#How long can I spend on one thing?

[solardee]

[It appears Acrylic is setting something up...]

[the-travelling-witch]

Hehe nice to see you're trying to get back into writing, Holly!! Can I request Reo Mikage from Blue Lock and the word "promise", please? Take your time!!

please, i've been trying to get back into it for months but my brain just won't let me (the way i procrastinated starting the timer for this was embarassing). i fear no man, but that thing [blank page], it scares me /silly

in any case, i hope you can enjoy this little thing my two braincells came up with!! also, how are you doing, my dear? ♡

𝐑𝐞𝐨 𝐌𝐢𝐤𝐚𝐠𝐞 - 𝐏𝐫𝐨𝐦𝐢𝐬𝐞

It was easy to lose yourself, to lose sight of the person you wanted to be. Reo knew this well. Not only had his upbringing always been overshadowed with the certainty of the future his parents wanted for him, but even in the sport that had given him freedom for a long time, he found that pretending to be someone he was not was still his strong suit. Countless nights had been spent staring at the ceiling as thoughts about who he was and who he was supposed to be tossed and turned in his head.

Those doubtfilled hours, however, were in the past. Despite what he was led to believe early in his life, sometimes being yourself simply was enough and could lead you down the best paths. The sleek silver band around his fourth finger was a steady reminder of this.

It wasn’t a wedding ring, nor an engagement ring. No, not yet. But it signified the promise you made to him, to love him for who he was, no matter what the world would throw at you, and that made it just as valuable to him. At this point, taking it off felt unfamiliar, his finger used to the gentle pressure of the jewellery. And in the rare case that he absolutely couldn’t wear it on his hand, he had bought a matching necklace chain he could loop it through. Dumb as it sounded, he just couldn’t bear to be away from the thing -and the reassurance it brought- anymore.

Familiar fingers intertwined with his, a matching ring twinkling up at him. You had once scolded him not to spend money carelessly on you, but as he ran his thumb over the worn metal, no part of him considered this purchase unnecessary. Even so, he should probably replace this ring with the one waiting in his bedside drawer soon.

After all, Reo had quite a few promises for you too.

1 character, 1 word, 11 minutes

masterlist

[goldkirk]

hey this isn’t aimed at anyone in particular but I’m saying it for the record here: if I tell you no, please stop messaging me about fundraisers and mutual aid.

I get enough messages that it’s impossible for me to keep up without devoting at least half an hour each day, when I’m not even on tumblr that long most days. Me having a boundary about this isn’t a moral failing, it’s a lifeboat for me on my own blog.

In my personal life I’m already advocating and donating literally as much as I can spare. This is not me not caring, it’s just me not willing to interact with that on the one place I go online to not interact with irl news and world events for the most part.

I cannot be upset all the time. I cannot be upset everywhere. I cannot use all my emotional and mental energy fielding my own upset from ongoing events. My options are to hold boundaries about this or stop coming online at all.

I’m all for sharing information and signal boosting to reasonable extents, but the scale of it this year is so large and so enduring that it is literally not possible to for me to participate on every account I have. I’ve previously shared links to Gaza eSIM donations and a major hub of verified Go Fund Mes here and elsewhere online. We, the online humans, know how to look those things up ourselves by now. There are many, many people choosing to do advocacy work, and right now, I can’t be one of them.

If you’re extremely upset when I tell you I can’t share/donate right now about a Gaza family or personal fundraiser you ask me to share here, just unfollow and block me. That’s what those buttons are for. Protect your own emotions and energy and get me off your feed instead of staying upset and continuing to engage with online people or content that upsets you.

Please don’t send repeated angry messages based on manufactured purity politics and moral outrage into my messages and inbox when I exercise the right to run my own blog.

[skunkes]

i loooove when ocs unrealized development makes them feel like real people like no i dont know whether talon is genuinely attracted to women after years of both clinging to them for safety and years of putting them onto that untouchable idealized Perfect Protector Pedestal that must remain untainted by any bad experiences, so he doesn't even try to Be With any. He doesn't know either

[siyuri]

Ef's moment of respite at the bottom of the Mariana Trench from amazing story Falling Falling Stars by @not-poignant

[tsukasalover]

give a boy a mechanical pencil and art kit and see what he does with it. (i made my own fucked up tsukasa paper squishy)

you can see the stuffing sticking out and theres a lot of wonky stuff abt it but uhm. that is something i do need to fix but i just Dont Care right now. Who is tsukasa tenma if he isnt weird and ugly. /aff on the first night with him i kept throwing him around and squeezing the life out of him bcs 1. Fun 2. got too excited so its pretty much my fault.

[da-janela-lateral]

MP100 AU in which everything is almost the same but Mukai and Shou are siblings

[sciderman]

You said that if you dated Peter or Wade it would make you miserable. Which– Okay fair, Wade does have a history of purposely hurting the people he loves.

But what about Peter? Why do you think dating him would make you miserable?

because I’ll always know I had the option to climb a 6’8 cyborg and I passed that up for a sweaty little twunk that I perpetually have to remind to bathe (sorry peter)

[thatscarletflycatcher]

Tumblr isn't letting me find again @fictionadventurer's and my own posts on epistolary novels, but I have been thinking about it again, because I fell down a Goodreads review rabbit hall and I have thoughts again.

So many people dislike the style, and honestly, I don't blame them, because it's so often done... not well. It is in some aspects, a deceptively easy one, and in others, deceptively hard. And because I'm trying to write a novel with this format myself, I have been thinking about what makes or breaks an epistolary novel.

I talked yesterday about TGLPPS, because it is an interesting case to analyze. I have thought many times about it, and cannot think of a single non-merely-aesthetic reason for it to be told in an epistolary style. A lot of it depends on -British- people who have survived some terrible war conditions willingly opening up to a stranger about their experiences, and that's made... even more difficult if the medium is letters? typically writers will appeal to tropes like making the reserved character drunk, or have them share an extreme experience in isolation with the stranger to create sudden intimacy. None of this is possible in writing; if anything, one is much more self-conscious about the things one writes than the things one says; verba volant, scripta manent.

It seems to me the story would have flowed much more naturally if Juliet had been stranded on Guernsey for some reason -like the first author herself!- suddenly Dawsey commenting that he got a book from her library makes so much more sense! Yes, certainly, if you met a stranger out there, and they introduce themselves and you realize you have a book that once belonged to them, you would tell them so! And it is in this way that the epistolary format does violence to a story that would otherwise sound much less contrived.

Another problem is the large cast of characters and multiple settings. For all I complain about Dracula, Stoker manages this pretty well (of course he has the model of The Woman in White, but TWiW has fewer povs), at least on the first half, because structurally the storylines of the characters are converging, and that does a lot to guide the reader in the understanding of the character's relationships. TGLPPS's relationship structure is more of a multidirectional flow chart, and that becomes confusing really fast.

Another novel I read reviews for recently is one set in WWI, composed of back and forth letters between two lovers torn apart by war, and one common complaint was... that the climactic scenes, the times they meet, etc all happen... off-camera. It is a fair complaint, but also one I cannot really blame the author for, because that's what usually happens with real life compilations of letters of that kind. Sure, usually the editor/compiler will fill in the blanks sometimes and add an epilogue of sorts explaining what happened afterwards, and that is possible if you are writing it fictionally too, but some may think it spoils the effect of immediacy and whatnot, which, fair too.

But it makes me think of how aware Jean Webster was of these difficulties, and how deftly she managed them in both Daddy Long-Legs and Dear Enemy. Both novels have aged badly in terms of content and message, but they are very interesting stylistically.

DLL is a bildungsroman with a dash of romance; through Judy's letters to daddy long-legs we can see how she grows as a person, gaining independence intellectually and economically, and as a writer, as her grammar and vocabulary change and grow. Between making Judy an orphan who hates the orphanage where she has lived her whole life, and one where she lived past the usual age of being thrown into the world, Webster does away with the need for letters between Judy and her friends and family: all her friends and family are her college roommates and her benefactor, who is the person she writes to. The benefactor scheme also makes it so that she doesn't have to write dll's replies, which in turns makes it much more natural and acceptable for the reader when Judy writes him the ending's love letter describing the feelings and impressions of their finally meeting in person and in truth; Judy has become a writer, and she is so used to write to him as another person all the time, that it just makes sense for her to write to him one more letter at the point where her benefactor and her lover become one and the same person. She has written a novel where the core is the correspondence between lovers AND managed to include as well all the moments of their meetings that we would otherwise miss.

Dear Enemy is a similar, but longer and more ambitious story. Instead of one relationship-connection (Judy and Daddy's), we have Sallie as a nod of connections: she's Judy's friend, Jarvis' "employee", the boss of several characters, has a tense colleague-boss relationship with the visiting doctor, a boyfriend of sorts in Washington, and a family we have met before. It is, in that way, a similar setup to TGLPPS: a urban girl of means becomes a fish out of water in a different setting till she ends up assimilating to it, and settling definitely through marriage. But Webster does a few things differently to make it click.

For starters, it is clear to her that this is the story of Sallie's maturation -I have sometimes talked of Dear Enemy as a novel where a Mary Crawford-like character undergoes a transformation arc. The happenings and stories she meets and tells Judy about along the way serve this arc, besides standing on their own as case studies to illustrate the problems, ideology and solutions proposed to the secondary themes of the story (education and social reform). I feel like TGLPPS is much more interested in Guernsey's survival through the war, in which case Juliet's story is already a frame, which, again, makes the epistolary format cumbersome rather than complementary.

Dear Enemy adds more correspondents, but it is very austere/economical with them, and narrows the letters we see to only those Sallie sends. YMMV regarding if it was too much cutting or not, but the undeniable effect is structural soundness; you are never confused by what is happening or who is writing to whom. We can guess the Honorable Cyrus Wykoff probably wrote some indignant letters to Jervis, and those would be funny to read, but... would they be worth the break in the flow of the narrative? I don't think so. To this effect, just having Sallie write a line to the effect of "I expect at this point you have at hand an irate letter from the Hon. Cyrus" is enough to paint a picture for the reader. Perhaps a letter or two from Dr. MacRae would have helped develop his character more -definitely a first read of the story obscures how much misdirection there is in Sallie's narration to Judy, which in turns tends to create an impression of suddenness to the closing letter that doesn't come across well to the reader.

The choice of Sallie mainly writing to Judy is, IMO, a really good one too. It not only establishes a connection with DLL, but it also allows for the intimacy that makes disclosure believable (something TGLPPS struggles with, as I mentioned above). When you add a few letters to the doctor and Gordon and Jervis, you also get a better perspective of Sallie's personality, how she deals not only with a friend, but with acquaintances, romantic partners and coworkers.

From all this it is pretty evident that for Webster the main function of epistolarity as format is aiding in showing psychological and moral development. But that's not the only thing the format can be really good for: perspective is another, and Austen uses it to great effect in both Lady Susan and Lesley Castle.

Both stories deal with mainly static characters, but who have very strong perspectives of the same situation, and it is this singularity of setting and story that anchors the narrative to avoid confusion, while the variety of perspective brings interest. In Lady Susan, we are dealing mainly with the marrying off of Frederica and seduction of Mrs. Vernon's brother, Reginald. There where Lady Susan paints Frederica as an undisciplined, irrational and ungrateful daughter, her sister in law, Mrs. Vernon, paints her as a sweet girl and a victim of her mother's ruthlessness and lack of love. Both agree that Reginald is being seduced, but, of course, with opposite goals: Lady Susan wants him to succumb, Mrs. Vernon, to escape, and this is a delicious struggle for the reader to follow!*

Lesley Castle being an earlier effort, and unfinished, does show some of the defects I have mentioned before (mainly, the relative confusion of having several correspondents in separate storylines), but illustrates well this same perspective effect: Margaret writes to Charlotte about the new Lady Lesley, and the new Lady Lesley writes to Charlotte about about Margaret and her sister... and in these contrasts lies the main interest of the narrative.

Some conclusions to these musings, then:

Not every story is suited to the epistolary format.

The epistolary format seems to work the best when it is used for either A) showcase psychological and moral development B) to play with perspective on people and/or events.

One of the main difficulties of the format is finding a narrative element to anchor and structure the letters around.

It must have a core couple of correspondents, or at most, two. More than that will make it confusing (unless, perhaps, the story is very short and about a single event or two).

A delicate balance must be found so that the secondary correspondence doesn't cut the flow of the main one, and if possible it must feed into it.

*It is interesting how Love and Friendship, being such a delightful -and I sustain one of the best ever- Austen adaptation, is by force of the perspective switch towards a more impersonal third person, more about a love story between Frederica and Reginald than a struggle between Lady Susan and Mrs. Vernon. Which isn't dissimilar to how adaptations of DLL end up being more about the romance between the leads than Judy's coming of age in college; tropes aside, I feel like if the epistolary format is well embedded in the story, it's going to be nearly impossible to reproduce the effect in adaptation.

[icewindandboringhorror]

recent things and such~

[applestorms]

much love to the (multiple) mutuals i’ve seen agony posting on this fine new year’s day my heart is with you all in spirit 🎉🎉 the pain is incredible but this too will change

[leejeann]

So Shaped By the Chances College AU chapter 4 ahhhHHH

Chapter 4: Ominous Omissions - In which Chase gets in trouble, ooooooo

bro the alliteration chapter titles are simultaneously one of my favorite parts to come up with and such a struggle but I will persist! (i am committed to the bit). I'm this close to buying a pocket dictionary so I can just pick a letter and flip through it until I find two words that fit lmao

[xxplastic-cubexx]

ON AVERAGE HOW LONG DOES IT TAKE TO DRAW / RENDER YOUR ART BECAUSE I FEEL LIKE YOU PRODUCE MASTERPIECES LIKE HOTCAKES AND I HAVE SO MUCH RESPECT FOR YOU

ermmmmm it depends !!!! maybe like an hour or two from start to finish if its just a simple drawin' but if it's something fully rendered or im making multiple drawings/a character doodle page maybeeeeee like five-six hours.... idk ....

[opens-up-4-nobody]

...

[girlivealwaysbean]

pata hai last kuch din i was very busy with my project kyunki final dena tha and binding karni thi etc to wo karwayi then i went to the bookfair bekaar tha then parso submit karne jaa rahi to subah accident hogaya (bhai ki bike skid hogayi and we fell down) and now i have a big ass blue bruise on my upper thigh and my parents don't even know lmao and kal ek science conference thi to i had to sit in an auditorium for 6 hours listening to accomplished people speak. that's what you missed now your turn

omg i knew everything in this except for the accident cause i stalk your blog vigorously everyday are you okay!!!!!!!!!! did you get tetanus shots!!!!!!!!!! also on your upper thigh oh no that's where future jiju is supposed to write MINE na as per our beloved song guilty as sin?

[diredeliverance]

I have One Thing Only and that is angels. A demigod can be like an angel, maybe. The mood of this wound up almost the polar opposite of my original idea.

I like the line art better than either color version, so it's under the crop.

The sketch went through about a dozen changes to both expressions and face positions, and in the end I'm still not really satisfied even if I like how Asperia came out.