#I actually drew a lot but some of it are not meant for posting

[motherstone]

*randomly drops it here* I forgot to say, but in my head this is what Emily looks like Post Rewrite, her appearance got hinted at by What Remains pt. 2

[talaok]

The final jump

Pairing: Step-dad!Joel Miller x Step-daughter!reader

Summary: When your stepdad finds out you and your boyfriend haven't had sex yet, he tells you the reason is that you're a virgin, but thankfully... he can help with that.

Warnings: step-incest, manipulation, straight-out lying, hence dub-con, Perv!Joel, predatory behavior, very very naive and innocent reader |Smut| fingering, oral sex (f and m receiving), virginity loss, unprotected p in v sex, creampie, dacryphilia, and daddy-kink. Joel is a full-on perv in this one ok, don't say I didn't warn ya, 

a/n: this is wrong and weird and for the first time since i opened this blog, i actually doubted whether i should post something or not, but at the end of the day this is all fake and i do not condone in any way what's portrayed in this fic. And please for the love of god read the warnings and just scroll if you don't like what you see.

Pt. 2 - Pt. 3 - Pt. 4

"c'mere" he instructed, pulling you into his lap like he always did when Mom wasn't around.

"there's nothing wrong with this" he had explained the first time it happened "Your mom just doesn't need to know about everything"

You nestled your head into the crook of his neck as you continued watching the movie, while his hands settled around your waist and onto your naked thigh.

He always made you wear skirts when you were alone, he even bought you some, and each time they got shorter. Once, you had asked him why, and as always, he had an explanation

"It's good for your skin, sweetheart, your legs need to breathe"

The one you were wearing right now, for example, a very cute baby pink one, barely covered your butt, which must have meant it was very healthy for your skin.

And then of course for the same exact reason, when Mom wasn't home, bras were banned, and you could only wear small tank tops, preferably very low cut and that let your stomach breathe.

You didn't mind the rules Joel had given you, you trusted him, and he knew what was better for you.

Plus, you would have been lying if you said you didn't like all the attention he gave you, even if it was just when you were alone. You loved how much he obviously cared about you, and you loved even more letting him take care of you.

You had never had a dad, unless you count the first three months of your life before your real dad decided to split, so now that you had such a good step-dad, you felt on top of the world, and even if you were 18, you didn't mind being taken care of like no dad ever had.

If he had offered to read you bedtime stories to get you to sleep, you would have probably accepted just to see what you had missed out on, that's how desperate you were.

You wrapped your hands around his neck, clinging to his warm self, and letting his scent wrap around you in the best way.

"You comfortable?" he asked, as his fingers gently drew patterns on your legs

"yes daddy"

Oh, that's right. Calling him daddy was another rule, if not the most important one.

"good" he said, kissing the crown of your head 

Ghostface appeared behind Tara on the screen, and you tightened your hold on him a little bit.

"You scared, babygirl?"

"'m not scared daddy, I've watched this movie like ten times" you giggled

"What a brave girl" he cooed "You're not scared of anything huh?"

"no 'm scared of lots of things daddy, just not horror movies"

"ah that's right" he murmured "You're still scared of spiders, aren't you pretty girl?"

"Well of course" you nodded "but I have you to get rid of them"

"of course you do" he smiled, pulling your legs closer to him by the back of your knees, and making you beam happily.

Your whole backside was exposed now, making you blush a little bit.

You knew there was nothing wrong with this, but you still felt a little insecure about showing so much of yourself to Joel.

He didn't seem to notice as his hand went right to the newly revealed skin.

His hands always felt good against you, in a way you had never quite experienced, they were so big... and so rough, and oh so warm. If you could, you'd let him touch you all day every day.

Suddenly, a ching ran through the room, startling you.

Joel's soft chuckle vibrated through his chest and into yours.

"Not scared huh?"

"I just wasn't expecting that" you whined, removing your hands from him to reach onto the coffee table.

You had to stretch your whole body to do that, giving Joel a full view of your white cotton panties, and what they were trying to cover.

If Joel's cock was hard before, it was now quickly reaching the painfully hard territory.

"Oh sweetie" he tutted, as you grabbed the phone.

"what?" you asked, a tint of panic in your tone.

"it's just these panties..." he trailed off, as his fingers reached for them "This fabric is not good for you darlin'"

"These too?" you asked, a tad disappointed.

It seemed none of the panties you owned were ever good for your skin.

"Yes babygirl," he shook his head "here, let me help you, I'll take them off for you" he said, starting to gently drag them down your legs.

"but daddy-"

"what?" he stopped "I'm just looking out for you sugar, I just want you to be real healthy"

"A-alright" you nodded "I-if you say so"

"There's no need to be shy, babygirl, I'm your daddy, I only do what's best for you" he promised, tugging your underwear until they pooled at your knees.

Joel had to bite down a groan at the sight of your perfect little pussy.

"I know," you said, swallowing slowly 

"Tell you what," he spoke, "I think it's best from now on if you just don't wear any panties when we're alone alright?"

"Sure daddy" you agreed "Can I sit back down now?"

"Of course" he urged, bringing you back into his lap, and slowly taking off your panties completely.

You checked your phone to see who had texted you, already forgetting about what had just happened, when Joel noticed something as he inspected your pretty little panties.

"These are wet babygirl," he said, holding them up for you to see.

your cheeks flushed a little bit as you looked up from your phone.

"Is-Is that bad?"

What if the fabric of your panties was so bad that it made you sick?

You hated being sick

The expression on his face was unreadable, he was looking at you differently.

"Does this happen to you a lot?" he asked, ignoring your question

"O-only sometimes...when I'm with you" you whispered "A-am I sick daddy?"

And then he did the last thing you were expecting, he smiled "no" he shook his head "You're not sick sweetie"

"oh" you breathed, relieved "then what is it?"

"It jus' means you like spendin' time with me a lot"

"Well of course I do" you giggled, looking back at your phone.

Joel watched you for a moment more, your face so innocent... too pretty for your own good, before pocketing the panties to add to his collection.

He didn't understand how you still hadn't noticed half your underwear had disappeared from its drawer.

"who was it?" he asked, once he had placed his hands on your ass, and on your inner thigh, feeling the warmth of your core closer and closer to his fingers.

"Just Chad" you answered "he's asking if I can hang out with him tomorrow night"

"mh" he considered.

He never liked Chad much

"This Chad" he started "he's good to you right?"

"Yes daddy" you stifled a laugh "You don't have to ask me every time I bring him up"

"Jus' wanna make sure" he shrugged "You're being safe and everything?"

"what do you mean?" you frowned "I don't think there's anything risky about going out to eat once in a while"

"now that's not what I meant babygirl" he smirked 

"oh" you breathed "what did you mean then?"

"I meant to ask if you're usin' protection"

"Protection?" your frown just deepened.

You lived in Austin Texas, not the Wild West, protection from what, mosquitoes?

"Yeah protection, sugar" he nodded

"From what?" you asked, more confused than ever.

"oh baby girl" he laughed softly, leaning back onto the couch "condoms. You use condoms?"

And in an instant, your face had turned red.

"Oh, I- We- I haven't- we didn't-" 

That's all you could muster from your flustered state.

Joel's amusement left his face in a second to make space for something... else.

He had prompted this subject just to see you all embarrassed, and hear you talk about what he dreamed of doing every night with you, but this... this had just gotten interesting.

"you haven't done it?" he asked

It took a moment before you finally managed to shake your head no.

His grip on your thigh got tighter

"why's that?"

Your teeth let go of your bottom lip so you could respond.

"I-I don't know"

All it took was another look at you, at your big blown-out eyes, at your red cheeks, and it all came together.

"sweetheart," he said gently "are you a virgin?"

Your forehead creased again in puzzlement.

"w-what's that?"

His lips pulled into a smirk, and you watched each muscle on his face with curiosity.

"Oh baby" he smiled "I mean have you ever had sex?"

Your chest was rising and falling so quickly that you wondered how long it would take for you to hyperventilate.

The redness of your skin had now spread to your ears and neck too.

"I-I" you mumbled, avoiding his eyes

"Sweetie" he cooed, gently guiding your face to look up at him "You can tell me"

You gulped, looking into his hazel eyes.

Oh, how stupid you were being. Of course you can tell daddy.

"No" you slowly shook your head.

"Ah" he hummed "then that's why"

"That's why what?" you asked

Now, a good man would have stopped there, a good man would have dropped this right there... but good men didn't fantasize about their step-daughters, good men didn't come up with rules to watch them walk around the house half naked, good men didn't pull their panties down just to catch a glimpse of what they'd been dreaming of for months, and Joel, well Joel was already going to hell, so why not make the final jump.

"That's why Chad hasn't had sex with you"

"W-what?"

He wet his lips, not thinking about anything else but how good that pretty cunt of yours must feel around his cock.

"No guy wants to be a girl's first, babygirl" he murmured, stroking your cheek.

"Really?" your eyes widened at the realization "but- why?"

"lots of reasons sweetie" he explained "girls tend to... get attached"

"oh" your perfect mouth created the cutest little o

"yeah baby" he nodded "I'm sorry"

Your eyes were starting to water, and your throat was getting clogged up

"but then... who's ever gonna want to make love to me?"

make love? god you were so innocent

"you want Chad to make love to you, pretty girl?"

You were pouting so cutely Joel's heart was starting to break a little bit.

"I mean- maybe... I don't know" you murmured, tears falling from your eyes now "but he's never gonna want to now!" you sobbed

He wiped away your tears with his thumb before bringing you closer to his chest, giving you a big tight hug.

"It's ok sugar, shh" he calmed you down.

"H-how is he ever gonna want to make love to me?" you asked, raising your doe eyes to him.

And there it was, his free pass to the flames of hell.

"Well, there is a way," he said gently

"W-what?" you stumbled over your words

"I could help you out" he spoke

"H-how?"

His eyes darted from your watery eyes to your pretty pink mouth.

"I could be your first"

Your heart missed a beat.

"Y-you?"

"Yeah sweetheart, that way you can tell Chad you're not a virgin, and he'll for sure want to make love to you "

Your eyes sparked up

"Really?" you beamed "Y-you'd do that for me?"

"Of course" he promised, "What else are daddies for?"

"Oh thank you, daddy!" You threw your arms around him to hug him like your life depended on it "You're the best"

He grinned into your hair, thanking every existing being for having granted him such a gift: you.

"oh sweetheart, trust me it's you who's the best" he murmured.

You leaned away, a smile from ear to ear plastered on your face "So-uhm- How does this work?"

He smiled at your eagerness

"Well, first of all, we gotta get on a bed" he explained "so wrap your arms and legs around me and hold on tight baby girl"

"Like this?" you asked, after obliging

"Perfect" he nodded before standing up from the couch.

A soft whimper fled your mouth as he made you bounce a little bit to set you better on his body.

"Calm down sweetie, I'm here" he cooed, starting to walk up the stairs, and before you realized, you were in your room.

"why didn't we go to your room?" you wondered aloud

"I just like yours better" he dismissed your question as he settled you on the bed.

You looked around the walls and posters and floor you knew so well and then back at him.

You didn't think he'd ever been in here before, and it was such a weird image.

he looked so out of place in such a girly space.

"and now?" you asked, looking up at him expectantly.

He smirked "Now we take off these pretty clothes of yours"

"O-oh, alright" you nodded, watching as he kneeled in front of you.

His hands went to your tank top first, slowly seeping underneath it before taking it off of you.

A small groan left his throat, and you observed how his eyes focused on your breasts.

"I-is there something wrong?" 

"No, sweetie, I'm just real happy to help you, 's all"

You smiled cheerfully at that.

He was always so nice.

"Now we gotta take off this skirt" he explained, gently pulling it down for you until it pooled at your feet.

You didn’t think you'd ever seen Joel smile so wide.

"Good God baby girl" he breathed, taking each and every inch of you in like you were a piece of art in a museum "You're real pretty, you know that?"

Your cheeks reddened as your lips pulled into a shy smile.

"T-thank you" you mumbled

He stroked your thighs a little, but way too soon he was standing up.

He reached into his back pocket for something, and a moment later his phone was in his hand.

You watched as he swiped somewhere on the screen and then took a step back to make sure the camera didn't miss any part of you.

"What are you doing?" you asked, curious more than anything.

"Takin' some pictures"

"Oh," you murmured "W-why?"

"Don't worry baby, 's just me" he reassured you, now stepping closer to you again to caress your cheek softly, making you forget all about your worries.

"Do you think you could pose for me a little?"

"sure" you nodded, wanting to please him however you could.

"Such a good girl" he praised more to himself "Lay down for me mh?"

You immediately did, scooting more onto the bed and resting your back on the mattress.

"Spread your legs now" he instructed, loving the way you so easily obeyed.

You heard a soft click as he took another picture from right between your legs.

"Very good" he said "Now smile a lil', show me how happy you are Daddy's helping you out" 

You did of course, and this time he moved his phone a little upward so your face was more in the frame.

"now c'mere again" he said, urging you with two of his fingers.

You sat at the edge of the bed, right in front of him.

"so obedient..." he smirked, as he stroked your cheek "suck on my fingers sweetie" he ordered, slowly pushing his index and middle finger past your lips.

You were very very confused about this pose, but chose not to question it.

"Look at me" he instructed, and you watched his grin widen as he took the photo.

"You did real good honey" he spoke, placing his phone on your nightstand.

"Thank you daddy" you beamed, as he kneeled before you again.

A question came to you while he did

"Is Chad gonna take pictures too?" 

A tint of jealousy flashed behind his eyes

"No," he said firmly "and if he tries, you take his phone and throw it away, ok?"

"O-ok" you nodded.

"Now" he seemed to get back to himself "How 'bout you lay down and let me take care of you?"

"S-sure" you stuttered, lying down again.

You raised your head to look at him as he slowly spread your legs.

You felt very much on display, but you weren't embarrassed, you knew Joel only had good intentions.

Suddenly, he bent down to kiss you right on your mound.

You let out a gasp

He looked up at you, a devilish smile plaster on his face as his lips traveled lower, now finding your clit.

"Daddy!" you gasped again.

"what is it baby girl, it don't feel good?"

"N-no it just feels..."

You honestly had no idea how to describe how it felt.

"How?" he insisted

"tingly" you murmured

He smirked, kissing your clit again just to taunt you

"That's good baby" he explained "It means you're enjoying this"

"Oh- really?" you asked, wide-eyed 

"Really" he confirmed, before abruptly licking a long stripe of your pussy, and forcing your gasp to soon convert into a moan.

Oh, he definitely liked hearing that.

And the moment he decided on that, he started quite literally devouring your cunt, feeding off of it like it was the source of eternal youth.

"Oh my god" you started chanting in a high pitch, as your legs got a life of their own at the feeling.

You were losing yourself in the feeling when, suddenly, you felt something probing at your... entrance, and you whimpered in surprise.

"Daddy, what are you doing?" you asked, as your hands grabbed the covers for something to hold onto.

He fought the urge to ignore you and do what needed to be done.

"Imma put a finger inside of you now ok?" he explained as sweetly as he could, desperately trying to hide his frustration.

His cock was begging for some sort of relief, and you were only slowing him down.

"a-a finger?" you breathed "W-why?"

"Because I need to make sure this pretty little pussy of yours can take all of daddy"

You scrunched your nose, making a face

"What?" he asked

"I don't like that word"

"What word?" he asked "pussy?"

"mh-mh" you nodded

He couldn't help but laugh a little "What would you rather I call it?" he murmured mockingly,(only of course you didn't realize) "Your tootie?"

"I'm not a kid" you giggled " I haven't called it that since I was-"

Your words died in your throat once his middle finger plunged into your heat.

Your mouth parted in shock, but no sound came out.

"real good sweetie" he praised you, bending down again to suck on your bud, as he started moving his finger in and out of you.

"Daddy!" you cried, at the feeling

"I know, I know" his tone was loaded with false empathy "Now stay still for me alright?"

But before you had time to ask why, another one of his fingers had made its way inside of you.

"Daddy wha-" your own sentence was interrupted by a moan "You said you were gonna put only one finger in!" you protested

"I know baby girl" he whispered against your heat, sending a shiver up your spine "but I know what's best for you, don't I?"

Of course he did

"mh-mh" you nodded

"Good girl" he praised, not missing the way your walls tightened around him at the praise "How does it feel?"

"I-it hurts a little" you winced, 

"mh" he considered "that's because no one had touched you down here before" he spoke in between licks to your clit "Not even yourself right?"

"n-no" you answered in a breathy whisper.

"good," he said mostly to himself "And how does it feel now?" he asked, curling his fingers into your g-spot.

Your back arched from the bed

"b-better" 

He kept doing that, making you gasp and squirm under him until...

"and how 'bout now?"

A third finger intruded your hole, making you cry out so loud the neighbors probably heard.

"daddy!" you whined as your eyes watered "T-that hurt, why would you do that?"

"oh sweetie... I needed to do that" he cooed, watching your pussy struggling to stretch around his fingers "If you wanna take daddy's cock you need to be able to take three of my fingers at least"

"t-that's a lot" you sobbed

"Oh I know" he murmured "but you did it like a good girl" he kissed your clit as a reward, "Now all you gotta do is relax and come around daddy's fingers"

"b-but I've never done that, I-I don't know how to-"

"shh" he shushed you, moving his fingers inside your warm cunt as he leaned down again to put his tongue to use "Just relax for me sweetie"

And so you did, you closed your eyes and fell back onto the bed as you tried adjusting to his fingers and the feeling they were bringing with them.

You had no idea what was happening to you, you'd heard some of your friends talk about sex, and you did a few lessons in sex ed, but you never really got it... and this was very different from what you were expecting.

Joel's hands were gripping your thighs to keep your legs apart, and when he curled his fingers inside of you again, a pang of pure pleasure took over you, and as a deep moan left your mouth, your left hand got a life of its own and found Joel's hair, gripping it tightly.

He groaned into your cunt and a strange feeling started pooling down your belly.

"Oh god" you whimpered "Daddy- I-"

He started going even faster, the squelching of his fingers plunging into your core filling the whole room as you cried out louder and louder.

"I-I think it's h-happening" you breathed "W-what do I do?" you moaned "D-daddy?"

He was lost in the thought of how good your walls were gonna feel as they tightened around his cock instead of his fingers, but as you cried again, he came back to earth.

"Let go sweetheart" he urged, watching your face contort in all sorts of expressions and bashing in the knowledge that it was him who was provoking them "Be a good girl and come for daddy"

And with that, your eyes snapped open to glimpse at him before every cell in your being exploded and rearranged itself inside of you as you came.

"You did good" he spoke as you tried calming your breathing "you did real good baby" he nodded, as he took his fingers out of you and stared at your pussy like it was a piece of art.

"t-thank you" You gave him a shy smile, as your hands dropped to your sides.

"but now you're gonna have to do even better" he started, as he got up "Can you do that for me? Can you be good?" he asked, as he took off his t-shirt and started undoing his pants.

A tint of fear made its way into your excitement, but you didn't let it show.

"Of course Daddy" you eagerly answered "I'll be good"

"you sure?" he arched his brow as his pants fell to his feet and all that remained on his body was a black pair of boxers with a very big tent probing in the front.

"I-I'm sure" you nodded "I'll be good for you"

"good" his lips pulled into a proud line and then finally, he took his boxers off, and an involuntary little gasp came out of your mouth.

"it's nothing to be scared off sweetheart" he chuckled "Here, why don't you touch it"

You gulped as you raised yourself into a seated position, coming eye-to-eye with his scarily big penis.

You looked up at him for approval and he he offered you an encouraging nod, so you slowly raised your index finger, and gently pressed it again his red tip.

You let your finger graze his whole length, feeling every vein and curve of his manhood, and before you could do it again his voice interrupted.

"don't be scared, wrap your hand around it" he urged, watching as you slowly obeyed "Jus' like that" he said, his voice deeper now "go up and down now" 

you did, and you were fascinated by the feeling of his dick twitching in your palm and his skin rubbing against yours.

One of his hands reached the back of your head impatiently as you admired his length, urging you closer.

"use your mouth baby" he breathed heavily.

You slowly leaned closer and met your lips with his tip, leaving a little kiss on it.

He couldn't help but chuckle "Open it, sweetie," he said, looking down at you as you abided "Stick your tongue out for me" 

You did, and before you knew it, his penis was filling your mouth.

"Now suck" 

You hollowed your cheeks as best as you could and suddenly, his hand in your hair started guiding more and more of him into your mouth, until his tip hit the back of your throat and you gagged loudly as a tear ran down your cheek.

"that all you can take?" he watched you "We're gonna have to work on that, 'm not even halfway in baby" he smirked to himself, before retracting his hips and leaving your mouth empty.

Before you had the time to ask what he meant by that, he'd already given you another order.

"lay down"

You found your initial position again, and in a moment, he had grabbed your hips and pulled you closer to the edge of the bed.

One of his hands was gripping his dick as he looked right in your eyes 

"Stay still" 

that's all he said, before he started pushing his huge cock into you.

"Ah!" You cried as you felt your hole stretch and burn and hurt all at the same time.

"Shhh" he shushed you, not listening as he continued to push.

"d--daddy it hurts"

"It's supposed to hurt" he lied "Now relax"

And you tried, you really tried, but once another inch of him invaded you, you moved away, or at least, tried to, since his hands started gripping you tighter, giving you no chance to move.

"I told you to stay still" he sounded angry, and you didn't want daddy to be angry, but it hurt so much.

Tears pooled in your eyes and your voice broke as you spoke.

"I-I'm sorry Daddy" a sob climbed up your throat "b-but it's too big"

I don't give a fuck if it hurts, just stay still, he thought, but of course, he couldn't say that.

"Daddy's just tryna help you baby" he cooed "Do you want Chad to make love to you?" he asked, earning a nod from you "Then you have to stop moving and let me put my cock inside of you, ok?"

You sniffled as other tears fell from your eyes "O-ok"

He pushed inside of you again and your cries only got more pathetic.

now if it were up to him he would have already forced his cock inside of you, ignoring your whines and enjoying seeing you cry from how big he was but... if he ever wanted this to happen again, he needed to be gentle with you unfortunately.

"here" he said, pushing his thumb past your lips "suck on it sweetie, that 'll calm you down"

You did as told, and even if it still hurt like hell, it did take your mind off of it a little.

"we're almost there" he promised, watching you take more and more of his cock "Just a little more and-" 

"Good God" he breathed, taking a moment to memorize every inch of your walls and the way they felt around him.

"you feel so fucking good baby" he groaned, his head falling to his chest a moment at the feeling.

You felt better than he could have ever fucking imagined.

"I'm gonna start moving now"

He retracted his hips and noticed with a sick enjoyment the blood covering his dick before thrusting into you so harshly that even if your mouth was busy, the cry you let out could be heard perfectly.

"such a crybaby" he cooed, thrusting into you particularly harshly just to hear you cry again for him.

He watched the tears fall from your eyes as he started finding his pace.

And slowly, oh so slowly, you started adjusting, and from the pain, came the pleasure, pleasure so strong it felt like it could kill you.

"fuck you're tight" he grunted, "look at you" his eyes alternated between your eyes and where your body met his "Taking all of daddy's cock so well" he groaned "Being so good" he hissed, as he fastened his pace "fuck-tell me how it feels baby, tell me how good daddy's making you feel"

His thumb left your mouth and a brutal moan left it with it.

"tell me" he urged you again, gripping your waist.

"'s so good" you whimpered while gripping the sheets "You feel so good, Daddy"  

"yeah?" he smirked, as a drop of sweat trailed his forehead 

"yes Daddy" you promised before one of his hands found your core and started circling your clit.

"Daddy!" you cried

"what is it baby, 's too much?"

"mh-mh" you nodded as your eyes threatened to spill again 

"it's ok, daddy's here" he cooed, "you trust me, don't you?"

"I-I do"

"then relax"

You swallowed thickly and you did as told, trying to calm your racing heart as your breathing got more and more ragged.

"daddy?" you whimpered, looking up at him with doe eyes

"yeah, sweetheart?"

"could you... could you kiss me please?" 

A smug smirk pulled at his lips "You want me to kiss you?"

"Yes please"

"you sure?"

"yes, daddy please!" you begged now, more desperate, and before you knew it, he'd bent down and his lips were on yours while his tongue was in your mouth.

He let out a low groan at how fucking heavenly you felt, while you tasted all of him like you were starving.

He was such a good kisser...

And right as he pulled away and whispered "fuck you're perfect" the same feeling that he'd given you with his fingers erupted all over again.

A low chant of daddy left your mouth and as you squeezed him so fucking good and so fucking tight Joel couldn't do anything but follows suit, emptying his balls inside your tight cunt and ruining you definitively.

Fuck it, he was gonna buy you a plan B tomorrow, and if that didn't work he'd just blame it on Chad.

"Jesus" he muttered, as he pulled out and fell next to you on the bed.

Both your chests were rising and falling way too quickly.

You turned to him, and when he noticed, he did the same.

"thank you so much daddy" you murmured, nestling closer to him and kissing his cheek.

"no worries baby" he smiled, putting an arm around you to keep you closer as he kissed your forehead "You did good"

"thank you" you blushed

"but y'know..." he cocked an eyebrow "guys like girls with a little experience"

"Really?" you asked, wide-eyed

"yes sweetheart" he nodded "So before you make love with Chad, I think it's best if we practice for a bit, what do you say?"

Your eyes found his, and all you could see in them was the perfect stepdad, helping you in any way he could.

"I'd like that, thank you so much, daddy"

Pt. 2 - Pt. 3 - Pt. 4

[faeriekit]

Health and Hybrids (XXV)👽👻💚

[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]

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💚 Ao3 Is here for all parts 💚 (now featuring mediocre mouseover translations, only available on a computer)

Where we last left off... Tim pulls a fast one on Batman for their mutual benefit. Everybody giggles. Danny goggles.

Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my nonexistent attempts at following DC canon. On with the show.

💚👻👽👻💚

(Additional TW: I think this counts as a panic attack ngl)

On the one hand. The room Danny’s in has a killer view of the earth from the moon.

The wall is basically just one big window. Danny is also apparently permitted to mash his face into the glass and ogle the Earth from Space for as long as he wants until the stinky dad, whoever he is, finally emerges from the depths of the building.

Diana’s the only one beside him today. She looks nice—nicer than usual, in her armor and bright clothing rather than soft scrubs and hair net. She can push his chair without getting tired—she could probably fly and carry him too, if she had to, so. Danny’s maybe counting on her liking him if this stinky dad tries to be mean.

So. Diana (nice lady) and Danny (half-dead ghost boy) are quietly seated in a dim, peaceful board room, absorbing the early morning (?) space radiation when the door hisses open across the room.

In the doorway is a long, dark, shadow of a man.

…And the green guy!!

Okay, if the stinky dad man brought a friend to this meeting the same way Diana’s meant to supervise him, Danny feels like he’s been lawyered up for the sake of some kind of court trial. This is not fair. Danny wasn’t able to review his case with his legal representation before this.

Well. Danny fumes. Whatever. His lawyer is Diana, the most powerful living being he’s seen ever in his life, and she can totally kick the green guy’s ass. Hell, Danny could probably kick the green guy’s ass.

...You know. If he wasn’t. Sick.

The stinky dad guy looks a lot like the blob his kid drew him as. That’s kind of neat—his suit is all black with little to no variation, which sort of just washes out the colors Danny might have been able to see if his eyes were still good. He’s very quiet, which is nice, and he’s very not-trying-to-read-Danny’s-mind, which is even better.

The two sit. Danny’s already in a wheelchair, so he just lets Diana wheel him to the table. The lady sits beside him in the spinny office chair.

Hello, the green guy opens with, already toying with the edges of Danny’s aura.

Danny sends back an abundance of ass-kicking emotions.

…Alright then, the green man capitulates, the barest hint of bemusement quickly stifled.

Good. Danny is mean. He’s awake enough to be mad about other people touching his aura from any end of his personal bubble.

But then the green guy…says stuff to the dad guy? And it’s very? Quiet?

Explanations, the green guy says. The image of a sign language translator at a baseball game floats over to him, and—

…Oh. He’s translating. For Danny.

That’s…nice? Nicer than Danny expected, honestly? Most of the time, people are perfectly happy to misinterpret him. It was kind of the way of the world at this point. Getting blamed for stuff, getting accused of stuff…

Man. If they turn out to be indoctrinating him for secret war purposes, at least they’re going all in. Danny might actually. You know. Like it here. A little.

He squirms in his chair, and tries not to look at anyone in particular. Diana—the lady who’s been nice to him—makes as if to straighten his hair for him, and remembers at the last second that he doesn’t like to be touched.

And sure. Danny doesn’t want to be touched. By bad guys.

…But Diana’s been really nice to him, so. Maybe. He scratches at the back of his neck, and ducks his head down—and remembers to use his words. “Yes,” he consents verbally. He can’t make eye contact. But he can…let her. Brush his hair back. A little.

Diana asks something long and complicated—and the green guy presses an image of Wonder Woman asking permission, being kind, being gentle­—up against the edges of Danny’s awareness.

Danny nods at the floor instead of at the lady. It’s fine. She’s fine. It’s fine.

And her fingers carefully brush through the front end of his fringe, and Danny. Danny is so normal about it. He doesn’t even cry or anything. Not even in front of his friend’s stinky dad.

And she doesn’t do it like Mom did it. And she doesn’t ruffle his hair like Dad did.

But it’s. Nice. And she doesn’t pull.

…And she doesn’t hit.

Danny eventually leans back into his wheelchair. It’s a little bit embarrassing to be halfway in and halfway out, but. Whatever. The scary-looking-dad with the earsies on his helmet has his own teenager. He should understand what it feels like to get emotionally weird with your teen in a public place. If he doesn’t, well...he wouldn’t be a great dad, then, and his opinion would suck anyway.

Based on what Danny knows about the masked kid, Danny isn’t sure the guy would tolerate a bad dad. The teen seems kinda unhinged.

The man says something, and the green guy presses a number of translated feelings against Danny’s awareness: Greetings. Questions about Danny’s wellbeing. Curiosity, but not demanding.

“…Hello,” Danny says back, and. Waves.

The man waves back. He’s got little claws on his gloves.

…Like a cat? Is it to go with his ears? Danny wonders about the possibilities of the guy being cat themed. It’s possible, presumably.

So…they want to know how Danny’s doing? Danny shrugs, and he glances at Diana, since, you know, she could probably fill them in? She does speak their language. And she’s been here the whole time.

The lady leans in close to him, black hair falling out from behind her ear. “What do you want to say?” she whispers into her ear, hand covering her mouth from their watchers.

Uh. It’s up to…Danny?? Somehow??

Danny winces. “…Good?” he tries, unsure if the word he uses means okay or fine or well. “…Not…hungry?”

“Very good,” Diana agrees, a little louder. She looks proud. Being not hungry must mean a lot to her, then. It means a lot to Danny too—he can remember the sensation of his stomach rubbing against itself, friction pulling raw at his insides as acid ate at him.

It was. Bad.

It was bad.

Danny’s glad he’s not there anymore. Anyway, there’s a guy in the room who reads minds, and Danny doesn’t really want to share that memory with anyone ever; especially someone who could turn it back on him.

The stinky dad says something else, but he uses words too thick and long for Danny to understand. The green guy translates, pure conceptual recall brushing against Danny’s outer aura—Needs? Wants?

…Danny frowns.

Danny looks at Diana, who looks back at him. Wants, needs…? What?

“Do you need aniþing?” Diana whispers to him, which. You know. Mostly makes sense.

Does Danny…need anything? He has medical care, he has food, he has water, he has toys and brain teasers, even…he has people to hang out with, he has people who stretch his legs with him so that he can go back to normal…heck, he doesn’t even have to clean his own waste bag. There’s people who do that for him.

Like. What more could Danny ask for?

Danny shrugs. He just wants to heal up and run away. Maybe…maybe, if Diana is real and not just pretending to like him to keep an eye on him, she’d let him visit her later or something. Danny would do what Dani doe—did. What Dani…did. And he’d just go a bunch of places and come back when he wants to.

But. No. There’s nothing he really needs right now.

The pointy-eared guy and the green guy share a look and a couple quiet words. Danny flares his annoyance into the silence, but all he gets is a silent Apology/Apology, which isn’t answers.

Ugh. Danny leans over the arm of his wheelchair. This is kind of super boring; it’s more boring than it is frustrating, even.

The stinky dad guy says something else, and Danny feels the push and pull of something double ended tugging on the outer edge of his aura. Additional/information, giving/take?

Danny really wishes he’d brought a fidget toy or something. His nerves are ramping up but all he can do is contort his fingers together, feeling the strain in and the joints click as he pushes them together and twists them apart. They want…to ask him questions? No, they’re already asking him questions. They want Danny to…give them questions??

…Danny doesn’t really want to. Still, he probably…should.

“The…space station,” he says, using the wrong word for their big space building but not knowing the better one; “Is this…where…why is it?”

The black-caped dad grumbles something vaguely approving. A tablet pops out of the table—spooky—and the guy starts drawing on it, explaining all the way. The green guy simplifies more of the verbally complicated concepts for Danny as they go.

Anyway. So they’re in space because it’s their…job? Danny thinks? They do…fighting stuff. Which Danny knew. Because he’d seen them on the news.

But it looks like they do a lot of things—they clean up after storms, and chase regular bad guys and super-bad-guys instead of just big ones. And they stop bad aliens from hurting people on Earth.

The green guy shifts from a green-looking, pointy-headed, red-eyed form to a warm, brown, human skin tone. And even. Like. Human clothing.

Danny stares.

…And the guy immediately takes back his natural form, his body physically shifting and morphing, which, fair, but holy crap. He’s living, on Earth. He passes as normal, on Earth. No one snitches on him. No one’s selling him to the government for parts. No one’s trapping him in a cage and not feeding him.

This guy works here, and everyone lets him.

Danny shifts in his chair. He…he wants that. He wants that. He wants to pass as human and not have to worry about…about anyone getting rid of him. He wants to go back to school. He wants to hide, and never ever not ever be found by anyone or anything when he does.

“I want that,” Danny says. There’s no inflection. He feels dead. He is dead, but usually he doesn’t feel it. “What do I do for…that.”

Help/Searching/Finding? the green—alien—questions, but there’s nothing for Danny to find. He knows exactly where everyone he loves is—and unless they’re already fully formed in the ghost zone…

…Well. Danny has forever to wait and see if he’ll see his friends and sister again. Maybe he’ll find them again one day, in a world purely green and glowing.

He shakes his head.

The next question comes…softer. Gentler. The mental push feels more like a breeze than a gale. Friends…Home/family?

The question comes tinged with all sorts of sensations that Danny’s suppressed—warmth, security, happiness, oxytocin, fondness, pride and being the source thereof, warmth and love, love, love—

Danny’s sweating. He can’t stop. His hands are shaking faster than usual—he kicks the brakes off his chair with the heels of his palms, and jerks the wheels back, pulling away from the desk—

He’s halfway across the room before he hears the noise. It’s just. Noise. It’s Diana, carefully shushing the loud heartbeat churning in his ears, hands on his hand, trying not to cage him but trying to keep skin on skin contact. Her hand is on the back of his hand, and on his shoulder.

“It’s okay,” Diana whispers. Danny’s shaking. His whole body is shaking. “Shhh, sh sh sh. It’s alright, it’s okay.”

It’s not it’s not it’snoit’snotit’sNOT. His sister is dead. His friends are dead. His parents sold his captors the equipment to catch him and they didn’t care if he got hurt doing it and now they’re DEAD. They tore open his hometown down the middle just to catch him, they stole him—they took his dead parent’s things as tools to hurt him—they HURT HIM and there isn’t—he can’t—he can’t—

Something is holding him down, and Danny thrashes. He has arms, but they’re injured—he has legs but he needs a tail and he—and—

He cries into Diana’s arms, sobbing and wailing. It’s a miracle that the building stays together. She holds him tighter, and he cries even harder into her soft under-layers.

He wants to run away. He needs to run away. Someone is holding him, and he can’t even flicker through her the way he wants to; his core is already too strained just from talking.

Danny’s sick. He’s dying. He’s—

“Take a breath,” Diana whispers, calm and sure. She models it for him. Danny gasps in air. “Good. Lete it out slow. As bobbels in a straw.”

He tries to copy her he does and she’ll be so angry if he can’t do it right on the first try but she lets him try, over and over again, until Danny’s able to stop hiccupping and leaking tears and ectoplasm all over her and realize that she’s holding him like a baby. Like. Actually cradling him against his body armor.

…You know what. He’s too tired to even be embarrassed. Screw that. Danny leans all the way over her and goes completely limp. Someone else can deal with his him for a little bit.

She does. Diana just…holds him.

It’s nice. Mom and Dad used to do that for him, when Danny was still…more human, he supposed. More than he is right now.

Something else touches his hand. Danny looks blearily downwards.

The teenager’s dad gets to his knees and takes Danny’s hand—and he doesn’t need the translation to understand.

“I’m sorry,” the man says, over and over again. “I’m sorry. I’m sorry. I’m sorry.”

Danny blinks sleepily. What does his friend’s stinky dad have to be sorry for? He didn’t even do anything to Danny in the first place.

Danny won’t remember, afterwards, being wheeled back to his room for a nap. They must have wheeled him back, though, because the alternative is that Diana tucked him into bed like a baby, and that’s just kind of embarrassing to even think about for too long.

[drdtfuitgumies]

the 100th situation!! yippee!

we've officially hit our 100th situation (not counting the pinned post)...!! to celebrate, i drew everyone* for one of my oddly specific, self-indulgent aus with a target audience of one (me); my drdt x digimon au!

version without any digimon

the au is mostly running on vibes (especially as we don't have concrete backstories for everyone, and a lot of interpretation has to be done), but the digimon adventure trilogy is the main inspiration!

disorganized notes: -) i'll be going to more detail in my other acc! linked here -) this takes place in an universe where hope's peak academy and the tragedy never existed. they still have their "talents" but they don't get nationwide recognition or anything. this helps and hurts some backstories -) i'm separating the story to two arcs. the first arc is where mai befriends everyone in the right half of the image and takes them adventuring in the digital world, ending in her untimely and unfortunate death. which was totally not supposed to happen, whoops :( this fractures mai's friend group and only the valiant efforts of a post-character development arei prevents them from completely cutting off contact with each other -) the second arc takes place ~3 years after, where mai's friends' unaddressed drama and hard feelings finally crop up again and two innocent bystanders (teruko and eden) are forced to take front seat and suffer the consequences. everyone left in the left side of the image isn't relevant to the plot and are background cameos at best but i didn't wanna leave them out -) its basically Character Building Playground for me and a way for me to cope about what could've been. but it also means that the most "content" i make up in my head is actually between the first and second arc, because i wanna figure out how awful everyone's coping mechanisms are and the falling outs that ensue...

summary of my unserious thought process behind each partner choice (more detailed in my other acc): -) the characters from hu to teruko specifically have partners who are relevant in the digimon adventure continuity. if you've watched tri in particular, you know exactly why i chose mai and teruko's partners ^_^ -) hu: morphomon. thank you lost evolution kizuna for introducing a butterfly child-level / rookie!! -) ace: patamon. they are both orange. interpreting patamon as a small angry dog was also really funny to me -) david: gabumon. protag assignment. gabumon wears a fur pelt to appear stronger and it's stated to experience a "180° personality shift" -) xander: agumon. protag assignment. they would be BEST friends -) j: tentomon. juxtaposition of cute pink baby form vs very cool and scary looking insects that shoot LIGHTNING. -) arei: piyomon/biyomon. no reason in particular the evolutions i picked just fit really well -) charles: palmon. plant. the idea of charles naming a plant "charles jr" was hilarious to me, and then the idea of palmon wearing matching goggles and a labcoat was very very cute -) whit: gomamon. sea ouppy... commonly characterized as a very laidback and fun-loving partner in digimon media. -) mai: tailmon/gatomon. Kity :) this specific tailmon is also meant to mirror monotv and behaves like it -) teruko: meicoomon. Kity :) sad kity who turns evil and fucked up :( -) eden: solarmon. silly machine digimon. also commonly evolves to the clock digimon -) min: wormmon. bookworm pun. also very vague allusion to ichijouji ken. Min is not plot relevant (for now) and she's actually way better off here than canon!! -) rose: lalamon. no reason in particular i just think they would be friends and lalamon's face is funny. -_- and 0o0 -) nico: loogamon. wolfy :) wolfy who bites -) veronika: porcupamon. spooky monokuma-esque bear -) levi: bemmon. ourple. also the one "unnatural" digimon pick that i thought fit him well. also, also hoping that digimon liberator gives me a shiny new bemmon evolution line that can work with him! -) arturo: jellymon. i had absolutely zero idea what to do with him because hes one of the two characters i cant get a grip on (for writing) so i just sicced Ghost Game's Jellymon on him

[pupp0ccino]

Ecto MTT hcs : redraw

Drew some a few months ago, but they were very rushed and not really accurate to how I view them in my head ! So I redrew it ! Still very sloppy but blehhh..!

Btw this is not meant to be portrayed as sexual or suggestive in anyway shape or form and is just artistic nudity to portray their ectobody types !

Cw : minor mentions of ed

And for ppl who are wondering why Horror is chubby, its because of mutation and magic build up. This is him post famine! And no it's not because he's a foodie like a lot of people portray him to be he actually has an extremely hard time eating properly and keeping food down after the famine

Killer belongs to rahafwabas

Dust belongs to ask-dusttale

Horror belongs to Sourapplestudios

Variant designs belong to me :3

[hpdmguy]

ways they show each other love !

loads of rambles + clutter-less version below the cut

the yellow lines highlighting things is actually marking (almost) everywhere they touch since the primary theme of this piece is physical affection! the stars were just for fun

top left (kissing): pretty self explanatory! fun fact, it was the first thing i drew for this piece :)

top middle (hand on back): i was trying to sleep the other night and my brain suddenly went. drarry physical affection and that was the first thing i pictured! i kind of imagined this one as like... dracos stressed or something and harry just puts a nice comforting hand on his back

top right: the good ol pinkie hand hold,, link, ,think. yeah. no real thoughts behind this one. it fit the box and its cute

middle left (speech bubbles): one thing i see a lot (im pretty sure this is ((implied in)) canon as well, but dracos a big yapper! so its kinda showing here that harrys just listening to all hes got to say. probably my favourite one of the lot, i had fun rendering it. (looking at this post i too am a yapper)

middle (orange slices): theres this thing where you peel an orange for the people you love. you can look at it either way; draco providing food for harry, knowing his childhood food insecurity and always wanting to make sure he has something, or harry (whose love language is acts of service) giving something to draco, maybe after a long day

watermarked middle (draco constellation): just some fun symbolism i thought i might try to fit in

middle right (legs): in this theyre just chilling. dracos reading (the book didnt come across well ((i cant draw hands very well)).

right edge (flowers): these are narcissus flowers, also known as daffodils. a reference to narcissa malfoy, and also a reference i suppose to how she saved harry in the forest, because draco was alive, because harry saved him in the room of requirement

bottom left edge (flowers): these are lilies. partly to complete the circle of mothers saving sons saving the world, and partly because i wanted to fill space. (theyre fucking terrible to draw tho i do not recommend)

bottom left (hand in hair): well harrys hair is very luxurious as you can see and i imagine during cuddles draco cards his hand through it and teases out snarls and such. (i know hair pulling is something that can be seen as sexual, this isnt that and it isnt meant to be that and please dont see it as that :(

bottom watermark (stag): harrys patronus because why not

bottom middle: so this is a bit obscure but theres this post by @/iamnmbr3 that talks about a headcanon that they can share wands and its kind of special and intimate. so thats what ive depicted here. also for funsies harry has the draco constellation on his arm. not the big dipper. also i cant draw the dark mark for shit

bottom right (shoes): just a subtle way they can touch, not always big. just under the table or sitting on the sofa together, just to feel the other person there.

i knew i wanted a warm scheme and i knew i wanted orange and blue to play a big part in this. i was going to have warm colours on blue and cool colours on orange as a sort of contrast but that didnt end up working out.. the wand scene is an attempt at it except i mixed it up and made it cool on cool, its so washed out and i didnt bother to fix it

[dunmeshistash]

Hi, so recently there was a dunmeshi signing (?) event with Ryoko Kui in Korea. And I have found some posts from korean fans about their experience and a bunch of illustrations. @Dgae_715 is the acc on twitter i have found most of information from reposts. But basically here are the most relevant facts that I have found (Please note that they may be inaccurate due to me relying on online translator):

A fan asked if post canon Falin will live longer, Ryoko Kui basically answered “maybe so, right?”

The same fan asked if Thistle without desire will able to live happily with the care of others, and as far as I got she said “I hope so”.(Note: I am really not sure if I got this one right at all) The fan themselves said the way Ryoko Kui answered was rather unprepared, so she may not have an answer in mind really on such specific questions.

Another fan asked how Mithrun is in post canon, Ryoko Kui said that he is doing well, working and pursuing hobbies.

Somebody asked Mithruns about strength, he is weaker than a soldier, even though he is got the fighting skills, but he developed them mostly because of his sense of professionalism (?), rather than for fighting.

Past Mithrun didn’t really fight that much, he was mostly an investigator(?), he rarely had to fight in the rear(?) units.

Apparently Falin’s chimera form can get oily, so she repells water a bit

In real life, Marcille would be a med school research student, while Laios would be a “furita” (basically a freelancer with no stable income)

Someone said if Ryoko Kui considered a bad ending for Falin, and Ryoko Kui said she, as an author wanted a happy ending, but in case of Falin, she was worried after the ending (14 volume or later?), but overall she thinks it turned out well. (I think the after the ending refers to her post canon fate, and maybe thats why Ryoko kui did an extra on that specifically later on) 8. Also someone asked if Ryoko Kui would eat the dishes from dunmeshi, and she replied she is a picky eater, and she also said to someone that she drew dishes that she liked and disliked in dunmeshi (I bet she doesnt like fruitcakes).

(Note: There is a 90% chance I got this completely wrong, translator was struggling a LOT here) Someone asked about what Laios is good at, she replied “when he is a party member”. 9. She also likes Lord of the Rings and Wizardly 6(?), and she likes Skip and Loather

When asked about what word definies Laios, she said he is actually a normal/usual person(?). I have lost the post with this specific answer, so I am going by my memory;-;

Some fan showed her that picture with Tennant Chilchuck, she didnt recognise the actor unfortunately. Also apparently this meme originated from Korean dunmeshi fandom???

There were other questions and answers too, but they mostly about Ryoko Kui. And I also may have forgotten to add some;-; Also some fan suggested to Ryoko Kui that Falin in the real life should be a dentist by the way she makes them drool(????I think they meant it in non-sexual manner, like an excited dog), they kind of laughed about it. Also Ryoko Kui drew Falin the most(?) for signing postcards, other characters, and only 5-6 Senshis, 2 Winged Lions

Anonymous asked: The same anon with Korean sign event ask. I knew I forgot something, but basicaly some fan showed Ryoko Kui the day dream picture that most of fandom presumes to be a Chilchuck’s wife and asked if its true, she answered “Its up to your imagination”. So basically neither no or yes

Thank you! I LOVE SKIP AND LOAFER WEEEE

Hopefully we get some more corroborating translations for the bits you're not sure!

[gaybae1021]

Well since my bachelorette designs were received so well, I decided to complete the marriage set! Here’s my bachelors!

Individual pics and thought processes under the cut:

I’m drawing these from the perspective of how they’d look on day 1, but I’d definitely like to do a post-Joja higher heart design for Shane at some point. Overall for this one I just tried to make him look unkempt and dull, I desaturated his skin tone to make him look sickly and he’s the only one without eye shines, signifying how he’s lost the spark for life.

Also sorry about the socks and Birkenstocks.

Decided to make Alex mixed, since there’s absolutely no diversity in the bachelors. Had a lot of fun translating his canon hairstyle into those short locs. Other than that the biggest change was turning his jacket into a proper varsity jacket. Short Alex gang unite!

Okay sorry Haley, Elliot takes the win for the most changed design. Like it’s so obvious he’s meant to have a Victorian jacket and fancy trousers and all that, but after I drew him all tall and slender and I gave him little braids and beach waves he just started taking on a Boho vibe? When I drew the jacket it just looked tight and restrictive. So I decided to let the beach influence carry and we ended up with this fancy yet comfy loungewear with sandals. And I love him?

Also this was heavily inspired by ginjaninjaowo’s male espeon design

Sebastian was honestly a pain, like I know his design plays off the emo teen archetype, but compared to the others npcs he’s actually got a lot of variety. Like he’s obviously got some emo influence, but there’s also some nerd thanks to his interest in coding and ttrpgs, and he’s also a bit of a tough guy with the bike and the smoking. So there were a lot of directions to lean. Still, his sprite is clearly going for a dark hoodie and dark jeans, so I didn’t think I could change it up without making it not feel like Sebby. Does he have a muscle tee underneath for working on the bike? I’ll never say.

Biggest change is probably the hair, just wanted something less stereotypical, and have some variety in bachelor hair length. Definitely leans into the biker side a bit lol. Otherwise I just tried add detail to his dark outfit and adorn it with his interests. So frog embroidery on his shoes, a patch on his jacket and some motor oil stains on his hoodie. Also as promised he and Maru have matching dimples.

Also happy pride month, enjoy trans Sebastian and also the head canon that he and Sam start dating provided the farmer doesn’t get there first lol.

And with Sam the ASS trio is complete! Now with matching chokers because I said so.

Just like with Sebby I wasn’t sure which direction to go for Sam, whether to lean more into skater boy or rockstar. Ultimately he ended up more rockstar, though he’s still always roughed up from skating (probably because he refuses to take off the platform boots). He thinks the torn clothes make him look more legit though.

I had fun making his shape language compliment Sebby; he’s very top heavy from the giant hoodie so I made Sam bottom heavy with the baggy jeans and jacket. Also I had so many thoughts about him and Kent, given that Sam and Sebby are a thing and Sam isnt exactly gender conforming.

And last but not least, Harvey. He’s sweet, he’s simple, all his heart events are charming. And yet he is always the last one I reach max hearts with because I can’t be bothered to go to the doctors office. Sorry bby, I hope I can make it up to you by designing you as an adorable cherub of a man.

I know I’m being super controversial, giving him a pushbroom mustache when the sprite is obviously a handlebar /s. But like, he’s such a square; it fits him so well. My little lawful good guy.

Ya know, I think I gave him a sweater so Elliot’s jacket would stand out, then proceeded to not give Elliot his jacket. Huh.

Anyway bonus of the boyfriends together to close us out, thanks for reading!

[genericpuff]

Hello! I’m just here bc I’m a little confused on what you meant by Smythe drawing out “each individual asset” when she was making comics? Now, granted, I can see that it made her file ginormous, but me personally as someone who knows nothing about making online comics but is really wanting to get into it (and also as someone who has a ‘too many layers’ problem myself), is there a way to avoid using too many layers?

My current way of making comics has been to draw the panels individually and then format them (which I know is terrible management wise and also messes with the quality) but I honestly have no other idea of how to do it properly, and seeing how stunning Lore Rekindled looks, I don’t know how you would manage to put all that lighting effects and little details on the same layers. (But also I may be thinking of it wrong so I’ll let you talk qwq)

Ah I can actually give you a visual breakdown of what I meant by that!

So in this you can see there are a TON of layers, and not even all of them are visible because some of them are stuffed into FOLDERS that have been left closed. BUT if you look REEEEALLY carefully-

^^^ These layers right here? That's specifically Minthe from this panel in Episode 61:

(the unique pose here makes it real easy to tell that this is the corresponding panel, you can see the matching body shape with the dark shading that's clipped to the base layer below it!)

So what this means is that Rachel didn't draw all her characters on one base layer, she drew every single character in every single panel separately. Now of course, she could merge all these layers together as working on separate layers helps make it easier to work on elements that collide separately (like one character being 'underneath' another character like Hades is here) but because she has all of those clipping layers with the shading already added in, she likely didn't merge them afterwards because that would actually create MORE problems (because if she merged the Minthe layer in with Hades, then the shading for Minthe that she painted outside of the lines would show up on Hades and then she'd have to erase it which is just a bunch of extra work).

You can also tell all these characters are on their own layer because the layer thumbnail EXCLUSIVELY shows those characters. A layer will show as much canvas length as it needs to cover what's in that layer, so if the thumbnail is only showing one character, that means there's NOTHING ELSE on that layer. If there were more elements on this layer than just Minthe, the layer thumbnail would look more like this:

Now let's compare it to Rekindled's layers! I'll use a completed page to make it fair as we use a lot of extra layers in the post-production phase where we add the texture effects and glow and all that fun stuff, plus I'll even make it a more complicated page like that big nymph explanation spread from Episode 51:

So I'll break it down to make this make more sense:

BG 2 Copy (technically this is supposed to be BG 1) - Basically the panel shapes, what I'll do is mark out the panels with flat blocks and through that we'll add background elements in a clipping layer (usually done by Banshriek). Often times they'll do multiple layers to make the process easier and then merge them all together in the end. With these shapes operating as panels, it means I can just auto select the whole layer, invert the selection, and easily erase whatever's outside of it (such as the lineart and base colors that I put down afterwards). I could just use masking layers like I did in [AFTERBIRTH] but I find this way works better for the process of making Rekindled.

BG 2 - This is where we add objects / foreground elements. So stuff like furniture, interactables, anything that needs to be kept separate from the larger background to make it easier to work with. This can also include "floating" panels that need to be above other panels, such as this:

All of the backgrounds are then nested in a folder for organization purposes (we also sometimes use clipping layers on top of those folders to apply extra effects over anything contained within that folder without affecting other folders, that's a common technique that Banshriek applies)

Then we get into our Characters folder:

BASE - This is where I do the majority of my work, all the characters in every panel on a page are flatted into this layer. Sometimes I do have to create separate layers to, again, make it easier to work with overlapping characters, but usually those layers will be merged before I go into the shading process. I simply shade on a single layer by using the lasso / magic wand tool to select my area for painting, the flat colors make it really easy to do that. Sometimes I need to create a secondary shading layer if I've put down dark colors that start to bleed into the lighter colors, but again, I merge when I'm done into a single shading layer. We also sometimes employ an Add (Glow) layer into the clipping set if we need a glow effect that's exclusive to the characters and doesn't travel outside of their base colors.

There's a (leaves) layer here that I used for the dryad because I needed the leaves to be above the base layer, after that I selected the leaves elements so that I could erase the lineart in the layer above it where needed.

LINEART - It's lineart, enough said haha That said, I do think Rachel actually uses clipping layers for her lineart in places, it seems to be visible in some of her process videos where you can see the lineart present in a clipping layer, and that would explain why there are panels where the lineart suddenly 'cuts off' and doesn't travel outside of the base layer, like so:

GLOW - This is where we do an Add (Glow) layer that isn't restricted to the base layer, it's where we add all the fun lil' glow and sparkle effects over the characters !

The CLOUDS layer is, like the leaves, a background element that needs to be above the base layers rather than constricted to the background.

Above the Characters folder you can see what I mentioned earlier where Banshriek has added more post-production effects that are exclusively clipped to the contents of the Characters folder. This means the effects / blend modes do NOT affect the background layers or anything above it.

The BLUR (Overlay) layer is something we just started doing over the past several episodes, it's a technique I actually picked up from 66 of City of Blank where I merge all the layers into a new visible layer which I then apply a Gaussian Blur to at around 60% and then set to Overlay (and then I adjust the layer opacity until it looks right, usually around 25-35%), it gives it a bit of a softer "dreamier" vibe in the final colors and really helps unify everything!

CANVAS - This is an Overlay layer which is also set to an opacity of 25-35% where I go over the panels with the Add Canvas brush from the Kyle Webster set, unlike the Canvas overlay texture in CSP I can actually choose the colors I want to use which means I can match the canvas texture color to the mood and environment of the scene (ex. I'll use a very light blue for scenes in the Underworld). Not only does it give it that signature texture from S1 of LO, but it also helps balance out the effects of the BLUR layer.

The SKETCH layer sits on top of everything and gets turned off once all the base layers and lineart are down, and ofc the SPEECH folder is just where all the text is kept.

I know everything I just laid out is a LOT but ultimately it's how we operate, it works for us! But it also begs the question of why Rachel operates the way she does because a lot of it seems extremely unnecessary and more likely to bite her in the ass (the more layers there are, the bigger your file size gets, the risk of drawing on the wrong layer increases as well as the risk of posting a panel that's missing elements because the layer was left turned off by mistake, etc.) And it's more so concerning with how she operates with her assistants because if she's still using this many layers when collaborating with other people, hooo boy. Though based on what I've observed of what her assistants contribute, I get a lot more of the sense that she circumvents this by having the artists do the flats separately and then importing them in as separate assets that she then just imports into the page and places them where they need to be. Still not a great workflow IMO because it's what's led to a lot of the issues of characters "floating" rather than feeling like they're actually in the environment-

-but that's still an issue that could be solved by Rachel just taking more time to actually flesh out the backgrounds and lighting to give more of an impression of the characters actually existing in the space. Like that Hestia panel could easily be fixed by just giving the background a bit more detail and putting actual shading underneath her (and lighting from whatever direction it's coming from).

Either way, regardless of whether or not Rachel's process is productive or not, I hope that breakdown helps explain how we do it in Rekindled! Learning how to manage layers is definitely a skill that can be tricky to harness, but once it "clicks" there's a lot you can get away with. Ultimately how you do it is up to you, but my best piece of advice to offer is to just be open to other types of workflows because you don't know how much you might be shooting yourself in the foot doing things the hard way when there are often way easier and more efficient ways to get the same job done. That's basically the vibe I get from observing Rachel's workflow, it seems like she's still using methods that she thinks are working for her (and probably did work just fine for her when it was JUST her) but could be vastly improved for her and her team if she'd just get over the initial hump of stepping outside of her comfort zone. Would probably make for a better comic too LOL

I hope that helps! Good luck! ( ´ ∀ `)ノ～ ♡

[captainsophiestark]

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Klaus Mikaelson x Reader

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Written for my personal fic writing challenge for 2024, Sophie's Year of Fic! Featuring a new fic being posted every Friday, all year long :)

Fandom: The Vampire Diaries/The Originals

Summary: When a serious magical threat comes to Mystic Falls and puts Josie and Lizzie at risk, Caroline and Ric send Klaus' ex down to New Orleans to seek safe harbor for the girls with him. Or, what if Y/N went to New Orleans instead of Caroline, and Klaus was free to see them.

Word Count: 2,966

Category: Angst, Fluff

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

I chewed my lip as I stared up at the building before me. If this were any other situation, I would've turned on my heel and run by now. But there were two little girls, one on either side of me, who needed me to be strong. This was their best hope of being safe, which meant all of my stuff needed to take a back seat.

I took a deep breath, trying not to let the girls sense just how nervous I was, then started heading for the door to the bar. It was the middle of the day, so hopefully no one would mind me bringing two kids in with me.

Caroline and Ric had trusted me with Josie and Lizzie, and I refused to let them down. Some new supernatural none of us knew existed had come to town and, worse, had started going after the girls. So, I'd sat down with their parents, and we'd figured out a plan to keep them safe: take them to the bigger, badder supernatural who I used to know.

My eyes scanned the bar for the familiar face of Klaus Mikaelson, and after a moment, I found him. He was leaning against the counter talking to the bartender, and I was surprised he couldn't hear my heart beating out of my chest from here. I hadn't seen him in years, and I'd also rejected him the last time I saw him. But he was the best chance the girls had, so I was just going to have to hope he didn't hate me now.

I cleared my throat, shook my nerves off as well as I could, herded the girls into a booth where I could keep an eye on them, then turned to face the bar. I found Klaus already looking at me, his arms crossed and a curious look on his face as he leaned against the counter. A wave of emotions hit me at once, but I shoved back against the feeling, squaring my shoulders and putting one foot in front of the other until I stood in front of Klaus.

"Hello, love," he said, and my heart damn near stopped in my chest. I took a deep breath. "It's good to see you again."

"It's... it's good to see you again, too."

And it was. Most of my friends had been relieved when Klaus finally left town, and they'd freaked out the minute they found out he'd come back to see me. And at the time, I'd convinced myself they were right, and that it was better he was gone. But standing before him now, that slight smirk on his face, I realized I had really, really missed him.

"So what brings you to New Orleans?" he asked, raising an eyebrow. He looked past me to where the girls were playing a clapping game in the booth. "I take it it has something to do with them."

I sighed. "Yeah. Yeah, it does."

"And who's the father?"

Now it was my turn to cross my arms and raise an eyebrow.

"They're actually not mine. But I'd say you don't have a lot of room to judge, considering the reason you moved to New Orleans in the first place."

"Who said I was judging? I was just trying to gauge how jealous I might need to be."

I huffed a laugh, trying and failing to hide my smile by glancing at the ground. Nik grinned at me, and for just a flash of a moment, it was like nothing had changed between us since the last time I'd seen him.

But then I heard Josie and Lizzie behind me, and I remember why I'd come here in the first place. I sighed and met Nik's eyes again.

"I need your help."

His eyebrows immediately drew together, and he straightened up from the bar, taking a half step towards me. The intensity of his worried stare made my heart melt.

"What's wrong, love?"

"There's a new supernatural in town. Or a few new ones, I guess. We're struggling a little bit to deal with them, and they've made Josie and Lizzie their targets. Caroline and Ric are their parents for all intents and purposes, and we sat down and decided our best chance at keeping the girls safe is if I left with them, alone, and came to you."

"And whose idea was that?"

"...Mine. It... actually took a lot of convincing for Ric and Caroline to let me bring them to you."

A hint of a smile flickered across Nic's face as he huffed a barely audible laugh. His beautiful blue eyes met mine with the intensity I'd seen a thousand times for both good and bad moments, and it made my heart race.

"You will always be welcome here, with me. I'll keep the three of you safe."

Relief washed over me. I closed my eyes, taking a minute, and when I opened them again I found Nik still watching me intently. I thought he might lean in for a hug or a kiss or something else, but instead, he just gave me a small smile and nodded in the direction of the girls.

"Mind introducing me?"

The girls absolutely loved Nik from the first moment they met him, and he was nothing but sweet and patient and kind. He made a few absolutely ridiculous jokes that had them falling out of their chairs laughing, and had my heart melting all over again. We left the bar together, the four of us strolling through the streets of New Orleans as Nik led us to his home. He glanced over at me a few times with the roguish smile I'd come to love, and despite the fact that I'd come here on the run to protect the girls, I couldn't help enjoying this moment with him. In different circumstances, it might've just felt right.

"We're almost home, but I just had a thought," said Nik, his arm swinging back and forth with Lizzie's as they marched down the street together. Lizzie and Josie held hands, and I did the same with Josie, making us a little chain. I turned to smile at Nik over the girls' heads.

"And what's that?" I asked. Nik smiled at me, then turned his attention to the girls.

"My favorite ice cream place in the whole of the city is very close to here. Does anyone else feel like we ought to make a pitstop?"

"YES!" the girls screamed in unison. I laughed as Nik stopped abruptly, turning on his heel and then pulling us in the other direction.

"Alright, come on then!"

The girls cheered as they marched after him, and my heart soared as I followed along behind the three of them. I'd gotten to see Nik like this every so often in Mystic Falls, but a lot of our interactions were colored by whatever drama he and his family had going on with my friends and I. Being with him, like this, and seeing him being so amazing with the girls was seriously doing something to me.

"This place really does have the best ice cream," Nik assured me as we stepped inside and joined the line, the girls bouncing excitedly in front of us as we stood shoulder to shoulder. "Hope loves it."

"Hope... how is she? How's... how's Hayley?"

Nik smirked. "They're both good. We've had our rough patches, but Hayley and I have found our rhythm as coparents despite not being together."

I released a breath I hadn't realized I'd been holding, and Nik laughed.

"Now look who's trying to gauge their jealousy."

I rolled my eyes, but couldn't hold back a grin all the same.

"Whatever. But... you're happy? Being a dad, and being here, and... and everything?"

The corner of Nik's mouth quirked up, but the smile didn't reach his eyes.

"Like anything, it's had its ups and downs. But I wouldn't trade Hope for anything in the world."

I nodded, and the two of us fell into comfortable silence as we worked our way through the line. The girls were ecstatic to try their cones, and Nik recommended his favorite flavor to me, which lived up to the hype he'd promised. The four of us wandered slowly the rest of the way to our destination, which turned out to be an absolutely massive compound in the middle of the French Quarter.

Nik pushed open the door and led us inside just as the sun began to set outside. I came to a stop in the beautiful open space just inside the front doors, staring around at it in awe.

"C'mon, love," Nik said gently, resting a hand on my back and guiding me in the direction of the stairs. "Let's get the girls settled in for the night."

I just nodded, putting my focus back on the girls as we followed Nik through the massive compound. He pushed open one of the many doors along the second floor, letting us into a bedroom with two beds. I even spotted a few kids books on the shelves to one side of the room.

I slid my eyes to Nik with a raised eyebrow, but he just shrugged.

"For Hope, and any friends she might decide to bring over when the time comes. No reason to not be prepared, especially since we have the space for it." The corner of my mouth tugged up into a smile, that warm feeling spreading in my chest again. "I'll bring a few of her pajamas in, they should fit these two alright."

"Thanks."

"Of course, love."

Between the two of us, Nik and I managed to get the girls settled down and in bed in under an hour. They'd had a long, tiring day, after all, and if I weren't practically jittering with nerves after the afternoon I'd spent with Nik I'm sure I would've been right behind them.

Instead, I found myself following him after we closed the door to the girls' room, going who knows where in this massive house in his new life since he'd left Mystic Falls. After a few moments, I couldn't really take the silence anymore, so I spoke up.

"Where are the rest of the Mikaelsons?" I asked, my voice thankfully even. "I'd expected to see at least one of the siblings by now."

Nik turned to give me a little smirk over his shoulder, and I hated that he could probably hear my heart race.

"They're busy with other things for the night. And Hope is with Hayley having a mother-daughter weekend away from everything. It's just us, tonight."

My heart sped up even more, although that shouldn't have been possible. After a moment, Nik led me into the kitchen and headed straight for the refrigerator. I took a seat at one of the high stools at the counter, watching him as he moved.

"I assume you still like hot chocolate more than most other drinks?" asked Nik without turning around. I smiled.

"Absolutely. I know it's been a little while, but come on Nik, I'm not a completely different person."

He paused to give me a smile over his shoulder, then continued in his hot chocolate preparations. I scratched at something on the counter while he worked, trying to get up the courage to talk about all the million things hanging in the air before us. Finally, I cleared my throat and forced myself to look up, watching Nik's back as I spoke.

"Thank you for this, by the way. For taking us in, even after... Well, even after I told to leave me and Mystic Falls."

Nik sighed, bringing our two mugs of hot chocolate over and setting them down on the counter before walking around to stand in front of me. We were barely an inch apart, but he didn't make a move to close the distance anymore. I'd set a boundary the last time I'd seen him, and he clearly had no intention of crossing it.

"I will always be here for you if you need me, love. If you seek me out for refuge, or to change your mind and take me up on my offer to show you the world, or even because I make the best hot chocolate in the entire world and you just can't live without it... I'll be waiting."

I stared up at Nik, a slight twinkle in his eye, as I fought to keep tears out of my own. He'd truly caused so many problems in Mystic Falls. My friends' dislike-to-hate of him made sense. But he'd always been sweet and funny, patient and kind and understanding, with me. If I was totally honest with myself, I'd been starting to fall in love with him before I'd decided to side with my friends and push him away.

"Don't cry, love. It's alright," he said, his eyes scanning my face. I hiccupped, the tears finally starting to fall, a combination of all the different emotions and stressors of my past few days coming together and overwhelming me at once. I'd held it together for the girls, but now they were in bed and taken care of, so I could safely fall apart.

I leaned forward, falling into Nik's chest, and he wrapped his arms tightly around me the moment I did.

"It's alright. You're safe with me."

That brought on a whole new wave of tears, not just for the stress of the day, but for everything I'd lost with Nik, too. He just held me tighter, rubbing soothing circles on my back as I let it all out, then slowly started to calm down.

I pulled back slightly once I managed to get ahold of myself. One of Nik's hands stayed on my arm, and he brought his other hand up to gently cup my face, wiping away a few of the tears with his thumb.

"What can I do, love? Tell me how I can help you and I'll do it."

I choked back another sob, this one turning into a half-laugh.

"You've already done enough, Nik. More than enough. It's just... it's been such a long day. I feel like I've been barely holding back a complete stress breakdown for like a week, and I always had the girls with me so I had to keep it together..."

"Well then, why don't we get you settled into a room so you can get some sleep, hm? We can always talk more in the morning."

Nik started to move to help me off the stool and up to bed, but I stopped him, hands resting on his biceps. He raised an eyebrow at me but didn't move away.

"No, Nik. I don't want to talk tomorrow, I need to say this. I... I love you."

Any hint of humor or lightness dropped off Nik's face, replaced by completely serious shock. My heart was racing out of my chest, and I knew he could hear it, but I pushed on anyway.

"I think I was falling in love with you before, and I didn't want to admit it to myself. But being with you here, now... it feels right. There are a bunch of powerful murderers chasing me, trying to hurt two kids whose parents have trusted me, exclusively, with their safety, and I'm in a strange city far from anywhere I've ever called home. But for some reason I just feel... happy. Happy to see you again, happy to spend time with you, about a thousand times calmer than I was without you. You feel like home, Nik, and I love you. I just... that just feels like something you should know."

Nik's eyes had been scanning and searching my face intently the entire time I'd been talking, the slightest hint of wetness gathering in his own eyes. A smile tugged at the corner of his mouth once I'd finished speaking, and he brought his hand back up to cup my face, his thumb brushing lightly over my cheek.

"I don't think I've made it any secret how I feel about you, love," he said, voice soft and tender. "But in case you need to hear it again, I love you. Always and forever."

A few tears managed to sneak out and down my cheeks again, but this time I had a smile on my face. Nik's expression mirrored my own.

"Once... once all of this is over, do you think... well, maybe I could come back here. To New Orleans, once the girls are safe back home. That is, if... if your offer to follow you to New Orleans still stands from the first time you extended it?"

Nik beamed back at me. "I can honestly tell you that absolutely nothing would make me happier."

My smile grew to the point of pain as I stared up at Nik, a light in his eyes that I'd missed much more than I'd realized. I leaned forward just slightly, Nik mirroring my move as I glanced at his lips. One corner of his mouth rose higher in the troublemaking smirk that always made my heart race before he closed the rest of the distance between us, his lips meeting mine, soft at first and then with the same urgency pulsing in my heart.

I'd kissed him before, but it had always been tempered by concern for my friends, and about what they'd think. But this time, as fireworks exploded in my chest and thousands of butterflies took off in my stomach, I couldn't bring myself to care.

I was safe and happy in the arms of the man I loved, kissing him senseless. I'd missed out on a lot of times like this, but from now on, I didn't intend to let anything keep me from spending every second I could just like this, friends and insane supernatural threats be damned. Always and forever.

****************

Everything Taglist: @rosecentury @kmc1989

TVD/TO Taglist: @elenavampire21

[puttersmile]

Why I like Dogday x Bobby Bearhug

Working off of my last Crittertember post, posting the shipping manifesto for the four of you who are just dying to know, lol.

Part 1 of Post: Here. Just a lot of pictures.

I guess I should start with how I started liking the ship in the first place. As best as I can remember it started with a mildly intense obsession with the Smiling Critters after seeing them in Poppy Playtime Chapter 3. Their carboard soundboards specifically intrigued me. As a fandom we really had ziltch to work with so maybe I was hyper-analyzing their phrases to see if anything could be gleamed from them.

There isn't much unless we are meant to believe Picky is literally a cannibal. I don't think so? I think the voice lines have been corrupted by the metric ton of death that happened within the factory. Be it as it may, what little we fanon-ize about the critters, a lot of it is probably coming from those soundboards.

A post about this already exists on tumblr but at some random point I thought, "Weird Bobby Bearhug and Dogday's cut outs sound like they are talking to one another." Not sure how my brain jumped to that conclusion but it did. As seen in this post with some old oogly art I drew.

And then @meowcola made my dream come true by editing the two voices together. Yhaass! For this I am forever grateful to my fellow shipper.

I don't think any of the other critter's voice lines bounce off of each other as well as these two do (admittedly with slight editing), or even at all. But Bobby and Dogday's cutouts almost seem to have a conversation that don't work played against any of the others. Dogday trying to push someone away that he cares for and Bobby desperately trying to stay with someone she cares for.

Dogday's fall is he cares too much.

Bobby's fall is she doesn't care enough. For herself.

Obviously they are talking to the player actually but my fanon ship brain interpreted it differently. I guess from there, albeit a doomed one, I shipped this ship fairly hard.

The rest of this rambling essay under the cut:

Why I think they work:

Dogday and Bobby’s relationship is mostly about balance. While Dogday’s the brave and daring leader of the group (except when there's a thunderstorm—he tries), Bobby’s the physically strong yet practical one. She’s a total powerhouse,(literal mama bear energy) ready to protect when needed, but only as a last resort. Dogday loves how protective she is, and Bobby really appreciates his loyalty, especially since it helps with her self-worth issues.

One of Bobby’s biggest insecurities is that she believes she’s annoying to her friends. Even though it’s clear she’s not, in the back of her mind, she constantly second-guesses her actions. She’ll wonder if hugging someone is the right move in the moment or if she’s overstepping. Dogday, on the other hand, is someone who thrives on affection and would never get tired of Bobby’s hugs, making him the perfect counter to her uncertainty.

Both of them would share a strong sense of humor, which helps them face life’s challenges with optimism. Dogday is especially good at this.  They know how to lighten the mood and bring joy to each other’s lives, even when the weight of everything starts to creep in.

Bobby’s also got a knack for stepping in when Dogday forgets to take care of himself. She’s nurturing, and in return, Dogday reminds her she’s worth it, which she sometimes forgets. Though Bobby’s not Dogday’s second-in-command (that’s usually Bubba Bubbaphant), she’s the one Dogday confides in emotionally when leadership wears him down.

Over time, Bobby finds herself leaning on Dogday, too, sharing her deepest insecurities and struggles with him.

What really makes them work is how much everyone trusts Bobby. She’s the keeper of everyone’s secrets because they just naturally open up to her. And eventually, Dogday becomes her rock, giving them this deep emotional connection where they’re both vulnerable and open with each other.

Bobby’s practicality also helps balance out Dogday’s crazier ideas. She rarely says “no” outright, but she’s good at restructuring them to make things safer or less chaotic. If safety’s not the issue, then they’re often the ones mediating when their friends have disagreements. They’ve both learned the importance of compromise and work together to bring peace to any tense situation.

I feel like their brief character descriptions show how good they would both be at this.

They’re known as the “mom and dad” of the group, always looking out for everyone’s physical and emotional well-being.

It’s funny how differently they approach things, like planning events—Dogday’s spontaneous energy versus Bobby’s structured organization—but they still make a great team.

In public, they’ve got this super cute Barbie/Ken - Mickey&Minnie vibe, showing their love for each other without hesitation. It’s strong, proud, and they never shy away from letting everyone know how much they mean to each other!

Character flaws/dark side of the ship:

At their darkest, Bobby and Dogday have some pretty complex flaws. Bobby, when she’s at her worst, can be manipulative. She’s got this way of playing on people’s emotions, sometimes twisting things to suit her needs, all while wearing a caring face. It’s like she knows people trust her and she uses that to her advantage, especially if she’s feeling insecure or threatened.

On the flip side, Dogday’s biggest weakness is his fear of hurting others. He’ll go to great lengths to avoid conflict, even if it means letting himself be hurt. He’s so afraid of causing pain or upsetting someone that he’ll bottle up his own feelings or allow himself to be taken advantage of.

This combination can be dangerous when their issues align, with Bobby’s manipulation and Dogday’s passive acceptance creating a pretty toxic dynamic in their worst moments. Thankfully this outcome is incredibly hard for me to see happening. It is still a possibility though.

(In some messed up but interesting fanfiction)

Other Stuff:

On the wiki I saw something incredibly minute but decided to go ahead and make something of it.  There is the idea, at least, that Dogday is named after “Dogstar” aka Sirius, the brightest star in the night sky. If you think about Dogday being associated with Sirius, the Dog Star, and Bobby representing Ursa Major aka The Big Dipper, in my mind it symbolizes how their relationship works.

Sirius is the brightest star, leading the way, just like Dogday, who's bold, full of energy, and always guiding others. Bobby, on the other hand, is like Ursa Major—steady, reliable, and always there to support.

Their relationship reflects that balance: Dogday’s light and leadership are complemented by Bobby’s protective, grounding nature. Together, they’re like two guiding forces—he lights the way, and she provides the strength and stability needed to stay on course.

It’s almost like he can shine brighter because he knows she’s there, holding things together.

And for Bobby, Dogday is the spark that keeps her moving forward, even when she feels uncertain.

It’s also cool how Ursa Major is used for navigation, like Bobby helps Dogday find his way emotionally. Meanwhile, Sirius has been a marker of important times like the "dog days" of summer or the flooding of the Nile river, (The flooding of the Nile is celebrated btw, it's a good thing) just as Dogday marks big changes in Bobby’s life.

They balance each other out like the constellations they represent: one a guiding light, the other a steady, protective force in the background.

I think about the cardboard cutout order. Bobby and Dogday are among the last supposedly, holding out even longer than the athletic Hoppy. I interpret that to mean Bobby on her own has a strong will and some amount of bravery.

Not to throw shade at the others who fell before, as it could have all come down to bad luck.(or bad platforming skills--burn.)  But I bring the “possible” death order up as some might say Bobby’s sweet and caring nature means she is weak or useless. I don’t think so.

This is also why I characterize Bobby as sort of a lady-like yet cute bruiser. Dogday is brave but not the strongest critter by far.  Dogday is  Zelda and Bobby is Link lol.  Bobby Bearhug is his knight in fluffy armor, and Dogday is Bobby’s warm home.

There is a tragedy to this. If Bobby was one of the last two  with Dogday in the game. (Going by the order the cardboard cutouts are seen.) I imagine she was doing her best to support him, only for Dogday to abandon Bobby near the end. As the leader, Dogday did what he thought was best and it broke her, ultimately ending them both.

How the relationship Helps them grow:

Not wanting to end this on a down note I’ll speak a bit more on how the relationship enhances both of them.

Bobby’s practical, more thoughtful approach doesn’t just temper Dogday’s adventurous spirit as what may be expected from a dynamic like this. In fact it enhances his daring. 

Yes, it'll ease him off riskier behavior but it enables him to be a more successful leader with her providing safety nets and or foundations for him to be confident. It's not just him willing confidence from within, there's another external pillar to  bolster his confidence. That pillar being her secret knowledge of their friends. While Bobby won't be spilling secrets, she'd certainly know how to guide Dogday in the right direction when it comes to helping the others.

She helps ensure that his ideas are successful and safe, so he'll not only be able to focus his energy on particulars but he'll have the confidence to be the best leader he can be, knowing he won't just come crashing down to earth.  

In turn Dogday's boundless energy, brings joy and spontaneity to Bobby’s more grounded maybe reserved, structured world.  Though she is strong she likely tends to fall back to what's familiar, to what's safe. There is strength in the familiar in the sense of you know for sure you are strong here, but out there things may be more uncertain. 

Out there you can feel weak. At least that's the perception for some with issues of self worth. But now with his energy, his enthusiasm, his optimism, and his light, she'll have the freedom to step out of her usual comfort zones and perhaps be more than she may have imagined. 

Sooo yeah. This ship is not bad. Nor is it boring. I'll never understand how this sentiment came about. Opposites attract isn't the only way a relationship can be interesting. Okay people?

 And that is all that I have to say! Thanks for listening to my CritterTalk.

[highlynerdy]

"Aithusa has seen her father's mate in his memories and smelled him on her father's skin when he comes to visit, but this is the first time she gets to meet him for herself."

Nepenthe and Lavender by @0hheytherebigbadwolf

My latest fanARTifact is an entirely handlettered, handbound, and illustrated book of this beautifully fluffy fic (and it has actually been in various states of progress since March 1, 2021.) More below the cut!

So as I said above, I actually started planning this fic over two years ago. Which, yeah, I don't really want to talk about because adhd is a hell of a thing. I love love love this fic (and this entire series) and I was inspired by The Black Hours and other gorgeous manuscripts with metallic on black paper.

I ordered some black paper from Canson for the text block, used Arabic gold finetec paint mixed with water and gum arabic as my ink (I used three pans of the gold paint...), and a Nikko G nib with a straight pen holder for the calligraphy. I really wanted to use one of my broad tip nibs, but I just couldn't my Uncial letters small enough with it. I used Uncial since that was technically the alphabet/font they used in the Arthurian time period.

The paper was cut down and folded into signatures of three and then I drew out light pencil lines for the text and for the margins. Every single letter was done sooooo slooowwllly because if I messed up on one page there was no way to erase it, which meant I would have to do basically four pages worth of lettering again since they were all connected.

And I did mess up.

More than once.

I think the most heartbreaking mistake was at the very end when I was trying to erase my pencil lines and I just ripped a page completely in half. The tears were real, folks.

Once I finished lettering - which took hours and hours and hours over many weeks - it was time to assemble the text block and sew it. I used gold silk thread I had leftover from Arthur's scarf (which is also used as the backdrop for the photo shoot) to sew the block together and I love how it gives just another little peek of gold to the book.

I painted the end papers in a vaguely floral pattern with the same gold and also some silver finetec paint, glued them all together and put them in my book press and then promptly didn't work on it again from October 2022 to July 2023. Sigh.

But once I committed to getting it done, I asked @swanfloatieknight to help be my accountabilibuddy and make sure I finished it this week. I tested out so many different cover designs, from fabric and thread, to paper, to finally settling on this all over design done by my cricut. Historically accurate?? Nah. I'm about as historically accurate as BBC Merlin.

I tried my hand at gold foiling and that was a disaster so I just used a gold silk ribbon to give the color a little bit more color. Once it was bound, I painted in a triskelion and Aithusa on a double page spread I left intentionally blank.

And it was finally done!

All in all, I'm pleased with how it turned out. Was it an exercise in patience? Yes. Did I learn a lot? Also yes. Mostly that handlettering an entire fic is madness and also this is far too small to case bind, but I'm a stubborn ass and it was happening regardless.

All total, I probably worked on this for about 50+ hours. It was most definitely a labor of love and I'm so happy that it's finally done.

Thank you for inspiring me to take on such a project by writing such wonderful fics, @0hheytherebigbadwolf! And thank you for everyone who reads these long fanARTifact posts. 💛

[natinkart]

FULL FEM FORTRESS LINE UP

i finally FINALLY finished this lineup. those fuckers are in my head more that they should be. after writing my ideas for them i HAD TO DRAW THEM, i had such a clear image in my mind. the only one I've drawn before where engie, medic, sniper and scout, but those were just sketches.

if you wanna read what I wrote about them you can find the three posts here: defense | offense | support

full lineup, sketch lineup and design thoughts under the cut:

i always like the sketches more but i love the clear lineart, it makes the character more readable, so now it's time for some design thoughts:

engie - she was the first, she has seen everythin- no ok wrong franchise. i meant, she was the one i was more certain of. the outfit didn't change from the og but i made her have two small pigtails. i always viewed them as a cow girl hairstyle, and they're also practical. a stable hairstyle that keeps your hair out of your face.

heavy - the sleaves where kinda an instant idea i KNEW i had to incorporate. so i did a bit of reaserch on traditional russian clothes and their patterns. they seems to be very geometrical with not more than 5 colors, which two of them are white and black, usually at the seams or borders of the clothing. so i tried to do that. i really like how it came out.

demo - not much to say aside from me winging the hairstyle. i honestly didn't know which one to give to her, but i knew i didn't want a long hair style. maybe one day i'll draw her without the hat.

scout - she is the one with my favorite design. i LOVE how it came out. i fell it express her cockiness the best. i tried putting her in the og outift but eh, i prefer this one.

soldier - this is literally just normal soldier. i tried to but more "femminine" traits in her face. but still, just soldier with boobs.

pyro - it's normal pyro, with some stickers cause why not.

medic - she's my love. my beauty, the absolute perfection. i love her and every time i draw her she becomes more and more creepy. and i love her so much. at first i was unsure about the hairstyle, i tried to but her in a high bun but it didn't fit the face shape, so i just gave her a side swoosh. also you may have noticed she has the nurse hat, well, that's just because i think it's cute, and i mean, she is a field doctor and usually the women there where red crosses so, made sense to me.

sniper - ah, my beautiful, unkept woman. i had a hard time making her face look rugged without giving her 30 years more and doing that on women is actually pretty difficult. i had one time an art teacher saying to me "every line on a woman's face gives her 10 years more" and holy fuck if that's true. the second problem was the body type. a lot of people do her slim, and at first i drew her like so, but i found myself appreciating a bigger waist line, creating a sort of square siluette.

spy - finally the beautiful femme fatale. i will ALWAYS have problems with spy's suit color. i can't. it always feels so wrong aaaa. but that aside, i did a simple google search for 60s women's suit and i kinda went with it. it's a bit different from the og spy suit but it's also different from modern suits, so i had a bit of an hard time adjusting the jacket.

my asks are open if you wanna know more of them or if you wanna see them in some specific scenario!! and if you like tf2 i also did a team furtress lineup with explainations.

consider supporting me on my KOFI, i recently opened commissions!!

[put-them-thangs-away]

while i figure that out, not sure if anyone has done it yet, but i want to do a little dive into the basics of the tarot cards used in this jack & joker episode, now that i actually have a moment and can do more than just the basic off the top of my head readings. i’ll be using the golden thread tarot deck mostly because i like how concise it is and also its more accessible to me right now underneath my sleeping dog than my shelf of decks in my room lmao. this is gonna be,,,, real long probably so all the details will be under the cut, if you wanna join me for my rambling:

fun little sidenote before i get started: when i went to begin discussing why i love the use of tarot and nang’s characterization specifically, my card of the day that i drew was the Queen of Swords which is like 100000% The Nang Card™️ lol [complexity, perceptive, clear mindedness etc.]

“a woman of immense complexity, sometimes considered cold-hearted, but also sharp of mind and wit, independent and possessing great powers of organization and analysis.” i won’t go down the rabbit hole of sword suits as a whole bc that’s not the point of this post and so far the show hasn’t gone into minor arcana, so i’m just gonna say HMMMMM very inch resting timing,,,,, anyways,,,

now, of course i have to start with joke’s card and its myriad of double meanings. in just about any piece of media, if you see The Fool card it should automatically be flagged as a red herring. it’s meant for you to look at it and take it at face value based on the words and image…. much like our four little idiots did when first shown their cards. like JOKE YOU GOT THE FOOL BECAUSE YOU’RE A DUMBASS LOL! and he’s the joker so of course he would also be the fool, yes? unfortunately for our little baby clown, the actual symbolism of the card is childlike innocence and naivety, often to their own detriment. it speaks of blank slates, new beginnings, and the start of a journey. “he does not know the dangers that can beset him during his travels, and thus he stumbles forward with complete optimism, never suspecting that he may be walking in a thin tight rope.” oof yikes. sound familiar? nang rly read that boy for filth huh,,,, aside from the obvious heavy handed post-prison clean slate, we’ve also got the metaphor connected to jack’s forgiveness and starting their relationship over. there’s a lot more to be said here as well about how naive joke can be when thinking he’s doing the right thing and that his choices are for the sake of someone else, without clearly seeing the consequences their may be for that person as a result of his actions. at the risk of Never Shutting Up About It, i will have to make myself move on.

i’ll get into tattoo’s card next because it’s really interesting to me that he was assigned The World, which I kind of would have thought would be a card assigned to jack instead. i see what they were going for in this episode with it, i think, but it felt a bit shallow in comparison, so there may be more in relation to this that we have yet to see. as The Fool is the first card (0) in the major arcana, The World is the final card (21). this card symbolizes an ending of a cycle of life, specifically before the beginning of a new cycle of life. it’s an indicator of major and inescapable change. throughout this episode, we see the shift in tattoo’s heart and priorities being held up in comparison to their past heist through some pretty straightforward parallels, so from that angle, The World makes perfect sense. (especially since one reading of The World when in reverse is inertia & stagnation) tattoo wanting to run in and save joke when he thinks he’ll be caught in the heist is our window in to see The World changing. that being said i find it interesting that this card would be chosen for him since it sort of,,,, kickstarts the journey for The Fool and is generally somewhat,,,, final. so i’m just reeeaaaalllllyyyy hoping that this does not mean tattoo has to actually end his cycle in any way other than metaphorical for the other to continue. the man has grown on me, what can i say? 😭 we’re just gonna ignore all those warning bells in my head and choose to go with the “accomplishment and fulfillment from both inner and outer sources” reading. yup.

then we’ve got arun, whose card is The Moon, which is double fun because arun’s name means dawn/sunrise. there’s a lot of meaning that could be extrapolated here, but based on tattoo’s card seeming on surface level to be about the state of his heart and his involvement in this little found family, i’m going to guess that arun’s is the same. The Moon card symbolizes intuition, the unconscious, illusion, and deception. it can be read as a signal of something being not as it appears, a truth you cannot admit to yourself, instincts that we have buried in our unconscious, among other things. this card being chosen for arun actually actively makes me more nervous than tattoo getting The World lol. if we choose to read it at surface value, could just be that in this heist he had to follow intuition, and got himself turned around in the process (eagle statue etc), or just generally that he did not previously appear capable, but here he is helping this mission be pulled off. with the opening scene of arun crying about missing his dad and that,,,, not really getting resolved actually,,,,,, that makes me wonder about some alternate reading options, but like,,,,,, i don’t want to. so. Simply going to close my eyes on that one! no thanks!

then of course there’s everyone favourite head empty good boy, hoy, who was assigned The Star card. out of all the card readings, this boy got the most straightforward one and i’m trying not to read too much into that since they were all assigned by nang and my brain hasn’t quite caught up to [handwaves] whatever she and hoy have got going on over there. this card is symbolic of faith, optimism, and hope. so….. yeah hoy in a nutshell. not a whole lot more to add in there.

skipping The Heirophant card and The Tower card to come back to later because i have Some Theories there and they may make more sense after i go back and rewatch a few things

ANYWAYS if you read to the end of this thank you and i’m sorry please feel free to yell at me about it

[hillbillyoracle]

How to Have Better Conversations

I’m writing this at the request of my partner. She shared she’s really been struggling with making conversation more than usual lately. I shared some thoughts on how I navigate conversations she found useful and asked if I’d be willing to make a resource or write more about it. This is not meant to be a definitive expert guide, it’s built from my observations and experiences as someone who is autistic and has to navigate a lot of social situations completely manually. This is how I break down the individual components of conversation.

When I spelled this all out, one of her takeaways was that conversations actually involve a lot of microdecisions and that’s why they can be so tiring. And I think that’s totally correct. But I think it’s also why some people can thrive with them because it’s actually a lot of difficult decisions that are tricky to pull off well so when you can and do, there’s a real sense of accomplishment that can make talking more appealing.

I have a feeling this post will be overcomplicated and convoluted to a lot of folks but maybe there’s a handful of folks for whom it is helpful. Take what works, leave the rest. Summary at the end.

Types of Conversation

Topics of conversation are decently important in my experience. They ultimately let you know where the conversation will go - whether it’s likely to end in a dead end, what sorts of things it will allow you to learn about the person you’re discussing with. In my experience, just about all conversation topics fall into one of four camps.

While I talk about Best Use and Don’t Use here - most conversation in the following topics will fall somewhere in-between. They’re just sign posts, not rules.

Me

The focus is on you. Me topics are ultimately about telling a story about yourself with some amount of conscious intent.

Best Use

The best use of this is setting expectations and conveying preferences. This allows your talking about yourself to serve a purpose that ultimately assists the other person in knowing how to understand and interact with you best without necessarily demanding certain treatment front. They might change or not change how they interact with you and this can show how responsive you might expect them to be.

Examples:

“I’m a writer so I don’t work 9-5. If I reply at odd times, that’s probably what’s going on.”

“One of my favorite ways to get to know someone is to grab a hot drink and go for a walk with them.”

Don’t Use

The worst use of this is look a certain way - knowledgeable, impressive, interesting. Basically any use rooted in getting another person to like you. Genuine connection doesn’t start from a place of elevating one person over another. Plus honestly 90% of people just do not care about why you think you’re interesting, important, etc and hate feeling pressured to validate you.

Examples:

“My boss was even stumped by the issue but I figured it out on my own.”

“All my friends say I’m the best at baking.”

“I keep a bunch of tools in my car, I’m ready to fix anything anywhere.”

You

The focus is on the other person. You topics are ultimately about letting the other person share the story of themselves.

Best Use

The best use of You topics is to better understand how a person understands themselves. Open ended questions that invite them to show their thinking as well and shows you how they reason. The common acronym FORD (family, occupation/occupy time, recreation, dreams) is a decent

Example:

“So how did you find yourself in this city? What was that journey like?”

“Why did you take up [your hobby]? What drew you to it?”

Don’t Use

Don’t use you topics to actively try to find fault with someone else. It’s great to have standards and hard no’s for your friendships and relationships. But poking around for them upfront can alienate people who you’d otherwise like - suspicion is not a desirable quality in a friend or potential partner. Ultimately you have to let a person show you who they are and make a personal call. There’s no short cut.

Example:

“So why did you and your ex break up?”

“So you get angry easily then?”

Both

The focus is on a shared expertise/language, not on the story of either of you.

Best Use

The best use of both topics is to notice things about them they wouldn’t think to explicitly share necessarily and to connect in a way that only people with your shared interest or expertise allows.

Example:

My partner and I both have a background in academic medical research. However when we talk about it, it becomes apparent that my focus is on the practical and researcher side and hers is on the data and compliance side. It’s interesting to note where our similar interests compliment and diverge.

Don’t Use

Don’t use both topics to try one up or show you know more than the other person. The minute you do that the shared aspect - and therefore connection - is gone.

Example:

I once went on a date with a man who spent a half hour explaining how GIS systems work in a very “look at me” way after I mentioned I had used them when I was studying forestry in college. It was boring as hell.

Neither

The focus is on a topic without a shared expertise/language, not on the story of either of you.

Best Use

The best use of neither topics is a shared exploration/experience. One person will usually know a little more about a topic than the other person. The person who knows less benefits by learning about a topic they’re curious about. Their questions and observations invite the other to think about this topic in a new light so the experience winds up being somewhat shared.

Examples:

A woman in line at Lowes let me know I could overwinter mums in this area. I proceeded to ask her about how she’d taken such good care of hers and whether the effortwas worth it. She thoughtfully answered my questions and I learned a lot.

I mentioned to my partner a personal project I’m considering undertaking. She asks about my motivations for it and in doing so I have to further clarify them. She learned a little about what my project was about and I learned what I was really after, seeing it fresh.

Don’t Use

Don’t use neither topics to soapbox about things that are of solely personal interest. If someone makes it clear they’re not interested pivot to something more interesting. Even neither topics require at least a little bit of common ground.

Examples:

I regularly talk about group hypocrisies I’m trying to make sense of before realizing that people outside of that group don’t really care.

Ideal Ratio

In general, in reflecting on my own conversations, I think a ratio where more than half the conversation is on either both or neither topics are the most rewarding. It’s where neither party walks away feeling like they talked too much about themselves and when meaningful and interesting topics still have been discussed.

I think it’s a common mistake to try to get the conversation to be 50% you, 50% me. That’s where conversations feel like a job interview and get exhausting real quick. They also have an appearance of depth as people disclose more to keep the conversation going but with out a feeling of connection after because little time is spent on exploration and shared experience.

How to Respond

So knowing what topic you’re currently or want to talk about is one part of this, but the other is choosing a response. I generally let the other person’s response dictate some measure of my response.

Pivot

If someone seems negatively engaged - leaning back, looking around a lot, arms crossed, giving short answers - I pivot to a neutral topic. I find neutral topics work best because the focus is not on either of you - they don’t feel like they’re under pressure to disclose or act interested in you. Neutral topics also allow them to lead the pace - asking questions and making observations at the level they feel comfortable. If they continually seem negatively engaged, it’s usually best to bail from the conversation, especially if asking questions about the dynamic itself seems like it might not be welcome.

Matching

If someone seems neutrally engaged - mostly looking in your direction, not leaning toward or away, giving input on what you’re saying - I match and continue with the topic.

FOOL

Being a little like the Fool in the Major Arcana is actually a great way to be a good conversationalist - genuine, curious, brave, and receptive. Bellow are some concrete ways how.

Follow up questions - Good follow up questions come from a genuine place of curiousity. They also tend to either fill in gaps in your own understanding or encourage the speaker expand the discussion into a new but related area.

Observation - Observations on the topic itself are great but not your only option. You can oberve how a person seemed to feel when talking about the topic. You can observe that they’d touched on a related topic before. Comparison is a fruitful ground for observations as well - “That’s similar to…” and ”That’s very different than….”

Opinion - Offering an opinion or requesting their opinion is a good way to keep a conversation going. In general, it’s best to avoid generalizations, soften them a little to start with, and make sure there is some measure of compassion in the opinion you’re sharing. Rigidity leaves little room for discussion and exploration.

Levity - Where appropriate, make a joke, share a meme, craft a pun, tease them a little. Laughter is a shared experience that connects us.

Building

If someone seems positively engaged - leaning forward, making eye contact, coming closer to you for neurotypical people and actively engaging with the content of what you’re saying regardless of stims or eye contact for neurodivergent folks - I build on what we’re talking about. I self disclose my feelings and personal connections to the topic one step further than what the person I’m talking with has.

It’s important not to disclose a lot more than the person you’re talking with has. It leads to a vulnerability hangover for you and can be quite awkward and uncomfortable for them. If you disclose just a little more than the person you’re chatting with, then it’s much more easy to recover and match their level if they seem uncomfortable with what you shared.

Decision Tree

“What topic are we talking about currently?”

Me - Set expectations, share preferences; you focused

You - Understand you as you understand yourself; other person focused

Both - Connect over a shared language; idea focused

Neither - Connect over a shared exploration; idea focused

“What cues am I getting from the other person?”

If positive, build on current topic - be vulnerable

If neutral, match on current topic - be a FOOL*

If negative, pivot to a different topic - preferably neutral or in ratio**

*FOOL

Follow up questions - genuine curiousity - “I wonder…”

Observe - conversation, feelings, topic - “I noticed…”

Opinion - cautious, concise, compassionate - “I’ve often thought…”

Levity - make jokes, share memes - laughter connects

**Ratio

51% Both/Neither

<49% Me/You

[casinoroyale]

Hi everyone!! Theseus cquackity viceduo zombur revivebur here.

This blog has seen several hiatuses (my bad seriously my bad), and bouts of irregular posting. So I'm sure people who regularly check it have noticed that we (Fiona @quackbur and I) haven't been posting daily anymore and haven't for a bit now. So below the cut I'm gonna talk more about that, and our plans for this blog going forward

For starters, I love roleplaying on this blog so much, as does my cohost Fiona @quackbur. Fiona has done so, so much writing for this and I feel kind of bad for taking her credit over the past two or so years, so props to her for being such a good sport and for everything she's done. This blog wouldn't exist without the shared passion she had for it.

To get sappy, I love the friends I've made in bedrockverse, they remain some of my best and closest companions. I would not trade the times I've spent with them for the world. Beau, Holly & co, Met & Co, and Thunderbottles are some of the loveliest, most supportive, and insanely talented people I have ever had the pleasure of writing with and meeting.

This includes people who aren't part of the bedrockverse that I've written with!! Shoutout to Javi anonymous-jey casino-duckling, TGM the-g-m duckofthelaw, and AD anonymous-dentist therealnoodleman. It was so much fun bringing all the quackverses together, and I respect all of you so much as writers.

AND that also includes EVERYONE who has interacted with her!!!!!!!!!! Everyone who has sent asks (thank you so much, sorry we're terrible at replying), reblogged threads, commented, posted/liveblogged, DREW FAN ART (BLOWS OUR MINDS. THERE'S BEEN SO MUCH INCREDIBLE ART CREATED, WE CANNOT THANK ALL OF YOU ENOUGH), even just liked a thread, thank you. Seriously, it has meant a lot to us to be part of this community, and have so many people enjoy this blog. Insert Pitbull image happy you enjoyed.

So, going forward it would make us really happy if you all pictured casinoroyale as happy. He has songbird-sunrise, goofygoop, and a nation full of citizens that she loves. She babysits for tubbolul and latenightmining, and terrorizes rp!emduo not infrequently. All we really wanted was to bring c!quackity to a happy place and I feel we've done that. Of course he still has shit days, as a ptsd baddie, but the good days are more common. And if we never get to it (though I hope someday we do, maybe in the form of a collaborative one-shot or fic) know that casinoroyale and songbird-sunrise DO eventually get [REDACTED]. And one of them DOES get [REDACTED]. That was always the plan! Yay! [REDACTED]!

Not to say that we don't have more arcs planned for this blog, because we do! I just don't know when/if/how they'll ever get written, especially because a lot of my friends have moved on from their rp blogs as well. But I really do still feel happy with where he's at and happy with everything I've done. This is a project I'm really, really proud of and I will always look back on fondly.

None of this means that I'm not interested in c!Quackity or DSMP as a whole anymore, either. Actually that couldn't be further from the truth. But now I'd like to be able to focus on fics, and other forms of writing, which I've been doing more recently :D actually, you can read a short one shot I posted for exile's anniversary HERE

If you've made it this far into this long, sappy post, THANKS!!!!!! The TLDR; this blog is on an indefinite hiatus, and won't be returning to its formal glory, and that's okay. We had a really good run. Now, off we go to other things