#Heathcliff is such a good character man

[detective-shirogane124]

The fact these two's first interaction was Heath bashing Sinclair's head in, this makes me so giddy. I genuinely love seeing Heathcliff's gradual growth over the course of this game.

[wormboyfriendcentralstation]

heathcliff: i killed cathy...... im a horrible person in every timeline. my revenge killed her. my remorse literally broke through timelines.

catherine who got back at heathcliff by stealing a house to remodel into the Magic Cocaine Labyrinth after draining the financial assets of england's least tragically ill victorian man, making carmen contact her copyright lawyers by sealing her ambiguously dead body into a glass tank while her brain powers a building, and potentially hiring the Mueseumafia of Modern Art because if she pays them with cash she doesnt have to report her Green-Energy-Human-Tank Powered Hydrogen Bomb Basement Factory's earnings to the IRS or whatever the city uses: 'tis what you get for trying to boyfail without your girlboss, methinks 😇😇😇😇😇

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[cat-of-starlight]

tfw you are trying to Limbus Pull but the game's only Bonus Units™ are the ones that freak you out/irritate you lmao whoops

[tortoisesshells]

burke for character bingo please <3

Burke Devlin

Character Opinions Bingo

[mermaidsirennikita]

I gotta say this is also very unsuprising casting when you think about it. Like as soon as the shock had worn off I was like...yeah of course she cast them.

Oh yeah, it does make sense because Emerald isn't about what's good for the project, Emerald is about what makes Emerald happy. Which is why I fundamentally can't get into her creatively.

Because of course, any creative has their aesthetic, their sensibility, their work. And I respect that, as a creative.

But you also have to kill your darlings. And we think of that in the writing sense most often—cut that sentence, that scene, that chapter if it doesn't truly serve the work. Scrap the whole thing and start over if it's truly not what it should be.

I'm a STRONG believer in that, to be fair. Brutal. Maybe too much so? Lol. Or I'd have a book out by now.

But anyway, it applies to every type of creative work, imo. You don't cast someone because YOU like them, particularly in an adaptation of a work as iconic as Wuthering Heights. You cast them because they are right for the role.

Heathcliff and Cathy, especially Heathcliff, are two of the most groundbreaking and influential characters in literature of the past 3 centuries. Heathcliff's lack of proximity (for his era) to whiteness is particularly central to the role, and I don't know anyone who seriously takes this work apart and isn't like... actively racist... who interprets Heathcliff as white. It's so crucial to his character that he is "other" in his society.

It's just TRULY a shame to me that she not only cast someone as subpar as Elordi, but someone so, so white. Like, I wouldn't want a white actor I love to play Heathcliff. And this is a fabulous role for a man of color, too.

The last adaptation did cast a man of color, but it was frankly not a very high profile project and not well done.

(I also think it would be compelling to cast a man of Roma descent OR a man of Asian, specifically South Asian descent because the text literally uses a contemporary term for Indian men to describe him... Though Nelly also speculates that he has Chinese heritage, and there are definitely some implications that he could be descended from presumably African enslaved people. The latter I could definitely see being an interpretation when you factor in the speculation that he's Mr. Earnshaw's illegitimate child. I think there's always this idea that "catch-all" terms were probably being used to describe Heathcliff's appearance, but I've thought for a while that I would personally most love to see a Roma actor or a South Asian actor play him.

But like. Literally any other than a white guy.)

This will be much more high profile, with way more attention, and it just really sucks that Emerald decided to use it to push one of her faves. It tells me that she has very little respect for the text. On what planet would anyone, even in the 1800s, look at Jacob Elordi and think that he was anything other than a white guy.

And again, I think Margot is way too old to play Cathy, and honestly doesn't read in any way as Cathy to me. I say that as someone who, again, considers her a very strong actress when she's in her element. I just. Ugh.

[green-typewriterz]

i would love literally anything sam winchester related the lack of fics r astounding.. maybe something fluffy?? ive had a bad week would so cheer me up

Best fake-real husband

ASKS ARE OPEN

Sam Winchester x fem!reader

Summary: You and Sam go undercover in a small town to find out what's been happening to the disappearing couples.

ASK: above

Warnings: typical supernatural violence, awkward moments, mid season sam (in my mind it’s season 5 so its not following canon plot)

Author notes: Thankyou so much for the ask!!! I hope this is good :))) also Sam is the leader of the Sassy man army and if you don’t think so you can leave. Also thank you to @midsummeranderson for helping me plan <3

word count: 4110

You had always hated suburban houses, they just seemed empty, unforgiving. Though you didn’t have much of a choice. Bobby had a case and you two were to go undercover.

”Husband and wife…” Sam began, a glint in his eyes as he moved around the open plan kitchen, opening the windows to salve the heat that bit at their necks.

You smiled in reply, laying out weapons to move to the spare room. “Not awkward at all.” You replied and he laughed, shrugging his usual flannel onto a chair and digging into his bag.

Sam looked up, smiling, holding two rings in his hand. “Nope. I’m going to be the best fake-real husband ever. Dean thinks I can’t and I’m kinda determined to prove him wrong.” You sigh and shake your head, but there’s no annoyance behind it. Trust Dean to make a game out of it.

A piece of hair fell in front of his eyes - it’s so long now that it reaches his shoulders, princelike. “Well then I guess I’ll have to be a good wife.” He hummed in agreement and you tucked his hair back behind his ear and a smile spread across his face. “Looks like I’m off to a good start, Sam Heathcliff.”

You gently slipped the ring onto your finger, the metal slightly too big for you. It was your grandmothers, a mix of silver and sapphire. Sam places his dad’s wedding band on his own hand, fiddling with it gently. It made you smile softly, how the ring was cold against your skin - your grandmother had always wanted you to wear it.

A knock at the door pulled you out of your memories and the two of you looked to each other with confusion, Dean wasn’t meant to be here until later that evening. You opened the door cautiously, flitting into character when you saw a 57 year old woman holding a large pie in her hands.

She grinned cheerily, pushing the dish forward into your hands as she spoke, you didn’t really have another choice but to take it (you’d probably hand it off to Dean later.) “Hi,” the voice sounded fake, satirical. She never met your eyes, she was almost entirely focused on Sam. “I heard there was a new couple in town, thought I’d do the neighbourly thing and say hi.” She began, flicking her hair over her shoulder in a particularly suggestive manner. “We’d love to have you over this weekend, monthly barbeque.”

You looked at Sam, who looked entirely uncomfortable with the attention he was receiving and wrapped your arms around his waist. “We’d love to…” you waited for a name, the woman smiled with annoyance, as if she hated you speaking to her.

“Helen. Watson.”

The two of you introduced yourself and agreed to go, knowing the gathering would be useful to get information. With one last glance at Sam, Helen turned around and left, allowing you to breathe a sigh of relief.

⋘ 𝑙𝑜𝑎𝑑𝑖ng 𝑑𝑎𝑡𝑎... ⋙

Dean came round that evening, constantly grinning and mocking and (as you had expected) he greeted the pie with open arms. “Look you two,” he began, as if he were an expert on the subject, “You’re practically a couple already, just… act like you’re in your honeymoon phase for the old women.”

He stated this as if it were an obvious fact and you raised your brows at his use of the word ‘honeymoon’. Sam looked away in annoyance (Something Dean found extremely funny). It seemed as though the younger Winchester couldn’t wait to get rid of Dean and so, as soon as he had finished his pie, he was forced out the door and back to the impala. There was a second sigh of relief when the door closed.

Though it had seemed like a smart idea at the time, the two of you were sorely regretting filling the spare room with hunting gear as it had left you with one bedroom. “I’ll take the couch,” Sam said as he gathered some clothes to sleep in, you stood in the doorway, arms folded as you shook your head.

“Not a chance, you’d barely fit on this bed imagine how uncomfortable you'd be downstairs.” You argued and he shook his head, trying to claim that he’d slept worse. Eventually, the two of you came to an agreement. Sam would sleep over the covers, you’d sleep under them (he always got hot at night anyway - especially during the summer).

You excused yourself to the bathroom and by the time you had gotten back Sam was already asleep, long hair falling gently over his eyes. You lay down beside him and got comfortable, though you forgot just how much Sam moved in his sleep. He seemed to subconsciously move closer to you, warm, tan skin flush against yours.

His face was inches from yours, holding a gentle smile as if he were happily dreaming (though that was something that didn’t happen often). You gently moved the hair from his eyes and he moved closer still, broad shoulders brushing against you. You fell asleep in the comfort of his warmth and awoke with his arms wrapped securely around you. He wasn’t awake yet, you always woke up before him.

You eventually found it in yourself to move from his grip and headed downstairs, intending to make breakfast for the two of you. He was downstairs a few moments later, hair a sweet, tousled mess on his head. You smiled sweetly but neither of you spoke - there wasn’t much need to.

The two of you seemed to move around each other as if you had been married for years as you got ready for the barbeque, passing each other what you needed wordlessly. Chalk it up to years of hunting together.

“Todays gonna be entertaining for me.” You stated, a smirk on your face. He tilted his head in confusion as if he were a dog and you smiled, eyes drifting to his shoulders for a moment. “C’mon Sam, it’s a town of 47 year old women who hate their husbands and you’re a - very awkward - 6 '4 man. A handsome one at that.” He blushed and turned away, continuing to get ready.

His hands fiddled with the jacket in front of him. “Yeah, so?” You smiled at him, opening the front door as you spoke again.

“So, it’s gonna be fun watching you squirm.” Your smile turned to a grin and Sam shook his head, following you out the door.

⋘ 𝑙𝑜𝑎𝑑𝑖ng 𝑑𝑎𝑡𝑎... ⋙

You were right, as expected. Although most were fine, one specific group of women made an exaggerated effort to fan themselves, whispering to each other about Sam. They almost immediately ushered you over. You sent a look to your best friend and headed toward them.

Immediately, they began to gossip, asking you about how you and Sam met and you could barely get a word in edgeways. There were compliments thrown at you too, but you knew they were just to stop you ‘feeling jealous.’

“How did you get so lucky?” One woman, Helen, asked. Her voice was wrought with envy as she stared over at Sam. Part of you understood why they were staring, Sam looked strangely good in the traditional small town husband attire. His white polo had a few buttons undone and the fabric was tight on his arms (Dean had ordered the wrong size) and his long hair was held back from his head by a pair of sunglasses, a few stray pieces falling over his eyes. The only part you weren’t a fan of was the khaki shorts…but it seemed to be the dress code in the town so you brushed it off - you and Dean would probably make fun of him for it later. He felt his gaze on you and turned to meet your eyes, smiling softly and winking. The women around you giggled and you rolled your eyes, to which he laughed.

It turned out that talking to the four women was the best thing for the case, they absolutely adored gossip. “Couples have been going missing, it always starts with the husbands.” Margaret whispered excitedly, “It happened to the couple who were here before you, sweet things.” she continued, sipping on a glass of wine.

You tilted your head, something Sam recognised from a distance, you’d had an idea. “Do they leave anything behind? People can’t just disappear?” You asked, pulling your hand through your hair.

Helen shook her head. “The damn council barely clean out the houses.” You nodded. Bingo. If the house hadn’t been thoroughly cleaned, chances are there’d be evidence. Helen continued to ramble and you were listening intently, until a hand gently slid onto your waist.

You let out a gasp but the strong smell of cedarwood and amber calmed you down. You knew exactly who it was. His grip pulls tighter around you and you lean into him, head resting on his chest. You felt your face flush - something you were praying he didn’t notice.

“How did you two meet?” One woman asked and you looked at each other, making sure without ever even speaking that you had the story right.

Sam leaned his head on yours and sweetly said, “why don’t you take this one, honey.” his eyes sparkled with mischief, he was trying to throw you off and the hand that was massaging your side was proof of that.

You met his eyes with the same excitement, if he wanted to play, you were really going to go for it. “We both worked as government agents, met on the field. Hence all the scars.” The women nodded in realisation, looking at some of the injuries you hadn’t quite managed to hide. “He wasn’t the biggest fan of mine at first but I grew on him, isn’t that right darling?”

Sam nodded, his eyes not leaving yours as he replied, “and now I don’t want to be without her ever again.” He found that sentence to be more true than he thought.

⋘ 𝑙𝑜𝑎𝑑𝑖ng 𝑑𝑎𝑡𝑎... ⋙

Sam sent an exasperated look your way as he raked a hand through his hair (and sadly took the glasses off his head). “How were the boys?” you asked with a smile and he turned to make sure no one was watching before dropping the facade.

“I’m actually shocked how much I don’t know about football.” He replied and you both laughed, him leaning into you as he smiled. He looked outside at the group of gossipping women before adding on, “they seemed…friendly.”

You laughed, “to you, sure, but I think it’s because they want you in their bed.” The sentence was blunt and Sam’s eyes widened, cheeks blushing a strong red. You, however, continued as if you had never said anything, “I think it could be witches? We’d have to search for hex bags though.” He nodded, not meeting your eyes (he was slightly flustered).

The two of you eventually said your goodbyes and made your way down the street, Sam looked annoyed with himself. “What’s up?”

He sighed, “this one guy, Glenn, roped me into holding a housewarming party…” You stared at him incredulously, did he not try to say no? Sam recognised the look in your eyes and defended himself, “the man was incredibly persuasive!” You shook your head but knew there was no way out of it. You weren’t the best at party planning.

⋘ 𝑙𝑜𝑎𝑑𝑖ng 𝑑𝑎𝑡𝑎... ⋙

The long stretch of grocery store met you as you and Sam stood in the doorway. You didn’t often do this as hunters so it was a slightly daunting task. You looked at each other with tired eyes and went your separate ways, deciding to cover ground as if it were a hunt…just for nachos.

You rounded a corner only to see Helen stood there. Not wanting to be stuck in conversation again, you instantly turned on your heel, hiding behind a row of sauces. Though, something caught your eye. In Helen’s basket, clearly hidden just not very well, was a large amount of herbs and salt. What got you interested was the extreme amount of basil and sage.

Witches. Had to be.

Sam approached you, smiling gently. Something about the situation made him look so… domestic. You tried to motion to him what you were thinking but he seemed so fixated on you, his reaching out for yours. “Can you do your job?” you spoke, the words sounding harsher than you had intended. He instantly pulled back, face twisting with annoyance.

“What?”

“Take the hint, Sam. Behind me.”

You continued to whisper back and forth in annoyance, alerting Helen who watched in confusion. You quickly turned to look at her and sighed as she approached, hiding the herbs with the rest of her groceries. “Lovers quarrel?” she joked and the two of you laughed in the same way Bobby would when Dean told another of his bad jokes.

Sam made excuses as you looked at her, trying to see if you could spot any witch runes on her. It seemed as though she was trying to do the same to you. “Well isn’t that tattoo…neat!” She said, trying to hide the venom in her voice as she pointed out the anti-possession tattoo on your collarbone. Great.

You looked at Sam in annoyance and turned back to Helen. “Thanks! I saw it in a magazine!” You tried to explain away but you knew you’d been caught, she had spotted you and you her. Though she was very keen to stay in conversation, Sam made a quick excuse and you both left as soon as you could.

“Told you it was witches.”

Sam didn’t reply. The car journey back was completely silent, an unspoken annoyance building in the both of you. Neither of you said a word until the front door closed. “Nice job letting her see the tattoo.” Sam said annoyedly, turning to look at you.

You sighed and turned away, packing away the groceries. “Maybe if you spent less time flirting and more time actually hunting we’d be done by now! This isn’t exactly a hard case, we don't need more bodies to our name.” The reply was sharp and annoyed.

He suddenly grabbed your wrist so you’d look at him. “I’m doing my job just fine.” His eyes were locked with yours. You stepped closer.

“No, you’re not. You’re distracted.” Sam scoffed, his minty breath fanning against your cheek from how close you were. His hand was still firmly on your wrist.

An annoyed smile spread across his face and a muscle in his neck tensed. “Oh yeah? And why would I be distracted?” You stared directly at him, from his long hair that fell over his unreadable gaze to the smoothness of his bronzed skin.

You found yourself stepping closer again. “You tell me.”

There was a crushing silence, the only sound being your sharp breaths. Suddenly, Sam’s grip on your hand moved to your waist and he pulled you into him, his lips colliding with yours. You leaned into him, hands grabbing his hair harshly. He kissed you as if he were hungry, as if he had been waiting for years - maybe he had. He lifted you easily and sat you on the kitchen counter, leaning back from the kiss for a split second. His chest rose quickly in hot breaths as he kissed you again. You bit his bottom lip - letting blood drip as his hands gripped your skin.

⋘ 𝑙𝑜𝑎𝑑𝑖ng 𝑑𝑎𝑡𝑎... ⋙

The party was loud and irritating, there wasn’t a moment where you had time for yourself, not one point where you weren’t ’y/n Heathcliff’. You and Sam had barely talked after the evening before - you didn’t know what to say.

You knew Helen would be at the party, not only would it be good to keep up appearances but she could get her next victim from it. Sam sent you a look and you nodded once, heading toward the spare bedroom in search of weapons, just in case.

A small, easily hidden knife was being placed into your waistband when Sam opened the door, closing it harshly behind him. “Sorry,” he said quietly, “had to get away from Miriam.”

You laughed gently and went back to preparing, not wanting to meet his eyes. “Helen’s here.”

“I know.”

Silence again. You sighed, “and you just left her out there? Alone?” His brows furrowed and he offered a witty remark, starting another hushed argument between the two of you.

On the other side of the door, Miriam and Margaret pressed their ears to the wood, giggling like school children at how the argument sounded to them. Through the muffled walls, all they could hear was gasps and sharp noises - of course they assumed what they wanted.

Sam’s hands pushed through his hair as he sighed, uncertain of what to do, when suddenly the door started opening. He rushed forward and pushed against it, rushing out a quick, “one moment!” All he heard in reply was laughs.

“What do we do?” He asked nervously and you stood still, nervous, until a thought popped into your head. You held your hands out - asking for permission and, once he nodded, you placed your hands gently in his soft hair, ruffling it. It annoyed you how he still managed to look good.

Then, once he had done the same for you, you looked him up and down, deciding his outfit was far too…tidy. First it was one button undone, then another (you unbuttoned a third for personal reasons). A blush rose on the tips of his ears.

He went to open the door when you realised something was still missing and, in a quick moment of panic, you rushed forward and grabbed his face, kissing him harshly on the lips (you were purposely trying to smudge your lipstick onto him). Sam made a noise in shock but found himself leaning into it, eyes lingering closed for a moment longer after you had pulled away.

Shit. He thought. He definitely liked you.

Eventually, the door was opened and Sam met the two women with an awkward smile. “Oh!’ Margaret began, giggling, “I was going to offer a drink, but I see you’re occupied…” The woman looked at one another, laughed again and walked away, leaving Sam blushing with embarrassment. The door was closed once more and when you were both sure they had walked away, laughter spilt into the room.

He shook his head and smiled, stepping closer to you. “Close one.” You smiled gently, staring into his eyes (the light was hitting them perfectly). There was silence again - neither of you knew what to do.

”Are we ever going to talk about last night?” You asked, thinking about how his hands felt on your skin. His features turned more serious as he sat down on the bed.

He stared at you, lipstick still in a smudge on his face. “I’m not sure what to say about it.” You neared him, hands trailing over his shoulders. Then, slowly, you leaned into him, lifting his chin with your finger as you felt his soft lips against yours. There was something impossibly gentle about it and you weren’t sure anyone had kissed you that softly before.

”Maybe we don’t need to say anything.”

He smiled. You kissed the corner of his grin and headed back downstairs, attempting to fix your hair as you went. You were met with stares as you entered the kitchen - Miriam had most definitely told everyone… at least it sold the cover.

Time passed with an almost excruciating level of slowness and Sam not making a re-entrance back downstairs wasn’t helping either (you had no one to distract you). Eventually, the party cleared out yet Sam was nowhere to be seen - now you began to panic.

You said goodbye to the final few neighbours and headed back upstairs, calling Sam’s name. The lack of response worried you. The first door by the stairs - the one that unfortunately led to your weapons room - was ajar, scratches around the lock. You pulled the dagger from your waistband and slowly opened the door, sighing as you saw the bloodstain on the floor. You had a feeling you knew who had taken him and where he had gone.

⋘ 𝑙𝑜𝑎𝑑𝑖ng 𝑑𝑎𝑡𝑎... ⋙

You had managed to track him to Helen’s house, hiding around the back to get a good view through the sliding glass doors. Sat, tied to a chair in the middle of the main room, was Sam. His face was bruised and bloody and his expression looked annoyed, chest heaving with sharp breaths. Helen, Miriam and Margaret circled around him, playing with his hair and gathering items they needed for the spell.

”Poor Sam,” Helen began - you assumed she was the leader, “you’d think you’d be able to fight back against three 57 year olds.” Miriam headed into the kitchen as Margaret laughed, they almost reminded you of the witches from Macbeth.

”You’d also think, considering she’s a hunter, that your ‘wife’ would be better at hiding.” Suddenly, a surprisingly strong pair of hands grabbed you, pushing you against the wall.

You struggled against the grip but it was no use, your hands being painfully tied behind your back. Miriam ushered you into the living room, retiring you to a chair beside Sam. You met his eyes with an apologetic gaze and he returned it.

It was your turn to feel the bunt of the witches’ fun now, knives sliced at your skin and hair was cut from your head, you knew they’d done it somewhere visible on purpose. They grabbed at your face, nails digging into flesh and smiling as Sam protested.

Eventually, the three left the room and you and Sam began planning. You shuffled your chair toward him, trying to see if he could reach the dagger you always hid in your shoe. His hand brushed over your shin but he couldn’t reach any further.

With one final attempt, Sam tried to lean on the chair to reach, which ended with him toppling both chairs. He landed on top of you, his chest flush against yours. “Sorry.” He spoke, words hoarse from lack of breath.

Luckily for you, the fall had broken the ropes around your ankles and - though it hurt like hell - you manoeuvred your leg just enough to read the blade. Sam's hair tickled against your face and his lips tickled your neck - but that was something you’d have to think about later.

“Nice try you two.” Helen spoke as she waltzed back in. You hid the blade in your sleeve as your chair was fixed once more and while the three were busy working, you managed to slice through the ropes. you waited patiently, watching with a newfound confidence. Luckily for you, Maragaret was the type of witch to intimidate - her favourite tactic being getting as close as she could.

You took the opportunity and thrust the blade forward, stabbing through her throat. She screamed out and you stood up making your way over to the other two to fight. You took a fair few punches, but it was nothing new and soon enough the two others were on the floor too, holding onto the last of their life.

The large salt circle was immediately broken and Sam was freed, you apolising every time you accidentally touched any of his injuries. “That was badass.” Sam complimented and you laughed, leaning your hair back tiredly.

You turned away, starting to destroy the spell further as you spoke, “Ready to finally stop being husband and wife?” You asked and a small smirk rose on his face, hands snaking back over your waist again.

With sudden passion, he spun you back around, his eyes glinting. “Not really.”

With that, Sam lifted you off the ground, hands securely gripping your thighs as he kissed your neck. You had your back pushed against the wall as he moved to kiss your lips, your hands pulling at the back of his hair. He sighed and went to kiss you again when the front door swung open, revealing a disgusted (but slightly relieved) Bobby and a grinning Dean.

”We can explain?” Sam offered, gently lowering you back to the ground. You couldn’t look at one another.

Dean shook his head, smiling like a madman. “I don’t know Sammy, seems pretty obvious to me.” Then, with the same giddy happiness he turned to Bobby, who had since fished a ten dollar bill out of his pocket.

Typical. You and Sam shared an annoyed look as The other two hunters headed back out the door. ‘“C’mon you lovebirds,” Bobby began, “There’s a vamp nest in Chicago.”

[princesssarisa]

In light of all the recent Wuthering Heights discussion about Heathcliff's race, whether he's necessarily a man of color or might just be a dusky-skinned white man, and all the evidence that could point either way in the text, I'd like to share these comments.

When Heathcliff comes back after his three-year absence, Nelly describes his cheeks as "sallow" – a dull, sickly yellowish color.

Jane Eyre uses the exact same word to describe the complexion of Richard Mason, Bertha's brother.

I used to focus on that description of Mason as evidence that Bertha and her relatives are white Creoles (e.g. of Spanish or French descent), not part-black Creoles, and that besides ableism, the problem with Bertha's characterization is xenophobia, not racism. Charlotte Brontë called Mason's skin "sallow," not "dark."

But with the reminder that Emily Brontë used the same word to describe Heathcliff's complexion at one point, I realize it's ambiguous. On the one hand, that description might imply that Heathcliff is paler than we'd expect, and that by modern standards he might (just might) be an "ethnic white" man, not a man of color. On the other hand, the fact that an obviously POC-coded character like Heathcliff can also be described as "sallow" shows that this word doesn't necessarily mean Mason's skin is light.

Meanwhile, departing from the subject of race, rereading that scene of Heathcliff's return makes me notice its parallels with the earlier account of Hindley's return from college.

Both Heathcliff and Hindley come back after being gone for three years – the exact same amount of time – and are both greatly changed in their looks and demeanor. Both are better educated and more socially aware than they were before, both have become crueler and more ruthless, and both are ready to use the power society grants them – either through money, status, or the patriarchy – to "crush those beneath them," as Heathcliff says. And both, I now realize, are described as looking more sickly than before. Hindley more so, since Nelly describes him as thinner and paler than he used to be. But even though Heathcliff's body looks stronger and more athletic than before – which makes Nelly guess he might have been in the military – his complexion has turned sallow.

Throughout the book, sickliness is associated with over-civilization, while "robust good health" is enjoyed by simpler people attuned with the Yorkshire countryside and its culture. This is most obvious in the illnesses and premature deaths of Catherine (which happens because she betrays her true nature and becomes over-civilized), Edgar, Isabella, Linton, and Frances. But maybe it also appears in the thinness and pallor of Hindley and the sallowness of Heathcliff's face when they come home after three years of becoming more "civilized" and quickly turn to villainy.

@thevampiricnihal, @bethanydelleman

[literaryvein-reblogs]

Writing Notes: Conflict

Conflict - a struggle between two opposing forces

Key Character Terms

1. Protagonist

The main character in a literary work

Usually seen as good, upright, respectable, and always attempting to take the proper course of action

Is not always good

For example, in Wuthering Heights, Heathcliff, a brooding and vengeful man, is the protagonist

Thus, the protagonist is a central character, regardless of whether he or she is good or bad

Note: Some literary works may involve an animal protagonist, such as Buck in Call of the Wild, or the animal characters in folk tales or fables.

2. Anti-Hero

When the protagonist is flawed or dominated by negative traits or questionable behavior, he or she is called an "anti-hero"

The term "anti-hero" does not, however, mean that the central character stands in opposition to an actual hero in the story or novel

Rather, it means that the central character stands in opposition to the traditional idea of a hero

3. Antagonist

Stands in opposition to the protagonist

In most novels, the protagonists and antagonists will be clearly distinct and remain consistent

In general, the antagonist will be viewed as bad, wicked, or malicious

Even if dominated by negative traits, however, the antagonist can be just as significant and complex a character as the protagonist

4 Major Types of Conflict

By observing the manner in which a character resolves or doesn’t resolve a conflict, one can gain insight into the character’s qualities, values, and personality.

1. Character’s struggle against nature

When a character must overcome some natural obstacle or condition, a conflict with nature occurs

For example, the men in "The Open Boat" must strive to reach land or perish at sea

Floods, snowstorms, insects, and animals may all constitute a conflict with nature

There are, however, less obvious manifestations of nature that can also constitute a conflict, such as plague or famine

2. Character’s struggle against an antagonist

A struggle between two people is a common element in many works of literature

For example, in Hamlet, Hamlet is involved in a conflict with his uncle, King Claudius, who seeks to have Hamlet killed

However, a conflict between two people is not always openly hostile

For example, in Crime and Punishment, the young murderer Raskolnikov and the police investigator Porfiry engage in a psychological conflict, a battle of wits

3. Character’s struggle against society

A struggle against society occurs when a character is at odds with a particular social force or condition produced by society, such as poverty, political revolution, a social convention, or set of values

For example, in Nicholas Nickleby, the protagonist stands in conflict with a hypocritical education system, while in Bleak House it is a corrupt legal system that functions as the major antagonist

4. Struggle between competing elements within the character (internal conflict)

Within a character, aspects of his or her personality may struggle for dominance

These aspects may be emotional, intellectual, or moral

Examples:

An "emotional" conflict would occur if the protagonist chose an unworthy lover over someone who is devoted

An “intellectual” conflict could entail accepting or rejecting one’s religion

A “moral” conflict might pose a choice between honoring family or country

Such conflicts typically leave the character indecisive and agitated

When such conflicts are resolved, the resolution may be successful or unsuccessful

Writing Notes & References ⚜ Worksheet: Conflict

[burningvelvet]

In a letter to W. S. Williams (14 August 1848), Charlotte Brontë compares Jane Eyre’s Rochester to the Byronic heroes of her sisters’ novels, Heathcliff from Emily’s Wuthering Heights and Huntingdon from Anne’s The Tenant of Wildfell Hall:

“You say Mr. Huntingdon reminds you of Mr. Rochester. Does he? Yet there is no likeness between the two; the foundation of each character is entirely different. Huntingdon is a specimen of the naturally selfish, sensual, superficial man, whose one merit of a joyous temperament only avails him while he is young and healthy, whose best days are his earliest, who never profits by experience, who is sure to grow worse the older he grows.

Mr. Rochester has a thoughtful nature and a very feeling heart; he is neither selfish nor self-indulgent; he is ill-educated, misguided; errs, when he does err, through rashness and inexperience: he lives for a time as too many other men live, but being radically better than most men, he does not like that degraded life, and is never happy in it. He is taught the severe lessons of experience and has sense to learn wisdom from them. Years improve him; the effervescence of youth foamed away, what is really good in him still remains. His nature is like wine of a good vintage, time cannot sour, but only mellows him. Such at least was the character I meant to portray.

Heathcliffe, again, of Wuthering Heights is quite another creation. He exemplifies the effects which a life of continued injustice and hard usage may produce on a naturally perverse, vindictive, and inexorable disposition. Carefully trained and kindly treated, the black gipsy-cub might possibly have been reared into a human being, but tyranny and ignorance made of him a mere demon. The worst of it is, some of his spirit seems breathed through the whole narrative in which he figures: it haunts every moor and glen, and beckons in every fir-tree of the Heights.”

Source: The Brontës Life and Letters (Clement King Shorter, 2013)

[tortelette]

OKAY MEURSAULT BRIEF INCOMPLETE ANALYSIS BECAUSE I LOVE HIM

CANTO 6 SPOILERS AHEAD!!!

Canto 6, omfg I love it

Heathcliff needs a break from everything what happens there so I decide to pinpoint the rest of my sight to Meursault out of all of the sinners.

First things first, he is still good at the adaptability and basics of reading between the lines of a conversation and his environment. The part where he reads the newspaper with Don and Rodion and he still sticks to what is more important even if the other things can be interesting still makes him a very formidable ally when he mentions what he reads in part 3 of Canto 6. It is the most Meursault-coded behavior but he is still shows his prowess of understanding things even though he prefers a direct approach to things.

Second part, concern. My dude is the first one who can read the room properly ever since Catherine's "death" when the team arrived in Wuthering Heights, he expresses genuine remorse to Heathcliff and is expressing his condolences in his own way. Not telling it to Heathcliff straight to the fact like he used to since he is concerned on the way how Heathcliff will react to it if he bluntly tells him on what is in his mind.

He even expresses his own judgment about waiting out for the Golden Bough to be available to avoid the thunder strikes for the sake of Heathcliff's well-being. Even if the possible result of this decision is the failure to retrieve the Golden Bough. Which shows that his mind is not entirely on seeking the best result of the mission due to his contact but also to his concern for the safety of his co-workers and to avoid the dangerous risks they went through.

The third and final part, decisions. The surprising out-of-place cutscene in Canto 6 where he uses his base EGO to restrain Erlking Heathcliff... it was not placed there just to bring an epic power move ever since Vergilius' battle sprite shows up during the Wild Hunt basement.

I believe this is a way for them to show his development as a character.

Because this is a pivotal moment about him as a person.

He is a man who follows orders to the T, and he will not conduct a task or an action without permission or if it is against the rules to do so. Even if things are hectic, he needs orders from the higher ups for him to act even though it is common sense or morally right to do so if one has the ability to do it in that situation.

The fact he does this without the orders of Dante out of all people, since he knew the weight of the situation, shows how he grew as a person and can act on his own without others ordering him.

The fact he can remove the cold and hard disposition and the factual speech shows that he is opening up in the journey he went through with his company. Revealing a more relatable yet frank tone so he can be understanding to his fellow coworkers.

Gosh, I want to see this grown man cry.

[longagoitwastuesday]

Jacob Elordi and Margot Robbie as Heathcliff and Cathy seems like out of The Onion

[projectmoon-smash-or-pass]

propaganda:

✅️ "his tits are huge. hes probably packing downstairs. And if hes got a pussy you KNOW that it’s juicy as fuck. I don’t even care that he’s British anymore. I think he’s a sub. I want him so bad. I need to peg him. I need to kiss him gently. I could make him feel loved"

✅️ "hes hot. BPD legend. i wanna pull him around by his straps."

✅️ "i can't fix him and i'm not even going to try. however! i want him."

✅️ "This isn't really my area, but as a Heathcliff fan, I must provide some support/propaganda for him ...

Having read (and thought) much about Wuthering Heights and its implications for Heathcliff's character, I'm inclined to say he'd be quite gentle and careful when it comes to the bedroom--this man was insulted, ridiculed, and brought low by those around him, and the woman he loved most said it would degrade her to marry him, so it's likely he's going to be a bit nervous about being with someone intimately! We've seen in canon that he's internalized a lot of the insults he's received, to the point he has self-loathing, so he probably worries about hurting/driving away his partner, and thus goes the extra mile to ensure they're comfortable and safe throughout the whole intercourse. And do not get me started on aftercare--you cannot tell me he isn't going to be checking in on his partner and making sure they feel safe/loved/comfortable with him. Oh, and don't forget about the looks of pure, unadulterated affection he's going to give you, either--the softest possible look in his eyes as he cuddles and compliments you.

In sum, Heathcliff would be a wonderful partner. He just really needs someone who's willing to be patient with him and provide him with all the reassurance he needs that they had a wonderful time with him. That man needs to be loved good and proper!"

✅️ "the first piece of propaganda is so correct but also the british is part of the charm. also SCARS SCARS SCARS SC-"

✅️ "i am in a constant state of considering the logistics of a threesome with heathcliff and gregor. unconventional duo, i know, but i just know they'd treat a partner right. heathcliff's probably got a bit of a rough streak, and gregor would have dirty talk down to a science, and the aftercare would be heavenly. all-around wonderful time for everyone involved. please tell me someone else understands my vision."

[divorcedwife]

man, i didn't remember how good hareton is as a character. honestly i barely remembered anything about him at all but his relationship to heathcliff is so well written and sad. so loyal to him and for what

[throughpatchesofviolet]

To Sail Forbidden Seas ~ Chapter 1

Synopsis: After a long voyage, Yi Sang and Heathcliff seek shelter.

Ship: The Adventure of Wuthering Heights

Words: ~2330

Warnings: alcohol; a physical altercation between characters; food

“It’s not much further, now,” Yi Sang said, glancing over his shoulder at his companion, who ambled along behind him, his head hung low as he clutched at the ragged cloak concealing his shoulders.

For a moment, Yi Sang’s gaze lingered on his friend’s hand, eyes silently tracing the tattoos inked into his scarred flesh, then he shook himself, turning to point at an inn down the road.

“There it is—Thames Landing … you’ll be safe there.”

His partner slowly lifted his head, eyes gleaming beneath his hood as he quietly studied the building Yi Sang indicated—it was a quaint, two-story structure, built from shabby wooden planks. The slanted roof had been bleached by the sun, and a makeshift fence, cobbled together from bits of driftwood, encircled the building. It was simple, almost rustic, in presentation.

“This place … good. Has charm.” The man spoke slowly, his sentences short, but each word was firm. Still, his brow furrowed, and he cast a questioning glance towards Yi Sang. “Safe … you sure?”

Yi Sang nodded, smiling as he motioned for his companion to follow him down the road. “At ease, my friend … I promise you Mycroft Holmes won’t lambast you with questions—aside from those pertaining to your stay, of course.”

The pair halted in front of the inn, and the man lifted his gaze to the sign hanging above the door. Even in the semi-darkness, he could make out a series of white letters that spelled out the inn’s name, the words painted to resemble a bridge arching over a dark band of water.

“Now, Heathcliff,” Yi Sang said softly, drawing his companion’s attention back to him, “while I can guarantee the Holmes siblings won’t object to you residing here, I cannot say the same for their other patrons—many of them are unscrupulous fellows, you see … the shameless, deceitful sort who’d sell you out in a heartbeat.”

His friend nodded solemnly. “Then I stay under cloak. Until you sort things out.”

Yi Sang smiled sadly, his fingers settling on the door handle. “Yes … I do believe that’s for the best.”

Taking a deep breath, Yi Sang threw the door open, and Heathcliff blinked as warm, golden light spilled onto the street. Hushed conversations tickled Heathcliff’s ears, and he reached to pull his hood over his eyes before following Yi Sang inside, quietly studying his surroundings from beneath his cloak. Wooden chandeliers hung from the ceiling, providing ample light for those below, and a massive fire blazed in the hearth built into the far wall. A large, bubbling kettle was suspended above the flame, the steam rising from the cauldron carrying a mouthwatering aroma that reached Heathcliff’s nostrils from the doorway, causing his stomach to growl.

“This way.” Yi Sang motioned for Heathcliff to follow as he approached the bar, flagging down the man behind the counter. “Mycroft! Can I trouble you for a moment?”

The bartender glanced up from the glass he was drying, his face brightening when he recognized Yi Sang. “Well, well … if it isn’t the first mate of the Pequod, himself! To whom do I owe the pleasure?”

“The pleasure’s all mine—though, you could raise a toast to Captain Ishmael, if you so desired.” Yi Sang smiled, settling onto a barstool as Heathcliff melted into the corner. “She led us on yet another successful hunt.”

“Ah … Sherry did mention something about her going after another Whale …” Mycroft set the glass in front of Yi Sang, then reached beneath the counter for a bottle of whiskey, proceeding to pour the sailor a drink. “Now, what exactly can I get for you?”

“Well … my companion and I were looking to room here for the evening …”

Heathcliff exhaled slowly, tuning out the conversation as he scanned the inn—men crowded around large, rickety tables scattered throughout the dining room, swapping stories and downing tankards of liquor. Oftentimes, the amber liquid missed its mark, sloshing onto the floor, instead.

The harpooneer snorted, and was turning his gaze back towards the bar when something—nay, someone—caught his eye: a woman, the hem of her periwinkle gown trailing along the soiled floorboards, circled the tables, unimpeded by the sailors stumbling around her. She cut through the intoxicated mob like a ship through the Waves, her tawny hair streaming behind her as she weaved between toppled stools and unconscious men, scooping up dirty dishes as she passed.

Something about the way she carried herself intrigued Heathcliff—despite the chaos unfolding around her, she remained calm and collected, tending to her clients’ every need without complaint.

He shrank further into the corner as she drew near, his eyes dropping to the floor until she’d swept past. As her footsteps faded, Heathcliff slowly lifted his head, staring after her.

“Oi! You, there! You’re not ogling that lass, are you?”

Heathcliff flinched, shrinking back into the corner as one of the sailors staggered to his feet, scowling at the harpooneer. “Did not mean to stare,” he mumbled, lowering his gaze.

“Oh, I’m sure you didn’t,” the man growled, lurching towards Heathcliff, who drew his cloak tighter around his shoulders. “But you were, weren’t you? Bet you’re thinkin’ you have a shot with her, too.”

“Was not,” Heathcliff muttered, pressing his back against the wall as the man stumbled closer.

“What was that?” The sailor came to a stop a few feet away from the harpooneer, his face set in an ugly sneer. “Speak up, you bastard—no one can understand you when you’re mumbling.”

Heathcliff grit his teeth. “Said, ‘was not.’ You need your ears checked.”

“You think you’re clever, eh? You wouldn’t be talkin’ like that if you knew who I was.”

“Do not care who you are. Go away. Want to be alone.”

“Do you? Well, you should’ve thought about that before you started makin’ eyes at the lass … now you’ve gotta pay the price.”

The sailor lunged forward with surprising speed, and Heathcliff raised an arm, barely blocking his fist. Swearing, the man struck out with his free hand, clawing at the edge of Heathcliff’s cloak, and the harpooneer hissed, attempting to squirm away, but it was no use—his assailant caught hold of his robe, grinning as he tore it from Heathcliff’s shoulders.

But his smile faded as the cloak fluttered to the floor, his eyes widening in horror as he noticed the tattoos inked on Heathcliff’s skin. “By the Wing’s … you’re … you’re …”

An uncomfortable silence fell over the inn as everyone stared at Heathcliff—at the markings covering every inch of his exposed flesh.

“You’re from … the Middle …” The sailor stumbled backwards, clasping his hands before starting to beg. “P-please … spare me—I didn’t mean any of it, I swear!”

Heathcliff lowered his head. “Tattoos from Middle, yes. But I … I not with them. Not anymore.”

The sailor blinked, his brow furrowing. Then, he straightened, his sneer returning. “You left the Middle? Isn’t that some kind of taboo?”

Heathcliff said nothing, and the man laughed as whispers passed through the crowd.

“Silence speaks louder than words, or so they say,” he said, grinning. “So, you ran out on the Middle, fully knowing the consequences … I wonder, just how much are they offerin’ for you?”

The sailor glanced at the men behind him, still smiling.

“Perhaps we should see about turning you in—we could use some extra cash, right boys?”

Murmurs of agreement echoed behind him, and the sailor, emboldened, grabbed Heathcliff’s wrist.

“Right, then … I’m goin’ to need your name—I’ll be givin’ it to the Middle, you know.”

“You’ll do nothing of the sort.”

The man blinked as a voice rang out from across the room, and Heathcliff lifted his head, his heart skipping a beat when he saw a woman striding towards them, her eyes flashing.

“Sh-Sherry …” the sailor stammered, stumbling backward. “I-I’ve gotta do this, love—if the Middle were to find out your brother was hiding this man, they’d kill him …”

“The Middle isn’t going to find out we’re serving this gentleman,” the woman replied icily. “You aren’t going to breathe a word about him to anyone. Right?”

“B-but … this is to pro—”

“Right?”

The man flinched as she cut him off, eyes dropping to his feet. “Right.”

“That’s what I thought.” She folded her arms, nodding towards the door. “Now, leave, Victor. You’ve harassed my clients enough for one evening, and I shan’t tolerate your indecency a moment longer.”

“Sherry, I—”

“Leave. Now.”

Her words were like thunder, ringing clearly through the silent inn, and a shiver shot up Heathcliff’s spine as the sailor whimpered, slinking away. The woman watched him leave, then turned to the throng of men behind her, scowling.

“As for the rest of you … I trust you know what’ll happen if I find you’ve sold this man out?”

A chorus of soft “ayes” rippled through the crowd, and she nodded.

“Good—as you were, gentlemen.”

With that, the men exchanged glances, some smiling, others shaking their heads, before resuming their conversations. The woman knelt down, retrieving Heathcliff’s cloak from the floor and gently dusting it off before draping it over his shoulders.

“My sincerest apologies, sir … I do hope your stay hasn’t been spoiled by Victor’s poor conduct.”

Heathcliff blinked, unable to tear his gaze away from her face—she was even prettier up close than she had been from afar, with sharp, angular eyes whose color reminded him of the sea at midday.

“Your eyes … like ocean.” He said finally, his words soft. “Very pretty.”

She studied him for a moment, then smiled. “Thank you.”

Warmth bloomed in Heathcliff’s chest as the woman fussed with his cloak, straightening it so his tattoos were hidden. After a moment, she stepped back, lifting her eyes to meet his.

“Now, then … how may I serve you, this evening?”

Again, Heathcliff blinked, his gaze dropping to the floor as he mumbled a response. “Came for room. Yi Sang … said it was safe here. Said Holmes siblings … accept me. As guest.”

“Ah … then you’ll need to speak to my brother, Mycroft.” She nodded towards the bar. “He’ll see to preparing your lodgings.”

“Yi Sang said … he’d handle it.” Heathcliff murmured, shuffling back into the corner. “So, I wait.”

“Is that so?” the woman frowned, brow furrowing. “Well, if you have any trouble, do let me know—I’ll do everything in my power to ensure your stay is a pleasant one.”

She offered him a curtsy, then melted back into the crowd, leaving Heathcliff staring after her.

“So … my sister’s caught your eye, has she?”

The harpooneer started, turning his head to find the bartender studying him curiously—only then did Heathcliff notice his sharp, angular eyes. “Your eyes … shaped like hers.”

Mycroft nodded, setting down the glass he was drying. “That’s about the only feature we share, it seems … well, aside from one peculiar faculty unique to our family, that is.”

“Heathcliff …” Yi Sang spoke softly, unable to meet his friend’s gaze. “I … I failed you. I shouldn’t have allowed that man to expose you, and yet …”

“You have not failed me,” Heathcliff said. “You promised me a safe place, and this place … is safe. Even after seeing my tattoos, I am welcomed. Like you promised.”

Yi Sang was quiet for a moment, then cleared his throat, rising to his feet. “Mycroft has generously arranged for us to reside in separate lodgings—and he’s providing dinner, on the house.”

“My sister will see to it you’re fed,” Mycroft said, chuckling softly. “Your friend’s in for quite the treat, Yi Sang … Sherry’s serving her finest chowder, tonight.”

“Please inform her I’ll be dining in my quarters.”

“Of course … and how about you, sir?” Mycroft addressed Heathcliff, raising an eyebrow.

“Eat in room, like Yi Sang.”

“Very well, then.” Reaching beneath the counter, Mycroft produced a pair of brass keys, setting them on the counter. “Yi Sang, you’ll be staying in room 212—it’s the third door on the right. And, Heathcliff, you’ll be in room 201—first door on the left after you climb the stairs.”

“Thank you, Mycroft,” Yi Sang murmured, his fingers curling around one of the keys. “Your hospitality is sincerely appreciated.”

“As is your business,” the bartender replied, winking. “Enjoy your evening, gentlemen … and do let either Sherry or I know if you need anything.”

He bowed as they turned, making their way across the crowded dining hall. Heathcliff kept close to Yi Sang, eyeing the drunken mob warily as they approached the stairs.

“Heathcliff,” Yi Sang said softly as they climbed the creaking steps, “about what Mycroft said, before … you’d best tread with caution.”

The harpooneer blinked. “What do you mean?”

“The way you were looking at Sherry … if you truly do fancy her, you need to be careful. That man from earlier—the one who attacked you—he’s one of her admirers. And they don’t take kindly to competition from strangers, as you’ve no doubt come to realize yourself.”

“Was not staring for that reason,” Heathcliff muttered. “She stood out. Could not look away.”

Yi Sang sighed. “She does tend to have that effect … just be careful, alright?”

Heathcliff nodded as they reached the second-floor landing—ahead of them stretched a short corridor with four doors on each side, and they paused, waiting for their eyes to adjust to the gloom.

“Your room’s here,” Yi Sang said, motioning towards the door nearest to them. “If you need anything, you can always—”

“Call on you. I remember.” Heathcliff gently nudged his friend forward. “But I will not bother you. Not tonight. You need rest.”

Yi Sang stared at him for a moment, then his gaze softened as a smile spread over his face. “I shall get on that, then … and I am wishing you pleasant dreams, as well.”

Turning on his heel, Yi Sang vanished into the shadows, and Heathcliff released a slow sigh, his shoulders sagging as he unlocked the door leading to his chambers.

[clanwarrior-tumbly]

cuddling mark after the alternate attack that you saved him from, just trying everything you can to help soothe his nerves,,,little nightlight, keeping doors locked, tv's unplugged, etc.. so maybe like reverse comfort/angst with fluff in it,,,

i would do anything to make sure that man is happy and comfortable ughh

SO true bestie. In this house, we reverse-comfort traumatized characters <3

.....

"Oh god, oh my god. I-It's back, [y/n]!! It's inside the room a-and it's gonna fucking kill us both-!!"

"Mark, there's nothing there-"

"NO, NO, NO!! GET AWAY FROM THAT THING!! It's wearing his face a-and it's staring right at-!"

"It's a jacket!"

"....it is..?"

"Yes. That's all..see?"

Despite his blurry vision, the Heathcliff boy managed to blink back tears, struggling to catch his breath.. But he could see you approaching the closet door, calmly removing the article of clothing hanging on it before showing it to him.

And slowly, yet surely, he stopped hyperventilating as he stared at it for some time.

You were right.

That's all it was.

Just a stupid jacket he sloppily hung up after coming home from school one random day. He didn't realize that his careless placement of it would become the thing that sent him into a panic attack.

But he couldn't help it.

In the darkness of his room, it so-happened to resemble an amorphous tall black blob....the shape of those monsters that dwelled in the shadows and tormented him for two days.

Even though you saved him from their influence a while ago, he was still too afraid to go back to school...or even be alone, which was understandable. He wasn't officially diagnosed with M.A.D, though he remained delirious from sleep deprivation and overly paranoid that every moving shadow is an Alternate waiting to kill him.

It didn't help that his own mind was making him see things that weren't actually there--like frightening bastardized imagery of his dead friend.

You never realized how seriously traumatized Mark was until he suddenly screamed in terror while you were both cuddling together on the bed. At first you thought he was waking up from a nightmare after falling asleep..

Then he insisted somebody was watching you two from the closet.

For a moment you believed him, getting up (despite him begging you not to leave) and grabbing a baseball bat you brought over to attack the threat..

Only to find out that the "threat" was just a jacket. There was no actual danger present.

Or at least..not to you.

Yet even when you looked back at your partner, you saw he was still deeply-shaken over everything, gazing at the open closet with a thousand yard stare.

That's when you decided to do something about it.

While you couldn't make him forget about what happened, there's things you can physically do to put his mind more at ease and feel safe in his home again.

So you shut the closet door and locked it tight, propping a chair under the knob for good measure.

After that, you noticed the nightlight in the corner of the room was a bit dimmer than usual, so you went over to unplug it, tightening the loose bulb and dusting off its plastic star-shaped exterior.

When you plugged it back in, it shone twice as bright.

"That's better. Now...I'm just gonna go check out the rest of the house, okay?" You turned back to Mark, who was now looking at you in panic. "I promise I'll be back in two minutes. Just two. That's all I need, alright?"

Tears welled in his eyes, but he nodded in understanding. "Just come back..please.."

"I will. I swear it." After giving him a small kiss of reassurance, you left the room, hoping your task will be quick and easy, while he mentally counted down the seconds you were away.

You triple-checked all the TVs to ensure they were unplugged, deciding to cover the screens in case a certain child-stealing asshole could somehow turn them on.

It can't hurt what it can't see, right?

As for the doors, well...you couldn't install brand new locks with passcodes, chains, or iron bars into them right away. So instead you pushed some heavy things in front of them--things that would make loud noises if they were ever moved by the doors being forced open.

It's a temporary fix, but even you felt safer knowing you did something.

Roughly two minutes later, you returned to Mark's bedroom..only to see that he had shut the door on you, locking it tight.

That was only expected.

Sighing softly, you raised your hand and knocked in a unique rhythm, assuring him it was really you on the other side.

It swung open to reveal him standing there, hood drawn over his head as he hugged one of the stuffed animals you gifted him for Valentine's Day. His nose was buried into its fur, inhaling the faint rose scent still infused into it.

Although it's nice that he kept it after all this time, you could see him clearly using it to hide his tears and the heavy bags under his eyes.

It dug a knife deep into your heart. You hated seeing him look so terrified and broken, wishing you could take all his pain away instantly.

You wanted to make the Alternates pay for what they did to him...and get the cop who ignored his cries for help fired.

But all you could do right now was be here for Mark.

"Thank you for doing all of that..." He finally spoke, voice trembling. "I-I'm sorry. I...I knew it was you, b-but...I just-"

"No, no..it's okay, Mark. I understand. But everything's more secure now. None of those bastards are gonna get us." You softly reassured, going back to the bed with him as he set the plushie down.

Before he could say anything else, you pulled him into your arms, gently pushing back his hood so you could run your fingers through his hair. He sniffled in response, burying his face into your chest since he didn't trust himself not to look around the room and find something--or someone--he didn't wish to see.

For now, all he wanted was to be surrounded by you and your presence alone.

Where prayers failed to comfort him, you were here to keep him from falling apart.