#I DO NOT WANT TO HEAR OTHERWISE
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Prompt: Praise and lingerie.
Philip discovers he’s not offended by Henry blatantly stroking Alex’s praise kink — especially when Henry is praising what Alex is wearing beneath his Gucci suit.
WELL HERE YA GO IT'S MORE 3SOME FIC
this can also be found on ao3 if you'd rather
under the cut foe incest-y firstprinceS smut!!! HEED THE TAGS!!!!
Philip didn’t mean to stumble upon them. He knows they need time alone, moments that don’t always require all three of them to be together. He pauses at the doorway, ready to turn around and give them their space, but something keeps him rooted. Henry’s voice filters through the room, low and rich with praise, directed at Alex. It's not unusual for Henry to feed Alex’s praise kink, though it’s not usually Philip’s thing. But this time, the words catch his attention.
Apparently, beneath Alex’s perfectly tailored Gucci suit, he’s wearing something special. Philip’s curiosity is peaked. The thought of Alex in one of those lace or satin pairs he’s come to love tugs at his imagination. It’s an image Philip is all too familiar with—and a weakness of his. There’s something intoxicating about the way delicate fabric clings to Alex’s cock perfectly, the way he always picks the perfect color to contrast against his skin, leaving him looking utterly divine.
Philip tries to step back, giving them their private moment, but the floorboard betrays him with a soft creak.
Alex’s head tilts slightly in his direction, eyes gleaming as he lifts a finger and beckons. “Pip, you may as well join us, and stop running away.”
Philip’s breath hitches, the playful challenge in Alex’s voice wrapping around him. He steps into the room, walking toward the pair lounging against the back of the sofa. Alex’s lips catch his in a kiss, warm and deep, pulling him in with an all-encompassing fervor. Philip melts into it, feeling the heat rise between them.
Behind Alex, Henry is already at work, hands deft as he tugs the jacket and undone shirt from Alex’s body, tossing them carelessly over the sofa. In one smooth motion, he finishes unzipping Alex’s trousers, the sound of the zipper loud in the quiet room. When Philip pulls back from the kiss, his gaze drops, and there it is—lavender lace clinging tightly to Alex’s erection.
Philip’s fingers ghost over the fabric, feeling Alex’s cock twitch beneath the thin material, the wetness of pre-come already pooling against the lace. His breath catches in his throat. He’s always been a sucker for the way lace hugs Alex, the sight of it, the feel of it, and now he’s on his knees, looking up to see Henry nibbling at Alex’s neck, teasing his nipples with practiced hands.
Philip presses his face against Alex’s cock, nuzzling the lace and inhaling the scent of him. Alex groans, a low, needy sound that shoots straight through Philip. With a slow, deliberate movement, Philip pulls the lace down, sliding it under Alex’s balls, freeing his hard length. Without hesitation, Philip takes him into his mouth, setting a rhythm he knows will drive Alex wild, his lips sliding over the head, tongue swirling expertly.
Above him, Henry’s fingers pinch and tug at Alex’s nipples, his mouth leaving trails of kisses along Alex’s neck, and it’s all too much for Alex. Philip feels the familiar tension, the way Alex’s body tightens in anticipation. With a shout, Alex comes, his cock pulsing as he spills into Philip’s mouth. Philip swallows, savoring the taste, relishing the way Alex’s body shudders beneath him.
Alex pulls him up, their mouths meeting again in a fierce kiss, tongues battling for dominance. The taste of Alex still lingers on Philip’s tongue, and he revels in the warmth of the kiss, the connection between them electric.
But then Alex breaks away, turning to capture Henry’s lips in a kiss. Philip watches as their tongues glide against each other, teeth catching on swollen lips, the heat between them palpable. And in that moment, Philip can’t help but think how perfect the two of them are. How this—the three of them—feels like something that fits, something that complete them all in ways he didn’t expect—for now.
#ficlet friday#firstprinceS#alex/henry/philip#rwrb fic#RWRB#INCEST SMUT#PLZ BEWARE OF WHAT UR CLICKING IF YOU DO#I DO NOT WANT TO HEAR OTHERWISE#alex snuck a lil something beneath his gucci suit#pip stumbles upon alex and henry intending to leave them be#but alex has other ideas#alex is the only one that comes in this - i'm assuming they go another round or two and everyone gets to lolz
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Quackity: These past days I've been in many calls, and I'm not done yet. I've spoken to a lot of people and creators. I've read your comments and I'm well aware of what needs to be done to carry out this project. I want to tell you all, beforehand, that for me the team's well-being is fundamental. I'm very involved in this topic to sort it out and I want to make that very clear. I want to tell you something... I want to tell you all that the administrative staff responsible for so much harm to the project has been fired. Specifically, those who made decisions without my permission, affecting the administrative and financial area of the project. Consequently, after this, I was in charge of doing a financial analysis that's carrying out for the QSMP.
Guys, to be really honest, it was not going to last. Therefore, I've had to make deep drastic structural changes that have lead me to reduce the performance of the server down to the most essential, and this is in order to ensure the well being of everyone involved in it. Having said this, I want to give a very important update: I want to let you all know that the QSMP will have to slow down temporarily. This is to ensure this new structure adapts to the project, because it's a restructuring that's taking place. I'm letting you know, and I reiterate, there are no voluntary positions inside the QSMP.
At the moment, there will not be any more individual update accounts of all 5 existing languages in the project. In any case, during this transition, there's going to be a temporal absence of all Eggs and NPCs. I know these are difficult changes, and I repeat, it's temporary until we adjust to these new conditions that will improve the performance of this new structure that's being made from scratch, both in the administrative and financial part. I'd like to reintegrate people fro the QSMP as time goes by if a financial viability can be found for the project Taking advantage of this update to tell you guys that within the changes of the server as it is, creators will have full control of their lore and stories. The team will not intervene in the way that it was being done. Moreover, efforts will be made to change the competitive dynamics inside the game so as to ease up the game style for the creators. Like I'm saying, all of these changes, and more, are being carrying out to have the project as best as possible, and they're being done little by little. This is a whole new structure that will ensure the best continuity and experience for the creators, the community and the team behind.
Guys, I want to make very clear that this is restructuring process, and again, it's not a fast one. The server being open does not mean everything's perfect, I understand that very well. Conversations will keep taking place, communication will continue and the constant improvement of the project as well. I ask, please, for everyone's patience and understanding regarding all changes. Please do wait for official announcements since a lot of incomplete and incorrect information is being spread. I want to tell you all something- if you don't trust in these changes or have many doubts about it, and don't want to consume any more of the project's content, I understand 100%. I have a personal commitment with the QSMP and I will work until it functions in the way it is supposed to do.
Lastly, I want to let you know that it was being worked on for months on finalizing the integration of Korean creators to the QSMP. For that reason, tomorrow we will be welcoming the new Korean creators of the QSMP, of course, taking into account all the changes I've just mentioned. I hope you can give the new Korean members warm welcome to the project. And as you know, their schedules are earlier. For everyone who would like to watch, they will be joining at 11am Mexico time and at 9am US time. Basically, I wanted to give that update regarding everything that's being done within the project. Again, thank you for your patience and understanding- these are necessary changes and I'm glad they're being done now. And many more things will keep being adjusted.
via @QuackitySubs
#Quackity#QSMP#QSMP Official#Translated#This is very long and I bolded parts to make it easier to read#but if there's a way to make it more accessible to folks lemme know!#I personally find the bolding thing helpful but I know everyone is different#Edit: got rid of the additional ''Quackity:'' bolded parts since that's unnecessary#since. you know. he's the only one speaking here#Quackity Subs also missed a few words in here so I added those in but otherwise this is exactly what was posted#Minus the part where they said ''fro''#I don't know if they meant for or from but that's a very vital difference so I'm leaving that as-is#IMO: It's reassuring hearing the full statement#''Please do wait for official announcements since a lot of incomplete and incorrect information is being spread''#is an especially important reminder#There has unfortunately been a lot of misinformation and catastrophizing / doomposting going around#I understand it's a very scary stressful time for many people#and it sucks being told to be patient#but we actually DO need to be patient if we want to get actual accurate information
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cant stop thinkin bout charles and erik readin together on the couch but instead of reading with him charles is listening to eriks thoughts while he reads. Live mind commentary ……..
#xmen#cherik#charles xavier#erik lehnsherr#snap chats#the rare time i post an idea of mine only because i really cant think of a way id draw this#usually i hoard my ideas cause i like surprising you guys but this aint really one i feel like drawing so. For You my friends#like i COULD but. idk just isnt particularly something im itching to draw it just seems cute#but anyways no chat let me cook alright hear me out cause i talk in my brain all the time while i read#sometimes i stop reading just to think about a bit i read yeah#i want charles to listen in on all of eriks side comments or observations he makes while reading something#like if he wanted to charles could read the whole book in less than five minutes- maybe shorter than that#and that aint fun that aint cool …. so time for Audible: Husband Edition. With Commentary#ITD BE SO COZY just hangin out by the fireplace …. maybe its snowin outisde … if snow even exists anymore atp#a light fire cracklin and the study SEEMS totally quiet otherwise and yet…..#charles has been locked in to erik’s off-the-cuff literary analysis and mild comments for the past twenty minutes. its simple but its bliss#charles doesnt have to worry about being seen as invasive .. he doesnt have to suppress his powers …#the rare occasion erik lets charles into his mind for somethin so innocent .. ive made myself sick i fear#see now i wanna try writing a fic but 1.) have written in years 2.) id have to really think hard on how erik would commentate on a book#hm…… actually i do wonder what erik’s commentary on The Fable of the Bees would be …..#IN ANY CASE. maybe - at the very least- i can draw cherik by the fireplce someday ….#thatd be cute … hm …. depends on if i get in the mood for it down the line#anyways i have to drive back to my dorm !!! boo !!!! so good night everyone !!!!!
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Tired of the false dichotomy between "you should create for yourself without desiring any form of connection" and "feedback is everything and without it there's no reason to create." Neither of these things are wholly true, and it's frustrating to me that people have taken "create for yourself" to mean "you shouldn't want feedback or enjoy it, you should create in a vacuum with no hope of human connection" and are lashing back against what they think it's saying rather than what it's actually saying. I love comments and feedback and connecting with my readers as much as anyone and would never discount the value of that experience and I try to be the kind of engaged reader I would want to have because I know how much it means. I especially know how much it means to a niche creator because I've been that creator myself and I so treasure the readers who took a chance, gave my stuff a try, and stopped to say something supportive about it.
But that's also exactly the thing: the things I want to write are often things that do not in any way guarantee me an audience, but they're what I enjoy, and creating for myself is what gets me through those long first drafts where I know there is no guarantee of an audience because the reality is I'm choosing to write this thing and nobody owes me a readership. Internal motivation matters because there are parts of the creative process where internal motivation is all you have. I've seen people give up or nearly give up on projects that probably would have found an audience, if a niche one, because they convinced themselves that nobody would care and then couldn't motivate themselves to care. Or they decided that a small audience wasn't good enough; they need their work to be Popular or it was worth nothing.
And if someone doesn't want to invest themselves in creating something that might have a small audience, well, that's their choice. But creativity is inherently an act of risk, and a lot of amazing art would never be made if the creator wasn't willing to risk silence, rejection, loneliness. Yeah, those things suck. I'm not saying they don't, that's why it's a risk. But art isn't always about safety. Sometimes it's about creating because you simply have to get this thing out of your head, and you hope someone will connect with it, but you don't know until you try. So everything can't be external motivation. It just can't be. It's too limiting, it's too stifling. I can't live that way, personally.
#writing stuff#it's tough to talk about self motivation#because people will hear 'create for yourself' and be like 'so you want me to die?'#listen if it works for you it's not my place to tell you otherwise#but it usually comes up because people are unmotivated and unhappy#so.#idk do what works for you at the end of the day#but i just want people to understand#self-motivation isn't about rejecting connection#it's just about being willing to trust in your own mind and enjoy the process and take risks#and if you say 'well i don't enjoy the process' then that might be something else to reflect on
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FIIIINALLY almost nailed my designs for lizzie and caspian can i get a HEEEELLL YEAAH???? i think these two make a vvery cute duo and i cannt wait to see them again. i also hope they both get hurt reaaaallly really badly. togeter
#OOOHH OH OOOHH IVE BBBEEEN REWATCHING THINGSSS ive been rewatching riptide weeee im never leaving here weeeee!!!#caspian and lizzie are SUUUUCH A CUTE COUPLE CAN I BE HONNESTT but in a princess and knight way. do you hear me.#caspian is such a 'lights her cigarette' kinda guy. hes such a dude that has made a vow to a very very special lady#he would float half of a boat w nothing but his water powers for eight days and he would do it all for her.I LOVE THEMM#IM SO HAPPY ABT LIZZIES REDESIGN BTW IM MAKIN A WHOLE DOODLY PAGE FOR HER N IM HAVING FUNNN YEAAAHHH#CASPIAN HAS ALSO BEN ENTIRELY RECYCLED IN MY MINDS EYE. they describe him as Wet sooo much. so i drew that and im happy abt it#caspian is sooo handsom in my brain thats why i draw him so rarely bc drawing pretty boys is HARD. but i DID IT.#when he first appeared i thought he was a triton too bc i didn talk to the fandom n i knew nothing abt dnd. so learning otherwise was funny#a residual effect o that mixup is me giving him ears thatre like the fins of a flying fish. he seems to light and carefree.#the lighter fins o a flying fish just fit so perfectly. also his white hair fades into mist in my mind#NOW FOR LIZZIE ART NOTES.A BLACK ROSE.sometimes a red rose.shes so roses to me!!gorgeous but coated in thorns. i wanted her hair to-#-resemble roses or smth like that. square swirls are also soo her. reevaluating her ref sheet was also fun bc WOW the triangles and birds#SO FUN!! shes so spikyy..her and caspian are such a good dynamic in everyway#personality wise and appearance wise and i wanted to capture that sortaaaa. in vibes. yknow.im veryhappy w getting their designs sorted out#ALSO I GAVE LIZZie tha jhonny da homicidal manac boots. bc i love that comic and i will never stop giving characters da boots.#also in other news ddoes anyone else still wonder abt destinys blade and how it used to be a golden lotus sword but then it also used to#be a person and caspian just had that sword for however da fuck long and then so willingly gave it to gillion after he lost his sword#llike did he know. did he know. also do you think caspian and lizzie have explored ea
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riddler says gay rights 🌀🌀🌀
Transitioning from iPad to Wacom is surprisingly hard
#my art#batman 2004#the riddler#riddler 2004#he’s gay ur honor#no I don’t want to hear otherwise#“they have him a girlfriend’’ SHUT UP SHUTUPPPP#he doesn’t know he’s a man kisser but I DO
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter? EIFFEL My copy of what? MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual. EIFFEL Was that one of those mandatory mission training things? MINKOWSKI Yes. EIFFEL In that case, yes, I definitely did. MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck. EIFFEL Oh? MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revoluci��n, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane. MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach.
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you.
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
#Wolf 359#w359#Renee Minkowski#Doug Eiffel#Renée Minkowski#I guess I lied when I said I was halfway through at 1000 words#I hope that those who liked my preview post were up for a long read#This is over 5000 words and I still haven't said everything!#You could write a PhD thesis on this#Honestly I feel like this is full of typos and mistakes cos I was kinda tired as I proofread it but I just want to get it posted today#Otherwise I could spend even more time on it and make it even longer... (and also I want it to be out in the world)#But please do lmk if you spot a typo/mistake. I won't be offended#I'd also be interested to hear people's thoughts on any of this#Unimportant point but I'm shaking my head at Minkowski if she wouldn't let Eiffel listen to the DSSPPM instead of reading it#Audiobooks are a valid method of reading. Don't deny a man with ADHD his own approach to absorbing info!#Then again. it might have been an unfounded assumption of Eiffel's that Minkowski wouldn't have accepted him listening to it#I think in school he definitely got in trouble for boasting that he's actually read the book this time when he just watched the film#the empty man posteth
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"proship dni" this, "comship dni" that, "neutral dni" unfortunately the people you don't like are still human and deserve comfort. my fucking god shut the hell up you're just as annoying as they are and protest WAY too much about it. go unlearn your purity morality shit
#i dont even KNOW what comship means man#but im so tired of reading every instance of this under the sun with every post about selfshipping#like you realize a good CHUNK of the selfshipping community is going to BE them because they're already otherwise normally ostracized from#their communities for other reasons including being neurodivergent.#they deserve comfort too good lord shut the fuck up with the holier-than-thou “i'm better than you” attitude you're really fucking not and#frankly i'm more suspicious of people like you having something to hide about what they like and dislike#i'm neither pro nor anti nor neutral i'm just a human fucking being that stopped giving a shit about stuff that truly does not matter and#won't affect me in the long run. i'm an adult with more serious things to worry about.#it's like seeing the damn “dni” banners everywhere You Are Annoying.#also it's not like i like anything particularly 'heinous' anyways or pedophilic and i shouldn't need to clarify this but apparently i do!#i'm just sick of this purity culture bullshit i REALLY am#whether u want to hear this or not it is queerphobic and ableist. do u understand? cool.#proship#comship#f/o#selfship#selfshipping
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What do you guys think about my homescreen 🥰 (that’s his initials in the little bar thingy)
I’m very giggly this is the daily I love my boyfriend appreciation posts
#trolls#trolls band together#trolls veneer#trolls 3#trolls fictive#veneer x me#veneer fictive#he’s my husband don’t fucking tell me otherwise#no I do not want to hear about your veneer fictives leave me alone
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Telling content creators it's wrong to explore artistic freedom and be independently funded by fans, and they should instead continue taking advertisement revenue from google* is
NOT
the anti-capitalism stance actually.
*(Yes, google owns youtube.)
#Watcher#This post is specifically and exclusively about the people who seem to have the capitalism bit wrong#It's almost fascinating how no one is hearing themselves speak#I feel like some of you don't understand WHY we support small businesses and are anti-monopoly#I've seen multiple posts saying “Shane is so anti-capitalism there's no way this was his idea.”#So... you think it's pro-capitalism to start your own business instead of relying on pennies from the exploitative mega-corporation?#Guys... we support small businesses KNOWING it will cost the consumer more#Stop thinking you're entitled to someone's product#That's what got us in this mess#I understand $6 is a lot for many many people but that is what makes certain things a luxury#Nothing used to be this way#Nothing used to be “free” so you can be monitored for your viewing habits and sold to advertisers#If you see a little guy trying to leave youtube/google and you paint them as the capitalist??? You. have. taken. a. wrong. turn.#I don't know how many more ways I can say it#It is better to support someone (if you can) than to pressure them into taking money from the trillion-dollar corporation#so that you can have what they put all their blood/sweat/tears into for free#If you want something badly enough you're going to have to pay for it#Them's the breaks#If you don't want it that badly then maybe it didn't mean enough to you personally#Thinking otherwise is how corporations like youtube take over and squeeze out small competitors#btw on monopolies: having almost every single video content creator (outside of tiktoks and video game streams) on youtube is BAD#You understand that's bad yes?#How tf are we going to diversify unless SOME CREATORS leave youtube???#It's almost the responsibility of larger creators to do so#Ironically what I said is backwards#In its ideal state‚ capitalism is supposed to inspire innovation and new business‚ giving every person a chance to succeed#But I think we all know that's not the reality we're experiencing#I just went with what everyone means when they say it
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I can just imagine the context behind that gai post, rip anyone who witnessed that.
im fascinated by this ask i have NO idea what ur imagining but it must be quite a vision
#yamswers#tanukibby#i wasnt gonna post these otherwise so ill add the pen and pencil drawings here#for me i imagined all three pieces in conversation with each other#so in svindapus' yamato drawing yamato does the pose in a fairly neutral stance hes just like “ok sure”#then in aldynafox's kakashi wants to get in on the goof and he takes it to a sillyseductive place#and then in mine gai sees kakashi “doing a challenge” (not like that. but. like that) + is like “HAH!!! not without ME my RIVAL!!!!!!!”#and immediately drops to the ground pops his shoulders and rear and is like HAH. get on THIS level!#which is why i posted all the images together. this narrative only exists in my head tho. and now on the tags of this post#fun fact in one of the omakes naruto buys a magazine bc it promises sexy models posing in the sealed insert#and when he cuts open the insert to look at the pictures. its all photos of might gai. oiled...glistening...showing off his muscles......#naruto is disappointed of course but im fucking delighted. i wanna hear more about might gai's modeling career.#maybe in modern konoha hed have a ninja!onlyfans
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so we’ve established by now that we’ve all acquired an inner Senshi that tells us to eat properly and an inner Chilchuck that tells us to be mindful of our rights in the workplace, but what about Laios and Marcille? their self-care schticks are a little bit more abstract than the other two, so I’m curious as to what everyone’s learning from them
#dungeon meshi#personally my laios tells me to stop forcing myself to wear clothes that are Bad Sensory just bc I’m going out in public#I have a specific pair of Leaving The House Trousers that everyone always says are very stylish and androgynous#but they’re made of scratchy fabric and have an annoying seam and don’t keep my shirt properly tucked in#so I’ll be standing in my loose jsk (good sensory but gets me a bad grade in transmasc) looking mournfully at the trousers#and that’s when laios will pop up like ‘well I wouldn’t pick the trousers. anyway do you want to hear a monster fact’#on the flipside my marcille mostly helps with motivating me to take care of my appearance on days when I wouldn’t otherwise have the spoons#particularly maintaining my hair (yeah I know)#I’ve said this before but ryoko kui did such a good job of tricking nerds into taking care of ourselves in every possible respect haha
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oh my god, I'm so glad you mentioned the "steals your girl" thing as to why people hate on Zote even as a joke, it still weirds me out! stop talking about her like that!!!
RIGHT. The entire argument makes me seethe and spit and snarl so bad. Like I'm coming from a Zote bias perspective, but the way that whole thing frames Bretta too is literally. So Gross.
She was never "yours." She is not a got damn possession to be lost. Her romantic interest in Ghost is never even implied to be anything other than one-sided, mostly because Ghost just. Doesn't Emote.
And the whole "stealing" shit makes it seem like Zote flirted with her or pursued her romantically literally at all, when we get Nothing to support that other than Bretta's fanfiction, which I would take with a huge helping of salt. All we ever see Zote do is tell her his precepts. Like. Lol
Bretta forming a crush on him is a Her thing. Based on him lying a whole lot about how cool he is, sure, but nothing we're given suggests he did it specifically to win romance out of her or "take" her from Ghost. Someone who. Again. Didn't. "Have" her to begin with.
I don't think Zote even knows or cares about any of that. Per Precept Thirty. But that's just me and my aroace Zote headcanon. I Guess. Kicks a rock.
Anyway hey HK fandom stop treating Bretta like a trophy to be won that Zote "made off" with. You're all annoying. God bless.
#the only thing you could possibly argue otherwise regarding Zote's intentions is that one part of Bretta's fanfic where she mentions#that Zote apparently ''warned the town'' about Ghost being an evil monster. Or whatever#and like. Somehow stretch that into thinking he did that specifically to Get Bretta.#and also like. Totally ignore that he's probably just saying that shit because Ghost just beat his ass in the colosseum in front of#a huge crowd of bugs laughing at his expense.#his intentions are ''i HATE ghost and i LOVE talking about myself. Oh hey this girl wants me to talk about myself. I love#talking about myself. Yay''#bet anything he would've settled in that spot and done the exact same spiel to any bug that sat down and listened to him#it could've been cornifer. do you hear me? It could've been Cornifer#ask#zote
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Do you plan on returnig to veronavilla lots anytime soon?
Probably not, no! I just started a new job so that has been keeping me busy, and have also been quite busy keeping up with my Youtube series.
When I do have time to play the sims I am more inspired/interested in gameplay and storytelling than building rn, building just kind of feels like a chore lately and sims is something I do for fun. Hope you understand!
#i do want to finish veronaville eventually but it will not be this year LOL#anyway ive mentioned MANY times i do not like getting messages like this. if i am working on something u will hear about it#otherwise i am busy and/or not interested
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everyone debates about elmike like oh they're the best of friends no they would never hang out on their own they don't even know each other, when the true answer, much like everything else about them, is that there is so so much and also nothing at all
#they're like siblings. not like. freakishly sweet siblings but like. normal siblings you know?#like a sibling is the most distant person you're ever close to. the most intimate stranger#we aren't in each other's lives by choice and if we could choose we probably still wouldn't choose each other#but also I absolutely can't live without you#I would confide my deepest fears and wants and secrets to you and you find that same confidante in me#but we never talk to each other about our interests and we don't care to hear about them either#everything about elmike is just so. everything and nothing#I love you enough I'd die for you and I don't know a thing about you#you're such an inescapable part of me but we're not even friends#like a blank wall in an otherwise filled bedroom#even though you make up a part of the structure of one of the most intimate spaces in my life there's still nothing of me there#like. do you get it. actually does this make any sense. I think I'm just saying shit#alright wrap it up guys everyone go home this post is actually just nonsense maybe#this is actually about how I view elmike in general though like they're everything and nothing they're so interesting and also so boring#like it's about the insaness of the fact they love each other that much they truly do albeit not romantically#but they don't KNOW ANYTHING ABOUT EACH OTHER. THEY'D DIE FOR EACH OTHER THEY DON'T EVEN KNOW EACH OTHERR#THAT'S THE TRAGEDY. THAT'S THE FUCK OF IT ALL#but also at the same time it's so boring because actually it's just every other bad middle school relationship#where you both haven't realized you're gay yet#so. elmike. everything and nothing#stranger things#el hopper#mike wheeler#elmike
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#hate to be annoying bc i know ive vagued abt this before but nothing pisses me off when ppl are like#'why do u say [offensive thing] abt ppl w/ mental illness when u would never say [offensive thing] abt ppl w/ somatic illness/disability'#sry ur so wildly ignorant but not WOULD ppl say that abt ppl with physical disabilities they DO say it like non fucking stop#like so many ppl think u can cure anything from paralysis to diabetes to cancer with good diet and positive mental attitude....#like how fucking myopic....confidently uncurious abt other ppls struggles#and i feel bad complaining abt it bc the person in question is a relative and an activist that i otherwise respect#but its like her favorite fucking line and it pisses me off to know end esp bc when we were kids she made fun of#another relative of ours with a mobility related disability.....i know shes sorry abt it now but idk i dont forgive her abt it#ive tried to talk to her abt it before but she just hears what she wants to hear its like total brick wall#uuuuugggggghhhhh she pisses me off so bad its not even funny
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