#How this works help

[not-secretly-wicked-me]

just getting a feel of this babyboy

[fly-chicken]

A Pragmatic and surprisingly comforting perspective about the Trump 2nd Presidency from the ACLU

***Apologies if this is how you found out the 2024 election results***

Blacked out part is my name.

I’m not going to let this make me give up. It’s disheartening, and today I will wallow, probably tomorrow too

AND

I will continue to do my part in my community to spread the activism and promote change for the world I want to live in. I want to change the world AND help with the dishes.

And I won’t let an orange pit stain be what stops me from trying to be better.

A link to donate to the ACLU if able and inclined. I know I am

[thesaltyace]

Y'all I did NOT know this about Harris, and I think it's really critical that we all listen and understand as we approach this election. Video at the end.

This creator's video describes how progressive Harris was as a prosecutor -- actively going against the grain to the point she was accused of being soft on crime. Accused of being a social worker, not a prosecutor. She calls it being smart on crime. She's pushing for systemic changes to give real pathways to reintegrate incarcerated folks back into society and prevent their past from continuing to haunt them moving forward.

"Kamala's a cop" is a catchy dismissive response usually used to shut down conversation rather than add nuance. But this kind of reform is ESSENTIAL to work towards a present and future that treats incarcerated people with value.

I fell for it in 2020 and have thought "Kamala's a cop" without further inspection since - and I'm sobered by the realization that (you guessed it!) I'm not immune to propaganda.

A better system only follows liberal democracy, because library democracy allows for exploration of better systems. If authoritarianism takes hold, it will not allow for the exploration of better systems. We will have to fight tooth and nail just to try to get back to liberal democracy, and I suspect we could not achieve it in our lifetimes.

Harris isn't perfect. But she's a hell of a lot better than many leftists have led me to believe. Don't let perfection be the enemy of good. Don't let perfection be the enemy of harm reduction.

We can either help elect Trump and usher in authoritarian fascism, or we can help defeat him and pull things back in the direction we want to go. Not liking the choices doesn't absolve you from participating and doing the most good you can with the options available.

I'll link the original video in the replies. The original video has captions if you need them.

[chloesimaginationthings]

Gregory knows he looks LIKE HIM in FNAF..

[remindertoclick]

Your reminder to Click for Palestine today!

And/or donate directly to the UNRWA if you have the means!

[blackkatdraws2]

[Toon x Mobster] drawn for fun, he doesn't know how to hold that thing wwwwww

[thruflames]

the ineffable husbands as that meme

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[herssian]

i don’t know where the notion that if you don’t give big bucks to an artist then you’re not really supporting them came from, but when people say even a tiny bit of monetary support saves an artist, it’s not for the aesthetic or the gesture of it all. i’ve been able to have actual drinking water on days i’ve been incredibly broke simply because someone bought a brush pack for 2 euros. in the most actual, literal way i could possibly convey this: the SMALLEST amount counts. in practice counts. people-get-to-eat-today counts. especially in this age of everyone and their mother being out to deplatform artists. there’s value in the tiniest of ways

[miscellaneousrenaissant]

Ep 3 AU in which Evan succeeded on his death save but lost his arm, so K made him a prosthesis while the group was still on Galamanis

[dclovesdanny]

DcxDp prompts

Dan/Danny/Dani additions 1/5

Danny is adoption bait to the Gotham rogues.

Danny only went to Gotham university because it had a lot of ambient ectoplasm and he could fast track to the arrow space department in Wayne enterprises if he worked hard enough. He didn’t need adopting, he was already 19 years old and had a (strained, very distant) relationship with his parents. When he moved to Gotham, he expected to have to deal with people wanting to make him a new Wayne, not with all of the Gotham rogues immediately trying to adopt him.

So what if he defended Killer Croc from some asshole cops, accidentally exposing his fangs and had a conversation about being dehumanized with him that led to them having dinner on Wednesdays?

So what if he got into a serious conversation about the green gas effect and pollution (Sam had taught him well) with Poison Ivy that result in him coming over for dinner and Harley Quinn declaring him a ‘sweetheart’?

So what if he directed Frostbitw to help Mr. Freeze and now Nora invited him over for brunch on Sundays?

So what if he had a wonderful conversation with the Riddler in which they traded space themed riddles which lead to Riddler seeking him out sometimes for a game?

So what if he helped Mr. cobble pot by making him intangible when some people were driving by in about splash mud on him and he now had a part time job there as a bouncer?

So what if Grundy played tag with him every other Thursday and called him Little Death and offered to eat his chemical engineering teacher who gave him a low grade because he didn’t follow safety precautions?

This didn’t mean he was adoption bait. Shut up Sam.

[okartichoke]

she asked him if he spent any time with the light dragon

[courfee]

oby jeggy is a different kind of dsfkdsf so here is them from the first fic in that series, i will touch you with my mind by my love @itsjaywalkers

[remindertoclick]

Your reminder to Click for Palestine today!

And/or donate directly to the UNRWA if you have the means!

[what-am-i-doing-in-this-fandom]

Fic Idea where Fiddleford helps Stan rebuild the portal, but Stan finds out that Fiddleford has a wife and he's like

"You have a WIFE?? That DIDN'T marry you to steal your car and money???? What are you DOING here???"

"Yeah, well.... She's better off thinking I'm dead somewhere....."

"A WIFE. That LOVES you. Get outta here and go explain yourself, Idiot!!"

"She and our son shouldn't have to deal with--"

"YOUR SON???!!?!!??"

Anyways, so Stan helps Fiddleford reach out and explain himself to his wife, but expresses that he wants to keep being in Gravity Falls, so his wife and kid go to live with them in The Shack instead.

Blah blah blah, bonding happens, Stan bags Fiddleford AND his wife and becomes a step dad, God bless 🙏