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#Guy needs some therapy :’[
xiewho · 6 months
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could i get a fabian pretty pls… possessed would be cool but anything with him is fine
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based on that one fake bad kids twt thread that i Cannot find for the life of me
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afterthelambs · 2 months
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i adore Maruki as a character because he's simultaneously the most relatable depressing character that will make you cry with empathy, and the goofiest wettest cat loser in the game like what do you mean youre a licensed therapist and your first response to trauma is to brainwash a girl, project ur relationship issues onto a 17 yr old boy, and then rule the world in a golden leotard? bro went from 0 to 100 so fast??? anyway he's like 30% of the reason why p5r works as well as it does
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starry-bi-sky · 4 months
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new Danyal al Ghul au just dropped! --or at least some art of it did. I call it the "Stillborn? No, no, still born" au (or stillborn just for short)
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it's based off a batfam comment I saw that mentioned in the early comics Bruce knew about Talia's pregnancy and was ecstatic to be a father. So much so that Talia feared he'd give up being Batman for it, so when she gave birth she put the baby (Damian) on a doorstep and (seemingly) told Bruce that the baby was stillborn.
I saw it, thought "mm, tasty!" and thought what if that baby was Danny instead of Damian? By default I was thinking of making him a few years older, however, it works just as well with demon twins. I need to think it over. Meet Daniel Brown! 14 year old foster kid whose been with the Fentons for the last two years! He has SO many issues haha. hah. lmfao even.
Danny's theme song is literally just "Good Kid" from the Percy Jackson musical, to sum him up.
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tim-drake-scholar · 5 months
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Sorry but Tim referring to Bruce as “dad” kills me bc I think he’s like 18/19 here so he’s only been legally adopted for a couple years or so? They really are all siblings and they really are a family! I love that Damian looks so confused about physical affection!!
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chosetoseethebestinyou · 10 months
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*RTD writing a grand finale where old companions come back and he teases a David Tennant regeneration but then he just splits in half and one of him gets to live his well deserved happily ever after*
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voiddaisy · 6 months
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“stop calling jason todd a silly guy” has it ever occurred to you that he is a silly guy? he is FOR SURE a murderer and can be so, so cruel, but he still has his moments. he can still be killing people while quoting books he read in high school. he can still be torturing people while humming mitski songs. he can still haunt gotham while making fun of his siblings. let the guy be silly!
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basil-does-arttt · 2 months
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so we all know how Bury The Light as a theme song represents Vergil and subsequently his story and themes within DMC 5??
Well obviously that means Subhuman is the same for Dante. So i did some thinking (wow big surprise there shocking i know)
The TLDR of this is my conclusion that Dante is reckless and overconfident because of his half-devil nature and as a result disregards his life and safety. Also, that Dante has mixed feelings about his demon side.
Specifically what got me to this thought was the line we all know if you've listened to subhuman:
"You cannot kill me, i am subhuman."
And,
I mean come on, the message couldn't have been written any clearer here. Because he's part demon, because he's - as Dante puts it, assumably the writing of this song is from his POV much like i assume Bury the Light is from Vergil's POV - sub-human, he believes he cant die. That whatever is thrown at him, no matter what or how dangerous the situation is, he naively believes he will come out the other end unscathed.
And to be honest, he kinda has reason to believe that thus far. If being stabbed at least 5 times throughout your life and brushing each one off as if it were a mere scratch wasn't enough to convince him, defeating so many different great demonic beasts including Mundus himself definitely would. I mean, who wouldnt? Whatever hell throws at Dante, surely cant be any worse than the actual fucking demon king or his own brother post-DMC 5. In a sense, he believes he is immortal.
But that way of thinking is shallow, its naive and leaves him open to danger because it makes him cocky. He thinks he's untouchable, and that way of thinking could get him seriously hurt or worse if he isnt careful. (As we see in the beginning of DMC 5 actually. He thinks "eh, ive fought worse, how bad could this actually be?" That "Its only Vergil, and ive fought him before." Only to have his shit kicked in and end up in a coma for a month. Imagine if that happened with a different demon that wasn't so merciful as to keep him alive for all that time, who would've jumped at the opportunity to rip him to shreds in an instant.)
I also want to go into how the song reflects Dante's (poor) mental health and his thoughts on being a half-demon.
Its kinda hard to catch unless you really think about it but the song is clearly negative in tone when it comes to describing Dante's own devil form. "As i call upon the dark gift to erupt" is one line that sticks out to me and i think is the best example of this. I also believe from the song that Dante views his DT as a seperate entity from himself; "I feel the devil in me, we're coming right for you".
"Funny how the mind tries to sink me deeper, as the evil tries to turn me around." The evil could be in reference to other demons, yes, but it also could be referencing his own "demon"; "i must not forget that i have bled, from no respect to the demons in my head". Wether that line means he's gotten himself hurt because of his own recklessness or self-harm i cant tell, and i wont assume one or the other specifically.
Throughout the song too, the lines "i cannot erupt, i must control, i cannot erupt, i must explode" to me also seems like Dante struggles with control of his DT, and is scared of losing himself when triggered. The whole tone of the song seems like a rampage of sorts too, its very aggresive and almost violent. "Something save me, put me out of my destiny, and drop me safely in this hell"; yet at the same time as his fears toward his own DT, it feels natural to him, this kind of "bloodlust" he feels in his triggered form is something he doesnt want but he knows he cant keep from happening entirely, so as a result the most comfortable place for him is in danger. He can let loose and he doesnt have to worry when all he's killing is demons. One last thing, "i see right past me, the eyes are flashing" to me sounds like Dante becomes almost dissociated when triggered, he's not really present in his mind and body and is acting on pure instinct alone.
All in all, Subhuman (like i said earlier) at first just sounded like an epic battle theme for Dante, but when i really listen to it, it becomes much sadder. Of course all of this could just be me bullshitting so id love to hear other's takes on this.
i also wanna analyze Bury the Light too. So i might do that later.
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rollforarcana · 2 months
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Okay but isn't the book of Bill a little like Gatsby? Bear with me, it's been a LONG time since I read the book, but (BOOK OF BILL SPOILERS):
Guy [Bill] very desperate to make something of himself from just a crumb of his past life where he burnt all his bridges [Euclydia], who wants to party but also attract the attention of a long lost ex [Ford]. Meanwhile his new glamorous but shallow life is at the brink of collapse [stock market collapse/Nightmare Realm Disintegrating].
Some new guy from out of town [Dipper] comes along, writes about this strange guy [Bill] after reading news articles/hearing rumors from the old money around town [journal 3, exploration, etc], wants to know more. Gets deep into something he shouldn't.
[Bill] Dies at the end at the hands of his ex's family member [Stanley], who takes himself out in the process [with the memory gun].
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orokin-grub · 27 days
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This man needs a hug.
(idea by @zelterxc)
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dustykneed · 8 months
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spock remembers the loneliness of his childhood in shades of red, like dust clinging to his skin under a green sky, brittle and hollow and far too vast.
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but now-- now, the loneliness is far away, a distant memory in this warm bed, because how could the world be too vast, when he has his whole universe in the warm bodies pressed up against him-- when he has everything he could ever have wished for in his arms.
he is not lonely, he thinks to himself, as leonard shifts against his chest and jim makes a soft, adoring sound, muffled in his hair. not anymore.
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...
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prompt fill for @mcspirkevents' mcspirk bingo prompt "therapy" ^^ spock works through his childhood trauma in space by being gay. what an icon
4 down!!! hell yeah 🩵💙💛
side note if anyone was wondering. THIS is what my screen time looks like (casually spending nearly 13 hours drawing in the apple notes app per week when medibang paint is sitting pretty at just 2 hours total. The power of hypfix amirite)
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mariamegale · 9 months
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[The] lack of training in a controlled environment created a medic that was not as prepared as the General Board said a medic should be. It also created a medic who, when faced with the horrors on the line, could not properly perform his job. As the war raged, casualties amongst both the infantry and medical personnel mounted. During the war, the General Board created an internal study to see how the Medical Department was conducting evacuations in Europe. They dissected every aspect of care, even looking at the casualty rate for the aid men, and concluded that “most divisions with as much as six months of severe combat suffered one-hundred percent casualties amongst the company aid man.”
Fighting a War Without Rifles: Deconstructing the Image of the Unflappable Medic.
...in other words, we joke about eugene's constantly worried face, but when it comes to being not just the one person responsible for keeping everyone alive but also aware of the amount of training that person's gotten, if the question is "how fucked are you now," eugene is the one who knows, exactly, how fucked you are.
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skelecentral · 4 months
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what if Y/N could see Dust San's Papyrus & like ghosts & spirit's in general
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They’re gossip buddies 🥰
When Papyrus finds out that you can see him, he’s elated to finally have someone new to talk to - don’t get him wrong, he loves his brother! But his interactions with Dust have been his only interactions for years at this point, so having someone new to dialogue with is like finding water in a desert. A very sock-filled, dusty desert. He wants to talk about anything and everything, desperate for any form of contact, and as a result he’ll probably come off as a bit intense at first; he evens out a little as time goes on and he settles into the new norm, though. He’s glad he can talk to you about what he’s experienced and all of the batshit things he’s seen as a spectator - gossip buddies!
He also likes to give you advice, especially related to his brother. He thinks you’re good for him, and knows he likes you, but he worries about what Dust will be like as a partner. He understands completely how unstable Dust is and doesn’t want you getting caught in a bad situation or some sort of crossfire, both because he’s desperate for company and because of his integrity and value system.
In the end, he decides that the best course of action is to help his brother become an Acceptable Datemate and to be there for you if you need any help or advice or encouragement relating to his brother (or anything else, really - he prides himself on being the best friend anyone could ask for, and what kind of friend would he be if he didn’t help you in your time of need even if it didn’t have to do with his plans? It’s all he’s good for at this point, anyways - it’s not like he could make any other sort of difference…but nevermind that! Moping won’t help anyone!)
I’d say that in the end, most Y/Ns would end up being pretty good friends with Papyrus - especially if they were living in Nightmare’s castle for any reason, but also just in general. Dust is silently happy Papyrus is happy, and finds a lot of joy in that you two get along - despite their damaged relationship, the brothers still care for each other deeply, and that comes out in a lot of their actions. I could see Y/N being really good for their relationship as well and perhaps even acting as a catalyst for healing it :)
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berrybanana-arts · 8 months
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“It was not your fault that he betrayed you.
Even if there were signs, even if you think you should’ve ‘known better’, none of that gave him the right to hurt you as he did.
I don’t blame my great nephew for trusting Bill who he knew was an enemy… Nor my great niece who trusted Bill when he disguised himself as an old friend. So of course I can’t unfairly blame you.
You are not to blame for his choices. He chose to be cruel to you. It was not your fault.
It will get worse before it gets better but I promise you- you’ll come out the other side and be so much happier for it. In thirty years, I know you’ll be the happiest you’ve ever been in your whole life.
You trust no one, I know, but- trust me. Stick it out. It’s going to be okay in the end.”
Ford’s past self needs a hug and Ford needs to forgive himself for his past mistakes and move on. Little bit more hurt/comfort for Forduary!
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nell0-0 · 1 year
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Day 13: favorite ship!
I don't really ship Emmet with anyone. I HC him as aroace/grey-aroace, so-
Who needs a bf or gf? GIVE HIM SOME THERAPY!
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demon-country · 3 months
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One thing I like about Stolas is that he learns, and then he takes action of his own accord. He's not stagnant. Sure, he can be a bit oblivious and lost in his own head, but once he's finally informed that there is a problem he always makes a real effort to reflect on it and then do something about it.
We see it as early as Loo Loo Land, where he misses all the cues that Octavia is upset, but once she actually tells him what's wrong he immediately reassures her. He then promptly leaves with her, asks her what she wants to do instead, and takes her there despite not understanding the appeal. His focus is on her the whole time from the moment he finds her crying. He even carries her like she's a small child again the entire way back to the van, and she lets him because physical comfort is something she needs and he knows it.
We see it again after Ozzie's, where Blitz is finally honest about his belief that Stolas wants him for nothing but sex. After a night of heavy drinking, he immediately starts to reflect on things and comes to the correct conclusion that their deal needs to end, because in hindsight Blitz didn't seem happy or like he was having a good time like Stolas previously assumed, and then he tries to find Blitz a way to stay in business without relying on him. He gets a little side tracked because of the divorce, but he never gives up on getting Blitz an Asmodean Crystal, even when it requires him to wait several hours in Asmodeus' waiting room fresh out of the hospital.
We also see it in Apology Tour, where he reflects in his song and starts to realize that his behavior early on wasn't taken as him being cute and playful like he intended, but pushy and overbearing. Despite how Blitz hurt and yelled at him both that morning and the night before, he acknowledges that it wasn't malicious and doesn't try to put the blame for things going wrong on Blitz, although he doesn't yet realize that it's not because Blitz doesn't care, it's because he cares too much and is scared of that.
Stolas is learning and changing, but it's a slow process. It comes in pieces. Which is generally how it goes in real life, too. People don't usually change overnight, it can take years and years to fully unlearn bad behaviors and do better, but fuck if he isn't trying.
He needs problems spelled out for him though. He's been extremely sheltered and socially isolated his whole life, and there are a lot of things pointing to him being autistic as well. He's going to miss or misinterpret things that are just implied, there's simply no getting around that. For example, he was never going to realize that there are problems with how he treats imps in general without prompting, because that's been normalized for him and he's high enough on the food chain that almost no one is going to correct his unconscious bigotry. That is, until Blitz, who is perhaps the only person of a lower class Stolas knows who's not intimated by him in the slightest (other than Striker, who was torturing him at the time, which is yet another trauma barrier that will make it hard for him to reconcile with his racism/classism), tells him in a fit of rage. 
I'm sure he'll reflect on Blitz's words and what they mean about how he acts when it's not less than 24 hours since he got his heart smashed to pieces. I don't know about you guys, but I know firsthand that the humiliation and betrayal he likely felt after having his feelings mocked not once, but twice (first on accident, but the next very much on purpose. Oh Blitz, the self-sabotage is so painful to see) take a little while to get over. Let him reflect on how his over-enthusiasm had him running roughshod over Blitz first for a bit, which he's already in the process of doing, then when things aren't so fresh he'll be in a better headspace to consider his overarching biases.
And from a narrative standpoint, the fact that it's taking a while for him to work through everything is a good thing. Expecting him to just Know Better is unrealistic and would cheapen his character arc. He's fighting to do better for the people he loves despite his trauma and implicit biases making that hard for him, and if he is autistic then there are just some things he will always struggle with, like reading social cues. But for any of his improvement to feel satisfying for the viewers then it has to move at a reasonable pace, and unfortunately that kind of change takes time. It's difficult, but he's actually doing a pretty good job so far. He's making a real effort to fix his behavior. But you gotta be patient, he's basically fumbling blindly through this alone.
Anyway, I just really love that, slowly but surely, he's learning. He's not being babied by the narrative or the creators, he's holding himself accountable and changing himself for the better. If you want realistic characters with nuance and depth then you have to let them actually act in the messy, imperfect ways real people do. This is true for Blitz and his character arc as well, but that's for a whole other post.
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afewproblems · 1 year
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50. "I need you to forgive me."
You know why...
But please!!!
I know this took forever so I hope you will forgive me! (Also when I originally received this ask I had just posted part one and mentioned in the tags that prompt 50 could be a good 'fix-it' prompt for a follow up, and well, here we are! Also when I received it, I laughed for a solid minute, like evil laughed so thank you @happymediummm )
Part Three of Prompt 53. 'I'm flirting with you!'
Part One, Part Two
It's on Friday that the cavalry arrives.
Dustin bangs on Eddie's bedroom door, with a mace by the sounds of it.
He's about to snark that Dustin doesn't play a class that uses martial weapons when he hears the kid yell--
"Eddie! You have five seconds before I come in there and get you myself, I got your uncle's permission and everything!"
Eddie groans and detaches himself from the bed  flipping the pillow he had been wallowing in away from himself.
He stomps towards the door and flings it open, leveling an unimpressed glare at Dustin who barrels past him into the bedroom.
Dustin crosses to the desk, his head on a swivel as he looks around the small space, Eddie scoffs as he steps towards Dustin, placing a hand on his shoulder.
"What the hell are you doing Henderson?" Eddie spits out as Dustin shrugs his hand off, he seems to spy what he's looking for as he crows a single, 'Aha,' and makes his way to the dresser.
"Seriously, Dustin, what are you doing here?"
"Saving you from yourself dude," Dustin scoffs as he takes a tape out of his pants pocket, the familiar writing on the label makes Eddie's stomach fall into his feet.
It's Steve's tape.
"No, nope, absolutely not," Eddie snaps. 
He reaches for the cassette in Dustin's hand, only for the little shit to spin away from him and toss the tape from his right to his left hand in a move that seems so much like the teen's babysitter that Eddie wants to scream.
Dustin manages to pop the tape into the player and hit play before Eddie can get close again.
A few notes of a bass guitar reach Eddie's ear and his hands drop from Dustin's shoulders as he perks up…he knows this song.
"What the fuck Henderson?" He breathes out with wide eyes that flick back and forth between him and the cassette player.
'Oh yeah!
Some people say my love cannot be true
Please believe me, my love, and i'll show you
I will give you those things you thought unreal
The sun, the moon, the stars all bear my seal--'
"You are being an idiot," Dustin says matter of factly, crossing his arms in front of his chest as he frowns at Eddie, "I don't exactly know what you said, but I think I got the gist out of Steve earlier today when Robin wasn't acting like a guard dog". 
His dark blue eyes scan Eddie as he shakes his head, "you thought it was a joke, do you know Steve?"
Eddie rolls his eyes before crossing to the cassette player and slapping the stop button. All at once the sounds of Black Sabbath halt, leaving the room in tense silence. 
"Look," Eddie snarls, "I've known people like Steve over the years, it's all the same bullshit--"
"Stop it!" Dustin snaps, he steps closer to Eddie and jabs a finger into his chest, "you don't know what the hell you're talking about!"
Dustin's cheeks are flushed with anger as he shakes his head again, "he's nothing like that Eddie, you're being an asshole!"
"What is all the yellin' about?" Wayne's voice trickles through the door, a hint of concern running through it as he leans against the frame, eyeing both Eddie and Dustin warily. 
"When I gave you permission to barge in here I don't remember agreeing to participate in a screamin' match son,” Wayne says, biting back a smile at the indignant expression on Dustin's face.
"Sorry Mr. Munson, but Eddie's being an idiot!" Dustin crosses his arms once more as he looks from Eddie to Wayne challengingly.
"That so?" Wayne laughs, "care to argue the charge," he directs at Eddie who rolls his eyes.
"It's nothing Wayne, Dustin is leaving now--" 
"Steve made that tape for you," Dustin yells, pointing at the cassette player, "and you threw it in his face!" 
"That true Ed?"
"It was a stupid joke," Eddie growls as Dustin throws his hands up in the air, "it doesn't mean anything". 
Wayne looks at Eddie for a long moment, his face unreadable.
"Steve Harrington?" He asks softly. 
Dustin nods nervously at Wayne before shooting another glare at Eddie.
"The one that came by your hospital room every day till you woke up Ed? The one they couldn't get to leave on the day you opened your eyes, that Steve Harrington?" 
"So?" Eddie huffs, wrapping his own arms around his chest tightly, incredibly aware of the two pairs of eyes trained on him.
 "Wayne, you told me I had to be careful of who I opened myself up to, I'm just following your advice!" 
Wayne sighs, lifting his hand to pinch into his eyes.
"You'd be lucky to have a friend like Steve," Dustin grumbles as he moves to the bed to sit down. He pulls up his legs up to his chest and glares at the back of Eddie's head.
"Kid, I think Ed and I need to have a conversation, alone," Wayne says quietly to Dustin.
Eddie watches in fascination as Dustin opens his mouth to argue, but after whatever silent conversation takes place between the teen and his uncle, Dustin merely huffs and slips off the bed. 
"Listen to the damn tape and get your head out of your ass," Dustin bites out as he passes Eddie, he levels one last impressive glare at the metal-head before leaving the room.
Wayne sighs as he makes his way over to the bed to sit, taking over Dustin's vacated spot.
"So, Harrington, huh?"
Eddie scowls and says nothing, leaning against the dresser. He winces as the sudden weight of his shoulder jostles everything, causing his loose D&D dice to fall off the edge and plink and plunk across the floor of his room.
The D4 will be a bitch to accidentally find with his feet later on, but Eddie ignores the mess and continues brooding against the dresser.
Wayne scratches his face, tapping an unsteady rhythm against his jean clad knee with his other hand, "okay," Wayne says gruffly from the bed as he shifts to stand. 
"I don't know what ya did or said, but it was enough to make that kid beg his way in here," Wayne huffs, hooking a thumb over his shoulder at the open door. 
Eddie shrugs, refusing to lift his gaze from the floor. He hears Wayne sigh and the shift of fabric as he steps closer. 
"You were so small," Wayne mutters suddenly. 
Eddie looks up in confusion, but Wayne isn't looking at him, his eyes are trained just over Eddie's shoulder.
"When you came home that day, all black and blue," he shrugs and scratches his face again, "I didn't know how to help ya, and you wouldn't explain". 
Eddie swallows roughly, horrified at the sudden brightness of his uncle's eyes. A man he has only seen cry twice since he's known him, the first time was at Eddie's mothers funeral, the other was the day Eddie woke up at the hospital all those months ago. 
"I don't think I could stand it if anything happened to you Ed," Wayne breathes out wetly now as he roughly scrubs at his face, "and you being in the hospital, you were suddenly that small kid again, standing on my porch all black and blue". 
Eddie feels his own eyes sting as his uncle turns slightly to wipe his face again, "What are you saying?"
"You weren't alone this time, Ed," Wayne says softly as he steps towards his nephew and grasps him gently by the shoulders, "you have so many more people looking out for you, hell --one of em' carried you home". 
"I think a person like that deserves at least a chance to know you, and to see what I see".
It's Eddie's turn to swipe at his misty eyes, "What's that?" He asks with an unconvincing cough to hide the wobble in his voice.
Wayne smiles, giving Eddie's shoulders a soft squeeze, "a damn good kid with a big heart, who I hope knows how to apologize when it's needed".
"But what if you're wrong?"
"Then I'm wrong, and we'll get through it," Wayne tugs Eddie towards him without warning into a tight hug and reaches behind Eddie to press play on the cassette player; the sound of guitar and drums begin again as Ozzy's voice fills the room. 
'Your love for me has just got to be real
Before you know the way I'm going to feel--'
"But for the record kid, I don't think I am".
***
Eddie listens to the tape. 
He listens to it again and again, both sides. Steve filled both sides with music for him…
He lays on his bed while it plays, staring a hole into the ceiling as the last few piano notes ring out before the tape stops, filling the room with silence.
The songs don't all go with one another and out of a dozen there's about eight he knows. The other four seem to be a mixture of songs he's heard Steve play in the beemer with the kids, or while dancing in his kitchen with Robin.
it's not an expert mix by any means, but Steve did manage to collect a decent amount of metal songs just for Eddie and even a one he's never heard before --since when did Scorpions write love songs? 
After hours alone in his room, sitting on his bed, listening to Steve's tape over and over again, there is one thing he can't deny.
Steve Harrington has feelings for him…had feelings for him, and Eddie ruined it. 
He wants to take the version of himself that pushed Steve away and shake him. 
Eddie winces as he pictures the devastated expression on Steve's face when he left. His normally bright hazel eyes and wide goofy grin were left pinched with hurt.
Eddie had done that, taken six months of tentative friendship, of lingering glances and soft teasing smiles -how had he missed those, and tossed this delicate thing away from himself like it was nothing. 
He looks over at the glowing green hands of the clock by his bed. It’s nearly midnight; Dustin left a few hours ago now and Wayne is now at work. 
Eddie breathes out a sigh through his nose as a sudden wave of determination flows through him.
He looks towards the far wall by the door, his Sweetheart hanging up on her hooks. 
Dustin had apparently insisted on grabbing it, doubling back on a severely sprained ankle while Nancy tore a verbal strip off his back for wasting time as an unconscious Eddie slowly continued to bleed out in Steve's arms.
Eddie shivers, it had been so strange to consider everything that happened, or what he was told happened during the gap in his memory. 
Steve had been the one to carry him out while Robin and Nancy helped compress the worst of his wounds with torn fabric and left over gauze from the patch job they had done for Steve.
He vaguely remembers a string of words, a whispered sentence that made no sense as Eddie drifted in and out of consciousness but now…
'You can't do this, come on Munson, open those stupid beautiful eyes of yours, who's going to yell at us about the corruption of youth in America huh? We need you man, I-I….'
Eddie had really been so fucking clueless. 
He gets up from the bed and crosses to the wall, taking the guitar off the hooks. 
At least now, he has a plan.
***
It was a shit plan.
Cutting down the road the kids had taken to calling Mirkwood and through the woods by Loch Nora seemed pretty sound in theory, giving Eddie the element of surprise and hiding him from any watchful neighborhood eyes. 
What he had not taken into account, however, was the pitch darkness, the unfamiliar maze of trees he now found himself in, and how fucking heavy his portable amp was going to be.
Perfect.
Eddie stumbles over a fallen log, nearly careening into the mulch and rotting leaves of the forest floor. The half moon above him, not nearly enough to light his path through the thicket.
At least this version of the woods feels alive, Eddie thinks to himself; the smell of damp dirt and the sound of frogs and crickets singing in the darkness is infinitely more appealing than the strange forest they had found themselves in a mere six months prior. And with the gates finally sealed, the most dangerous thing he could come across would probably be a rattler or a coyote. 
Eddie peers around at the thought, he's not quite sure he's entirely comfortable even running into those animals anytime soon…especially the snake.
Finally, after another ten minutes of walking, warm yellow light begins to sift through the trees ahead of him as he brushes away low branches from his field of vision. 
Eddie hikes up the guitar strap higher up his shoulder and steps fully into the light that illuminates the Harrington backyard lawn and pool.
Eddie scans the back of the house, flipping the mental map of the Harrington home around to visualize which window was most likely to be for Steve's bedroom.
He steps further into the yard, setting down the heavy amp onto the concrete patio before leaning down to grab a handful of wood chips from the shrubs next to the house.
Here goes nothing.
Eddie tosses one of the pieces of wood at the window above him. 
It barely connects with the windowsill before dropping back down onto the patio with a muted clack. 
Oh this is humiliating.
He tries again and again to hit Steve's window with the wood chips in his hand, each one completely misses the target. One bounces into the eavestrough, another careens off the siding and back into the pool behind Eddie. 
"Fuck this," Eddie growls, throwing the rest of the wood chips back into the shrubs as he snatches the cord for his amp and shoves the plug into the nearest outdoor outlet. 
He turns the volume down slightly, the plan won't work if the cops get called on him immediately. 
Eddie takes the guitar off his back and plucks a few notes, adjusting one of the tuning keys until the sound is just right.
"Here goes nothing, come on Stevie," Eddie whispers as he begins to play. 
"I hear the ticking' of the clock, I'm lying here the room's pitch dark," he sings softly, strumming out the cords, it's slightly harsher than the piano but sue him, Eddie only managed to play it once through by ear at home before he left the house.
This was Steve's last track on the tape, and Eddie's sure he put it there for a reason.
He listened to the song again and again, slowly picking up the cords as he did so. 
He could do this, he picked up Master of Puppets in just a few weeks, Eddie could handle Heart.
Eddie keeps going, his voice carries over the yard, growing in volume; so much so that he misses the patio door slowly slide open and the sound of a pair of feet padding onto the patio. 
"What are you doing here?" Steve's voice calls out to Eddie from the door, he jumps, nearly dropping the guitar. His hand jolts on the strings as Eddie attempts to keep his hold on the instrument, letting the guitar scream for him.
Steve stares at him as Eddie unplugs the amp cord and swings the guitar around his back once more with shaking hands, his thoughts spinning, trying to figure out how to start.
"I listened to the tape," Eddie says softly, Steve cocks his head slightly to better hear him, his face shuttering as the words register.  
Eddie's heart races as he watches Steve begin to turn towards the patio door once more, he needs to act fast.
"And I need you to forgive me," he blurts out, louder than he intends, but Steve does pause with his hands on the door handle.
"Why's that?" He says sharply, dropping his hand away from the door, turning to fully face Eddie once more.
Eddie chews his lip nervously as Steve's gaze hardens the longer they stand in silence, his arms come up to wrap around his chest tightly.
"I thought you were playing a prank," Eddie sighs, saying it aloud makes him want to deflate, to walk right into the pool and sink to the bottom. 
If the look Steve gives him is any indication, Steve would be more than happy to watch him go.
"That's a lot of effort to put into a fucking prank Munson," Steve bites out, there is no heat to the words though. He just sounds tired, resigned.
Shit.
"It wouldn't be the first time," Eddie mumbles, he reaches up to scrub his hand over his face, missing the way Steve's face softens ever so slightly and his arms drop from the way they seem to be holding him together. 
"But I'm not going to make excuses," Eddie takes a step closer to Steve, his heart threatening to break through his ribcage the closer he gets, "I'm sorry for how I reacted and for thinking you could do something like that".
"I know you aren't like that, you're honest, and kind," Eddie reaches out and takes the tape from his back pocket and gestures towards Steve with it, "and so fucking thoughtful it makes me ache to think I ruined everything". 
He puts the tape back in his pocket, Steve’s eyes watch him curiously now as he does, it fills him with wary hope, enough to keep talking. 
"So, I need you to forgive me Steve, because I hope you'll let me make it up to you sweetheart".
Steve's face tips down suddenly towards his socked feet and the cold concrete patio, making it impossible for Eddie to make out his expression. He holds his breath as the silence stretches between them.
"Robin was right, you can be such an asshole," Steve says quietly, Eddie's chest tightens painfully at the words.
Eddie nods once,doing everything in his power to keep his face neutral but the downward curl of his lip is unstoppable as he reaches down to pick up the amp.
"But," Steve says, taking a step away from the door behind him, "as someone who was an asshole for a long time," Steve says quietly, pressing the palm of his hand into his chest, "I think it would be pretty hypocritical to not let you make it up to me".
He's grinning now. It’s small, barely stretching across Steve's freckled face, but it's warm and just for Eddie. 
"What did you have in mind, Sweetheart?" 
Steve is quiet for a moment, his eyes dart over Eddie's face before he finally whispers, "can you finish the song Eds?" 
"I think that can be arranged, " Eddie hums with a bright grin of his own. 
He swings the guitar off his back again, quickly plugging it into the amp. 
Eddie looks up to find Steve smiling softly at him as he takes a seat on one of the pool loungers. He pulls his legs up to rest his arms on his knees, basking in his own private concert. 
As the first pink and orange rays of sunrise begin to bloom on the horizon behind him, slowly painting Steve's face gold, Eddie can't help the relief that flows through him. 
He looks down at the shy grin Steve gives him, his hazel eyes bright in the new day's light, and thinks, 'holy shit, I almost missed this'.
"You don't know how long I have wanted, to touch your lips and hold you tight," he picks up where he left off, his voice mixing with the slow rhythm of the guitar, “you don't know how long I have waited, and I was going to tell you tonight--”
Eddie watches, surprised as Steve swiftly gets up from the lounger and walks towards him, his expression determined.
"I think that's my line," Steve whispers as he leans in to cup Eddie's face in his hands and kisses him.
Eddie short-circuits.
The kiss is chaste, short, not much more than the brief press of warm chapped lips against Eddie's own, but the way Steve lets his hands move from Eddie's face to his hair and neck, holding him in place. The way Steve steps into Eddie's space so all he can taste, smell, and feel is Steve.
It’s exhilarating.  
Steve pulls back slightly before placing a second kiss on Eddie's lips, his eyes half lidded and a deep red flush staines his cheeks and ears a bright red. Steve looks much more debauched than necessary and Eddie suddenly wishes they weren't outside, that he could take Steve into the house and show him exactly how sorry he is. 
"I’m sorry, I couldn’t wait, did you learn all of them or just that one?" Steve asks, his voice slightly breathy, he still hasn't let go of Eddie or stepped away.
"Just that one," Eddie repeats dumbly, feeling the urge to walk into the pool again as Steve laughs.
Oh Eddie loves that laugh.
“You sure,” Steve asks again, his eyes crinkle at the sides as he smiles widely, “I thought maybe you could show me some of the other songs you know, inside?”
Either he’s dreaming or Steve is a mind reader because holy shit.
Eddie nods, unable to even form the words as Steve reaches for the amp and gently takes it out of his hands. Steve transfers the amp to his right hand and takes Eddie’s now empty hand with his left as he leads him towards the patio door.
Eddie watches, transfixed, as Steve looks back to shoot him another warm smile as they step over the threshold of the back door, and the words his uncle said earlier in the evening come back to him as Steve leads him towards the living room. 
‘I think a person like that deserves at least a chance to know you, and to see what I see’.
Eddie halts his movement, grabbing Steve’s hand firmly in his own, pulling him backwards until Steve turns, his eyebrows furrowed in wary confusion.
“Thank you, for giving me another chance,” Eddie says softly. He lets the hand holding Steve's own move to trail up and down his arm, eliciting a shiver from Steve. 
“I mean, you gave me one, you came back right?” Steve says softly. 
Eddie's heart twists at the words, he feels his face fall slightly at the thought that Steve could ever think he was somehow at fault for this, “I was an idiot, that wasn’t your fault at all sweetheart”.
Steve looks at him again, his eyes scanning Eddie’s own for what feels like ages, his expression unreadable. 
“Co’mere,” he murmurs eventually, letting go of Eddie to sit on the couch. He pats the cushion beside him, with the same soft smile from earlier, “play some music for me”.
There’s more to unpack here, more to talk about, other apologies to whisper in this beautiful man's ear. 
But for now, he swings his guitar in front of him and slowly walks over to Steve.
Steve asked for music, and who is Eddie not to oblige?
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(I hope I haven't forgotten anyone, thank you very much for following along with this little story everyone!)
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