#I am not kidding with any of these

[zeemczed]

Silly Game Time: Do you often remember your dreams? What's a dream that you do particularly remember?

Myself, I almost never do. But I do remember one where I wandered around an empty, medieval city wearing a tailcoat tuxedo and carrying a yellow rose.

I am a prolific lucid dreamer, and I have found many, many, many repeated places.

The City on Three Bridges, spread across three islands and the mainland, the roads on the islands and the shore too steep for any car to reasonably climb - and yet they do. There is a convenience store at the highest point of the hill approaching the City. Half of it is a restaurant, or was. The booths have been shoved together so tightly that no one can sit there anymore, just for storage. There is no candy there, but there are bars of pickled onion. The owner is unseen; you simply leave the money on the counter.

The Badlands, a desert that stretches an infinite way into the distance, all the buildings dilapidated and burnt out. The natives never speak, wearing heavy winter clothing that conceals all. If you feel something in your skin, look for slits, places where the things have burrowed in. You may have to remove them by hand. Water hurts them, the surest way to dispose of them.

The Game Shop, which has been there forever. You can buy 3.5" diskettes with new levels and classes and stories for The Game. The girl who works there acts hard and stoic, but she is a soft touch underneath it all. She does enjoy swapping stories.

The Neon Wastes. A discount Las Vegas to be walked on foot, with cracked remnants of parking lots between them. No one uses cars there anymore, so they just built new neon edifices over top of the parts of the lots they wanted to. The games they play cannot be reasoned out, only played and understood. Do not play Albedo. You will lose. You will lose parts of yourself. You will not be able to stop, no matter how much of yourself you lose.

The DIY Carnival. They can't park themselves anywhere legal, so they put it in the back alleys in the slums. They've made the rides themselves. They look like they should kill, but no one is ever hurt. The most popular is the Guillotine. It is a cart on an 80 degree chute. You are put on it, hoisted up to the top, and dropped. There are no brakes. And yet, no matter how far you are flung when you crash, you are fine. The clowns are scruffy, yet beatific. They are not demons, but angels, servitors of a higher power. No innocent may come to harm while they are there, and no one who would harm the innocent may live. Long live the Whiteface. Long live the Hobo. Long live the Tramp. Long live the Auguste and Contra-Auguste.

[what-am-i-doing-in-this-fandom]

MOREE because I actually can't stop, guys help

Anyways yeah the portal thing still happened in this universe 🙏 now they can live together for 30 years fixing it! Hooray!!

Previous!!

Next!!

First!!

[akanemnon]

So THAT'S where he is!

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[nova-rpv]

death leech shadoo.....

design by @galaxylover06

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[k0mmari]

SYSTEM! SHEN YUAN AU

Okay, look, I've head a System SY idea for a while now (in fact, some of the ideas for this were used when I was first planning out Locked & Loaded), but after seeing @/artsarasp's System!SQQ AU, the brainworms have been once again come alive and I just need to get this out into the world. This is a very bare bones idea that I (probably) won't actually write, so walk with me for a second! Also this is going to be a very, very long post.

In this idea, the System actually is an interdimensional organization that deal with creating new worlds based on stories and making sure these worlds continue working as intended and (eventually), sending transmigrators to worlds that need 'improvement' (this improvement being very subjectice depending on which worker is assigned which story).

In SY's case, he's just someone who usually works behing a screen, in the most exciting cases he gets to guide transmigrators around but most of the time he just makes sure the stories 'code' is running normally and nothing world-breaking is going on in the stories (like someone managing to find a hack to skip defining plot points, or activating God-Mode somehow). He's very happy with this arrangement, btw! He was never one to run around and his boss has warned him once or twice for apparently being 'way too harsh' on the few transmigrators he got to be a System for.

Unfortunately, one day he is assigned to 'manually inspect' a world because a certain co-worker of his (Shang Qinghua) had been sent down there to handle a glitch but had gone missing instead. When SY asks why was he being the one asked to do this (not that he doesn't care for his friend, but he REALLY isnt made for running around), his boss says SY is the only other one who is familiar enough with the world to not get lost.

So that's how he find out SQH had managed to get himself stuck on the world he created (as a joke even, he hadn't even expected that when he was messing around with the company's program he would actually be able to create a new world based on the shitty novel he'd written as a human). And of course, SQH only having one friend, subjected SY to the story.

SY grumbles and denies ever seeing anything about SQH's story (or liking it, even if his boss kindly points out they never mentioned SY liked it) but eventually he agrees; and that's how he finds himself being teletransported onto the world of PIDW, carrying a pair of Debugging Sheers he'd never thought he would have to hold (he calls them Big Scissors), with the mission of finding SQH and dealing with the glitch that was still somewhere in the world.

Though, when he goes to message his supervisor about the specifics (where he should go or what was the last known location of SQH), he finds out that his Personal System has apparently already been affected by the glitch ("ALREADY??") that he was realizing worked more like a virus. Fortunately some messages were still going through, and his supervisor notified him they couldn't send him directly to the location he needed to be, specially because the virus seemed to have fragmented and spread to various parts of the stories timeline. SY now has to jump around through time a few times and slowly cut doen the glitches caused by the virus.

Thus begins Shen Yuan's Great Narrative Haunting (in real time.).

Luckily, for him, the place he first appeared was already one of the spots the virus has infected the world, and it seems to be in a town not too far away from him, so with a quick activation of the 'Ghost Mode' function (avaiable for all System staff to make it easier when they have to manually fix something, making them invisible and untouchable), SY heads to the town.

The glitch actually doesnt take too long to find (it was a buggy tree clipping onto a nearby river, which only needs a snip of the Big Scissors to disappear from reality), but when SY and passing through the town to find some better signal for his Personal System so he can jump forward to the next stop, he sees a group of snickering kids leaving an alleyway. A bit curious, he passes by the alley and barely manages to see through the pouring rain and spot a trembling figure on the floor. Of course, PIDW was never meant to be a happy or forgiving world, so SY is not surprised at the idea that some kids were bullying a smaller kid, though it still makes him upset.

He kneels close to the child and turns off 'Ghost Mode', pulling out an umbrella from his inventory (yes, System staff ALSO get an inventory, no one wants to have to carry aroung those big ass scissors), covering him from the rain. The boy is shaking from the cold, and even if SY can't check the boy's identity (since his system is still buggy), he reasons the probability of him coming into contact with an important character is very small, and even if System staff aren't supposed to interact with characters, he limits himself to at least getting the boy out of the rain.

Luo Binghe later wakes in a bench underneath a small shop's roof, covered in a thick cloth, having no idea how he'd gotten there besides the vague dream (or memory?) of a strangely dressed person patting his hair and taking him into their arms. He notices the rain has stopped and he's perfectly dry. Shen Yuan, seeing the kid seems to be doing well, finally jumps to his next location.

It doesn't take long for SY to figure out where he is when he loads onto the next mission location, in fact, he's almost certain he'd recognize the bamboo forest and calm, almost dream-like atmosphere of Qing Jing Peak anywhere. Seeing there that Qing Jing even exists in the first place, he deduces Binghe is still not emperor, so this time he makes sure to not be seen by any characters. It also doesn't take for SY to find his next target, as a commotion behind him catches his attention.

And oh, if he isn't familiar with the scene. A few older looking disciples push around a smaller looking boy, while a girl insistently shouts for the leader of the older disciples to stop. SY barely managed to appreaciate how Luo Binghe looks so cute as a child before (who he assumes is) Ming Fan snatches rips an amulet out of Binghe's neck. It's quite the heartbreaking scene to watch live, poor Binghe fighting for the only remaining piece of his adoptive mother without even knowing he's destined to never see it again. SY's Personal System may be buggy but it's still functional enough to detect if SY has a direct impact on the main storyline, so SY is basically forced to stand still and watch.

Though, since he had a clear view of the whole scene, when Ming Fan throws the jade pendant into the forest, SY can perfectly follow the arch of the necklace and sees where it landed, which is when an idea pops into his head. Distantly hearing Luo Binghe and NYY frantically searching for a necklace they'll never find, SY spots where the fake jade glimmers high up on a tree brench, though it's glimmer is distorted by the distinct sight of a glitch corrupting it's form. If SY were to follow standard procedure, he'd just have to bring out his Sheers and snip the necklace out of existence, but looking at it... Would it be so bad if he debugged the necklace the longer way?

Besides, if Binghe has the necklace or not, it's not like this one item is going to interfere with the major story anyways. SY isn't stopping Binghe from falling into the Abyss, he's just... Returning a lost item to it's intended owner.

Later, after an exhausting afternoon of what seemed to be searching through every nook and cranny of Qing Jing Peak's surrounding forest, Luo Binghe goes back to the shed he sleeps in utterly defeat and feeling strangely hollow; that is, until he opens the door and finds a new, thick blanket neatly folded in the middle of the shed, way too clean to be anything he had previously owned, and atop of it, his precious jade pendent, sitting there as if it never even dissapeared. Luo Binghe distantly notices that nobody that visits the shed ever lets the door closed after they visit.

The third location SY goes to leaves him no time to acclimatize, as he's immediately attacked by a beast, and only after (struggling to) kill it, does SY notice the unfortunate situation he was placed into: the Immortal Alliance Conference. By this point, he's already figured out his Personal System is most likely using Binghe's energy as Protagonist to make up for the energy it can't use due to it being partially corrupted, and the energy it needs to save up so SY can go back to the System's head quarters, so it really wasn't a surprise that he would be sent to this specific plot point, but dammit can't he avoid having to be near the place where his favorite character is thrown into hell??

And, well, there's also the problem that a beast attacked him, which meant it saw him, which meant his Ghost Mode was also glitching out, and after fiddling around which a half functioning System interface, it seems that the presence of the virus here is stronger than the other places, though still not the biggest chunk. Truly, just the cherry on top of his situation that he'd have to scurry around and somehow manage to not bump into anyone.

As is his luck, as SY tries to head closer to where his System is signaling the glitch's presence, other monsters continue attacking him, which besides slowing him down a considerable amount, it also causes the risk of him being picked up by the people watching the Conference through the Spirit Eagles circling the area, which is the last thing he needs.

Eventually he goes to the closest spot he can to the glitch, but a snapping sound behind him sends him into full panic. A person stands behind him, which leaves SY wondering how he managed to miss someone sneaking up on him like this. "You seem to have dropped something." the person says, and SY eyes immediately fall to his body, scanning himself to what he might have lost, and his hand basically flies to his throat when he notices the tassle that is usually nestled there is missing. He quickly turns around, only to come face to face to the golden protagonist, mister Luo Binghe himself.

Binghe tries interrogating SY as to what he's doing, sneaking around the supposedly sealed off Conference grounds, and SY, in his panicked state (slightly fuelled by a fanboy-induced craze) tries to fumble for excuses, but only when Binghe finally understands that the feeling he gets when looking at this strange person is an undeniable sense of deja-vu and tries asking SY if they'd met before, a loud rumblind shakes the ground: the Abyss has opened.

SY feels even more panicked, cause what this means is eventually, not only will he be discovered by Luo Binghe (his supervisor is going to kill him), but he could possibly be discovered by Shen Qingqiu, of all people! He doesn't get too much time to think about his grand escape however, as a piercing shriek comes from the Abyss rift. Right, how could he forget about the Black Moon Rhinoceros Python? And-- Oh, of course! Of course the damn thing would be virus-infected object!

After teaming-up with Binghe, the both of them manage to subdue the monster long enough that SY managed to snip it, though while they both catch their breath, SY belatedly realizes he just helped Binghe fight with the monster he was supposed to fight. Alone! The monster who was supposed to break his demonic seal! And, like clockwork, he can distantly hear what can only be SQQ's hurried steps through the forest! FUCK!!

With no other option, and Binghe now wanting to continue his interrogation, SY hurriedly start to walk towards the Abyss rift, frantically giving Binghe tips about what he could do in the Abyss to have an easier time, though when he catches a glimpse of green robes between the trees, SY types something on a floating screen and jumps backwards, Binghe letting out a shocked scream. Unfortunately, the protagonist won't be able to do nothing about the seemingly insane and way too familiar man who just jumped into the Abyss, as a rustling sounds behind him, and he's met with a newly regenrated Black Moon Rhino.

SY feels horrible about spawning a new one after Binghe just finished fighting one, but the story must continue, and with his Personal System finally free from most of the virus corruption, SY leaves one last gift as an apology and warping away before hitting the Abyss' ground. Later, when Binghe wakes up at the bottom of the rift after being pushed by SQQ, the first thing he sees is a qiakun pouch, full of useful items and tiny note at the bottom that reads 'Sorry!'

Pt.2

Pt.3

[ratbastarddotfuck]

if you're a white person taking pleasure in the idea that Trump voters of colour are experiencing racist violence from white trumpers because "they got what's coming to them" I don't think you're anti-racist at all, I think you were just waiting for an acceptable target, and you're also fucking weird.

Bad Person Deserves Punishment For Their Sins give me a fucking break and get yourself out of the fucking catholic church. you're all prison abolitionists until you see someone you don't like.

[poorly-drawn-mdzs]

The dog days are over.

[First] Prev <–-> Next

[ninja-knox-ur-sox-off]

Was struck with a truly silly non-serious AU idea in which our resident jailed Great Sage gets befriended by a little gal sometime after Guanyin stops by to inform him of the journey.

She keeps him company until the Tang Monk arrives, by which time she’s a lil wrinkly and, since she has outlived most of the people she knows, Pilgrim Sun decides to bring her along!

Cue old lady grandma shenanigans mixed with classic jttw shenanigans wherein Pilgrim Sun will fistfight yaoguai with a grandma on his shoulders.

I like to think he calls her either great-granddaughter (zēng sūn nǚ) or little sun.

Part 2 Part 3 Part 4 Part 5

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[xxplastic-cubexx]

[right to left]

finally finished This Wip from Ever ago and so now i ask you ever look into another dudes eyes and suddenly want to do whatever he wants

[akanemnon]

I thought this game didn't have random encounters!

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[thetisming]

amatonormativity: a romantic partner should be the most important person in EVERYONE'S life

NOT amatonormativity: MY romantic partner is the most important person in MY life, but i understand this is not the same for other people

allosexnormativity: EVERYONE should have sex and sex is something EVERYONE needs/wants/should want

NOT allosexnormativity: I PERSONALLY enjoy sex and love having sex because it makes ME feel good, but other people dont feel the same and that's okay

platonormativity: having friends is important for EVERYONE and EVERYONE needs/has/should have friends

NOT platonormativity: having friends is important to ME and I PERSONALLY love having friends, but there are people who dont and theres nothing wrong with that

faminormativity (is that the word?): family is important for EVERYONE and EVERYONE needs to have their family

NOT faminormativity: family is important to ME and I PERSONALLY need my family with me, but other people dont feel the same and i understand that

lovenormativity (again, not sure if this is a word): EVERYBODY feels love and there's something wrong wiith you if you dont

NOT lovenormativity: I PERSONALLY feel love and love people, but not everyone does and that's completely okay!

NOT amatonormativity: i dont have friends/have any desire to have friends, i am happy with other relationships/no relationships at all

NOT platonormativity: i dont have any desire to be in a romantic relationships, and i am happy with my platonic relationships

NOT allosexnormativity: i like hooking up with people and having one night stands or friends with benefits

NOT faminormativity: i care about my family deeply and am close with family members

NOT lovenormativity: i feel love for people i care about

it's not normative to personally enjoy something, so long as you respect that other people simply arent like you and aren't going to like the same things as you. taking down normativity is a two way street, allos and aspecs need to do it. support your local aros, aces, apls, afams and other aspecs today! remember to challange all normativities, and to not enforce other normativity by saying how bullshit other normativities are!

nothing is universal. romance is not universal. sex is not universal. friendship is not universal. family is not universal. love is not universal. nothing is universal.

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)