#HOW COULD HE BE THAT HOT ?!?!?!!?

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[ilovejayce]

This man turns me on so easily its insane holy shit

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[myrkulitescourge]

the way that one line from the new epilogue in an astarion romance is going to HAUNT me

just. what a profoundly intense thing to confess to someone.

like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.

in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.

how am i supposed to act normal about this.

[suchawrathfullamb]

you know how the fandom in general tends to write/depict/perceive Hannibal perceiving Will as dainty and cute and tiny and princess and baby girl? Well, what if Hannibal actually perceives Will as manly man my man my man who does manual labor my man who fishes and comes home in dirty boots my man my sweaty rough unrefined man take me choke me lemme ride you yum yum yum? something to think about

[sunderwight]

Bingliushen scenario. Was thinking about how funny it would be if one of the few times SQQ flagrantly utilized his sway over Luo Binghe, was in defense of Liu Qingge.

Like if some soap opera-esque series of contrived situations from the backstory arose and some god or something descended from the heavens like "actually I have a Plot Contrivance that says I can take Liu Qingge" (readers choice if that's in the sexual sense, the murderous sense, or the indentured servitude sense), and Shen Qingqiu upon hearing the matter through just snaps his fan shut and is like.

I see.

Binghe?

Unmake this fucker.

The emotional clusterfuck that would ensue. Luo Binghe does it immediately of course, like he's so incredibly into this but also it's only happening because of how much his shizun cares about Liu Qingge, which is infuriating but also he's kind of into it? But on a level he's struggling to define even to himself. Honestly it would be a lot simpler if he was just experiencing normal jealousy, but 0.2 seconds before Shizun told him to nuke that dude the idea had actually already occurred to him.

Then there's Liu Qingge's end of it. Furious. He's not a damsel in distress! Although actually despite his reputation as a war god, he probably wouldn't have been able to handle this alone. Which just grates even more. Except that it as Shen Qingqiu who so instantly and ruthlessly defended him. But he did so through Luo Binghe, who is currently dismantling the problem with the kind of sheer power and ruthless efficiency he rarely gets to show off, and Liu Qingge, despite everything, is not unaffected by the display. In fact he's so not unaffected by it that several things he's been trying to repress for a while now are becoming impossible to ignore.

In fact the only person who is being normal about this is Shen Qingqiu, who is just pissed. The non-pissed part of his brain is too busy thinking about the logistics of a war with the heavens to focus elsewhere. Yet.

[varpusvaras]

Very important to me actually that Jason looks very much like his dad, but is just a prettier version of him. Like there's Willis and then the guy who looks exactly like Willis but like if Willis was painted by a secretly gay classical artist.

[shepscapades]

SHEP

DRAW MORE SLEEPY XISUMA

AND MY LIFE IS YOURS

(no pressure of <3)

ANYTHING FOR YOU ANONYMOUS

[lonestardust]

Carlos doing His Thing.

[autiacorart]

i was asked to give connor this and here we are

[blended-ice]

What if they made it a pair skate?

[caponhans]

i like how you can tell that hans dislikes sam because of his jealousy. it doesn’t matter whether it's interpreted as romantic jealousy or simply the fear of losing this special bond he has with henry. hans sees sam as competition, especially because of their brotherly connection (sam and henry’s brotherly connection). he can't stand the idea of someone else his age being that close to henry.

[jazbell]

ive said it before and ill say it again: not nearly enough fanworks talk about THIS part of the souyo dynamic, the weird savior complex and trust yu has w adachi directly breaching the trust that yosuke has put on him. not only here, but in the game too, when yu chooses to meet with adachi in the tv world by himself without telling the others, yosuke waits for him outside anyways bc he knew something was up. yosuke feels betrayed by the fact that yu trusts adachi not to kill him right then and there more than he trusts the team to help him, but he still welcomes him back with a smile. because yu is the leader and yosuke will trust in him no matter what, even if it means watching him walk into the mouth of the man who killed the girl he liked, knowing full well it could snap shut at any moment and break his heart all over again.

basically too many souyo fics about internalized homophobia and not enough about all the other weird shit they have going on.

[xxplastic-cubexx]

How would you redesign Headmaster Magneto? Just out pf curiousity because while he served it didn’t feel like… Erik.

i have to keep it 100 i have no idea without just. rerunning his original design but with a palette swap LOL but we try around here

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[rockpaperscissuhs]

BAND OF BROTHERS: EPISODE ONE + my favorite closeup shots