#I also have some idea from another fic

[sirbird]

Sorry y’all just wanted to draw my sona :>

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[eri-pl]

You know, what else would be hilarious?

You know, in AtLA the "Ember Island" episode? The one with theather? Imagine: After Doriath, the remaining Feanorians (M&M, A& maybe A depending on what you prefer) go spying among the refugees in one or another city (no, IDK how Maedhros is not recognizeable, elven illusions, ok? Maglor does it) and there is a theatre and it does a play about Feanor and his sons (mostly about the sons) and it has the budget of a Czech musical and historical accuracy of the Amazon series.

Most of the men are played by girls (because boys and adults are mostly dead or fighting), Maglor is the main character, portrayed as weeping all the time and talkieng about hope (see: Katara in the episode) and hating his brothers (also, a strong suggestion that he's actually Fingolfin's son). Maedhros is portrayed as an orc-like monster but also has a lot of evidently artifical muscles which he flexes all the time in a flirty way. Celegorm is shown eating people, beating his dog, and still somehow is a comic relief. Curufin is played by the same actor as Feanor, only wearing heels (yes, they do the "short Feanor" thing) and is basically the same character, only he screams less and speaks in whole sentences (yes, they somehow make Feanor dumb). Caranthir is somehow turned human to marry Haleth (who is an evil witch). Amrod and Amras are one character.

Oh, and the actor playing Maglor cannot sing well (for an Elf at least).

And they need to sit there unnoticed in order to gather information about the Silmaril later, or something.

[rearranging-deck-chairs]

Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me

oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?

i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had

what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism

but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"

because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison

if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will

i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling

and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?

i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.

but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it

and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself

sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla

[sysig]

He was a human pirate, which you wouldn’t think you’d have to specify and yet (Patreon)

[orcelito]

I'm at the painful "confession" scene during the kage summit arc. It really is so emotional, but also... hm.

When I was younger, like 13 or so, I was a big Sakura and Naruto shipper. They were the first pairing I read fanfic for even. And in a way, I do still enjoy the two of them together... but it's moments like these that really drive home the fact that it Doesn't really work in canon. Not the way that it's set up.

As Sakura puts it, "Sasuke, Sasuke, Sasuke! That's all you think about!"

She's told that Naruto has feelings for her and decides to use it to convince him to stop going after Sasuke. She does love him, but not in the way she's trying to confess. The love they share is one of comradery, not necessarily romantic. The love of two people who have gone through such pain together, and who have leaned on each other throughout it all. And the fact that she's turning around and saying she loves him "simply like everyone else", now... it's trivializing. And the fact that she's trying to convince him of this, the fact that she thinks she Can convince him of this, is pretty hurtful. They've come a long way from when they were kids, Naruto the goofball vying for her attention while she yelled at him for being stupid. Sakura respects Naruto so much more than before, and Naruto respects her too. So the fact that she's still doing this... She's desperate, really. She thinks the promise he made to her to bring Sasuke home is what's driving him to let himself be hurt over and over and over again in the pursuit and protection of Sasuke.

But she's wrong.

That may be part of it, but it's only part. Naruto wants Sasuke back for himself, too. He let himself be beat up to avoid selling him out. He chases after him with single minded determination. Sasuke is his entire drive to get stronger, to catch up, to bring him home. Sasuke, Sasuke, Sasuke indeed.

As it is, Naruto knows she's lying to herself. And no matter what she says, he will keep going after Sasuke. Because that's just the person that Naruto is.

[dirty-bear-rick-sanchez]

I had a dream that we had an episode where we met Birdperson’s parents and it was confirmed that in their culture it’s normal for entire families to share a bed and I was so excited to come on here and talk about it and write a Birdrick ‘there was only one bed’ fic where Birdperson and Rick get a studio flat together to save on rent

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D

[teecupangel]

I keep thinking about Desmond, our fave isekai protag, getting dropped into baldur’s gate 3. Only, per one of my favorite isekai tropes, as a no-name NPC. As one of the Sharess’s Caress escorts? As one of Astarion’s spawn?? Basically him just being Tired Of This Shit and trying to avoid the plot but of course that’s not going to work lol. I haven’t even decided if he would be a romantic interest for the MC or a companion or anyone, or what his class would be. But ugh his isekai potential too strong.

His isekai potential is too strong.

If we want Desmond tired of everything and just want to avoid the plot, I personally would put him somewhere safe-ish? Desmond is the type of person who wouldn’t turn a blind eye to atrocities if it smacked him on the forehead so the best way to ensure that he stays away from whatever plot is happening is by making him an NPC in a more or less stable area where he would feel like other more knowledgeable and experienced with all these ‘dungeons and dragons’ (they have magic, holy shit) got this. That would point us to someone in Baldur’s Gate before Act 3. This way, Desmond would have his peace and quiet until the party starts doing their thing and Desmond stop being able to turn a blind eye on everything and he’s ‘forced’ to assist this party of… well… interesting people

As for his class, well, you can go for the class I’m going for with my playthrough of BG3 as Desmond. I made him multiclass Rogue (Thief) and Ranger (Gloomstalker), with a little bit of Bard (College of Swords), specifically:

Rogue Lv 4 – Thief (because Thief’s skills are more all rounders than Assassin’s)

Ranger Lv 5 – Gloomstalker (more stealth options, Dread Ambusher is our Assassin skill lite and lv5 has extra attack XD)

Bard Lv 3 – College of Sword, more on the side of Desmond being good in being seen as ‘non threatening’ but his spell list is more on the side of support than actual damage.

If you want to keep him in one class only, making him a Thief (Assassin) would make the most sense with the hidden blade being more or less his one shot kill weapon, although in terms of gameplay that’s kinda like making him a “best in first round only” kind of deal. The multiclass above is the ‘compromise’ I made to have Desmond be more or less in line with his setup in Assassin’s Creed.

Of course, if you want to have fun and make Desmond suffer (affectionately), you can make him a Warlock with a pact with an unknown Great Old One. This would add a layer of mystery to who had ‘helped’ Desmond be pushed into Faerun and we can hint that the Great Old One is:

Isn’t actually a Great Old One but one of the gods but Desmond’s otherworldly-ness and his lack of ‘worshipping’ stopped him from being a Paladin or a Cleric and pushed him into Warlock territory

Is one of the Isus from his world that had escaped into Faerun (or somewhere close by) but, since that Isu is a deity from their world, the Isu is counted as one of the Great Old Ones (which sounds a lot like “Those Who Came Before”)

Desmond’s patron isn’t one entity but a legion, using some kind of system to support or affectionately bully him at times if and only if the legion reaches a majority vote. Desmond technically has multiple access to ‘Wish’ but it’s more of him asking help from the legion and hoping many of them would give him what he wants. … and, yes, I am basing the legion on the whole “Desmond’s patron is us” idea I have XD

Even if Desmond isn’t a magic class, I think he’d have a few scrolls with him, mostly support spells like Invisibility, Fly and even Enhance Leap (also Speak with Dead and Speak with Animal) with a few attack spells that he uses as distraction most of the time

Sidebar: I’m not sure if you mean Astarion’s spawn as in we’re setting this after BG3 with Astarion having ascended and making Desmond his spawn or if you meant Desmond is a fellow Cazador spawn, either way, we’ll have to find a way for Desmond to escape his sire’s thrall if that’s the case. The easiest would be Desmond getting a tadpole in his brain like Astarion but that does mean that… well… if his sire was Astarion, this will lead to Desmond wanting to kill Astarion because he sees being put in his thrall as something horrible as it makes him lose control over himself even if Astarion was to be… ‘kind’ to him. If it was Cazador though, then that means Desmond will want to kill Cazador (and maybe Astarion and the party helped him during the whole… Cazador ‘sidequest’) and that would be his reason for being unable to keep himself from the plot.

[bisaster-energy]

im not even done my current kuwameshi fic and im already getting ideas about new ones...

[cheswirls]

looking @ old fic i started when i was 14/15 is so funny bc im realizing once again why i never mark fics as abandoned even if its been literal years since i've touched them. specifically i was checking docs for stuff i started and either did or didn't post to ffn.

and its like. nothing is bad??? like i can see where my outside-the-box ideal of fic writing comes from. not just fics but writing in general, i'm p sure. even if it's a total cliche plot setup, there are details on each that rly make it stand out like oh yeahhhhhh i did have this great idea once upon a time.

funny too bc was it executed well in prose??? no absolutely not i wrote like shit when i was 15. would i revive an idea one day and revise it to be less cliche or cringy while still keeping the stand-out elements??? yea maybe. i might. everything i'm currently working on that i started from 2021 up to now still holds my supreme interest, but like i'm not gonna say never.

esp since i write fic first and foremost for my own need and specifically what i like to read, it makes it impossible to consider an idea i've thought extensively about "not worth writing anymore". anyway not making this too long i jus found everything interesting to consider

[theflyingfeeling]

I hope everyone's having a nice Sunday, and if not, I hope I can make it more less terrible with the third chapter for my fic let me down slowly, now on AO3 ✨

again, huge thanks to anyone who's been reading this 🥺 the final chapter will be up at some point next week

[opens-up-4-nobody]

Ugh. Supernatural fans will write fanfics about Dean Winchester that are so heart shattering it tricks me into thinking I should rewatch Supernatural.

[onion-geeree]

thinkin of writing just like. a little plotless oneshot about my chronically ill Sif headcanon. soft and comfy little thingy

[solar-halos]

okay i give up i cant write this pjo fic percy loves sally too much

[billy-royalton]

uh oh i think the universe wants me to write another incredibly self indulgent fan fiction