#I HAVE BEEN SUFFERING OUT HERE

[beemovieerotica]

WAS ANYONE GOING TO TELL ME THAT IT'S LEGAL TO GET 10-ML VIALS OF TESTOSTERONE IN THE STATE OF MARYLAND AND I DON'T HAVE TO BEG LIKE AN ORPHAN PUPPY DOG FOR A REFILL EVERY SINGLE GOTTSDAMN MONTH

[hauntingofhouses]

We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

[majoryeager104]

sometimes I think about how if Touya had gotten the love and help he needed, that Shoto, his friends, and even the entirety of Class 1-A might have looked up to him, some even done work studies under him when he became a hero, and saw him as a role model, and he’d have taken it all in stride because he was grateful that he’d made it so far, and now had an actual, genuine family around him, and then I cry

[dewwshi]

princess of mithral hall

[a2zillustration]

I love u Karlach

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[kilgarraghforever]

I am genuinely really enjoying seeing people who have clearly never read the Odyssey before reacting to EPIC's Ithaca saga. I haven't listened to EPIC myself (yet) but people keep saying stuff like "Odyseeus built their palace around an olive tree he carved into his and Penelope's marriage bed that's so symbolic" and "He really just murdered all the suitors wouldn't that piss off their parents?" Which are observations and questions that the Odyssey makes incredibly blatantly clear as to the symbolism or the answer because it's a really old poem and subtlety wasn't really Homer's strong suit.

There's something really endearing about seeing people interact with the Odyssey through the same way the Ancient Greeks did - a bard singing the story of Odyseus' nostos.

(I gather the details have changed a little, but that's what happens with oral storytelling, and that's how the Odyssey got created in the first place)

Also as congratulations have my favourite ancient depiction of Odysseus surfing with two amphemorae having stolen Poseidon's trident, being sped along by Boreas, stark naked except for a cloak he's holding onto.

[sas-afras]

i kinda don’t get people who characterize maccready as like… secretly generous, or having a heart of gold or anything. like don’t get me wrong i don’t think he’s downright malicious or anything, but the dude is absolutely a selfish jerk once you get past the charming facade. that’s the part that’s compelling!

like, he’s nice enough and open enough with the player once you get high enough affinity with him, but his reactions to player actions still point to him being a jerk overall. the sosu just happens to be in His Circle of people he can be vulnerable with. that includes you, his son, and maybe daisy. everyone else can kick rocks, the same way it was in little lamplight

he HAD to grow up with that kind of “us vs the world, every man for himself” mentality in the capitol wasteland. doing so otherwise gets you killed or taken advantage of, which is just protracted death anyways. having grown up in a place where slavers run rampant, people are all pushing each other further down just to boost themselves up and live one more day, and it’s literally impossible to make renewable food sources because the ground is so poisoned i genuinely don’t blame him for ending up a little tight fisted. the fact that he was the mayor of little lamplight just meant that he ended up being able to accept a few people as His To Protect instead of being a total lone wolf.

the way he reacts to the players open generosity isn’t just for show, he Actually Dislikes when you give stuff away without expecting anything in return. you might need that thing and now its just gone!! that person might see you as a sucker! you give an inch and they’ll take a mile! and it makes sense for his character to be like that considering everything. i don’t get why people want to change that into him just being kind of tsundere.

i understand that having your babygirl blorbo comfort character be a canonical asshole in ways that aren’t just kinda charming can be offputting, but like…. the way he treats the sosu is a very notable exception to the rest of his life & it’s a much more interesting dynamic imo. especially if you’re playing a goody two shoes martyr. but that’s just me

[rynpie]

I tried drawing a nbc Lilia loosely inspired by the vampires

[ohgreat-moretapes]

Tim I noticed a lot of indigenous patches on your jacket, are you Native?

Idk what my dad was 'cause I never knew him, but yeah my mom is (or... Was.. I guess..) Muscogee, the tribe native to the part of Alabama I'm in.

If I remember correctly she came to Alabama from Oklahoma (where a lot of Natives were displaced to in the 1800s) to "get back to her roots."

But yknow, I was separated from her in childhood (which tbh is upsettingly common for Native families) and I was raised in a very white very Catholic asylum so I'm not as connected to the culture as I'd like to be.

-Tim

[buglaur]

[cornertheculprit]

Athena: Hee hee hee. You were so cute! ...And who's THAT fine-looking young man?

Apollo: That's Nahyuta, back when he used to smile.

[...]

Apollo: These pictures sure bring back memories. Nahyuta is cheerfully smiling in this one. That quiet smile he gives in court now seems almost fake by comparison.

[...]

Apollo: [...] (Before he goes, I'm going to turn back time by righting the wrongs that have been done. I'm going to restore Dhurke's freedom... ...and return a real smile to Nahyuta's face! I'm going to win this case. I just have to!)

[...]

Apollo: ......... (Dhurke, I hope you're watching. I proved your innocence... ...Nahyuta's smiling again... ...and that revolution you've always dreamed of... is finally happening.)

apollo's repeated reflections on nahyuta's smile throughout turnabout revolution and his desire to bring a real one back to his face instead of the fake one he's used up until then......augh. it's so fun to me

[sysig]

Divided minds of the same thought (Patreon)

[journey-tothesurface]

The thing about Brigid Tenenbaum and Grace Holloway that I find especially interesting is the ways knowledge fits into both their arcs.

Tenenbaum being at the center of the ADAM project means that she knows all the gory details of how gatherers/protectors are made and what the process does to a person’s body. At the same time though, the horror of what she’s done by allowing her research into the hands of people like Ryan, Fontaine, and Lamb (as well as her own self-loathing for being the source of all that suffering) don’t fully dawn on her until it’s too late to do much besides mitigate the damage already done. And then in Bioshock 2, when she returns to Rapture hoping to develop a cure for ADAM sickness and rescue the little sisters from Lamb, there’s a whole decade of new research she has only limited knowledge of. She needs the thinker’s computational abilities to aid her research because as intelligent as she is, solving this problem (of her own invention) wouldn’t be possible for her to do alone before she died. She knows so much and yet due to the nature of the society she lived in and the miracle she discovered, there will always be something new she doesn’t know.

And then there’s Grace. She had no part to play in creating the Little Sisters or Big Daddies, so she doesn’t fully know why their existence is such a tragedy, but if her misguided hatred of Delta for Eleanor becoming a little sister is anything to go off of, she knows something. She knows on some level how wrong it is, but because of her faith in Lamb she’s still willing to accept that the little sisters wandering around rapture are children of the family. That even if he turns them human again, subject delta is stealing these girls from their rightful family, and she remains ignorant of the truth until it quite literally comes looking for her. If she lives, she survives with the knowledge that Lamb was wrong about this, so what else might she be wrong about? And her last words in canon are her saying she needs answers from Lamb about what the truth really is. Grace doesn’t know the exact science of how ADAM works, but somewhere deep in her heart she knows more of the awful truth than Lamb wants her to know, and that knowledge is what drives a wedge between her and the family

And I just think that’s a really cool parallel. Tenenbaum understands the evil she’s created better than anyone but even she has to make peace with how there will always be so much more she doesn’t know; Grace doesn’t understand the reality of what she’s been enabling all these years and has to come to terms with the fact that she knew all along.

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[twilight-deviant]

[Avengers Academy: Marvel's Voices Infinity Comic (2024) #29]

The holidays are over and the darkest days of winter are upon us. The newly human Blackheart wrestles with the sins of his father – and those of his own. Guest-starring Daredevil!

Do I... ship Matt/Blackheart now...? 🖤

[kinun]

Kirishima the stone dragon!

Instead of gaining wings with his molt, he gained the ability to harden his scales to an insane degree. With the addition of his dragon genes, not even lava can melt these puppies once he goes full defense mode.

His tail can be used for additional attack power as it hits like a wrecking ball.

His cheery and buddy-buddy attitude made him a beloved figure in his local dragon community, and it continues even after moving to UA.

@callie-cyxq