#I came here cause I was like

[poorly-drawn-mdzs]

Archery Nemesis.

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[temporary-tats]

Mon Loup

Please send help, Wenclair has taken over my brain.

Per usual, do not reupload without credit/permission. Thanks folks!

(My ko-fi, should you wish!)

[kristybluebird]

A flash and it's born, a flash and it fades.

A flash and it's born, a flash and it fades.

[kissingarthurclaus]

I just wanted an excuse to draw his pretty curls and pointy ears...🥺💖💘💖💘💖 also to show that Worrywart can be playful too once they're in a relationship!

Taglist♡: @me-myself-and-my-fos @tiny-cloud-of-flowers @sunstar-of-the-north @dearly-beeloved @adoredbyalatus @changeling-selfship @crushes-georg @miutonium @cherry-bomb-ships @rosieaurora @rejaytionships @sunflawyer @in-true-blue-love @tropicalgothships @little-miss-selfships @hotrodharts @cupiidzbow (as always let me know if you wanna be added or taken off the taglist!)

[crystalpallette]

so I finished side order recently

[jerreeeeeee]

okay so i was going to post a poll on peoples' interpretations of taako & sazed's relationship but i went and looked back at the transcript of the chalice episode and i can't even post a poll because i just can't think of enough options that would actually be supported by the text?

its very very clearly a predatory apprenticeship where taako is getting free labor from sazed in exchange for teaching him, and then sazed begins to feel entitled to an equal share, at which point taako shuts him down and speaks to him in actually a pretty cruel way.

taako 'hired' sazed to be a driver and assistant and "general roadie" and i think it's perfectly fine for taako to not want him to be performing as an equal partner, but also, he was clearly taken advantage of. like sazed's proposition is an equal split of both the work and the "glory" and presumably the profit, which is a fair suggestion, but also fair for taako to turn down. but also taako was exploiting sazed's adoration in order to not pay him for his work.

i don't think that equal partnership was something taako ever even let on could be a possibility, he's pretty clear in the conversation he has with sazed that it's not something he's interested in and he "doesn't wanna keep having this conversation." its definitely something sazed really wants, but i don't think it was ever promised to him, it seems like something he's thought of that he's bringing to taako, who immediately shuts it down.

and as unfair as paying for a lot of work with cooking lessons is, it seems like that's what sazed agreed to, and it's also worth acknowledging that even though this is an arrangement i would consider unfair within my own cultural context, it could be considered completely normal and fair in faerun, like similar to a blacksmith's apprentice or something

so i guess the only questions are what sazed agreed to and why, and whether or not taako actually liked him or was just mean to him all the time. idk its all very interesting on its own let alone when compared to taako's later relationships with angus & ren, but not really open to as much interpretation as i’d thought

[kenobion]

Andrew Garfield for Fandango

[frosted-woods]

i haven't read anything in 3 months. there are like 5 books i should be reading for uni. at least 10 things i said i'd draw first. my headphones refuse to work. my graphic tablet pen seems like it's going to die any second. i can't go to bed at humane hours. i think i ended up a little frustrated and with this guy all over my canvas??

oh and happy ace week. that's so swag.

[blackhholes]

teen wolf meme: [1/5] motifs -> fire

You find the girl wearing that necklace, she's your arsonist. Murderer. Excuse me? Arson happens to property. This girl's a murderer.

[ghostfiish]

Happy ten years to transcendence au and almost as long to Brian the organ duck! How time flies...

I haven't drawn anything for this au in ages but I did remake the 8tracks playlists on Spotify if anyone uses that. Before Brian shows up, imagine Dipper and Mabel are discussing songs to add to the answering machine playlist (which. that's. Did I mean hold music all this time? lol)

[velvet-games]

almost done getting rid of jetlag

[koobiie]

fanart for what may be my favorite fic of all time, Running Behind by @asidian! here's prompto enjoying all the foods from the fic beacuse he deserves it <3

[skitskatdacat63]

Fernando 2012 Chair Lore (source: me)

So I've been thinking a lot about Fernando sitting in this particular chair in the Ferrari garage in 2012 for [redacted] reasons:

Originally I just wanted to find more pictures of it for reference, and then went down a rabbit hole of 2012 pictures, trying to figure out when exactly the chair came to be. There's so many pictures of him in it, and it's so funny to me to imagine them hauling this super villain chair all around the world for him. And so now I'm obsessed with the evolution of it:

Pre-Chair - Australia to Bahrain:

He just had this little stool, well I should say big because it somehow still manages makes him look small. Clearly not comfortable; to paraphrase @sweatyflytrap, it's not conducive to his inner Shakespeare villain monologues

The Chair Appears - Spain

He suddenly now has this, aforementioned, super villain chair. Several things, why is it like this. It looks like a sim chair almost ngl. And then the weird plexiglass support is confusing me, like where did they get that. It furthers my narrative they just had this chair that they couldn't put in a car so they put that clear bottom on it. Anyways yes good, now he has somewhere to brood

The Chair Evolves - Silverstone

Look!! They gave him a booster seat!!!

The Chair is Now Here to Stay :)

I downloaded a truly horrible amount of pics him in this chair, so now you all must also look at them >:)

*he still had the chair in 2013, but I think they took it away from him in 2014 :( Is nothing sacred in this world??? I hope he got to take it home hahaha

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[front-facing-pokemon]

[cupidle]

zazie