#I CONTRIBUTED. I TRIED OKAY.

[rafasbiscuits]

"stop looking at me with those eyes"

"what eyes?"

[northstarscowboyhat]

Can't help but imagine that in the Lucky Clover AU, if Frisk were to manage to sneak away and end up befriending Undyne and the skelebros whilst everyone in the Dunes is probably having a panic attack (maybe Flowey caused a distraction or something, like some scaffolding collapsing causing everyone to focus on figuring out how that happened, giving Frisk the ability to sneak away), by the time Martlet finds them they've already managed to make the Underground a bit safer for at least themself.

Doesn't stop them from being grounded though-

That's exactly the plot set up I had in mind for this AU!

Even though Frisk is under very strict rules by Clover to not leave the Dunes without them, Frisk is constantly wandering off (perhaps influenced by a certain someone...) and exploring the other parts of the Underground. This is how Frisk eventually meets Papyrus, Sans, Undyne, Alphys, and others! And yes, Frisk is always grounded by Clover once they're eventually found and brought home. Doesn't stop them from sneaking out again, though. Clover is getting a taste of their own medicine trying to control this kid LOL.

[jula483]

no photoshop needed 😅

[bogkeep]

first week back at school and ahhhhhh everything is a little overwhelming currently

- my living space is full of boxes i have simply not had the energy to unpack at all.... hopefully this weekend (but i have also been invited to a Social Event so WE SHALL SEE)

- this school year is going to have So Much Important Stuff happening inbetween the many weeks of practice placement

- such as The Academic Text

- AND i need to finish the big project i was supposed to have finished ages ago

- our teacher this year speaks swedish with a very thick french accent and i speak norwegian with a dialect, we really struggle to understand one another but maybe hopefully that will change over time.... please...........

- i'm stressed about Stupid Bureaucracy Stuff

- and im so so sleepytired :(((

- and it's too humid and warm for comfort :(((((

AT LEAST I HAVE CUTE SOCKS

purchased in a distraught jetlag haze and subsidized by my travel insurance. they're my favourites now

[thebusylilbee]

I wonder how the famous swiftie who couldn't run her fan account anymore bc she was in jail for refusing to join the IDF is doing... I hope she's okay. We're gonna need every day heroes like that to rebuild Palestine in the future I think

[skitskatdacat63]

Fanart for @mwebber's NAYQ!Seb

The outfit descriptions have been stuck in my brain, so I drew them!

[hirazuki]

I said I wasn’t going to do the thing, but, eventually, inevitably, (and I’m sure you’re all shocked) I did the thing. My curiosity is insatiable and will be the death of me.

Thoughts under the cut!

Okay, we’re going to bullet list this shit, because otherwise it’s just going to be a stream of consciousness nightmare.

Rights

So, first off. The decision to deal with content that they can’t talk about or show continues to baffle me. In what world can you successfully tell a story which is one hundred percent reliant on the setup (i.e., events and characters that preceded it)... that you can’t touch because of copyright??? Name dropping silmarils and Feanor and Gondolin or whatever the fuck, randomly, isn’t going to magically glue things together and make it work; it’s just going to irritate the people who are watching who have knowledge of the Legendarium, and simply utterly confuse everyone else. I still maintain that, had they wanted to play around in Middle-Earth, they should have just created a completely original story, populated with completely original characters, with a canon character popping in for a cameo here and there as Easter eggs for funsies. 

Adaptation

No adaptation is going to be exactly like the source material except some incredibly rare gems of anime, almost always produced by Studio Bones, so I don’t think most of us going in really expected to experience The-Silmarillion-On-Screen. But I feel like the audience expecting a good story -- even if the story breaks from canon -- is like. not irrational. The bar is so low. I would have been sufficiently placated with a good story. Not even an exceptional one; just something with solid characters, a sensible plot, and a sense of adventure a la Tolkien. Something, even, in just the spirit of Tolkien. That’s it. Apparently, that’s too much to ask for lmao.

Story

I have... So. Many. Questions. Primarily about the reasoning behind a lot of this junk. Buckle in.

That was the most bizarre and cursory retelling of the events of the Years of the Trees and the First Age. Imagine Feanor getting left out just like that XDD

Why are we sailing into Valinor????? Galadriel herself, specifically, rejected the pardon of the Valar twice; she was like, nope, I’m good, not going back. Why would Gil-galad force her to go? Why does Gil-galad have any kind of power, political or otherwise, over her, she has her own realm to rule?? Why isn’t she in that realm, with her husband and daughter? I don’t get the motivations behind anything here.

Jumping off of a ship that close to Aman... thinking she’s going to swim back to Endor? That’s so dumb I can’t even.

Why are the elves fading in the Second Age??????? 

Don’t even get me started on the mithril shit. What is this, a drug? Are you going to compound it into pills, take twice daily with food? Wtf?? Fine dwarven mithril, direct from Khazad-dum, my friends, was not some kind of new, unheard of, miracle substance; it existed prior to this Age, and was also found in Numenor and Aman. Yes, Khazad-dum had the monopoly on it in Middle-Earth, but it was common knowledge and the whole reason the Noldor settled in Ost-in-Edhil was because of that mithril, and wanting to trade with the dwarves for it to use it in their crafts. It was no secret.

... the lost silmaril, are you fucking kidding me. All three are accounted for! Is this a fourth silmaril? Why is it in a tree?? Why is this random apocryphal elf battling with a balrog like this, why is Glorfindel being cannibalized again?? This poor dude, can’t catch a break in any adaptation from people tearing his role in any Age apart and handing it out to other characters. Also, mithril is a precious metal that, yes, is extremely valuable and unique, but it’s just. a. metal. Not some spooky supernatural thing. Ugh.

Why oh why is Galadriel in Numenor lmao. Wtf even is this timeline. Why are Numenoreans anti-elf and why is their primary concern the job market??? Why are they trying to sail into the West pre-Zigur?? Why are the palantiri lost before the island sinks? What the fuuuuuuck. 

Why does Elendil have a third child???

[side note: I’ve seen multiple articles calling Mairon Melkor’s “son” and I just XD I feel like like both parties would have so much to say about that. Like. So much. ANYWAY]

I liked Arondir enough, up until the moment he called the tiny human settlement made of stone and wood in the wide open plain the most “defensible” spot. Bro. There... there is nothing defensible about this. The entire segment of the battle against the orcs, actually, was very painful to experience, in terms of strategy (or rather, the lack thereof). People’s actions and decisions made absolutely no sense. Except for Waldreg; yeah, me too, buddy.

(Incidentally, why did an entire fort come crumbling down as a result of some rope???? Perhaps I missed something; oh wait! I must have, it was too fucking dark to see anything properly in the first place!)

Also, why is Bronwyn wearing that blue when no one else is? Expensive blue dye? Spaghetti strap dress? It’s like a really cheap game of pick out the Important Character amongst this rabble. 

I’ll bet you anything that the inspiration for the Stranger was that one instance when Olorin came back as Gandalf the White, and it took him a moment and an interaction with Aragorn to ground himself and remember his previous life, and they were like, let’s take that and put it on steroids -- i.e., we’re gonna make him not remember how to use his limbs, how to use words, he’s gonna be mute and dumb until the final episode until SUDDENLY he can speak in elaborate sentences and riddles >.> If this is how the Valar send their Maiar to Middle-Earth, they are even bigger jackasses than I have always considered them to be lmao. He is a MAIA, why would he show up naked and then wear rags????? Like, this is a perfect example of what I mean when I say that they disrespect the characters; it’s so demeaning. Hobo!Olorin; for fuck’s sake.

I can’t with the balrog, y’all, it’s literally one rock wall separating them, they clearly were trying to making this suspenseful and dramatic but it falls so very flat because it’s not even that deep. 

Love that the Numenoreans just landed in the exact spot where one (1) tiny human village in all of the southern portion of Middle-Earth is under attack, and they were able to immediately go to their rescue. They didn’t even try; no runner, no messenger, no finding some hapless soul in a field to direct them where to go. It’s so bad.

Orodruin has an on/off switch, guys! Too bad Mairon forgot to turn it off when he moved back in, in the Third Age, would have saved himself a lot of trouble if there had been no active lava to throw the ring in XDDD Jesus X_X

Pyroclastic flow, you can survive it, believe it. My god. 

Celeborn name-dropping was so very random. Seven episodes in, suddenly she remembers she has a husband! Time spent looking for Sauron: 200+ years. Time spent looking for missing husband: ... zero? She was on her way into the West without ever looking for him and the reason she turned back around is because she felt her work here was still unfinished, not, “oh maybe I should look for my husband and daughter”? Also, we just have to rip off Luthien and Beren, huh. 

Mordor to Lindon in six days!!!!!!!! What are those horses on, I want some too XD (it’s like... 800-ish miles, in a direct line, not accounting for mountain ranges and ravines and the like, where you’d have to find a way around. Even considering that elven steeds are super-horses -- so let’s say they can do 40 miles/day -- and pretend they don’t need to use roads and can fly over insurmountable passes, that should still be a journey of no less than 20 days; it’s across the entire fucking continent).

Sure, yeah, he’s a Maia so obviously a “mortal wound” isn’t gonna kill him, so he made the journey just fine. But she didn’t know that, yet she pushed the journey until he was visibly falling off his horse; callous, much??? What a bitch :D

Galadriel, in favor of ringmaking?????? Celebrimbor being proud and fond of his Feanorian blood (in public, to a complete stranger, no less)? Who are these people HELP.

WHY ARE WE GIVING TYELPE’S STORYLINE TO HER HASN’T SHE GIRLBOSSED ENOUGH

Fuck the 9 and the 5, I guess? The whole point is that they were made before... not after... because otherwise the subjugation wouldn’t woooooork. Oof.

Wow. 400+ years of living together, working together, and all the entanglements that brings, reduced to... what was it? 3 weeks? 3 months? I want. to. cry.

I just. Who looks at the Silmarillion and goes, “you know what this could use? MORE DRAMA.” Like, everyone is more than dramatic enough without adding a whole bunch of new dynamics in established relationships lmao.

I think that’s my main complaint, actually. First/Second Age is already essentially a family soap opera, but RoP has injected so much melodrama into it that it makes it completely tasteless. They’re changing not only major plot points but character dynamics and relationships... for what? To what end?? What is the purpose??? It’s certainly not effective story-telling, that’s for sure.

OH I forgot the harfoot storyline. Well. That goes to show what I think about it lmao. I get the sentiment behind it but the execution is so poorly done, it just doesn’t do it for me at all. It was just so piece-meal and shoddy and random -- what was even the point of the three sorcerers?? 

Dialogue

It’s just so bad. There’s the purple prose that runs circles around itself trying to make itself sound deep and Tolkien-ish, but is ultimately empty and means nothing (”why does a rock sink but a ship doesn’t” are you fucking kidding me, with word-smithing like that no wonder Mairon sang you into the ground and you deserve it). There’s the forced call-backs to the text/movies (”follow your nose,” “a gift,” etc.) that are shoved in there for Nostalgia and Relevance and feel awfully out of place. And then, my favorites: the really dumb one-liners that completely break whatever meagre atmosphere the series managed to set (“knife-ears” -- what is this, Dragon Age?! “the elves will take your jobs” -- like, really bro? are you serious?? “I’m good” -- ouch, that was so unspeakably cringe). 

The single exception is Adar’s dialogue; idk if someone different was writing him and his storyline or what, but this is way more like Tolkien. And, sadly, seeing that they can write like this, makes the rest of the series even worse. 

Also the choices of when/where to use Quenya vs. Sindarin... I’m so confused.

Costuming

...... what. the. fuck. Like, all of it, really, but the armor is especially... unfortunate. It’s just so poor, in concept and execution. I was wondering why the layers of mail were moving so weirdly, but at first I didn’t believe it when someone said that the mail worn under the breastplate, bracers and pauldrons by the Numenoreans is actually just the armor design printed onto long-sleeved shirts. Looking at it more closely since then... I really think they’re right, which is just yikes. I’m usually extremely forgiving in this department if the plot and tone are right, especially if it is a low-budget production (have y’all seen the costumes from Voyage of the Unicorn?? One of my favorite tv series. No joke. 100% adore the costuming too, as it fits the vibe and everything is clearly done just for the joy of it). But knowing they spent $60 million per episode, and it still turned out like this? That’s just gross. (And apparently the person who did the costuming is the same person who did the costumes for Crimson Peak, which I haven’t watched but the costumes are incredible... what a waste of her talent).

Also, the hair loss. Yes. Absolutely. It 100% detracts from the image, sorry. And I’m not talking only about the elves. The dwarven women got the short end of the stick, too. 

It’s the presentation, primarily, what the costuming does for the presentation of the characters (or what it doesn’t do, in this case). Galadriel should not have to pull her hair back and expose her ears in order for people to identify her as an elf; she should be ethereal and faerie and otherworldly and immediately distinguishable from those around her, as all elves should. Everyone is just so. bogged down in the mortal muck. It’s so disappointing. If you look at cast photos from the LotR and Hobbit movies, the difference between the cast in costume and the cast wearing their day to day clothing is like a punch to the face; here, everyone looks like they stepped off of the street and onto the set :/

Again, the exception seems to be Adar. He’s by far the most Tolkien-looking of all the characters, and definitely gives off First Age survivor vibes even from just the way he looks, and I really don’t understand why they chose to not to let a similar aesthetic guide the appearance of the rest of the elven cast. It’s baffling.

Casting

XDDDD 

I mean. I don’t even know what to say. A good portion of why everyone looks so ugly is absolutely the costuming and makeup work and I do think that even just longer hair would improve them a great deal, but there are certain characters that have been so horribly mis-cast, namely Elrond, Gil-galad and Celebrimbor. They just don’t vibe as the characters. And, speaking as a complete non-shipper, if Tyelpe looked like that, I firmly believe that Mairon would have skipped Ost-in-Edhil altogether; he’d have taken one look and been like, yeah, no thanks, I’ll pass. Like, why does he look like he’s about to croak??? This is supposed to be the elves at the height of their power in Eregion! And he’s Feanor’s grandson, he’s not that old!!! He was only two-thousand something years old when he died!!! Galadriel has a couple of centuries on him at least. (My most heartfelt sympathies to the Silvergifting folks, btw; Tyelpe did not become a banner for this utter nonsense).

I really enjoyed the idea of Disa and Arondir. Truly. And the actors did give it their all, which is really the only thing saving their characters, in my opinion. But I do think that they were done a disservice as well, in being associated with the rest of this. I’m all for diverse casting (though, can’t help but note the lack of Asian representation in a series that is patting itself on the back for diversity), but aside from these two, everyone else was just... very token-ish. Caricature-ish, to the point of being insulting. What was with the accents from Rhun??? As someone from the part of the world that that was inspired by, I was cringing. I honestly don’t know if I’ll be able to watch season 2 if Rhun is going to be a big focus and they insist on presenting it like this. Idk, the casting choices definitely gave off the vibe of Representation™ for the sake of Brownie Points instead of actually being inclusive, and it left such a bad taste in my mouth. I know they’re gonna drag Khamul into this mess, I know it, but I’m fervently wishing him a very I-hope-you-don’t-get-included

Music

There are some good moments, a couple of bars that woke me up here and there, but ultimately forgettable. It’s not awful, but it is terribly mediocre, and from a composer whose other work I have enjoyed, that’s just really very sad (I guess this series brought out the worst in everyone???)

Galadriel

Where to fucking start

She’s really just a very painful example of people, yet again, thinking “Strong female character” means unlikable bitch who is in everyone’s face and listens to no one because she is StRonK.

Ugh. Commander who has no respect from her men? Who doesn’t even bother to work with her men?

Yes, obviously she’s younger in the Second Age than the Third Age, no. shit. She’s not who the Fellowship meets in Lothlorien, not yet, she’s still growing into that person. Obviously she has serious scars from the First Age and before. She participated in the First Kinslaying. She was called Nerwen, and regularly participated in athletic feats. She crossed the Helcaraxe. She refused the Valar’s pardon twice. She fought and she lost so much. But just because you want to portray her as younger, as angry or vengeful or whatever (which is fine! she was!) does not mean that she is a brat or that she is inelegant or that she is dumber than a brick. 

She picks a quarrel with everyone she speaks to. “You have not seen what I’ve seen” -- to Elrond. Elrond. His father became a star and his mother became a bird and he never saw either one again and he was taken in and raised by the very people who slaughtered his kin (multiple times, I might add; two separate instances), and then his only brother, his twin, chose the life of a Man instead of an elf and then died. Like. lady; please. She would never, ever be so crass.

They make her so naive, so stupid -- simply because otherwise the plot as they have written it would not be able to unfold, because the choices she makes to move the plot along are dumb as fuck -- and it is infuriating.

She says shit like “sometimes you have to trust in the design of the powers that be” -- is this the same person who left literal paradise because she wanted a realm of her own to rule and didn’t want to be subservient and beholden to greater powers, and wanted to determine her life for herself?

She is such a child. Elendil compares her to his teenage children. His mortal, teenage children. That’s... not a good look lmao.

Also, don’t get me started on her swordsmanship. All the combat choreography is dismal, but especially the sequence of her “teaching” in Numenor is very painful to me, as a swordsman. Oy.

Elrond & Celebrimbor

Why is Elrond a dwarf friend (: Why isn’t Celebrimbor the dwarf friend (: (: (: Where is Narvi (: (: (: (: The doors, what doors, oh the doors of Moria, the doors that were specifically crafted by an elf and a dwarf (those being Celebrimbor and Narvi) and stand testament to their friendship, those doors? Bleh.

WHY ARE WE HAVING ELROND SWEAR AN OATH

WHY ARE OATHS BEING PASSED OFF AS NOT A BIG DEAL I’m pretty sure there’s an entire story somewhere about how serious an oath can be...

Why are things (oaths, silmarils) that were resolved in the First Age and left behind in the First Age, being dredged up again here????? I want to scream.

Ah, yes, Galadriel, the one who took in a just-orphaned Elrond. Fuck Maglor, I guess???? He didn’t single-parent two orphans in the face of the Oath to be disrespected like this.

I just. I don’t understand how Celebrimbor can NOT be the focus of a show called RINGS OF POWER. His importance has been relegated to a footnote. It would be like Feanor being a side character in a show called SILMARILS. It’s absurd.

Elrond’s relationship with Galadriel is. so weird. It’s got such a weird vibe. They’re not comrades-in-arms. They’re not friends, not like buddy-buddy. They’re related in three separate ways if I recall correctly; they’re cousins through two different lines, and then -- more importantly -- she’s his mother-in-law. Why is he treating her like a sibling????

Gil-galad

Oh, Ereinion. Last High King of the Elves and Retainer of Long Locks ;_; The harpers will sing even more sadly of him now, I guess. Why does he look like a disgraced Roman governor out of Asterix who fell out of favor in the capital and is living out his days in discontent in the provinces? He somehow escaped the great shearing, but still looks awful  minor nitpick, given everything else going on, but why is his hair black? he’s one of the few characters whose hair-color we explicitly know  More pressingly, why does he act like it?? Fair and free realm my ass, they’re drowning in angst here and Annatar hasn’t even shown up yet lmao. Does someone on the team have a personal dislike for him? Tolkien was sparse on details, sure, and the First and Second Ages were absolutely rife with politics, but there is no reason to make him a smarmy, conniving politician and an idiot to boot.  

Mairon

My boy, my love, the very personification of perfectionism and obsessive-compulsive tendencies and creative license, embodiment of the themes of the artistic struggle, of creation and destruction as two sides of the same coin, independence and freedom and binding and subjugation wrapped up all in one complex fiery being... I’m gonna need a whole separate post for you. My grief knows no bounds, my tears are innumerable T____T

There’s a lot more I can say, and I know there’s a lot I left out, but my hands and brain are tired now lol. 

tl;dr Tbh I would have been content with a show about random OCs in Middle-Earth, rather than whatever they’re trying to do by twisting the plot like this. Like, keep the storyline with Arondir and Bronwyn (but just... make their actions and dialogue have common sense lmao), navigate elf/human relations in the Second Age through them. Keep Adar and the nuanced interpretation of Orcs and explore the original creation of Orcs, and how a mutilated elf from the First Age deals with survival like that. Hell, throw in Celebrian (who is mentioned by name in the Appendices; as is Glorfindel, incidentally) since we’re screwing with the timeline anyway -- you want a canon, strong, female protagonist? Here you go! We barely have any info on her, other than the bare bones -- create away! Incorporate her kidnapping by orcs, her torture, have her meet Adar, create moral conflict that way. Pepper in some Elrond and some Galadriel on the fringes, for a popularity boost, since we apparently need them for a Middle-Earth show to matter. Ta-da, boom, done. 

It could have been good, y’all. 

[longlivetv]

No one teaches you what to do when a good man hurts you and you know you hurt him too

[marscats37]

seeing the tags of the stranger things post reassures me that I'm not the only one who thought the third season was so fucking weak. I think people only liked it because of the aesthetics. Taking place during the summer means that they can put the characters in funner 80s outfits.

[bomnun]

there are twice as many tweets about miyéon’s nose bridge as about her vocals and her solo debut and her personality combined

[hey-op-just-kill-me]

…

[numetaljackdog]

Ask game; 21 :)

21 (What I love most about myself): hmm i guess i think i'm pretty funny sometimes, i've got some clever one-liners and wordplay skills. i'm very introspective, often to a fault, but i do feel like that makes me self-aware in a way that allows me to conduct myself with compassion. and i can make a pretty damn nice sandwich, and i'm good at tetris :)

[fr00tbats]

shrieking screaming

[wavernot4love]

alright y'all lil (alright, maybe not so little) recap of the second show of AG's Boom Done tour last night 3.4 in Buffalo @ one of my favorite venues, Mohawk Place. because my brain commits absolutely everything to memory at shows & i like writing it all down before i forget

(for fun & plus maybe folks going to this tour want to know what's shakin, since i haven't seen much online yet):

(note there will be setlist spoilers)

- alright so first, a freakin HIGHLIGHT for me was, of course, GET OUT!!!

Anthony was just kinda messing around with his guitar & then teased it by being like "hmm... how should i play this..." and then went into that and the crowd reception was AWESOME, dude. whatever the opposite of masking is, that's what i was doing there. i definitely started physically jumping up & down once i realized what it was (typical wavernot4love @ the AG show behavior). aka evidently he knew your boy (who like i've mentioned on here, got into Circa last summer through a kind person at a Dunes show rec'ing me Get Out & then BSN. Get Out was straight up my introduction 2 Circa) was in the building (/Ih).

also, i had to shorten my clip to post because in the rest i must've had my phone right next to my mouth,,, which made for some horrifying tone deaf live vox from wavernot4love. be glad i spared y'all from that one.

(i'm gonna put one of those keep reading thingies here, click it 2 see the rest)

- he also played Dyed In The Wool & Frozen Creek, continuing that theme (though I expected these more since he's played em recently). Dyed In The Wool with everyone singing along during the chorus was probably my top moment, and one that's gonna stick with me forever, honestly. i remember thinking it straight up felt like, a churchlike (but positive) experience or something during the songs everyone did that for (remember, it's just anthony this tour no backing band, so it was somewhat quiet in there). more on that later, but AG kept pointing out how nice the singing along was & how fun/awesome this all was, and man, that it was.

- he mentioned valuing spontaneity over a planned setlist every night and basically implied he was just goin for whatever felt right at the time. so just consider the songs i mention here as a basic guideline, he could very well switch stuff up every night. i love that he's like this when it comes to shows - idk dude, like, at one point he even asked folks what time it was, laughing when they told him, jokingly accusing them of being untrustworthy & then going right back into the tunes. dude was just here to play, for as long as he could.

- kinda tied to that, there was a running gag of the set being "inconsistent" (his word). he'd bring up jokingly that there'd be moments where everyone could be singing along, and then songs that nobody knows (and he'd jokingly "apologize" for that), and he'd even (lightheartedly) call specific people out and be like (to laughs) "look at this person, they have no *idea* what i'm gonna play next!" actually i think he said that before Get Out. at one point he was (paraphrased slightly) like, "so if i start playing 12 Circa songs in a row, let me know." i love how he just does whatever the hell feels right in the moment.

- also a couple times he messed up while starting a song (i think due to laughing) and bro would call out folks laughing at him for it (lightheartedly) and be like "this is all performance. vou don't know what goes into this!" (this was not at all serious and said through laughter. straight up half the show was all of us in that room just cracking up together)

- he introduced his Title Fight cover (Numb, But I Still Feel It) by calling TF one of his favorite bands & joking that they're gonna hear this & think it's time to get back together so... if you hear that Title Fight reunited, you know why, which, well, if you know that side of the scene, you know what's up. real shits and giggles moment, if i do say so myself.

- at one point (only bad thing) someone at the front was being objectively Weird in the way people (unfortunately) do to try to get an artist's attention (let's just say it involved throwing money (????? literally what) while yelling stuff about understanding because they're in the industry (??)) and he honestly handled it with so much grace. he pretty much said that made him uncomfortable etc and he would Not be taking more of their money please, he already did that, and that led to him ranting for a second i think mostly to himself in a thinking out loud/under his breath kinda way about *hating* having to sell stuff in the first place in order to do this and like,,, i go into this a bit in the tags but it genuinely reminded me of how i get when i'm passionate about something. what i'm trying to say, is dude clearly was heated & meant it. fully. just felt relevant to include

- then he ranted about something related to the moneythrowing, drunk (question mark) weirdo (long story, but it ended in him telling them to tip bartenders with their money instead of weird things), then used that to go on a tangent about how we should always tip people working in service in general and respect/be kind to them even if they seem rude or whatever because doing that shit is hard & sucks and maybe your kindess will be the wakeup call that causes them to one day have a moment where they're like, man, i was a dick back then for no reason. (i feel like i am nearly direct quoting him here)

- then after a song he joked about the incident saving we were probably just all watching like 🧍‍♂️ and it was like watching dad yell at mom at the dinner table while you just sit there staring at the ground and safe to say the mood was fully lightened after that moment of self awareness fhfhfh

- then a few songs later i guess the person that was being weird had left so he was like, (at this point there were no weird vibes whatsoever, like we were all just scoffing/laughing at the situation and cheering him on) "oh that person who hates me left. did they give the bartender that money?" (someone implied they thought so) and he was like "good." and that was the end with that weirdo situation lol. i have absolutely no idea why that person, drunk or not, thought that was a normal cool thing to do. as always, please don't be weird 2 musicians they are in every sense just Some Guys (gender neutral), treat them like anyone else.

- back 2 totally unserious things, during... uh don't mind me, like i've said in my previous posts i'm still getting 2 know Boom Done, so whatever song has like, the horns kinda near the end? he just started making freakin. horn noises since since there were, in fact, no horns in the building and made us all do them too and everyone was just straight up cackling because it was so stupid (/pos).

- idk one thing that stood out to me was one person belting along at the end of... i can't remember what song it was actually, i think one of his older tunes, but you could tell he heard & a song later complimented it & said it was beautiful. i'm telling ya, he kept going on about how nice folks singing along sounded and encouraging that, which was awesome because i wasn't sure what the vibe was gonna be there since it was just him playing.

- don't want to go into detail since it feels like something between Anthony & whoever he decides to tell it to in real time, ya know, but he did tell a pretty extensive story leading up to Miracle Sun. in terms of themes, it was in regards to (with plenty of laughs mixed into the serious bits, of course) letting folks that matter to him down + falling into a cycle of engaging in stuff that temporarily made him feel better but was moreso just self destructive, in the past. just interesting stuff to hear in connection to a song.

- at the end, before Dear Child, he just talked in the most honest manner about knowing he's let people down, cancelled shows (there were laughs mixed in here too), just not been the best version of himself over the years etc, but appreciating how long everyone has stuck around, and how we keep coming back, & jow much it means whenever we tell someone go check out a song or anything like that, & helping him continue to do this and also support his family and whatnot and man it just. embodied everything i love about AG solo sets i guess. i just admire how open a book &p vulnerable dude is. while i love his more theatric frontman persona of course as it's fun as hell, it's so nice at solo shows like this to hear more from him, in seriousness and otherwise. also dude was posting about how fun it was on instagram later so i'm just glad we all had a great time.

- also at one point before a new tune he was talking about these cds he had that have that on it + some rerecordings, Frozen Creek (feat. Keith of GOW), etc. i love cds so i ran to snag one later of course (they're $12)

- as for other merch he had a few shirts (like that cute one i keep seeing around, with him & the puppy), some art prints, & the Boom Done book thingy (i really wanted it but couldn't swing the $25 right now sadly)

anyways,, i posted on Setlist FM for the first time, here are all the songs i remember for sure (there were definitely at least 4/5 others i am not thinking of, i'd say he did 17ish songs, he played for close to an hour and a half. keep in mind he talked a LOT with us which was awesome)

edit: someone added a few more!!!

anyways, that's the show!!! 1. i may or may not be trying 2 figure out how to pull off one of the other northeast dates (looking @ Cleveland, which is closer but i'd have to drive to, or New York, which is further (+ yknow.. dealing w getting around in NY) but i could take a bus to, this weekend/next week as we speak,,,, that's how freakin good and homey (more on that in the tags aka uhh literal diary section of this post) and impactful this show was.

and 2. if any of this (especially said tags) sounds loopy it sure is because i wrote most of this at roughly four am last night post show, when i was even moreso still back *at* the show in my head. i still stand by all of it though of course, i just know it might not be the most coherent.

this tour rocks. AG's tunes mean so much to me. get out 2 a show!!! tell me about your experiences if ya do/did!!!! yay!!!!

[queenerdloser]

one fundamental thing about me that i've learned as i've gotten older is that i am incapable of experiencing someone interact with something i love. like i tell someone to listen to a podcast i really like, i Cannot be with them as they listen to it. if it's a movie that's really near and dear to my heart, i Cannot be with them when they watch it. and very especially physically being in a room with someone AS they read anything i've ever written makes me want to break out in hives. nope. discuss it afterward? hell yes! hear their thoughts and feelings once they've finished it somewhere else? sure! but make me experience it with them and i am a squirming leech on a hook who yearns to be eaten by a fish to be taken out of my intense misery.

[dravidious]

It's new years eve once again, and I need to somehow top last year, so...

You're more amazing than Wartortle

Oh shit! 😲😲😲 He went there!🤯 But remember that trying to keep going bigger and bigger isn't sustainable long-term ☢️ Endless growth is the philosophy of the cancer cell 🤮

Anyway let's throw a party! King!

Party King

Once upon a time, a mighty dragon in a castle filled with a great hoard of treasure was slain by a mysterious knight, and that knight claimed the castle as his own and became a king. He used the wealth of the hoard to throw extravagant parties, hiring wizards and artificers to create enchantments and magic items to make the parties truly legendary. Over the centuries, the crown of the Party King was passed down, and even today the castle's epic parties continue.

But the secret behind the story is that the dragon was never slain at all. The dragon, having grown bored of collecting riches and interested in human culture, donned a magic crown from his hoard that allows the wearer to shapeshift. He spun the tale of his defeat, and threw his first party, a celebration of his death (and of his new life). The dragon-turned-king is happy with his new life, but secretly wishes that he could enjoy the parties in his true form…

The king's festivities are motivated by pure hedonism, but magic researchers find much to enjoy about them. The king is willing to spend heaps of gold on enchantments and magical items, giving wizards more funding than they could ever hope to find anywhere else. The resulting works are intended for entertainment, but one man's firework is another man's rocket ship, and so the Party King incidentally funds great leaps forward in magical knowledge and research.

I also made this card, inspired by Sorrow's Path