#I LOVE HIM ITS CONCERNING

[pleaktale]

"Thought ol' Jamesy 'ere found us a mermaid..."

IT'S DONE! *Everyone cheers.*

Yes, I know I forgot about his chains and necklaces but I was too far gone in the rendering to add it, sorry my lovelies... 🥺 I'll make sure to add in the next ones! 🤭

Anyway, this is BDAS! Hobie, made by @the-kr8tor

(PLEASE CHECK IT OUT IT'S SOOO GOOD!!) Extra version bellow the mark!

Just him being the most handsome men to ever exist.

That's it! See you soon!

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[idolomantises]

Rewatching Adventure Time, I can't help but think so much Princess Bubblegum discourse would be non-existent if people actually watched the show to completion instead of randomly hyperfocusing on some of PB's bad deeds.

There's a very bizarre and commonly held belief that Princess Bubblegum did terrible things and got away with it, that nobody held her accountable. When the show makes a point, repeatedly, that Princess Bubblegum is well meaning but deeply flawed, and to some characters, straight up evil.

I see fans point to "The Cooler" a lot as proof that PB is an irredeemable character, and while it is her worst act in the entire show.... I think people forgot that that was the point. Near the end of the episode she stops spying on people in Ooo because it was an invasion of privacy. In another episode she's called out for exploiting some aliens and lets them go. She feels ashamed that her own people are terrified of her. She loses her entire kingdom, and realizes she needs to get her shit together.

I'm pretty critical of shows that are way too lenient on flawed female characters but Princess Bubblegum isn't one of them. She's awesome, and heavily misunderstood.

[mintaikk]

MOXXIE SHIPPING STOLITZ MOXXIE SHIPPING STOLITZ THIS IS NOT A DRILL

[rockyhoney420]

I LOVE THIS GUY‼️‼️‼️‼️‼️

This is Annalise Jensens Essek ouffit design!!! Just btw!! Bc it slayed!!

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[rottenzombrainz]

When his first reaction to hearing you scream is to slice whatever scared you with a chainsaw>>>>>

[applepie-enthusiast]

Imagine an AU where Sabito suddenly wakes up , he notices his body has grown as if he had been alive since the Final Selection (21) and finds Urokodaki (ouch, please imagine Urokodaki having doubts and even testing that Sabito is not a shapeshifting demon, but when he confirms for real that IT IS Sabito, Urokodaki hugs him and cries, his other adoptive son is back.) and soon, Sabito learns that Giyuu is now the Water Pillar.

To say Giyuu is beyond shocked, him standing frozen as Sabito smiles at him and calls at him,

"Giyuu..."

Oh god, Giyuu missed his voice so much, but this can't be. Sabito seemed like he aged with him as well.

Sabito was dead.

Whatever demon plays this game is just tricking him, this is a cruel trick. Giyuu had learned from Tanjirou about that demon who gave dreams that victims wanted to see.

Except Giyuu is very much awake, and this is daytime.

There is no way that this is a Blood Demon Art.

"I know it's hard to believe, and you might never accept that is all happening, but I just want to say I'm proud of you." Sabito kept that fond look on his face, and finally, Sabito smiles at him gently.

Oh, how Giyuu's heart skipped a beat as he felt so many emotions all at once.

"I'm sorry for dying that time, and for not being able to say goodbye to you. But I'm back, Giyuu. I'm home."

It took a lot from Giyuu to not react and turn his back away, this is no way happening.

Tanjirou was also shocked to see Sabito but is otherwise overjoyed. It was not until Giyuu received a letter from Urokodaki that it is indeed Sabito, that Giyuu finally faced Sabito himself, and Giyuu hugged him tightly, and cried.

It was a silent cry, but his tears never stopped as he hugged Sabito tighter and tighter, as if letting go would equate to losing him the second time.

They reconnect, and Sabito caught up to everything. He even met the other Pillars and Oyakata-sama, suffice to say it took a lot of convincing from the Pillars to believe Sabito's existence.

However, Giyuu visibly changed bit by bit. He is still a tiny bit distant but is slowly opening up to others in general.

Sabito trained more and more with Giyuu, and after quite a time, he was also promoted as a Water Pillar.

While Giyuu was out, with Sabito walking outside, he met Sanemi, who walked up to him.

"Hey, are you for real?"

"What?" Sabito replies, and he observed how Sanemi was weirdly calmer than usual yet carried a certain air towards him at the moment.

"How long will you be here?"

"Pardon?" Sabito was starting to realize Sanemi didn't come here for a friendly chat.

"If you're just going to disappear again—"

Sabito cuts him off, "Our jobs are risky, but that doesn't mean I won't fight to stay alive."

Sanemi replied that he was starting to lose his temper. "You know that's not what I mean. Tomioka—"

Sabito winced, "What about Giyuu? What do you want?"

"First name basis?"

"Yeah, we're childhood friends, for now."

"If you really care about him, don't fuck around and—"

"Listen," Sabito paused, his tone just as threatening. "Whatever Giyuu and I have is none of your business."

[writer-room]

Obsessed with Lloyd never mentioning his grandfather is the First Spinjitsu Master, apparently to the point even Arin didn't seem to know, because "eh, it never came up". Cause like, yeah, sure, my grandfather is God, what of it? Normal day for me. Shit happens. My dad is also evil, you wanna talk about that? I sure don't.

It's also funny from a character arc perspective. Here's itty bitty baby first season Lloyd, loudly proclaiming he's the son of Garmadon, and probably also making sure everyone knows he's God part 3 electric boogaloo. And then one Tomorrow's Tea and a few more years later and he's doing everything physically possible to NOT care about his heritage. In fact he'd probably rather his parentage was literally anyone else. Dude could care so less he forgets about it most of the time. King behavior.

[ratislatis]

I'll find you. Wait for me.

hee hee hoo hoo AUUUUGHHHHHHHHHHHHHHHH PAIN PAIN SUFFERING PAIN IN ALL DIRECTIONS!!!! TO HELL WITH IT (LITERALLY)!!!!!!!!!

[fishy-lava]

genuinely I think one of my favorite Ai Di moments is (all of them) when he drunkenly shows up at Zongyi's house (whom he does not actually know) breaks in by removing the fucking doorknob says hi to Zongyi on his way past and then flops into ZeRui's lap and refuses to get up like not only was it fucking hilarious but I really feel it encapsulates his personality quite well

[ratatatastic]

"im excited to be here [in Finland]" is the understatement of the century matthew ill be real

Primetime Panthers | 11.6.24 (x)

[beaulesbian]

Spider-Man: Across the Spider-Verse (2023)

So we're just supposed to let people die because some algorithm says that that's supposed to happen? You realize how messed up that sounds, right?

[nyxandherescapism]

This interaction cracked me up so much😭😭 i was sitting there, giggling like an idiot every other minute lmaoooo😭

[not-equippedforthis]

really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.

in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:

its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,

oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.

he shows so so much but at the same time reveals so little.

[shortnotsweet]

1. ANATOMY OF A KITCHEN (excerpt from THE THRILLING AND NOT AT ALL REPETITIVE ADVENTURES OF CAPTAIN MAN AND KID DANGER: “A CHRONOLOGY OF ENTIRELY TRUE AND HEROIC EVENTS COINCIDING WITH THE END OF HISTORY”) [2] [3] [4]

If you want to know a person, watch how they treat their servers, how they treat their food. Living with them is the second best option. Living with Ray is not Henry’s only option, but it is the best. They don’t even need to watch the other eat; they know each other already.

[ “There is a man in my house. There will always be a man in my house. I will find him even when he is not there. And one day, when I find out there is no man in my house anymore, well—I will go find one and invite him in.” Paraphrased and reappropriated from Catherine Lacey’s “Cut”. The borrowed text refers to the uncanny feeling Henry experiences as an adult reflecting on his childhood relationships. ]

Catherine Lacey writes in her short story “Cut”: “If you're raised with an angry man in your house, there will always be an angry man in your house. You'll find him even when he is not there. And if one day you find that there is no angry man in your house—well, you will go find one and invite him in!” Peggy—a professor—reads this poem, which a female student has placed on her desk, and grapples with a response, to which she is advised, “It’s not your job to save anyone from their life or explain anything to them or even really teach them anything”.

PANEL NOTES

This follows the format of the catalyst stranger approaching the downtrodden protagonist in a dingy bar from behind, backlit by the hazy yellow lights and smoked out shadows. This is not a bar, but a kitchen—the center of any living space.

The borrowed text is tweaked, and excludes the descriptor “angry”, as the theme of the storyboards is not anger.

The use of red is limited and strategic, and scattered throughout like evidence; dusting for fingerprints. It’s tempting to drape Henry’s back in red against the blue background, as if bathed by an overhead lamp, but Ray is the anomaly. Henry is colored by an anxious, slightly melancholic blue (as well as shaky panel borders), while the flints of red signify danger (knock on wood) or non-literal symbolism.

The white wolf is curled around the blue in a protective gesture that also doubles as a stranglehold, snakelike.

Something, something, about wolves and lambs, consumption, and the simultaneous loss and retention of innocence through transformative processes. Note there are three lambs; these could stand either for Henry, Jasper, and Charlotte, or Henry (singular).