#Harry pussy

[omegaremix]

Omega Radio for August 2, 2014; #57.

Neu! “Hallogallo”

Captain Beefheart “The Host The Ghost The Most Holy-O”

Jonathan Richman & The Modern Lovers “Dodge Veg-O-Matic”

Death “Where Do We Go From Here?”

Destroy All Monsters “What Do I Get?”

Cramps, The “Hypno Sex-Ray”

Saints “Wild About You”

Stiff Little Fingers “No More Of That”

Minutemen, The “Bob Dylan Wrote Propaganda Songs”

Husker Du “New Day Rising”

Swans “Money Is Flesh” (live)

Henry’s Dress “You’re My Radio One”

Late! “Color Pictures Of A Marigold”

Meat Puppets, The “Plateau”

Beatings, The “Stockholm Syndrome Relapse”

Kurt Vile “So Outta Reach”

Boom Boom Box, The “Holiday”

Paint Fumes “Space Cadet”

Mark Feehan “See You In Brundisium”

Purling Hiss “Purple Hiss”

Jesu “Comforter”

Godflesh “Decline And Fall”

Marching Teeth “Sun God”

Cutthroats 9 “Induction”

Deluxe broadcast; all guitars.

[neotenous-agency02]

[lust-end]

[lizzytwitch]

Harry Pussy

[dustedmagazine]

Bill Orcutt — Jump On It (Palilalia)

Photo by Steve Goodwin

Jump On It by Bill Orcutt

Jump On It comes freighted with curiosity and expectation. It is Bill Orcutt’s first solo acoustic recording since Solo Acoustic Volume 10, which he recorded for VDSQ on Christmas day, 2013. It’s worth noting that eleven years elapsed between Harry Pussy’s expiration in 1997 and Orcutt’s return  came apart in 1997. Might it be that a decade and change is some sort of Orcuttian gestational period? 

To be sure, there are differences between the two gaps. Orcutt pretty much hung up his guitar after the 1998 release, Let’s Build A Pussy, a death rattle of a double LP created from one time-stretched utterance by HP’s singer-drummer, Adris Hoyos. He moved across the country to San Francisco, got a job and a family, and didn’t really think about playing music again until the act of compiling Harry Pussy’s scattered vinyl onto the CD You’ll Never Play This Town Again recharged him with the joy of his own sound. After that, he picked up an acoustic guitar and began developing the material that became A New Way To Pay Old Debts, a frantic dive into punk blues encrusted with enough oxidized crud to justify drydocking a supertanker. By contrast, Orcutt’s remained steadily in the public eye since 2013. He’s played electric guitar in solo, improvised duo, and quartet settings, and also pursued a less visible but highly relevant sideline in electronic, systems-oriented experimentation that elaborates upon ideas proposed by Let’s Build A Pussy. 

Thematically, the first electric solo LP, Bill Orcutt, continued the thread of interrogating the American songbook pursued on its acoustic predecessors. But beginning with that record, Orcutt has shown an increased concern with making records whose sonic qualities won’t lacerate your ears. Additionally, the original material on his most recent collaboration with Chris Corsano, Made Out Of Sound, and solo LP, Odds Against Tomorrow, give voice to a newfound lyricism. These developments all relate to the music on Jump On It, which, like its immediate predecessor, Music For Four Guitars, is a brief and unfailingly on point. Orcutt used a Harmony Sovereign guitar instead of the old Kay, and while he recorded it at home, he retained Chuck Johnson to mix and master the album’s ten tracks. The resulting sound is clear and resonant, which does justice to the music Orcutt’s composed. And instead of feral yelps, ringing phones, and passing traffic, the guitarist accompanies himself with subliminally registered breaths. 

“What Do You Do With Memory” opens the album with a pensive melody. While the tune leads to some clusters and crabbed runs, its symmetrical resolution is as reflective as its beginning. “The Life Of Jesus” and “A Natural Death” likewise uses elegant themes to frame their flurries of trademarked dissonance. And the spacious arrangement and patient development of “An Ocean Will Find Its Shore” wouldn’t be out of place on a Ralph Towner record. There, I said it. While there’s not enough added reverb to earn Orcutt a ticket to a photo op in the fjords, Jump On It projects enough conventional beauty to lure in some ECM fans. The jaggedness and urgency is still there, but it’s contained within a broader emotional and sonic spectrum.   

Bill Meyer

[toffeethief]

[thickitin]

Hi

Feel free to text me am down for all 😉💦

Text me on

Telegram: Melissaforyo

WhatsApp: ‪+1 (470) 812‑5937‬

[maquina-semiotica]

Harry Pussy, "Hp Superstar" #NowPlaying

[omegaremix]

Omega Radio for August 1, 2016; #118.

G.L.O.S.S. “Trans Day Of Revenge”

Cult Ritual “Hunger Pains”

Thee Oops “Christian Gay”

Drug Church “Riding The Bus To Schenectady”

Housewives “Larceny”

Leatherface “Razor Blades And Aspirin”

Kegcharge “Dying For Who?”

Grump “Faзades”, “Culture In Decline”

Nomeansno “Angel And Devil”

Drunkdriver “Quality Of My Life”

Downtown Boys “ No Pity For Boredom”

Breach “Hell Is My Witness”

Adamantium “Within A Dream”

Bishops Green “We Got Nothing”

Deathcharge “See Through Their Lies”, “Pathetic Sheep”

Cell Block “Fuck What Nietzsche Said”

Combat Knife “Unending Sionic Warfare”

Degreaser “Shit On The Fire”

Dry Heaves “What’s Happening”

Rumores 2014 demo

Harry Pussy “For Emil” (live)

Jewish Uprising “Fingers Crossed”

Las Sangronas Y El Cabron “En La Casa Solidaria Del Sur”

Leather Daddy “Head”

Male Nurses “s/t”

On The Brink “Lock Stock & Rock ‘N Roll”

Pachinko “Adonis Of Denver”

Contrast Attitude “No Hope In There”, “Turn Around Again”

Clocked Out “One Hundred & Eighty Seven Reasons”

Rotting Out “Born”

Rixe “Infatigables”

Dawn Of Humans “Pinned Out Pts. 1 & 2”, “Mangled Puzzle”

Scars “Adultery”

Shallow Sanction “Revulsion”

Spits, The “Don’t Shoot”

No Fucker “Another…”, “Peace…They Hate The Very Word”

Total Abuse “You Don’t Fucking Care”

Vaaska “Policia Policia”

Yum-Yuckers “Premeditated Sincerity”

Les Rallizes Denudes “Midnight Gangstar 11/03/1975” (live)

Bonus d.i.y. punk, noise, and d-beat.

[radiophd]

harry pussy -- ride a dove

[dontdj]

D'SASTER invited me for one of her rare features on D'SASTER MOMENTS which streams through Tbilisi's infamous Mutant Radio.

This is my favourite kind of radio show, (not because I am in it you sick fuck! but obviously) because of the format: Host invites guest, host and guest play records selected sometimes just by association and sometimes by grave personal or biographical importance, and then they talk about it! in fact we talked so long that i was feeling bad for Alexa D'saster whon i knew had to cut up all that flow of consciousness in order to deliver 120min of seemingly coherent exchange! All respect to her! And of course to the artists whose tracks we played!

Our exchange was of such openness that it will forever stay a favoured memory to me!

Hope you all are good and find ways to keep up your very personal way of being throughout these troubled times!!!

Much love from Berlin,

here is the show: https://on.soundcloud.com/6r5Tc

[beachf4gz]

im so sure someone already did this idc

[slytherinslut0]

yes, your honour, i know hes bad. i know hes evil. i know hes borderline vile.

but trust me, your honor, i can fix him.

source: my female intuition

[dbutsu]

ur gonna look me in the eye and tell me this isn't dad!harry???