#I FOUND THIS IN MY DRAFTS

[ninaps]

Just another day on the Enterprise.

[millenianthemums]

i was thinking about how a lot of horror stories set in one location get the “why don’t they just leave” criticism, but in real life it isn’t usually that simple. even really mild reasons characters might have for not leaving or for going back to the scary place can make total sense sometimes. and i thought about OJ’s “i got mouths to feed” thing, about taking care of the horses.

but then i was like “well OJ didn’t JUST care about the horses, it was also about not wanting Jean Jacket to win. but yeah he cares a lot about the horses, it makes sense. and he’s not the type to make big heroic speeches anyway, he’s not showy like that.”

and then i realized something cool about OJ as a character. OJ not being showy, not caring about spectacle, is what sets him apart from everybody else in the movie. others see the spectacle, he sees the people and animals caught up in it. in his first scene the others want to hurry and film, but he sees the horse is stressed; if they’d listened to him and backed off, it wouldn’t have kicked. he tried to save the motorcyclist who was just yelling at him to get the camera before being eaten. he’s the kind of person who wasn’t around on the Gordy set, who knew when to stop pushing and listen before something bad happened.

He was the only one who realized not to look in Jean Jacket’s eye. He didn’t give in and look up at the spectacle in the sky. He kept his eyes low, and because of that he saw the ones on the ground who were suffering and wanted to help. He SAW the horses, he cared for them and he risked his life to save Lucky. He SAW his sister when their dad broke a promise to her for fame and money.

Emerald was the one who got the “money shot” of Jean Jacket and defeated it. i think that was important and good for her to do. Defeating this thing that had caused her so much pain, that had killed her father, her friends and maybe her brother. And in doing so she captured proof of what she and her friends went through, made sure that suffering wasn’t all for nothing. OJ helped it happen, he was behind the scenes staring down Jean Jacket while she escaped. But Emerald was in the spotlight at the end. She won.

But with all this in mind, I think it’s really beautiful that the final shot of the movie, the REAL money shot, wasn’t Jean Jacket. It wasn’t anything all that weird or spectacular. On the contrary, it was deeply familiar.

It was OJ, on a horse.

[she-posts-nerdy-stuff]

Just a reminder that when the worst things in their lives began:

Kaz was 9.

Wylan was 8.

Matthias was 12.

Inej was 14.

Nina was 16.

Zoya was 9.

Genya was 11.

Kuwei was 15.

Alina was 17.

[fluentmoviequoter]

Ever since the incidents™️, Gotham journalists look to you for assurance that Bruce’s words are accurate.

Incident 1 (before you come along)

Reporter: With the paperwork being completed for your newest ward, you seem to have a full house, Mr. Wayne. How many children do you have now?

Bruce: Umm… Do you have a pen?

Bruce *sits down and writes the full names of his children before capping the pen*: Four.

Incident 2

Reporter: I see you brought all of your children tonight, Mr. Wayne. How many people does your limo hold?

Bruce: We’ll, there’s two of us. And then the kids so that’s… *starts counting on fingers* Seven.

You: Don’t forget Dami.

Bruce: Eight.

You: Did you count both girls?

Bruce: Nine.

Reporter: *looks at you*

You: Nine.

Now the journalists now better than to ask Bruce questions about his kids without you around. Or anything that involves counting really.

[classiccvnt]

Yeah.

[echo-stimmingrose]

Percy and Thalia: *breaking the rules*

Chiron: *scolds them for it*

Thalia: Nice try. Your lectures have no effect on me.

Chiron: Thalia-

Thalia: No one can parent me and no one ever has!

Percy: Thalia, you do realize that is more sad than impressive right?

Thalia: Yes, yes I do realize that. But I'm choosing to project that issue as rebelliousness instead of unpacking that trauma.

Percy: Well at least you're self aware.

Chiron: *about to retire*

[imjusthella-gay]

Wouldn't it be cute if I marked you up right now? Kissing your neck nice and hard and leaving little bruises all over you just so people can know you're mine.

[ghostreblogging]

DP x DC prompts : Danny distracting bruce

I'd feel like Danny would help his adopted brothers out so much! Idk if I'm self projecting but like he's arleady a gremlin and he would help the others be gremlins.

The batfam mess something up and they need a distraction, Danny is the perfect distraction. He is relatively new and has a clean record

For now

So it goes:

Dick the reason why something that could be used as an igniter was there with the bombs: We accidentally blew up the crime scene! We need to fix this before b find out!

Damian the reason it exploded( he was attacking Tim with dick's escrimas(is that how it's spelled: Yes it is true that father should be . . . kept unaware. Timothy it's your fault, figure it out.

Tim the victim™( nah not really he was the reason™ cuz he thought fit to taunt the demon brat): I HAVE NOTHING TO DO WITH THIS. NOT MY FAULT THAT YOU DECIDED TO USE AN ELECTRIC TASER WITH EXPLOSIVES AROUND

Jason the reason why explosives were there: you know we could sweep this under the rug

Tim: HOW?!

Jason calling Danny: hey, do you think you can distract Bitch man?

So while the boys were cleaning up their mess Danny was distracting bruce.

[uraberika]

Inazuma Eleven + text posts [20/?] -> GO! og cast edition

[localratwithcowboyhat]

She blackbox on my warrior

till I collapse with steven jonson syndrome on the er floor

[hugeegosorry]

My dealer: got some straight gas🔥😛this strain is called "House MD"😳 you'll be zonked out of your gourd💯

me: yeah whatever. I don't feel shit.

5 minutes later: dude i swear i saw the ghost of your dead girlfriend

My buddy Wilson pacing: the patient is lying to us

[hoss-bonaventure]

i want to expand on this post just cause i can.

so much of gus and jesse’s relationship is played as an affair. this is only because it makes walt’s anger about their dynamic feel more jilted, like a lover. when he confronts jesse about the two of them having dinner he uses language an excusatory husband would use if he caught his spouse cheating such as “tell me you weren’t as his house last night?” it’s very clearly written as jesse being disloyal to walt and their partnership. now the audience knows that’s just simply not true with jesse literally saying “if you kill mr. white, you’re going to have to kill me too” when he thinks gus is suggesting killing him. he’s devoted to mr. white throughly. even when he’s being shoved into these new situations by mike and gus, there’s never a moment where he thinks about abandoning him. he’s still in the back of his mind through everything, and every character knows this except for walt. that’s what makes most of the build-up leading to gus’s death so ironic. to walt, gus is the other woman who needs to be killed for fraternizing with what’s “his”. in reality, it’s his own brutality and sadistic behavior that is putting a wedge between him and jesse. 

it’s very reminiscent of walt finding out about skyler’s affair with ted. he lashes out and throws a tantrum but he never stops for a second and asks why it happened. he never comes to the conclusion that his actions are what’s driving skyler into another’s arms. he plots to get revenge on ted, but it’s never more serious than toxic masculine how-dare-you-sleep-with-my-wife bullshit. he wants to kill him, i don’t doubt that, but he can’t. how can he? killing, torturing, and all that depravity belongs in the “heisenberg” part of his life. he cannot touch ted because he is as mundane as the life he is fronting. 

now, i will admit, the skyler affair storyline and jesse’s so-called adultery are really not that similar at all. like i said, jesse is not betraying anyone--he is still fiercely dedicated to mr. white. his unfaithfulness is only interpreted as much by walt himself, and it’s walt’s delusions drive him away in the first place. skyler cheats as a means of revenge, as a way to take back some autonomy that walt had stripped her of. however, it’s the way that walt handles these individual perfidies that’s so captivating to me. when deciding what to do with gus, he immediately decides he needs to kill him. this was his plan prior, but now it’s more dire. jesse is gone. he needs to kill two birds with one stone: win back jesse and kill gus. more importantly, he needs to show jesse that him killing gus was something he did for the both of them. so thus he embarks on this convoluted, deplorable, fucked-up scheme. and hey! it works. he successfully manipulates jesse once again, implanting in his brain that no one will have your best interests at heart but me. “gus had to go” and jesse has to agree because this pseudo-son is dying and mr. white is right there and he saved him right? he saved brock and he saved jesse and it doesn’t matter that their love has a body count. their reunion is so impactful because they’re like magnets in a way. the connection they share is so strong that it doesn’t matter how hard they fight or run away, they will cling to each other once more. but what’s devastating this time around is that jesse doesn’t have a leg to stand on with mr. white anymore. he almost fucking killed him and it turns out the “real” mastermind was gus all along. so he offers his submission as an apology, when mr. white holds out his hand he takes it because this is how he can say he’s sorry. and walt? how could he not fall in love all over again. he has jesse, freshly martyred and in his arms once again. 

[afacelesschampion]

Stay away from Rita. Stay away from me.   Or what?   Or you will see the monster.

[motorcycleboy9]

johnny cade if he lived

[naboosands]

Everyone say thank you to Dave Filoni for giving us Plo in this outfit

[feralfrey]

harley quinn: y’know i’m sick of dating people with red flags, so i’m thinkin’ i need some green in my life for a change

poison ivy: *walks by*

harley quinn: you’re green

poison ivy: yes? and?