Season 4 hope/prediction: Deb's show is solid, zero issues, runs flawlessly with great ratings, but her personal life is completely eroding. We start with her discovering Marcus is leaving, and it culminates in DJ going into labor right before a taping. Deb chooses the show. When it's over, and she finally flies to Vegas, it's too late -- Aiden's not letting her in because he loves his wife too much to let DJ get into a shouting match with her mom right after giving birth, and instead takes the brunt of Deb's wrath, with her making excuses and talking about how they used her money for IVF, and anyway, DJ's fine, so who cares if she wasn't there? Kathy's in the room with DJ and the baby (DJ's the closest she has to a daughter, after all) and Deb leaves too furious to think about how badly she's hurt her family.
She heads back to her Vegas mansion -- empty, obviously, Josefina and the dogs would be in LA -- and pops open a bottle of wine. Alone. Completely alone. Can't call Marty, she has no friends, the closest she's got would be Kiki and wouldn't that be embarrassing, calling your poker dealer to talk about your feelings --
and then Ava's there. She got the news about DJ's labor, she got the story from Aiden (who was distraught, by the way, man's too much of a sweetheart for Vance drama), a spare key from Damian (happy to pawn that off on her, though if it isn't returned promptly he's taking legal action) and has arrived just in time to see the Deborah Vance having a breakdown the likes of which no one thought physically possible. Crying gives you wrinkles, you know. But Ava has to be here. She's the physical embodiment of a lesson Deb never truly learned: you don't have to like someone to love them.
In my imaginary fantasy land that I am concocting this would then subsequently lead into them fucking nasty but I understand that this may be a step too far for the surprisingly large number of very normal people who watch this show and would forgive JPL for not taking it that far. However I do believe they should fuck about it and let Ava take the reigns in their relationship while they see how many of Deb's bridges they can un-burn.
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My brother died very suddenly yesterday.
He was the kind of person who always had dozens and dozens of friends everywhere he went because he was easy to talk to and funny and treated people with respect, and his friends ranged in class, race, age, social ability, introversion and extroversion--no matter who you were, he could and would befriend you.
He would scold me for not asking him for help when I needed it, and he would mean it. He taught me to tip well. He loved helping people. He played practical jokes on the new kids at work, including getting one guy to "chop flour" because the flour they had in the kitchen was "too coarse."
He introduced me to some of the best food I've ever eaten in my life. He would always help with a recipe that wasn't working. He would tell me what to buy my foodie friends for their birthdays, and he never got it wrong. He loved meat and whiskey but also wine and fruit and he got me to eat beets even because he knew how to make anything good.
Mostly, he thought that people were all deserving of respect and decency. He was outspoken on this. For all that his friends ranged across demographics, he didn't tolerate anyone being hateful around him. But even then, he was nice about it. He would try to get people to come around to his side. He saw the good in people.
And he was happy. He had finally quit chewing tobacco and managed to stay off it for three years. He had a girlfriend he really liked. The pandemic had put him out of work for over a year, but he was back at his job and doing well and he liked it. He was good at it. And it's complete bullshit that he's gone.
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Can you show us how to draw the height differences for each of the Marble hornets characters? Some people draw time absolutely tiny compared to the rest and some people make him taller than jay and not much shorter than Brian, and I think it’s funny
I do draw Tim being tiny 😔🤝
This is kind of how I imagine the main four guys!! I like to think of jam as short and brilex as tall just cause I think that's funny lmao
Idk the exact actual height differences between them, but that's how I imagine them ✨✨
(Sorry this took a little to answer, thank you for asking!!! :D)
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Obsessed with the POV choice in Imperial Radch as well, both because Leckie does some really wild stuff with how expansive the strict first-person is able to become due to the worldbuilding and who her narrator is, and because it's SO entangled with the central thematic concepts of identity. In the first book flashbacks when the narrator is still a warship, "I" can encompass so many things, and sometimes explicitly refers to different facets in the narration--is "I" Justice of Toren, or One Esk, or a specific segment, or Breq narrating from twenty years in the future? "I" isn't simple, isn't unified, and while this is most literal and obvious with Breq/One Esk/Justice of Toren and Anaander Mianaai's split factions it's true constantly throughout the work at every level of scope. Individual characters struggle with internal conflicts and hit their breaking points--what is it that makes someone decide they have to disobey orders and make a stand or they won't be themself anymore? How do you know who you are if you've been forcibly changed (Tisarwat) or if the world you knew has moved on and become unrecognizable (Seivarden)? How does a character on a colonized world navigate the split identity that comes from the pressure to assimilate to the dominant culture? And then there's the Radch writ large, all the Radchaai so deeply invested in the idea that there is only one true concept of Radchaai society, of civilization, but of course there isn't! It changes based on location and over time, and Breq muses that the Radchaai empire would be largely unrecognizable to the isolated sphere of the Radch itself. In these books, even if you aren't the last remnant of a destroyed spaceship and its legion of bodies, "I" is such a complicated concept and the narrative never lets you forget it.
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no but actually. the parallels to other Twins in different nations of teyvat in relation to the traveler and their desire to reunite with their own sibling makes me a little bit bonkers. like.
diluc and kaeya as what the traveler has and fears, after we will be reunited [separation born from conflict that seemingly cannot be mended; they both care for each other but ultimately their opposing ideals mean they cannot be at each other's side in the same way that they used to, and no longer have the close bond they once did]
ei and makoto as what the abyss sibling experienced [a crushing loss not just of one's twin but the last remaining friend they had and the safety and security of their nation, coming out the other side traumatized, cold and jaded and making decisions that will ultimately hurt the people they claim to want to protect for the sake of an unattainable goal]
and lyney and lynette as what the traveler and the abyss twin used to have before they were separated [never apart for long, home is wherever we are together], what the traveler wants [their separation brief and quickly amended, continuing to be inseparable after they reunite], and also the choice they'll have to make [the twins being together in an organization the traveler inherently doesn't trust - does the traveler want to be by their sibling's side badly enough to throw their lot in with the abyss, and turn their back on everyone else they've met on their journey so far?]
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I wanna know if you have any thoughts on Valka and Sroicks parenting and how that affects hiccup? Because I'm loving so much of your content rn, especially your drawings!! But when I see stuff like Tgirl Hiccup while I think they would be supportive, I don't think they would be ... the best because their not really the best. Like ofc they tried even Val when she came back, but it doesn't and won't ever make up for everything else it's so complicated, and nuisanced would love to hear your thoughts!!
Im going to break this post into addressing stoick and valka separately because valka is such a non-entity in hiccup and stoick’s familial life. valka’s section will be underneath the ‘read more’
But I definitely agree! Unfortunately for Hiccup (and also not to project ijbol), it’s so hard because stoick’s best isn’t enough. Oh, stoick tries! He tries so hard — between the movies and the shows, he so clearly cares for his son. But he can never be just Hiccup’s dad; Stoick is the Chief of Berk before he’s Hiccup’s father, and both he and Hiccup know that. Hiccup grows up self sufficient and is used to a lonely home. The kind of free reign that he gets (and the resulting knee-jerk reaction he has to any kind of responsibility after 15 years of said free reign) doesn’t make for great conditions to cultivate a healthy, loving, traditional parental relationship
Still — i think stoick is more supportive than we give him credit for, at least going off the RoB/DoB characterizations. (Again, I haven’t finished watching RTTE, so Im not gonna speak for anything there.) When Hiccup makes moves for more freedom and responsibility, even as early as s01e01 “How to Start a Dragon Academy”, Stoick works with Hiccup to grant him that freedom. He makes attempts to connect to his son, albeit misguided and inevitably circling back to his own interests/role as the chief of Berk and not just Hiccup’s dad. For example, s01e07 “How to Pick your Dragon” shows Stoick ending up listening to Hiccup about getting a dragon, even though he mostly gets a dragon because it further suits his interests as a chief, which he realizes on the flight Toothless and Hiccup take him on. Which also leads to the core conflict of the episode! Because Stoick’s attempts to understand Hiccup are ultimately rooted in his own narrow perception of the world, that there is a Right way and Wrong way to do things, and Hiccup’s way is most definitely not the right way.
But Stoick listens. Over time, he picks up the signs when his child is frustrated and genuinely asks how he can help (s02e15 “A Tale of Two Dragons” 3 options talk). And after the events of the first movie, Stoick makes more attempts to involve Hiccup in his going-ons, such as the portrait of the chief’s family or contacting Johann to find a beloved childhood plushie. So i think stoick tries, and his best isn’t enough, so thank god hiccup isn’t dependent on only stoick and the both of them know this. And just because the both of them know this doesn’t mean that stoick doesn’t try to improve their relationship at all. In the end, he’s just really set in his own ways and his own traditions.
So in a world where Hiccup is trans, I do think Stoick is supportive no matter what direction Hiccup ends up going. Is he confused? Yes, always, because there isn’t a very established tradition even if Berk does have a history of trans folk. I think stoick has to try really really hard, and he messes up a lot in the beginning. Like, you know when your parents are trans affirming in a really weird and even insulting way? That happens a lot for Hiccup and Stoick. But they work together and Stoick works to try and get on Hiccup’s level, whether that means sending terror-mail to Johann to inquire about trans literature or gender-affirming clothes or dialing Gothi to move Hiccup’s t/e prescription to the front of the line.
……..argh, Valka.
Of course Valka tried when she came back, but the conscious decision to stay away for twenty years and miss some of the most important milestones in your child’s life says a lot, and I think Hiccup also knows that. Especially because of how similar they are, even though Valka would immediately accept and adore and absolutely love Hiccup and all his Hiccup-ness right off the bat… I think he’s aware of how different and better his life could’ve been with Valka’s understanding presence. In the end, one parent stayed and tried their best. And one didn’t really try at all, not until they reconnected again.
And like! I dont think Valka and Hiccup would ever be as close as Stoick and Hiccup were. Like it is one thing to idolize your parent in absentia and build up this idealistic wholesome perfect image of who they are, getting your characterization from their partner who never got over them even after 20 years. And it is another thing to meet that parent and realize… wow! They also don’t measure up to what I needed them to be as a child.
And so for all of Valka’s understanding, for all of the easiness it is for Valka to understand Hiccup, especially in a world where Hiccup is trans — it’s not Valka who had to deal with the bureaucracy of Hiccup’s gender change, nor aided in the social transition for people Hiccup has spent his entire life with. It’s not Valka who asked uncertain, blunt and somewhat invasive questions about Hiccup’s new identity, or found weird and strange ways to support it. It’s not Valka who would’ve gotten an entirely new wardrobe commissioned or talked to Gothi about medical transition.
Like, I think Valka tries, and it’s easy for her to understand the idea and support Hiccup. But i dont think she’d ever be Hiccup’s first choice when it comes to questions about who s/he is, not when there are people who stayed and tried much harder than her, and know far more about Hiccup than she ever did and maybe will.
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