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theoddest1 · 11 months ago

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Okay so this new episode that came out (Episode 4) was poorly handled.

TW /// SA

- No warning before the show starts...why? And even if there is no way for Viv to add one, for some stupid ass reason, why didn't she announce to the fandom properly "Hey, this will have very deep topics and imagery that may not be suitable for all audiences."? Why have arguments on threads and fail to do this very easy thing. At least if the episode came out, people would get a heads up, and the word would spread faster PLUS people would see that you at least TRIED

- The episode opens up with a scene of CNC porno played for laughs in an episode that tackles SA. Complete tonal whiplash. Why did it have to open up with Angel showing everyone a porno? It serves no purpose other than to get a cheap laugh (that never came) out of me or anyone else who watches and because of the topic of the episode revolved around it. I'msure that if the episode WASN'T ABOUT SA, that joke would not have been there....but it is. There was legit no good reason to start this fiasco off with such a tone deaf opening.

- Charlie is actually fucking useless and a burden in this episode, serving no other purpose other than being the gateway to further the issues that befall Angel when "trying" to help. This all screams forced. Worse of all, Charlie does nothing to actually HELP Angel out of this, even though he has a clear black eye thanks to it all and literal mirrors breaking as a result of the abuse. We never see an actual development between the two thanks to her foolishness and garbage writing, and it's resolved easily as if this is some early Disney cartoon season that's on a strict deadline. Regardless of whether she apologized or not, she essentially caused the issue and did NOTHING to actually clean her mess. The goddamn B A R T E N D E R had to be used to salvage the pieces. So far, Charlie, as a character, is utterly pathetic and has been a burden to the cast twice so far. Vaggie, who tried to prove herself (moreso Vaggie's fault for going the extra mile for no reason but an obstacle nonetheless), also had an issue that involved Charlie's utter lack of a backbone. Hey, what was it that Charlie said in the pilot that her dad taught her and one of the only thingsshe learned from him? "You don't take shit from other demons"

- Only one scene from the abuse shown was handled well, and it was when Charlie visited, screwed everything up, and Val asked Angel to come to his dressing room. Aside from that, the whole SA imagery is jarring. While this time, the fast pace of it all is not bad, the quick shift into it all with Angel switching from enjoying to hating, to smiling, to frowning, ALONG with the quick pace of it all with the PRIOR KNOWLEDGE SHOWN and the SONG PLAYING, I am getting mixed messages here. Imagery? Shows Angel getting assaulted multiple times with either a forced smile or for some reason ENJOYING sex with Val and the role play situations showcased, is he INTO his abuse? Lyrics? He seems to find arousal in Val controlling him. The song legit reads as follows

"Addicted to this feeling, I can't help but swallow"

This doesn't read like he is "forced" it reads like he is yearning the toxic relationship. Now if this was one of the main issues with the abusive relationship, where it was a codependency built on romanticising the abuser and Angel learning to break free from that horrible view of someone who never loved him and actively harms him, this lyric would make a lot of sense....but that's not what we are shown at all. From the jump, we are shown that Angel HATES being with Val, to the point of him straight up avoiding his texts and voice messages, they actually do an okay job (despite the shoddy voice work) on showcasing how manipulative Val is and his outright explosive temper through this scene in episode 2. We see that Angel does NOT wanna have association with Val, is tired of it all, and even got drunk to down his sorrows. Yet these lyrics present it all as though it's just a very rocky love life like those songs you hear on the radio with the singer lamenting about how awful their relationship was but still miss their toxic boo-boo. It just...doesn't read like an SA song and could mean anything regarding the type of abuse he is facing. It's kinda vague in hindsight. That's MY take on the lyrics, though.

- Husk's song is a trash fire. He sees Angel is down in the dumps and proceeds to talk shit about him pretty much relaying his sorrows, saying it's okay to feed into your vices, and downplaying the actual situation at hand. So let's get this straight.

Angel- A sexual abuse victim forced into sex slavery to appease all sorts of people's sexual desires whether he likes it or not, including pleasuring his pimp who physically abuses him often all cause he sold his soul

Husk- Gambled his life away and lost his title as overlord, serves under Alastor all cause he sold his soul.

How is this even...the same at all? Even if Husk is lacking some context, he SEES that Angel normalized drinking roofied drinks and works for Val SOMEONE HUSK SHOULD KNOW ABOUT AND WHAT HE DOES but nah, screw Angel. Even if he honest to God (irony) wanted to actually help, why tf would Husk think this was sound advice? Why does Husk just SUDDENLY care? No build up, no memorable dynamic, no nothing. Realistically, CHARLIE should be the one singing with Angel or maybe Vaggie because she heard the story from Charlie. Not Husk. He is self aware enough where he knows this "advice" wouldn't work but nah. Nothing about the song makes sense. Telling someone going through it that "you're a loser" pretty much a no one, an insignificant individual, when VAL has made it clear that Angel would be nothing without him...yeah no the only reason why this whole song "worked" was cause the writers wanted it to, so Angel is happy with being a loser for being a victim of SA and selling his soul to someone who abuses him in various ways consistently.

This episode is terrible

Jarring for any newcomers

Who have no idea who these characters are

#vivziepop critical #hazbin critical #hazbin angel dust #hazbin hotel criticism #hazbin hotel critical #hazbin hotel husk #vivziepop criticism

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carouselunique · 5 months ago

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“Oh! Fiddlefeathers!” Sky Chime murmured as she lifted her wing to fly up to her bedroom window where Dinky and Rosy were waiting upstairs for her to come back from setting out the bins after dinner. Looking down at her feathers she saw a very distinct and very incriminating smudge of makeup. It was her very first sleepover and while she had been looking forward to sharing this milestone with her new friends, that made this much more difficult.

She didn’t mean to lie to her new friends, it just sort of… happened. She had been the first in her class to earn her cutie mark way back when. She had earned her cutie mark way early for being a musical prodigy, earlier than any filly she knew in Fillydelphia. Or Cloudsdale. Or Baltimare. Or anywhere else… and showing that fact off made ponies her age hate her. So two towns down she had taken to covering her mark. It never mattered before, because she always left those towns after only a few weeks. It just helped her fly under the radar. To go unnoticed. That was how she liked it unless she was performing…

Hiding her cutie mark hadn’t been an issue until Ponyville. Until they decided to put down roots for longer this time while Sky honed her talents under Madame Octavia. Until she had made friends with the only other “blankflanks” in her new class and the whole point of their friendship was to find cutie marks together. So now, Sky reasoned to herself, hiding it as long as she can would be the best option.

Looking around to make sure no one had seen, she quickly adjusted her feathers over her cutie mark, hiding it from view before deciding to slowly walk up to her front door instead. Luckily, she thought to herself, her pajamas would hide her flank until morning when they got ready for school and she could reapply her makeup then. She felt a growing pit of guilt in her stomach… but she feared that if she were to tell the truth to make it go away, she’d lose her first ever real friends… so, she supposed, she’d just have to learn to live with the guilt.

It wouldn’t be forever. Just until Ditzy and Rosy got their cutie marks too.

She’s not worried about earning her cutie mark because she already has it.

Cutie Mark Reveal / Explanation / Design Process Below:

Okay so, Sky Chime has her cutie mark already. Why? Well, one, I never liked the CMC receiving their marks together. I like the idea of each individually receiving their cutie marks at their own pace. These are a metaphor for puberty/maturity/growing up/self discovery right? Well not everyone does that at the same pace as their friends. The Mane Six I can excuse because they’re all different ages so they did earn it at different paces just with the same catalyst. CMC though… I never felt thats what they needed. For all the show claims they still do their own thing just share a destiny it feels like they’ll always be the Cutie Mark Crusaders rather than that being something that helped them grow into their own separate beautiful unique destinies. Almost like the show itself didn’t trust those three to stay friends post earning their cutie marks.

That being said, I have an idea that once the final mark is earned by whoever goes last, they discover together something about how an aspect of their talents is helping others see their own talents for their true meaning and the Cutie Quest Fillies cutie marks CHANGE a bit to reflect that. For example, the color of the tear drop chimes might change to be each of her friends colors or something. Because the people we love do have an impact on how we grow. So that might be something.

Okay so if Rosy Posy and Dinky Doo represent being somewhat behind your age for whatever reason development wise, Sky Chime represents being somewhat ahead and all the ways it can make you also feel different. All the ways you might feel like holding yourself back because you want to be where everyone else is. Everyone strives for being grown up until you’re the very first one to do it and then it seems like they judge you for beating them to the finish line.

And when you’re going through that you might not feel ready for the finish line. Sky is hiding this big part of herself to fit in and to feel like a kid again and keep her friends. She’s advanced for her age, a prodigy and a talent and she likes collecting antiques and whatnot. She already feels like marehood is coming for her way sooner than she wants. So she hides. And she feels bad because unlike in every other town, here in Ponyville she’s lying for ages. Very anxious pegasus our Sky Chime.

Sky being a changeling was a popular theory and I’d love some fanfic about that AU within an AU but, crucially, I wanted to try not to do harmful aspects from the canon show into this AU unless it is meant to say something about the ponies and I think having Sky being so protective of her secretly being another species would play into a lot of the unremarked upon species prejudice in the show. That being said actually someone get on some Changeling Sky I’d love to see it!!!

#my little pony #mlp #cutie mark crusaders #the cutie quest #my art #mlp g4 #mlpfim #mlp fim #my little pony friendship is magic #side stars au #side swap #Sky Chime #Sweetie Belle #mentioned:#Dinky Doo #Rosy Posy

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ofswordsandpens · 11 months ago

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what do you think could’ve been done better regarding camp half-blood besides spending more time there/pacing? i’d love to hear your thoughts!

!! okay I know you're specifically asking for things that could have been done better beyond spending more time at CHB, but straight up that one issue is really the crux of everything. -- The time we spend at CHB before the quest in the show is half the time we do in the book. (And for a different frame of reference, the book is aprox. 40% over by the time the trio is leaving camp borders.)

And since the show runners halved the pre-quest chb runtime, as a result we lose quite a bit of content that helped to establish context, tone, foreshadowing, character dynamics etc.

Because we have to prioritize Percy and Luke's relationship in the show, it forces the rest of the relationships that were established in CHB in the book into the background, (or simply makes them none existent):

We have pretty much only ever been told verbally about Luke and Annabeth's bond by this point (episode 5). They have a two second interaction at camp that's not particularly noteworthy and that's that. Imo that's not particularly compelling story telling lol. We'll likely (hopefully) get something from episodes 6-8, but I maintain we still should've gotten something more substantial between Luke and Annabeth at camp. I've said before, at bare minimum the show should have had Luke see them off at Thalia's tree like he did in the book.

I've mentioned this before but Annabeth and Percy's dynamic had a much greater establishment in chb in the book because she's the one that's his guide at camp and she actively seeks him out more. In the show, we have to give this role to Luke and while I can give this change between book to screen more leeway because, yes, we have the entire quest to build Percy and Annabeth's dynamic, I still didn't like that it pretty much forced Annabeth into the periphery in the show. As a result, it made her seem a lot more distant and aloof than she ever was in the book. (Shoutout to Leah's armor strap improv, she's doing more for Annabeth than the show runners are).

2. We don't really get see the effects of Percy being claimed as Big Three Kid at camp:

Yeah, Percy moves into the new cabin in the show but then almost immediately after he's off on his quest. Meanwhile in the book, Percy's claimed as a big three kid... and then we see how it ostracizes him.

He misses being in the Hermes' cabin. Campers avoid him. He sleeps and eats alone now. He has to have solo lessons with Luke because the others are scared. He's miserable! And none of those experiences were translated to screen.

Again, they told us that big three kids are taboo, but have not shown that impact.

Like the difference in reaction during the claiming scene between the book and the show pretty much sums up this discrepancy.

3. General loss of foreshadowing and tone:

Because we don't get as much Annabeth, we lose how in the book, she had been aware that something was wrong with the gods and surmised that something was stolen long before the quest. She shared this with Percy. It was a great showcase of her intelligence. It helped set the tone that something was wrong before the quest even stared. And all of it just, didn't really make the cut.

The hellhound attack also didn't make it and its just another loss of foreshadowing. Luke was straight up trying to kill this kid from day one. Percy was not safe even at camp. Things weren't okay ever.

The weather! Yes the boundary keeps the weather mild at camp but in the book Percy remarks on the huge storms that surround them at one point. Before he leaves there's a storm so bad approaching that the campers are nervous. Even before he got to CHB there were "inexplicable" storms all the time. I wish this had been maintained in the show even beyond the camp. The gods, Zeus, they aren't happy.

Also, I tried rewatching the episodes to find this convo but I couldn't so please let me know if it's there somewhere but I don't think Luke conveyed anywhere in the show that his quest "messed things up" for anyone? Like, sure, they could include this at the end, but I think it's more impactful when we see more hints of his bitterness early on.

4. Minor Nitpicks + More things I miss:

Annabeth should have gotten soaked by Percy's Supreme Lord Bathroom moment like she did in the book. Percy had flooded the entire bathroom and she wasn't speared. In fact, Percy was the only person who wasn't wet.

The self-filling goblets in the book + the blue Coke moment.

I wish the show had Percy like, white knuckling his minotaur horn refusing to let it go. In the book he saw it as the last souvenir of his mother, refused to let anyone else hold, and was afraid it would be taken.

Rip Argus :(

#oh I've been waiting for this one TURN IT UP!!#pjo show crit #edit: I said foreground instead of background nobody say anything :(

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r0ttenhearts · 1 year ago

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Hello I have a request: Scaramouche/Xiao angst that ends with a happy ending that reader ends up w another character (of your choice!)

cherry flavored kiss

scaramouche x reader x xiao

sypnosis: after scaramouches affair , you decide to part ways and find something new for yourself.

warnings: angst, arguments, insults, scara being a dick

“archons, (y/n). why can’t you just listen to me? when have i ever been wrong? whenever you use your own head you get yourself into trouble.”

he followed you around your shared dorm room as you paced around. your mind was a mess. you had caught scaramouche texting another girl things that should have been kept between lovers. photos he sent to you, also being sent to her.

holding his phone in that moment you could have sworn it would have burned you, or you would have broken it. you had a suspicion that he was hiding something. the way he was glued to his phone, the way he wasn’t around as much in your shared space. it all made sense now.

you felt utterly worthless. you had to find out on your third anniversary. your makeup was now smeared, and you felt stupid in your getup. all this before the anniversary dinner. had it ever meant to last if it came out this way?

the worst part was he didn’t seem to care about how you felt about it. not a single apology leaving his lips. only insult after insult about going through his phone.

“you wouldn’t have gotten yourself hurt if you weren’t so damn nosy, (y/n). but now look at you! snotting on yourself.. you look a damn mess.” he grabbed your wrist tightly, forcing you to look at him.

his hair was damp and clung to his forehead as he had been showering while you discovered his secret. his eyes hid no anger as he grit his teeth. “this is your fucking fault. if you hadn’t been so.. you! i would’ve been satisfied. i would have been here. seeing you cry like this makes me feel sick, and not because i love you. but because it’s so pitiful.”

your tearful eyes spilled more tears as you attempted to shake free from his grasp. “you wonder why you have the issues you do scara, when you’re like this! when you treat someone who has loved and devoted themselves to you for years! you’re fucking sick.. you’re a mon-“

before you could finish your sentence a loud slap echoed across the room. the searing hot pain on your cheek was quickly replaced with the sensation of his nails digging into your cheek, grip on your face. “don’t you fucking call me that.”

no words were exchanged as he let go of your sobbing form. with a slam of the front door, it would be the last time you’d see scaramouche for another half year. hastily stuffing your belongings into bags and disappearing that same august night. and just like that, three years of memories were spent wasted.

while scaramouche spent his time in and out of girls dorm rooms, he never found the feeling he was searching for. he had it with you for a brief moment, before another girl caught his eye. but he knew he didn’t want you. he didn’t want the life he had promised you one hot summer day.

with scaramouche becoming known for his scandals around campus, you had devoted yourself to finishing your degree. you managed to pull through your heartbreak and graduate top of your class. you were all smiles that day, surrounded by your friends. the same friends you shared with scaramouche, but he never showed his face around you since that day.

with your college life coming to a close, you had been presented with an opportunity to work at a nearby aquarium, as your degree was based on marine science. you happily accepted as you held many fond memories at the aquarium. but there were some sour ones in the mix, like your first kiss, being with scaramouche, in front of the turtle and fish tank.

you shook your head at the memory, fingers clutching onto the strap of your bag on your shoulder. it was a new start to your life, a life where you were only surrounded by the things you loved.

you didn’t expect to find xiao in the breakroom as you set your bag down in a locker. his eyes seemed to light up the same way yours did as you recognized each other. “xiao? you work here? you didn’t tell us on graduation night.”

xiao softly hummed as he nodded. “i guess it never came up. i work with the penguins, you?” of course it was penguins. no other aquatic animal seemed to suit him more. you bit on your lip to fight a smile at the thought. “i’m with the otters actually.” xiao gave you a small smile, “it’s in the same area. i guess we’ll be seeing each other often, (y/n.)”

you couldn’t hold back your smile at those words. so then began your work relationship. it started with always taking the same breaks, having lunch together, and buying each other snacks from the vending machine. it gradually grew into hand holding before departing to different doors, waiting on each other to enter the aquarium in the parking lot, and late night dinners when you’d have to stay later than usual.

it was a hot day in may when you finally asked him the question that would make or break your current relationship with him. you both sat outside after a long shift, popsicles in hand as you both enjoyed the break. “hey, xiao?” he hummed in response as his popsicle was still in his mouth. “what are we? i mean.. i like you. like, really like you.” you could see his ears redden at your words as he slowly took the popsicle out of his mouth. his teeth marks on the blue ice.

“i.. i really like you too, (y/n).” you smiled gently before leaning in for a kiss hesitantly. you knew xiao was shy, never one for relationships or even being intimate with hugs. but you knew it felt right when his soft lips pressed against yours. you could taste the blueberry from his popsicle, and he could taste the cherry from yours.

you both came out to your friend group about your newly established relationship that same weekend. everyone but scaramouche was there, but they all knew he wouldn’t show. scaramouche would nerve show up if he knew you’d be there.

but word travels fast in teyvat and he saw the post venti had made to celebrate the new relationship. scaramouche scoffed, gritting his teeth as he blew out smoke from his cigarette. you? with xiao? it was unbelievable. it had only been seven months since he.. ended it with you.

that sinking feeling scara always tried to escape from only felt worse as he kept tapping through venti’s story. the video venti had posted of you shyly covering the camera as xiao kissed your cheek, hands around your waist made scara’s blood boil. xiao was scara’s friend! how could he betray him like this? getting with his lover, no— ex lover.

he had to do something. this wasn’t right. you with someone else wasn’t right. scaramouche dropped his cigarette to the ground, smushing it under his foot. the sparks of red dying out as he hastily called kazuha.

the video had been posted three hours ago so it must have been over by now. “hello? scara?” kazuha’s soft voice spoke through his speaker. “yeah. hi kazu, i have a favor to ask you.”

“what is it old friend?”

“could you give me (y/n)’s address?”

kazuha gave scaramouche your address, already knowing he had seen venti’s and posts. kazuha silently hoped this would help bring closure to you both, knowing the way you’d both go quiet at the mention of one another.

it turned out you didn’t live too far from him, only a 10 minute walk. he wondered how he never bumped into you thus far but chalked it up to him being too busy with his girls for the month to have probably even noticed.

he nervously stood in front of your door after ringing the doorbell. he hadn’t faced you since that day and it was untangling feelings he had repressed and pushed down since that day.

“oh.” your voice broke him from his nervous trance as you were swinging the door closed before he reached out. “wait, (y/n). i just want to talk. just give me five minutes and i’ll leave you alone.” you slowly nodded, opening your door so he could slip inside and close it behind him.

he noticed how much more decorated your apartment was compared to your shared dorm room you once had with him. he internally grimaced as he remembered how your face fell when you both went out shopping for furniture for your dorm room, telling you not to clutter the space with junk. the dejected look on your face was still clearly etched into his memory.

as you sat across from him he remembered why he came. it wasn’t to dwell on old memories, but to demand answers. he deserved that at the very least, didn’t he?

“i heard you’re with xiao now.” scaramouche spoke coldly as you nodded. “what of it, scara?”

he huffed as he shifted on your couch, his shoulders tensing. “why? how could you move on so fast? did we mean that little to you?”

you scoffed at his words. so this is what it was about. “seriously scara? how could i? how could YOU? YOU threw us away. YOU cheated on me. YOU ended our relationship.”

you couldn’t hide the anger that was boiling inside of you as you looked at the dark haired boy seated on your couch. you couldn’t believe you had once planned a future with him.

“you know you’re special to me, (y/n). all you had to do was come back, and we would’ve been happy together.”

“oh i was really special to you wasn’t i? special enough for you to cheat on me.” you spat.

“it wasn’t like that, and you know it. we could’ve been happy together right now. this could’ve been our apartment. we.. we could’ve lived out our promise.”

you laughed loudly at his words. the last thing you wanted to be reminded of was the promises you made. the promises you held near and dear to your heart so long ago. the only reason why you held onto him for as long as you did.

“that’s not true scara, and you know it. we wouldn’t have lasted, you weren’t satisfied. and you hated what we had. i have everything and more than i dreamed of when i was with you, now i have that with xiao. i’ve had enough of you and your lies. get the fuck out.” you spoke angrily as he silently walked to your door. you didn’t look at him but felt his eyes on you as he gave you one last glance. another door closed by him, for good.

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myfairstarlight · 6 months ago

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An Ode to Friends to Lovers - Colin and Penelope's story

Fine, I give in.

As someone who considers themself more of a casual viewer (as in, I've never engaged in the fandom before), I went into this new season with mild interest. And then I fell down the rabbit hole. I should have suspected it though, Friends to Lovers is a trope I affectionate particularly when it comes to romance, unfortunately one I very rarely think is done well. So I was still skeptical going in.

But by God, did they deliver on that front and I need to break it down and talk about it. So I guess this is my review of Bridgerton s3, part 1.

Under the cut though, because this is gonna be a long one (seriously, this is a warning).

I don't particularly think Bridgerton is a complex show, and one can argue all day about whether it is even good (in my eyes, as long as it's entertaining, I don't care if a show is "good"), however, the number of takes I've seen online not understanding basic story-telling worries me a bit.

Don't get me wrong, I agree this first half has pacing issues but I do not think Penelope's and Colin's love story suffered that much, it did not feel rushed to me since we already knew these characters for two whole seasons (and I maintain Colin has always had more depths than what people pretend he does, it seems like, just like the ton, viewers like to overlook him and just characterise him as naive).

And I guess this long ass post was born in the process. So:

Part One: Penelope's glow up

Yes I'm starting by looking at them individually first. I think this post on reddit sums it up so perfectly. I get we're all joking about how unrealistic it is that no man was ever interested in Penelope despite how she looks like an absolute goddess (and I maintain she was the cutest in both previous seasons as well!) - unfortunately it is realistic. That's the reality of bullying, it doesn't get solved by a glow up. Even her association with the Bridgertons through Eloise and Colin did not lessen the bullying, so without them? Even the prettiest dresses would not have changed the ton's perception of her, and she's still the awkward, anxious girl she's always been, and unfortunately, most of these men are not attracted to that. It's not satisfying, she doesn't get her triumphant revenge on a society that always ostracised her - and I think it's important that she does not. That she accepts it. She should not have to change for a ton that will not change for the better either. And it's a lesson she learns quickly - someone will love her for who she is, pretending will only lead to misery. And, it is when she's being herself that she successfully gets the interest of some gentlemen (shout out to Lord Remington! I was so hoping we would be seeing more of him on top of Debling. He's such a Whistledown fan I thought that even after the whole lesson reveal scandal he would have stuck to call on Penelope the next day to gossip together, it would have been cute but I guess he too wanted to avoid being written about) (also I'm just saying in fics he should be the one considered as a proper other suitor for Pen since they seemed to have a genuine connection, meanwhile Debling was really searching for practicality).

The thing I wanna add to that post is this: despite all that, she decided to change her looks for herself. When I first learned of the plot of this season, Colin helping her find a husband, I was scared it would mean Colin would be the one to tell her to have a makeover. It doesn't happen. Sure, Penelope subconsciously requests for a more Parisian style for her new dresses because it is the last place Colin went to, but by that point she has already given up on him. She wants something new, and to feel good in herself. That's how she blooms, by finding a style that she feels comfortable in, finally free from her mother's horrendous tastes. That's what allows her to be more confident as well, the new looks and her motivation to move on from her "unrequited fantasy". As for Colin? He never comments on her change, he compliments her dress (and mind you, that is when he's trying to play up the charm because he knows she's upset with him and he gets humbled, hard) but he never says it looks better on her than what she wore before, he never has a "I never realised how beautiful you were" moment we see a bit too often in friends to lovers stories, because to him she's still his Pen, new dresses, new hairstyles, but the same Pen he's always loved, even if he didn't realise to what extent yet.

But Penelope's confidence... is not quite there yet. Difficult to be, when she's grown up in a loveless home, with horrible sisters, a father who barely cared and a mother who constantly puts her down. Whenever she gets a compliment, her first reaction is "ah, it must be a joke" - that isn't even exclusive to Colin, in the brief interaction between Edwina and Penelope, when Edwina compliments her dress, Penelope also dismisses it. And then, there's Colin, who is always oh so honest with her and does not shy away from praising her. But I'll touch more on that later.

Part Two: Colin's new self.

And then we have the opposite: Colin showing up with a new attitude, and succeeding at it (well, on the surface). Something I haven't seen people bring up a lot though is that he's already tried a new look in s2, and he got mocked for it. The only one who didn't? Penelope. Why didn't he try to emulate being a rake back then? Because Penelope's letters grounded him, he admits it himself. It's seeing himself through Penelope's letters that gave him confidence. But that kind of confidence was not enough in the ton's eyes, and on top of that, between s2 and s3, this time Penelope doesn't write back, and neither do his family. He grows insecure, he's lost the one person who kept him grounded, he thinks his family is annoyed with him, and he still is in search of a purpose, so what does he do? He clings to Anthony's words in s1 after the disaster that was his engagement with Marina: he's too green, time to "fix" that and be more like his big brothers. They got it together, they know their purpose (well, Benedict lost his again but that's a story for another day), so surely, if he acts more like them, and not like the sensitive and naive boy he was, then surely everything will be alright! Right? Note that as opposed to s2, where he kept talking about his travels and it annoyed everyone, in s3 he doesn't go into details about them anymore, even when he's asked. They're only interested in the company he kept during the travels rather than the sights he saw. And honestly, it was heartbreaking to see right away how much of himself he was holding back, even with his own family. Penelope, however, gets the details without even asking because he already knows she likes hearing him talk about them and she makes him comfortable, and he's fully aware of that when he apologises in s3e1.

(I also want to note that, even if this new persona is fake, his new style genuinely fits him better. Just like Penelope, this season Colin found the style that makes him feel good and confident.)

And here's where I need to praise Luke's acting for a bit, because he absolutely nailed the subtle way Colin behaves differently with Penelope vs everyone else. His voice is softer, he is effortlessly charming (I was kicking my feet when he recalled how they met), his smile is bigger, even his whole face looks more relaxed whenever Penelope is around, meanwhile he always appears stiff and like he's calculating his every move when around his "friends". In fact, it is in the carriage scene we finally truly see s1&2's Colin back. When he has that look on his face, as he decides right there and then he's gonna marry her, and then a second later when he asks the question, his face. By God, his eyes are sparkling, he's so happy, and he looks as youthful and carefree as he did in previous seasons, far are the thoughts of trying to fit in a society that he hates.

Because above all, these two know and understand each other in a way no one else in their lives does. And that is a fact that remains despite the outward changes. So yes, I liked that their dynamic did not shift to romance because of their "glow ups", but because they are spending even more time together now. Speaking of which:

Part Three: Authenticity and Vulnerability

One big theme this season is being true to oneself. It's no coincidence mirrors are such a big part of it (even outside of the yet to be seen spicy scene), because looking at a mirror means looking at oneself, and be vulnerable. If s2 was about duty vs heart, eldest siblings trying to do right by their family to the point of self-sabotage, s3 is a battle between the head and the heart. It is not even exclusive to Polin - Eloise is learning and growing by trying to take genuine part in society but struggling to fit in. Cressida wants to become a better person, torn between the pressure put on her shoulders by her parents and this new friendship with Eloise. Benedict is looking for his purpose after learning Anthony paid his way to art school, and feeling like a fraud as an artist. Anthony and Kate are unashamedly in love, as they deserve to be after the struggles they went through last season. Francesca has no care for the suitors the Queen and her mother parade in front of her as the "sparkler" of the season (sidenote but I hated that, stupid name, should have stuck to diamond or select another gem) as her heart seeks out the handsome and quiet John Sterling instead. And this will continue in part 2, as Penelope will have to be honest about Lady Whistledown (because she's always her most authentic self around Colin, there is still this big secret she is so determined to keep to herself, when she should not).

The beauty about friends to lovers stories to me is the small declarations of love sprinkled throughout the relationship. It's about the trust already built in with no expectations and the vulnerability we'd never allow anyone but our closest friends to see, something even our family can be ignorant to. I mentioned earlier that Colin never shies away from praising Penelope, way before their dynamic shifts to lovers. He tells her she's good, constant, loyal, special, warm. All of these are declarations of love, even if not with romantic intent, it's about showing his appreciation for her, for the role she holds in his life. And Penelope responds in kind as well. That is why I believe people who think the romance was rushed in s3 either did not watch the past two seasons or see friendship and romantic love as two distinct things rather than a cohesive continuation of each other. In s1, people focus so much on the Marina stuff, as if that cancels out Colin's friendship with Penelope. We still do see Colin actively seek out Penelope at balls, and defending her against Cressida, he compliments her and tells her she's the one who inspired him to travel. Then s2 rolls in, and they're exchanging letters, which will become the cataclysm for their dynamic changing later on. And then there's one of my favourite scenes with them: them talking about their purpose. They both open up here, Colin about his insecurity, Penelope about her dream, it is so intimate. And then, there's of course Colin protecting the Featheringtons from ruins. I'm mostly emphasising Colin's actions, because Penelope's crush on him was always in your face, and while Colin may not have realised it yet, he's always cared about Penelope in a special way, as manifested by his actions and how vulnerable he allows himself to be around her, when even his own family has no idea about what's going on inside his head.

There's a misconception that Colin calling her his friend was him rejecting her, and yet we see in s3 he had no idea whatsoever that she has a crush on him, so he could not lead her on (unlike his book counterpart, who was aware of Penelope's infatuation and was careful never to toe the line until he realised his feelings. Show Colin though? Completely oblivious. And it makes sense, he's still young.) He asks Violet "how do you know it was reciprocated" and not "how do you know you're in love with your best friend". As of right now at the end of part 1, he genuinely thinks he's the one who fell in love first, or at least realised it first. His "You're Pen, you do not count, you're my friend" in s2, was not a rejection in his eyes, but a declaration of love; he's forsaken love and women but not his Penelope, never her, she's his exception And it's not like Penelope resented him for that friendship he so readily gave her, yes she had a crush, but she was proud to call him her friend! He was, with Eloise, her solace away from her family. At the end of the day, this is a friends to lovers story, it is silly to get upset that they considered themselves friends first before there is a click as they realise they are now on the same page to shift their relationship.

Side note but I've never liked the term "friendzoned" because it makes it sound like being friends is a bad thing. I've had unrequited feelings before but I've always felt grateful that being friends with them allowed me to stay close to them even if I knew nothing else could happen. I was still very much happy and content. But maybe I'm projecting on Penelope and that's another debate.

See, what I ended up loving about the lesson plot, which I was so wary of at first, is that Colin barely teaches Penelope anything. At first, he goes for the "do what society expects women to do" (since it worked for him) but then she acts awkwardly, she can't fake it, and it surprises him for a moment. That's when it clicks for him, she just needs to be comfortable because with him, she's always smart, witty and charming, she's herself. He's always seen her that way, and he did not quite realise he had that privilege in the first place. And I love how we see him slowly realise it is no longer a privilege thanks to his help. We see it in e2. When she talks to the guy with the dead horse (forgot his name, oops), Penelope forces the flirt and Colin is amused by it. Fast forward Penelope approaching Lord Remington by herself, without Colin's initiative, and she's being more authentic, and suddenly Jealous by Nick Jonas plays in the background and Colin doesn't look proud, but apprehensive, or dare I say jealous. The shift in Colin's head happens long before Debling is in the picture. I'd argue it already shifted earlier in that episode, in his study, which he flashbacks to in e4.

His journals detail how unfulfilled he feels when he lays with random women in his travels. He longs for emotional intimacy. And guess with who he finally finds that, when a certain red-head asks the one question that allows them to break the physical barrier they had to keep between them for the sake of propriety?

Ah yes, that first kiss. To Colin, everything has been building up to this, this is his true Oh moment. A favour turned into a revelation. For Penelope, this is quite literally the end of her fantasies. This is Penelope's most vulnerable moment. She bares her heart, she's sad, she's desperate. And some people have been calling that moment pathetic, interpreting it as her being weak and giving in to her crush again, saying that she should not have to beg for that man's affection. I concur that she is brave, and bold. I also concur that some of you all are a bit too attached to the girlboss archetype forgetting that allowing oneself to be vulnerable is also a strength. She's never had to beg for Colin's attention anyway because he readily gives it to her, but in this one instance, for once in her life, she is truly being honest. In her head, she has nothing else to lose, and she wants to experience the one thing she thinks she can never have so of course she's gonna turn to the one person she's always trusted and feels the most comfortable with, because before her crush, Colin is her friend. She's asking a favour from a friend. And then she can move on, whatever "moving on" will turn out to be. In this instance, she has the power in her hands.

And it is her bravery that is the true cataclysm for things to change properly. Of course, things have already started to change the moment she stopped replying to the letters, but that moment really expedited their relationship.

Part Four: Lovers, but in a best friends way

The thing with Bridgerton, in the books or in the show, is that each couple has their trope. This is not news to anyone, I think. We've had fake dating, and enemies to lovers, and one characteristic that these two tropes share is a growing tension between the characters before it snaps. There is a reason the early marketing for s3 focused on Penelope being cold towards Colin, tension and conflict are more appealing on the surface. And then the first half of the season comes out and that conflict between our main couple? Solved after one episode because they did one thing that is severely missing in most romance dramas: communicated healthily. Penelope laid out why she was upset (although she does not stay to let Colin explain and then vents out her feelings in Whistledown... she still has some learning to do), Colin immediately went to apologise and make up for it. All of this by talking. And yet I'd argue friends to lovers still has its own tension, just not to the same intensity as the other two, and more difficult to market. The tension comes from the brewing feelings, the way you start seeing every touch, every interaction, in a whole new light, and wondering if it's only in your head or if it's reciprocated. But now combine that with Colin who's always been so earnest about his feelings with Penelope? And Penelope who's always quietly wanted their relationship to evolve that way? Of course they figured it out quickly and got together in half a season. And I'm delighted that we will see them handle the whole Whistledown mess as a couple, as two people aware they love each other deeply, which gives a whole new meaning to the conflict compared to the book where I felt like it was brushed over a bit too quickly (because they got distracted in that carriage). It is the last secret between them, their last obstacle.

I also do not like the "Colin should have grovelled and pined more" argument, when he is the one who insisted on the lessons to help her find a husband in the first place, and then has to face the fact that actually, he doesn't like the idea of another man taking Penelope away, and oh, isn't that the consequences of his own actions? He is grovelling, you just don't see Penelope holding it over his head, because that's not the person she is, this is not a revenge fantasy story, in fact she does not realise the power she has on him because she is used to Colin seeking her out. I like that he didn't stew on his feelings and decided to act on them right away. I also don't like how this whole grovelling thing makes it sound like love is a competition, that just because Penelope has known she's been in love for longer and "suffered" longer, that means Colin needs to do the same to even the planes. Because in my eyes love isn't exactly something to be earned — it is given. Now, are you worthy to keep it? To nurture it and make it bloom and last? That is the real question.

Admittedly, since this is only the first half of the season, we do not see them in a romantic setting a lot. That first half is focused on them rekindling their friendship lost during the summer when Penelope stopped responding to the letters, and Colin having the realisation he cannot live without his best friend, not just because she is his best friend, but also because he loves her. But we do have two important, and obvious instances.

So let's talk about that first kiss again. It is, in my opinion, one of the most gentle and romantic moments in the show so far and also showcased their friendship really well. Colin trying to joke to lighten the mood as Penelope spirals down (peak best friend behaviour actually), the gentle, swelling music, the light of the moon, Colin's deep exhale of realisation as he holds her face when he goes back in for the second kiss, with the furrowed brows of a man on a mission. This is Penelope's most vulnerable moment and Colin's big realisation. And I felt like I was intruding.

And same goes for that carriage scene, but even before they go at it; now this is Colin's most vulnerable moment, and Penelope's realisation that they can be more. He chases the carriage by foot, then goes on his knees to confess his feelings to his best friend in the softest and most determined voice we've ever heard him use this whole season, eyes wide, tears threatening to fall as it is his turn to bare his heart and ask for a chance. Meanwhile Penelope takes it all in, running her hand through his hair because she can finally touch him, melting under him. Things get steamy. And then... and then... The carriage stops, they get startled, Colin jokes that the driver should have kept on driving and then... they laugh. They just made out, and went to second base together, and yet here they are now, laughing. It is such a genuine and lovely moment. And it's then that Colin has that look in his eyes, that "I'm gonna marry her" look. That is when he realises he cannot live his life without her. That his purpose is now right in front of him: making Penelope Featherington, soon to be Bridgerton, laugh until the end of their lives.

Conclusion

There's no conclusion, I just love them so dearly. Yes, there still is the whole Whistledown mess to deal with and sure, the argument with Eloise may make you think great angst is ahead but if there is one big difference between Colin and Eloise, it is this: Colin has always listened to Penelope, and this is not a diss on Eloise. Eloise, bless her heart, can be pretty self-centred, she's loud and a bit immature, something she is growing from in s3, and you cannot ignore that she did not really listen to Penelope (she has no idea Penelope wishes to marry when Penelope tells her she does in s1, we can blame the writing, but I do think it fits with Eloise's journey to realising how privileged and dismissive she is. Penelope was too polite to call her out until their falling out. Meanwhile Cressida is exactly the type of honesty she needs for a wake up call). Colin, on the other hand, is very sensitive and a good listener. Furthermore, this season, Penelope is learning to be more confident, to voice what she wants, and I like to think it is leading to her finding her own voice and not needing Whistledown to hide behind anymore. If there's someone with whom she has no filters, it is Colin, so I have faith that when the reveal happens and an argument breaks out, this new Penelope will not back down and will lay out all her reasons and all her regrets, and Colin may be stubborn, but he loves that woman and he always listens.

A part of me also wishes they keep the jealousy he felt about her writing in the book, and that they don't focus just on the whole "you lied to me" aspect (we've already had that with Eloise). How he, himself, is insecure about his writing, and here Penelope is, less fortunate than he is, and yet who did have the courage to get her writing out there, even if publishing under another name. Because that is also a reality in relationships, when your partner is at a different stage in their career, and how they can communicate to support one another.

Anyway, I'm just rambling now (as if that isn't what I've been doing this whole time). I like them. A little. Just a bit. I'm very normal about them <3

#bridgerton #bridgerton s3 #bridgerton spoilers #colin bridgerton #penelope featherington #polin #long post #ok i got it all out of my system don't expect more bton posts from me lol #at least until part2 i guess #star.txt

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russellsppttemplates · 8 months ago

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"You really can't hide it anymore. You have to accept that." "But I don't know how to tell people." "Well, I don't think that's necessary anymore. It's quite obvious." with Mick when your like 7 months pregnant with your first baby 😭

Cw: reader is pregnant

You found out you were pregnant at the end of the season, so you had been able to keep the pregnancy between yourselves, family and closed friends. For the first few races, you stayed home with the justification that work kept you busy and you wouldn't be able to fly out since the races were outside of Europe. The first race in Europe was next week.

"What are we going to do? The baggiest clothes I own still show this cutie", you rubbed your bump as you paced around the closet, Mick resting against the door frame and taking you in. Pregnancy, he came to realise, suited you. Not only did you glow and looked beautiful while you grew your baby and provided a safe home for her, you had also been slowly nesting, getting your bedroom ready for the first couple of months she would spend there with you and folding her little clothes in the nursery according to sizes and warmth.

"You really can't hide it anymore. You have to accept that, liebling", Mick reasoned, smiling when you stopped, resting your hands on your hips and looking at him. According to your husband, it could go one of three ways: you'd break down in tears because you couldn't see a solution, you would be mad at him because he wasn't sharing your worries or you could just accept it. The last one was a bit of a long shot, but he never knew.

"But I don't know how to tell people", you pouted, "do we just go up to them and say 'Hi good morning, how are you? Lovely weather - oh, by the way, I'm pregnant' or just shout 'Babygirl Schumacher is going to join us soon!', it's a bit off, isn't it?", you offered.

"Well, I don't think that's necessary anymore, Y/N - It's quite obvious", he stepped closer to you and made you look at your reflection in the mirror, "our babygirl is getting bigger everyday and her presence is very much noticeable - we've been really lucky that no one has found out about her yet", he smiled, kissing your shoulder while his hands rubbed your babybump, "I don't think we have to expressly tell people, they'll see it straight away".

That brought tears to your eyes as it seemed to make you realise that so far, everything went smoothly. You didn't have any issues and were able to give your babygirl a comfy home in your body despite your initial doubts, "she's happy, she's kicking", you cooed as your lip trembled,keeping the tears at bay as you turned around to cuddle into Mick's body, his hands rubbing your back this time, "Oh - that's a strong one!", he chuckled, "still, we should find that nice dress you want to wear so we can pack it", he kissed your temple.

(Thank you for sending this in ✨️)

#mick schumacher blurb #inês writes blurbs #f1 blurb #f1 x reader

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schlong2 · 6 months ago

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latest fix rant time

none of my friends want to talk to me about monkey movies and then i remembered i have a whole blog dedicated to my latest fixations so. i've watched Kingdom of the Planet of the Apes two (TWICE ✌️) times in theaters. this was after watching the newer trilogy (Rise, Dawn & War) and the first 1968 original in prep.

things (SPOILERS!!!):

Kingdom's run time is 2 hours and 25 minutes. this is incredibly long for a movie. compared to 1968's 1 hour and 52 minutes, that's a half hour difference. Infinity War was 2 hours and 36 minutes for reference. that's a whole marvel cinematic convergence, but ape. the run time isn't exactly the issue i've seen talked about. it's the pacing. sitting twice through this movie was not a problem for me. i sat there engaged all the way through. on the second watch, i tried to be mindful of times in which it might have been dragging for the average person, and i like, literally couldn't find any. pretty much every scene had meaning and didn't drag imo. which is something these newer movies do extremely well. Kingdom is pretty equally split between verbal communication and sign language compared to the first three before it. the apes use both verbal and visual cues to talk. but because they don't talk every single time, it makes every moment that they do feel special. it reminds me of the Quiet Place concept, where most of the movie you only hear a human voice a few select times when it's safe to do so. Rise, Dawn, & War were kind of like this, as Caesar only really spoke when he was trying to make a point or communicating to humans, who are mostly speaking in those movies. he speaks more as he gets more fluent, and by War, he can speak very well. we see other apes like Koba, Maurice, Blue Eyes, and Bad Ape also speak English. these moments are rationed pretty well throughout Kingdom, making the dialog more select and meaningful. this makes every time these beasts talk feel like it means something and isn't just fluff to fill your ears. every other scene feels like it's building or showing a side of a character we hadn't seen before, and the scenes between those advance the plot or are like, really action-packed. i just don't see why some people say it has pacing problems. it's just long. i understand the average person's attention span is super short, but when you're sitting down to watch two and a half hours of movie, you gotta know there's gonna be downtime. moments where they're not fighting or advancing the plot. and i think that's GOOD man. but im also not one for action/adventures very much so maybe that's it? i think a lot of people maybe watch these apes for the violence and conflict rather than their introspection, genuinely thoughtful world building, and complex characters. and hey, that's completely fine to enjoy, but POTA is originally about morals and asking the audience questions and posing dilemmas to popular beliefs at the time. ok

Raka. he's great. Peter Macon has this butter smooth voice that's just perfect for the kind of character he plays. you can't help but like him. but he dies like 1/3 into the movie and is really only there to religion dump about Caesar (ape jesus) and then he's swept away. people are complaining that that's all he was really there for. to explain the real values of Caesar and provide a foil to Proximus. and i agree to some degree. i really hope he's not actually dead. his presence and death are felt throughout the movie, as both Mae and Noa (mostly Noa vocalizes it, Mae just silently shares in his loss and i think cries at one point?) seem to mourn him, saying shit like "if Raka were here..." and especially at the end when Noa gives the Caesar pendant to her. it's the shared memory of Raka and what he devoted his life to. but they never really like, actually linger on his death. there's a moment after he's swept away, and the shot stays on the rushing waters, Raka no longer visible and plays some sad tunes, but like. C'MON. he's not really dead. he isn't please tell me he isn't PLEASE

Noa isn't Caesar. i honestly do not get why you would want otherwise. of course, he isn't Caesar. we don't need another Caesar. he had a whole three movies to be the center of. i would be extremely disappointed if they just made a carbon copy of him or made Noa like a direct descendant of him or whatever. i hate that Chosen One bullshit. Caesar was just a guy that wanted peace for his people and that got him killed in the end. Noa is also a guy who wants peace for his clan. they're both leaders and have good hearts, but like. they're different characters. i LIKE that Noa has no relation to Caesar, i LIKE that he's his own character with his own ideals and purpose. Owen Teague does a wonderful job making the character his own. i mean Andy Serkis is Andy fucking Serkis. pretty big shoes to fill and i think Teague has the right foot size you know. i heard one guy say like "we've had our time to mourn Caesar" and yeah. we have. let's accept that and move on

WHERE MY APE DIVERSITY AT. we get a fuck ton of chimps, ONE orangutan, ONE gorilla, and ONE bonobo. what the hell. i mean. what is with the bonobo villian. Koba i fucks with because bonobos are some of the most playful, nonviolent apes out there. that humanity and its cruelty could twist a naturally peaceful creature into what Koba became.. i mean, that's great. but again with Proximus? maybe trying to evoke some of the same energy and nuance Koba had? ALSO. GORILLA PSA they are like so sweet. all that muscle is there to protect their families, and they're strictly vegetarians. i feel like Rise, Dawn, & War portrayed this better with most of the gorillas getting bodyguard jobs because of all their bulk. especially when Luca tucks that flower in Nova's ear. man. and Red going out like he did. gentle giants. in Kindgom we just have Sylva. gorilla henchman for Proximus. that's it. then we have Raka, the one orangutan character that i saw. wise and knowledgeable, guides and accompanies Noa and Mae then dies. at least we get one female chimp character that's more than just wife or mother. wikipedia lists Soona as Noa's love interest, which i can totally dig, like it's there. he takes her to the telescope at the end of Kingdom, which is more than what we saw romance-wise between Caesar and Cornelia. and the only other important chimp female is Dar, Noa's mom. in Rise, Dawn & War there was usually only one of each species of ape assigned a main role, but we saw much more diversity it felt like. maybe that's because there were smaller in numbers and have since spread out in the last 300 years? also like, bonobos are known for having female-female & male-male sex. dont know about the other apes. my friend mentioned that Raka said something about having a male companion and promptly searched reddit. all they had to say was: gaype?

the visuals. dear god the visuals. this movie is just visually stunning. absolutely breathtaking. they did a great job. i mean Rise, Dawn, & War are all triumphs of cgi and are excellent examples of the animation style done right. i did hear some guy say there is a loss of texture, as mostly everything in Kingdom is cgi, from the characters to the landscapes. but there's an explosion of texture in this film. there's one point where Noa is covered in the ash of his village and you can see it on his fur. there's quite a couple water scenes where the moisture clings to the apes' fur. It's all very impressive. great work

the references!! Rise especially has a ton of them (IT'S A MADHOUSE!!! & GET YOUR STINKIN PAWS OFF ME YOU DAMN DIRTY APE), and names like Nova and Cornelius, but Kingdom... i picked up on at least three main instances, but im sure there are more. there's the scene where the apes are rounding up the feral humans, and its very reminiscent of the scene from 1968 where they're doing the same thing for sport. there's the scene where Mae is running in the field, and she jumps on that log structure to get to Noa, which is nearly identical to a similar scene in 1968. the scene when Noa, Soona, and Anaya are exploring the human bunker and they come across an old classroom. one of them picks up a doll that says a distorted "Mama" which was huge in the original because that was evidence that once man did speak, why else would he make a doll that talked? superb call backs to the og. respect what was there before

SCHLONG THEORY

here me out guys. the starring ape-human relationship in Rise was between Caesar and Will. this type of love is called storge and describes the love a child has for a parent as well as the love a parent has for their child.

the starring ape-human relationship in Dawn was ultimately between Caesar and Malcolm. which i believe is truly philia towards the end, the love between friends and allies. just two dudes trying to keep peace in the world.

in War, i mean Caesar well and truly hates the Colonel. like more than he's hated any human in his life before. close to mania, obsession. anyways it's a study on this type of relationship between an ape and a human. true, all consuming hate.

SO in the newer movies we've explored familial love, platonic love, and hate, between an ape and a human.

in Kingdom the main ape-human relationship is between Noa and Mae. and their relationship is complex. not really that friendly and certainly not familial. no trust. some kind of begrudging respect maybe? i just think it would be neat if in further installments they explored a romantic love between a human and an ape. ok.

i KNOW Noa and Soona are probably going to get ape married and they're never going to touch on the subject but i just find it hard to believe that in the last 300 years or so that's NEVER been heard of. apes have the same level of intimacy between each other as humans do in this universe and can willingly consent. what are you so afraid of wes ball

after all, the whole franchise is about how apes, when given intelligence, compare to humans and begs the question: how different are we really?

is it possible for an ape and a human to fall in love?

#WILL talk about sentient apes for hours #straight off the noggin #kingdom of the planet of the apes #he was an ape #she was a girl #can i make it any more obvious #schlong rants

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theriverbeyond · 17 days ago

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arcane s2 act 2 THOUGHTS, overall I think this was a lot stronger than the first act --- at the end of the day arcane is a character and relationship (primarily sisterhood/brotherhood/parent-child/family) driven show above all else, with plot as a sort of loose secondary, so like, even though i DO have plot critiques they're feel a lot softer just because the arc was genuinely so enjoyable to watch on an emotional level. anyway #SPOILERS and critiques below. well more like one big excessively long critique but I spent ages typing it all up so here it is:

i think my big critique thus far is pacing and story planning. there is just... a lot going on, for a 9 episode show. like a LOT. like way too much. and I think this was obvious in the first arc, and better managed in this arc -- but that is largely because this arc wildly narrowed the focus. this arc totally left out Ekko and Hermidinger(i can never remember his name. the squirrel dude), the new enforcer squad were basically back to being background characters, and while Sevika, Jayce, Victor, Cait, Ambessa were all present/involved in plot, they all took a big backseat screentime-wise. This allowed the act to really focus in on Jinx & Vi, Jinx and Vi & Vander, and Jinx & Isha, which is of course where the arc really shines -- but it brings BIG concerns for act 3, where presumably we will be back to having a full plate of characters. So I expect the "too much going on" issue to be more obvious in act 3, which is disappointing because that's like, the finale.

following from the above, there's a lot of skipping around that feels very economical but also like.... WEIRD! like.... we are watching a highlight clipshow? or something? Salo gets told "hey check out this healer" -> next time we see him he is totally healed. WHAT? like sure i dont care about him as a character, but that just feels kinda.... like we are really squeezing in here huh!! and we go from seeing Victor heal one dude in act1 -> next time we see him he has set up a whole commune and is playing big jesus. WHAT???? we dont get to see anythijg in the middle?? what about Jinx and Isha reuniting after escaping Stillwater but before finding Vi??? etc etc etc? and sure those scenes would be not be necessary on a "the plot doesnt work without them" level, but these types of "TITLE CARD READS: 2 DAYS LATER, AFTER THE GANG SETTLES IN" situations are happening SO frequently in this season that it really seems like they have too much story to fit into the time they are given, and are now aggressively trimming anything they can so stuff will fit and still make sense.

Basically what I'm saying is the show feels like my twitter reads, where Im a verbose mf and have to aggressively abbreviate words and cut sentences and rambling when I tweet so it can fit the character limit. and sure I don't need all those extra characters and words to convey my full meaning but "economical with time" is not really the best compliment I could give a show. Like why do you have to be so economical. why are we pinching pennies seconds here instead of modifying the plot to improve the pacing.

shallow critique but the "Jinxers" all getting blue hair and pronouns and pink accents was weird. like..... Jinx has a lot of symbols, like the monkey or the shark or whatever, that they could have easily done something like that. and the blue hair is GOOFY!!! the only one who gets a pass is Isha, bc her hair clearly looks like a quick dye/paintjob, versus everyone else who looks like they went to a salon.

I think this is, again, an issue of screentime economics, but im honestly disappointed in the CaitVi reunion. it's not that I dislike the scenes themselves, but it all feels so... easy! fast! like their breakup felt so emotionally resonant and them making up felt so quick. I have my fingers crossed for Consequences (and fallout from both Vi's alcoholic era and Cait's rebound bedsharing) next act, especially based on the preview, but like.... we have so much other stuff to tie up I am just not sure there is enough time for them to really deliver the impact that the breakup promised.

I've been told that they always planned for 2 seasons and had everything plotted out beforehand but the pacing is... really weird for something they had so meticulously planned for two seasons. It feels a LOT more like they wrote a story they wanted to tell, they were then given 18 episodes in which to tell it, and they decided they liked their original story so much that they didn't want to cut anything even though 18 episodes is a huge squeeze for this number of characters/this level of plot complexity.

And I think the quality difference is SO noticeable between the acts that are tight and focused (like this arc here, or the original season 1 act 1 -- both were tightly focused around Vander family dynamics, with some B and C plots. Compare that to act 1 of s2, which feels like trying to the contents of an entire pringles can into my mouth at once)

Related to that, I keep getting the sense that the writers want Specific Events to happen -- they want Jinx to care for someone that represents Powder, in order to coax out that part of her again. They want Cait and Vi to pull a doublecross deception on Ambessa. They want Victor to lead a jesus cult. etc. And then they draw a line from A to B in the most efficient way possible instead of doing things in a way that feels natural or actually rewarding. And then of course the specific Thing they wanted to happen does happen, and they do it really well. And it going really well retroactively justifies the hamfistedness of the setup, but also, should it? I talked about this issue for s2act1 last time but it remains, so.

Anyway that ways just way too many words to essentially talk about one issue. But that one issue (pacing/story planning) just... seeps into EVERYTHING, and I spent a long time typing all that out, so.

This is a bit of a complimentary critique, but I think the wild pacing means that there is a LOT of feeling jerked around emotionally, and I think the show is doing a pretty good job at making that feel exciting instead of confusing, so props for that

Ok now for stuff I liked, because despite my Hater Energy I loved this arc. that is why I have critiques. Because I love it and wish it was better.

like I said, Isha's introduction felt really hamfisted but I can't deny her story crushed my SOUL this arc. I loved that she was nonverbal, I loved her growing relationship with Jinx and it all definitely got enough screen time for Jinx's character development to feel natural/real/earned. I loved that. I cried. oh my fucking god. I love the thematic parallels of it all and I love how it puts Jinx into the role of a parent -- this WHOLE show is about family. sisters and brothers and parents and their kids. this is what it is ABOUT this is why i love this SHOW aughgaaiudsadsafdkha

Jinx's whole character development and everything is so. I don't have brain to write more about it tn but im like. yeah. i love it a lot. she allows herself to try to be the big fat hero...

I love women. This was such a good arc for beautiful handsome women.

I was suuuuper skeptical of Warwick -- I knew from fan speculation the likely connection between him and Vander, and also that he was a big fuckoff werewolf, and I was worried it would all be too goofy but really loved this. Jinx's look of utter terror when she didn't know if she'd killed her father/sister again, the hug, Vander's head touch with Vi, his love for his children bringing him back from thoughtless rage... i loved it. i can't even think about that last scene oh my GOD

I did just complain about the CaitVi reunion but as a homosexual I loved it a lot. Like. It was hot. There was spit and handcuffs and wrassling in the dirt. the almost-kiss when Cait pulled the bag over her head was more intimate than a kiss. there was name calling.

I love Cait having a rebound gf/fuckbuddy. It is SO funny to me, it's an excellent characterization moment for Cait, it's great tension that will HOPEFULLY have payoff in act 3, it's incredible fodder for angsty erotic fanfiction that I hope will soon grace a browser near me. and i hope it influences the CaitVi NETFLIX SEX WARNING scene that will soon grace a TV near me. I hope it is so long it compels me to write 1k words complaining that it was an irresponsible use of screen time

Jinx and Vi teaming up is another thing that felt too fast for me but like, was retroactively justified by how good it was. LIKE!!! Vi protecting Jinx. Parallels to childhood. Their sibling fight. How Vi reached out to her and welcomed her into the family hug. I'm emotional

We finally got to see BLOOD like I'm not a gore person, honestly, but act1 was pretty bloodless even during violent scenes, and I was a little worried that it would just be like that. but NO!!! Warwick's massacre was soooo good and got that blood spraying

I really like how Silco continues to haunt Jinx, and I love the way the show is exploring her grief and like... that she doesnt know who she is anymore. ough.

LOVE Sevika and Jinx's heist/disguise scene, especially all the animation/art details. Like the way Jinx's disguise is so poorly fitted, it's so good. I rewatched that scene specifically like, 4 times

Pitfighter Vi 🧎

as always super interested to hear other people's thoughts, critiques, critiques of my critiques, if im missing something big, etc etc.

#media blogging #spoilers #arcane spoilers #trb.txt #this is so long... why am i so rambly. send post #hope i didt miss anything or make any big errors

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frenchgremlim1808 · 2 months ago

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So after being in school alone with my thought, i wondered the question no one dared to ask, what is my friends daily account activity? Do they really hold up as dailies? How much dailies account even in there? Did brody cause 9/11? All those questions went trough my brain like wildfire, and after a very long 15 seconds of thinking i too the harduous task of finding every single daily accounts and using the power of MATH to see their overall activity.

so follow me on my little rambling as i see the RISE and FALL of the yttd daily community

So lets say some ground rule, when i mean activity i mean that the blog has posted adn actual daily blog post and not just talked or respounded to asks, so for example brocoli respounds to asks but he didn't post a daily since a certain time. Rule understood, okay okay.

First part of this task was to fin every single daily blogs and look their last posts, and this was the longest part for sure.

forget my very bad typos this was written in a moment of euphoria. What we can see from this is that there is 1 billion blogs actually but also that a ton of those blogs are in fact desactivated. THose which are classified as today are actually yesterday post i just was very lazy to change it.

Second phase was to put them all in different categories on a exel sheet to see the overal proportions and see the average of month since a last daily was posted.

as we can see there is no joke 53 FUCKING DAILY ACCOUNTS. But more importrantly about 16 of those accounts are either gone and dissapeared out of the face of the earth or they are simply stated as inactive by the daily in question. The second largest numbers are didn't post in 8 months and 4 months.

third part was to make a graphical illustration of my point, so i made a camembert.

so yeah i'm not gonna do a big study but its pretty clear that if we only consider daily accounts who posted today or this month as actual dailies then we can consider all the others as inactive dailies.

What was the point of this you might say? Well i wanted to prove my theories, first off most of those daily accounts were in fact born from the brody genesis, so when brody created his daily keiji account. It became a popular idea and everyone impulsively created accounts. The thing is that having a daily account is not some funny bussiness its extremely tiring and extremly difficult, and since most of the yttd community on tumblr are teens to young adults, we mostly have school to deal with. So keeping up with pace is pretty much impossible. Second my guess was that honestly all daily accounts would burn out in two months, and i was kinda right. Yes the graph seems to show that they lasted longuer, but actually, this doesnt count the time of inactivity in betwens or the long breaks. Most account burned out after 1 or 2 months which is pretty logical. LIke dailyshinai/rune burned out in two month for example.

I think the overral if we did a competion winners would be @rekofan101 who posted for a year straight and just terminated being a daily on their own account and janice/ @daily-dose-of-bucket who despite longs breaks are still posting. The dailies had an immense rise at one point but the fall was even harder slowly has the accounts and trend started to burn out. As someone who is on a dailies account i will say out of the maybe 30 blogs on it only lik 8 are actually active and only 1 post regularly.

This is isnt' at all a judgement or anything but its an interresting depictions of how waves of trends affect certains populations.

Tho if i had to give advices to make a daily account it would be:

-make it a weekly, more time better results last longuer

-don't do it alone perhaps do it with a friend and alternate betwen one another

-if you have adhd, a job, memory issues or overall issues that will make it evn more difficult for you to make an account a daily, i would consider not doing it, instead perhaps just do a regular fan account like me

But anyway thank for reading my useless unemployed friend rambling and keep doing what you love!

#yttd #your turn to die #kimi ga shine #dailies #a very dumb post that will get no traction

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casp1an-sea · 4 months ago

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because no one seems to agree with me here are reasons why the acolyte is actually really good!

Nothing feels drawn out. A lot of people say things are revealed too soon or too easily but with a season that’s only eight episodes long I think the quick pace actually helps people stay invested. We don’t run into the issue of filler episodes that plague many other Star Wars shows.

It shows the inner workings of the Jedi, when they are at their peak, and in what ways they succeed and fail essentially highlighting what eventually leads to their downfall in the prequel movies

The story feels unique because it doesn’t follow any characters in the main movies and doesn’t have any unnecessary cameos from other pieces of Star Wars media, with an exception of Darth plagues, but it’s still limited to the point that it doesn’t feel unnecessary or like fan service. I personally don’t mind cameos, but they can take away from the mood of the show, acolyte does not have this issue.

also because the characters are not in any of the main movies, there’s an added tension, because we know these characters stories do not directly affect characters in later things in the timeline so we do not know what will happen to them, and it also gives the writers more freedom to do what they want as the story won’t interfere with a Skywalker Saga that way, it doesn’t feel boxed in or stretched to fit a certain narrative

The dark side is seductive. No this is not just me saying Qimir is hot, because while he is, that’s not the reason why it’s so seductive. He’s nice he doesn’t force Osha to do anything he lets her make her own choices because he knows that something The Jedi aren’t really allowed to do so he’s offering her something new, the opportunity to find herself rather then find what others want her to be. This is how the dark side should be feared yet tempting.

The good side doesn’t win. This is more of a personal choice, but I just think it makes it feel even more unique.

The light saber fights are amazing

This isn’t to say there aren’t any issues with the show, but every show has issues. I think a lot of people went into the show already thinking they were going to hate it and that tainted their view of it I’m just tired of people missing the point of the story because they hyper focus on it’s flaws. Star Wars has made much worse things I promise.

#the acolyte #the acolyte spoilers #star wars

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hallowpen · 4 months ago

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There was a lot of destructive criticism surrounding My Marvellous Dream is You, but I actually thought the series was quite good despite its shortcomings. I'm a lot more forgiving than most when it comes to Thai GL series, and that will have absolutely affected my viewing experience. But... every time I would see a comment that just read "This is boring/terrible/stupid" without ever elaborating, I felt very much like Khun Pu's character from Be My Favorite hehe

*WARNING*: There will be minor spoilers for the final episode of My Marvellous Dream is You, should that be something you wish to avoid.

I will be the first to admit, that I was very skeptical about this series in the first handful of episodes. So let's just get my personal negatives out of the way first... I think, by now, it's no secret that I do not support where a lot of Thai GL adaptations source from. So, this series already had an admittedly disadvantaged subjective expectation from the get go. It wasn't really surprising to see pacing issues within the first 5ish episodes, that seems to be a common occurrence in Thai GLs produced by IDOLfactory. Whether that is a result of the novels the series have thus far been adapted from OR from a choice in direction is up to you. I, personally, think it's a bit of both. Where I believe certain productions struggle in letting their narratives breathe, I find the complete opposite problem to be true with IDOLfactory. There were a lot of plot points that needed restructuring or to be removed entirely in order to have a stronger cohesive story that focused on the main characters' relationship more so than it did.

Now, while I stand behind my opinion that the series could have benefited from tighter and better organized storytelling, a lot of the groundwork was there to make a decent character driven narrative. And that's what I've chosen to focus on. Wan and Kim are both deeply flawed characters. There were so many inferences to be drawn from character relevant visuals and their joint backstory that truly informed their current dynamic.

The👏🏾character👏🏾focused👏🏾visuals👏🏾in👏🏾this👏🏾show!!!

One of the most interesting parts of watching a series, for me, is having to pick up on certain character cues in order to understand and delve deeper into the core of their behaviors.

Wan and Kim share a trauma, and it's easy to see how they both became so dependent on one another to fill the void their fathers left.

In flashbacks, Wan is presented as egoistic and headstrong since high school. She is also shown to be extremely protective of Kim before she even realizes her feelings. Kim, on the other hand, is a bit more sensitive. She cherishes Wan's attention and affection to a point where she would be willing to play a little dirty in order to keep it for herself.

All of these emotions become heightened once they are forced into adult life with adult problems. Wan is struggling with her mental health. While trying to balance fame and the repercussions her actions might have on her career, Wan must also deal with her mother's alcoholism... which has essentially caused her to check out from Wan's life. Her need to have Kim by her side, and never leave her, has become less protective and more possessive. Kim's desire for approval and affection has led to an over devotion of herself to Wan and constant worrying about disappointing her mother. She's neglected her own wants and needs for so long, that she's afraid putting herself first would be considered too selfish...too much like her dad. Her mother's cancer diagnosis further pushes Kim to continue to place her mother's wishes over her own desires. Even though comments about Wan and Kim being 'annoying' or 'frustrating' were aiming to be negative... they weren't exactly wrong. The audience was supposed to feel that way. Heck, even the surrounding characters called out their behavior on more than one occasion. Because in an effort to not lose one another, Kim and Wan fell into a cyclically unhealthy dynamic where their actions and reactions were actually pushing each other away. Their inability to communicate their true feelings to each other beyond their (unbeknownst) shared dreams prevented them from making any true progress toward a romantic relationship that they both so desperately wanted, but were each terribly afraid to pursue. Their feelings for each other were put up against the reality that their love being unreciprocated could spell the end of their relationship altogether. There was an added pressure of being unfairly compared to their fathers, where any romance between them might be found 'unacceptable'. Couple that with societal views of same-sex relationships, and you can understand why these two were so hesitant to reveal their truths.

(Quick sidenote: I did not agree with the idea that what Kim and Wan did was exactly the same to what their fathers did. They did not leave and abandon their families. Marwin didn't make it easy for them, and given the glimpse we saw into his family's cruelty, it made all the sense in the world to have him react in the way he did. Kim and Wan were at least willing to stay and face the hard consequences of their choice, no matter the outcome.)

I think them having to work through all of their issues made the moment of Kim and Wan finally deciding to be together that much more satisfying... And that was the point Kru A was trying to make when he explained his direction for their relationship on social media after hearing viewer feedback (He was subsequently rudely criticized by interfans for that decision, to the point where he alluded to the fact that he might take a break from directing... but that's a whole other discussion).

That final scene of them being married purposely not clarifying whether it was in a dream or in reality alluded to the fact that their shared dream world and their real life were no longer at odds, finally. I thought it was very fitting.

The frustration caused by KimWan's lack of communication reminded me of a similar dynamic between Team and Win in Between Us, a series that suffered from a lot of the same problems (not enough focus on the two leads and irrelevant plot points). However, those characters and the actors that portrayed them didn't receive even half the amount of negative reactions. They existed, trust me, but there were a lot of positive reviews to balance it out. I'm not going to get into what that means, because I think you can make the inference for yourself.

All in all, I don't think this series deserves to be completely written off. Is it perfect? No... but an effort was made, and it wouldn't hurt to make the effort in return to understand the vision. Fay and May did an incredible job for their first go around as main leads. And I hope they get the chance to develop their craft further.

#kimwan #wankim #my marvellous dream is you #dream the series #i urge anyone to give this series a fair shot before making any final judgements #koda watches gl

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