I asked you first.”

“You’re gonna pretend you don’t know the answer?” He thrusts into the air, grinding against your clothed core, and you close your eyes. He’s rock hard beneath you, the bulge in his jeans shockingly obscene, bordering on grotesque. “We both know what I want, but I’m no telepath, baby. Need you to speak up.”

Twisting the locks of hair at his nape, you press your lips to his neck. “I want to make you forget, to focus on this moment. I want you to live in the present, Logan.” A bite on his earlobe sends shivers down his spine, and he grips your hips with a primal growl. “I can do whatever you want. Just tell me. Tell me, and I’ll do it, please.”

Please? He’s spiraling. Please? That’s it—he’s doing it. He’ll grant you your plea, which aligns perfectly with his own desires.

Once his back meets the mattress in his room, you get to work. With delicate precision, you pull down his pants, sliding his boxers off until only his thick thighs and the crown of short curls adorning his cock remain in sight. Your fingers tremble slightly before you wrap them loosely around his length, and it springs to life in your grasp.

Your gaze pierces into his, mirroring the intensity of his own. But something holds you back, prompting you to reach for his hand.

At that moment, it all clicks into place. Logan urges your head down onto him, and he’s welcomed by the slick warmth you provide.

Indeed, he’s very much alive.

“That’s it. That’s—fuck. There you go.” 

His fingers dig into the mattress, clutching the cotton sheets, stopping himself from thrusting into your mouth. It’s not that he doesn’t want to—God, he does—but tonight, he’s on his best behavior.

He wipes the trail of drool from your chin, smearing it gently across your cheek, his thumb lingering as he watches your nostrils flare with a strained, muffled gasp.

Bringing his thumb to his mouth, he tastes the wetness on it the same way you’re sucking him: greedily, without any trace of mercy.

This proves I’m going to hell, he thinks, enraptured by the sight of his cock disappearing between your parted lips. Straight to hell.

You draw him back to the present, nuzzling your face against his thigh, your humid breath teasing his thick shaft, pulling him from a deep reverie. Your glossy eyes roam, exploring until they find his, and you gift him an authentic smile. Wrecked and blissed out, it’s as if the lights are on, but no one’s truly home.

He would’ve never guessed how much you reveled in sucking cock, radiating enthusiasm with each of your movements.

“Am I doing it okay?” you wonder aloud, hovering over the tip, swirling your tongue around the velvety head. He’s no fool, and neither are you; deep down, you know you’re doing more than just okay. Actually, you’re giving him the best blowjob of his long, long life.

Each panting, airy praise he huffs fuels your eagerness, making you even more receptive to his desires as the words slip past his lips.

“Fuckin’ amazing, honey. Got me so hard, y’see?” His tone is heavily charged with carnality, gripping himself and smacking the tip against your mouth, the wet sound echoing like music to his ears.

He pulses against your tongue, and you seize the opportunity to trace the thin veins scattered along his length. Gulping, with his gaze fixed on you, Logan notices how you’re still wearing your clothes, wiggling your hips against the mattress, rubbing your thighs together to get something in return. “Are you wet?”

Humming against him, you suck in shaky breath. 

“Words.”

“I’m—I’m wet,” you rasp, voice hoarse. You try to guide him into your mouth and fail miserably, because his grip only tightens, stroking himself instead. “Logan,” you keen, stretching your neck in a silent plea, “don’t be mean.”

“Not mean. Just enjoyin’ myself,” he replies, pulling the foreskin back to expose the head, arching his eyebrows. His fingers curl around your chin, drawing your face nearer to his girth, fascinated by how your eyes flutter shut the more you surrender to the pleasure. “C’mon. Be polite.”

Blame him for it—he believes he’ll never get tired of this game.

“Please.” You whisper, returning to your begging while tenderly rolling his balls, staring at him through your lashes. And then you say it again: “Please.”

Your gaze burns a hole through his crumpled heart. He lets you have it, eager to give whatever you may ask him for. You dive back into it, engulfing his length and bobbing your head up and down with fervor. Hushed whines escape your lips, savoring another bead of his precum.

Logan almost loses it as you hollow your cheeks, instinctively cradling the back of your head. “Easy, baby. M’not going anywhere. Take your time.”

Whenever he feels himself approaching that long-awaited release, he forces his mind to conjure thoughts that will stall his impending orgasm.

The water stains from flooding on the walls.

The supermarket list.

The rising price of gas.

The—

“Fuck. Slow down,” he groans, utterly captivated by the way you point your tongue to draw imaginary patterns along his cock, seemingly memorizing every detail. “Don’t go too hard on me, remember?”

You mumble something under your breath, and at first, he can’t quite make it out. “What is it?”

“I said I want you to fuck me.”

Under no circumstances is he surviving this night.

“Really, doll?” Logan seeks the reassurance he desperately needs, fearing that this is all a dream from which he’ll awaken the moment he properly touches you. “You sure you want this old man to fuck you?”

You’re a rambling mess, murmuring Yes, Logan, please, until he maneuvers you to lie on his chest, his glistening cock sliding against your clothes, leaving a trail of dark spots. A whimper dies on your tongue as you brush your lips together, your hot breath enveloping him. “Give me a kiss at least.”

Tilting your head up, he connects his mouth to yours, growling as he detects the dull, sour tang of what must be him. He sucks your bottom lip, hardly aware of what his hands are doing until he shifts your positions, pinning you down.

Logan tugs at your clothes, peeling them away with urgency, his fingers dancing over your nipples until you’re grinding against his thigh, quivering beneath him. With a nip at your damp skin, his eyes flutter open as he studies your expression, casting you a glance that seeks your permission.

A ripple of desire courses through him when you dutifully turn over beneath him, pressing your face further into the pillow. He runs his knuckles along the curve of your ass, his throat going dry as you follow after his touch, arching your body in response.

Unable to resist the temptation any longer, he licks a long, slow stripe up your wet folds, keeping his tongue flat against your clit for a brief moment. Your arms give out and you stumble forward, stuttering as you mewl his name, fully consumed by the feeling.

So he does it again, and again, and again, flicking the sensitive bud, even though you’re already beyond soaked. It’s a pleasure he indulges in simply because he can.

Straight to hell, he thinks, coating his length with your arousal, teasing your entrance while pushing in only the tip. That motion alone is enough to make him draw a trembling breath before he continues, gradually feeding you his cock, inch by inch.

Straight to hell, the voice in his head utters as he buries himself to the hilt deep within your body, his heavy balls resting against your ass.

Like an intruder in your territory, he’s free to do as he pleases, and you let him have his way with you.

If only this moment could stretch into infinity—he longs for time to relent and never draw to a close. 

What will happen after? Will you spend the night? Does he—

“L-Logan,” you mumble, having adjusted to his size. You rock back into him, impaling yourself even more on his cock. “Please, move.”

The pace he establishes is brutal. Your warm, inner walls exquisitely massage him, and the earth as he knows it stops spinning. Fire pools low in his abdomen, his hands holding you by the flesh of your hips to keep you anchored, each thrust driving you closer to the headboard with an intoxicating urgency. 

“You wanted it from the very start, didn’t you?” He doesn’t know if a response will ever come, but these kinds of thoughts are impossible to contain. He’s just a simple man, powerless against the allure of a tight cunt. “Just got in my car and knew it would end like this?”

You roll your eyes at him, silent as you exit the vehicle, closing the door behind you. While fumbling for your keys, four words escape your mouth. Casual yet devastating, they ruin him: “I’ll see you around.” 

His next thrust punches a whine out of your lungs. Even as you clench around him, stuffed and filled to the brim, you beg for him to fuck you harder. He would’ve laughed at you were he able to catch his breath.

With a more deliberate rhythm, he rolls his hips, jackhammering your most sensitive spot, pulling you closer as he wraps an arm around you. When his fingers find your clit, drawing slippery circles, a cry escapes you, and your body merges with the mattress under you.

Your release takes him by surprise, urging him to continue as you reach back, encouraging him to chase his own climax. He knows all too well the struggle of bringing you to this point without succumbing to his pleasure too soon. Your nails graze along his thigh, leaving delicate marks in their wake, and somehow, the passion and bliss he’s been nurturing ignites into a fiery crescendo.

Shortly after, he goes completely rigid inside you, pressing his forehead against your back as he bites down on your shoulder to muffle his groans. His hand squeezes your breast tightly, riding out his high, blood buzzing in his ears, continuing to spill into you. You spam around him, milking him until the last drop of his seed, his release painting your insides with his warmth.

Logan tucks you under his chin as his vision returns to clarity. You nose his jaw, your fingers softly tracing the contours of his beard. He pulls you closer into his chest, gliding his hands up and down your back.

Half a minute of dreadful silence, then: “Can I stay?”

Oh, yes—pillow talk. He’s not great at this either. Despite that, his eyes soften, snapping to your face.

Logan pauses for a moment. “Sure,” he retorts, dragging his fingers along your shoulder blades. He’s a one-word kind of guy. Just perfect.

Tell her you like her. Tell her you don’t want this to be a casual fling. Tell her it’s more than just sex for you.

Or maybe don’t. Get ahold of yourself, will you?

“Logan?” you ask, resting your palm against his heart.

“What is it?”

“I know.”

You do?

Try as he might, he can’t deny it. He might care about you more than he ever realized.

dividers by: @/cafekitsune thank you!!! <3

[chuluoyi]

✎ treasure

- gojo satoru x reader

the strongest sorcerer meets his match in his petulant son, who inherits his six eyes and is having trouble with them

genre: taking care of your son with dad!gojo, fluff/comfort

note: AAAA i love this waaay too much!😭 this brilliant idea gave me baby fever so bad came from an anon who so energetically dropped by my askbox, thank you! and seeing this artwork by Yoon in twitter definitely gave me more ideas too!

a part of gojo's love entries

general masterlist

"No!"

"Why? This helps—"

"That's ugly! I don't want to look ugly—like you!"

Satoru blinked in utter disbelief, and you broke into the most satisfying fits of laughter. In front of him, standing tall and sullen and very much like him was his own son, now barely five years old.

Your boy mentioned that he had been experiencing discomfort in his eyes lately, which also caused him to become dizzy. And Satoru attempted to persuade him to use a blindfold like he did because it was effective.

However, as we can see, his son didn't take his suggestion well at all. His bright blue eyes, ones your husband passed down, bore an intense glare aimed squarely at him.

"I..." Satoru sputtered, his eyes twitching. The sight was comical as no one had ever managed to elicit such a reaction from him. And no one ever considered him an unattractive person too! "I'm not—"

"You are!"

Once again, you let out a triumphant cackle, and this time your husband shot you a glare. But you didn't care. All those years of tolerating his antics had paid off. His son had finally put him in his place!

When he was a baby, you thought your son was Gojo Satoru incarnate. He was the spitting image of him—with all gaits and expressions too. And you had worried if he would turn out to be just as much of a menace as he was.

But apparently, life has other sweet plans because like you, he was a relatively calm boy, diligent, and didn't like to make a fuss. Satoru argued that it was definitely in his genes—claiming he had also been a sweetheart when he was a child, but you couldn't quite imagine him being remotely as reserved as your son.

That aside, the cause of this hilarious exchange did actually make you worry a bit.

"Look, I know it probably looks odd," Satoru gestured at the blindfold in his hand, but your little boy still didn't seem convinced by the pout he displayed. "But it will help you, I promise. If only you would—"

Oh, but it was almost like karma because besides his appearance, the other trait your son inherited from your husband was his strong sense of winning.

His face reddened from sheer indignation, and he once again screamed, "I don't want to! I'll just cover my eyes with—" he took a nearby napkin and pulled them over his eyes, "—this!"

Satoru sighed in annoyance, and you decided to jump in. Crouching down next to him, you gently pried the napkin from his hand.

"Papa just wants to help you, okay?" you reasoned, cupping his plump cheeks. Gods, he used to be this round thing in your and Satoru's arms and now he was already this big. "He uses it everyday and he has no problems, see?"

"But it doesn't look good..." Your son drooped his head in disappointment, and you could feel Satoru rolling his eyes beside you, evidently miffed at the thought of him being less than good-looking.

Parenting is challenging, especially when your husband still holds onto some of his childlike tendencies. So you decided to end the discussion here.

It was later at noon, while you were in the kitchen preparing lunch when you heard your son's scream and something crashing. Your heart was in your throat as you rushed to the backyard, only to see something that made your heart lurch even more.

Your sweet boy was wailing on the ground, clutching his head, and Satoru—

His expression was as horrified as yours if not more, as he ran and caught your son in his arms, pressing him tightly against his chest as if shielding him from the sun altogether. "Shit. Hey, hey—buddy, you okay?”

Satoru lifted him up and carried him inside. You were right beside him as he settled on the sofa, gently hushing your son, who was still shaking and had his eyes covered against his chest.

"M-My head..." your son whimpered, tears streaming down his chubby cheeks. "...h-hurts..."

"It's okay, it's okay..." he murmured, caressing the child's hair in a soothing manner, and it reminded you so much of what he would do to you in the early mornings. "I've got you now, nothing’s going to happen to you. Hang on a little longer, yeah?"

You felt warm tears threatening to well up in your eyes at the sight. It was heart-wrenching to see your son in such torment, and the way your husband was consoling him deeply touched you. It served as a poignant reminder of just how many years had passed from when Gojo Satoru was still that brat who used to mess with you during high school.

Soon, your little boy's breathing became even, and he went to sleep in Satoru's comforting embrace.

You looked at him while biting your lip, undiluted worry in your voice. "What should we do? He's been experiencing pain often lately..."

Satoru really wanted to wipe that expression from your face, but with his precious child clinging onto him for dear life, even he didn't have the heart to.

"Don't worry, I'll be with him," he assured, a plan already forming in his mind. "If he hates blindfolds that much, then I'll get him some pairs of glasses just like the ones I have—for kids. We'll start with that."

Bearing the weight of his clan's revered eyes was a heavy burden, and honestly, he would prefer it if none of his children had to inherit them. After all, he went through it all too as a child—the manifestation of the six eyes' powers marks the beginning of life as a sorcerer. The perilous world he was still trying to keep away from his son.

Nonetheless, he would be there for him every step of the way. It was what he vowed to himself on the day he was born. He wouldn’t let anything befall him—or you.

You had calmed down after hearing his plan, and as you gazed at your precious boy’s innocent face in his protective grip and the gentle pats he gave him, you suddenly found yourself in a mischievous mood once again.

"Heh, quite the doting papa, aren't you, Satoru?" you winked, a teasing smile on your face. You could have sworn his cheeks slightly flushed as he retorted:

"Hmph. He is my personal little body warmer, after all."

[corkinavoid]

DPxDC John Constantine's How To: Ghost Kids (pt.2)

[<- part 1]

"Oh, yeah," John jerks his head up like he just remembered the fact people are supposed to have names at all. He gestures to the kids, pointing to each of them as he introduces, "Daniel, Daniel, and Danielle."

This time, all three kids flip him off simultaneously. Bruce clears his throat, trying to figure out if Constantine is messing with him and, if so, in which parts. Since, so far, everything the man has said sounds like a poor attempt at pulling his leg.

"I don't think they like those," he cautiously says, and the kids whip their heads at him, nodding furiously. Bruce can't help but be just a little enamored with the way they behave.

"Of, sod off, at this point I don't care what they like," John straightens up with a dismissive, albeit weak, wave of his hands, and rubs his face, "They are menaces. Sometimes by accident, but mostly on purpose. Their grandfather thought it would be easier to handle them if they were not teenagers, and while I agreed with his reasoning at the time, I-" he glances at the kids, who all have displeased grimaces of various levels on their faces, "I have been made to reconsider. I swear that ancient bitch is laughing his ass off wherever he is now."

The kids suddenly grin. They are not very friendly, nor polite smiles - if anything, they look a bit nightmarish. An old grandfather's clock in his study makes a very loud ticking noise.

"See?" John whips his head to look at said clock, the expression on his face bordering on insane. His eye twitches.

If Bruce doesn't do anything now, he might become one of the very few people who managed to witness John Constantine, the Laughing Magician, have a meltdown. So he sighs and decides to solve the problems one at a time.

Which means that no matter how alarmed or suspicious he is, his first move would not be to interrogate either the man or the kids.

"You can sleep in one of the guest rooms, I trust you can find it on your own," he tells John, almost softly, as he catches the girl from slipping away from his lap, "Is there anything I need to know about children before you fall unconscious?"

John slumps with relief, so obviously that Bruce almost smiles. Hardships of raising - or, watching, for that matter - kids, he understands.

"Yes," he breathes out with an air of exhilaration and turns to the kids again, pointing to the middle child, "Danny is the original. He is from this dimension and timeline, that is. Dan," he turns his finger to the older boy, "is in the wrong timeline, he's Danny's future evil self redeemed into older bratty brother. Dani," he switches to the girl, "is Danny's clone, made by his arch-nemesis of a godfather. If she starts melting at any point, wake me up immediately. If any of them start floating, sprouting tentacles, speaking to walls in static, or glowing, don't."

Bruce looks down to the kids. So, definitely metas, that would explain the government trying to get them... Or, no, it wouldn't because he is fairly certain no government is going to blatantly ignore the Meta Protection Acts.

"Don't let them raise the dead, and if you give them food, make sure it doesn't have a face. If you find more than three of them, it means one of them has duplicated, don't worry, they will absorb it back later. Absolutely don't let them touch any guns," Constantine is backing down to the door as he speaks, his gaze flickering from the kids to Bruce and back every second. Like he is leaving a ticking bomb in Bruce's lap, and not three children. "Danny is, comparatively, the most responsible one, the other two are up for any dubious trouble they can get to at any moment. Oh, and their memories are wonky because of de-aging, they remember some things but not others, so if they say something particularly disturbing, it's most likely some random piece of knowledge they managed to keep."

Bruce raises an eyebrow. He did get the part about the kids being, well, abnormal in the matters of their origins, but the disjointed set of rules and advices doesn't help as much as Constantine probably thinks it does.

"Allergies, preferences, ages they were before?" He tries to get at least some more info down before John disappears through the door. Actually, maybe he should send someone to handcuff the man to the bed lest he disappears completely.

"None, but don't let them eat cutlery. Danny likes space, Dani has a thing for exploring, and Dan likes violence." The older kid stirs in Bruce's lap and says something in the direction of Constantine. No sound comes out, but the man seems to get what he's trying to say anyway, "Okay, yes, that was rude of me, sorry. Dan likes... exercise," he ends up with, and that placate the boy enough to slump down and cross his arms. John sighs, "They were seventeen, fourteen, and twenty respectively. Now," he snaps his fingers, and suddenly Bruce can hear the girl - Dani - humming a tune under her breath. So, he lifted the silence spell, it seems.

"Good fucking luck," John wishes to Bruce, earnestly, and all but vanishes away.

Bruce sighs and looks down to the kids.

"Are you hungry?" He tries, and all eyes are on him at once, attentive and unblinking.

"Fruitloops," Danny says, and while Bruce is positive that's the name for a cereal, he gets a feeling that's not what the kid meant.

[batsplat]

quick follow up to this bit

was also reminded of this valentino quote

He speaks about my shoulder like he was the best shoulder doctor in Melbourne Hospital.

what WERE they cooking

(I can't like. prove this because obviously we simply do not have solid 'evidence' for casey's thinking here either way, but given this is a speculative post about how I'd narrativise these rivalries.... do think the screenshot above is basically my theory for why casey had a thing about valentino's injuries. to such an extent that valentino picked up and commented on it! after laguna and throughout 2009, there were various waves of discourse about casey having been 'broken' by valentino - first due to casey's dip in form in 2008, then because he had to take some time off in 2009. the fact that it was an invisible illness that he himself could not explain in a sport that is all about the big, glaring obvious injuries - one that was treated as a sign of mental weakness, something he was ALWAYS susceptible to being accused of... very much the opposite of valentino's shoulder and leg in that sense, which was way easier to explain and was immediately taken seriously. my suspicion is that for casey, it was about not being extended the same grace as valentino was, being frustrated at how much leniency valentino was being granted when casey was always being harshly judged. of course, valentino (in classic demented rider fashion) was if anything downplaying the severity of the shoulder injury and only admitted after it was more or less healed that he'd been terrified by how long the recovery period had dragged on and had feared he would never be the same rider again. casey's lack of empathy on this count is completely justifiable and he does also obviously have a point, but it's still an interesting part of his character. it's what makes the rivalry with valentino so very interesting - there are lots and lots of ways in which valentino directly made casey's life miserable, but then there are other ways in which valentino's mere presence, his existence, someone whose treatment casey could compare his own to, that also contributed to casey's hatred towards him. firstly by getting more empathy than casey did and the general injustice in how the sport was 'always' on valentino's 'side' in a way it never was for casey, secondly by having this reputation of 'breaking' rivals that... well, y'know, valentino was presumably more than happy to be the beneficiary of the whole thing, but it's not like this was actually a line he spread himself, including with regards to casey. he didn't have to! it's kinda just... an awful coincidence that casey's 2009 absence was always going to be treated with suspicion and he HAPPENED to have a rival with valentino's very specific reputation?? the perfect storm! which gets you to this odd point where... if anything after that casey is the main instigator in terms of the sheer vitriol of the rivalry - but it's built on years of seething resentment that valentino at times almost seems taken aback by... and then reciprocates with interest because of course he does. because that's just how valentino ticks. fundamental lack of understanding for each other!! valentino kinda accidentally being casey's perfect foil!! casey having a million Legitimate Grievances against valentino but still somehow managing to project 85% of his other issues with the sport on valentino too!! they're soooooooooooooo. so!!)

if you were to direct a motogp movie (or make a one season of television) what season or rivalry would you make it about? and more interesting what artistic liberties would you take? it doesn’t have to be a straight up biopic bc imo those are often boring, instead it could be something like velvet goldmine (1998) aka fictional characters whose real life counterparts are pretty obvious, veering in like rpf territory. anyways👀

did you know. one time this guy put a curse on this other guy. and he never won a race again

anyway, look, I do feel like by this point that's the BORING answer from me, but obviously it's where my mind first went. I'm not sure I'd actually want it out there in film form because by now it's badly enough remembered that it's like, my cute little niche story, and I think there's something fun about the Wider World even within the motogp fandom not exactly getting how bonkers the whole thing was. (I know other humans have canonically watched motogp 2004 but I swear even journalists have forgotten some key key details and it's kinda annoying but also fun.) bold words from someone who's been blogging about it!! weird gatekeep-y instinct. but basically my job here is done as far as outreach is concerned - I wrote a very long post, now I get asks about it twice a week that allow me to think about it some more with the four other people who care, perfect balance. that rivalry doesn't need to go mainstream!! the whole point of it is that it's kinda cruel but narratively pleasing that it's gone under the radar, because it's another sign valentino won. but obviously, I cannot literally make a film about this, so the hypothetical repercussions I think maybe we can put aside for a moment here

okay I came back to this bit of the post after I increasingly got into of the spirit of coming up with dumb ideas, but it did make me flesh out what I'd even WANT from something like that. I'm with you anon, a lot of biopics are boring!! if you want to just know what happened, please just literally go and 'watch the races' and 'read books' like what are we actually getting here. you kinda want to give it a purpose for existing, right, a way of portraying real/mildly fictionalised events in a manner that is also taking some kind of stance on the material AND is doing stuff you can't do 'in real life'. thing is, look, you could make 2006 into a film, and I'm sure it'd be perfectly nice because it's fundamentally a solid underdog story (well, inherently winning a title with repsol honda is NOT being an underdog but you can write it that way), but also what are you doing beyond just telling people what happened? I feel like that generally about single seasons, they're not really doing anything for me. I was also turning around the biaggi/valentino rivalry in my head in part because that's the one valentino gave as his answer for 'rivalry he would turn into a film' (marc big wet eyes sitting right next to him), but like. a film about that rivalry from valentino's pov is fundamentally not something I'm interested in. you have all these isolated very memorable moments that make it work as a rivalry, like you can absolutely spin them into a dramatic yarn that goes through the genesis of their conflict to middle finger gate to punching gate to assen + donington + sachsenring + phillip island 2001 and it's basically *insert rousing music* successful coming of age. at most you can lean into the fact valentino became successful at being a dick. like idk it's fine but also what's the point? valentino is challenged in a sports context by biaggi, he's challenged because he realises his words have consequence and the press actually reports the words he says to journalists (the horror), but he is fundamentally not challenged on a personal level. that's the entire point, right? it's the ultimate comfort zone rivalry - biaggi is a dick who it is quite easy to hate and also reacts poorly to valentino's initial provocation. the animosity escalates and it is inherently fun to beat him. valentino is mean to him, but it's not like he even really crosses any lines to beat him. like you can make it into a film, and if you twisted the material a little bit you could make it satisfying, but I don't want to!

now the way the writing process of this post worked was that I was going to breeze through a bunch of non-sete/valentino rivalries and explain why I think some of them don't work for our purposes here, but then I ended up writing myself into changing my mind. so my take on the biaggi rivalry is that actually, you CAN make it work but it has to be from biaggi's perspective. basically, I think you've got to amadeus it (a web weave I have been thinking of making at some point btw). so,,, it's a meditation on talent and how unfair it all is, maybe minus the bit where salieri poisons amadeus (I know that doesn't happen in the film) or dresses up as amadeus' father to, y'know, make him write a requiem on his death bed. and it's not amadeus in that HERE, the clown prince gets a happy ending! but it's more like, in thematic terms, I think you have to zero in on this bit. biaggi didn't have parents who shoved him on a bike when he was three years old, he didn't have parents who were invested in his motorcycling career (or even necessarily particularly invested in him), he started the sport late and discovered that, yes, he did have a prodigious amount of skill in it - but one that he started honing far later than valentino did. he approached his career with a sort of grim resolve, surly and irascible and not interested in making friends with any of his competitors but very, very good. he goes away from the race track and dates all these models, he irritates fellow riders, he's not part of the gang and he's happy about it. he's very successful! four 250cc titles, wins his first ever race in 500cc at a time when doohan was very much winning everything. he's also just like,,,, an interesting and spiky enough character it's not hard to make him come alive

but then of course you have this gradual emergence of the amadeus character, the one who challenges his established position in the court of,, well... motorcycle racing, and also as the guy italians rooted for! and valentino's obviously, y'know, in so many ways the exact opposite from biaggi, and he's super young and cheerful and lively and is doing all his silly celebrations and is being a bit camp and goofy and treats motorcycle racing as a party (you really want to lean into the culture clash here, like in amadeus it's because you have stuffy austrian court vibes but here it's because everyone is having their bones broken every two minutes and just how... kinda grim a lot of motorcycle racing was). and he's also this innocent! yes, he insults biaggi, and yes, in retrospect we know valentino is kinda evil, but at the time he was a kid with a big mouth who was a little taken aback by how that biaggi feud sort of escalated beyond what he'd actually intended it to do! and biaggi just, hates him. and I think, sorry to the real man max biaggi here, but you've got to play with how once they're actually competing with each other, it's miserable how there's just this unbreachable gulf in talent. like, whatever biaggi does he cannot win! he isn't going to defeat valentino over the course of a full season! which is depressing and horrible and CRUEL, because there's this inevitability to the whole thing... and also! because valentino doesn't DESERVE it. and you don't have to go full salieri pleading with god to explain how god could give this CLOWN all this talent, but it's kinda the same vibe! how is it valentino, who is constantly just having a laff and canonically maybe wasn't the biggest gym-goer in the paddock and is just generally seen as, y'know, a bit of a dandy, this foppish clown who everyone loves and who doesn't have to work hard to be good - how is he the one who is winning so much!! it's miserable and unjust... and I think how you portray this is that you really emphasise the kinda, repetitive nature of the defeat. like, I think you probably want to make this into a non-linear narrative where all this biaggi backstory is communicated somehow but you don't just start it when he was born or whatever - you start it in 2001 when they're competing for a title and already hate each other. and then you heavy on the time loop vibes. the whole cinematic language and all that other shit should emphasise how all these weekends are structured in exactly the same way and if you're losing to this one guy, all these different weekends can start feeling the same. it bleeds into each other, it feels inescapable, you're trapped in this narrative you can't change... worst of all, you even return to the same places again and again - like play with that! biaggi keeps coming back to where they had the fist fight, to where valentino first insulted him all those years back. you play up the disorientation and the misery of it all, plus biaggi canonically gives us all this kinda messy freudian shit to play with like how he was dating 'valentina' and his relationship with her was falling apart because of how miserable valentino was making him. it's all there!!

ANYWAYS the way you conclude this story is!! welkom 2004!! so again we can artistic license this a little bit and, uh, ignore sete (though I do also think it's fun if you lean into biaggi being displaced as a rival and staring at them being friendly and happy with each other from the outside) - but the key bit is that valentino is finally making the big error. biaggi wasn't winning titles on a yamaha, since he left yamaha has gotten worse, now valentino is making this big mistake out of his own hubris. language of cinema that shit and make everything brighter and more hopeful.... the time loop is finally over, biaggi has escaped, this year will be different!!!! everyone in his circle agrees, valentino is fucked. step off the plane at welkom (pre season testing didn't happen in this universe) and it's literal dawn of a new day... staring out at the sun and finally, biaggi can move on, can live a new and different life. anyway. obviously we all know what's coming next - you have this big dramatic climactic race where biaggi throws himself at valentino again and again and again and he comes so close to winning it... but he doesn't. and you have valentino living his best life, being delighted, but the film is focusing on how like,,, we're bleaching the joy back out of biaggi's life, how actually he's returning to what he already knew. and it ends on the podium, with the camera focusing on biaggi on that fucking second step or zooming in or whatever (idk how cinema works) and it just finishes on this shot of biaggi dead-eyed in a bleak world, trapped again for eternity aka until the end of the 2005 season. done!! I'm not sure this is quite what valentino had in mind, but. well. that's how I'd do it

this is from the pushkin play from 1832 not the 1984 film but like. low key pushkin already kinda nailed the essence of sports rivalries in the 1830s and we just have to acknowledge that sometimes

right. so the casey rivalry is where I'm going to go completely off the wall. skip this bit to get to the slightly saner stuff. this is also one I fully admit to sometimes playing around with in my mind anyway, but. uh. I'm gonna be taking this one in just. well. places. I do have a vision here but I also don't quite know how to explain it in a way that doesn't make me sound like I've lost my mind, but well if you're still reading this then that's on you. so lemme get this out of the way: the classic sports biopic formula would work well with casey. if I had to point to a single rider I would sports biopic-ify, it's casey. so you have all this kinda,, obvious adversity that's easy to get across, and it's a narrative you can follow chronologically without too much trouble. you've got all the childhood stuff, the australian racing club not letting him join them, the move to britain, the rising through the ranks, it's also this very biopic-friendly 'nobody ever believed in him apart from like three people' stuff. and the premier class is also narratively satisfying, from the rocky rookie season to the kinda shock success to then all the lows of 2008 and 2009 and the physical ailments and the anxiety and then the switch to honda and the title and then him deciding to retire... that's all good stuff! you can absolutely biopic-ify it! gun to my head and sure, I can walk you through exactly what bits of his life I'd focus on and put in what order and so on, and I think ultimately you could make a very good sports biopic from that

[some mild gore to follow in this next section]

but also. thing is. that's fine. it's just not where I want to go here, because again I feel like at that point you can also pick up his autobiography and just read it - because what you're basically doing here is just filming that. and I get how this stuff works, you're bringing the story to a wider audience, you can show stuff in a different way in that medium etc etc, and that's all great but also I don't care about bringing stuff to a wider audience. I care about doing fun stuff in my brain. so what I'd actually do here is just, basically, go in the exact opposite direction and ditch all the realism. genuinely, ditch the live action stuff, we're going animated - what I'm interested in here is stuff where we need to be able to fully suspend our disbelief and lean into some surreal shit. I'm not going to bury the lede here: my idea is that you take that thing where casey said he hated how ducati was ruining the bike by letting valentino's yellow encroach on it and, basically,, just go all in on that bit. like come on, that is so singularly visually evocative, it truly captures a lot of what's going on thematically in that rivalry. (see also x and x for the most relevant casey posts.) casey sees valentino as the malevolent force, this infection! he associates him strongly with a specific colour, one that can be sickly or unnatural or just... evil. malignant, malicious, malevolent, all the m words. to casey, valentino is a personification of everything that is wrong with the sport. valentino is literally the walking manifestation for so many of his issues, from the dangerous riding to the lack of respect to the lying to the cult of personality to the obsession with image and the media to the backroom games to the politics to the injustice of how different riders are treated differently, like!! he's literally all of that! this is a topic for another post, but this plays out in a lot of kinda, weird and funky ways where it's a two way street and sometimes when casey talks about motogp you go 'actually I think that's just valentino?' (btw he also does this about 'europe' right I don't think those are europeans you hate casey that's literally just valentino) and sometimes when he talks about valentino it's kinda? this feels like it's about a little more than the bloke himself? and basically, right, I think you need to take this to its natural conclusion where casey used to admire him and look up to him and want to emulate him on track and then gets disillusioned when valentino's worshippers turn against casey and casey is the one to bring valentino down to earth and... listen, I think you need to play around with valentino being a literal god. and I think you need to have casey stab him to cover up the yellow on the ducati with blood

okay. look. the idea here, right, is that we're basically making the subtext text, and just digging into that process of 'bringing valentino back to earth', of taking on a god and having the audacity to succeed, and also treating valentino as this sort of. infection in his own mind. the bike is literally being infected!! casey may have left the ducati but he STILL has some fidelity and love for this project, those were his people he worked with, and now valentino is coming in and just twisting everything around himself!! but also I think how this functions is that, okay, so you have all this normal stuff that's the actual 'plot' in the 'real world', but the ISSUE with the real world is that there's a lot of stuff that just. isn't possible there. like the thing casey wants in that rivalry but is never going to have is... a captive audience. a big problem casey has in that rivalry is that he doesn't get the chance to actually say a lot of stuff to valentino. he starts using the media more and more and plays the game on valentino's level, but there's still this disconnect where mr straight talking is the valentino rival who valentino never really blanks or freezes out like... there's a disconnect! there's valentino the person, who casey never quite figures out how to just straight up hate, and then there's valentino the character, the racer, the rider, the god who casey DESPISES. but when they're doing small talk at pressers and podiums, casey doesn't get to talk to that version of valentino! he just talks to valentino the person, who obviously isn't literally a different person but is also not going to explain to casey where he's coming from, is he, and also isn't someone who casey can explain to where HE is coming from. and that gulf... it does bother casey. I don't think he can quite verbalise why either, but there's just... this creeping tension. I think it'd be easier for casey if valentino really were more of a caricature, just kinda a dick in all walks of life. and there's just these canonical hints of that... the way casey talks about how he's sure valentino as a guy is fine, but he never knew valentino like that, the whole 'I'd like to go with valentino for dinner to tell him where I was coming from in that rivalry' thing, like!! it's there

so basically EYE think what you should be doing is using the wonders of storytelling to actually. embrace that element. and just leave realism behind now and again. valentino is a god, he is literally worshipped, he's part of this pantheon that casey is trekking to reach. casey is brave enough to take him on in combat, he is the first one who is truly able to draw blood. he sees how valentino isn't just a god of joy or battles or speed or the SUN or any of that other stuff - he's a disease, an illness, a god who is also a false prophet... the worship never quite goes away, because who ever truly gets rid of their valentino rossi complex, but casey eventually is given the chance to face a chained valentino and kinda,,, ritualistically publicly humiliate him using the ducati as both this sick thing that has to be 'cured' and this symbol of valentino's failure. I'm sorry, visual language goes brr here, like chain him up, do weirdly eroticised torture idc!! (psst psst valentino's fucked up shoulder also extremely goes brr here, casey low key a teensy bit weird about valentino's injuries? his thing after the 2010 leg break where he goes 'why's everyone making such a big deal about this other people break their limbs too' and then after 2011 jerez immediately asking whether valentino's shoulder is okay in just a very obviously passive aggressive way. literally he opens with that, valentino isn't using it as an excuse or anything, for some reason it's already on casey's mind and I would politely contest it was out of genuine concern for valentino's wellbeing!! it's just kinda? I'm so compelled by it? I suppose it is kinda about how valentino's suffering gets taken more seriously than his own? how those absences are received differently by the motogp world? idk I find this fun because casey does know this is one thing valentino can't really be blamed for himself, so it just slips out a bit? but yeah, casey + valentino's injuries, nobody's talking about it but I sure will, let casey get weird and mean and a teensy bit sadistic about valentino's injuries in an artistic manner.) crucially I like animation as a medium here because I think it's easier to lean into surrealism when you don't have to hand hold the audience so much through the suspension of realism, also there's just some imagery you can do in cooler ways through animation where in live action it may just look. weird. (I think you can also do one of those things where you have a live action film with only those specific bits animated but also... why? it just feels like in live action you need more 'justifications' for things, like am I saying casey is having some weird hallucinations and is losing his mind? no I just want to have weird vision sequences ffs.) the colour stuff!! valentino/casey is big on the colour coding as a rivalry, to the extent casey is even, y'know, drawing attention to it in the literal text!! yellow and red are banger colours, valentino is big on imagery himself with all his sun + moon motifs, it's kind of all there to make the easy next step to kinda zany surreal imagery. ritualistic stabbing works better in animation, you can kinda get the blood to like. drip down and overwhelm the yellow illness that's slithered out across the bike

and. AND of course what this entire set up allows you to do is.... give them an opportunity to talk. they can't talk in real life! casey CAN'T give him his real thoughts on anything, and fundamentally valentino can't either. they're opponents. they're strangers who chat sometimes. it's not just that they aren't friends, it's that fundamentally they cannot be friends - because their ability to do their actual jobs depends on a certain level of professional distance. valentino of course does have a decent read on casey, and vice versa, because when you're figuring out how to defeat someone then (if you're valentino) you're looking to play the rider too. valentino's entire approach depends on focusing in on his rivals and attempting to throw them off, to make them unravel. he's watching casey closely!! the entire journey of casey's first three seasons in the premier class essentially becomes like, this god of their world focusing in on him. figuring him out. trying to gnaw away at him. obviously, animation also allows you to go big on the panopticon-y imagery which is kinda fundamental to their rivalry, because of their fundamentally oppositional stances to 'performing' for the ever present cameras where there IS a little bit of common ground in they have both struggled with it. but valentino isn't going to ever say that to casey! casey isn't going to open up to valentino! so if you give them,, you know, a different arena to express themselves, where casey actually has this external figure to talk to (as he's like, cutting him open I guess) whereas valentino actually is put in a position where he's allowed to respond, where he can taunt casey a little bit, where he can interrogate casey's approach and also the similarities between the two of them and how casey has been forced to become a little more like valentino to challenge him... because the thing is, right, valentino is so big on message discipline with his rivals and has completely stopped talking about that rivalry post mid 2013 that, first of all, you have this complete imbalance in who's been telling this story for the past decade, but second of all you kinda don't have a sense of what valentino would respond? idk!! I think this is mainly fun as a thought exercise for me specifically but also I do think it's kinda, digging into some of the bits that make this narratively work as a rivalry, how valentino in this rivalry is actually just kinda... removed. like he's not really emotional about it!! at most he's a bit bitchy, but even that just feels about The Game. it's the most extreme in this regard followed by jorge - but with valentino's other feuds you kinda... see a bit more an unguarded moment, see something a little more real there. the casey rivalry feels so uncomfortable precisely because valentino is a little... inhuman in this one. I mean, if you want to have valentino as some kind of cross between a deity and a monster in any of his feuds, this is the one. casey's just an obstacle to him. idk don't you think casey kinda wants to chain valentino down and stab him and make him see casey a little more... well, I think he should want it and I think it'd be fun to see and get them to talk to each other. ugh and also all the implications of making the faith vs non-believer elements more literal... casey the heretic!!!

there's some obvious stuff here you'd have to figure out, like 'how do you make this work as a narrative even to people who aren't familiar with casey stoner at all' and 'who the fuck do you think the target audience is here' and 'you do know this is not the kind of thing that would ever be made, right, go back to the casey stoner sports biopic like a sane person' but!! I do think it's material you can make work if you're just,,, efficient and smart in how you're actually telling the 'real life' version of the rivalry. also in my head this is. idk. an animated limited series not a film, which then brings in other stuff like 'episodic structure' because I'm fundamentally opposed to tv shows that think they're films. and look, I'm not going to write an entire film script treatment here, I just think a good writer can figure this stuff out. blood on the ducati is the framing device for everything else, simple. lots of animated floating eyes I reckon, first casey is watching valentino and then valentino is watching casey and the whole world is watching them... and it does bleed into real life just a little, where you're wondering whether casey is actually imagining/dreaming this stuff or valentino is or if they both know it somehow... you can get away with more ambiguity in animation. anyway, if you do want more thoughts on this one specifically for whatever reason, let me know because this one I do actually have more on

also laguna 2008 is a bit tortoise and the hare coded if you really think about it

[end of gore]

so. on to jorge. hm. the thing about jorge is that he was kinda writing a coming of age film in his own head, so like - yes, that's what you do go for? you can play it straight and follow how jorge has cast his rivals, or you can pin the whole narrative on the fact that jorge has cast them - the kinda artificiality of the narrative, the way jorge is this storyteller who isn't being recognised as much as he thinks he should be, isnt adequately appreciated. the way there's this three way discourse between what jorge thinks the story is and what the public thinks the story is and actual. you know. reality. I think this is a bit more light-hearted, like you know how the best stories about teenagers take their emotions seriously but also let them be kinda silly? because young people are silly! jorge was silly! he's got a lot of CHARM because he's so cocky and naive and full on and intense and awkward and kinda off-putting and tactless and a bit all over the place and so painfully, painfully young, like he's a good protagonist because that's a KID. but also, obviously there's also a lot of extremely not light-hearted bits of his story - everything about his father, his manager... idk this one's another one where, I don't just want to make it a generic sports biopic, and I'm trying to figure out the clear narrative arc here? I mean, you can point to the end of 2010 and really lean into him choosing victory on-track over popularity off it. the problem with 2010 is that it does not work as a dramatic season, yeah sure with the magic of biopics you can hack at it to shit but also. idk. what are we getting out of it. I think for narrative purposes you want to maybe narrow in, and end it at the end of 2008, with the switching of the numbers this kind of moment of emancipation? but also! this feels like we're straying a bit too far away from the fun sports elements and I don't want to REALLY suggest all the ways in which you could mine jorge's personal trauma in a jokey tumblr post, so I'm gonna move on from this one

the problem is 2015 just straight up doesn't work as a jorge-centric narrative, except in a very kinda comic way that leans into how absurd his role in that season was. 2012 as a season is a bit... y'know, it's fine. okay it's mostly terrible, but that's fine too. but it doesn't have a great narrative hook. which kinda leads you to the problem that I do think the valentino rivalry is more... juicy from jorge's pov, because for valentino, jorge is just kinda? an obstacle? idk he's more normal about it, it's just his job to destroy the guy, you know how it is. but also 2009 does work better narratively from valentino's pov, like it's the build up to catalunya specifically you can dramaticise... idk though, I do love catalunya but my heart isn't really in this exercise because I think valentino isn't really being... challenged here? it's a title fight where he's fundamentally using a set of tools he's already perfected, to beat a guy he doesn't really give a shit about. when the italian press is down on him pre catalunya, it doesn't spark any genuine self-doubt - it's just a handy source of extra motivation. there's no epic highs or lows that season, not real ones. and yes I know I was talking about making valentino who gets stabbed repeatedly to cover up an infection a moment ago, but that reflected real EMOTIONAL truths!! I'm committed to thematic fidelity more than I am to literal fidelity

genuinely I think the best way to tackle jorge is with the jorge/dani parallel journeys... what, film? tv show? maybe show actually - you don't have one coherent narrative Statement per se but you're constantly charting those journeys in reference to each other, really rooting it in their respective points of views, no neutral detached cinematic language like I want everything to be very much written to be from their eyes!! going from one to the other and back again. and you're charting these different journeys, right, and how they both captured different flavours of like... emotional successes and failures. I think it's actually about failure, yeah, about having to accept there's something you can't have and might never be able to get - whether that's universal love or a premier class title or whatever - but Actually, that might not be the end of the world. and during this process, they go from being enemies to tentative friends!! guys who realise they can maybe actually understand each other better than they thought!! this real moment of interpersonal connection. you have all these media narratives and the managers and so on and the fact they're competitors as these built in reasons why they've just been pitted against each other from the start... but y'know, again, it is also just a bit about maturing, about being able to set that aside, about making your peace with defeat and failure as an element of growing up. you can't win everything, maybe there's something you really really really want and you're just not going to get it, but at the end of the day it's kinda... yeah. self-acceptance. idk this is the nice one

so with marc you can go several different ways here I guess, and again he's also perfectly decent sports biopic material, probably second to casey in that category like yeah sure do the comeback story. but also, we do already have a very good self-produced documentary about what he thinks the narratives of his career are? idk this is also just a personal taste thing, I'll leave him to doing all the injury stuff himself, I don't have much to add there. we'll get to the obvious one in a second, but I was trying to figure out if there were other places I massively felt like you need the cinematic touch. and, again, the 2013 season is obviously very exciting!! but also, you have it covered in.,,,, multiple documentaries, I don't feel I have a take their either? his rivalries with dani and jorge aren't really substantive enough to sustain a bit of cinema. dovi... I mean, what are you saying there? what's the arc? I feel like if I tackled dovi, I'd go somewhere else and really go all in with the ducati stuff, and make it a bit more... you know, stark, stripped back, basically just the emotional component of how much he gave to that project and how he managed to beat away one rival after the next and how it all ended up falling apart in a kind of anti-climactic way? he's also good sports biopic material, but in a way I think the marc rivalry is the bit of his story I have the least to say on. so eg, 2017 is a dramatic season, but he's also kinda fine after it? he always knew it was a long shot, he tried his best and he got really close and then he lost. you can't amadeus it because dovi isn't (fictional) salieri. basically, I think what I'm saying here is that dovi is too well-adjusted to feature in this post. though I'd totally watch a film about his 250cc seasons, like it's a bit annoying because HE is the underdog who loses both title fights to jorge, but it'd still be kinda fun idk. I wouldn't really know what to do with the material but if someone made the film I'd absolutely watch it

right then. the thing about sepang 2015 is... yeah, sure, of course you can do it, it already exists as a narrative but... yeah, what are you adding!! idk I always think when you're adapting something, you kinda need to have a reason for it? I mean, what are you doing that's not already there in the footage? idk maybe this is just a sign of having been a fan of this sport for one too many years but to me the idea of sepang 2015 can get a bit boring (or maybe just repetitive) where I need a new TAKE on it to really get into the idea of fictionalising it. like where's the auteur's touch y'know, what can I still add to this!! but it also needs to WORK for someone who is new to the story, which kinda just makes you want to tell the story straight.... y'know the story is strong enough and COMPLICATED enough to stand on its own and it IS good but I don't really have anything interesting to say beyond 'yeah sure that'e be neat'. I can't tell you why, but I also don't think the casey approach quite works here? the idea of providing a framing device with which valentino and marc can actually talk to each other... eh. don't like that. hm. okay wait actually I just turned it around in my head for... a while and I think I've got an idea to make the worst motorcycle racing film of all time. so, my central stupid film-making gimmick here is just. centring the fact we're completely reliant on a few guys and what they're telling us in making up our minds, and our removal from that story and the imperfection of their perceptions and so on. so I think you kinda make a point of... not actually showing the motorcycle racing? like, you always show it by showing other people watching it, you're showing the tv screen rather than the actual racing. even in the cinematic medium, you're centring the theatrical aspects, where you drill it down to just a few characters. valentino. marc. uccio. marc's fuck ass manager. maybe a crew chief or two. keep it limited though, all the others are kept at a distance - you're constantly focusing in on the same few characters. and very early on you basically just like... get them to fourth wall break by telling you, the viewer, with their actual words how racing works for them, what meaning they take out of it - and again it's this remove because we're never allowed to actually feel the racing for ourselves (no helmet cams), and it sets up that as the tragedy unfolds, again and again we're just hearing from them what happened. it's all zoomed in on how claustrophobic the entire situation is, like doing the race direction room after the sepang 2015 is perfect for that kind of thing, and crucially they're only ever addressing the audience because they can't address each other. but fourth wall breaks also obviously draw attention to artificiality! I realise they are very much like, lame gimmick central, but also are these men not inherently about lame gimmicks... idk it's basically the same story but at least it feels like a kinda interesting way of telling it. kinda trite, but cinema allows you to get to the point and let valentino actually play with the camera... so literally take it into his own hands and lead it around and tell the story from his point of view. and you can play with how they do both change in what stories they think they're telling, how they're constantly revising their own stories, how their stories completely clash with each other... like. make them literal narrators. that's my pitch

so. one interesting pattern that has come up with my approaches to these rivalries is that with the exception maybe of the 2015 stuff, I feel like I'm more naturally inclined to treat valentino as a narrative device and centre his rivals. a big part of this is that valentino is a fantastic narrative device. he's kinda. this looming presence in every narrative in this sport where you can just sort of use him as a sort of way to poke away at all these other riders. the monster everyone loves who you are trapped with. BOO!! he's gonna eat you! which is fun! but ALSO, crucially, several of these rivalries aren't that emotionally challenging for him!! again, with casey right, he wants to beat him, but he's not having a crisis of faith over losing to casey. he thinks casey is annoying, he wants to beat him because he wants to win. valentino is casey's foil, but casey is not valentino's. valentino makes for an excellent personal antagonist to casey, but the reverse just isn't true. casey isn't forcing valentino to reexamine his approach except 'ramping up the levels of being a dick on-track' - like, yes, that's a serious competitive challenge, but also valentino is very comfortable in his own skin in that rivalry. sure, you could have valentino have some kind of massive revelation about the casey rivalry, but like. he doesn't in canon. he changes his behaviour towards casey in pretty predictable ways depending on what the relationship demands from his perspective at any given time. there's nothing more there

now, obviously you know where I'm going here. there IS a rivalry where you can make the argument he changes as a result of it, there IS a rivalry that tips him over the line and makes him to do stuff he hadn't done before that, there IS a rivalry that happens to coincide with a period of his competitive life that challenges him both personally and professionally. now, look, I have already talked about the sete rivalry. you know what I think about this rivalry - and if you don't, I really already have told the story here and here and here and here and also here. I think this works perfectly well as a narrative in its own right, and it's one you can tell from either perspective... but you kinda need both. I think again you probably naturally lean towards starting it from sete's perspective and that first proper meeting (I mean, idk if it is their first actual meeting, but it's the logical obvious place you start this story) with sete giving valentino advice during his first 500cc test and valentino just, y'know, ignoring him and being a cocky shit and then crashing. so you get to see sete being kinda exasperated by the whole thing. also, obviously ibiza is like, a key framing device here, like it's the most obvious in-your-face way of tracking their relationship with each other. I don't actually know how often they partied there together, but it must have been at least twice and if the commentators are to be believed it must have included 2003. artistic license and you can add one or two more times, but mainly you want to focus in on 2003 onwards right. so you've got this 2002 one where it's, y'know, high point of their friendship and in the name of narrative efficiency, you establish here that sete is looking to make the honda switch. the emphasis is on how valentino has been winning everything but on the flip side you're getting the first insight into his discontent. and there's a bit of a vibe of, what could you possibly have to complain about? like you are winning so much? so it's late one night where they've had this slightly unguarded alcohol-fuelled moment of genuine vulnerability but in the end it's actually characterised by how... unsubstantial the link between them is, because they wouldn't talk about this kind of thing with each other and they might both be similar in some ways but also don't gettttttt each other. it means you can return there as a location in 2003, where you've just had sachsenring and valentino's dramatic loss but they're still partying together and it's like. obviously In The Air that not everything is quite right... their relationship is already gradually altered and twisted because you're introducing this element of actual stakes and competition (obviously in 2004 they do NOT spend that time together, as far as we know anyway, and you can show them being very much not together at ibiza as a very obvious Oooh Things Will Fall Apart and maybe already haveeee)

and I do think basically I've already said what I think the themes here are,,,, several times by this point, so I'm not going to belabour the point. I think all of this fundamentally works as a narrative with like, minimal massaging and rearranging of the elements for dramatic effect. it's all there already, everything from sete's arc with the [insert non-tasteless way of covering a real life tragedy that fundamentally alters the course of sete's career] and how that leads to sete becoming the challenger and how he does want to win and his eventual downfall. with valentino, you have the element of liberation and self-discovery and... well, growing into your own but also kinda having the narrative drawing attention to how 'growing into your own' can involve becoming a fully realised character who is essentially quite cruel? you have this kind of... build up, right, towards this moment of revelation, where you lay bare who these two people actually ARE at sepang 2004, and then again at jerez 2005. valentino has gone his own way, he has freed himself from the chains of honda, he has embraced individualism and the chance to define himself and his own legacy and stand on his own two feet and not rely on the strongest bike or all this stuff within honda where they chose him as their flag bearer, for better or for worse... like he comes to his own here! he takes the step from 'great rider' to 'legend' because he gets to this dramatic moment of stepping into the unknown, he takes this massive risk that could have cost him so much, and it ends up elevating him. but it also puts him under duress, and in that moment he reveals himself - whatever sete did or did not do at qatar 2004, EVEN IF sete did all that shit, what you are left with is valentino vowing to ruin this man. valentino uses sete to make himself 'better', to fuel himself as a competitor. valentino turns sete into a tool in his own story. and again, thematically you've got all this stuff about how sete was managing the image of the rivalry and how valentino took advantage of that - how sete needed it to remain respectful and valentino was completely willing to abandon that. like, you have two protagonists who really are similar in quite a few ways, who think they have this shared understanding with each other, but when it comes down to it? they end up being super painfully different

now I can go on about this and how to play it straight, basically, you can just do that rivalry and I think it'd be cool and fun and very easy to arrange in a good narrative way. BUT I've kind of already. done that. like I don't want to suggest a film that is basically a nicer version of my tumblr posts. so I want to take this in a slightly different direction, and I think what we need to consider with this rivalry is this: what if you made the curse literal? basically, what's always kinda charmed me about this rivalry is that the curse should not work and all the misfortune that befalls sete after that is so comical that it's kinda... what do you do with that? and the answer is you just lean all the way in. my pitch is this: what if valentino sells his soul to the devil?

so, you know faust, right, and you know the bit at the start of goethe's faust where god and mephistopheles are basically making a wager over how corruptible this one human is. and faust is like... he's kinda disillusioned, he feels that everything he's dedicated his life to in academia is fundamentally hollow, gets very close to committing suicide. and faust has gone a bit new age-y, gotten into all this mystical shit and he's got this pentagram that ends up preventing mephistopheles from leaving his presence in their first meeting... and basically what the devil can give him is like, the chance to attain some true pleasure, and for that faust is willing to bet everything - so if faust can just have that, then maybe eternal damnation is worth it. and look, I'm not going to summarise the entire plot of faust here and it does go off the wall a bit with all the gretchen stuff, but the point is you have this version of the devil who is fundamentally a cynic and is attempting to win an argument with god by making this human succumb to his own nihilism. and what faust basically does is like, abandon his normal life where he's trying to live by normal virtues and goes off on this journey with the devil. and there's this little moment where mephistopheles,,, pretends to be faust and takes on the role of an academic adviser (you know how it is) and seduces this random student away from the word of god and sends him down a wretched path, which ends with this bit:

like, a big part of faust's tragedy is supposed to be about... well, hubris, of the relationship of god to man, of no longer being afraid of the devil... and obviously, this is all framed very much in terms of religion, but at the end of the day it's also about, you know, having purpose - faust is living a life that no longer has any meaning to him, all of his knowledge and studies now no longer fill the void inside himself. his nihilism opens the door for mephistopheles, and is what makes him willing to accept the devil's terms. now, and I am so very sorry to goethe here, I think we have some material we can use here to explore the valentino/sete rivalry. obviously, you can't do a one-to-one, you need to get rid of some of like, the depression and all that - there were times when valentino was feeling 'a bit low' in 2003, but not 'faust thinking everything he'd done in his entire life was pointless' low, yeah? also, unless you want to do a real long view here and even then it can't really be justified, there obviously isn't really a 'tragedy' here from valentino's perspective. like, he wins! this isn't valentino's tragedy, it's sete's! I was being a bit facetious when I said he was 'selling his soul to the devil', and you can kinda parse mephistopheles' motivations in different ways depending on what flavour and what interpretation of him you're dealing with here. you don't 'damn' valentino, you essentially just turn him into a tool of the devil!

so, this is how this works out in my head: the devil works more broadly as the manifestation of competitive impulses, the kind of 'how far would you go to win' question as a bloke who shows up and literally talks to the characters about it (magic of cinema). he's also engaging with valentino feeling like his victories no longer having meaning, with being disconnected from honda and from the entire culture there and just feeling like he's going through the motions. there's this element of like... opening the door to what is essentially a journey of self-actualisation, bringing him closer to being a 'god' but also allowing him to fully come into his own and become himself. to win on his own terms. I reckon ibiza is my preferred narrative device where the devil talks both to sete and valentino there (separately), first literally as a mysterious stranger and then... maybe not? he's talking to them at times of their lives when they're not at ibiza and it's not happening there in the physical world and they both end up kinda having to confront they're dealing with some potentially malevolent supernatural entity. but the important elements of the devil is that a) he's not going to do anything the humans don't actually ask for themselves, and b) everyone knows he's following his own agenda and you should be careful of the requests you make of him. so it's kinda like... essentially, the backdrop of this rivalry unfolding is they're constantly being challenged to decide what lines they're willing to cross. which culminates at qatar... and maybe you do have sete making like. a teensy mistake. a teensy error in judgement, one that is both real and deliberate but he could not have known would get that reaction and instantly regrets. and valentino, who is I think inherently sceptical of the devil coming to offer to help him and maybe does crank out the pentagrams (remember, the whole point of faust is that he was too arrogant to be scared of the devil, or one of the points anyway), in a moment of fury does decide - no, actually. I will take that step. I will curse sete. now the thing is, dramatically this is a teensy bit tricky because when you're talking about being damned by the devil, usually the consequences are a bit more severe than 'not winning a motorcycle race again' (yes, you can get into how sete did also seem genuinely cursed after that, cf his ambulance/bus crash situation, but again we are flirting with being in poor taste in this tumblr post). but the thing is, right, you have to lean into the silliness here! qatar 2004 is inherently silly, a CURSE is inherently silly, like real life is already silly here! you have to engage with the people where they are, and for these athletes all this shit is so heightened that the emotions are full on. like, valentino would've sold that guy to the devil! and to him not winning another race is basically the worst thing that can happen

so, obviously, you get to do the actual curse stuff. curses are inherently campy fun, the devil doing curses is campy fun, getting valentino rossi to crank out the pentagrams is inherently campy fun. you get to play around with this, right, like you know that bit in the brno 2005 race commentary where the commentators are talking about how valentino might as well have a little radio to talk into sete's helmet to remind him of how sete had fucked up at the sachsenring. OBVIOUSLY obviously obviously it is just so... idk scrunchy and fun to have this idea of valentino becoming a malevolent enough force to literally do that.... like damn the commentators did kinda eat with that?? ughhhhhh do you ever think about sete leading the qatar 2005 race for most of the way???? like that's SO fucked up because you literally have articles from about the race going 'hey maybe sete can break his curse' and then the commentators are talking about curses having one year expiration dates but obviously they!! do not!!!!! there's one race where sete goes off track and the commentators are talking about how valentino will surely have smiled into his helmet like that's so fucked!! it's so fucked!! but idk I think basically you have all this creeping curse-y stuff and devil stuff and then you get this twist and then it just becomes misery zone for sete until you sort of. compress the timeline and have him retire without getting into what happened at the end of 2006. and valentino just relishing in all his very worst emotions. and you've got sete who was the better man after jerez 2005, who took the high ground again and again and again and it did NOTHING for him.... and then he's cursed and his career is finished and the devil has had his fun getting mixed in with mid noughties motogp. and now obviously this is inherently kinda dumb and corny and silly but it's the devil!! mephistopheles to me is allowed to get up to dumb shit sometimes, let him have some fun!! idk I like curses being literal idc

I think the obvious critique here is 'this doesn't really feel like it gets the message of faust'. which, yes, is true - and obviously the way narratives are structured, a satisfying resolution isn't 'well selling your soul kinda slaps, actually'. and my statement to respond to this argument is as follows:

this is essentially canonically what happened. valentino DID do something kinda evil and it DID work out 100% for him and it DID kinda slap. at least when you add in the devil, you're making explicit the bit where it is a little bit bad. also, is sports not inherently about selling your soul for success... the story of valentino and sete is essentially about how we are twisted by competition, how pretending that we don't wish ill to our opponents is inherently dishonest. it is about lifting a facade for something that is already inherently there in the souls of men. this is obviously inherently a deeply cynical stance, but this is also a deeply cynical story beyond all the fun battles and camp dramatics. the devil is a cynic and he is basically the point of view character of goethe's faust - he's the one who is positioned closest to the audience. sports is all about living out some of humanity's worst instincts in a relatively low stakes setting, which means we get a free pass to have fun with a deeply cynical story that goes 'maybe selling your soul to the devil is fine, actually'

do I stand by this stance? not really, but the whole fun of storytelling is that sometimes you can just be kinda mean. I think goethe would get it... you can tell which character he enjoyed writing the most

the OTHER way you can do this is centre everything around qatar 2004 as like,,, the mystery box element...... okay look I have now made two posts that go WAY too deep on the 'what really happened' element but I do loveeeeee the whole thing like I would just make a film about that very end of the season and we show it from all these different angles as different characters narrate what happened... like fuck all the riders I want to hear from whichever mechanic used the scooter... the gresini mechanic who gave evidence to race direction.... various honda higher ups the crew chiefs like this is jb vs juan martinez it's war!!! obviously you still have the same emotional/thematic hooks as the general rivalry does but idk I would have a LOT of fun figuring out how to structure that, I loveeee mysteries... maybe I'd write it as a mockumentary yeah..... this one's just fun

anyway. a lot of stuff going on in this post, huh! you can probably tell I didn't edit this much. my classic tell when I edit my tumblr posts is I remember how 'paragraphs' work. unfortunately all I have energy for are like. a bunch of rants about things in my brain. I think when tumblr tells you that you've reached the maximum number of characters per paragraph and you need to figure out where to put a break, it's probably a bad thing? on the whole, my stance is I don't have anything AGAINST mildly fictionalised versions, but for me I'm always more of a.... well I want to take advantage of the full specificity of the events as they happened or just come up with a completely original story. kind of person. I know this ask probably wasn't looking for my 'what if you bled out valentino as he's strung up above a red motorcycle' vision but yeah. with a lot of biopics I'm always a bit 'well you could just read about this couldn't you' like I need stuff to take some kind of a stance on the material it's using... all my stuff takes a stance. that's all I've got. obviously all these stances mean that basically none of these things could ever be made. and I know what I said above but if they called me up to write the casey stoner biopic script treatment, I would also do that. if you've actually read to this point, give me a shout - you're a real one and I love you