#I AM SO BAD AT THIS YOU GUYS

[pabulumm]

when crowley is destroying job's goats, we see them turn to dust, but we never stay on screen long enough to see any aftermath beyond that

but then we land on this and i noticed a few crows flying in the background (starred here), and you can even hear cawing, but we're too busy paying attention to crowley, who is making silly sounds of his own, possibly to cover up that of the birds...

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[oh-gh0st]

i heart these rivals so much. maybe they'll kill each other. maybe they'll kiss. maybe they'll make ou

[damian-lil-babybat]

They're judging their sibling's life decisions, and they are not impressed.

(And to think Jason and Dami have pit-madness in their system)

[evelynpr]

Congratulations My Hero Academia for providing, possibly, the biggest and longest legit straightbaiting yet in shonen history.

Bonus points that their final chapter was released on yaoi day.

[scalpho]

fantasy high pcs ranked by how willing i would be to get in a car with them in the driver's seat

gorgug. the canon designated driver. his van is a boat and his boat is a van. no issues here

riz. also has canonically driven and done it well. good reflexes and sufficiently paranoid. i trust him

adaine. she'd figure it out and drive carefully enough. once again no issues here

INSERT INCREDIBLY LARGE GAP HERE

kristen applebees. drives wearing flip flops. would smash the entire front of the car just trying to get out of the driveway. accidentally hits the accelerator when she means to hit the brakes. i'm 100% going to die

fabian. he cannot drive and has zero road sense. the hangman does it all for him. he's below kristen because if we get into a terrible accident kristen can revivify me. fabian would backflip out of the car as it's crashing and leave me for dead

fig. FLIPPED A CAR. i mean she's 100% a better driver than both kristen and fabian but i wouldn't be able to get over the fact that she FLIPPED A CAR ON THE HIGHWAY

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[poorly-drawn-mdzs]

Laios's three Boy Best Friends. And yes, they hate him.

[lucabyte]

A belief in Nominative Determinsim

[fearfulandhungry]

[wistfulwatcher]

in a n o t h e r life

[bertoyana]

X-MEN: DAYS OF THE FUTURE PAST (2014)

[stressfulsloth]

I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.

The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?

The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.

Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.

My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.

[drdemonprince]

people who are obsessed with passing are gonna be the death of our community i swear

[eerna]

me explaining why Will/Elizabeth/Jack love triangle was a perfect little one-movie arc that wasn't present in the final movie because it was never about choosing and instead just about dynamics and character development so they all outgrew it by then

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke