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estellamiraiauthor · 2 years

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The Stars May Rise and Fall: The Annotated Re-read (Chapter 11)

Welcome back to the silly project where I re-read my own book and comment on various things, like what was based on real life, what was totally made up, what I’d do differently if I could do it over again, and more! Spoilers abound, including spoilers for chapters beyond this one, so only click if you’re OK with that, thanks!

It’s starting to feel like these early chapters are following a pattern… Teru sees Rei, something happens to make him feel like shit, so he goes back to the band, and something happens to make him need or want to see Rei again? Maybe it just feels repetitive because I’m reading each chapter two or three times in a row now to annotate them?

Anyway, Chapter 11 picks up right where 10 leaves off, with Teru heading back home after the disastrous kiss and trying to distract himself again. There’s a sumo tournament on TV—this would be the Heisei 12 (2000) Nagoya Basho, I did make sure to get a sport that would actually be being aired on that particular day. (I like researching stupid details that no one is ever going to notice WAY too much.) And a soap opera about “a mother estranged from her gay son”—this almost certainly did NOT exist on Japanese TV 23 years ago. Even now, if there are ANY canon queer characters at all it’s like, a side character who has a crush on the MC but never gets a happy ending of their own. (Yet anime has queer characters, and has for a long time... it’s OK if it’s a cartoon or something? I have no ides.) But that was a creative liberty I wanted to take, just to remind Teru of what he was trying not to think about.

Unable to find anything in his apartment to distract him, Teru heads to the studio early and rents the room for an hour to pound out his frustration on the drums. I really like this scene because it’s one of the very few times we actually get to see Teru play the drums, and even though “having fun” isn’t really the word I’d use here, it shows that music isn’t just a career move for him, it really is something he enjoys and uses as a release.

Like Rei often isn’t really mad at Teru, I don’t think Teru is necessarily mad at Rei here… he’s really angry at himself for spending so much mental and emotional energy on something that won’t go anywhere, that CAN’T go anywhere (as far as he has convinced himself at the time). But it’s easier to direct that anger at someone else, or just pound it into the drums?

Then Minori shows up for rehearsal, and says they have a lead on a new drummer, if that’s OK with Teru. Teru is again sort of wishy-washy in his response—sorry? And I think that’s partly BECAUSE things didn’t go so well with Rei. He knows that Rei wants him to keep singing, but isn’t sure whether or not he wants to give Rei what he wants at this point.

He DOES, however, actually give the band the minidisc with the new song Rei gave him the night before of his own accord, thereby perhaps becoming more of a Proactive Protagonist? Just a little?

MINIDISCS. Can I go on an aside about minidiscs? They were fabulous. You could put about 3 average-length CDs on one, and the portable players didn’t skip as badly as a Discman would. They weren’t usually used for selling commercial music, but a lot of people would put their favorite CDs (or demo tapes) on MDs for portability, use them to make mixtapes, or, in the case of musicians, to record their own songs. Definitely a nostalgia thing for me, but historically accurate!

Seika comes in, joking as always about the “wonderful boy” he spent the night with—this is definitely a defense mechanism. I think all of my characters have defense mechanisms of one kind or other. Rei acts like an asshole and pushes people away so they won’t have a chance to reject HIM. Teru replies to every question with “I don’t know, whatever you want,” because he can’t be disappointed with the way things turn out if literally anything is OK with him. Yasu acts like everything’s a joke, including himself. And Seika can’t really “pass” as straight, so he turns the camp factor up to 1,000, and that’s totally a shield. But this time, the “joke” kind of hits too close to home for Teru.

After rehearsal, they listen to the MD. This is the second time Teru has heard the song, and he internally comments that the first time, he was really only listening to the melody and the contrast between the operatic vocals and the really heavy backing track (nod to X Japan, anyone?), but the second time around he can enjoy the details. One of my very, very first readers left a comment on that line and said something to the effect of “I feel the same way reading back through this to leave comments!” and that was one of the nicest things any of my readers have ever said!

So, in terms of details to notice when we go back through this scene… Teru notices that all of the instruments are real, not synthesized—someone played this live, and it couldn’t have been Rei. While it IS possible to play the guitar with one hand (see this dude, he’s amazing!), I think that A) Teru simply doesn’t know that and B) I’m not really sure if it’s possible to play in a more metal style just by using the tapping techniques I was able to find... but mostly A. This is Teru’s point of view, and he doesn’t think there’s any chance that Rei could play what’s on the MD. Yasu comments on it too, saying Rei is a pretty good guitarist, but it’s clearly framed as a question, and Teru doesn’t really have an answer to this—he doesn’t know who’s playing on the recording either.

Now, you are absolutely free to headcanon this however you like. No one ever answers the question on the page, and I’m a fanfic writer, too—I absolutely left some things intentionally open to interpretation so people could have fun with it. But in my mind, at least, this recording is old. I don’t think Rei is going out and paying studio musicians to record demos NOW; either it’s his old band playing, or maybe he played everything himself before the accident. Personally, I think this is Rei’s old band, including Saki, on a song that they never got to officially record that Rei now wants Teru to perform, instead. Although, again, you are free to interpret it as you like!

Anyway, the band goes out to dinner after the show and decides to let the prospective drummer audition, with Yasu joking about Rei’s incredibly difficult songs with “Drummer wanted. Must be willing to dislocate own neck on demand.” (Very obviously a nod to Yoshiki, who I think actually BROKE his own neck playing the drums?) And they also decide to submit a demo to an “omnibus” CD.

So an omnibus CD is basically a “various artists” thing, and there were quite a few of those back in the day. It would be a good way for a lesser-known artist to get some exposure, because you’re going to sell copies to fans of ALL the bands in the track list, and maybe get some of them to become your fans as well. So, a pretty good career move if they get selected.

Minori also reveals that they’ve sold 19 tickets to their upcoming show, a pretty good number for an indie band of this caliber, and MUCH more than they’ve sold before, and… the REAL good news, that a magazine called Shokker (obviously a stand-in for the real-life visual kei magazine Shoxx) wants to do an interview with them. They talk about the cover for the album, and then Yasu asks about Teru’s date with Kiyomi.

At this point, the date with Kiyomi always seems really far away at this point, but in-universe, it was literally THE NIGHT BEFORE. Teru also comments that it feels like a long time ago, and gives kind of a noncommital response when Yasu asks if they’re going out again… and then Yasu accuses him of “never knowing what he wants” which is honestly pretty fair. Teru has not really thrown himself totally into the band, and he hasn’t really thrown himself fully into either of his prospective relationships at this point—Yasu tells him to decide what he wants and go for it, not knowing what he’s REALLY advising Teru to do.

And then at the end of the chapter there’s a little scene where, after Minori and Yasu (who live in the opposite direction, away from Shinjuku) leave in Minori’s van, Teru asks Seika to join him for a coffee, and asks Seika how he knew he was gay. Seika says it wasn’t so much about realizing it but admitting it to himself, after he tried to date girls, and Teru admits that he kissed a man (but doesn’t say that it was Rei). Seika was always supposed to be the “gay friend,” but I’m glad he turned into such a well-rounded character. One little thing that gets slipped in here is that Seika lives in Koreatown… supposedly because the rent is cheap and he can walk to work (which we can assume is in Shinjuku 2-chome, where most of the gay clubs are concentrated). Of course, it’s not unheard of for someone who isn’t Korean to live in Koreatown, and for all Teru knows Seika COULD be Korean (a lot of the Koreans in Japan at this point are the children and grandchildren of people who were abducted during World War II, so Japanese is their first language and if they go by an alias, you’d never know they were Korean unless they told you). But we’ll find out later that he actually has a long-term Korean boyfriend. That isn’t revealed until MUCH later, and was actually something I added in a later draft—Seika acts like a playboy, but it really is all an act. He’s committed to and very much in love with Sung-min, and I think that dating someone who is a part of a discriminated-against minority, he would’ve had a bit of a learning curve when they first got together as well, and is therefore in a position to give Teru advice and sympathise with some of the hurdles he faces in the beginning of his relationship with Rei. Of course, neither of them knows who the other is dating yet, but Seika is still kind of helping Teru discover himself, <3

#the stars may rise and fall #annotated #writing process #ocs #nostalgia

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absolutebl · 2 years

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I saw you reblogged a few posts regarding subtitles and how they’re often not really the ~best~ lol. It reminded me how when Semantic Error was airing, some people who knew both English and Korean were a bit annoyed and/or confused at how the show was subbed because it cut out a lot of the more cheeky/rude and explicit language (in addition to there being some inaccurately or awkwardly translated dialogue). This seems to be an issue across countries too! I wonder why it happens. Things being inaccurately or awkwardly translated could just be from subbers not being proficient enough in one language to translate and keep the same meaning and make it flow in the translated language. However, I find the cutting out or censoring of bad language to be kind of odd and I’m curious what the thought process is there. That doesn’t seem like just translators who haven’t mastered the skill, it seems more intentional, but I can’t figure out why they might do it!

Why Are Subs/Captions Censored? Or different? Or inaccurate?

Yeah, those of you who got the GaGa subs for Semantic Error reportedly got better swears, but less accuracy in other regards. I only saw Viki's subs and some screen caps.

This was one of my favorites off GaGa:

And I *think* it is straight up a wrong translation.

Also there was this bit of Cutie Pie:

That was challenged by the bilingual community, then re-captioned so now this version doesn’t even exist any more. (Or something like that, I wasn’t paying very close attention.)

So why does this happen? Why are they different? And why no bad language (I get to that in #4.)

Sub Challenge # 1 - Cultural Depth & Nuance

Okay so I had to do a whole post about Daisy and Intouch’s language nuance in ONE SCENE in SCOY in order to explain what was going on in just 3 sentences. The translator even copped up to how complicated it was.

That’s just how it is sometimes with language. There is too much nuance. There actually is no way to do a direct translation.

Sometimes subbers or sub teams do put in comments saying this kind of thing. The Stay subber for Kingdom LW on Viki is hilarious. And do you any of you remember... who was it? PinkMilk? Back in the day, who did 2 Moons grey for us? What a HOOT those subs were. I kinda LOVE getting little footnotes on language and personal commentary. But I’m warped. Where was I?

For Semantic Error there was much discussion over the yaja time scene. (This is the beginning of ep 7, drinking together in the bar after hours right before the BIG kiss).

Viki translated it as “let’s be frank.” But actually yaja time is more complicated than that since it involves linguistic register shifting and role reversals. It allows the younger person to be more frank (and impolite) without consequences... or supposedly without them.

I hope you can see how this is also an issue for idioms, puns, word play, sarcasm, and humor. The translators may have English as a second language, or be translating from their second language (so the may know one idiom but not a good English one to translate into). Also the country they live in/are originally from influences them and how they translate.

Sub Challenge #2 - Platform Philosophy

The platform’s source country may make a difference in its “house rules” and subbling policy. Viki is a Japanese company, YouTube a US one, and GaGa comes out of Taiwan. But how they source subs also makes a difference. Is the subber a volunteer, a team, hired by the studio, or hired by the platform?

So Viki (mostly) does subs by volunteer teams, this means certain things are mutually agreed upon, they try to make their subs less open to interpretation but it means they can flatline, getting kind of muted. In other words their subs in English can come off as bland and businesslike - subs by committee. Also they are usually in a rush to get them uploaded fast, and can be haphazard. They had access to a lot of Korean and Japanese subbers, but not so many from other languages.

GaGa either buys ready subbed, handles them in house, or hires professionals, which means (mainly) one person is doing most of the subs for that one show. Like a translator hired to do a novel. Which means that person’s voice style will permeate their subs. Also any chronic mistakes or non-standard choices they make will carry through. You can notice this if the subber has a tick (something they never learned correctly in English).

So, for example, I think there is basically one eng subber for GMMTV who cannot let go of pluralizing the word “works.” As in “I have to go do the works now.” I mean, it’s awful cute but also, hot tip, we never say that in English (outside of ladies doing “good works” in Victorian London). They occasionally do “childs” too. Dek dek. So cute.

A lot of Thai and Vietnamese BL is subbed by someone hired by the studio, or on staff at the studio (in house). There are even some Thai actors who helped proof their show’s eng subs. Pavel is rumored to have helped with 2 Moons 2, and, of course there’s this gorgeous man:

This is why there are indie subbers who have fans, who follow them around and tip them and watch everything they translate, because the LIKE the subs.

One of my favorites is irozuku.

Sub Challenge #3 - Registers

How to translating honorifics, shifting pronouns, and polite particles from a language that has them to one that doesn’t?

This is a big one for many Asian languages into English. Since English no longer has registers (we used to, see thee/thou), but most Asian languages do have them (at least formal and informal registers if not more). Registers are indicated by the use of honorifics and polite particles, but also by use of slang and rude words, changing pronouns and titles/modes of address, and grammatical arrangements.

Base level explanation of registers for English only speakers:

Think about someone using baby talk and how different that is from “normal” English. Now imagine it’s not just for babies, that you have one way of speaking for someone older than you, another for someone younger or equal; sometimes one mode if you are female, and another if you are male; one if if you are with your parents’ generation, and another if you are meeting royalty; one way of speaking in business or with professors and another when you are home or with friends.

Viki seems to just translate all honorifics (from Japan to Korea to Thai to...) to the person’s first name in English. So if the boy calls his older lover phi or P’Dean, Viki just always writes Dean. If he calls him sempai, sensei, sunbae, hyung, hia, whatever... Viki has just unilaterally decided to make it the first name. Which is very odd for Japan in particular, where first names are almost never used.

(I actually really LOVE the translator of Love By Chance on YT, they left many of the particles and honorifics in, so you can read them and start to learn.)

As a result, unless it’s a plot point they don’t both to explain that register shifting is occurring, and even then... you kinda gotta know what you’re listening for.

So like sunbae versus hyung in Semantic Error is a big deal. (And if there is any sluttier execution in existence than JaeYoung’s yaja time hyung to SangWoo I need a link right TF NOW, for science.) But unless you’re hearing/notice SangWoo call JaeYoung sunbae the whole time and then drop to hyung only at moments of key significance/emotion, you don’t realize that hyung is important or why.

In Love by Chance the subber chose to explain Ae’s use of Koon Chai* for Pete, thus saving us all from confusion, but in KinnPorsche they chose not to explain Khun Nu for Tankhun and just look what happen to my inbox!

* Khun Chai’s a bit like Little Prince, or the UK’s old fashioned Young Master. Also Ae add’s Ai to the front which means equal/friend/peer but also is a bit rude and casual. So he amended a formal title with an informal honorific.

Translators have to decide whether to go for accuracy or precision or a compromise between the two. And they’re given like one sentence or so to explain themselves if it’s a plot point. See challenge #1, that’s not enough space.

Sub Challenge #4 - Profanity Censorship

Possibly not “exactly” censorship but basically certain platforms, distributors, web hosts, searching platforms, and integration software programs come loaded with (or subject to) profanity (AKA modesty) crawlers. I’m only familiar with the USA ones but one of the things they hunt for is... you guessed it, swear words.

Now these can crawl captions that are soft subbed (uploaded as a separate file) but not (really) those that are hard subbed (encoded as part of the image). They are looking for bad/blue language, and they find it. They were designed (originally/ostensibly) to catch porn and sex work (*clutches pearls* protect the children!) and not for moral reasons but for in-country (and intrastate) compliance reasons (the platform doesn’t want to be sued, so many platforms police themselves *waves at google*), but are now actually being used to find unlicensed IPs (the platform doesn’t want to be sued).

Did I mention the suing part?

Here on Tumblr you can imagine this as just like the tagging wars. The crawler has a list of keywords and they just flag up anything that triggers them.

The product (video) is “punished” for its infraction in various different ways (depending on the platform);

On YT, for example, a video found to contain swear words can be flagged with a notification for contestation (channel has to take action within a certain time frame), or the whole channel could get removed, or that one video could get blocked until fixed, etc... resulting in major loss of revenue.

Some BLs will simply have a few episodes behind an 18+ mature rating (the kind you have to click on, Cutie Pie did this) to avoid issues with visual content. But that can detrimentally impact your add revenue, and sponsorship deals. (Watches certain brands clutch their pearls.)

But for subs?

It’s a hell of a lot easier just to not use the word fuck. It’s just one word, after all.

Now, I would expect a platform like GaGa that specializes in high heat content just not to care much. But they also might want to be careful of pissing off host countries, and subs are easier to crawl than imagery, so they might just have a house policy in place (style sheet) not to bother with bad language, too much of a hassle for not enough reward.

For example, I’m sure as shit not tagging this mf post with “profanity” “censorship” or even “YouTube” because i don’t want this post to be flagged or attract the wrong attention.

Sub Challenge #5 - The Pay

I don’t talk about this because I don’t know any subbers personally, either pros or fans. I do number a few literary translators among my friends but it’s materially different in the publishing industry. Some discussion here.

(source)

#bl caption #kdrama caption #linguistic registers #thai language #korean language #cutie pi #semantic error #love by chance #aepete #GaGaOOLaLa #Cutie Pie #Cutie Pie the series #thai honorifics #korean honorifics #KinnPorsche #rakutan viki #viki #2 moons #2 moons 2

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idw-sonic-fan-blog · 3 years

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The Mandates

Just wanted to share my thoughts on the pro-ported mandates because they cast a shadow on this comic.

“Game characters cannot have relatives unless they were estabilished in the game canon, i.e. Cream and her mother.”

This one is understandable and you can blame Penders for this. Mind you that most licensed comics of gaming franchises don’t actually delve too much in personal family relationships or expand on them. So this is expected and honestly Sega should have put the screws on Archie decades ago about this.

“Game characters can not die. There are workarounds for this, such as being Mistaken for Dying or "Mistaken For Dead”

Again. Yes. Not a big deal.

“Game characters cannot have wardrobe changes unless approved. Chao Races and Badnik Bases has some characters (mainly the female game characters) wear different clothes for extreme conditions. Male characters remain the same.”

This is a useless rule but whatever. I mean Sega, you are the ones putting bad wardrobe choices on the characters so again it’s whatever.

“Sonic can't be shown getting too emotional (i.e;cry)”

This is one that it complained about because it really wouldn’t matter unless it is called attention to. A lot of superheroes don’t cry. But that doesn’t prohibit them from expressing themselves. IDW Sonic has been sad. He has been pissed. He has been furious.

Is this not too emotional?

Is he not expressing himself appropriately?

I don’t even know why this is brought up. When in this comic has Sonic not been expressive or displaying the appropriate amount of emotion? When did Sonic needing to cry be necessary?

“Game characters cannot enter in a relationship.”

Oh GOD YES. Don’t threaten me with a good time.

“All major Character Development must be approved by SEGA.”

Yeah, of course. Let me remind you that Penders and Archie ruined any strand of trust Sega could have in comic media. They played loose at first and all of the sudden, they are involved in a lawsuit about characters in a Sonic comic that they didn’t even know about. They probably lost a video game business relationship because of it. If they want to be involved in the comics, fine. That means that they are now forced to World Build. They have to invest in it now and not just be like Lucas Films and let anybody do anything with their flagship title.

“Much like the post-reboot of the Archie comic, the words "Mobius" is banned—the planet is simply called "Sonic's World". Unlike the Post-Boot, which allowed the names "Mobian" and "Mobini", anything related to Mobius is banned in this comic.”

…Of course but how about you throw the writer’s a bone and I don’t know, name the fucking planet. If it is not Earth, give it a name.

“Sonic must always win at the end. Even if he and his friends are at the losing end in an overarching story (the Metal Virus arc, for example), they must come out on top when it concludes.”

I don’t even get this rule and the knee jerk hatred for it. Why even have it? Why even share the existence of this rule? Archie Sonic didn’t really lose too bad. It’s more on how you frame a victory. The fact of the matter is that Eggman is still actively trying to conquer the planet. Sonic stops him but Eggman still has control of land and has military installations all over.

This rule is offset by this. While Sonic can’t lose, Sonic can’t completely win.

“Characters and material from other licensed properties (Sonic the Comic, Sonic the Hedgehog (Archie Comics), Adventures of Sonic the Hedgehog, Sonic the Hedgehog (SatAM)', Sonic Underground, the OVA, Sonic X and the Paramount films cannot be used. This rule extends to characters and redesigns done by the current writers. The only exception is Sticks from Sonic Boom, and that's because she was created by SEGA themselves and showed up in non-Boom media, but any ideas regarding her use still need to be okayed by SEGA.”

First off I am glad that Sticks was spared by this rule and I look forward to her eventual inclusion. Second, again, this is not much of a big deal as it was expected. Sorry Freedom Fighter fans but honestly deal.

“Male characters, sans Eggman, can't wear pants, which was also a thing in the Post-Reboot, albeit never explicitly stated. The inverse is also true; female characters have to have some form of lower clothing.”

Okay this is a pedantic rule. It is so weird with how precise it is. Like…huh?

“Classic characters such as Mighty, Ray, Nack/Fang, Bean, and Bark won't appear in non-Classic issues, as Sega doesn't want Classic and Modern Sonic to mix.”

One of the most bullshit mandates fueled by the nostalgia boner fans created. Like this is stupid because Archie Modern Sonic has added more character and depth to all of these mentioned characters than any of the Sega Sonic games they appeared in which only amounts to 1 or 2 at most. Why neuter your own potential stories with this stupid limitation?

“According to Ian Flynn, a specific incident involving Shadow's characterization when he's exposed to the Zombot infection was written in a specific way because of Sega mandating that he be written as an "overconfident asshole rival" character, similar to Vegeta. He later followed up with an explanation that out of every character, Shadow has the most mandates and notes attached to how he's portrayed. According to the podcast, Sega says that Team Dark is no longer a thing. The three members are not a team and they have never worked for G.U.N.; Shadow also doesn't even consider them friends.”

This is my opinion is the worst rule. First it’s contradictory to the character Sega introduced us to. Stop trying to be like Dragon Ball for once and actually be your own thing. It’s one thing if we are changing it because Shadow was unpopular because of his personality. But no one likes this Shadow. People miss the somber but reserved Hedgehog that continued to fight in spite of the world betraying him. Hothead Shadow is a cheap Knuckles. And I don’t even understand why Shadow even has so many mandates when he wasn’t the most egregious offender. Knuckles was.

Also, Team Dark aren’t a thing and Shadow doesn’t even consider them to be his friends. First off that doesn’t even fly in your own games. Who outside of Sonic does Shadow interact the most? Rouge. They have teamed up and were a packaged duo since their inception. When Shadow appeared, Rouge appeared right next to him. If Rouge was in a game, so was Shadow.

Team Dark or just Rouge has fought alongside Shadow in every game they appeared in. Who else does Shadow talk to if not Rouge?

“Sega has stated to Flynn that only male hedgehogs are allowed to go Super with the Chaos Emeralds.”

Except in Sonic Mania.

“Ian isn't allowed to directly reference a game, since the comic is supposed to be its own thing.”

Okay. Not only is this rule stupid. But it’s untrue.

This references the end of Sonic Forces.

The first page of comic.

It has referenced Sonic Adventure, SA2, Sonic Generations , and Sonic Unleashed.

This referencing Shadow the Hedgehog.

I don’t believe this rule exists and even if it did, it is dumbest rule since the whole point of this comic is to base it off the games more. The dumbest rule.

“Knuckles is not allowed to leave Angel Island unless he has a very good reason to.”

For decades, people have complained that Knuckles routinely leaves the island. For decades. Now does this mean Sega is going to 1. Use Knuckles and 2. Amplify the importance of Angel Island and the Master Emerald? No. Again, this criticism should be levied at Sega because they often conveniently forget Knuckles purpose and just hand wave it instead of giving Knuckles more to do on the island like I don’t know, have other entities invested in attacking him.

In summary, here is what I think is going on. Do I think most of these mandates are real? Yes. Given what happened to Archie, I do think Sega is doing some brand alignment. I think they got the clamps on.

But what I think is going on is a Japanese cultural thing called Power Harassment. It is normalized abuse of power. Sega of Japan is normally laxxed about their brands. They don’t mind blatant rip-offs of their mascot nor do they get stiff about fandom creations or mods. The comic division, however, is getting tough love because not only did it cost them a publishing deal, but ruined a relationship with a high end developer. So the IDW writers and staff are being subjected to intentionally hypocritical rules and strict mandates that they know don’t make sense until they’ve shown to be obedient.

A lot of the mandates aren’t strict. But some are so asinine that I don’t think they aren’t aware with how stupid they sound imposing those rules. Like Shadow is the most narratively complete Sonic character and yet, Sega puts this tight mandate as if Archie Shadow was the most egregious thing. Archie Shadow was overpowered. He wasn’t out of character like Sonic, Knuckles, and Tails were. They can’t be that stupid or be that intentionally dense. So they want to see if the writing crew can follow orders. That’s it.

But that’s just my take.

#idw sonic #sonic the hedgehog

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aeolian-mode · 4 years

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my grievances with BNHA

(Spoilers below) I’m long-winded today cos I had some Thoughts to get off my chest in regards of how I feel about the storytelling of BNHA.

TL;DR: I don’t think Horikoshi understands the value of ma. Maybe he believes that his target audience would grow impatient, and I have to remind myself that BNHA is a shonen and is made for young people and my storytelling tastes probably aren’t what he’s marketing towards- but I still think there is a lot that could be improved about BNHA if Horikoshi spent a little bit more time in the slow moments, and valuing the emotions and relationships of the characters instead of rushing to the next plot point. He also made way too many characters, which is typical of shonen, but the more characters he has to cover, the harder it is for him to provide content for all the people who have picked a favorite character out of the sprawling cast. Everyone is forced to find satisfaction in table scraps, but if he stuck to a strong core cast, there would be plenty to go around. Long version:

"Ma” is an extremely important storytelling concept. Ma is the Japanese word for 'negative space.' In visual art, negative space is the empty places on the canvas where there's nothing important to look at. After all, if every single square inch of your canvas was filled with something exciting to look at, like character faces or action scenes, your illustration would be very hard to take in at a glance, there'd be no distinction of character silhouettes and nothing would be readable. The same concept applies to storytelling. You need ma to achieve a greater emotional impact when the heavy, loud moments occur. Let's take a look at how Hayao Miyazaki of Studio Ghibli writes ma. In My Neighbor Totoro, 80% of the film is slow-paced slice of life moments where two sisters explore their new house, and discover supernatural creatures living peacefully beside them. Then, at the end of the movie, something distressing and horrible happens to the two sisters' mother, who has been hospitalized since the beginning of the film. The film's final 20 minutes or so are about them discovering this distressing event, and the emotional climax of the film feels extremely powerful because we were given time to live with these sisters, observe their peaceful daily life, and grow attached to them. Suddenly, something important to them became jeopardized, and we care.

Miyazaki often uses ma with food. Characters cook for each other, or eat together. The detail of the food in the animation is often exquisite. Miyazaki and the Ghibli animators want us to notice the way light refracts through the glossy surface of an egg on toast, or the lines of fat on bacon sizzling in a pan. He wants us to exist in these quiet moments of daily life.

I can't tell you the last time My Hero Academia actually had an extended scene of ma. Maybe it was the bench scene, where Eraserhead and All Might share a moment. It was a powerful scene in the manga, and it was powerful because it wasn’t about the plot at all. It was about the intimacy between two characters who have grown close over shared adversity, and All Might struggling to find purpose in his hard life. After this scene, however, the story has been one distressing event after another without any breaks to breathe. And, since it has so many characters, it has failed to prioritize the emotions of significant characters. How did Eri feel when Aizawa was maimed? Who is watching her? How did Inko feel when she saw her son mangled, even after All Might promised to protect and raise him? How much raising has All Might actually done in Midoriya’s life? It seems every time the two of them have a conversation, it’s about One for All, not about Midoriya’s growth into manhood or his emotional development as a suffering teen who’s picked the world’s worst profession. Will we get assurance on the safety and wellbeing of favorite heroes like Fatgum and the Big 3? Will Mic and Aizawa properly grieve Midnight? What about the rest of the UA staff? How does Nezu feel when UA was turned into a safe haven for civilians? How have the parents of all these students processed all this grief? How has Class 1-A handled their painful struggle? The story has been, instead: >heavy, distressing, lengthy action sequences where everyone is hurt >immediately following that, a prison breakout >immediately following that, scattered moments of characters in a hospital with dramatic flashbacks of their lives and burdens, yet none of them fleshed out to their fullest potential because there’s too many injured characters >immediately following that, heavy and intense emotions all focused on the plot of One for All, yet All Might is a mute ghost and has no actual bonding with Midoriya since they don’t even speak to each other >immediately following that, more heavy and intense emotions as Horikoshi rushes to show that Izuku is gone and has slapped together letters about his departure >immediately following that, more villains attacking heroes and civilians because of the prison break. There has been no ma. We haven't had a single quiet moment that isn’t focused on bulldozing into the next plot point or action sequence. What about a scene like Eraserhead sharing a meal with Eri, or talking to her calmly about life? How about the neglected characters like Fatgum and the Big 3 recovering in their own way? How about the moms of all these hurt children actually coming in and getting involved in their lives? How about the students of class 1-A trying to do something fun to diffuse the tension and show how they have grown close as friends or a found family? Sometimes Horikoshi tries to show ma in tiny snapshots rather than entire scenes; for example, there's a snapshot in one of the earlier chapters of Aizawa putting Eri's hair in a hair tie. This is a single panel. It's not enough to have a single panel. What we needed was an entire scene or chapter dedicated to Aizawa and Eri and Friends. Show her with her found family, show her going out in town or playing with a cat or talking to Mirio or Aizawa for an extended period of time. Show us scenes about nothing particularly important.

When your story is plot, plot, plot, you're deciding that human moments and human interactions aren't important. And at the end of the day, no one watches a show for the plot. They come to be validated as a person, and relate to the characters. I came to MHA because I relate to All Might, his disability, and his desire to be strong and fight through his suffering so he can selflessly help other people. That character resonated with me. I saw myself on the screen. Unfortunately MHA stopped being what I came to see a long time ago. I’m here because I like drawing my favorite characters, and the fandom has introduced me to a lot of wonderful friends, I’m not ready to give it up. But I wish it had more of what I was hoping to get out of it. I understand that making a manga is extremely difficult. And I understand tons of people enjoy it and have no issues with it whatsoever- all power to you! I just haven’t gotten what I was personally hoping to get, and this is why. :( ANNNND SEASON 5 JUST STARTED AND IT’S AN ENTIRE SEASON OF CHARACTERS I DOOOOON’T CARE ABOUT AT ALLLLL! HEY WE REALLY NEEDED AN ENTIRE SEASON DEDICATED TO CLASS 1-B CHARACTERS THAT ARE COMPLETELY AND UTTERLY IRRELEVANT AFTERWARDS, THEREFORE WASTING SCREEN TIME ON FORGETTABLE UNIMPORTANT SIDE CHARACTERS INSTEAD OF THE CORE CAST THAT WE DESPERATELY NEED CONTENT ABOUT ALSO THANKS FOR FORGETTING ABOUT DADMIGHT HORIKOSHI

#aeo rants #blog #text post

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collisiondiscourse · 4 years

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on the wonder duo (part 1)

(BNHA Analysis Post Ahead! This isn’t explicitly romantic, but it is an analysis of the relationship between the two most popular characters in BNHA--Katsuki Bakugou and Izuku Midoriya. Split into two posts because I realized that this was gonna be long as HELL)

yall ever think about the fact that the wonder duo is perfectly set up in so that bakugou and deku together are the better version of all might?

bc like. ive been thinking.

everyone knows the win to save and save to win parallel. How they are supposedly two halves of a whole perfect hero (which, previously, was defined as all might)

but ever since bakugou and deku started working as one—growing together to win AND save and continuously reminding each other that they shouldnt try to do things alone, ive realized that its BECAUSE theres two of them that they surpass all might. its not a case of deku and bakugou both being 50% of an ideal hero, but rather i think that they are 100% of what all might SHOULD HAVE BEEN from the very beginning.

as early as the AM v AFO battle in kamino, we see the effects of all mights flawed existence. the fact that he, the greatest and supposedly infallible symbol of peace, was destroyed—society had begun to collapse. there was suddenly no pillar to hold people together and the impacts were so severe that even in the latest chapters of mha it keeps on getting worse. the truth is, all mights biggest mistake was the burden he placed on his own shoulders

with bakugou and deku... its different.

its different for them because down to their attributions, they seem like two halves of a whole person.

i think that the wonder duo are going to surpass all might because of the fact that they work together.

@bakugoukatsuki-rising @svpercraigus @tybee @isaustraliaathing

(batshit crazy and conspiratorial essay under the cut !)

1. Complementary Colors

I’d like to first preface literally everything I say by the fact that I am not an expert analyzer or literary major in any way. I am literally just some random fan on the internet who has wayyy too much time and looks wayyy too deep into things, but here we go!

A common thing we see when we talk about bakugou and deku is the way they are... sort of an inverse of one another.

Down to the design of their features and the way they move, Deku is the obviously softer of the two. There’s an intentional contrast between the two of them, in the way that Deku’s drawn with round shapes and curvy hair and the way Bakugou is literally all spikes and half-mast eyes and rough muscles. Bakugou’s movements too are languid and showy, with the way he leans when he walks and splays his legs and kicks open doors. Katsuki, in a casual sense, is loud and dramatic.

Deku on the other hand s finicky. He jitters when he walks and he’s often fidgeting and mumbling. Comparatively, the aura he radiates is energetic and frenzied, even self-conscious to a point unlike Bakugou’s calm and confident movements.

the point is, there’s a clear difference in how either of them are designed and what exactly they are supposed to represent. They utterly complement each other down to the way they behave and even their main colors (red-orange and blue-green) being literal complementary colors.

Now, moving to my more ungrounded points, this is quite a bit of a stretch so I’ll try as much as possible to make sense of these with hyperlinked sources because. yeah.

Down to their names, I think Deku and Bakugou both symbolize something deeper. I think that the way Hori expresses characters and what they’re meant to do is something that we have to pay close attention to when we talk about the Wonder Duo’s rise to success.

Izuku Midoriya (緑谷出久), as some of us may know, does have an interesting meaning when broken up. According to a lovely fan translation of his name, ‘Izuku’--while not an actual name used commonly in real life--means to ‘Come out’ or ‘Long time’. ‘Midoriya’ on the other hand means (Midori) ‘Green’ and (ya) ‘valley’. The translator further pointed out that his first name ‘Izuku’ could be a reference to him being the first legendary hero to come out of the long-running All Might Era. (or, if you’ve been reading @/bakugoukatsuki-rising’s posts, the first significant anime protag in a long while to come out as queer, ppfft)

but that isn’t my focus right now.

We know that Hori LOVES telling stories with names, and more often than not in the BNHA universe, names alone tell us a lot of things about the characters. When referring to Izuku’s last name, Midoriya, it’s important I think to step back and realize that hey, maybe there’s something more to Green Valley than just the fact that his motif is all green.

After searching for a lil on the specifics of green valley, I’ve found out that across many cultures, the colour green and valleys in general tend to represent life. From dream analysts, to Christianity, and even old Taoist teachings, valleys are seen as areas of fertility and escape. They are seen as safe havens and often escapes for people to come to after running away from bad circumstances.

(Sound familiar?)

Deku, in essence represents life and peace. He represents being the “salvation” that the world in BNHA needed. To me, it sounds like Horikoshi is trying to say that he is the long-awaited hero in the sense. The one that people can feel will create a society that feels safe for everyone after years of All Might just saving people from themselves as a band-aid solution.

On the other hand, we have Katsuki Bakugou (爆豪勝己), who’s name we commonly know means (Katsuki) Winner and (Bakugou) Explosion Master. He is essentially, the champion. The power. His name means success and power and all the things that make up winning.

When putting them side by side, it then becomes increasingly... interesting to me how their names almost perfectly slot into All Might’s save to win and win to save mantra, and how they are both quintessential parts to what made All Might as a hero.

2. Hero Too!

Now, I’m not even gonna really TOUCH much of what happens in canon. If you want me to do a step by step breakdown of their arcs in regards to the plot of manga and anime, feel free to send me a gratuitous ko-fi tip so I can pay for the headache I get after trying to organize my thoughts into word vomit.

What I WILL talk about on the other hand, is the subtle shift both of them slowly have in regards to how they look. Bakugou and Deku, while growing up, seem to have MANY many parallels--but before I elaborate on all of that, I wanna talk about something else.

Detour: Deku’s Red Shoes

We all know the iconic symbol being Deku’s red shoes. For all his life, save for some outfits like his hero one, we see Deku more often than not wearing his signature red sneakers which have become a running joke in fandom.

But the funny thing is, in Japan, red shoes seem to have an interesting connotation.

In 1922, a popular Japanese nursery rhyme was written, called “Red Shoes”. The interesting part to me about this song was the symbolism that, in my tiny pea-sized brain, I could connect to the story of BNHA.

The story goes that there was a little girl with red shoes named ‘Kimi’. She was from Shizuoka prefecture (which, if you didn’t know, is most likely where Musutafu supposedly is) and was raised by a single mother. When she was young, her mother had to entrust her with a foreigner under the impression that they would give her a better life in America. The stranger is a man named Charles Hewitt (who was described to have blue eyes) and supposedly took her away.

The singer of the song (supposedly the mother, but some argue it was written from the perspective of a childhood friend) believes that Kimi is happy and living a better life away from them, when the reality of the situation was much worse. The young girl with red shoes in actuality had Tuberculosis, and thus the foreigner whom she was entrusted to had left her to fend for herself and eventually left her to go to America while she died alone and orphaned.

“When I see red shoes, I think of her.”

A very interesting story with very interesting implications indeed.

Anyway, moving on to the more... “nuanced” and connected parts of this section, I have every reason to believe that Bakugou and Deku were simply MEANT to be working together down to how they dress. Now, I’d like to discuss their hero costumes.

At the start of their series, using these godawful pics for reference, it’s clear to see that neither of them seem alike in any way--reflecting the dissonance in their relationship at that point in canon.

ough. deku why. (yes we know why its because you love your mom you stupid little bunny <3)

Anyway, we see an immediate gap in how the two of them are. Deku’s first costume is one that reflects how he treated his dream of being a hero. He was still in that childlike idolization phase, the one where his dreams and aspirations were hinged on pure feelings and inspiration from All Might. Katsuki on the other hand was a lot more tactical--professional to an extent. The gap between their respective development with their quirks is something that is clearly felt in every fashion decision they’d made.

(Notice how Deku’s green is a lot brighter and less like the green accents Katsuki has all over his costume.)

As time progressed however... their costumes changed. The colors, the silhouettes, the practical functions, most things.

(Deku’s Gamma Costume and Bakugou’s Winter Costume used respectively)

we begin to notice a few similarities.

As the show goes on and we see more evolutions of their costumes, it almost seems like they begin to look like a matching pair. Deku’s green grows darker and almost teal in nature, while Bakugou’s orange is veering towards red territory. This is important to note because red-orange and blue-green as I said earlier were complementary colors as compared to simply orange and green. The minute shift is something I really wasn’t quite sure was intentional, but something I find interesting to pick up nonetheless as the colors they used to accent their costumes begin to match up.

Secondly, I think and important thing to note is silhouettes. The way that both Bakugou and Deku’s costumes are designed follow a lot of parallels that typically we don’t see with the rest of 1-A. For one, they both have a combination of tight long-sleeved tops with a bulkier set of bottoms. They also share the use of utility belts and metal pieces typically worn around their necks. Deku has his bunny-eared hood that mimics All Might’s hair, while Bakugou has his orange and black explosion ear-pieces that mimic his own quirk.

i don’t think any other people in class 1-A match each other as subtly yet strongly as these two. Uraraka and Deku and Bakugou and Kirishima do come close however.

“But Codi, you fucking knob!” I hear you plea. “This is such a reach and tells us practically NOTHING!” And yes, I’m inclined to agree with you! You’d be sort of right in the idea that this is a reach. Maybe I am looking too much into this, and maybe it really isn’t that deep--but I do think that them subconsciously matching outfits means something quite brilliant.

In the way that their costumes are designed, each aspect of either outfits have a very logical explanation. The changes were strategic and made with their fighting styles vividly in mind, so what that tells me is that BECAUSE these costumes are so complementary or similar in nature (Bakugou’s reinforcing his arms while Deku reinforces his legs), these two are implicitly showing the audience that their combat styles are complementary as well.

The evolution of their design choices and similarities tell us that even unknowingly, their minds line up in strategy on the battlefield--a clear exhibit for why they would be INCREDIBLY POWERFUL as a Hero Duo to begin with.

When I look at their hero costumes side by side, I see a mirror. I see the way that these two are reflections of each other and are strong where the other isn’t. The point I see in BNHA repeatedly is that EVERYONE HAS A WEAKNESS. Nothing is infallible, regardless of how hard you train or how powerful your quirk is. Everyone will always have a weakness, but the significant difference I see when fandom discusses the future of Pro-Hero Society is that the new generation is finally raising itself to be RELIANT on each other.

Observing their fighting styles and the simple use of their quirks, its obvious that they are indeed two parts of a whole hero. Bakugou, who’s quirk emphasized his arms and hands and the power that comes from it, while Deku who’s quirk now emphasizes his legs and lower body and the way he’s always running to save people.

IN CONCLUSION:

As they become heroes, it is easy to assume that if nothing else, Bakugou and Deku will cover each other’s weak spots (especially when you consider the way Deku probably won’t be able to keep using his arms with the way both the anime and manga are going...) (also chapter 285, anyone?)

Part Two: Interactions, OfA

kofi || commission details

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guesst · 3 years

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some of the best fantasy au fics for bnha that i've read

i decided to make a fic rec list of one of my favourite aus/fusions. mostly midoriya-centric, there are some crossovers (with hp), and a lot of different ways in which the authors have taken them - so it could be Quirks, ghosts, outright fantasy aus, spirits, witches etc etc. there isn't a specific order and there aren't a tonne (these are the ones i could find buried in my bookmarks lol), but the ones on the list are all really well written i love them.

i've tried adding relevant information, the summary (shortened if it's pretty long) and just. adding some random tags that may be important. not all of them though. obviously this is not a complete list and there will most definitely be more fics out there, if there are some really good fics that you know that aren't on this list, feel free to tell me, i'd love to read them!!!

i hope someone enjoys these!

Faith Becomes You by SugaSuga

oneshot | gen dfo, quirkless midoriya summary 'There's a tiny shrine in Musutafu that's overgrown with kudzu vines between Izuku's apartment and his middle-school. There may very well still be a god inside it. There may be nothing but the myth of a man from when Quirks were first emerging. Izuku hides in its walls for a while and ends up tending to the forgotten shrine. All good deeds have their impact, don't they?'

Of Mythos and Men by Oceanbreeze7

oneshot | gen spirit animal au, kinda summary (shortened) 'When he was young, Midoriya always wondered what his mythos would be. The matching half to his quirk, the ancestry of its power. Mythos were strange things, not linked genetically like quirks seemed to be. [...] Midoriya hadn't met his mythos. Even in UA. (In his dreams, something called to him, 'Chase me!')'

what a lion cannot manage by LadyLiterature

multichapter | ongoing | f/m, m/m kitsune au, female izuku, future bakudeku summary (shortened) 'She wants to be a hero. Wants to save everyone she meets and even the people she hasn’t. [...] A smart fox avoids fights. A smart fox does not seek them out. A smart fox does not fight for everyone. A smart fox, when they absolutely must, only fights for themselves and what is theirs and nothing else. Izumi, for all that she tries to be, is not a good fox.'

My Magic Academia by Kiterou

series | oneshots and multichapter | ongoing | gen HP crossover, wizard midoriya, platonic bkdk, some ocs summary (shortened) ' [...] In which Midoriya Inko is a witch and Izuku a wizard and even after 150 years of quirks taking over the world, Izuku still couldn't tell Kacchan that he isn't worthless and that he still could become a hero all on his own.'

A Lonely Windchime Makes No Sound by Musecookie

multichapter | ongoing | multi reader/shinso, total fantasy au, very wholesome summary (shortened) ' [...] You enjoy visiting your slightly creepy local library. When you accidentally befriend the elusive owner's familiar, he begins to appear more and more when you visit. You don't really mind, and he doesn't seem to hate you, even when the two of you become tied up in each other's fate as you pursue the secret to reviving a magical species of flower. Soft Strangers to Friends to Lovers type beat with lots of fluff and naps! Sleepy cuddles included.'

The grapes of friendship by Gentrychild

oneshot | gen crack, dfo, vampire izuku summary 'Izuku, a dhampir hiding his real identity as he goes to UA, the best wizard school in the country, spends the day with his friends. None of them are aware of it.'

Yesterday Upon the Stair by PitViperofDoom

multichapter | complete | gen less supernatural, izu's quirk lets him see ghosts, he still has ofa summary (shortened) 'Midoriya Izuku has always been written off as weird. As if it's not bad enough to be the quirkless weakling, he has to be the weird quirkless weakling on top of it. But truthfully, the "weird" part is the only part that's accurate. He's determined not to be a weakling, and in spite of what it says on paper, he's not actually quirkless [...] Not that anyone would believe it if he told them.'

sum of all (and by them driven) by Elemental

series | multichapter | ongoing | gen dadzawa, spirits give quirks, izu sees these spirits series summary 'Quirks aren't what you think they are.' first part summary (shortened) 'Midoriya Izuku is medically quirkless, not technically homeless, perpetually exhausted and doing his damned best despite it all. He also sees spirits, which might be cool if not for the fact that a) no one else does, b) they really don't like him very much, and c) he's pretty sure the heroes now think he's a villain working for the League [...]'

The Struggles of a Modern-Day Vampire by miraculousemily47

oneshot | gen crack, 1-a shenanigans, vampire midoriya summary 'After Midoriya Izuku is turned into a vampire towards the end of his first year at U.A., he decides he wants to tell his classmates about his condition. The only problem is that he can't physically say the words, and his classmates are fucking idiots.'

Lights in the Dark by FrostKitten

series | oneshots | ongoing | gen supernatural au, izuku can see demons etc, quirkless/magic au summary (of first part) 'Midoriya Izuku, like most young kids, knows there are monsters. They live in closets, under beds, and occasionally in the park. As he grows older, his friends stop seeing them...but he still does.'

Hand in Unlovable Hand by jumbletea

series | oneshots | ongoing | gen vampire midoriya (and aizawa), dadzawa, toga n dabi n mido being siblings summary 'A collection of stories surrounding a not-quite-human Izuku and everyone he meets along the way.'

Simply Superstitious by CryCaladrius

multichapter | ongoing | gen lots of folklore and yokai and stuff, 'quirkless' magic user izuku, decent dad hisashi too summary (shortened) 'Izuku Midoriya’s father is a Hou-ou — a Japanese phoenix. For some reason, this means yokai have a standing invitation to pester Izuku with their existence. Birds assemble choirs for his birthday. If there’s no cedar leaf under the welcome mat, the amazake babaa that lives two apartments over will be knocking on their door by evening. His yokai-purifying excursions get mistaken for vigilantism far too often. [...]'

Cuckoo Bird (anonymous author)

multichapter | ongoing/maybe discontinued | gen it may be discontinued but theres lots of fae folklore, deku is a changeling, deals etc, plus some platonic shindeku building up?? summary 'There's something off about Midoriya Izuku. (change·ling /ˈCHānjliNG/ noun a child believed to have been secretly substituted by fairies for the parents' real child in infancy.)'

tread softly as you go by IceEckos12

oneshot | gen if you read any fae au please let it be this! has faeries but mido is not one summary 'Humans used to be good at the old ways. They used to know how to bait the trap, to spin a web of words and lies that would ensnare even the most wily. Humans used to be able to twist deceptions around knots of iron and turn them into weapons of power. They forgot a long, long time ago. A boy unwittingly makes a deal with one of the fae, severing his ties to humanity. However, he finds that the fae world is far more strange and complex than he ever could have imagined.'

Hell is just a shoujo manga by supercrunch

multichapter | complete | f/m fantasy au, bakudeku, fem!izuku, isekai, dekusquad stuff, also some iidachako summary (shortened) 'Izuku wakes up crushed under a statue, trapped in the body of a princess who doesn't exist. Turns out she's a demon, which is weird. What's even weirder is the déjà vu that surrounds Kamino palace, reminding her of the events of this one manga she used to love. [...] But that's probably just a coincidence. [...] The problem here, obviously, is that Izuku's the demon princess. Ergo, she's a villain. And that means she's going to die at the end of this manga. Again.'

hold your breath as you cross by cassiopeia721

oneshot | gen dadzawa, another 'quirks are from spirits au' (expect more of those actually), mido is sad :( summary 'As the bridge between the world of guardian spirits and the quirk users who are blessed by them, Izuku's duty is to clean up the mess his predecessor left. It's taken what feels like an eternity worth of work, but Izuku's finally finished, and he's ready to rest at last. Unfortunately, the pro heroes who just watched him take down the Scourge of Kamino have no intention of letting him just wander off, and he finds himself stuck in an interrogation room with a bunch of humans who he's sure will never believe a word he says.'

To See with Eyes Unclouded by CrazySatan

series | oneshots | ongoing | gen witch au, witch midoriya, quirkless mido, bkg is not a good friend series summary 'Midoriya Izuku is a witch. A powerful witch. And even though he doesn't have a quirk, and magic doesn't Work Like That, Izuku ends up a hero. Somehow.'

Demons and Darkness by wolfsrainrules

series | oneshots | ongoing | gen dadzawa, shinso and mido and bkg are becoming friends, they can see monsters/spirits/bad things summary of first part 'Izuku has believed in the things that go bump in the night since he was small. That means he can see them, and almost everyone he knows....can't. So he decides he's going to be the shield humanity needs, no matter what. Eventually, he finds others that See too.'

know what i've made by the marks on my hands by simkjrs

multichapter | ongoing/maybe discontinued | gen dadzawa, quirk spirit au (this inspired most of the others on this list), also eri summary (shortened) 'Midoriya Izuku just wants to lead a quiet, peaceful life. This is foiled by the fact that a) he can see spirits, b) his good nature demands that he help anyone he sees in trouble, and c) he, by all rights, should not exist. [...]'

Izuku haunts class 1-A by Artistic-Gamer

series or multichapter whichever floats your boat | incomplete (hiatus) | other there are some triggering themes! such as suicide, blood, body disfigurement! please take care of yourself and avoid reading if this will hurt you! in other news: so much dadzawa, so much friendship, hurt mido summary (of first part) 'Class 1-A is rumored to be haunted, only the residents are aware it’s more than just a rumor..'

U.A's Resident Ghost by BeyondTheClouds777

multichapter | ongoing/maybe discontinued | gen ghost midoriya, dadzawa, friendships!!!! summary 'There is a ghost at U.A. Not haunting U.A. Not even hanging out at U.A. There is a ghost. Enrolled. As a student of U.A. And it's just Shouta's luck that he has everything to do with it.'

and now, the weather by xylophones

oneshot | gen CRACK, paranormal/ghost hunters au, dekusquad stuff summary 'Izuku runs a fictional horror radio show. Because ghosts aren’t real. Right? (“Holy shit, ghosts are real,” Izuku whispers. Then, with the smugness of a sixteen-year-old who just won a decade long bet, “I knew it! Kacchan owes me five hundred yen!” “Midoriya,” Todoroki sighs, “this ghost is trying to kill us.”)'

U.A Unsolved by handcrusher(ameliafromafairytale)

oneshot | gen (it's a fic of a fic, so if you've read yesterday upon the stair then you'll understand better) izuku can see ghosts thats his quirk summary ' "Hey there, ghosts," Midoriya says, "it's me, ya boy." The dorms are haunted. Shenanigans ensue.'

The Haunting of Class 1-A by BritishRobutt

multichapter | ongoing/maybe discontinued | n/a ghost midoriya, vigilante au, crack, the ghost bit is izu's quirk summary 'Everyone always told Izuku he couldn't be a hero, so when he dies and discovers his quirk, he becomes a vigilante out of spite. Whoops. After becoming Spectre, Japan's most wanted vigilante, Izuku realizes he can just fulfill his dreams of going to the top heroic school- after all, who can physically stop him from attending UA when he's a literal ghost?'

Caged by SternStunde

oneshot | gen tododeku, fantasy au (todo is a dragon, mido is a princess), genderbent deku (fem deku) summary 'Then she held up one of the books and smiled. "Want to learn an ancient language with me?" She was kind of a nerd, and she really hoped the dragon was too.'

Magic Runs Deep by draconicschinx

multichapter | ongoing/probably discontinued | gen mido has a quirk and he can see mythical creatures. summary '"Midoriya Izuku has always been good at making friends. Not human ones, really, but they are good friends nonetheless. " Izuku can see and talk to and interact with mythical creatures. It's not exactly the quirk he was hoping for, but he's going to use it to help humans and his non-human friends all the same.'

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gorochanfanclub · 4 years

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Sentiment

Majima x Unnamed Female Character

Summary: Majima and his girlfriend are watching a movie on the floor in their living room. When he reaches out to hold her, she is overcome with a feeling she can’t name.

Contains: fluff, a bit of angst (maybe), hinted depression, Majima being the secret softie he is

A/N: My first time writing a fic for Majima. Hope you guys like it! Wrote this with a specific person in mind (one of my OCs lmao) but left it purposefully extremely vague who the woman was so anyone reading this can imagine whatever they want. Comment below if you figure out what movie they’re watching!! It is indeed a real movie and I made sure to hint at it pretty hard lol, it’s one of my own personal favorites I think Majima actually would like. Also think it’s worth noting I wrote this entire thing while listening to 1984 by Junko Yagami on loop lmao. Was inspired by an edit on Instagram using this song. (edit was by eyeglassez on there)

She nearly had drifted off to sleep when it happened. The comfortable weight of him on top of her, his heat warming her, the feeling of his hannya patterned ink under her sleep heavy hand, even the low, humming voices on the TV illuminating the dark room, all threatened to carry her away to a land of peaceful dreams.

As she lay on the bedroll in the living room, the soft cotton sheets cradling her like an infant, her left hand rest on Majima’s shoulder blade, the other next to her face. His right hand rest under her head, beneath the plush pillow she placed it on. His other rest dangerously close to her right, fingers mere millimeters apart.

This wasn’t an uncommon position for the two to be in. She enjoyed his warmth, the cold of this world being soothed by his soft body heat. He reveled in the feeling of a body pressed to his, often coming up with the excuse, ‘fat tits like yers are better ‘n any pillow out there.’

She couldn’t even remember what was happening in the film Majima had insisted they watch together. It was a Hong Kong made film, one of those kung fu type movies Majima couldn’t seem to get enough of. Her eyelids get heavy as she tries to stay lucid enough to listen, knowing Majima would want to talk about it later, probably referencing lines from the movie for weeks to come.

Straining them open, she sees a little girl on the screen, getting harassed by a group of boys just a few years older than her. They tug at the rainbow lollipop in her hand, attempting to rip it from her small hands. Suddenly, another boy, much too small to fight even one of the bullies, comes running in her defense, leaving the group to abandon the girl and fight the young hero instead.

The screen then flashes to the same couple, grown adults now, yet the same hero and the same girl who never go to thank her savior. From a small box, the girl produces the swirly confectionary, handing it to the now adult man who had rescued her all those years ago.

She wasn’t sure what was going to happen next after that. Her drowsiness clouded her mind too much to even think about the intimacy of such a scene on the television.

Perhaps Majima had felt touched by the story that unfolded before him, or perhaps he just wanted more to feel. Gently, his fingers stretch to hers, lacing their hands together next to her head. His usually gloved thumb, now lying naked in an embrace with another hand, gracefully rubbed the back of her palm.

It was so soft, so feather light, she might not have noticed it had she been anyone else. Yet, she was her, and in an instant, all sleep that threatened to take her over was gone, full lucidity coming back to her as she nearly gasped.

She stayed as still as a statue, hoping Majima wouldn’t notice the change in her breathing. Luckily he didn’t, his eye stayed glued to the screen, mindlessly holding onto her as he continued his action.

Heart beating in her chest, she didn’t know how to react. He was being so… gentle. What did she do to be deserving of any of this kindness?

Her eyes dilate, losing focus of the television and staring at nothing in particular. She feels her mind wander, the feeling of his warm skin on hers flooding her thoughts, the voices on the screen just in front of her being replaced with his.

***

The night air breezed past them as they walked. It whipped through his bowl cut, blowing delicate strands into his one good eye, shielding it from her view.

She could watch him forever. He was like a piece of fine art to her; all rigid and strong with the softest curves on his face. The neon lights seemed to illuminate his skin, making it shine with a heavenly glow from within. The snakeskin leather on his shoulder glittered in the night, each scale gleaming in turn.

When he noticed her eyes boring holes into him, he turned his head with a smirk, “Ya keep staring like that, I got somethin’ on my face?”

His eye twinkled as he joked, the brown of it turning to blue, then green, then purple as the street passed him by, its light forming a colorful kaleidoscope on his features.

She was completely starstruck, the ability to form words long gone from her, her entire brain focused on taking him in. Her lips parted, trying to muster a response to his question, only awed breaths falling from them.

As he smiled back, chuckling at her silence, she felt the heat rise to her cheeks, warming her face in the cold. The blush on her skin made his heart swell, though she would never know that. His smile falls for a second, his typically harsh features softening as they walk side by side, eyes never leaving one another.

Not looking where she was going, her foot catches on something sticking up from the ground. She wasn’t sure what it could have been; perhaps it was an uneven paving stone, a discarded paper coffee cup, or even just her own clumsiness. Though, whatever it was, it had her falling to the ground fast.

Long before she could recognize what was happening to her, a warm, leather gloved hand was gripping her forearm, halting her descent to the concrete beneath her feet.

If she had been starstruck before, her head was spinning now, every nerve in her body feeling fuzzy in the proximity of the man looking down at her. At this angle, he looked ethereal, the moon above glowing on the back of his head like a halo. For just a moment, she felt he might sprout wings and fly her up to heaven.

Swallowing, she feels him pull her up, standing her flush against him. The open hem of her jacket tickled his chest, sending a fluttering inside him. They were so close, almost close enough to feel his heart beat against hers.

He scoffed cockily, his breath creating a misty cloud around him. When the fog cleared, he spoke, “Better watch where yer goin’, missy. Can’t have ya getting hurt on me, now can I?”

The tenderness in his tone said more than his words had. What he meant to say was, ‘Please be careful, I want you safe,’ but the meaning got lost in translation from heartbeat to Japanese.

Yet, she felt herself nodding, understanding perfectly what his original intention had been.

***

His stirring on her chest brought her to the present. Hopefully he wasn’t getting up, she needed him there, weighing her down, keeping her grounded while her thoughts were anywhere but this Earth.

Fortunately, Majima only sighs, his torso rising then falling under her still hand. He shifts slightly, his long legs moving against hers as he finds a new position atop her to lay. His head even shifts, hair rubbing against her chest, and nose gracing her night shirt.

Staying still became harder and harder the more Majima moved. Every muscle in her body wanted to both tense and melt at the same time. Her heart beat so loudly against her chest, she could hear it in her ears.

Looking down to the hand inside his, she bites her lip, trying to keep the quivering of it to a minimum. His grip on it tightens ever so slightly, and she is sure he knows she was staring at him. However, when she looks back to the screen, she sees fists flying and tensions rising, a sign that his grasp was only due to the suspense on screen.

At this she relaxes, feeling safe from his teasing for even just a moment. The last thing she wanted was for him to notice her nerves and have this moment end.

Rotating her head gently, she looks up. The darkness of the ceiling seemed to reflect on her, reminding her that that was life before Majima; dark, bleak, flat, and devoid of all color and warmth.

***

On days like these, she wanted nothing more than to just crawl up into a ball and fade away, her own existence crushing her like the heaviest burden there could be. It felt even hard to breathe, her lungs squeezing with sorrow.

Yet, she trugged the streets, walking to the place she had promised to meet him. He wasn’t one for planning things but today was an exception he had said. Nishida told her he was feeling ‘uncharacteristically structured.’ So despite her aching being, she marched to meet him.

He sat in the cafe, idly scrolling through his phone when she arrived. Meekly, she walked up to his table, feeling like being around him might be enough to soothe her soul.

It wasn’t until she sat down that he looked up. All it took was that one glance from his right eye to bring light to her vision. Like stepping out of a tunnel, he showered her in sunlight.

His lips turned up into a smile when he noticed her presence in front of him. He winked, shoving his phone into his pocket absentmindedly, right now, his only focus was on her. “Hey, darlin’,” he flirted, “it took ya long enough. Thought I might have t’ go lookin’ fer ya.”

She mustered the strongest grin she could, forcing all her energy into imitating him, hiding whatever pain lingered just beneath the surface. Her own face felt so heavy though, and even just that simple action hurt, exhausting her to the bone.

Even the most subtle change on her face was noticed by Majima. A lot of the time, she felt he could read her mind, see her soul. He always seemed to know what she was feeling, even when she didn’t know it herself.

Her whole life, people only ever bothered to take her at face value, none dared to look beyond her mask; until him. He seemed to be the only person who could feel her, see her, and hear her the way she so desperately wanted to be felt, seen, and heard.

Catching the pained expression she held, his smile fell, being replaced with one of almost shocking concern. “Wait, what’s wrong with ya? Ya look like half dead, sweetheart.” His brows furrowed as he studied her, eyes pushing back the veil to take a closer look.

She only shakes her head, looking down in embarrassment. She never wanted to make him worry, to take away that smile she loved seeing. The guilt of his emotion pressed on her.

He sighs, smacking the table with both gloved hands. “Well I can’t have ya sittin’ around all mopey like this,” he teases, sing song in his voice being exaggerated more than usual, like hands trying to lift her up.

“Let’s get outta here,” he gestures with a thumb over his back. He takes a look around, scrunching up his face, “This place is a dump anyway.”

He stands, looking down to her with soft eyes and a half smile. The sympathy in his features nearly broke her. He was so tender in the way he looked at her, trying to tell her ‘You’ll be okay, I’m right here,’ without speaking.

A black hand extends to her, fingers spread wide open, awaiting her to place her own inside it. Shaking with anticipation and anxiety, she gives the hand what it wants. Gently, his glove closes around her skin, leading her to follow him into the street.

Alone on the sidewalk and away from prying eyes and eavesdropping ears, his voice lowers, losing all semblance of its usual insincerity, “How about I treat you to some takoyaki? You like yours with extra sauce, don’t you?”

***

The loud music of the film’s end credits snap her from her thoughts. Glancing back to the television, she watches the white letters roll up on a black screen. The names of the actors and production team stare back at her, reminding her she hadn’t been paying attention.

As the music fades, and the credits finish out, the screen goes black, casting the room in a peaceful darkness. Only peaceful because he was here with her, shielding her from its harsh cold and uncertainty.

She feels him chuckle on her chest, muttering more to himself than her, “Shit, that was pretty damn good. Can’t believe that punk was some natural born kung fu master, never saw that one coming.”

With a sigh, he goes to unwrap his hand from hers and grab the remote to turn the TV off. He removes his arm from under her pillow to push off her and get up. Feeling his grasp on her hand loosen, she instinctively tightens her own, her other hand pushing his shoulder back down onto her chest.

Majima huffs, falling back onto her. Craning his head to try and look at her, he grumbles, “Jeez, lady, what’re you doin’?”

Her grip on him only tightens more, fingers digging into him, scared he might leave her grasp and disappear into the night. Not able to contain herself anymore, her muscles tense under him.

Her skin felt like it was on fire, every sensation of him on her burning hot with a feeling she couldn’t describe. Feeling her heart swelling to almost burst, she breathes deep, a stinging in her eyes becoming more and more prevalent.

She wasn’t sure what was happening to her, why all of the sudden she felt like a dam had broken inside her, emotion gushing through the cracks and drowning her on dry land.

Yet, of course he could tell. He always did. Squeezing her hand in his, he mutters to her, voice barely above a whisper. “You okay?” he asks tenderly, “I know it kinda got sappy there fer a minute but that ain’t no reason t’ cry.” Repeating his action from earlier, his thumb ghosts across her knuckles.

It could have been his physical touch or the way his words touched her soul but either way, that was the last crack in the dam. A sob erupted from her throat- hot, almost steamy tears cascading down her cheeks and onto the pillow.

She only grips him tighter, near to drawing blood with her nails on his back. Her head finds itself leaning against his silky black hair, cheek pressing firmly onto his skull. Nose buried in his dark locks, she chokes, tears still flowing like a waterfall, “I love you, Goro…”

The words fell from her lips like a prayer. Like it was the only important thing she would ever say. It felt like a confession, though the time for all that had long gone by.

In her moment of frail weakness, Majima is finally able to push off her, just enough to look her in the eye. Her vision of him was not as clear as usual, the water blurring him and barring her from seeking refuge in his eye. Had she not been crying, she would have seen the change in his face. It faded slowly from concern to ardor, plush lips pressing together.

Lifting his hand, he reaches it to touch her cheek, hot and wet from her overflow. Wiping some of the tears off her, he whispers, “I love you too, babe. More than ya know…”

Leaning in and capturing her lips on his, he seals his promise.

#majima goro x reader #goro majima x reader #majima x reader #goro majima #majima goro

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onesunofagun · 3 years

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Undeath in the Era of the Hero of Time : 1

aka Seeing the Hero’s Shade in this TP replay shook up all my feelings of agony again and now I’m working backwards from there because I like to hurt myself.

Part One: An Overview of How Fucked Things Are ™

aka The Blood Soaked Hyrule of OoT’s time

Take it as you will, in the Zeldaverse, the colour green has an overwhelming association with undeath.

Sure, sure, life too, I hear you. Farore came down and produced all the living beings that would uphold the law, apparently (specifically not claiming monsters and demons, but that’s another thing). On the surface, that make sense. Forests, lush green fields, prosperity, all of those good things. Green the colour of the most common rupee, green the colour of the Hero’s tunic. Green the colour of magic, and potions that revitalise the body and spirit.

The thing is, revitalising the body and spirit is a flexible idea. To imbue something with new life and vitality can have a lot of implications, especially when you stop talking about the strictly living.

I feel vitality is certainly the best word, not only because of it’s association with life and potency ala the Goddess origin stories, but in the ways that the game uses green itself, such as a measure of both magic and stamina. Green is the colour chosen to represent the unlocked potential within young Heroes.

Vitality specifically refers to a state of being strong and active, and it also refers to the continuance of something to exist. That’s a great thing for plants, or economies, or a potion taken by a young Link who’s swung their sword around or fired off a spell one too many times and feels a little low.

But the dead, though?

As it happens, Hyrule is absolutely littered with human remains, in no small part due to the very recently ended civil wars.

The Civil War, if you need the reminder, is described as a time when the many races of Hyrule were divided and each focused on establishing dominion over the Sacred Realm (because Triforce). I touched on this in my last meta post, but basically, its no holds barred to stop that from happening because if the wrong person gets into the Sacred Realm and makes a wish, it immediately malfunctions.

The criteria for getting into the Sacred Realm and touching the Triforce without royally fucking everything, is basically impossible for anybody not chosen by Hylia.

If you are neither of Hylia’s Bloodline (The Hyrulean Royal Family) or one of her Chosen Avatars (The current incarnation of the Hero), you are not supposed to touch the Triforce. Ever. You WILL be found wanting, it WILL shatter, the Sacred Realm WILL be corrupted by your selfish desires, it WILL unleash and onslaught of mystical influence (reflecting your heart) onto the country.

Now, if it’s Zelda or Link who touches it, that’s fine. Good vibes will pour out. An age of prosperity will ensue. The Sacred Realm is in its default state, a blank and neutral wellspring of magical force.

The game has been rigged from the get go because Hylia still had a job to do. She had to get creative because Demise almost captured the flag, so to speak, leading to the snafu of the Cycle and all that because she cheated at the game, but ultimately Hylia’s task was to guard the Triforce. And that still remains true, for the most part. The Hyrulian Royal Family (and the Shiekah by extension) had to stop at absolutely nothing to win the wars and unify the country, and retain the stasis of the Realm and Triforce, because that’s what their divine orders are.

That’s what they’re supposed to do, ‘the very reason that they’re born’, to lend a quote from King Daphnes. With Hylia on their side by default, they’re willing to do a lot of fucked up things to make sure that happens, ‘for the greater good’.

These dark times are a result of our deeds... -- TP Zelda

In OoT The Sheikah are known as the Shadow Folk. They are heavily associated with death, whether that is caring for the dead’s rest in the graveyard, or working as spies and assassins on behalf of the Royals, or dabbling in various forms of necromancy. Red eyes are an established trait of their people. I will note that, at least from a Japanese point of view, red is often used with the intention of intimidating evil spirits. But it is also a color identified with power and vitality.

So, one could suppose, the Sheikah red eye also symbolises power/control over evil and darkness (spiritually).

That’s a little something that plays nicely with things like the OoT Manga’s explanation of the tear on the eye (and the previous betrayal of the Royal family) and the high probability of a Shiekah faction defaulting during the wars and being banished with other traitors to become the Twili. I know the manga isn’t canon and also SS Impa has a tear, but if you squint, that might be because of her own feelings of personal failure to the Goddess after Hylia’s shedding of her Divinity. You could headcanon that. The existence of the Yiga later in BoTW as a similar happening of division and betrayal lend some more weight to things.

Also, Sheikah who defaulted during the civil war might have even been the ones who actually utilised the Shadow Temple.

Headline: Necromancer ninjas in the process of torturing enough info out of the enemies of the Royal family, who were reportedly seeking the Sacred Realm, decide ‘hey fuck it, let’s take it ourselves’.

That certainly fits into the description of, ‘interloper skilled with dark magic started to appear, seeking dominion of the Sacred Realm’, for me.

Anyway, to the point.

In ostensibly one of the most haunted areas of the game, Kakariko village, we’re treated to the Graveyard and the Royal Family’s Tomb, the Shadow Temple, and the Bottom of the Well. All of these showcase the obvious death and torture that went on, as well as the creepy byproducts of places so saturated with blood, pain, regret, and hatred.

There are skulls in little alcoves on the walls of the catacombs, literally built of bones, who deliver messages to Link. The ones that whisper these messages are all marked by the glowing green eye sockets. Here, the green is used to make the presence of a ghostly sentience inhabiting the skull.

Unsettling. Musty. 4/10 heebie-jeebies.

The Deadhand, giver of childhood trauma that it is, really does its job to hammer home the fact that there has been so many deaths, so much anguish and horror, that those remains can seemingly form into entirely new monstrosities. An amalgamate of undead flesh and nightmare fuel, made up of the body parts of torture victims and the grudges of lingering spirits, seeking to consume the living vitality of whatever comes near-- Link wearing green around the thing might as well be red to a bull.

When defeated in game, it typically drops a small green pot that refuels Link’s magic.

This is a common theme with undead enemies, specifically the ones that are of the zombie flavour. Redeads, Gibdos, Deadhands. All of them generally give up, effectively, distilled magic as a drop item.

Terrifying. Probably smells even worse. 11/10 heebie-jeebies.

Literal torture device. So many people died here, the room has a green tinge to it. It is soaked in the spiritual imprint of the pain and anguish that took place here. Blood sits here looking freshly spilled, despite the civil war ending many years prior and the Shiekah having ‘died out’, save Impa.

Elsewhere in the temple and under the well, blood splatters are darker red and at least have the decency to pretend to be old. This means one of two things:

Impa still has to make sacrifices to the Seal that contains Bongo Bongo, or feeds people to the undead creatures who lurk down in the dark so they don’t wander up. (Cue the gasp of ‘so that’s why she let the Hylians into Kakariko! Every so often one of them goes missing!’)

Which is a fun dark headcanon to play with, but probably not the case.

Or more likely, the residual spiritual energy that the green haze suggests manifests fresh blood in a manner typical of extreme hauntings. For the victims, their hatred and pain persists so strongly, that their blood seeps up from the cracks no matter how long it has been.

Poltergeist shit. Slip hazard. 8/10 heebie-jeebies.

Then there is this. Some people say its just another torture thing, it could have been intended to convey some sort of acid dip. If not torture, maybe bodily disposal. And sure, that’s a reasonable guess.

But it is at the very bottom most cavern of the Well of Three Features, and if it were acid-- for how long the bodies have just been marinating in it-- you can assume nothing would be left of them to stick out. And the fact that all the bodies are neatly spaced, with the arms oddly preserved. They’re presumably like that from lowering bodies in from the wooden beams, the victims may have been tied up with their arms straight upwards.

But, given the Redeads wandering around nearby, I’m pretty sure that’s what this thing does. Make Redeads.

The liquid itself hurts Link, but Link is also alive, and this pool seems to be lacking much of a glow. It’s green, sure, but it’s not exactly teeming with energy. And I think that might be part of its designated purpose-- extracting that green vital energy from living prisoners, draining them until they’re dead. I’m talking juicing people and scooping out the good stuff like the pulp from a really disturbing OJ.

But still steeped in the juice as a corpse, you’re basically pickled in magic brine, so then those gross husks crawl out as Redeads. (Hey, you know what’s handy in wartime? Scaring the shit out of enemy forces by sending some zombies at them. And if they kill them, you’ve lost nothing. If the Sheikah could actually control them? Undead soldiers. Excellent stuff.)

But all the pulpy good stuff is gone, and has been for a while, so most of the bodies in there haven’t pickled in enough magic to reanimate, I suppose.

Human juicer that churns out zombies. Out of juice currently. 6/10 heebie-jeebies.

Now, THIS is active zombie juice, if I’ve ever seen it.

This is the Royal Family’s Tomb, by the way. Note the skeletons, picked clean, missing a lot of bones. And that’s a choice they made, because there are also full skeletons around to find.

There are plenty of Redeads down there, for good measure, so I’m going to assume the skeletons are potential graverobbers who were eaten. If Sheikah can presumably command the dead, then the Redeads down there might actually be a counter measure against thieves. If a thief freaks out in the dark when he realises there’s undead down there trying to eat their face, there is also a good likelihood they’ll trip and splash into this green death. A few seconds of exposure is probably enough to kill the average person, and then if their corpse stews for a bit, you have another Redead.

Their living energy revitalises the goop. Their body becomes bolstered security measures. It’s a self sustaining system.

Horrific but effective. 5/10 heebie-jeebies.

Also, there’s a chance that a couple of the skeletons or one or two Redeads down there are the remains of the Composer Brothers. But they will get their own special part in this series, covering Poes in particular.

But for the moment, let it be noted: their eyes are also that ghostly green.

Poes are spirits that are unable to move on and who have the unfortunate fate, if left unattended, of turning into phantom monsters who forget their human selves and prey on the living. They tend to pop up the most in two places. One, the Kakariko Graveyard, is obvious and somewhat expected. Dead people, lots of lingering spirits, most of them probably Sheikah and Knights of renown who died in the line of duty. Understandable.

So when you apply the same thought to the fact that Hyrule field is the second most common place to find them, you may as well be concluding that it’s an enormous mass grave of war casualties.

We have established that mass quantities of concentrated death, especially earth that is saturated by the spilled blood of strong soldiers and highly skilled warriors (full of life and magic, as it were), can result in creepy shit made from human remains reanimating over time.

Poes share their haunting of the field with these bumpkins:

These hauntings are not the result of Ganondorf, or the corruption of the Sacred realm. They are not a particular curse placed by anybody.

The Poes and Stalfolk are present in the game from the very beginning, and quite normal fare for Hyrulean life. Lon Lon ranch and castle town are walled off for good reason, and the drawbridge raises at night specifically in response to the literal skeleton monsters who roam around at night.

Stalchildren, specifically, seem akin to the Deadhand in that they are not a direct reanimation of any one particular set of remains. Rather, they seem to be mutated amalgamations of various parts. In the case of the Stalchildren, they rise up under the dark of night, a not-quite-human formation of bone and magic. They seem to possess an aimless drive to attack, perhaps possessed still by the orders of the soldiers who died there.

Interestingly, in a somewhat similar fashion to BotW’s blood moon reanimating the fallen monsters (due to the potency of Malice in the land peaking at those times), Stalchildren only seem to be active under the moonlight. They disintegrate when the sunlight touches them, which promotes the idea that they are the bones of the fallen possessed by the ghostly memory of the war.

They also appear to wear raggy leather kilts, which is a feature they share with the related monster, the Stalfos, who are often acting out the part of a soldier as well. Even better, those bastards are actually WEARING GREEN, to boot, which given the history of Hyrulean Knights prior and their uniforms (SS and Minish cap) is pretty self evident.

Stalfos, however, are also confirmed as humans who have died under certain unique circumstance (such as the magical influences of the Lost Woods) and reanimated as a consequence of what I assume is basically magic poisoning.

It could be a bit like an overdose, succumbing under the intense mystical forces at play within proximity to the Deku Tree (which the strong of spirit can resist). It could be a draining effect, maybe even just a gaseous version of what’s happening when people come into contact with the green goo, except extracted by the forest spirits and plants (also possible that the strong of spirit might resist). That could go either way.

The forest absolutely does eat people’s spiritual energy, though. RIP to Grog and Link’s mother. They’re Stalfos now.

"Anybody who comes into the forest will be lost. Everybody will become a Stalfos. Everybody, Stalfos."

Upon killing both kind of Stal, however, the bones rapidly deteriorate into flames.

You guessed it: green.

I’ve already pointed out a BoTW reference already, but to add more context back into this thing about the tie between green and things in Hyrule that refuse to die properly:

That last one is cheap of me I’m sorry but we’ll get to him too

So we have established that green has an overwhelming association with not only life, but states of undeath.

The overview is, things were already pretty fucked in OoT Era before Ganondorf got the Triforce.

On to part 2!

#tloz #legend of zelda ocarina #Ocarina of time #link #zelda lore #zelda meta #zelda theory #zelda theories #zelda discussion #death tw #blood tw #shadow temple #shiekah #stalfos #poes #undead tw #long post #hero of time #hyrulean history

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lady-literature · 4 years

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Literal Angel Langa Hasegawa

okay but like here me out: Guardian Angel Langa who is so bad at being a Guardian Angel. Mostly due to not having a lot of practice, admittedly, but also cause he’s Just Like That.

It basically goes down like this:

Masae does not remember the last time her son had a friend, a good one--or perhaps she does. Maybe she remembers how he was Before and so maybe she sees how dim his smile is now. Brighter than others, perhaps, but practically a candle flicker where there was once a forest fire.

Her son is a happy child, is a vibrant child, but all that means is it is harder for others to see when he suffers, when he hurts.

Her Reki is lonely.

And it seems to get worse every year that passes. Unable to connect, unable to find others who are like him.

Masae is not a religious woman, she doesn’t often put faith in superstitions or urban myths, but as she cleans up after dinner one night, a shooting star passes by the window and Masae wishes.

(There is something powerful about belief. But lacking that, as Masae does, there is something powerful about the desperation of a mother.)

Three days later, Langa, angel of the falling snow and mountain air, is given a new charge. His second charge ever, to be exact. He isn’t told why he’s been assigned to Reki, and he doesn’t ask. If it was important to his job, he figures he’d have been told, right?

Most Guardian angels don’t immediately reveal themselves to their charges, but Langa’s never really been much like ‘most angels’ he supposes. And Reki takes it pretty well, he thinks.

After he stops freaking out and screaming, he seems intrigued by Langa and his… everything. He asks a thousand questions, or, at least, he starts to. Reki gets as far as asking about halos and powers and ‘wait does that mean God’s real too?’ before getting caught up on all the things Langa has never done before. Such things include: eating a bento box, going swimming, going to school, skateboarding-

The last one, of course, is reminded immediately.

The moment Langa steps on the board, it’s like he can feel Reki’s passion for it thrumming there next to his grace, bright and exhilarating and new. If Langa had a heartbeat, he thinks it’d be thundering in his chest.

The moment lasts a whole two seconds before Langa, all stiff angles and unbending form, makes the skateboard shoot out from under his feet and sends himself flat on his ass.

But the spark has been lit, and Langa wants more.

From there I think the AU would follow canon with Reki dragging Langa to S for a job (that he still fucks up) and Langa skates using his Snowboarding Skills (and this is where we’d learn that Langa’s first charge was Oliver, roughly fifty years ago, who taught Langa snowboarding and was practically a father figure and who’s death crushed Langa). Other things happen like in canon, but Mostly, it’s about Reki teaching Langa all these human things and the two becoming friends even if that wasn’t the goal.

(Or, at least, not what they thought was the goal.)

Other headcanons I have for this that are less coherent than the above and thus are placed in bullet points:

Langa’s grace is cold like snow, like winter mountains, like frozen ponds. His hands are freezing and often, Reki complains about how cold he is.

Langa jumps high in the air and does so many flips because gravity doesn’t pull at him the way it should. He exists outside of it, and when he is up there, seemingly miles above the ground, Reki is reminded that his best friend is not human, is not even close. Langa is divine and holy and brighter than the stars and snow in sunlight.

To even stand at his side, to watch him as he skates, as he exists on Earth, Reki is blessed.

Langa, often, forgets to be squishy and human. His grace turns him to stone, to marble, to an unmovable object that could stand against anything but the full might of God.

(But Reki is his unstoppable force. Reki reaches for him, throws himself at him and tugs him places. Reki moves him, even when he hadn’t thought to be moved, and something in Langa wonders about that, wonders how this boy with a smile like sunshine melts his granite flesh into fragile human skin.)

Excerpt: Reki likes to direct with touch, and the more Langa lets him, the handsier he gets.

I'm thinkin I make Miya a minor trickster spirit

Ala actual Japanese folklore

Possibly a kitsune? Not sure why he’d be skating but you can bet it’s for something mischievious

Miya still meets Langa because ADAM told him to, but basically walking into the shop stops Miya dead in his tracks and turns him and Langa into the spiderman meme of just pointing at each other

The first time ADAM calls Langa Eve, everything clicks in his mind and Langa starts laughing cause like,,,,,, he’s met Adam and Eve, and woo boy. Sir, we do not have the time to get into how all of what you said is bullshit

Somewhere towards the ‘end’ or whateves, when Langa is feeling more human than angel, he starts kind of mentally comparing Reki to The Apple. Reki is Langa’s Temptation and all that other stuff. (it’s a lot of imagery things and flowery words but trust me, it’d would punch you in the fucking chest)

Every moment Langa spends in his presence, the further he falls from his place in the heavens. For what could be better than this? He had been in heaven for eternity, and never has it felt like this, never has Langa loved like this.

No one told Langa that humanity felt so free, so infinite. And certainly no one told him he could find it in an Okinawa boy with hair like fire and a smile like everything Langa wants.

The Reki Angst is shifted just a bit in that Reki is standing next to these beings that are more than he could ever be (his best friend is a literal angel, I mean, how is he supposed to compete with that??) and he just feels…. small. Unremarkable. They’re all amazing and brilliant and he’s just,,, human. What can he even offer them? These beings who existed long before he did and who will exist long after him?

Reki tells Langa that he and him just aren’t a good match anymore except it hits so much worse because Langa was chosen for Reki and Langa is just like: “Do you… do you want someone else?” (Do you not want me anymore?)

But of course Reki doesn’t want a new angel and basically is like: “No! I don’t- why do you care so much? I’m just some person. You’re an angel! Someone who saw the beginning of the world and I don’t- why do you care about me? Don’t you get it? Heaven was wrong. I’m not important and I’m not going to be!”

And Langa, this poor baby boy, just stares at him and says: “You’re important to me.”

#sk8 the infinity #renga #reki kyan #langa hasegawa #sk8 #my typewriter #eyy all my followers know i've been OBSESSED with this show #twas only a Matter Of Time #also rip to any christans i have thrown your religion in a blender and pressed puree #God is a woman #obviously #(does this have vaguely spn vibes??)#(bitch maybe)#(or at least the better & gayer version of it that lives in my head)#((your childhood obsessions never leave you))#((even if you wish they did r i p))

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alwaysabeautifullife · 4 years

Note

How did you learn so many languages. Do you have any tips?

Yes!!!! Yes I do!!!

Everything I wish I could tell myself before starting my language “journey” lol:

🦩Dont be intimidated

Don’t be intimidated, specifically by doing listening or speaking practice. I know in the US (or for most English speakers), when we hear someone that speaks perfect English but merely has an accent we think “they don’t speak English”, but from experience this mentality is not shared with other languages. When you know even a little bit of a language or can’t speak it very well, natives speakers are really really encouraging. I think since we view not being 100% fluent without so much as an accent, as “not knowing any of a language” we are hard on ourselves and give up pretty easily.

🦩Listening practice is as important as studying vocabulary and grammar

When you listen to native speakers talk, you are training your ear even though you don’t understand it. Listen and listen, eventually your brain stops picking out English words that aren’t even there, but rather, starts to catch patterns in the language (for example, the same words sticks out to you over and over).

🦩Set realistic and doable goals or you’ll get discouraged and quit

If you are a busy person, make small goals to fit language study in. Don’t tell yourself that you need to master _____ within a week. Instead give yourself 15 mins of reading in the evening, and 25 mins of language listening in the morning. It’s also easier to add the language into stuff you do on a daily basis anyway. For example if you are religious, find your prayers you pray daily in the language you are learning.

🦩learn to read the language first (obviously this tip might not be applicable for character based languages like Chinese)

I know everyone says “immersion is the best and most important part of language” but honestly, a lot of our native speaking knowledge comes from our literacy education. When we are taught how to read, it’s through reading we can discover new words through context. It’s also easy to pick up new language reading since it’s available anywhere, where immersion is only available when you are surrounded by native speakers. The first thing I do is learn how to read and write the language, then the entire language becomes accessible to me.

🦩Spend time perfecting the sounds of the language that are most difficult for you

The vocal sounds of a language is the foundation of a language. I know we are all impatient and want to simply learn as many phrases as possible as fast as possible, but if you get down the unfamiliar sounds of a language that don’t exist in English, you’ll have a better foundation of the language and your speaking and listening will be better from the very beginning. So take the time to practice those weird sounds by looking into the position of the tongue and where the sound comes from, from the chest to the lips. Look into how tense the mouth is, how much air comes from the lips, what the sound is like next to other sounds. When you master this speaking becomes more instinctual and it’s easier to pick up the language.

🦩Search YouTube, google, Instagram IN THE LANGUAGE YOU ARE STUDYING.

Don’t search “korean music” or “korean kids tv” or even “korean vegetables” in google. Just translate how to say them in a translator app, then copy and paste them into the search bar. This way native korean information, videos, posts will come up. For example, if you’re in the mood for some horror comics, and want to read/watch them in the language you are learning, go to the translator app, and figure out how to say them, then search it. It works way better, even if the translation isn’t correct or more natural, you’ll still get the information, posts, and videos you want to see.

🦩Find ways to practice speaking the language (I use HiNative) and don’t be discouraged by corrections.

Getting corrected does not mean you’re wrong, corrections are the most useful part of learning a language. If you are the type of person who is sensitive to criticism, you need to remind yourself corrections are NOT criticism. They are NOT a reflection of your progress, they are NOT you failing! You will always be corrected as a language learner and the sooner you are gentle with yourself in learning the sooner you will learn more. Get those first corrections out of the way, allow yourself to butcher pronunciation, get corrected for the first 10 times, let it sting a little and move on. Eventually you will be begging native speakers to tell you every little detail in where you went wrong!

🦩Tv and Books seems to be more useful for immersion and listening practice then music does

So far in my experience music is its very weird and abstract, and the things said in music aren’t really useful in speaking? It’s good for gathering vocab, but if you want music listening practice that’s music based try searching for rap in that language, although obviously you’ll be picking up a lot of informal language in music/rap. Tv shows however are typically how people really do talk, so turn off English subs and just listen! Books are really useful for learning new vocabulary, but sometimes written language is different than spoken (often), although when you speak it the way you’ve learned from a book the worst you’ll sound is “formal and poetic”.

🦩Look up “insert language you are learning phrases and words that aren’t useful or correct”

There so many programs and books that teach you phrases you’ll never use or that are only appropriate in very specific situations. I don’t know why language programs do this, but learning which ones are weird or only in specific settings before you start learning really helps. Chinese Especially does this...like I learned so many phrases and words that natives will never use and have no purpose???

🦩Know the different subjects of learning a language and which apps to use for that

Everyone uses Duolingo, but this app alone won’t make you speak a language. Duolingo and Memrise are great for memorizing vocab, but, is it vocab that in the context of your reading and listening practice? Are you learning words you are hearing and reading all the time? Duolingo is a lot of fun but I feel like the vocab is so broad and it doesn’t go deep enough into the language. Feel free to use it at first to get used to the sounds of the language, but try using flash card apps like quizlet or Anki instead where you can write down and study words you are hearing constantly. Memrise does have actually study sets for many language books and lessons! So you can study words you are hearing in specific programs and books which is pretty useful in regards to vocab.

There obviously is more than just learning vocab. What about grammar, listening practice, speaking practice and reading? If you are wanting to use primarily apps find out which apps are available for your language. Here is an example of the apps I use for each subject. Be aware some languages are not available on them.

Vocab: quizlet, anki

Grammar: books (printed or kindle), YouTube grammar lessons, websites

Reading: books (printed or kindle), beelinguapp, instagram (posts that have text), Netflix/YouTube with both subtitles in the language you are learning and spoken in language you are learning, epic app

Writing: just use paper and pencil/pen

Listening: audio books (beelinguapp/epic/kindle/YouTube), tv and movies (Netflix/YouTube etc with no English subs), conversations on YouTube (search in language you are studying, don’t search “Spanish conversations” or “Japanese conversations”)

Speaking: HiNative (pretty much all I use since it’s all languages, quick, and you get immediately answered and corrected by native speakers), get friends in language you are learning through lots of apps

Translator: it’s really hard to find a good one, most of them are really weird so only use them for words and the most basic or simple phrases and sentences, otherwise use HiNative to ask native speakers directly, or ask people on the apps that connect you to native speakers

🌱I should note that for talking to native speakers I only like HiNative, since it’s built to NOT be a form of social networking at all. It’s not personal in anyway, and there’s no way to private message or speak to other users outside a asking questions publicly. The people on there are only about learning or teaching a language, not usually making friends. I’ve found the sites that are built to make native speaking friends aren’t useful to me personally, as most of the native speakers are either dudes looking for a woman to date or people wanting to only practice English with you, so they wasted a lot of my study time. People who are willing to help you learn are there, but it takes time to filter everything else out. If you would find it helpful to make friends by all means use them but I don’t really use it myself.🌱

You don’t want to really study EVERY SUBJECT every single day (unless you have the time). It can get really overwhelming, and you don’t really absorb information that if you are just cramming. While I would say it’s good to read and listen daily, spread subjects out over the week. Grammar on Monday and Friday, vocab on Tuesday and Thursday. Take one day to review all of what you’ve learned all week. Pick a day you have the largest block of free time. Bi-weekly works fine too.

I have an old post on how I organize my study time for multiple languages: https://alwaysabeautifullife.tumblr.com/post/182817883372/what-do-you-use-to-learn-your-languages-im

🦩Write sentences daily of everything you’ve learned (no THIS I RECOMMEND DAILY)

Write as many as you can. Use all the grammar you’ve learned, the words you’ve learned, everything! Write them in your notes and submit them to be corrected in HiNative. The sentences they correct, put them in flash cards!

🦩It’s ok to abandon languages you aren’t passionate in

So you’ve learned to read the language, and you know basic phrases, and now you just don’t want to do it anymore. If you can’t think of any reason to maintain it and don’t know why you are studying it, learning some of the language is good! Fluency does NOT need to be everyone’s goal. You can hold a conversation, and that’s good enough for you. Feel free to try out various languages, there will be one or some that really are your passion, it’s fine to have the goal of fluency in those and conversational in others.

Don’t abandon languages however because you feel discouraged. Discouragement is just a bump to get over, when you train your brain to maintain study habits through the days you feel discouraged, you make it habitual. Habits are harder to break and abandon! Evaluate your reasonings for wanting to speak a language, and your reasons for abandoning them if you want. Don’t let difficulty, disorganized, discouragement, or poor time management get in your way!!

🦩With all that said it’s ok to take breaks

It’s ok to get overwhelmed and take breaks from language learning. If you can still maintain what you’ve learned by listening to music in your language or staying connected in some way that’s good, but the “you’ll loose a language” isn’t entirely true. I’ve taken year long breaks and refreshing what I learned previously is pretty easy! Your brain really does go “oh yeah I do remember this!” when you’re studying information you studied years ago.

🦩Be gentle with yourself

Be gentle with yourself. People that claim to be fluent in 6 months are selling something or want to be an influencer. Don’t compare yourself to them. Language learning even for natives is a lifetime education. It’s not something you do for 6 months then stop. It’s continual and that looks different for everyone (yes native speakers included). Don’t bother watching YouTube videos on how to learn in 10 mins or 3 months, you’ll only get discouraged about your own amazing progress and all the work you’ve done.

🦩Plan your “can you say something in it” phrase now

This one is just for fun but after hearing you are learning a language the first thing you’ll get asked is “oh cool you speak (insert target language here)? Can you say something in (insert target language here)?” It does not matter what level of fluency you are at, you will absolutely forget the entire language and your own native language when you are asked this because it sends your brain to another dimension. So think of some funny phrases to say to people who ask, master them, then when they ask what they mean you can have a laugh. Other wise you will say something stupid of jumbled words (my go to was ‘we women are fruit’ for some reason thanks brain you’re incredible) you’ve learned that don’t belong in a sentence, or even worse you’ll run a blank and you’ll just look at them like:

🍳👄🍳

So think of inside jokes to tell your friends, funny phrases, even goofy insults! Memorize them and tell them at your friends and family to torture them because they can’t escape sound waves! It’s a good way to memorize the language but also to become confortable speaking it!

Please excuse any errors I don’t wanna go over my mistakes so pretend u can’t see them 🙈

#langblr #learning languages #korean #spanish #italian #portuguese #lang resources #lang apps #lang

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renegadewangs · 3 years

Text

Van Zieks - the Examination, part 6

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: (see Part 1 for the more detailed disclaimer.) - These posts are not meant to be taken as fact. Everything I’m outlining stems from my own views and experiences. If you believe that I’ve missed or misinterpreted something, please let me know so I can edit the post accordingly. -The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. - I’m using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what’s said. This also means I’m using the localized names and localized romanization of the names to stay consistent. -It doesn’t matter one bit to me whether you like Barok van Zieks or dislike him. However, I will ask that everyone who comments refrains from attacking real, actual people.

Part 1 Part 2 Part 3 Part 4 Part 5

And here we have the second half of The Unspeakable Story, because the case was so long I had to split it into two.

Episode 5: The Unspeakable Story – Part 2

When we last left off, Gina was allowed to testify about the omnibus murder two months ago. Sure enough, she talks about what really happened and how she was threatened into lying in court of law. The judge realizes that he made a grave error in letting McGilded walk. Again, I'm not sure why he's only realizing this now when that trial ended in disarray, with the entire gallery shouting about whether it was or wasn't a gross miscarriage of justice.

I'm giving Van Zieks an additional scumbag point for this remark, since Ryu had already admitted to his wrongdoing and, despite Van Zieks's repeated warnings of 'are you sure about this', brought the details of the falsified testimony up himself. Don't pretend to be understanding about the position this puts Ryu in if you're going to be a jerk about it afterwards, Van Zieks.

Some shenanigans and Gregson whispering to Graydon later, Scotland Yard returns with the small box! Turns out it's a music box! When suggested that the court should listen to the music on the disc, Gregson interjects and unconvincingly claims the music box and disc are unrelated to the case. Ryu objects to say that the disc is fundamentally important for understanding the motives of the crime and Van Zieks, on his own accord, chimes in that the prosecution has no objections. When Gregson continues to stammer that the disc is police property, Van Zieks says:

“But it is policy of this prosecutor to leave no avenues unexplored. And you, Inspector, have no jurisdiction here to prevent that from happening.”

So Gregson and Van Zieks are definitely not buddies. Since Gregson is a key player in this case (and I mean that in a negative way, since Gregson is actively hiding important knowledge from the court), the fact that Van Zieks is turning a deaf ear to his pleas does in fact make Van Zieks an accomplice of ours in a roundabout way. Only for this particular context, though. The point is, so long as the prosecution continues to agree with the defense about unveiling key pieces of evidence, Van Zieks is helping Ryu achieve his ultimate goal. Also it's just plain fun to watch Gregson panic. We're having a jolly old time in this courtroom!

Unfortunately, when the box is played, there's no music. It's just weird tones. So Ryu is confronted with the question of whether the music box's sounds are relevant to the case or not. Naturally, I chose that they aren't relevant to see what would happen. I don't know why I expected any different than this:

“When you speak, you must mean what you say. ...Or be prepared to suffer the consequences.”

Penalty from Van Zieks! He's right though, I never learn. Okay, so let's say the tones are relevant. Van Zieks jumps onto that like a cat pouncing on a mouse toy, of course. He wants to know just what that relevance is. Ryu says that the chimes aren't necessarily music, and Van Zieks pursues relentlessly. “Well, now that you've told us what they are not, I'm sure the court would like to hear what they are. Do enlighten us, my Nipponese friend.” This is all very standard fare, of course. In any Ace Attorney game, the player has to outline their reasoning in steps, which means the prosecution and/or the judge will continue to ask for elaboration until all the details are out in the open. Of course, Van Zieks has to be a jerk about it as he follows it up with the words “Surely you have an idea in mind? Because if not... It will be the death of your ill-formed argument!” Eesh. Harsh wording for such a simple concept of 'your argument is void if you don't tell us exactly what you mean'. What's bothersome about these moments is that often, the player already has an exact idea in mind, but the game's dialogue will beat around the bush a bit more and really rub it in. (example: Iris telling Ryu at this very moment that the music box isn't broken at all and it's meant to play these particular chimes.) But because the player isn't given the option to just figure this out for themselves and then gets scolded by the prosecution for 'taking too long', naturally the player may get frustrated.

I'm getting there! SHEESH! It's not my fault Iris is distracting me! I had the evidence ready to present like two minutes ago!

Anyway, Ryu finally links the chimes to government messages being intercepted and leaked to other countries. These messages are usually telegraphed in morse code, so it should be obvious where Ryu's going with this. Van Zieks looks horrified at the notion of the disc containing secrets in morse code. Still, alongside Ryu he works through the logic of what happened and how McGilded would've been involved in this. Graydon, who works at a telegraph office, is of course the prime suspect for intercepting those secrets and that's the reason why he broke into the pawn shop to recover the disc. Graydon is outraged by the accusation, saying “I've had to stand here in silence while that pretentious foreign lawyer has been prattling away!”, but Van Zieks cuts him off with an objection.

“The prosecution demands the witness testifies... in response to the accusations brought by the defense!”

It's Mrs. Garrideb all over again! Yes! So just to reiterate, the prosecution has nothing to gain by doing this, the way I see it. Ryu can't actively prove any of his theories, he's got no hard evidence. The only thing Ryu can do at this point is have Graydon testify and hope that he'll slip up; and Van Zieks is supporting this notion instead of demanding to see this currently non-existent evidence. So Graydon testifies, the topic of morse code comes up again, and we get a lesson in the basics of how it works with the dots and the dashes.

Surely it can't be that a prosecutor in an Ace Attorney game is being passive aggressive again? Anyway, turns out the music box doesn't play morse code at all because instead of dots and dashes, there's only one of the two. The testimony continues on to address that Graydon's last name used to be Milverton, a fact which causes Graydon to react very heavily and attempt to deny it. Van Zieks subtly reminds him that this effort is futile, since Graydon is a communications officer attached to civil service. His personal details would've been thoroughly checked when he was appointed to his position.

I enjoy it when Van Zieks finally gets turned around to point his sharp finger and sharp words towards people who actually deserve it. Yes, he's ferocious and a somewhat horrible person, but Graydon had this coming for being, y'know, a literal murderer who tried to frame a teenage girl. Van Zieks even reminds Graydon of the same sentiment (“it would really take no time at all for the court to subpoena those records”) later when Graydon continues to deny that Mason Milverton was his father. Good boy, Van Zieks. You're learning that not all British citizens are upstanding and it's okay to accuse some of them of wrongdoing. Because remember, in earlier trials when Ryu would indirectly accuse witnesses (or juror no 4) of lying or criminal activity, Van Zieks would overreact with an “HOW DARE YOU, SIR” of sorts. But not this time, oh no. How dared Graydon?

So with the relation between Graydon and the victim of the omnibus murder proven, we've made headway, but still not enough. So long as the music box chimes seem irrelevant, we don't have the full story to pin Graydon down for anything. For this reason, Ryu gets back on that topic and insists it's very much possible for the disc to contain secret messages. Van Zieks is still not quite convinced.

Covering his insecurities with fancy speech, I see. Van Zieks can act as smart as he wants, but the brutal truth of the matter will always be that he's not smart enough to take evidence in his own two hands and flip it over or open it up. Ryu's the only one who takes the practical approach, opens the bottom and finds out that the music box can actually play two discs at the same time. One for dots and one for dashes, which means there's a second disc out there. So with this out in the open, it's time for everyone's favorite type of Ace Attorney tennis: The back and forth truth reveal! Ryu and Van Zieks take turns in detailing the chronology of Graydon's illegal dealings with McGilded, with negotiations apparently turning sour in the omnibus two months ago, and thus the brickmaker met his end. McGilded attempted to hide the stolen disc by sticking it in his coat and pawning it at the pawnshop, but Graydon found out about this, etc. We've all played the case, we all know the story.

Graydon ultimately admits to having been at the crime scene that night, but still refuses to admit he worked with McGilded or stole government secrets. (Okay okay, ALBA, your denial is too powerful to let this game end, have it your way.) Ryu surmises that only Graydon could have shot Windibank, as he would've been the third intruder holding a third gun. Graydon flips this logic around; now that he's admitted he was at the crime scene that night, he can also admit to 'what he saw' as a 'key witness'. He claims that he saw the moment Windibank was shot by the pickpocket and he took the third gun afterwards, and he's ready to testify about it. Van Zieks, who should technically be jumping at the opportunity to hear decisive testimony for his precious guilty verdict, is instead not amused at all.

“If it is shown that your claim is false, you will have incriminated yourself as the killer.”

And these are some very telling lines once again. Why would he warn Graydon about this if he didn't have reason to believe those claims would be proven false? Why would he think Graydon could incriminate himself as the killer if he were 100% convinced that Gina is the culprit? He must know by now there's a strong chance that Gina is innocent and Graydon is the real killer. But sure enough, Graydon testifies about watching through a peephole and seeing blood spatter over the coat. Blood which he couldn't know is there unless he saw the murder happen. So the judge wonders whether the coat can be tested for blood and indeed, Van Zieks confirms that it can. A German scientist discovered that test 'very recently' and it's already being used in several courts around the globe because this test was actually, y'know, verified in the field of science.

“Ideas are no use to us here. In science, as in law, theories must be proven before they stand.” “We could shatter all vestiges of doubt within minutes!”

rip. To be clear, it doesn't seem as if Van Zieks actually knows for certain there's blood on the coat, because how could he? His insistence on the blood test doesn't seem to be motivated by hope of 'cornering Gina because the blood will definitely be there'. Rather, I think he just wants to either prove or disprove Graydon's testimony so we can all get on with our lives. Plus, I think he may want to flaunt these 'official methods' just to diss (S)Holmes's methods some more. While waiting for the results, Ryu is allowed to cross-examine the very suspicious peephole testimony. Despite Ryu being the one to press Graydon at every statement, Van Zieks will occasionally chime in with questions of his own to get some clarification. Which is funny, because the prosecution isn't the one who has to cross-examine witnesses. Van Zieks should technically be staying out of it. The fact that he's butting in to needle Graydon some more is just... I don't know, it's another one of those very telling moments, I suppose. Again, he probably already suspects that Graydon is the real killer.

The cross-examination is put on hold when the test results finally come back, confirming the blood on Gina's coat. Ryu still tries to save his case by saying the blood actually belonged to Mason Milverton, but that's obviously a very dangerous route to take.

“Did you not argue fervently for McGilded's innocence? And yet now that the man is dead... You brand him as a murderer? Your conduct shatters any shred of respect you may have earnt for yourself in this country!”

We all know he was a murderer for real. Van Zieks knows this more than anyone in the courtroom (well, except maybe Graydon). Besides, Gina testified about this like fifteen minutes earlier. To be frank, the fact that Ryu is admitting to this openly should actually warrant more respect as opposed to breaking it down. Because, remember, Van Zieks gave Ryu several options two months ago to blindly defend McGilded and instead of taking those opportunities, Ryu instead admitted he couldn't say for certain whether there was foul play happening. I think what's going on here may be that Van Zieks is emotionally conflicted. He was already buying into the theory that Gina is innocent and Graydon is the real killer, but the blood on the coat threw a wrench into it all. Graydon hypothetically could only have the coat knowledge if he'd seen it happen, which makes Gina the real killer after all. With something so conclusive, any belief he might've invested into Ryu's integrity has just been 'betrayed' and indeed, if Ryu's integrity is in doubt, anything else to come from him will also be relentlessly drawn into question. That doesn't just apply to Van Zieks; all the jury members who were on Ryu's side before immediately, unanimously vote guilty. Van Zieks assumes that there will be another Summation Examination, as has become the norm.

Ryu grows desperate, because changing the jury's minds is going to be exceptionally difficult now. Thankfully, our hero (S)Holmes appears! That mischievous scamp!

“Detective (derogatory)”. I think it would've been an interesting plotline if (S)Holmes actively investigated the Professor case back then, perhaps even at Van Zieks's request, and failed to find the killer in time to prevent Klint's death. That would explain why Barok now thinks so badly of (S)Holmes and the amazing detective he's described as in the novels. Unfortunately, the second game never really addresses whether (S)Holmes played a part in the Professor investigation and if so, why it ultimately came down Genshin's duel and Gregson forging evidence to 'close the case'. You'd think that if (S)Holmes investigated the deaths, he and his partner would've tracked down the real killer long before things could escalate that badly.

Anyway, (S)Holmes asks for five minutes of the court's time to pass some evidence on to the defense. Van Zieks begins by saying that the trial has already taken up many hours of the court's time. So 'having spent that long already...' Gregson cuts him off to agree, saying that since they've spent so long already, they don't want to waste even more time. Unfortunately for him, that's not what Van Zieks was about to say at all.

So he's fully on our side again! Hurray! All well and good, but he does still fling one of his chalices later to signify the five minutes are up. (S)Holmes thanks Van Zieks for allowing the brief recess, the reply being that he needs no thanks, since “the die is cast”. In other words, they've already reached a point of no return here. At first this seems like a very cryptic dismissal of gratitude, but what Van Zieks is actually saying is that the jurors have already made up their minds and settled on guilty. “Any attempt to alter the verdict now would be utterly futile.” Which still doesn't say much about whether Van Zieks believes they're headed in the right direction, it only says that he doesn't believe Ryu can convince them to change their minds this time.

Surprise! Ryu doesn't have to! When (S)Holmes came into the room in disguise to deliver the lab results of the coat, the cross-examination of Graydon was actually suspended. This means that, by law, Ryu has the right to continue that cross-examination instead of turning to the jurors for the Summation Examination. Van Zieks suffers through his damage animation (which has been rarely seen by this point in the game and honestly, it's a delight to watch), calling the whole matter absurd. This is the law, Ziekie boy! Deal with it! So with this final chance granted, Ryu presents the catflap device to debunk Graydon's testimony about the peephole. Susato tampered with the crime scene and made that cat flap mere minutes after Windibank was shot. So if the cat flap wasn't there before, how could Graydon possibly have witnesses what he claims to have witnessed?

Oh, he's thrown off now. He's got no idea what to believe anymore. I can't blame him; who would expect a trial to take a turn like this? We're getting close, but Van Zieks has one more obstacle to throw our way, as all prosecutors do. How can we prove that the peephole flap was made after the crime as opposed to before it? “When was the peephole cut? The prosecution demands proof of your answer!” Again, this is par for the course. This is what any prosecutor would demand. Evidence is law in Ace Attorney world and Van Zieks needs tangible proof that Ryu isn't just a 'lying traitor' like Genshin was. Naturally, we have proof and Van Zieks is the one we have to thank for that.

Considering Van Zieks is the one who showed up to court that day with a big stack of photographs from that very same 'infernal camera', this line will never stop cracking me up. So now we know for sure the peephole was made after Windibank was shot! Unfortunately, in submitting evidence we now also know one other thing.

To be fair, Susato didn't know it was a legit murder scene until the cat flap was created and they could see the body. Up until that point, it was just a scene for breaking-and-entering, along with (S)Holmes shooting. I'm sure that was taken into account when discussing the punishment later on, though. Anyway, we've proven Graydon's perjury, but Van Zieks insists we still haven't quite proven that he's a killer. Luckily, Ryu's already two steps ahead of Van Zieks here. Since we've proven that Graydon was lying about what he saw, the question is now how he knows about these things to begin with. He couldn't possibly have seen the peephole with his own eyes, so how did he know it was there? And how did he know about the blood on the coat? Gregson once again decides to interject, asking Van Zieks for 'a word, please'. He wants to leave the courtroom and return to the station to put in his report.

“You will remain exactly where you are until this trial concludes.”

Heeheeh. Brutal. So with Gregson forced to stay, Ryu is free to insinuate that information about the crime scene must've been leaked to Graydon. And since Graydon had no idea he'd be summoned to court to testify on the murder, he could only have received the information after arriving at the Old Bailey. The only person with the opportunity to pass that information to him (in the middle of a trial, I might add) was Gregson. Gregson immediately barks that he had no reason to leak information about the investigation to someone like Graydon, but we know that's not true. Ryu suggests there was a deal.

I really enjoy this particular expression on Van Zieks, and it fits especially well in this context. While he usually looks very calm and cold on the surface, he now looks outwardly ferocious, slightly unhinged. Perhaps even in pain. This is the face of betrayal and humiliation. We learn in the second game that Van Zieks had already suspected Gregson of having dirty hands when it comes to the Reaper, so I expect this insinuation hits extra hard now. It's confirming to Van Zieks that Gregson is indeed not above dirty tactics. He doesn't take it lightly, of course. “With the stakes so high, the prosecution is not prepared to listen to baseless charges. It is incumbent on the defense now to present evidence in support of this diabolical claim.”

So let's do it. It all comes down to the music box disc and the stolen government secrets, of course. Gregson admits that he was ordered to retrieve the stolen information and do it “on the q.t.” Top secret mission, this one, though earlier on it was implied to have been ordered by Stronghart. Van Zieks concludes that Gregson objected so heavily to the disc being used as evidence because he knew of the information on it. Gregson replies that he realized there was a possibility of it. Since we know the music box plays two discs, the deal must've involved this second disc. Van Zieks is now thinking ahead very quickly, here. He asserts that since Gregson is a Scotland Yard detective, he would've approached this deal with extreme caution and not simply taken Graydon's word for it. He would have asked for the article in question to be handed to him immediately and so, it stands to reason the second disc is in the courtroom at that very moment. Gregson doesn't take lightly to the accusations and when Ryu suggests a cavity- sorry, I mean body search, Gregson agrees to it without so much as a flinch. Suspicious behavior, to say the least. But this means the body search is allowed and everything rests on the outcome.

“If, following the search of the inspector's personal effects, no disk is found... You will be deemed unfit for court service, this trial will end and my country's government will formally demand of yours that you are severely reprimanded.”

But Van Zieks, if Ryu were deemed unfit for court service, who would you face in hectic turnabout trials? He's your one true nemesis now, remember? The judge agrees with Van Zieks's sentiments, but Iris has some very interesting insight: “You're just threatening Runo because you're scared!” Since Iris is one of the most clever characters in the games, we have to examine this statement further. If he's scared, then what's he scared of? My guess would be the firm, undeniable confirmation that Gregson is willing to screw with a fair trial and let a killer walk free. Yes, he was ordered to do this by his superiors (STRONGHART), but it doesn't change that Gregson is throwing an innocent girl under the omnibus to get what he wants. And again, keep this in mind, Van Zieks already held suspicions that Gregson had something to do with the Reaper curse. But they were friends once; Gregson was Klint's friend. There's a difference between suspecting an old buddy of being up to no good and hard evidence that it's true. What adds credence to this being the reason of Van Zieks's fear is one of the game's recurring themes: You mustn't look away from the truth, no matter how blinding it is. No matter how painful, it needs to be acknowledged.

So the game asks whether Ryu still insists on the search, knowing there'll be grave consequences if nothing is found. By this point I was so tired that I didn't choose any of the other options and went straight for the correct answer: Search someone else! Gregson's being so cool about it that we can already surmise he doesn't have the disc on him, but he did have the perfect opportunity to hide it on the taller Skulkin brother earlier in the trial. So Ryu insists on there being a search, and Van Zieks says:

“But your typical Nipponese stubbornness may well land you in hot water this time. Perhaps the lesson will do you some good.”

This sort of implies to me that Van Zieks has also realized the disc isn't on Gregson's person. He's known the guy for a very long time, and so, he'd also know that Gregson is easily flustered with zero poker face skills. There's no way he could look so cool if there was a chance of the disc being found in his pocket. So this is the point where Ryu reveals that he doesn't want the search done on Gregson, which does succeed in ruffling our dear old inspector. Gregson starts accusing Ryu of having lost his mind and the court shouldn't have to put up with this nonsense, with the gallery also erupting into chatter. Iris snaps and tells everyone to be quiet. Ryu's just doing what he was told to do and having the courage of his convictions, so they should all respect that and listen to what he has to say. The judge admits that the court is in awe of the defense's convictions and I could write an entirely different essay here about Ryunosuke's growth throughout the games, but I won't. Point is, the cavity- sorry, I mean body search of Nash Skulkin is allowed. Gregson absolutey has zero poker face without a doubt, as he tries to object to the search in the name of Scotland Yard.

“In this courtroom, only the prosecution and the defence have the authority to object.”

Gregson tries to sputter his way out of this, but Van Zieks says: “I have no idea what forces are in play that might influence your actions, but personally I have no intention of obstructing the course of this trial.” (Gregson literally said that Van Zieks needed “Stronghart's paw print” to get more details on the top-secret investigation into McGilded's shady activities, but sure. No idea what forces are in play. Okay.)

Pin 'im down and use the rubber glove, bailiff! The missing second music box disc is pulled out of Nash's jacket and Ryu explains why he knew it'd be found there.

Uhhhhhhhhhh. I think what Ryu's trying to say is that Gregson would rarely fly into such a rage that he'd assault someone physically, but... This man absolutely loses his composure all the dang time. Just ask the fish n chips he keeps aggressively chomping down or scattering over his shoulder. He doesn't strike me as a composed character at all, so to say he behaved “extremely out of character” is kind of off to me. But whatever, it proved our point so I'll let it slide. When the judge asks why Gregson didn't just submit the second disc as evidence the second he got his hands on it, Van Zieks surmises that if the information on the disc were revealed in court, it'd be problematic. Gregson once again confirms he's working under direct orders from the ministry (STRONGHART) to keep the stolen info on the down low. But now we've got a problem. Neither Graydon nor Gregson will admit that they made a deal for the disc (it just magically appeared in Gregson's possession then, sure) and so long as they don't admit to that deal, we still can't prove Graydon lied about his testimony in regards to Gina being the shooter. The judge is ready to turn the matter over to the jury for their final learnings, and if these people had any common sense they'd all vote not-guilty because Graydon is getting away with his nonsense through a sheer technicality. Even so, Ryu intends to put the squeeze on Gregson by playing the second disc along with the first to determine whether there's truly morse code involved. Either Gregson admits to unlawful dealings with a witness to protect state secrets, or those state secrets get played out loud for everyone to hear. Gregson warns him he'll be making an enemy of the entire British government if he lets those secrets out into the world. Ryu insists he'll stop at nothing to do his job and protect his client, no matter who he makes an enemy out of. Van Zieks pours himself another glass of wine in silence.

Yeah, a real shrewd, calculating man. Uhuh. Again, I want to take a second here to point to the symbiosis we usually have between prosecutor and lead detective. Even in the case of Fulbright and Blackquill, with their unique circumstances, they still worked in tandem. You'd never catch them bickering about whether or not to present a certain piece of evidence. It's fascinating to watch Van Zieks consistently ignore Gregson's pleas. Speaking of which, let's have a leg slam to shut Gregson up.

“I'm a prosecutor. ...I'm no Scotland Yard puppet. In this courtroom, my duty is to the law. So let me propose a toast. To uncovering the truth... by fair means or foul.”

YOOO!!! Get him, Zieks! There's absolutely no denying now that Van Zieks is 100% on Ryu's side. He knows that playing the secret message will cause Gregson to cave and admit to his shady deal. And once we know for certain Graydon's testimony is one huge sham... Well, as Van Zieks already said earlier, Graydon will be incriminated as the real killer.

So the box plays for about ten seconds with actual morse code this time and Gregson cracks like cheap porcelain. When Ryu confronts him with how this dealing would lead to the defendant being wrongfully accused of murder, Gregson just kind of shrugs it off. On its own, you might be thinking Gregson is a scummy asshole for this, but there's some very important factors to keep in mind here from the second game. First of all, very simply, Stronghart ordered Gregson to retrieve the info 'no matter what' and Gregson isn't in any position to refuse at this point. But then there's the Reaper's curse, which is way more important. Even if Gina were found not guilty, she'd still have to die. Not just die; Gregson would have to arrange for her death. I doubt he enjoys being in that position, so it's easier for him to just willfully sabotage the trial and have Gina be executed by the government. Some of the blood would still be on his hands, but at least he wouldn't have had to orchestrate some elaborate death trap himself, leading to all the blood on his hands. (Cool justification, still second-hand murder.)

Uh, wait, this is a Van Zieks essay, not a Gregson essay. So anyway, after Gregson gets choked by Graydon and nobody steps in to help him, we finally get the truth, the whole truth and nothing but the truth. Graydon has a semi tragic backstory and he was the one who cause the omnibus fire.

I guess Graydon wasn't too familiar with the Reaper's curse. Either that, or he didn't believe it was real. So now, to reiterate, we're told several times that anyone prosecuted by Van Zieks is doomed, but only one of the defendants Ryu's had so far has died a tragic death and it wasn't even because of the Reaper's curse. It was because someone else sought revenge, so even if Van Zieks hadn't been the prosecutor, McGilded still would've died. Graydon then goes on to talk about what happened in the pawnbrokery and how he shot Windibank without even thinking about it. Van Zieks has something to say about this.

“A man who used his wealth and influence to distort the facts and escape justice for the crime of murder. What tragic irony... For what you have done... is exactly the same. You've become the very monster you saw, and despised so deeply, in McGilded.”

I feel like this is even more elaborate setup to the fact that Van Zieks's brother, a wealthy and influential man, was actually a mass murderer. For bonus points: 'someone realized the wealthy man was a murderer, knew he wouldn't be confronted with his crimes and therefore took matters into his own hands with vigilante justice'. Does that sound familiar too? Gosh, I love foreshadowing. The judge tells Gregson he'll have to face charges as well, with Van Zieks chiming in that even if it was in the line of duty, Gregson's crime is a serious and inexcusable one. With that, the attention is turned to the defense. The judge says that the morse code thing was an unexpected revelation (and this is said in a complimenting sort of way), with Van Zieks unable to stay silent on this:

“In fact, I think we should applaud my learned friend's courage here today. I propose a toast. To demanding that government secrets be disseminated before the entire courtroom!”

Hee hee... Well, Gregson did warn him beforehand that he'd be making an enemy of the British government if he played those music discs. Ryu becomes very flustered and apologizes, but the telegraph juror interjects here to say that the dots and dashes weren't really morse code. Rather, it was just gibberish to her. So despite Iris looking thoughtful, it seems we didn't spill any beans after all and the matter is dropped. We move on to our verdict, a unanimous not-guilty for Gina Lestrade. Hurray!

Now there's a very clumsy scene transition of Ryu and Van Zieks standing in the abandoned courtroom, facing one another. I suppose Van Zieks made some sort of gesture for Ryu to hang back so they could speak in private? It's odd for them to still be standing behind their respective benches, though. Since court's dismissed, it'd be easy for them to just walk up to one another instead of shouting across an empty room. It may be symbolism that there's still a gaping void between the two of them; the Professor incident. Or maybe I'm giving the game too much credit there and they just couldn't be bothered to animate new backgrounds for this single scene. So here we have a very important conversation. I'll type it out:

“I must say you've surprised me, my Far Eastern friend. Despite being a Nipponese, you saw through the pretence to the malice that festered within that Englishman. And at the same time, you saw through the grime to the surprising heart of your English client. You have a curious talent for judging character, especially considering our very different cultures.”

So here we have a telltale problem with racial prejudice. Van Zieks assumed that because Ryu has a different background, especially culturally, he wouldn't be able to understand or relate to English citizens. We've seen this sentiment before in case 1-4, where Van Zieks is shocked that Ryu would understand the mind of an English policeman. Ryu says that he doesn't think there's anything curious about it at all, because whether people are from Britain or from Japan, they're all human beings. They're not so different on the inside. Ryu is effectively saying that Van Zieks needs to stop categorizing people based on their nationality because that doesn't work. Human beings are human beings; some of them are good and some of them are bad. Van Zieks doesn't directly reply to this, instead confirming what we already suspected.

“You know, I took this case for one very simple reason. To lock swords with you once again here in the courtroom. When I encountered you for the first time two months ago, it reminded me... of toasting friendship and trust with another Nipponese... only to find my trust betrayed. Through you, I hoped to look into the eyes of the man I once knew... and try to understand.”

So remember in the previous essay when I surmised that the torrid look of hatred in Van Zieks's eyes was directed at someone who died ten years ago? Well, it's confirmed here. Van Zieks didn't see a fresh newbie whenever he looked at Ryu; he saw Genshin Asogi. The betrayal which took place ten years ago was never given closure. Sure, Van Zieks managed to send Asogi to the gallows to exact 'justice' and get some form of payback, but he was never given Asogi's motives. He never got to confront this man with the emotional turmoil or the hurt, because he wouldn't have been given the opportunity to do so and even if he'd tried, he wouldn't have gotten satisfactory responses. Asogi was abruptly executed and Van Zieks never learned just what possessed a dear friend to murder his brother. He was left with boiling hatred, grief and a whole lot of questions. So indeed, now he hoped to 'understand' Asogi through Ryu, but that was never an option to begin with. Ryu has no relation to that man, so Van Zieks might as well have tried to grasp that understanding by 'locking swords' with Beppo. It's about the same level of futility. Van Zieks's misguided attacks appear to be born from the assumption that it must've been a cultural thing; that perhaps betrayal is something which comes naturally to people from Japan. It's an incredibly stupid, naive way of thinking, because by simplifying Genshin's motives down to his race and cultural upbringing, it takes away the option that there's a far darker truth to be found. Quite frankly, I think Van Zieks is afraid of that truth, just as he was afraid of confirmation that Gregson's not above dirtying his hands. To affirm that Genshin Asogi's friendship was genuine and he truly was an honorable man would imply that he'd had a reason to take Klint's life. I'm not saying it was a good reason! I'm just saying... a reason. When Ryu asks for more details on what happened back then, Van Zieks won't reply.

“Coming to be known as the Reaper of the Bailey, and my retirement from service five years ago... It gives me cause to wonder if our meeting has some deeper purpose. So... Farewell, my learned Nipponese fellow. Until we meet again.”

(He crushes another chalice in the process of saying this, because of course.) The deeper purpose alluded to here, along with the earlier line that Ryu may one day learn the answer, can only mean that Van Zieks foresees something of a journey here. A path to walk down together with Ryu in which, eventually, the Professor case will once again surface. Whether that's a good thing or a bad thing for Van Zieks, we don't know. I'm not sure he knows. But he did admit to having been pleasantly surprised by Ryu and he had a civil conversation with him just now, so the sentiment here is that Van Zieks is slowly letting go of some of his earlier grudges. He doesn't outright admit that he was wrong to be a scumbag to Ryu, nor does he apologize, but by admitting he was only attacking Ryu to make sense of something that happened in his past, he's basically admitting to his behavior being irrational. He's softened up a little, and with a second game on the way, it means at the very least the option of further character development is there.

The conversation ends and in the defendant lobby, Gina is reminded she's not in the clear yet. There's the curse, after all. Gina's not afraid, because he say she sees it, “the Reaper is a bit like Him upstairs.” Sort of funny to equate the Reaper to God, but what she's basically talking about is karmic retribution. Rotten coves like McGilded get what's coming to them, but she knows she's a good person deep down and so, she thinks she'll escape the curse just fine. Which doesn't say much about all those other victims who came before McGilded, mind. We can't say for certain they were all rotten too. Well, the second game will tell us whether she escapes with her life or not. And normally I would also take a look at the little 'bit' that characters have in the end credits, but Van Zieks didn't get his own bit for whatever reason. He's only briefly mentioned by Pat and Roly Beate, so that's it when it comes to his character in the first game.

Next up, we're moving on to case three of the second game, taking place six months after The Unspeakable Story!

#dgs #dgs spoilers #tgaa #tgaa spoilers #barok van zieks #hot dang #this trial escalated quickly #I took like 500 screencaps when Graydon went for Gregson's throat

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crusherthedoctor · 4 years

Text

Sonic Heroes: Sweet or Shite? - Part 1: SILVER

There are some heroes I like. And there are some heroes I don’t like. But why do I feel about them the way I do? That’s where this comes in.

This is a series in which I go into slightly more detail about my thoughts on the heroes in the Sonic the Hedgehog franchise, and why I think they either work well, or fall flat (or somewhere in-between). I’ll be giving my stance on their designs, their personalities, and what they had to show for themselves over the course of time. Two things to keep in mind:

1. These reviews will be focusing mainly on game portrayals. Though alternate media will occasionally be mentioned, it'll be for the sake of adding onto a point if a portrayal is similar enough, or to compare and contrast if a portrayal is different enough.

2. These are just my own personal thoughts. Whether you agree or disagree, feel free to share your own thoughts and opinions! I don’t bite. :>

Anyhow, for today’s installment, I decided to challenge myself by starting off with a complicated one. Born from the future, and never content to stay put in said future, it's the saviour whose debut came from the most unfortunate game... Silver the Hedgehog.

The Gist: Once upon a time, in the distant future, there was an idealistic young hedgehog named Silver, gifted with the power of telekinesis for reasons unknown. With his amazing potential, he was truly destined for a wonderful, prosperous li-just kidding, it was shit.

“All two of us.”

For as long as he knew, the world was forever plagued by Iblis, the terrible Flames of Disaster. Cities stood in ruin, flames stood high, the floor was lava... it was a bitter life to be certain, all thanks to Iblis. Not even defeating the titular creature did much good, since it would simply come back to be a shitty boss fight another day. What was he - and his friend, Blaze, a character we definitely never saw before and definitely didn't have a completely different backstory before - to do?

Trust the first person he sees, of course. Even if they look like they might be related to the same Flames of Disaster that he fights so constantly.

If he had eyelids, he'd be winking at the camera.

This mysterious fellow, Mephiles the Dark, informed Silver that if he were to wipe out Iblis for real, he would need to take a trip into the past, and eliminate the root of the problem... Sonic the Hedgehog? That was what Mephiles claimed, yes. What was his proof? There was no proof.

That was good enough for Silver.

Oh look, it's Fleetway Sonic.

After an elaborate series of events, which should sound exciting but really isn't because it was just Silver going “Iblis Trigger grrr” in varying tones of voice, he was finally able to corner the blue hedgehog... twice! And despite having less fighting know-how than the hero who saved the world plenty of times, he effortlessly came close to killing the blue hedgehog... twice!

This looks like a jobbing for...

Why twice? The first time was halted by Sonic's friend Amy Rose, who Silver had met beforehand after she mistook him for Sonic, an understandable mistake that even the keenest of eyes would be forgiven for making.

The second time was also interrupted, this time by Shadow the Hedgehog. There's only room for one controversial non-blue male hedgehog in this franchise, sonny boy. Actually, his reasons were more benevolent than that: he wanted to show Silver the truth about what was going on, by time travelling to the incident that gave birth to Iblis. Why was one able to to this, so long as more than one Chaos Emerald was present? No one knew.

That was good enough for Silver.

“I challenge you to a dumb-off.”

As it turned out, Iblis was one half of a sun god called Solaris, the other half being the aforementioned Mephiles. The Duke of Soleanna wanted to reunite with his late wife by harnessing Solaris' power, which succeeded from a certain point of view since he's dead now too. The resulting blunder split Solaris into two halves. One half was all brawn, with little capacity for intelligence. The other half was Iblis.

Understanding the error of his ways, and after making peace with Sonic, Silver went back to the future to try something different, which consisted of doing the same thing he always did. Luckily for him, the script decided it would work this time, albeit at the cost of Blaze sacrificing herself... Maybe? Sort of? It’s not entirely clear what happened to her, and it’s not like this was the last we ever saw of her.

~La laaaaaa, la laaaaaa, la laaaaaa, heading to a better game, la laaaaaa~

But ohhhhh nooooo, turns out THAT didn't solve anything either! In the present, Sonic was killed by Mephiles, after the latter realised he should probably do that already if he wanted to make any progress at all with his plan. This incident led to Iblis being brought into the present, and they fused to become the omnipotent Solaris once more. Such power... such divinity... such devastation...

Actually, he was really easy. The antlion from Underground Zone was harder.

Manchild robots - 1, god of time - 0.

With their super forms in tow, Silver, Shadow, and the revived Sonic joined forces to defeat Solaris, with Sonic in particular going the extra step in retconning Solaris out of existence entirely. Since time itself reset, meaning Iblis was no longer a memory, Silver's timeline was given a second chance. What was he to look forward to in this new, promising future?

Shit.

The Design: Let's take a closer look at Silver's appearance, shall we?

Or rather, a certain thing that's wrong with it.

He's holding up fifteen fingers.

Yes, you all know what I'm pointing to: the hairstyle. Let it be known that I'm very aware of the intention behind this design choice. It's supposed to be based on the Japanese Red Maple Leaf, which holds a lot of relevant symbolism for Silver's character. This is a fine idea in theory, and I can respect the intent and the creativity.

But here's the thing: If it looks like a ganja leaf, people are going to say it looks like a ganja leaf. I know some fans will gnash their teeth at me saying this, but the fact of the matter is that intentions and ideas, no matter how good they may be on paper, don't always translate well into the final product. Unleashed Secret Rings Black Knight Sonic '06 in general is certainly no stranger to showcasing examples of that, and Silver's hairstyle is no exception. There are ways to incorporate symbolism in a character’s design without making them look like meme bait in the process, and no amount of “umm ackshually” will change that, I'm afraid.

That said, there's another reason why I'm staying clean of Silver marijuana: it doesn't work for a hedgehog character. With the other hedgehogs, their hairstyles are simple and get the point across: Sonic's goes without saying, Shadow's is more angular to befit a slightly rougher hero, and Amy's is a cute bob cut of sorts. But Silver? Even without the ganja, you've still got the two tentacles making up the back of his head.

I'd rather not be reminded of hentai quills, thanks.

“I thought Crusher-san would like it :’(”

I do find it hilarious that they went through numerous designs for Silver, and this was what they chose to go with. Some of his prototype designs may have fared better had any of them been used instead... but we didn't end up with any of those ones. We ended up with this one, therefore I'm judging this one.

But don’t worry, it’s not all bad with Silver...

The Personality: As far as actual character goes, Silver's personality is as straightfoward as most characters in the series, yet it's no less interesting, because it took a while for it to fully evolve to what it currently is. The seeds of his character - a good-natured yet awkward and rather insecure kind of guy, who doesn't fully understand how the present time works - have always been there, but it was often downplayed in earlier titles due to him being hungry for Iblis Trigger blood... or being an arsehole for no reason.

Although to be fair, everyone in Rivals is an arsehole for no reason.

Eventually though, after the writers gave him a Snickers, these traits got more opportunity to shine. Mostly in side media admittedly, but it's been noted in the games as well. With no Iblis to angst over, he's proven to be a surprisingly bubbly chap, who just wants to know how you're all doing, fellow anthro kids. And whereas his naivety was previously used for intended tragedy to benefit the evil plan of a guy who thought taking the -istoph- out of Mephistopheles would make him inconspicuous, now it's been used for a bunch of low-key contexts that do a much better job at endearing him to the player.

Finally, something I can relate to.

Hell, he even seems to have learned from the Mephiles incident, as he was quick to make it clear to the next shadowy deep-voiced anthro with demonic eyes he met that he wasn't gonna fall for any of them fibs no more, ya hear?

“YouTube and Twitter don’t count.”

All in all, it works well enough, in my opinion. His personality does pave the way for some funny and wholesome moments, and since they’re no longer trying to build him up like he’s Shadow 2.0, he's nowhere near as much of a tool as he was before. So I guess you could say... I like it?

Does this mean I can say that I like the character as a whole then, design and '06-induced idiocy aside?

Well, not quite...

The Execution: This is where the complication part comes into play. We know now that I like his personality, not so much his design, but that's only the half of it. It would be more accurate to say that I like his personality... and dislike everything else.

Aside from that, obviously.

For starters, the creation process for his character and story was summed up with, in their own words, “Think Trunks from Dragon Ball Z”. So he comes off as rather lazy and uninspired. Now I'm not expecting my Sonic characters to be 100% unique, there's always going to be similarities to other franchises no matter what you do, even if subconsciously or by complete coincidence. Taking inspiration in itself is no big deal at all.

But... was that it? Copying a DBZ character to such a blatant extent? Was there no other thought put into it?

Naturally, this ties into an overarching problem: the franchise's mid-00's habit of trying way too hard to be the anthro Dragon Ball Z. Sonic has had DBZ influences since the early days, with the Chaos Emeralds and Super Sonic, but it didn't assimilate itself into every waking aspect of his universe. It was merely an additional flavor that added to the complete package, in the same way that a Death Star with a moustache didn't mean the franchise was suddenly Star Wars the Hedgehog.

But come the turn of the millenium, nearly every main title in the series ended with Super Sonic and/or Super Shadow saving the day, while everyone else either stood around being useless, or only helping in ways that no one actually cares about. Including the in-universe President apparently, since only Sonic and Shadow were featured in the photo on his desk.

Amy smiled. “I guess the rest of us can go fuck ourselves, huh?”

This reached its peak with - of course - Sonic '06, with Silver in particular being an obvious result of this then-ongoing trend. And yes, it would be unfair to use him as a scapegoat, considering it was already a problem long before he turned up. But moreso than even Shadow, it's an era that Silver is forever a relic of, for better or for worse.

But it doesn't stop there. Since Silver is considered a mainstay character, his gimmick of being from the future also creates problems of its own, because in order for him to make further appearances, he keeps turning up for little explained reason, and thus he suffers the Deadly Six problem of being shoved into places where he doesn't belong, for fanservice's own sake. Take Sonic Colours DS for example, where he went back in time JUST to check out Eggman's theme park... Okay...?

On one hand, I’d visit it too, since it's made by Eggman. On the other hand, I’d stay clear of it, since it's made by Eggman.

And when there IS a justification with more weight to it? It's just recycling the '06 routine of trying to avert his ruined future, which isn't much better. The cause may differ depending on the story, but if his future is a permanent shitehole for one reason or another, he might as well cut out the middle man and stay in the present altogether, since that's where his friends are anyway. But they seem intent on not doing that, despite the future schtick being a noose around his neck at this point.

In hindsight, maybe this was a hint to how the rest of the arc would turn out.

And then there's his dynamic with a certain purple cat... No, not Big. The other one.

“I’m here, by the way.”

Simply put: I don't like this dynamic. At all. Or rather, I don't like how they keep milking it. Blaze's backstory was radically changed to justify her presence in Silver's future, and it really shows, since she barely even shows up half the time, as if the developers themselves forgot she was in the game. But her backstory has since been restored to her original alternate dimension interpretation, so hanging around with the grey hedgehog is all good now, right?

To be brutally honest, I probably wouldn't care for this dynamic regardless. But I would be more willing to tolerate it, and I'd refrain from groaning every time they're seen together... if they weren't intent on playing it up so much in spite of '06 being wiped out, sometimes with a bit of commentary involving their thoughts and memories, which only succeeds at making things more confusing. If Blaze is around, Silver will be nearby, and if he's not at first, he will be soon enough. This franchise does have a problem in general with restricting who's allowed to interact with who (I personally believe Sonic Heroes may have led to this, or at least it accelerated it), but I'd argue it's at its most insufferable here, with Blaze's potential and her entire world taking a backseat to being the sidekick of Ganja Man.

And you might say “Well, it's part of the franchise now, so you'll just have to accept it”. To which I ask: Have you accepted Two Worlds? Have you accepted Solo Sonica? Have you accepted Sonic's friends not doing much as of late?

Yeah. That's what I thought. “It’s just how it is” doesn’t mean you can’t criticise it.

Meanwhile, Marine is lucky enough to get so much as a shout out.

So yeah, I have quite an extensive list of grievances involving poor Silver. But... very little of it has to do with him, right? They're all indirect problems that he just so happens to be linked to, as opposed to someone like Chris Thorndyke, who is genuinely a shit character through and through. This is more comparable to Tails being bitchy in Lost World, or Amy being manipulative in Chronicles, or Sonic being a smug dumbass in IDW, or Shadow not wearing a Hawaiian shirt in Boom. Frustrating, regrettable, but not really the character's own fault.

Yet even after all that, there's one last kick in the teeth... How do you fix all this? And how do you fix it when he's since gained a sizable fandom, many of whom like him for these very attributes? If you leave it as it is, you're stuck with this big, awkward mess that everyone pretends to ignore. If you try to do something about it, you'll get complaints about disrespecting the True Silver Spirit, and you’ll get questions about why you didn't create a new character instead... And if you did use a new character for the sake of a clean slate, THEN you'd get complaints about not using Silver.

It's a tough call to be sure, and it's such a shame because like I said, I do appreciate his personality, so I can't say he's bad outright. But with all this... clutter, I can only put him in the average category. So, in he goes.

Crusher Gives Silver a: Thumbs Sideways!

Well, I'm glad this one's out of the way. Putting my thoughts into words with Silver was harder than it should have been. I do slightly regret starting this series off on a rather downer note, but rest assured, it's a lot more positive from this point onwards, since while I have higher praise for some heroes more than others, the hero characters as a whole fare a lot better than the majority of villains not named Eggman.

I guess you could say that I hope to show why Sonic's friends aren't as shitty as the haters would suggest. ;)

#Sonic Heroes: Sweet or Shite?#Opinion #Sonic the Hedgehog #Silver the Hedgehog

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oh-boy-me · 4 years

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Idk if you’ve ever talked about it before, but how does Mammon speak in Japanese? In the translation, he speaks kinda rough and casual (maybe a bit of a southern USA flair? he uses y’all once or twice iirc) Does he have a particular accent or dialect in the OG text?

Oh, Mammon might be hard to break down, but I’ll see what I can do!

So I don’t think Mammon has any particular accent, per se? I think he’s just very informal.

From what I’ve noticed, Mammon’s speech is characterized by informal phrasing and some phonetic changes. I don’t think it goes into any actual ヤンキー (”delinquent youth”) territory, but I might be wrong as I don’t have any experience with that subculture. Regardless, it’s pretty rough, and very informal.

The following example sentences all come from the phone call where he cancels your plans (I think it’s intimacy 25?), his home screen dialogue, and the current Halloween event.

And this time more than any before, Japanese is not my first language and I have never lived in Japan, so if you find anything incorrect about the content below, please let me know so I can fix it.

---Informal Phrasing---

Japanese has lot of different ways to say the same thing with varying levels of politeness. Mammon tends to use (one of) the most direct ways of saying things.

It’s important to remember though that a lot of these “direct” things are characteristic of male speech in general, and I won’t go over those. Mammon says やつ (guy, basically) to refer to others sometimes, but so does Lucifer. Likewise, it’d be weirder if he didn’t use the dictionary verb form most of the time. There might be some that I describe even though they aren’t particularly unique to Mammon, because I’m not an expert on masc-coded Japanese.

悪い！！ (warui)

(Phone call) This literally means “bad,” but in this context it’s “my bad” or “sorry.” It’s a rough way to say it, rougher than ごめん (gomen), which I know Levi says off the top of my head, and すまない (sumanai), which I know Lucifer says.

If you need to apologize in Japanese, I think it’s best to stick to すみません (sumimasen) or ごめなさい (gomenasai) to avoid accidentally coming off as too rude or too stiff.

許せ！！ (yuruse)

(Phone call) This means “forgive me,” but like. As a command. A pretty demanding one at that. An example you’ve probably heard is when a man yells やめろ (yamero) to make someone stop what they’re doing.

その時は何があっても予定を空けろよ！ (sono ji wa nani ga attemo yotei wo akero yo)

(Phone call) Here’s the imperative again. 空けろ (akero) is the command form of 空ける (akeru), which here means to clear your schedule (予定 is schedule). The よ (yo) at the end softens the command a little. The sentence means “At that time, no matter what you’ve got going on, clear your schedule!”

A softer way to say it would be 空けて (akete), and even softer would be 空けてください (akete kudasai). I’m pretty sure Mammon isn’t the only character to use the imperative like this, but he’s certainly uses it a lot.

館中の掃除を言いつけてきやがって…… (yakatachuu no souji wo ii tsuketeki yagatte)

(Phone call) You can tag やがる (yagaru) onto a verb to show your contempt for someone’s actions. You hate that they did something. Like most of these, it’s pretty harsh. The sentence means “He had the nerve to order me to clean the house,” but with the strength of やがって, “He fucking ordered me to” might be closer in attitude.

近いうちにまた誘ってやるから (chikaiuchi ni mata sasotte yaru kara)

(Phone call) If you read the Levi post, you might remember that やる (yaru) is a more colloquial way to say “to do” than する (suru). It’s also a more colloquial way to say あげる (ageru), “to give.” It used to imply that the recipient was on equal or lower standing with you, but I don’t think that’s really the case anymore except for how it’s not really a polite phrasing. Attached to a verb, both あげる and やる imply a favor is being done. This means “I’ll invite you out again soon before long, so”

---Phonetic Shift---

In general, the most common phoneme shifts in Mammon’s lines are cutting the middle and monophthongization. Cutting the middle is a term I’m making up for the sake of this post and is exactly what it sounds like: lengthening the first syllable in place of the next ones. Monophthongization is when a vowel made of two sounds (diphthong) is pronounced as one sound (monophthong). In the case of rough Japanese that we’re working with, that usually means <ai> and <oi> turning into <ee>.

そのなんつーか…… (Sono nan tsuuka......)

(Phone call) つーか (tsuuka) is short for というか (to iu ka). You can see how “to iu” assimilates to “tsuu,” especially if you say というか a few times fast. なんつーか/何というか means “How should I put it?”

だぁっ！わーったよ！！ (Da-! waatta yo)

(A Devildom Halloween, 1-3) わーった (waatta) is from わかった (wakatta), which means “I get it.”

そりゃ傑作だぜ！ (sorya kessaku daze)

(A Devildom Halloween, 2-16) そりゃ (sorya) is a shortened それは (sore wa), “that is.” Also, I’m not sure where else to put this, but ぜ (ze) is a very strong assertive particle that I don’t think many people actually use anymore irl. The line is “That’s a great joke!”

すっげースピードで鞭とんでくるんだけど！ (suggee supiido de muchi tondekurun dakedo)

(Phone call) Here we start the examples of monophthongization, which is probably the worst word you’ve had to read in a while but I promise is the easiest phonetic concept to understand here.

すっげー (suggee) comes from すっごい (suggoi), which means either amazing or terrible, depending on the context. Like I said before, <oi> often simplifies to <ee> (the second “e” is written either ー or え). The line means “The whip’s gonna come down real fast.” すっげー is emphasizing the speed.

By the way, やばい (yabai) also means amazing or terrible, based on context, and can be changed to やべー (yabee) in the same way. Mammon’s said that before too, but I don’t think it’s in my example pool.

あー…金降ってこねえかなー (Aa... kane futte konee kanaa)

(Home screen) This time, the negative こない (konai) turns into こねえ (konee), with the same <ai> --> <ee> shift. This time, it got written as ねえ instead of ねー. This is his “wish it’d rain money” line, and the translation is basically the same.

うるせぇ…… (urusee)

(A Devildom Halloween, 2-13) うるせぇ is from うるさい (urusai), which means “shut up.” This time the second え is the smaller ぇ!

おっせえよ。俺を待たすんじゃねえ (ossee yo. ore wo matasunjanee)

(Home screen) We’ve got two here, with 遅い (osoi), late, turning into おっせえ (ossee), and 待たすな (matasu na) becoming 待たすんじゃねえ (matasunjanee). Putting んじゃない where a な would normally be makes it a rough-sounding command. And then the ない turned into ねえ like tends to happen with Mammon.

The line is “You’re late. Don’t keep me waiting.”

気安くさわんな！ (kiyasuku sawanna)

(Home screen, UR+ animation) This could possibly be in the first section too, idk, but. The general way to say “don’t touch me” is 触らないで (sawaranaide), and a more casual way to say it is 触るな (sawaru na). Mammon takes it a step further, and drops the る to say さわんな (sawanna). Levi uses the 触るな style, so I assume Mammon’s style is pretty noticeably informal.

他人の為に何か買ってヤンなきゃならねぇんだ！ (tanin no tame ni nanka katte yannakya naraneenda)

(A Devildom Halloween, 2-13) やらなきゃならない (yaranakya naranai), is already a pretty casual way to say “have to.” Mammon’s version uses the same んな as the last line, turning やらなきゃ into ヤンなきゃ (yannakya). Also notice the switch from hiragana to katakana, which is often used to convey the conversational tone. And then ない once again becomes ねぇ! The line is “Why do I have to buy something for someone else?!”

And last but not least... そうだ、殿下。　言い忘れてた (souda, denka. ii wasureteta)

(A Devildom Halloween, 2-23) This line means, “that’s right, your highness. We forgot to say.” Why is this one last? Mammon says this line to Diavolo. From what I’ve seen it’s about the same level of politeness that Lucifer uses when talking to Diavolo.

It’s worth noting though that Lucifer and Mammon both speak casually to Diavolo.

So this isn’t organized at all, but I hope this gave you an idea of how Mammon’s idiolect ended up giving him a distinct one in the localization!

This is always a hot topic with Mammon’s portrayal as a POC character, so I need to say that I don’t know enough about Japanese subculture and language codes to say anything for sure about whether this makes him sound “uneducated.” Impolite, definitely, but “uneducated,” I don’t know. Regardless, the connotation definitely exists in how he’s written in English. And with that I’d like to remind everyone that your idiolect says nothing about your intelligence. Don’t judge a person’s worth by how many big words they use.

#obey me #obey me translation #obey me mammon

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