#I LOVE HEARING PEOPLE'S THOUGHTS

[cherryys]

why do you think yuuji isn't gonna make it? i have a lot of bets put on itafushi both dying or living (for Reasons i'm not gonna be annoying abt rn lol) so i like to hear why others believe otherwise

Oh god okay so

There are ALOT of death flags around yuuji, more than the people that actually died had lol but if i had to compose a list:

1. In Chapter 1, these are Yuuji's grandfather's dying words to him:

And i feel this statement of "when it's your time to go, make sure you're surrounded by others." Is going to play a big part in the ending, especially paired with the "save anyone you can, even if it's just one person" this translation doesn't say those exact words but the anime did so im gonna roll with it lol (if anyone knows what the og japanese version said please let me know!!!)

I think Yuuji is going to die by saving Megumi, surrounded by him (and others like Yuuta and Todo but im more focusing on Megumi because he is the start and the end of Yuuji's entire life purpose and ideals) and that would fulfill his grandfather's dying words of "save whoever you can, even if it's just one person. don't end up like me, [alone]. Die surrounded by loved ones" and i think that would truly be the best ending Yuuji would get after that, better than any hollow victory of killing sukuna but still outliving everyone else, alone. He had suffered enough in those few months, i think it would be cruel of Gege if he lets him outlive everyone else and still keep going with how much he's lost and witnessed.

This falls in line with the purpose he set for himself in Chapter 2:

He had already accepted that his life ends with Sukuna. That moment is when, for him, Itadori Yuuji ceased to exist and instead, Sukuna's Vessel. (Though the people around him try to convince him otherwise). Him doing those two things (Killing Sukuna and Saving People) as what his character's purpose in the story is, not living to see his 16th birthday (as despressing as that may be 💔)

2. In Chapter 203, Kenjaku says this:

This sort of ties into my earlier point of him and Sukuna's lifespans being interconnected thematically. Kenjaku here specifies Yuuji coexisting with Sukuna. As long as they are both alive, the cycle of curses (and suffering & pain) will never end. Even if Yuuji were to live on, he still has Sukuna's essence burned into him (whether that be because he'd been a vessel for so long or because of his lineage). He cannot get rid of the entirety of Sukuna, all his remains and all his ugliness, without getting rid of the one inside him first. That's why to completely get rid of Sukuna, he has to take himself out too.

Shoko even says this in Chapter 220:

By a narrative standpoint, he technically counts as an extra finger, still housing his Technique and his Evil Dredges, sort of speak. To completely defeat Sukuna, he has to go too.

3. A little fun fact about JJK, it was under threat of being cancelled all the way back since the Cursed Womb Arc. Because of that, Gege rushed to write that arc along with Chapter 9 as its subsequent "end" (though we know now Shonen Jump continued releasing it) and coupled with the fact that Gege said a while ago he already has the end of the story in mind, it's not a stretch to say that the end is going to parallel that Chapter somehow, with Yuuji sacrificing himself to save Megumi and them sharing a quiet moment (under the rain, or snow since its Dec 24 lol) where Megumi tells him again that he had never once regretted saving him, even after all the turmoil and pain it caused Megumi.

I think that would also be a nice send-off for Yuuji, the last face he sees is the one person he actually succeeded in saving and the one that saved him back, telling him that despite all the guilt he felt, all the pain he made himself responsible for (despite it not being his fault), he—who had a moral code so strict that he'd never save anyone that would kill someone in the future, yet saved him anyways, and stuck by his side after all that happened in Shibuya and told him to share the burden, the one person who never left him alone—never once regretted saving him, that the good Megumi knows is in Yuuji was worth it. And that despite the pain Megumi went through (and the pain Yuuji feels responsible for) he doesn't blame him nor regret that choice. And that he'd do it again even knowing everything.

I could go more into the other side of this argument of why Megumi being the one to die wouldn't make sense but i'd be rambling on for too long lmao i tend to go on restlessly 😞 im just really passionate about jjk and its themes

[that-foul-legacy-lover]

omgg disney princess FL kickstarted my own brain, you're so good at this💜💜

imagine little ducklings following him in a neat little line!! (since iirc tartaglia in cn is close to the word duck). the little escapades you could get into from trying to stop them from following him, the ducklings nipping at his wings to stop him from leaving them and of course his soft heart won't be able to even think of leaving these little guys. just an adventure of trying to find mama duck around Liyue, taking naps in his fluff when the ducklings are too tuckered out!!! (imagine their little butts sticking out his fluff as he purrs), maybe go on a swim too, tho probably stand back when they're all soggy and shaking off the water

small yellow fluffy babies getting led by a bigger, fluffier, sparkly baby (at heart) and the noise! the cutest chorus of noises from both FL and the ducklings 🥹

- mothnip anon again, sorry for constantly babbling here

hope you have a nice day 👉👈

okay okay small story this place near-ish to where i live sells gardening equipment and in the springtime they get live chicks so people can raise them into chickens and ahhhh they're so cute!!!!!

all the ducks can fit in his hands, no questions asked. he kneels and holds out his claws and the ducks all pile on, much to your amusement and slight dismay- where was their mother? there's no way you and Legacy can take care of all the ducklings, neither of you are nearly qualified enough! yet the tiny fledglings seem quite content in his grasp, and Legacy purrs at them contently as they quack, looking from you to the ducklings and back again pleadingly. with a sigh you relent and nod, met with a chorus of happy chirps and quacks from Legacy and your new little friends- of course, you make Legacy promise to help you find the ducks' mother, and to look after them while you're gone at work. he chitters in agreement, a few ducks already nesting in his fluff, and you can't help but smile at the adorable scene

taking care of the ducklings actually goes smoother than you expected, with Foul Legacy taking care of them when you're gone and everyone waiting to greet you in the evening. the little birds get into the habit of following Legacy in a single file line, having conversations of trills and quacks as they putter around the house. or if they get tired, the ducks bury themselves in his hair and fluff for a quick nap, as soft as the nest they're used to. and finally, after a few weeks of searching, you come across a distressed mother duck looking for her babies- it's actually one of the ducklings that alerts you, the one that likes sleeping in your pocket, quacking and squirming until you set it down and it waddles over to its relieved mother. you're both sad to see them go, Legacy letting out a low whine and pouting as he watches his little friends trot away into the water to follow their mom, and you give him a gentle squeeze of reassurance

but a few days later you find a collection of ducks standing outside your door, the mother gracefully herding her little ones along- seems the babies wanted to visit :)

[tadpolesonalgae]

So my girlie has cancer, nice. YOU KNOW I HAD THOUGHT OF THAT like why she's basically eating herself up (don't know any other way to describe this) but then i was like illnesses like cancer are probably not even possible for faes' due to their regenerative abilities? good to know that's what that is though. I am a littleeeeeeeeee pissed about the Bas convo because i've already started headcanoning about how the reader will feel a little guilty about how she handelled the situation after she's in a better mindspace. MY POOR BABY BAS LIKE HE WAS SSO IN LOVE WITH US WAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH I CAN'TTTTTTTTTTT UAHUAHUAHUAHUH so now how is she gonna cure herself :3 is she going to be her sciency-self and start mixing chemicals??? or does she get a new body? kinda like amren situation??? (i imagine her shedding skin like a snake? or lizard)

um, being totally honest with you I'm not really sure how to respond to you? I'm having quite a bit of difficulty figuring out your tone through text...?

Um, anyway though, it's not really cancer - I wouldn't call it that anyway. I won't deny that some of her symptoms do line up for those of cancer, but I would argue that blood appearing where it isn't supposed to, night sweats/fevers, lumps in your skin are some pretty straightforward signs to give a character to let people know there's something wrong with them?

I think it might be tricky because originally Reader's power was going to be radioactivity (varying on the type of radiation - alpha at her fingertips usually but sending out gamma radiation during large detonations), which can cause cancer (It isn't radiation anymore, don't worry that isn't a spoiler). However, I ultimately decided against that pathway when it started leading me to learn some stuff about nuclear energy, atomic bombs, and eventually lead back to World War II and just with how the world is at the moment I wasn't comfortable touching on it. I didn't feel like I had the words or the understanding to articulate a story like that and I also felt mainly that it wasn't a story I wanted to write? That giving reader the power of radioactivity/something similar to nuclear power would distract from the story that I actually wanted to write?

Anyway, that was a very long way of saying while I can completely see why it might look like it's cancer, I'd like to clarify that it isn't. As cbmthy continues we'll gradually learn more about what her magic does, and is :)

'MY POOR BABY BAS LIKE HE WAS SSO IN LOVE WITH US'

haha, I'm happy you feel so connected to him! Sorry for writing it so that he's going away though :') Though that was a very fun scene to write, as well as then heading into the parallels between Bas leaving Velaris and reader leaving life behind, and that being that driving force behind her determination to tell the people around her <3

'so now how is she gonna cure herself :3 is she going to be her sciency-self and start mixing chemicals??? or does she get a new body? kinda like amren situation??? (i imagine her shedding skin like a snake? or lizard)'

She's going to cure herself?

[blushouyo]

DOTTOLISA ANON BACK AGAIN IM GOING CRAZY OVER ANGST FOR THEM . thinking about lisa feeling so conflicted seeing him now because they used to be closer and she KNEW him but now he's just not even close to the man she knew. wishing that she could have done something, ANYTHING for things to turn out differently. and she can't say a word to the knights about it because what would they think if they knew she was thinking this way about a HARBINGER, much less one that's done so much damage to Mondstadt????? they make me ill in tje best way sorry you're the one who gets to hear my rambling -💫

EXACTLY. THATS EXACTLY HOW I PICTURE THEM.

[kittykalliarts]

For decades, the blank vision that Iudex Neuvillette wears near his heart has been subject to much discussion in Fontaine. Nobody remembers who it had once belonged to or why the ancient dragon protected it so jealously. It is said that if the Chief Justice would to stare at it for a long while, it would be sure to rain right after. Oh, how beloved that person must've been.

[egophiliac]

hiii im sure you’ve answered this before but in regards to your twst x Pokémon, how do you choose which Pokémon go give to the cast?? really curious since your choices are unique :O

unique in a good way, I hope? 😅 (jk jk I haven't come across too many pokemon AUs, so I was going in without preconceptions, I guess!) I was sorta aiming somewhere between doing, like, a full AU with internal consistency and everything, and just picking entirely based on theme/character, so maybe that's why! basically I just set some arbitrary rules (no legendaries/no repeats/evo stages based on year) and then went on ~vibes~. a couple were also suggestions (thank you guys!) and last-minute decisions, so it was a bit of a delightful mess of ideas!

my one regret is that I should have given Riddle a Togedemaru after all. ...you know what, he can have one now, why not

[planet-dusk]

ves i’m so sorry most of what i send you is literally just my pervy thoughts to share 😭 not necessarily requests for you to write. please do your own requests as well!! <3

-🍄

don't worry bby those type of asks are my favorite 💚

[spielzeugkaiser]

[MASTERPOST] - [prev] I just want you to imagine Jaskier, very early post trial, mostly nonverbal, not in control of his strength yet being just such a creepy kid sometimes. (His parents still love him obviously.) I also have a feeling that Jaskier is subconsciously 100% stressed at all times and wants to do his absolute best to please his parents and make zero mistakes so that they won't send him away again. (They didn't and he knows that, but he is just a traumatized child.)

[celaenaeiln]

I want to talk about Dick Grayson's beauty, sex symbol status, and how it all connects for a moment.

This is a prelude to an upcoming post but I needed to include this separately because the other was getting too big.

First of all Dick Grayson is a beautiful man.

And you're probably thinking "well, no duh. Everyone knows that." but what I mean is Dick Grayson was intentionally made to be beautiful.

For a little historical context, around the late 1950s the culture in the US was changing. It was around this time, that people began exploring and accepting what they called a "feminine man".

This was really taking place in cinema and stuff where they began to show softer versions of men doing "typically female roles" as heroes.

One example is the movie "The Man Who Shot Liberty Valance", a 1962 Hollywood film. In summary, it takes place in the midwest and is centered about Cowboys, gunslingers, the shebang. But the point is, there are two male leads in the movie - Ranse Stoddard (played by Jimmy Stewart) and Tom Donophon (played by John Wayne). Ranse and Tom are both the heroes in the film but with a key difference. Tom is like the sheriff of the town, loved by all and focusing his time on practicing his gun skills. The savior of women and normal people, he's the typical masculine hero. His face is rough and handsome. Ranse however was the new wave. He doesn't care about carrying the gun, he thinks it's uncouth and focuses much of his attention on sending the evil guy (Liberty Valance) to jail through laws. He doesn't want to kill and he takes a more advocative approach. He is also loved by everyone despite not being super masculine. Ranse's face is clean and almost dainty in comparison to Tom and Liberty Valance's.

Despite the complete opposites they are, both men are considered heroes. On one hand, you have the very male typical hero but on the other hand, you have the feminine male hero. At one point the evil guy laughs when Ranse walks in wearing an apron because serving tables is a "woman's job", but Ranse doesn't let it bother him.

How does this connect to Dick Grayson?

Dick Grayson is the feminine hero of DC. DC jumped on the pretty boy hero train.

That's also why in the Teen Titans (1966) comics, Dick keeps being referred to by endearingly feminine pet names by the titans which they seem to only use on him.

Standard gender roles: Men were expected to be strong, aggressive, and bold while women were expected to be polite, accommodating, and nurturing. Sound familiar about a certain duo?

But Dick? He plays both male and female gender roles in a time period where it wasn't socially acceptable to do so.

So my point is, Dick was created to blur the lines between gender and the way his character has progressed - he's meant to be the definition of a man opposite to male toxicity.

He can cook and do laundry whereas Bruce, the image of male dominance cannot.

This also falls into another role of Bruce and Dick's but it applies here as well in hindsight.

One thing people need to understand is that Dick was created to be the antithesis of Bruce Wayne. For all the gloominess that Bruce is Dick was meant to be the joy. He is the light to Bruce's darkness.

Which is why Dick often acts as the loving mother to the batfamily while Bruce acts as the stern father. Because Dick was created for the female role.

Part of the reason why I love Dick and Kory is because they do this at a time where girlbossing and malewifing wasn't a thing. Kori is consistently the dominant one when it comes to love in their relationship while Dick plays a softer, more "wife like" role. The way Kori is taller than Dick and buffer than him ✨

He is quite literally a queen consort - that is the role that Kori begs him to take after she is forced to marry someone her father picks out for her. But Dick refuses in tears because his morality cannot bear becoming a mistress and ruining someone else's marriage.

I know this is a long tangent but here's where the sex symbol comes in. Dick was created to be the most beautiful figure in DC but him being beautiful is not supposed to be confused with him being objectified.

Being beautiful is just something he was born as. What people do as a result has nothing to with DC

Take this for instance

He's literally just showering and comes out of the shower to find a random little girl singing about his and batman's identities. Creepy? Yes. Very much so. So he chases after her and finds her gone. Well there's nothing he can do now, he needs to go back and analyze what's going on and contact the other titans-

Crap.

Look at all the women that are ogling him, and even the ginger looks as if he doesn't know if he's jealous or wants to join - but there's nothing Dick did to make them do that. He's literally minding his own business and got caught outside. Did he hit on the women? Did he seduce them? Did he purposefully show off and make a loud commotion because he wanted the attention? No!

Arguing that Dick Grayson shouldn't be a sex symbol just seems wrong to me considering that it's not a fault of his.

It's like telling Kori not to have large breasts and telling Dinah not to wear fishnets.

People still ogle them regardless of how they dress because they're just that attractive. You can't tell someone to look a different way because you don't like the attention they're receiving...that's literally the opposite of everything people should be fighting for

Arguing that Dick Grayson being a sex symbol is a problem because he's too beautiful and blaming the actions of other characters for thinking so is just...

it's wrong.

He was created to be beautiful to fight male toxic masculinity. He's woman coded for a reason.

We should be embracing him. He represents everything male freedom should be about. He constantly placed in a female role, in female positions-

In queer positions-

He's acrobatic, slender, and sensual. He's gentle, loving, and beautiful.

When has the beauty of a person ever been a reflection of their character? The way fandom is going, it's implying that because female characters make sexualized comments about Dick's body, it's somehow Dick's fault for looking that way. We're blaming him for his "womanizing" ways as if he hasn't put his heart and soul into every relationship he's had. And while we're busy calling him a womanizer, we conveniently forget that the women he's in relationships with have significant personalities of their own. We inadvertently reduce their beings to plastic bags, ignoring that they have broken up with each other because of being unable to resolve conflicting beliefs, different career paths, different lifestyles, and more. It's not a one way road with our treatment of Dick. It's a two way street because we're harming both Dick and strong women like Kori, Barbara, Bea, Shawn, and Helena by pretending what they believe in and live for is unimportant in love.

Instead we should be exploring how the objectification might have an impact on Dick's mental health rather than blaming DC for using characters to describe how hot Dick is.

All the beautiful traits of Dick Grayson - his ambiguous sexuality, his overwhelming love for people, his affection for his friends, the way he cries and feels for others - all of it is beautiful, is it not?

From his very creation Dick was meant to be someone who breaks gender roles. The constant attraction he receives from both men and women in all of DC's media is evidence of that. The Grayson comics push the boundaries of his sexuality as much as DC will allow. To be queer without coming out with it. He is the feminine hero.

Everyone seems to hate that he's being called a sex symbol but why does that bother you? Dick Grayson IS the pretty girl of the comic universe. He IS the babygirl of DC.

DC has created the perfect view of what it's like to be a woman through Dick Grayson and we're spitting on the most accurate representation of a female that comics have ever created by blaming them for expressing what it's like to live as a woman.

[redrocketpanda]

Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!

Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.

A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness

Then we have this heartbreakingly beautiful moment with Gojo and Geto:

I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.

Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look

Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.

Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.

The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.

There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.

[numbuh424]

My individual illustrations of Near through the years 🩵🤖🃏

[starry-bi-sky]

"Stillborn? No, no, still born." -- DPXDC AU

Based off a comment I saw where Bruce knew about Talia's pregnancy in the earlier comivs, and was ecstatic to be a father. So much so that Talia feared he'd give up being Batman for it, so when she gave birth she put the baby (Damian) on a doorstep and (seemingly) told Bruce that the baby was stillborn.

Instead of Damian, that baby was Danny! Meet Daniel Brown, the 14 year old foster kid whose been living with the Fenton family for the last two years. He's about two years older than Damian.

His last name, "Brown", was a generic surname given to him because the note he came with didn't have one on it. It just had the name "Danyal" on it, but albeit 'Daniel' was the one that had been put into the system for, I'll be totally frank here, racism reasons.

(I looked it up to make sure, and it's generally not permissible for foster parents to change the names of their foster kids even if it's a permanent residency, and for that reason Danny doesn't have the last name "Fenton".)

Danny's got ✨~issues!~✨ He's been through a handful of homes growing up, most of them terrible for a variety of reasons. Which has, as a result, left lasting scars. He's generally a very sweet kid, just very distrustful and jumpy. He's got the signs of a kid suffering from PTSD, and a handful of other issues including attachment and insomnia. His inferiority complex could rival Damian's, and that's going to make for an interesting mutual hatred for when they finally meet.

(something I'll get into later)

He still has the blanket he was found in. It's made of a very high quality material and is a beautiful emerald green with little golden thread accents, it's high quality as a result has Danny clinging onto a desperate hope that his bio family might be out there, and the only reason they gave him up was because of some outside factor. It's been taken a few times in old foster homes, and he's flipped out each time.

While he still calls Jack and Maddie by their names, he likes them well enough. The bar isn't that high though, and while they're some of the better foster parents he's had, "better" doesn't equal "safest". Their laboratory malpractice. Basically, C- Fenton Parents. They're negligent by virtue of being engrossed in their work, but they do care equally about Jazz and Danny. So he doesn't hold it against them that much.

He kinda prefers it that way, their loud affection is overwhelming and Danny doesn't know what to do with their attention, even if he craves it. It's a bit of a complicated situation.

They took in Danny because they genuinely wanted another child, but didn't want a big age gap between them and Jazz. It was actually Jack's idea to foster, and they discussed it with Jazz beforehand. She was all for the idea. Thus, a handful of weeks later, a ton of paperwork, and inspection later, and Daniel Brown entered their household with a trash bag in one hand and eyes like shards of stained glass.

His relationship with Jazz is kinda strained, but that's by virtue of her constant psychoanalyzing and helicoptering. Like with the parents, Danny's overwhelmed by the attention and also just, straight up doesn't like the fact that she's telling him that there's something wrong with him. He knows that, thank you. He pushes her away when she does this.

Other than that though? When Jazz isn't smothering him and is acting like an actual sibling and not a third parent, they're pretty close, and Danny really likes her. They've hung out a few times on their own volition, and Jazz showed him how to take better care of his long hair.

His school situation,, pretty similar to canon with the bullying, albeit with a few more instances of him blowing a fuse and lashing out against his attackers. He's a rather angry kid, but it's quiet. It builds up, piles on top of itself, until eventually, like a volcano, it erupts and burns everyone within radius.

Danny's got a fire core, not an ice core. Phantom's hair is made of white magma; thick and heavy, setting itself on fire when his anger runs hot. When he gets angry, his skin begins to char and split open to reveal pulsating lava underneath, and he crackles and pops like a raging forest fire.

I haven't decided yet on how he meets the batfam -- i've got two ideas but they're both in opposition to each other, and drastically alter how the rest of the plot goes. But I do know that him and Damian hate each other in the beginning. And it has nothing to do with inheritance or "being the blood son" -- although their blood relation absolutely plays the major role in their disdain for each other.

Simply put, they're jealous of each other for the same thing: thinking that the other was wanted.

Damian hates Danny because, unlike Damian, Bruce knew about Danny since conception and wanted him from the moment he heard about him. He had a whole nursery set up, and still does. He never took it down -- just locked the door. Damian was thrust upon Bruce without warning, and he feels like he forced himself into the family. And while on some level Damian knows and understands that Bruce wants him and loves him as much as his other children, that doubt and feeling of inferiority still remains. He looks at Danny and sees him with what Damian always feels he needs reaffirmed.

Meanwhile, Danny hates Damian because he looks at him and sees him with everything Danny's ever wanted. He hates him because Damian grew up knowing both of their parents, with one of them for most of his life, and then moved over to the other. There was never a moment where Damian was (seemingly) left to doubt his place within the family. Damian was raised with the very same woman who left Danny on a doorstep, with no clue to his identity beyond a little green blanket and a note with only a first name. Damian was wanted everywhere, and Danny was wanted nowhere. Damian is Danny's replacement in his eyes.

(It's the little revelation that Damian grew up with their mother that elevates Danny from being quietly envious of Damian to downright despising him. What did Damian do, that Danny didn't? He could live with Damian living with Bruce -- Bruce didn't know Danny was even alive. But him living with their mom? Are you fucking kidding him?)

Damian never outright attacks Danny physically, but it's not like he hides that he didn't like Danny. Meanwhile, Danny, in all his repressive anger, quietly despised him from a distance until finally one wrong snide side-comment has him blowing up and it becomes a screaming match. They're both just enough similar to each other that when they look at each other they really just see a mirror.

They'll work it out together, eventually. But it'll be ugly and cruel and explosive, and they'll start mending the bridge to become brothers in more than just blood relation in the end.

But yeah, stillborn Danny has... a lot going for him.

[slitsfordan]

DanandPhilCrafts + Fucked Up Queer Devotion + Christian Homophobia: An Essay

We’ve all been talking about the willingness of Dan and Phil to perform the ritual, we’ve all been talking about the intimacy of carving out your lover’s heart, but I have not heard anyone talk about the fucked up side of Dan and Phil’s (fictional) relationship with each other, and with Him, so here goes.

On the craft channel, Dan and Phil act overwhelmingly positive, like satanic children’s show hosts, but this is clearly a farce. We see them drop their smiles quite a few times during the crafting- most notably in Glitter Faces when Dan’s craft turns out wrong, and when Phil cuts Dan’s hand. “Don’t cry, craft” is directed towards the audience, but it seems Dan and Phil are following their own advice. Cults, after all, prey on vulnerable people. While they do seem scared of doing the ritual, and their involvement with Him, they are, however, definitely willing. In

The blood on Dan after he kills Phil is interesting; The handprint on his shirt isn’t a sign of a struggle, but rather Phil just grabbing his shirt- that’s pretty intimate, honestly. The blood on his face could’ve been caused by a bunch of things: blood splatter he wiped at? wiping at his face (eyes?) with a bloody hand? or Phil holding his face? (I like the third option) The blood on his nose might totally have been accidental, and just a thing that happened, but it could also be an allusion to the cat whiskers, in the spirit of bringing things back to the beginning and whatnot.

After the ritual is complete, there’s the obvious tarot symbolism. @freckliedan has a great post about this, but I’ve got more to add, so bear with me. Yes, Dan and Phil are framed as the lovers, but that’s not all. While the sexual deviance associated with the devil card has clear connections to queerness, it’s main association is usually unhealthy relationships and dependence. From this, and the obvious devotion displayed in the video, the craft versions of Dan and Phil are implied to be unhealthily dependent on each other, and devoted to the point of obsession. While the relationship certainly isn’t abusive, this obsession just isn’t healthy.

Furthering the unhealthy relationship idea is when Phil calls Dan “Sampson”. In the Bible or whatever (I’m not Christian sue me) Sampson topples these pillars, killing both himself and his enemies, which has a clear parallel to Dan’s stacked ingredients falling over, but the use of “folly” is interesting, and suggests a further connection. Sampson had married a prostitute, and she sold him out, basically, leading to his enslavement and later death. In this story, this is the clearest and most obvious act of folly by Sampson: marrying someone who he shouldn’t have, someone who it was taboo for him to be with. Connected to Dan and Phil, it suggests that their relationship is dangerous due to the social taboo, but it’s also implied that Phil will betray Dan. Perhaps we’ll see that in a 5th crafts installment, or perhaps it’s simply a commentary on being in a relationship with someone considered unacceptable.

Speaking of unhealthy relationships, that’s sure what they’ve got with Him! Leading up to the ritual, Dan and Phil are shown to be scared of Him, even though they call Him their friend. Dan’s head shake when Phil says “crafting has improved my life in numerous ways” is very telling. At the end, Dan’s shoulders tense at His first footstep, however, when He actually touches Dan, he doesn’t seem scared at all- forgive me for this next point, but from the way he kinda leans into the touch and tilts his head back, it seems more like he’s going for “turned on” rather than “scared”.

“Okay, cool” you say, “but what does it mean?” Well, Dan and Phil’s relationship in this series is not just about homoerotic undertones- this is an allegory for toxic queer sexual relationships. Why would they make something about toxic relationships when they’re in a healthy relationship? With the toxicity, and the power imbalances, and the satanism, Dan and Phil’s (fictional) relationship is a representation of Christian fears of queerness, and the supposed immoral/corrupting/anti-Christian effects of being in a queer relationship. The fear Dan and Phil show throughout the series is representative of internalized homophobia. They’re scared to align themselves with Him because it means accepting their own queerness. Dan shows more fear than Phil throughout the series (like after his glitter face turns out to be a pentacle) which parallels his real world internalized homophobia that he’s experienced. By holding hands with the devil (or baphomet?) standing behind them, Dan and Phil have embodied every conservative fear about queerness, but have come out on top. Through their YouTube channel, we get to do the same.

[galedekarios]

"It creates a distinct visual motif not found in other romances that captures the connection between the two characters while feeling distinctly not of this world."

"We wanted this to feel like Gale and their partner were really merging into one, new, perfectly harmonious being."

[source]

[wistfulwatcher]

bau members + near death experiences

[lostyesterday]

I’ve been thinking about disabled protagonists in Star Trek recently, which got me thinking about Seven of Nine. It’s interesting because I’m almost certain the writers of Voyager did not intend to write a disabled character, but they ended up accidentally writing one anyway, and one whose arc I find surprisingly compelling as a disabled person myself. Seven is dependent on electronic devices both inside her body and external to it in order to survive and she requires regular medical treatment and specialized adaptations to her environment in order to function. She is absolutely canonically disabled (as are all the other ex-Borg in Star Trek), even if the writers probably weren’t aware of that. The major reason that I think Seven’s arc resonates with me so much is because it reflects a deep tension between independence and dependence that is a fundamental and complex part of so many disabled people’s lives.

To be disabled is to be deeply aware at all times of your own dependence on external things (such as wheelchairs, canes, medications, etc.) and other people. At the same time, to be disabled is to also be deeply aware of the societal standards of independence and self-sufficiency you are constantly failing to live up to. You cannot do things that people are “supposed” to be able to do independently. You need help for basic tasks, and you have no choice but to trust that these external supports you are dependent on will not suddenly disappear, causing you to be unable to participate in society at all. It’s difficult to express to someone who hasn’t experienced it how much being disabled forces someone to consider their own level of dependence and independence constantly, how it becomes a deep part of one’s identity and can often be a source of trauma.

Seven’s arc on Voyager is often focused on the nature of individuality, but it is interesting how often “individuality” becomes a stand-in for independence. Seven’s disability makes her deeply dependent on the crew and resources of Voyager for survival. She could theoretically leave and use her own skills to do maintenance on her implants and install an alcove somewhere to keep herself functioning, but it would be a great risk, and her safety would be constantly in doubt. At the same time, Seven hates this dependence. She tries to rely on other people as little as possible, hating her need for the Doctor to diagnose issues with her implants and refusing to ask for help until she has no other choice. She hates this dependence because she sees it as challenging her ability to become a complete “individual” who is able to make her own autonomous choices. She hates this dependence because it forces her to rely on other people who could at any time abandon her or abuse their power over her.

So it’s far less frightening to pretend this dependence doesn’t exist, to hide it even from herself. Seven’s arrogance in her own abilities, her focus on her intellect and vast knowledge and superior physical abilities are in many ways genuine, especially early on. But at what point does this confidence in her own abilities – this reassurance that she is smart enough and strong enough to control her own destiny and be a true individual – become a coping mechanism to deal with the reality of her dependence on objects and people outside of her direct control?

Seven is told often by members of the Voyager crew that being an individual who makes her own choices and decisions is what she should strive for. And at the same time, those same people often exert control over her, attempting to restrict her autonomy. Janeway or the Doctor tell her that they know better than her what her needs are – that being an individual only goes so far. Seven’s anger at this contradiction is one of my favorite parts of her character, partially because it captures a similar feeling of anger deep inside me when I think about the ways society constantly pressures disabled people to maintain standards of independence impossible to live up to while at the same time deeply restricting our autonomy and freedom.

In the episode “Imperfection”, Seven says that what she wants most is to be useful. To be useful is to be a valuable part of society – someone who is self-sufficient and talented and certainly not deeply dependent on other people for basic survival. To be disabled is to have society constantly demand that you be useful, that you be independent and strong and never let your disabilities limit you. And at the same time, to be disabled is to discover over and over that you can never be that fully autonomous, fully functional human being seen as ideal in society. No matter what you do – no matter how far you run from the truth – it’s an impossible reality to escape.