#I am used to this shit tbh

[jesterwhoreknee]

Starting to realize you may be aromantic, talking it out with a friend you have been close with for years, someone you've been talking to every day for years, because you need help to figure out yourself and you aren't sure yet. Turns out that person is in love with you and instead of helping you out to find out who you are, they try convincing you that you aren't aromantic and when you point that out, they leave you throwing away all those years of a caring friendship 🙂🤌🏻

[upsidedog]

i was gonna do this meme with the original format then a much better came to mind

[inkskinned]

im gonna start a fight; and, at the same time, i need you to take this in the most good-faith way possible, but:

videos that involve body-checking and intentionally (and uncritically) show a mealplan of an unhealthy number of calories are just a revamped version of pro-ana food diaries.

and yeah, i know there's arguments. i address some of them under the cut. but at the end of the day, we're just coming back to romanticizing mental illness; we've just found a better platform for it.

this is already something we've done. we knew it was wrong and tried to stop it. and tbh. it just wasn't enough.

there are people who argue "well, what if you have an eating disorder, you can't help it if you don't eat!" except that as someone with an ED; we are not infants. we know what we're doing. part of having an ED is that you are like, maybe too self-aware. even if we can't help our own food choices, we don't need to fucking romanticize the disorder - something we've been warning you about since 2013. there are hours of setup, filming, and editing that go into these videos. they do not happen to fall into place randomly. there is a reason they are pieced together to be beautiful, bright, inspiring.

there's this woman who pretty much only posts daily plans under a normal amount of calories, and everyone defends her saying but it's better than nothing! and i'm like. except she opens those with images of her showing off her body and provides no context in the video or caption that suggests that she believes what she's doing is unhealthy. she has hundreds of thousands of followers on a platform designed for young kids and teens. i refuse to believe that by accident her content just happens to be cheery advice on "healthy" versions of starving.

for any other symptom of mental illness, we would be incredibly enraged by this kind of placid acceptance of a "tips and tricks" fast-start guide. imagine if people posted pink & pretty videos saying "best places to cut yourself" as if it was a fucking storytime. we, as a society, are so fucking fatphobic that we would rather accept blatantly harmful displays of self harm than admit that we are obsessed with a hyper-thin body type.

i am not suggesting someone never talks about their disorder. i talk about mine. actually, it's a plot point in my book.

here's the difference: i recognize it's a fucking mental illness. i am very careful to never mention a specific weight, eating pattern, or calorie plan. i always make sure to position it as something that ruined my fucking life. i do not put cheery music in the background and hearts and sparkles over my worst moments. i do not film it in bright light. i do not start each passage with an image of a thin body followed by "here's how to look like her."

eating disorders should not be framed as aspirational. and the problem is that society worships the "after" image, so long as you don't get too sick. there is a reason so many people who quit being "influencers" will later admit - i wasn't eating well that whole time; an obsession with food was completely destroying my life.

we let any uncredited, uncertified person write the most backwards, fucked up shit about how to get the body you desire! because the underlying, secret belief is: well, at least they're thin! and the real thing that fucking gets me each time - they make fucking money off of it. their irresponsibility and societal harm literally pays off for them.

"why do you care so much." "don't like it don't look." "so what if people experiment with new ways of thinking of food?"

thank you for asking. we're about to get extremely personal. it's because when i was 18 i discovered "thinspiration"/"thinspo." and it absolutely influenced, shaped, and codified my pre-existing eating disorder. i went from having some troubling habits and traits to being incredibly unwell within what felt like a matter of days. there were actual pages designed to train me on how to have an ED correctly. it was all so suddenly easy. i was sick; and the nature of the illness meant - i wanted to be sicker.

it takes an average of 7 years for a person to fully recover. i know this personally - even now, 10 years from the worst of it, i still fucking struggle. i am so much happier now and i eat what i want and i literally don't think about food at all (19 year old me would shudder) and yet - i still fucking know the calories of plain toast with butter.

an eating disorder is one of the deadliest types of mental illness. over 1 in 4 people with an ED will attempt suicide.

and i'm sorry. i just do not see the exchange rate of "high rate of engagement" versus "the value of a human life."

[senselessalchemist]

Bow problems (+ other nonsense)

[multiversal-pudding]

I still wonder…

Like. Seb’s document said he broke out while he was being transported

where was he being transported *to?*

Were they just changing where he was contained in the Blacksite? Doubtful given he was still given free enough reign to work on equipment during that time- he probably could’ve just moved himself, maybe with guards

Was he going to another site entirely? It’s implied Urbanshade has multiple sites even if Hadal is one of the main ones-

Were they going to sell him off? I mean- Urbanshade has a history of putting anomalies up for auction, both the Limited Time Imaginary Friend document and the Abstract Art files mention them selling off anomalies they don’t have a use for that aren’t something worth Neutralizing (or the other way around, too useless to sell), we know there’s other companies out there who’d probably have Use for a giant mutant- likely things that wouldn’t be good for him either like some kind of military use/Rich Weirdo Collector type stuff also

Did he even know? He waited 10 years to enact his plan- was it just the first chance he got, or did something happen?

[biracy]

I can't remember if I've posted abt this before but regardless: I'm sorry but I really and truly cannot get behind the idea that there is any wide-scale societal "pressure for trans men to be feminine" or "to be twinks" or whatever. You are either conflating a very small online community's beauty standard (usually some kind of transmasc pseudo-appropriation of "femboy" aesthetics, which yes, are often Bad and regressive and fetishized and etc.) with Mainstream Society, or confusing society not wanting trans men to transition with "wanting trans men to be feminine", which are certainly not the same thing. Ultimately if a cis person believes there is any validity to the concept of being trans (i.e. not a Posie Parker-esque "there's no such thing as a trans person" type), they are more likely to think that trans men should be like as masc and buff and hairy as possible or whatever bc that's what cis people think men look like and it's easier for a lot of people to recognize someone who Looks Masc as a man. It is difficult sometimes to see derision of trans guys who are Too Feminine and Not Hairy Enough or whatever (which is not always something someone has control over btw) as anything but "this is Skye who I think is a confused little girl because Skye does not pass" slightly restyled for 2023 "filthcore fagdykes" or whatever lol

[spirit-meets-the-b0ne]

The thing that Targaryen antis either don’t or can’t understand is that in spite of all the discussions, discourse and arguments (& moral conjecture): I simply love dragons and mentally ill women with great hair sorry if you can’t relate

[pleasedontcareaboutme]

It's missing my father hours rn so imma just dump a bunch of pictures here and cry

( sorry i don't know the source of anything I just had them on my phone)

(also dont read the tags i just need to let it out lol)

[bonetrousledbones]

Can you tell us your the reasons for why you like Papyrus? (I’m sure you’ve did this before xd, but I always enjoyed rambles about Papyrus. Hope you’re well!)

oh it is 100% his whole loneliness thing. growing up i was a chronic friend group hopper all the way from kindergarten to 8th grade and then by high school that didn't work anymore so i just kinda didn't have any genuine friends for basically that entire 4 years. so hyperfixating so hard on a character who's basically completely centered around that struggle helped me feel a bit less hopeless about it. the funny thing is i think pre-undertale papyrus actually had more friends than i did back then but like its the little things

that's why this fic that i'm gonna plug again hit me so hard tbh. shit sucks when you're trying so so hard to be friendly and engage in other people and then you get to a point where you have to realize they're not at all interested in returning the favor, even if they're not overtly rude about it or anything, they just don't care to get to know you any deeper than surface level convenience and it gets real hard to not let yourself get angsty about it lmao

i do think that while sometimes i wish i hadn't been given such free internet access as a kid i'm still really lucky that i was able to be exposed to undertale when i was. it's such a unapologetically hopeful game that i'm sure it absolutely impacted the way that i think about things today in terms of optimism and the ability to turn bad situations around, and papyrus plays a huuuge part of that entire message. if it weren't for him, i'm honestly not sure if i would've had the drive to keep trying to connect with other people even when it didn't work for so long.

so tl;dr thank you funny little skeleton man for constantly reminding me that making friends is still possible even when your demeanor is frankly weird as fuck. sometimes you just gotta keep truckin until you find your people even if it takes a while

[unforth]

Ngl as a small business owner who puts out something extremely pirate-able and who has never earned enough to make a pay check, this...

...is extremely upsetting.

Do y'all realize that most small business are maybe a handful of people? Do y'all realize that company's like LLCs exist to protect owners from legal and financial repercussions if the company falls apart? I'm not a company because I have stockholders, I'm a company so that if the business goes bankrupt the banks can't seize my fucking house. It's not evil to use existing legal structures to protect my family's assets. It's not unreasonable to ask people not to steal from businesses like mine.

It's like on Tumblr when it's One Artist or One Author Doing The Thing Themself you guys are all about it but the minute anyone tries to collectivize to do better we go from One Person Against The World to The Embodiment of Capitistic Evil with no in between, which is especially insane coming from the website that claims to think individualism has turned toxic and we should do more with community organization. The minute lots of people are involved in a business, there HAS to be legal structures like contracts and shit to protect the people involved. The Lone Creator Forging a Path is great for that one person. What about everyone else?

And so... some of us try to make a company to lift up a group.

And then I see shit takes like this.

Maybe. Maybe DONT fucking pirate from literally anyone just cause they've got the word "company" I'm the name?

Maybe remember that for small businesses, yes even when they're a company, there's a single person, or a family, or a group of friends, who are working their asses off to build something, and actually? Stealing from them makes you a FUCKING DICK.

Like. You realize we're just people right? Other regular people trying to survive the dystopian hellscape that is the now?

Maybe stop acting like you're automatically entitled to the labor and creations of others solely because you've decided that there is an entire huge category of people it's okay to steal from.

Like honestly. What the fuck.

[wickjump]

just so you all know i am just straight up never going to be cool or perfect ever. im always going to be lame and a bit weird at times and im going to fuck up SO many times actually. i am also going to be a pussy and not stand up for shit, so please don’t get mad at me online ever cuz i cant assure you that if that happens i won’t delete every trace of my existence and never go online again out of fear

ok thank u!!i see people expecting wayyy too much of other people online and like…im not the person you wanna expect anything of. you all build an opinion of me that’s like 10000x better than the actual me and that’s great I’m not complaining but my line of good takes is going to end one day or another because i cannot believe ive gotten this far, and when i make a bad one i need you to not get mad at me thanks

[qiu-yan]

in MDZS the novel, the innkeeper in Yunping mentions that people are too scared to go petition Yunmeng Jiang for help because someone once walked in on Sect Leader Jiang whipping a guy in the main hall, supposedly because the guy was a demonic cultivator.

[thisheademptyyeet]

The new LN lore just dropped

[greasydumbfuck]

thinking about frank and sex (in a sad way)

[everythingisawayoflife]

just rewatched the episode of justice league unlimited when circe makes bruce sing “am i blue?” in order to turn diana back to normal and my sappy little brain is now thinking of bruce singing his boys lullabyes.

like think - a nightmare of dick’s gets too bad. he watches his parents fall to their deaths over and over and he can’t stop it. he wakes, screaming, and bruce dashes in and is caught off guard when dick’s sobbing into his pajamas. it’s the first thing he thinks of so he hums, low at first, but then he starts quietly singing the lyrics to some lost jazz song from the great american song book as he holds dick and within those three minutes, dick’s out like a light.

then comes jason. he gets a little too reckless in the field and he’s got himself an injury, a pretty bad one too. normally he sucks it up and takes the pain on like nobody’s business but maybe this one is just a little more painful. he’s just too tired and is now just an exhausted kid who’s emotionally overwhelmed. and he cries. cries like he’s never cried before. he’s in a lot of pain and wants it to stop. but then comes bruce with his gentle melodies and deep voice and suddenly the pain isn’t so bad anymore.

(thinking about how after the whole death and revival thing and maybe jason and bruce are on shaky terms and while he’s not exactly clamoring to be with bruce, he buys himself a dandy little music box containing a song a certain someone use to sing to him and the first time he hears the melody, he sheds some silent tears. he listens to it any time he just needs to be calm. don’t tell bruce)

or there’s tim who doesn’t no when to say no (to staying up late, that is). three, four days go by and he’s still at a case he can’t just crack. he needs to sleep and he knows this but he’s this close. eventually he can’t keep trucking and he passes out all over his assortment of files and clues. he’s found drooling on one file and bruce resolves to just carry his kid to bed. he starts humming snd singing while he helps an unconscious tim get ready for bed. what bruce doesn’t realize is tim woke up when he felt the altitude change of being carried. bruce’s singing voice becomes one of tim’s favorite sounds in the whole world and he resolves to hear it anytime he can.

then we get to damian. he’s in a new environment, he doesn’t really trust much. then the unthinkable happens: he gets sick. its so remarkable cause he’s never gotten sick before. or, at least had someone to care for him. it’s some pesky little flu bug but it hits hard. he tries hiding himself away, not wanting to be seen as weak. in the middle of the night, he throws up. it hurts like a bitch. his stomach pushes but there’s nothing left to give. damian finds he can’t stand and bruce finds him. damian tries shooing him away, he doesn’t want to be seen as weak but eventually he just stops. he’s tired. he throws his head back down in the toilet and bruce lays a hesitant hand on his son’s back. when he’s not pushed away, he rubs soothing circles. again, he’s not dismissed. then, he sings. through the blood pounding in his ears, damian hears his father’s voice above the noise. it helps quite a bit.

that got longer than expected. i will now be listening to “am i blue?” on repeat. kevin conroy you are so loved and so missed.

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.