#Guess I'm going through a season of insecurity

[primordialruin]

I often feel a little embarrassed of my portrayal because my Lilith isn't this cool, dark goddess that her art inspires. I feel I've humanized her too much to be someone extremely admired of feared. Maybe I have made her too magnanimous. Idk. Sometimes I regret my choices so much that it makes me want to delete my blog all together.

[understandableparadox]

a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

[sketch-twentytwo]

I'm going to get some flack for this but—despite enjoying Fairly Odd Parents: A New Wish quite a lot, I find Timmy Turner was the more compelling protagonist.

Don't get me wrong, Hazel is a fantastic and lovable addition to the show, but I find a lot of her shenanigans aren't as fun or snappy as Timmy's.

I don't really see the reason why Hazel of all people needs fairies. Her brother is off at college but he visits and still clearly loves and cares about her. Her parents get busy from time to time but they're there when it matters and they also love her very much. Her mother is probably the busiest of the two, but she still makes time for her daughter.

The catalyst of the pilot is Hazel running away to see her brother because she wasn't handling the move right away, but very quickly after all this she is able to make friends and maintain an upbeat attitude.

I don't think Hazel needs to be soul crushingly miserable for the show to work, but maybe a spare line here or there about how Fairly World/Da Rules went through a MASSIVE overhaul after a certain, infamous, pink-hatted god-child shook things up could've been nice (Jorgen mentioning that the world has improved since Timmy was a kid, so the qualifications for misery have been loosened?).

It might be the childhood nostalgia talking, but I liked Timmy as a character. He was a ten year old boy who made wacky and wild decisions, whose character only got ruined from the show running too long. If Timmy had gotten the FOP:NW treatment, I think we could've had so much potential for character growth and continuity. (I've made the executive decision not to count seasons 9 and 10 as canon because everything up to that point felt OG!FOP to me).

I see posts saying that Timmy's problems were external while Hazel's are internal, but despite her supposed internal struggles, Hazel is very emotionally mature. Again, I don't think she needs to be MISERABLE and EXTREMELY insecure, but her life pre-fairies doesn't seem that different than her supposed life without. Even without Cosmo and Wanda, I'm sure she would've been able to befriend her classmates, eventually get through to Dev, and find happiness in her life.

I guess my fondness of Timmy is that his fairies were his family. Cosmo and Wanda were like his adopted parents. Poof/Peri was his brother. He had no one else. And I guess I wish I could've gotten a quality ending for him. I need closure! I wanna know how he's doing in FOP:NW. I want to see that he's happy and thriving (and maybe a reunion between him and his family).

Timmy, for all his childishness, selfishness, and pettiness, was a good kid at heart. He was ten years old for crying out loud! Ten year olds tend to be immature lil' kids. I excuse some of his wilder wishes. All he really wanted was acceptance and love and he cared for his Fairy God Parents so, so much. Cosmo and Wanda have a HALL OF TIMMY in their house, for crying out loud!

Hazel is a good protagonist and I'm glad she's in the show, but Timmy holds a special place in my heart. In my heart of hearts, the HALL OF TIMMY still exists somewhere in C+W's house/appartment and he will forever be their son.

[ilooklikeaburntchickenugget]

helloo! idk if youre taking requests, but if you do i was thinking of revenge era gee with fem reader who is also a well know singer. like shes on tour and does some festival mcr is playing at and shes really mainstream so the guys dont have high expectations on her music but then they watch her play and they're like "fuck, she actually does know what shes doing" and somehow her and gee exchange numbers and start texting all day long bc theyre both on tour

idk if this makes any sense tbh.

i saw one picture of ts on the red tour that looks like if it was taken with a shitty flip phone and thought of this somehow

anyway, feel free to ignore this and have a good day :D

Title: Happily Ever Accident

A/N: Hey y'all I know it's been actually forever but I saw this in my inbox and thought it was cute so managed to somehow write this amidst midterms season. Idk how but it happened. It's also not thoroughly proof-read because tbh I'm tried and lazy right now. But here's some content for y'all for once. Also, side note, but as I was writing this I was visioning reader as a Sabrina Carpenter-esc figure. Just in the sense of popularity, stage presence, etc. Pairing: Gerard Way (circa mid-2005) x F!PopStar!Reader Word count: 7,978 words Warnings: Swearing, mentions of insecurity

Low expectations. The constant standard he had set for almost every single festival his band was expected to play.

It wasn’t that Gerard didn’t like other people’s music, or festivals for that matter, but considering the label had cornered them into a small handful of non-genre restrictive ones he was annoyed. The culture, the vibes, the people- this was not his place. Not his band’s place, for that matter.

But commercialism was the name of the game, he had learned that early on. He was lucky enough the label had allowed their last album to be artistically driven by him, from songs and lyrics to the artwork on the cover. But there is always a quid-pro-quo in the entertainment industry. And playing at a mainstream festival was apparently one of them.

They wouldn’t have agreed to this had their last music video not gone over budget by a significant amount, and now they were paying the price. On top of that the label had encouraged them to be in public, watch other bands play from the VIP tents. Gerard narrowly lost his shit after trying time and time again explain that they needed time to prep for their show, get in the proper mindset, and that would take all the morning into late afternoon when they were finally on. The label exec begged to differ, giving no ultimatum.

“Fucking hell, if we have to listen to another fucking basic pop artist I’m going to lose my mind.” Frank sighed walking through the festival grounds. The group was by no means blending in, as three security guards stood around them and they could easily hear and see people left and right gawking at them as if they were circus animals.

“Good fucking luck with that.” Ray replied. He was never the sarcastic type, if anything he was the most mature and level-headed. So when he had enough, everyone knew it was bad.

“We have one more.” Gerard too sighed, sticking his hands aggressively in his jean pockets. “Then we’re off the fucking hook.” The group took sighs of relief out of sync.

“Who is it?” Frank asked, seeming halfway curious.

“Uh-“ Gerard stopped, checking his phone to see what their manager had texted them. “Great. Y/F/N Y/L/N.”

“Fuck me.” Frank sighed. “My head is going to fucking explode. Listen, I like all music, but I cannot do this much commercial, manufactured pop.”

“I don’t know, her stuff doesn’t seem as bad as some of the others.” Mikey chimed in for the first time.

“How would you know? I’ve only heard her shit in Targets.” Frank speedily replied.

“Social media, I guess. Enough sound clips from her songs have blown up to make them pretty hard to miss.”

“I’m still keeping my expectations low.” Frank shrugged.

“It’s the last one, try to be somewhat positive.” Ray replied halfheartedly.

“We’re never going over budget on anything again.” Gerard quickly added, turning a corner to the next stage’s area. “I can’t fucking do this.”

She got nervous before shows. She was great at hiding it. But in the last few weeks every festival she was playing had crowds growing bigger and bigger. From what her manager had communicated to her approximately two minutes ago, she had the biggest recorded crowd so far for the second day.

Staring at herself in the mirror of the green room, she pushed every bad thought out of her mind. She even closed her eyes and imagined all the bad energy within her swooping out of her body in swirls of dust and being replaced with positive rays of sunshine. It might’ve been stupid, but it worked.

She opened her eyes, putting on her signature smile, looked herself up and down, reminded herself that she was incredibly sexy at the moment, and b-lined it for the door.

Anxiety be damned, her ambitions had gotten her this far and would get her further, she knew that much. She was happy at this point to be thrown into the group of “pop girlies” currently dominating the charts, because it meant she was catering to an already large fan base, and proving others wrong in their assumptions too.

Give a girl some platform boots, a tight outfit where the tops integrity around her chest was questionable, and a microphone- then you’ve got a pop star.

Gerard stood there amazed. He could not fucking believe it.

Three songs in and he was mesmerized. He wasn’t sure if he was more shocked with her or himself. He was trying to rack his brain for reasons to not like this, and blank answers came up time and time again.

To begin with, her songs were substantially above average for pop. They had creative instrumentals, catchy sounds, and her lyrics were truly the star of the show.

But then he took into account her as a person. She was quite attractive, sure. He had seen her enough online and in magazines to see at least that much, but he was sure most of the male population and a decent amount of the female population also saw that. But here, in this light, in that tight little outfit that showed off all the right things just enough to give a good idea, but still leave a good amount to the imagination, he was falling head over heels.

He was almost flustered with her perfection in his eyes, having to catch himself to make sure wasn’t staring like a dog at a bone. After all, there were enough people around to know him and take photos, which would lead to massive and weird speculation online that he simply didn’t want to deal with.

And her stage presence was empowering. She was confident, not selfish. She was sexy as much as she was innocent. She was clear in her intentions and messages, just as much when she left some ideas not fully complete to leave people longing and wondering.

Suddenly he understood all the teenage girls in the audience. She was fucking incredible.

“Told you.” Mikey said next to him with a smirk. It was hard for Gerard to look away from her, but he did. “Don’t always believe stereotypes man. You out of all people should know better.”

“That really wasn’t so bad after all.” Frank shrugged as the group walked back to their own green room, hidden in an array of tents set up on the edge of the festival grounds.

“Yeah, but standing in the heat for that long was exhausting.” Ray commented next, his hands stuffed deep in his pockets. He was always tense until they got all the equipment set up and knew everything was going to go right.

“I don’t know man, that last show kinda rocked.” Mikey responded. “Been trying to tell you guys that not all pop artists are that bad.”

“Well, a lot of them are.” Frank quickly rebutted. “However, you are right, that last one was incredible. I just thought having a girlfriend who obsesses over pop music had gotten to your head.” Mikey rolled his eyes.

Gerard was silent, partially because he didn’t really have anything to say, and partially because he was hanging on to the last show. He learned through years of art school and sketching under cubicle lights that some of the best art was clear as day yet still left you thinking. That was how he felt at the moment. Dwelling in the really astounding feeling he had.

She had single handedly proved a lot of his fallacies wrong. And he saw with his very eyes how she managed to go from half the crowd being into her to the master tools her voice and movement had that puppeteer the crowd like a pro. Who was he kidding though- she clearly was a pro.

Turning a corner he was so lost in his thoughts, his body in auto drive and his vision turned to the cement ground. He knew he needed to stop thinking soon, get in the right headspace for his own show- and then he bumped into something.

His body lost a bit of its control as his right arm collided with something a bit smaller than him. Suddenly he regained all his consciousness as his stabled his footing again, turning his body to see what it was.

And there, low and behold, in those damn platform boots and an oversized hoodie that went so far down her thighs it was a dress, was the very woman who had captured his mind just minutes ago. She was lingering within him, and now she was right here.

Fate works in strange ways.

“Shit, I’m so sorry-“ She began, regaining her own balance as she clearly took more of a hit than he did given that she was shorter and had boots that, despite looking like they weighed a ton, he doubted helped to ground her any more.

“No, that was my fault.” He quickly interrupted, growing embarrassed as she looked up and he realized he had managed to be rude to her in the last 30 seconds not once but twice. “I should’ve been looking out.”

“Me too.” She calmly replied with a small smile, handing this with so much grace and calmness compared to his internal panic.

This close she managed to look even better than on the screens. Photos and videos didn’t do her beauty justice. She looked almost like a doll- near perfect features, beautiful hair, and a smile that was so comforting and cute and graceful. Her makeup was almost as perfect as it was when she went on, but her mascara was ever so smeared around the corner of her eyes, her lipstick fading, and hell- his mind couldn’t help but wander to a place where he wondered what it would be like if he had put her in this state. And then he shut those thoughts up as quickly as they appeared, choosing instead to wonder how anyone could be more perfect.

“I um- I better get going and leave you guys to get to your show.” She quickly said, but froze up not even a moment later, her eyes growing wide with embarrassment of her own. “Shit that was weird wasn’t it? I don’t know you but- well I do, kinda, but like not personally. I mean knowing your music and band and-“ she stopped talking not knowing what to say, her body almost shrinking in a sense of even more embarrassment. “Fuck. I’m gonna shut up now.”

Gerard gave a chuckle and a smile of his own. He felt better now that both of them felt embarrassed.

“No, it’s okay.” He replied. “We’re just coming from your show, actually.” Somehow she froze even more. He could tell under that huge gray hoodie her muscles had tensed further.

“Oh, uh, I hope you enjoyed it.” She softly smiled, polite but seeming almost nervous. Why was he so bad about talking to women, especially pretty ones?

“It was phenomenal, actually.” He replied, nervous himself and instinctively rubbing the back of his neck with one of his hands. There was already a thin layer of sweat connecting back there from standing in the heat for so long. But he didn’t care about that nor how he would survive the heat on his stage later- all he cared about right now was not completely fucking up this interaction with the woman in front of him.

“Are you just saying that to be nice?” She asked with a pouty lip as she clearly questioned the integrity of his response. He rapidly shook his head.

“No, of course not. I don’t lie- ever. If anything I went into the show not knowing much- not in a bad way, I mean kinda in an ignorant way if I’m being honest, and you just- fuck, man, the way you controlled that crowd was so exciting and empowering. It truly was incredible.”

Her face looked like a damn puppy dog begging for a treat. If he weren’t human he would have definitely melted by that look. Big eyes and a genuine smile, her cheeks big and emphasizing her reaction.

“That’s really sweet, thank you so much.” She replied, yet again with grace that he wished he had in these moments. “I um- while I would love to talk more I need to take a shower. I feel so sticky and just- gross. But it was really nice talking to you. And thanks so much for watching me, I really appreciate the feedback.”

His heart broke just a bit.

“Yeah, of course.” He replied, and before he could think he blurted out. “You’re more than welcome to come to ours as well, I mean I’m sure you have the artist VIP tent access, but if you wanna get closer I can definitely arrange a barricade pass for you.”

Her eyes lit up and glowed in a way he wished he could see every single day.

“That’s amazing!” She replied. “Would it be selfish to ask for one more too? My best friend is here and she likes you guys too-“

“Consider it done.” He smiled as she smiled back. “I’ll have my manager send them over to your trailer.”

“Thank you, that’s very sweet of you.” She replied.

“It’s the least I can do. Returning the favor of watching your show and providing feedback.”

“Does that mean I need to take notes for yours and give them to you too?” She asked with a playful smile. Just now he noticed the water bottle in her hand with a straw as she took a sip and damn- he quickly erased all the dirty thoughts that rushed into his mind before it was too late.

“Only if you want to.” Where had this confidence in him come from? He didn’t even know. But right now it was working, and that was all that mattered. Yet again, his body thought before his mind as he said, “Give me your number and we can arrange a meetup. To, ya know, exchange notes and whatnot.”

She seemed flustered, but hid it well. However, the red blush growing on her cheeks and her face that froze yet again for a mere moment told him maybe she wasn’t all that good at this either. But hey, there was a learning opportunity for both of them, he supposed.

“Sure.” She said, as he grabbed his phone, handing it to her as she quickly typed it in.

Y/F/N Y/L/N it read on his screen, the line of numbers under it.

“It was nice meeting you, Y/F/N.” He smiled.

“You too-“ She said, but stopped herself. “I know your first name but I don’t want to say it before you do because that’s creepy.”

He let out a genuine laugh.

“Gerard.” He said.

“Gerard.” She replied. “I’ll see you later, Gerard.”

“So what you’re telling me is Gerard Way wants to fuck you?” Lacey asked her. But she supposed this is why people had best friends- to be both supportive, honest, and borderline crude all at the same time.

“I don’t know if he wants to fuck me-“

“He wants to ‘exchange notes’ on your shows? Code words for ‘come back to my trailer and let’s have sex’.” She said with confidence, sitting down and scrolling through her own phone as Y/F/N changed into a solid black hoodie and jeans to not make her presence obvious. Their show was not about her, and she hoped her presence wouldn’t make it about her.

“Well, I don’t just fuck guys. And I’ll be happy to tell him that if he tries. But he seemed very sweet, and all the interviews of him lean towards him being a very nice guy.” Y/F/N responded quickly, borderline defensive.

“Nice guys can have hookups too, ya know.” Lacey said. She wasn’t wrong, but Y/F/N swore this felt different.

“Regardless, that’s not happening with me.”

“Preach, sister.” Lacy said with a bit of pop in her voice. “If what you’re saying is true, it did sound like you have him wrapped around your finger.”

“We talked for like two minutes. I barely know him, he barely knows me.” Y/F/N rolled her eyes, expertly reapplying her lip gloss in a small mirror.

“Do you know that amount of men after your shows that would fall on their knees and beg for you?” Lacey asked, finally looking up from her phone to make eye contact in the mirror.

“Whatever.” Y/F/N sighed. “I’m just excited we have barricade to a My Chem show. How long have we been wanting to see them?”

“A solid year.” Lacey admitted, standing up to find her shoes. “I’m still not over Gerard Way wanting to fuck you, though.”

Y/F/N was sure rumors would be circulating by morning. As soon as she entered the VIP barricade area alongside Lacey, there was a sudden eruption of screams, and as she looked over a sea of phones were taking photos and videos of her. She gave a polite smile and wave before turning back around towards the stage, hoping as soon as the band got on the attention was going to divert away from her.

Damn her for thinking having a black hoodie on with the hood up would prevent this.

Within minutes though, as the lights on the stage went pitch black and screams from the entire crowd erupted she knew that finally she could just enjoy seeing a band she really liked play from right in front of her. Perks of being a pop star or whatever.

She had to admit that the in-person performance easily knocked any of the recorded ones she saw online out of the fucking park. And while Gerard Way had always been objectively attractive, and happened to be the skinny sad white boy that was her type for whatever reason, he looked really attractive in this light. Like a new skin of confidence took over him. Maybe it was the tight black skinny jeans or fake bullet proof vest with no shirt on under it that perfectly sculpted his lightly muscular arms- and damn the hands. Masculine hands were one of her weaknesses. And his very much fit into that category.

So did she have any notes after the show? No, actually. It was exactly what she had expected, but two fold. She was left amazed and energized as they walked off.

If he really wanted to compare notes with her he was going to be sorely disappointed in the lack of notes she had.

That night did not end with them sharing notes about the others show. Instead, it ended with them sitting on a grassy patch of the festival grounds when it emptied out talking about anything and everything. Gerard had quickly realized how multi-faceted of a person Y/F/N was. Every preconceived notion he had of her was torn down by her random knowledge about random things, her admissions to cringey teen phases she had, cute childhood stories, dichotomy of family and how difficult that could be to navigate.

She was fucking perfect inside and out. And he knew he couldn’t lose her.

In an assertive nature he decided to text her more through the next week. She was on tour in one town, and he was in another. But that didn’t matter. Every other day, or three days apart maximum, they would call from their hotel rooms, or from outside his bus, and talk. About everything. Their days, their histories. What they ate, what they did or didn’t like, who they saw, where they were next, what they wanted to do, asking the other about cool things to do in the city they were in for that day.

And finally, a little less than two weeks after they met, they had that talk.

“So what are we?” She asked over the phone, sitting on her bed and nervously picking at her brightly colored nails. She needed to know before she got too attached and her heart broken further down the line when she was way deeper in than she was now. Not that rejection now wouldn’t hurt- she was trying to save herself from more potential hurt later.

“Seeing each other?” He asked. “I mean, no pressure- we can always take it slower.“

“I would like for us to be ‘seeing each other’.” She replied with a smile growing on her face.

“Great, then we’re seeing each other.” He decided, she could hear the small smile in his own voice despite not seeing him.

“We have a four day break coming up.” He mentioned on a call. A few weeks had blown by, and things felt very normal between them given how abnormal their situation was.

“Okay.” She replied simply, wanting him to go on.

“I want to come see you, if that’s okay.”

“Okay.” She replied again, not hesitant- but a mixture of excited and logistically starting to play a mind puzzle about how this was going to work.

“Just okay?” He asked, now sounding more hesitant himself but equally as confused.

“No, I just mean- like, yes, please come, I really want to see you, but if people see us together again, I think it will kinda be obvious. I- it’s not that I don’t want to show you off, but I kinda like the direction we’re going in now. I don’t want public speculation or opinion to fuck that up.”

Even in a fucking baseball cap and sunglasses at her show, people would grow suspicious of that figure in the secluded family/friends area. They would equally as quickly figure out, judging by the firestorm online caused by her presence at their show the night they met, who it was. And then they would be official without actually saying anything. Just by being together.

She wouldn’t mind being official to the public, eventually. But she wanted more time to have just them to herself.

“I can stand off to the side behind the stage.” He offered.

“Your view is gonna suck.”

“Doesn’t matter.”

“Okay then.” She replied affirmatively.

“Okay?” He asked for clarification.

“Yes, okay.” She softly smiled with a giggle. “Come to the shows, I even have a hotel room booked one of the nights.”

“Oh fancy.” He replied with a chuckle. “Lookin’ forward to it.”

She shouldn’t have been nervous. He had seen her perform before.

Well once- the first time they met, and then twice on TV in the last few weeks since her career had managed to blow up even further. But this felt different. It was different.

She knew he could now have expectations of her. What if he didn’t like something, or got the ick from the way she danced or what if she fucked up? What if she tripped on stage for the first time or bumped into something or forgot a lyric or her voice went out-

“On in two.” She heard one of the stage techs say, peeking their head through her green room door. As if one queue, she heard a roar of screams from the direction of the stage, queueing that her little intro video had started. Despite still playing smaller venues, at least ones smaller than arenas, her label had actually been willing to put quite the production into her tour after realizing that her stage presence and personality was one of the things that charmed audiences so much.

She gave herself one final look over in the mirror. Her opening outfit was standard- a body con number decked out in black sequence with red accents and her infamous knee high boots that were plain leather, but that she had begun to notice were also being worn more commonly by fans to her shows. It was one of those trademark things that made her feel more like the pop star she was growing to be. At least the headlines called her that.

Taking her hands, she fluffed out her hair a bit more giving her light waves more volume, dropping them, closing her eyes, and reopening them in her stage persona.

She walked out of the door beginning her strut with the sense of confidence she only gained to this level when she knew she was going to be on stage. As she approached side stage, her bedazzled microphone with her initials on it in small rhinestones at the bottom was waiting for her with one of the stage assistance. She gave him a small smile and nod as a thank you, taking it delicately and wrapping her hand around it firmly.

Her in-ear monitored queued up with her sound guy, Jeremy, who gave her the 20 second warning. She allowed herself one final deep breath, realizing this was her time to shine. Even if he was here for the first time watching her as the guy she was seeing, and just generally in a new light, she recalled meeting him for the first time after a show, figuring if she could impress him once maybe she could do it again.

After all, the version of herself that managed to get his attention in the first place was the one who was about to step into the spotlight in a mere three seconds.

Sweaty, hot, tired, worn, happy. The best ways to describe how she felt almost every night coming off stage.

She felt great about this show. The crowds she was dealing with were getting better at each stop, she figured it was venues being sold out and her rapid growth as an artist that was to thank for their enthusiasm and their increased screaming of her own lyrics back to her.

But what made this show so special was seeing him in one of the boxes up and over from the crowd. He kept a low profile with a plain t-shirt and baseball cap, standing next to Lacey through the entire duration, but the occasional eye contact they made was what kept her going.

He was always at least smiling at her. If not he was beaming, or nodding, swaying to the music, and her favorite was when he was so focused on just her that she caught his lower lip being bitten, his eyes glued straight onto her. She knew she always had most if not all of the crowd in a trance- but tonight his attention was the one she really wanted.

She giggled at something her manager had said as they walked through the back hallways of the venue, sipping on her bottled water through a straw and trying to regain as much hydration and energy as possible. As the turned a corner toward the green room, she paused and gave a big toothy smile as she saw him at the end of the hallway.

There was Gerard, still in his relatively incognito outfit, and a full smile as their eyes met. As fast as she could manage to run in her boots, she made her way down the hall and collided with his torso, breaking out into a fit of giggles as he hugged her back.

“Did you like it?” She asked first, letting her chin fall on his chest as she looked up at him with big doe eyes hoping for a good answer.

“You fucking killed it.” He said affirmatively with a smile, leaning down to give her a quick kiss. “You’re absolutely insane out there. Such a natural- fuck, I wish I had half the confidence and ability you do when I’m on stage.”

“Oh stop it!” She playfully and lightly hit his shoulder as she backed away to walk back to her room with him. In the process he swiftly grabbed her hand in his, intertwining their fingers which made her smile even more. “Don’t give yourself any less credit- you’re a fucking beast on stage.” He leaned down and gave her a kiss on the head.

“But nothing like you.” He replied, holding the door open for her as they entered back in so she could change.

She quickly and stealthily changed into a shirt and sweatpants, sitting down to take her makeup off, or at least that’s what she would typically do. But as she sat and looked at herself in the vanity mirror, catching a glimpse of him in the back scrolling on his phone, she wasn’t so sure she felt all that confident with him in person without all of this on.

“What’s wrong?” He asked, catching her in a trance. Damn, why did he have to be so good on picking up these things?

“Nothing.” She said with a soft smile. His body language with a raised eyebrow implied he definitely did not believe that. “I just- should I take my makeup off?” She asked turning to him. He gave her an even more confused look.

“Is it what you normally do?” He asked and she nodded. “Then yeah, take your makeup off.” She didn’t move, still staring at him. “Baby, what’s wrong- actually?” She groaned.

“It’s so stupid.” She admitted, now looking away from him. “I just- I don’t want you to like, I don’t know, not like me without this on.”

He looked a bit shocked and confused at look, but it quickly melted into sympathy.

“Sweetheart, take your makeup off.” He requited with a sweet tone. “I promise you, I will not view you any differently without makeup on. That is such a minor thing. And I’m not with you for your looks- I mean, you are fucking gorgeous- but that’s with or without makeup.”

“Fine.” She replied, grabbing some of her cotton pads and makeup remover, then going to town on delicately running them over her skin and cleaning everything off.

Once she was done, only a few minutes later, she grabbed her bag and regular shoes, slipping them on and getting up to approach him where he leaned next to the door. As soon as she was a few inches from him, he delicately took her face in his hands.

“See, just as gorgeous as always.” He softly smiled, giving her a soft and passionate kiss. She offered a sheepish smile and a growing blush on her cheeks.

“Thank you.” She nervously replied. “We gotta go though- I’m fucking starving.”

“Holy shit.” She said, taking another forkful of pasta and placing it into her mouth. “This is so fucking good.”

“Mhm.” He nodded in agreement taking a bite of his own. It was nice to have some company to actually eat with, and not just pull out her laptop to watch a show or call her parents who were halfway across the country. Now, she had her boyfriend laid across the bed sideways in front of her as she sat criss cross at the head.

“You want a bite?” She asked. He looked at her skeptical for a moment before nodding, allowing her to grab another few pieces, giving them to him.

“Well, shit.” He sighed with a smile. “That is fucking amazing.” She nodded in agreement. There was a brief moment of silence that followed.

“I hate that we have to go back to being, like- normal.” She said. It was one of those thoughts that just spilled out without her even thinking.

“Hm?” He asked, looking up with his eyebrows furrowed.

“Ya know, like being apart for so long.” She said with a tight smile. “We’ve barely spent any time together in person but every time we do I want to spend more and more- and we can’t.” He sighed, putting his fork down in his container.

“I know, baby.” He softly said, taking his now free hand and placing it on her bare thigh, rubbing small circles into the skin with his thumb. “But it’s only another month- then we’re on break and I’ll come be with you as long as you want.”

“Gee, you should get a break.” She said with a serious face. “You need to go home and settle for a few weeks and be with your family and friends there who you haven’t seen in fucking forever.” He shrugged.

“I’ve had all the time in the world to make relationships with them- I want to continue to build ours, and if that means going on tour with you than so be it.” He replied with confidence.

“Even if we do that people will speculate and- we would have to go public.” She explained.

“Is that such a bad thing?”

“No, but,” She took a moment to think, making eye contact with him again as his eyes begged hers for answers. “I don’t want to keep you or us a secret. I would love to show and brag about my super cool, super talented, super hot boyfriend to the world, but I want to keep it private.” He smiled lightly and nodded.

“Then let’s do it.” He said, affirmatively. “We’ll take it at your pace. Whenever you’re ready, I’m ready.”

He had been on tour with her for a full week. And it was becoming unbearable how many things were circulating around.

It started at the first show he came to- a solid handful of people had noticed him and put a name to the face, despite his attempt to remain to himself. A small firestorm erupted online over the alleged rumors. The headlines abusing taboos and cliches of the “pop princess and rockstar” trope that made people go crazy.

Then he actually began coming on tour. She wasn’t sure she had been happier on any other leg of it, until he was there to watch every show, and take her out when she had breaks to his favorite spots in each city, and then end the night in her queen sized “suite” on the back of her bus if you could even call it that. She had even bought more storage bins for under the bed to make room for his things.

But people didn’t need to see all the stolen and sudden kissed, or hysterical fits of laughter, or constant touching that were soft reminders of the other. They didn’t need to know about all the photos they had taken of each other, or the memories made, or the lyrics and words that began filling her songbook as she wrote almost exclusively now about him. At least yet.

But on day nine of them being on her tour together, she couldn’t take the speculation anymore. She couldn’t ignore all the photos taken of him at her shows, or the videos that replayed her not-so-obvious smiles and slow hip movements while making direct eye contact with him. In all fairness, she wasn’t trying to hide it.

People could see moments and snippets of their love. But she wouldn’t let them see the whole thing.

“What d’you think?” She asked, the back of her head leaning against his shoulder as they both looked at her phone. It was a simple story draft for her Instagram of the two of them just a few nights ago walking into a gas station. Not the most romantic thing, but her makeup artist had managed to catch it at one of their stops late at night.

The lighting was perfect and almost vintage aesthetic, offering a slight blur to the photo. It was the two of them holding hands as they walked in, both with hoodies and sweatpants on. Only half her face was shown, brightly smiling up at him, and only the back of his head was shown as a mop of slightly messy slightly put-together black hair.

“I love it.” He said with a small smile, giving her a kiss on the top of the head. In the bottom corner she had just put a small black heart, meant to be a small clue.

“Okay,” She smiled. “I think I’m gonna post it.” She said, looking up at him. “You okay with this?”

“Of course.” He genuinely smiled back. “I don’t mind at all.”

Before she could second guess she hit the post button, immediately turning off her phone and throwing it to the edge of the bed.

“It’s done.” She said with big eyes and a giddy tone. “Like, we’ve confirmed.”

“Mhm,” He nodded with a small chuckle, “We have confirmed.” He leaned down to give her a soft kiss, not even a few seconds later his phone buzzed.

He reached over to grab it, smiling at the screen, and showing her.

I was wondering when you guys were gonna post something. Mikey had sent. It’s been fucking long enough.

She should’ve stopped staring after a few seconds, but she couldn’t help it. She rarely felt this confident in herself, but just as quickly as the adrenaline boost of self love hit her, the sobering of imperfections came knocking too.

Dressed in a long green strapless dress that was built to just fit her, she looked and felt like a Barbie. Her makeup team had really done quite an impressive and good number on her face, exemplifying all her good features perfectly, and covering up or minimizing the ones she didn’t like so much. Her hair hung in a low, sleek pony tail against her back, her nails for once long with extensions that would be removed for sure in the next two to three days.

“You’re absolutely perfect, ya know that?” She heard him, turning around to find her boyfriend with a big smile as one of his hands placed itself lightly on the small of her back. She softly smiled up at him, and he swore his heart skipped a beat and nearly sent him into cardiac arrest the way her big eyes stared right into his.

“Not necessarily, but thank you.” She responded in a small voice. She always got nervous before events- he learned that quickly after having to be on text and call standby as she repeated her own self-doubts while spiraling about things going wrong. No one would have ever known- her presence on carpets, stages, and everything in between was flawless.

And now here they stood for the first time together doing this. Him in a traditional and well-fit suit, her in the dress that would put anyone else wearing the color green to shame. He gave her one good look up and down (what was realistically the dozenth already), relishing in the fact that he was merely an accessory to her- and was blessed to be one at that.

There were already rumors circulating everywhere about the potential for them to show up together tonight. It was the ideal place to hard launch, and after dating for just over six months it finally felt like a good time to let the world see them together in all their glory. She was feeling more confident in him, and he was honestly just along for the ride- a very happy passenger too.

“How do we act?” She asked next, his hand still sat on her back as she leaned more into him so their bodies were no more than two inches apart.

“Like how we normally act.” He replied confidently. “I’m not sure anyone will be genuinely surprised- people have been expecting this.”

“When people set expectations about things they don’t know, it typically doesn’t work out the way they want.” She replied quickly.

He knew better than to ruin her hair or makeup, but at this moment he couldn’t see her for that, so he leaned in without hesitation and gave her a soft kiss as an attempt to calm her nerves.

“We’re not here to appease to anyone’s wants or expectations of us.” He explained in a tone just above a whisper, as if they weren’t the only two people in the room. “We’re here to be with each other- not to explain us.”

It was a relative blur, and she thanked the blinding lights of paparazzi that overtook her vision and senses as soon as they took a single step onto the carpet together. She had never heard the two of their names meshed together so many times in such a short period of time. It felt weird to hear them coming out together from other people’s mouths- but it also felt reaffirming.

His hand had initially snuck around her back, resting itself on the other side of her waist and pulling her close to him. The slight warmth from his body made her feel okay, an emotion she typically had to forcefully place at bay here but was tamed solely by him.

They gradually moved their way down at the instruction of the event staff, and narrowly at the last stop he leaned in to whisper to her, hiding his lips behind the back of her head to not let anyone get a chance to overhear what he was going to say.

“I think I have a new appreciation for my name when it’s next to yours.” He said with a small smile, pulling away and looking down at her.

She couldn’t help herself but to break out into a bigger smile, one that wasn’t posed for the cameras but more authentic. She usually hated her full smile, the cheekiness and roundness of her face making the pictures look unbearable to her, but in that moment it didn’t matter. She playfully nudged him a bit as he resumed his position with his arm around her waist, but this time she placed her hand on his chest, angling herself towards him.

He authentically smiled, not expecting it, and had to resist the urge running deep within him to kiss her. But no one here deserved to see that part of them- no one here deserved to know her like he did.

“New album stuff?” He asked, walking over to the living room with a “new” cup of coffee in his hands (this was his third refill in the last two hours). She nodded from where she sat on the floor, back against the bottom of the vintage arm chair she fell in love with and insisted on having to decorate their new place. Their place.

Gerard had always respected her boundaries with her music. She was being incredibly secretive about her upcoming project- despite it essentially being finished from what he had gathered- but he also knew incredibly well how labels worked. And despite both of them being in the industry, her upcoming album was expected to be gigantic. Both in the reception of it and in the work itself.

“They just began pressing all the vinyls.” She smiled up at him.

“When are you gonna see it?” He asked back, sitting down on the couch and leaning over the coffee table to grab his sketch book and pencils again.

“Hopefully within two weeks.” She shrugged. “That’s if everything goes right. Not that I think it won’t- there’s just… a lot.” He looked up for his eyes to meet her, giving her a sympathetic look and nod.

“Regardless of how it goes, you have worked your ass off for this.” He explained. “Critics will always say shit because they’re jaded and subjective. Most of them haven’t even made music. And your fans are gonna love anything you put out.” She softly smiled back.

“Thanks.” She said. “I can’t wait for you to hear it.”

“Don’t you have the entire record on your computer?” He asked, eyeing the laptop that sat in her lap. She rolled her eyes.

“It’s not that simple.” She replied, closing it and getting up. “Besides, I want it to be a surprise.” She finished, walking over to him and giving him a kiss on the cheek.

“So are you flattered or what?” Their manager approached where he sat on the bus. He was so lost in the trance of finding the necklace that she had been dying to get for ages online as a surprise album release gift that he didn’t hear a thing.

“Hm?” He asked looking up at him.

“You’re the muse for the number one song on Billboard right now.” His manager replied with a small smile, arms crossed over each other.

“Right.” He awkwardly responded.

He was, indeed, the quite obvious muse for her first single, which happened to somehow skyrocket on the charts as soon as it released and within a few days was impossible not to hear. Whether it be radio, playlists, grocery stores, social media- the damn song was everywhere.

By no means was he upset, he just wasn’t expecting it. He was actively figuring out how to deal with the amount of empty and comical threats he got from fan accounts saying they were fully prepared to fight him if it meant even a shot at being with her. Also, while he had approved of the lyrics she had showed him (well, specifically the incredibly, borderline obvious, suggestive ones) it still made him feel a blush grow on his face when he heard them over and over again.

And the fucking cherry on top was the music video. At this point, he had seen her in many different ways, doing many different things (if you catch the drift) but as soon as he watched it he felt like he was falling for her all over again, ten-fold this time. It also made him begin to seriously question why the fuck you were with him, and simultaneously wonder if all the manifesting bull shit the merch girl was telling them about was something he should look into given that he needed some form of magic to get someone so out of his league.

“Good luck when the album drops, man.” His manager smiled, “Can’t wait to see all the teenage girls that want to band together and fight you.”

Gerard didn’t drink anymore and hadn’t for a while. But he did stare with a smile as she took a shot of tequila and her face immediately grew into a sour and twisted expression.

“Fuck that was worse than I remember.” She said through a small cough, grabbing the water by her and downing a chunk of it.

The low-key album release party was being held at their place. It was primarily close friends, the one producer she worked with on the record and her engineer, then the band as well as some of Gerard’s friends. Despite it being small, the place was buzzing under the dimmed lighting as there was consistently multiple conversations happening in the background, solid laughter mixed in too, and her album playing track by track in order softly in the background.

She sat on the floor, back against the couch, in a simple shirt and jeans, him right behind and next to her sat on the couch. She wasn’t drunk, but was definitely tipsy as she laid her head on his jean clad knee. He looked down at her with a smile, running a hand through her loose hair.

“I love you so much.” She smiled up at him. “Thank you for being such an incredible muse.”

He had been complimented plenty of times by critics, reporters, fans- but nothing even came remotely close to that comment.

“Baby, this is all you.” He insisted with a smile back. “We wouldn’t be here if you weren’t so damn incredible at everything you do.”

She sighed happily, closing her eyes for a moment.

“I’m so fucking glad you bumped into me.” She said. “I was so pissed at first and so tired and hot and sweaty- I thank the universe everyday for making that happen.”

“I do too, sweetheart.” He said, letting his smile melt into a sincere and content one. It only felt right. “I do too.”

[cryptomiracle]

what type of lover is sam winchester?

sam winchester x reader (fluff headcanons)

"Wait for the signal and I'll meet you after dark

Show me the places where the others gave you scars

Now this is an open-shut case

Guess I should've known from the look on your face

Every bait and switch was a work of art"

-willow by taylor swift

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WARNING(S)

I'm just on season 14 atm, but I took a break from watching it to focus on other things, so I apologize if his character is inaccurate.

gender neutral reader

this is my first time writing for supernatural, please be understanding of this

This is kinda short

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psychical touch

he's not very big on PDA, other than hand holding or a simple little peck on the cheek/hand every now and then.. but in private? this man cannot get enough.

If you're a night owl, he's the type to sit on the couch with his head laying on your lap at like 2 am, trying to fight off sleepiness just so he can be with you. when you two sleep together, he pulls you as close as humanly possible and sleeps with his face in the crook of your neck.

he's constantly showering you with kisses on your nose, on your mouth, on your cheeks, on your hand, you name it.

He's the type to kiss you goodbye, then pull you back into another kiss, and then another, and then another, until you have to psychically pull yourself away from him.

Sometimes when he gets spooked he'll involuntarily grab your hand.

Now don't get me wrong, he enjoys when you give him the same energy, he loves for you to comb your fingers through his hair, or when you wrap your arms around his arm when you two are walking around (it doesn't matter where you're going)

if you were to randomly walk up to him and hug him, he would literally melt into you, he would do all he could to prolong the hug as much as possible, just to stay in your embrace.

When you two are cuddling, he's a little spoon (I will die on this hill.)

love language

words of affirmation

This man is a poet when it comes to you, he will wake up in the morning and just start telling you the sweetest things you have ever heard.

he will quite literally have you swooning over him, and he means every bit of what he says.

Although I wouldn't call him an insecure person, you would have to return the favor, even if it's just little confirmation that you still love him.

He's constantly worried that his line of work would cause you to get hurt, or worse.. so you would have to remind him that you don't have any second thoughts, that you can take care of yourself and that you don't want to be with anyone else.

acts of service

He loves doing things for you, whether it's carrying your bags, or running you a bath.

he'll do things without you even having to ask.

if you show any interest in something in a store, consider it yours.

Quality time

hes fine with going out to a nice restaurant, but he's also okay with just having a homemade dinner with you. He's happy as long as he gets to spend time with you.

He's an okay cook. but he likes to cook with you, it's his favorite way to spend quality time with you

Sometimes though, he would rather go to a restaurant he enjoys seeing you get all dolled up, it makes his heart melt.

When y'all first started dating, he definitely had to ask dean for date ideas, but once y'all finally got fully secure in your relationship, he'd just ask you what you wanted to do.

He enjoys sitting at home and reading with you, or doing research on whatever case him and dean are working on at the moment.

He greatly appreciates if you help him with his research as well, if you were to find something before him, he'd compliment you and tell you how smart you were, & how much of a help you were to him.

He's just a little sweetie pie

(I love him so much YALL DON'T EVEN KNOWW)

fights

Honestly, fights with him aren't that bad.

He will let you vent out all of your emotions, but if he thinks you're being irrational he will let you know.

He does have a habit of storming into another room, or going quiet whenever he feels himself get genuinely angry, mainly because he doesn't wanna yell/blow up at you.

After he cools down, he will attempt to resolve whatever it was that caused the fight to begin with.

Oftentimes, he will try to avoid conflict with you all together.

I can just imagine the two of you fighting in front of dean and Castiel, and them just standing there like "🧍🏼‍♂️👀"

If it's a really bad fight, he'll need a little moment alone to settle down.

jealousy

imma give him a 4.5/10 on the jealousy scale.

He's secure enough in himself, and your relationship to where he doesn't feel jealous over little things.

but if somebody tests it, he will let it be known that you're his.

Like, if a cashier at a store were to flirt with you, despite him being right next to you he'll shoot them a confused yet humored look while sneaking his hand around your waist & pulling you closer.

what kind of lover is sam winchester?

overall, sam winchester is such a great lover his love is so bittersweet, kind, patient, and understanding. He's such a sweetheart ♡

[iguessitsjustme]

I don't think any of y'all watch The Circle but I am absolutely DYING at the episodes that dropped today. And the only people I know that watch it are coworkers so I gotta wait until tomorrow to really talk about it but oh my god. I gotta say this or I will explode. Under the cut to spare y'all:

Mad, mad respect for Caress for making the right move and sacrificing herself. She knew where she stood and she truly went out in the best possible way. I hope she finds nothing but blessings in her life.

I think the way the show is being edited is indicating that Kyle is gonna win it. I hope he does. He has been nothing but loyal and honest to everyone (aside from the fact he's married but that's no problem because Liv isn't exactly honest either)

I HATE Jordan. First of all, get your shoes off the bed wtf. You sleep there. I also get that he's good for tv or whatever because he's brings the drama but that is literally not what anyone likes about the circle. We like the genuine connections that people build in there. We like when the show is wholesome. And he came in and just decided Myles sucked and was manipulating everyone? Because what? People liked him? When he was going around lying about everything? That boy still has insecurities he hasn't fully worked through and is projecting that onto Myles.

I will be so sad if QT goes because she is genuinely such a good player. She's kind but also realistic and she keeps it real with her people that they're playing a game. I'm glad she left that influencer chat with Jordan because she was right. If she blocked anyone he wanted to block, she would look like she can't be trusted. She would be the next one gone. Because Jordan would have been safe since he was the secret influencer, he had no issues gunning for her people. And trying to tell her that her strategy is bad because she doesn't want to break every alliance she has in one fell swoop? He's dumb.

I hope Liv gets rid of Jordan but the smart move would be blocking QT and I honestly think QT would respect her for it. I don't know if QT would throw shade at Liv being a catfish or not though. That is if they make Liv block face to face which is what they've always done in the past so I don't see why they would stop now.

I am happy to see Liv makes it to the finals. I've been up and down with Liv but I do like her and think she deserves to be in the finals. Or he deserves it I guess. Go Brandon.

I want Kyle to win. Out of everyone left, I want him to win. Myles is my favorite but I think Kyle winning would be the sweetest moment.

Jordan can kiss my ass.

I do want Lauren to make it to the finals. I wish she had been in any other season cause I think the AI twist hurt her a lot and she would have been able to build actual connections with actual people which is what I watch the show for.

No seriously. Jordan makes me so mad. All he had to do was literally none of what he did. Why did he come in so nasty? Has he seen the show? Those people never win. Never.

I do feel bad for Autumn and I think if she had come in earlier and had a chance to talk to Myles they could have been friends. I do not know why I think this but I think they would have been friends.

[my-mt-heart]

Thoughts on TBOC 204

This was supposed to be it. The episode we all celebrated. The one that would make the setbacks worth it and set the stage for the proper Caryl spinoff we've been waiting for since it was first announced in 2020. Not only did it NOT achieve any of that, it was one of the most painful "Caryl" episodes to get through, even more so for me than "Find Me" in the flagship show. That's saying something. I couldn't bring myself to watch 204 a second time (the first time was pirated I must point out again), and frankly, I think a second watch would only make me look for the benefit of the doubt somewhere, which this episode doesn't deserve. The below is my gut reaction...

The reunion itself was sweet. I loved Carol's choked sob and Daryl's long pause as he tried to figure out if she was real. I loved the running, the crying, and the face touching. It was the best display of who Caryl are as a couple/duo and who McReedus are as acting partners in the whole season. But it's a gimmick. A far less impactful nod to the Terminus reunion that plays out in a vacuum. It doesn't allow for any character growth and it doesn't last long enough for the already reduced impact to hold.

Isabelle's death stifles Caryl's reunion, the one thing that fans were dying to see. Zabel couldn't let them have the space they deserved because even he knows the most organic next step would be Caryl going canon. So he interrupts it as quickly as he can at the expense of another female character's and female actress' dignity, which unfortunately also colors the rest of Caryl's arc together. They can't even have an arc to themselves, nor experience any growth because they have to react to that death. Nothing about Daryl's behavior in the aftermath suggests that Daryl "loves" Isabelle the way Zabel and his mouthpieces characters want us to believe, but it still looms large. For Carol, it means that "her Daryl" found (and lost) somebody else, which is heartbreaking not only for her but for her fans who watched her literally go the distance for this man. Meanwhile, Daryl's mind is occupied with concerns and/or guilt over Laurent being in danger/having nobody else that he doesn't even take the time to acknowledge just how fucking far Carol has come for him and how unfounded his fear of being forgotten was. On the contrary, he's the one who let himself forget about her.

What Carol said on the radio is another thread that gets upended because of Daryl's twisted priorities. As they're looking for Laurent, he asks her in passing about who came back as if he didn't spend all of S1 worrying about it. Carol says it was "a feeling," but when she starts to open up about her struggles, Daryl stops her because he picked up Laurent's trail. That's one of many times in just this one episode that Daryl treats Carol like shit, like he isn't even Daryl anymore because the real Daryl is always attentive, even if he's mad at her for something, he always worries about her, and he always tries to put her first.

Caryl are meant to parallel the old couple they meet up with, I realize that, and I also see the beats that are meant to make us wonder if there's something more between Caryl than friendship, particularly when Carol watches the couple dance and her eye wanders to Daryl very subtly and the beat where the man calls them out for acting like a literal "old married couple." But the parallels get murky and once again, they're eclipsed by Isabelle's death and what she may have meant to Daryl. I guess I'm really tired of parallels in general. Don't give me parallels to Caryl. Give me Caryl beats that move their relationship forward.

I'm sorry to say that I did not enjoy Caryl's banter this episode. It wasn't playful or cute. Most of the time, Daryl was just being a dick to Carol. I think the idea of Daryl having a new family raises her insecurities, and at one point she suggests that Daryl is afraid he'll end up like her, meaning he'll lose his child. Daryl's response is that he isn't afraid of that at all, but Norman's delivery is strange. I can't tell if he's being genuine or if he's mocking her.

Caryl's chemistry is definitely off, and I think some fans are not sure how to reconcile that with the annoyingly subtle "teases" of more. To me, the vibe reminds me of a divorced couple and I kept getting the impression that Daryl is hanging on to some resentment about whatever transpired between them before he left. I think there's a story there, but I do not believe Zabel and the other stooges are open to exploring it. We need a competent showrunner for that.

Daryl's line to Carol that "he never ever stopped trying to get home to her," packs a punch, but not in the way I was hoping. Instead of being Carol's man of honor who shows his devotion to her (something this woman needed), it feels dirty, like a husband who got caught cheating and tries to tell his wife that he was thinking about her the whole time. That sentiment is repeated when Carol hands him the wooden figurine that Judith made for him. My heart shattered for Carol in both of these scenes because she deserves the "only man to make her feel safe" and he just isn't there. I don't know who is, but it's not Daryl and it makes me sad for him too. I miss the real Daryl.

As always, Melissa puts on an incredible performance. So does Clemence. I'm glad they got to act together at least in one scene, but the story doesn't do either of them justice. It's misogynistic, it's hurtful, it's baffling. Where the fuck is the Caryl spinoff we were promised? This isn't it.

[kravchikfreak]

i feel like sometimes people would come up with some cool headcanons and interpretations, but then they'll convince themselves that it's literally shown canon with no place for doubt and then they'll act as if everyone else is dumb for not consuming the media the way they do it

(i guess i'm guilty as well, but i'm allowed to cause i'm actually right all the time)

like the second season of arcane got tons of criticism for bad writing, and, naturally, there're people who would defend their favorite show just cause THEY interpreted it in a way that makes sense to the point that when i go to arcane criticism tag to see what problem other people have with the show i also see show's defenders who pissed not everyone sees it as they do

and um i mean it's fine, i get it, we are all the same, just in different camps, whatever. but i have a story. one time i had to do coursework and i barely touched it before the last night before deadline came. and i thought to myself "welp i really need to work on it now, i only have 8 hours left" and when i turned on my laptop and was about to open up the files the power went out in the entire building. and my laptop had a shit battery that worked for like 1,5 minutes without charging. so i thought it was kinda funny and called my mom and told her "see? the only time i decided to do something studying-related and this happens. universe must be trying to send me a sign" and my mom went like "yeah, a sign that you need to try harder! despite all the obstacles that might come to your way"

so, who out of us two doesn't have a sign literacy? is sign literacy dead? or was it just a shit unclear sign and its interpretation depends solely on the person who interprets it and their life experience, beliefs, mentality and so on?

anyway, if you think you feel the character and you can imagine their motives and goals that's cool i guess, but doesn't mean the show actually succeeded to state them in canon. if you can see just some random plot points without any actual on-screen transition between them and just understand what transitions was implied it's also really cool, but for me for example if i wanted to just have some guide points and use my imagination for the rest i'd just scroll through "imagine" tag on tumblr rather then watching an actual show that's supposed to tell the story, not key points of the story

and no, the show doesn't have to tell a viewer everything by words. but it still have to tell you everything, actually, just by all different kinds of storytelling. and leaving everything to viewers imagination isn't a storytelling. like yeah i guess i can come up with some character development that makes you go from pointing a gun at a child (when you already compromised your ability to sharpshoot) to very judgmental "why is peace always the justification for violence?" (right after you actually tell you aren't ready to withdraw your forces and half an hour early we have a cool montage of your forces being pretty violent already) but i feel like it's writers job, not mine

but hey, you do you anyway. who am i to care

in fact i actually feel you. i'll die on the hill of silco being a great dad and caring deeply about jinx. but tho we have in fact canon proof she mean the world to him (actual story actually telling us he chooses her over his ultimate goal) at the same time we don't really have a good explanation on his whole beef with vi. yeah, i still can make my headcanons about his insecurity and fear of losing jinx after she tells her something about something, but it still sounds weak and not really explained in the show. also not a great writing

okay i'm officially lost in my thoughts, gotta wrap it up somehow. let's end on the point that some of interpretations the show leaves you with this season don't make much sense and in other cases it doesn't even give you any material to interpret but straight up leaves you with the responsibility of come up with events and development of the story and characters. and while a viewer might be good at this or even enjoy it, it's still very bad writting actually

peace

[yingyoyingsh]

Since poolverine has been getting everywhere it made get biggy brainrot and me thinking abt analysis on how Wade and Logan work so well but are SO SO UNHEALTHILY mentally ill they need therapy and I mean actual therapy

More on below

Tw: sensitive topic

It's just so funny and depressing

How they're literally two people that have similar circumstances and a similar curse as well. Like if we somehow remove all the comedy and hit soundtrack from deadpool movies. He literally attempted sewerslide on screen????????????,,,,,,,,,?????? Like?????????? How is no one talking about how seriously effed up that is to make this a joke but wade does the walk the talk thing?????????????

Logan man ✋😩 Im not. He literally fits the candidate for idc I'm throwing my life away like while wade deals with the shiz with unhealthy humor he just gets angry. He literally is a good example of those people who could die off in a ditch if he didn't have super healing.

Like I guess that's common with anyone who's found some kind of relief with substance abuse in general 😭 but he just deals with everything by getting mad angry and telling everyone to fuck off like a rabid animal. And he has superhuman strength.

So now comes my point if they end up together it becomes a cycle of "I can make him worse" with the "your freak matches my freak"

Since wade is so graciously taking everything as a joke (even with dangerous injuries) and Logan (in the back of his head) has problems with substance abuse (and literally not even kidding how bad this is actually because of u stop joking abt substance abuse there's a reason why he should probably attend those alcoholic support groups)

Like where does the line end at "too much" bruh.

So one needs to make a fic about them working through this kinda shiz like maaaaaaaaaannnnnnnnnnnnnnnnn 👁️👁️ they live together so they'll eventually have to talk about the big elephant in the room. Like god Al just has to sit through 5 seasons of this before they get actual therapy.

Like think about it

If they were regular ppl they would've been admitted in the ward and classified as criminally insane 😩 man they're just little freaks I love them

Good thing they're not regular ppl. But lbr would Logan go back to being "The wolverine" the movie didn't adress that hidden dark asf secret wel nor resolved it. Dp3 didn't also do much for Wade's insecurity to "good enough" for people to notice him nor his sewerslide joke tendencie. Logan also mentioned he didn't feel like he was good enough for the SUIT. Like man insecurities after one another. Like bro someone needs to.help them

Like man 👁️👁️god they're such a perfect match of fucked up. Like PLEASE. I NEED them helping each other. With both of their issues.

[captianbrnes]

Seasons

Summary: You want to prove to Bucky that you'll always be beside him

: Bucky Barnes x !reader

warnings: nothing really, just insecure Bucky kind of

word count: around 300

a/n: pls give me feedback on anything! I'm not really a writer I just do this for fun so any feedback is needed lol

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“Buck- Bucky you’re gonna choke me” you squeal out while he has his arms around your shoulders hugging you tight in the kitchen of the compound.

“Can’t help it, just too cute, '' Bucky says before snuggling closer to you, burying his head more into your neck if even possible. “Get a room would yah now-” “shut it bird brain”.

You can't see because of the strong arms blocking you but by the sound of it you can guess that Sam entered the room. Mustering all the strength in you, you’re able to break free from the arms of your boyfriend strolling out the kitchen back to your room but don't get too far before you feel someone walking right behind you.

“Going to your room baby? We can watch a movie if you want”, he says after catching up to you. After you agree, the both of you settle in your shared room choosing to turn on a cringe romance movie neither of you paying attention.

“Do I ever tell you how beautiful you are?” Bucky says looking at you mesmerized. “Only once every ten minutes.” You giggle out while playing with his fluffy hair. “God and that laugh too… wanna’ hear it for the rest of my life if i could.”

“I mean you could if you want..” you faintly whisper out just loud enough for the super soldier to hear. Clearly surprised by your answer he quickly states back, “ Really? You'd really want to spend forever with me?” He genuinely was surprised anyone would reply positively.

“Of course Buck, I mean you’re literally perfect. Your smile and everything, I mean look at you!” You exclaim happy to see Bucky’s smile back on his face. “You know I love you right?” you tell him scared that he didn't realize.

“Yeah you only tell me one hundred times a day” he laughs out after you slap his shoulder. After the conversation you and Bucky spend the rest of the night snuggled up together watching cringe romance movies.

Even though you know it’ll take awhile, you wont stop trying to prove you'll be with Bucky forever, through all seasons.

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a/n: idk if my requests are open but if they are feel free to request anything since I'm not the most creative. I also might post at random times since I'm in school but I'll try to get out as much as possible.

[pinkeoni]

Show wise it's because a lot of bylers are actually very insecure about byler endgame so is like threat to their ship.

Like it is far more likely that Will will end up with random boy than with Mike.

Personally, I'm not insecure in the idea of Byler happening because the show is written for it to happen, but I do think that there are bylers who are insecure specifically about Mike being Will's boyfriend.

At the moment, Mike has not been the best friend to Will. Mike even admits this in show "I guess I've been so worried about El..." Their relationship is extremely unbalanced after season two. From Will's point of view, it's extremely heartbreaking. As my lovely mutual Doozy Googoogagaeyes already pointed out in her own post, Will is at a crossroads, he can either sit around and continue pining over a guy he believes is straight and in love with his sister, or he can try to move on.

The ball is placed in Mike's court. For Byler to happen, he's going to have to pull his weight. That means be a better friend to Will, accept his sexuality, and break up with El (all things that likely go together).

I think all of this is achievable, and I don't want this post to be taken as a hate post toward Mike, but the reality is that he is a character who has made plenty of mistakes in pursuit of trying to be someone he isn't, and an important part of his personal growth is accepting who he is, and that takes effort on his part.

There have been a lot of bylers who see Mike's arc differently, and see him as someone who has been victimized, rather than someone who has to work through his own internalized conflict. To them, Mike is the one who is needs to be saved, who needs other people to remind him how much he is loved (despite the fact that both Will and El, along with Karen, have provided this) rather than the character who needs to put in the leg work to repair his relationship with others.

I think that many bylers realize this, but don't wanna admit that Mike needs work before him and Will can be in a relationship, so the idea of Will having another boy of potential interest to him is threatening, even if Will doesn't even like this guy back. We don't even know what this guy is like (or if he even exists) so there's a chance that he could be a guy who isn't denying who he is and doesn't push Will away for his sister.

And btw, I still think byler is end goal. And while we don't have confirmation that this will happen, I do think that introducing another potential guy for Will would create interesting conflict for both Mike and Will. Does Will continue pining for the guy he's in love with, or try to move on with someone else? Does Mike continue to hide who he is and allow Will to be with someobe else, or finally accept who he is and fight to be with him?

[whataperfectwasteoftime]

Forgive These Bones I'm Hiding (Part 2 of 2)

Pairing: Serial Killer Marcus Pike x f!Reader (Reader is a police officer with the nickname “Cricket”)

Rating: E (explicit smut, 18+ only)

Word Count: 13.8k

Warnings: This is a Spoooooooky fic for Halloween season. Please heed the warnings; this is not darkfic, per se, but it explores dark themes and contains elements of suspense and horror. The following subjects are mentioned in the context of cases that the reader deals with. I do not go into explicit detail about any of these themes and any violence is implied rather than seen, but please heed the warnings for: child abuse, domestic abuse, alcoholism, drunk driving, implied sexual assault, suicide, drug use, drug overdoses. Whew. Okay, for the story itself, please be warned that there is: derogatory language (someone calls reader a “bitch”), murders, body horror (corpses!), Marcus Pike being a bit unsettling, Very Enthusiastic Pussy Eating, unprotected PIV sex (this is fiction! use protection and also maybe don't fuck a serial killer!)

Summary: When five paintings are stolen from their frames, an unusual crime for your small-town precinct in Hannibal, Missouri, it's easy for you to project your insecurities about being a female police officer in a tiny, Midwest town onto the handsome FBI Agent from Washington who arrives to help with the case. But as your disposition--and the solid walls you've built around yourself--begin to soften, you quickly find you have bigger problems than the charming man you can't help but develop feelings for. One by one, bodies are starting to pile up. Bodies that all seem to share one connection… You.

Additional A/N: OKAY, so things definitely pick up in this chapter! Please heed the warnings, as Cricket’s past cases feature in a big way. There are more corpses, more unsettling!Marcus, and, of course, more MURDER. Thank you to @littlebirdsbookshelf for being an amazingly supportive human, beta reader, and crime consultant! Thanks for making sure my self-indulgent fanfiction always has its roots in reality!! They can’t fuck if I can’t make it make sense first. PLEASE check out our Playlist for all the spoopy Midwest Gothic vibes. The title of this fic itself comes from Family Tree by Ethel Cain, which is of course on the song list!

Masterlist | Part 1

The next morning starts with a headache.

"Wha'th'fuuuuck," you croak. You’re so disoriented that it takes you a few moments to realize your alarm is going off. 

You fumble for it, surprised to find it on the charger. You don't remember plugging it in. For that matter, you don't really remember getting home last night. Did… Did Marcus…?

Confusion and dread cut through the hangover, and you switch on the lamp as you sit up in bed. 

You're still in your clothes from last night, but your boots are untied and placed neatly on the floor next to the foot of the bed. 

You look around your bedroom, looking for more clues as to how you got here. There's a glass of water on your nightstand, and upon further inspection, two ibuprofen next to it.

You rifle around beside it looking for a note, but you come up empty-handed. It doesn't really matter; you can pretty much guess what happened: You got so wasted that Marcus Pike had to help you get home. He took off your boots, but clearly didn't feel comfortable taking off the rest of your clothes. He made sure your phone was on the charger and even went so far as to anticipate your need for water and pain medicine in the morning. 

Something still feels off, though. Just call it a gut feeling, an instinct, some vestigial part of your hindbrain that's telling you something.

Maybe you forgot your purse…?

But no, when you finally drag yourself out of bed to check the entryway, your purse is there, hanging on its usual hook. 

Shaking your head (probably a mistake, going by the ache that shoots through it when you do), you chalk up the odd feeling to the hangover. You don't remember the last time you had that much to drink, after all. 

You feel slightly better after taking a shower and downing another glass of water, but your stomach still roils and your head still hurts as you throw on your uniform. You're thankful for the dark sunglasses that come with it when you step outside your house. 

Fuck. Why did you drink so much?

You pull into the station about thirty minutes late, which isn't that bad, considering how many glasses of whiskey you had. How many, exactly? You lost count after three, but you know there were more. You were upset about Bobby and unsure of whether you even made a difference in this town and… wait, did you cry last night? In front of Marcus? An image flashes through your mind: Your head buried in the crook of his neck. A wet patch on his white dress shirt from your tears.

Oh, fuck. 

The man in question gives you one of those characteristic grins when you enter, still wearing your sunglasses. 

"Moving a little slow today, are we?" Marcus asks playfully. 

"Jesus fuck," you murmur, collapsing into your chair with a sigh. "I guess so."

"I've never seen a woman put away that much whiskey," he comments with a wink in your direction.

"And you never will again," you groan. "I'm swearing off the stuff for life."

"I don't blame you."

"Jesus, I don't even remember what happened last night. I woke up this morning with no memory of how I got there."

Marcus laughs. "You don't?"

"I barely remember what the hell we talked about. Oh, God–was I an ass? Would you tell me if I made an ass of myself?"

"You didn't make an ass of yourself," Marcus promises.

"I feel like I got all maudlin about the job," you say, frowning.

"You did, a bit."

"Sorry if the evening was a sob-fest."

"I think you're allowed to be upset after finding Bobby Pearson like that."

Cold dread shoots down your spine. Heart in your throat, you stare at Marcus open-mouthed.  

"Did… Did I tell you that last night?"

"Didn't need to." He holds up a copy of the Hannibal Courier-Post with a grim expression. Oh. Right. There it is, right on the front page, accompanied by a picture of you deep in conversation with the Coroner. 

You shake your head, laughing slightly. "Jesus, guess I really am out of it this morning."

"You up for a ride?" Marcus suddenly asks.

"Huh?"

"To the St. Louis field office," he explains. "I texted you yesterday about forensics, remember?"

"Shit, that's right! I'm–I'm sorry–"

"Don't be. There was a lot going on," Marcus insists. "But they've got some stuff for us to look over. Wanna go for a little drive?"

"Only if it's you who's doing the driving," you say. 

"Done."

"And if we stop for coffee."

"You drive a hard bargain, but I accept."

An hour later, with a latte in your hand and your head tipped against the cool glass of the passenger-side window, the fog of your hangover begins to clear and you start to feel much better. The sun glints off of the pavement of State Road 61 as Marcus speeds along in the left lane on the way down to the city. Everyone steers clear of what’s obviously an unmarked police car, and like all officers before him, Marcus takes full advantage. The tall grass next to the road blurs as you stare out over endless fields, dotted with the occasional farmhouse. The day is crisp; one of those beautiful fall days where the temperature stays low even though there’s not a cloud in the sky. If you squint your eyes, you can pretend you’re flying.

At the Field Office, Marcus breezes through security with his badge and his characteristic toothy grin. After you’re presented with a visitor’s badge, the two of you walk down the stairs to the basement, and down a dimly lit hall until you reach a door that reads “Forensics - Art Crimes.”

"Basement, really?" you ask, wrinkling your nose.

"Windows are bad for the degradation of paint," Marcus points out. Then, with a grin, he adds, "Plus, they always give Intelligence the prime real estate."

When he opens the door, your face brightens. Unlike any forensics department you've been in previously, this one is full of… well, art. You aren't sure why that surprises you, but Marcus chuckles as you gaze, open-mouthed, at the selection.

"It's like our own little secret museum, huh?" he says, eyes twinkling.

"Okay, I think I get why you like your job now," you say quietly as you examine what looks like an ancient Greek vase on one of the tables. 

"Is that…"

"Fake," one of the lab workers says with a shrug. "Art museum still purchased it for two mil, though. Oops, right?"

"Oh. Is most of this stuff fake, then?" you ask.

"Nah. This one's a genuine Picasso that was recovered from the black market," the woman says, waving her hand at a colorful painting leaning against the wall. "We're in the middle of returning it to the rightful owners."

"Holy shit," you breathe. 

"New to art crimes?" the woman asks.

"Not a lot of paintings to steal in Hannibal," you say with a smirk.

"Ah, so you're Rockwell.”

“No, I’m–oh. Haha, I get it.”

“Damon’s been taking the lead on that one. His office is there in the back; he’s expecting you two.”

Marcus greets Damon like an old friend while you stand by his side doing your best to look ‘official.’ Something about being here–in the FBI building–makes you feel like a country-bumpkin of a cop. Maybe it's just the ever-present chip on your shoulder (Okay, it’s definitely that.), but the moment makes you feel like you need to fight to take up more space, puffing out your chest and straightening your spine. And when Damon offers his hand for you to shake, you grasp it more firmly than strictly necessary, something you’ve learned over the years is an effective tool to assert yourself as a female officer.

“So you’re the lead detective on the case?” Damon asks as you shake his hand.

“Yessir.”

“Fantastic. Well, I hate to bring you all the way down here to deliver bad news, but running the prints didn’t give us any matches.”

Your heart sinks. 

"But," the agent emphasizes, "your team did excellent work canvassing the area around the museum for CCTV footage, and we got some hits at one am at a few different places. Compiled it in a presentation for ya, if you wanna take a look."

At your eagerness nod, Damon turns his second monitor around to face you.

"So, first hit is at Main Street Bed and Breakfast," he explains as a grainy, black and white, blurry photo appears on the screen. Hard to ID, but it looks like we've got got male, maybe six foot, two-thirty, on foot heading away from the museum, which would be just across the street over here–" he points at the corner of the screen. 

"Then the same individual shows up walking past Java Jive–" another grainy photo, not much clearer than the first, " –and then he turns down the alleyway behind the Dutch Country General Store, and gets into a white Pontiac Grand Am."

"He puts something in the backseat," you exclaim, pointing at the blurry shape.

"Mmhmm, something skinny and long," Damon says.

"...Like five rolled-up canvases," you offer, raising your eyebrows.

"It's not a lot to go on, but this is the only individual we saw out walking that night that didn't originate from any of the establishments we analyzed."

You watch the series of images, squinting as if it will help with the pixelation. The license plate, of course, is completely illegible as the car drives away.

"We've got people analyzing the plate, but best they can do is determine that the first letter is either a 'C' or an 'O.'"

"Better than nothing," you concede.

"Obviously, a Grand Am is gonna be a pretty common car in the area, but it's somewhere to start. We'll start pulling state records, and we'll be in touch if we–"

The loud ringing of your work phone interrupts Damon, and you wince apologetically as you pull it out and see 'SGT HUBBARD' on the caller ID.

"Hullo," you chirp amiably.

"Hey," Hubbard says on the other end. "We've got a body."

You straighten with a sharp intake of breath. Two deaths in Hannibal in less than a week? You don't think you've ever seen anything like it. Frowning, you duck out of Damon’s office and walk several paces away.

“I’m in St. Louis for the Rockwell case, but I’m finishing up,” you tell him. “I can be there in an hour and a half.”

“See that it’s quicker.”

You roll your eyes, mutter a “Yessir,” and end the call.

“Pike,” you bark, causing Marcus to look up with those pretty, soulful eyes of his. “We gotta go. There’s a case back in Hannibal that needs my attention.”

“Yes ma’am.” He gives you that wide, toothy smile again, and you remember how last night it had felt… unnerving to you. Like there was something lurking behind that earnest grin that no one else knew about. You shake your head. Jesus, you had way too much to drink last night. Get a grip, Cricket.

Lights on and sirens blaring, you zip past farms and woodlands. The official GPS time says one hour and forty-nine minutes, but you can do way better than that. Other vehicles automatically part for you, leaving them all behind in a blur of red and blue. Tongue poking out between your teeth in concentration and hands on ten-and-two, you think this might be the best part of the job. The part where you’re flying. 

You drop Marcus off at the Station with your apologies and race to the address Hubbard gave you.

The coroner’s office and a local news van are already there when you arrive, and the Sergeant looks disapprovingly in your direction, as if you could have shortened the drive from St. Louis through sheer force of will. 

“What is it?”

“Harold Dalton, 54. Apparent suicide.”

“What? What the hell is in the water that–”

“Hush. Keep your voice down. Right now, we’re waiting on State Police to come help with this one–there was a firearm involved.”

“He shot himself?”

Hubbard’s mouth is a thin line as he nods grimly. “Not a pretty sight.”

“Dalton…” you murmur to yourself. “Why do I know that name?”

“He’s got some priors,” Hubbard says. “Possession, some assault charges that were dropped, and–”

“Child neglect,” you whisper, as the realization hits you. “Oliver Dalton.”

“Shit, yeah,” the Sergeant says, realizing the connection at the same time. “God, how many years ago was–”

“Five,” you answer automatically. 

“That would make Oliver…”

“Sixteen.”

“Mm,” Hubbard grunts. “Ever check in on him?”

“He’s bounced around from home to home,” you answer, trying to keep the emotion and bitterness out of your voice. “Doesn’t last in one place for very long.”

“It’s a fucked up thing for a kid to go through,” Hubbard mumbles. “Can’t imagine he’s all that well-adjusted.”

The two of you stand in silence on the run-down, rotting porch. What a fucking shithole, you fume, scraping a piece of flaking paint with the toe of your boot. In the distance, you can hear the faint sound of sirens coming closer.

“Know we’re not supposed to say it,” the Sergeant finally says, as the State Police car pulls into the gravel driveway, “but good fucking riddance.”

Dalton. Now that the connection has been made, you can’t believe you didn’t remember immediately. You suppose you have tried your best to put his name–and several others–in a tidy little box in the corner of your mind. It’s easier that way.

Except… Why does it feel as though you were just thinking about him? As soon as you hear it, the pang of familiarity rushes through you, but you can't put your finger on why…

Hubbard is shaking hands with the two state cops that just arrived when your phone pings. You pull it out and glance at the thumbnail. 

“Hope everything’s okay! Talk to you later.”

It’s from Marcus. Something prickles across the back of your neck, and you slide your phone back into your pocket without responding.

“Officers,” you greet the newcomers, forcing a cordial smile and sticking out your hand to shake.

It was just the cold breeze making your hair stand on end. That’s all. 

“Sorry I had to dump you at the station like that this morning.” You tap out the message on your phone as soon as you get back into your squad car.

“It happens, don’t worry I know how it is.”

After a few minutes, Marcus begins typing again. 

“Want to meet up for a drink?”

“Fuck, no. You have any idea how shitty I felt this morning?"

"Noted. How about dinner, then? And some water?"

You pause. Drinks are one thing. But dinner? That could be considered "date" territory if you think about it too much.

You must be silent for too long, because your phone pings again.

“Had something I wanted to ask you about the CCTV sweep.”

It’s an obvious effort to sweeten the deal and get you to say yes, and you know it. You should tell Marcus you’ll discuss it tomorrow at work, pick up some fast food on the way home, and eat it in front of Jeopardy!–alone. 

Instead, you find yourself typing, “Dinner sounds good. Water sounds better. Where were you thinking?”

Marcus begins typing almost immediately. “How’s the Mark Twain Dinette?”

You snort to yourself. “Just as bad as you’re thinking. But Finn’s Food and Spirits is surprisingly edible if you’re looking for local eats.”

“Edible, huh? That’s not really a ringing endorsement, but I try not to go to chain restaurants when I’m traveling, so… let’s do it! :)”

It isn’t until you get into the shower that the reality hits you of how strange it is to be washing off the remains of two very similar cases in as many days. Not just two consecutive deaths–but two suicides, in a town of barely fifteen thousand people. 

And you knew them both. 

What you find most jarring, however, is the difference in your own mood between the two days. Yesterday, the weight of Bobby’s death felt as though it was dragging your body down. Today, though, there’s a weight off your shoulders. A burden you didn’t even realize you were carrying, suddenly gone. Hubbard had said it well, earlier–said what you’ve been thinking the entire day since. 

Good riddance.

You arrive a few minutes before Marcus, so you go in to grab a booth for the two of you–sitting where you can see the door, as you always prefer to do. Being a police officer has left you with some funny habits; it’s actually pretty nice to be able to talk to another person in law enforcement, for once. It isn’t like you go out much with Hubbard, who is both your supervisor and over twenty years your senior. Evan strictly works nights, so you don’t see much of him, either. You’re acquaintances with some of the officers in surrounding towns, but you don’t have much patience for their “I’m a cop” bravado–or even worse, the “Thin Blue Line” stickers on their car windows. 

Marcus seems different, though. Sure, he’s got an air of confidence around him, but you can tell it’s not an act at all. And yet, despite that confidence, there’s a softness to him: something in the upturn of his eyebrows, in the way his lips part when you speak, the way he seems enraptured by your every word–

When the man consuming your thoughts enters, you jump slightly, afraid, for just a moment, that he could read your mind. His expression brightens the moment he sees you, eagerness written all over his face, and you shake yourself.

This is why you can’t let him in.

“Everything go alright today?” Marcus asks amiably as he slides into the booth opposite you.

“Yeah, yeah,” you wave him off, shaking your head. “Nothing big.”

The lie sits heavy on your chest. He’ll find out tomorrow–along with the rest of Hannibal–when the day’s Courier-Post arrives at the station. It’s just that you don’t want to talk about it, not tonight. 

“Yeah,” you say again. “So what was the thing with CCTV?”

“Hmm? Oh,” Marcus says, taking his eyes off the menu for a moment and giving you a discerning look. “Why don’t we just save work stuff for tomorrow, huh? C��mon, take a break–what’s good here?”

You shrug. “The catfish is usually fresh-caught from the river, if that’s your sort of thing.”

“Is it your thing?” he asks, a glint in his eye.

“I make it a point not to eat anything that was recently pulled from the river.”

Marcus hums in response, scanning the menu again. When the waitress comes by to take your orders, he gets the catfish.

“Country-fried steak,” you say, handing her your menu. 

Silence falls at the table; without reading material or decisions about food to be made, you aren’t sure how to talk to the man opposite you. He intrigues you; he attracts you… he also scares you, just a little. Is it possible to be too disarming? Too earnest? If so, Marcus certainly is, and something about his sincerity… puts you off.

Fuck, when you think about it that way, maybe you’re just an asshole.

“So the CCTV question was just a pretense to lure me here,” you say, raising one eyebrow in challenge.

Marcus holds up his hands in mock-surrender. “I plead the fifth. But I–listen, the truth is, Cricket–I can call you that, right? You, uh, you never gave me your first name.” When you don’t offer an answer, he forges ahead. “I’ve been told I’m forward, and that’s probably accurate, but the truth is, I think you’re one hell of a good looking woman, and I’d love to get to know you better.”

Your stomach flips over at his words. As much as you’d hate to admit it, you’re not immune to flattery, and certainly not coming from such a beautiful man in his own right. 

“Thank you,” you say quietly.

“I find it easy to talk to you,” Marcus continues. “I’m on the road a lot, and it can be… lonely. You don’t know how much of a relief it is to have someone to talk to who gets it, who’s been there, you know?”

You nod thoughtfully, tracing the rim of your water glass. “I do get it. I–I’ve been alone for quite some time, too, and there are few people in Hannibal that I can really sit down and just talk to. I–I guess what I’m saying is, it’s a relief for me, too.”

Marcus reaches slowly across the table and, in a barely-there caress, runs his index finger across the back of your other hand. 

“I–” you say hastily, pulling your hand back and settling it in your lap, instead. “I want to be clear that I’m not in the stage of my life where I’m looking for anything temporary.”

“Me neither,” Marcus says, his eyes burning intensely into yours.

“Anything between us, is, by very nature, temporary,” you point out. “I live here in Hannibal. You’re going back to Washington upon completion of this case. I’m not against seeking mutual relief from loneliness, but I’m just… I’m not sure if I know you well enough to go down that road.”

Marcus’s eyes are full of understanding and acceptance. He draws his hand back and sits back against the booth with a small, wry smile.

“So, what’d’you wanna know?” he drawls, letting the Texan accent slip out in full force.

So… you talk. And talk. 

And talk. 

Your plates have long-since been empty and the ice in your water glass has melted, dripping condensation onto the checkered tablecloth–and you feel as though you’ve been given a glimpse past the toothy smile and confident demeanor, into a deeper, hidden vulnerability underneath. 

“...She–She broke up with you via text message?” you ask, dumbfounded at Marcus’s most recent admission.

“God, when you put it that way, it sounds… way worse than it was, but yeah,” he chuckles. “But honestly, when I look back, the writing was on the wall. I was rushing, she was dragging her feet. There… there wasn’t a future there.”

“Do you do that a lot? Rush, that is?” 

Marcus hums loudly as he seemingly deliberates his answer. “Mmm, I don’t like to see it as rushing.”

“How do you see it?”

“I’m a man who knows what he wants,” he says simply, dark eyes flicking up to meet yours.

It makes you shiver slightly.

“Has that made me hasty, on occasion? Impulsive? Sure. But I don’t see the point in hiding what I am only to be disappointed later. Eventually, I’ll find who matches me beat for beat. Someone who has the same ambitions, the same drive. The same passions.”

His eyes bore into you again, and you swallow. 

“You are forward,” you comment, somewhat breathlessly.

“I know what I want,” Marcus says again–quieter, this time.

“I wish I had that degree of certainty,” you whisper, laughing shakily.

“I think you do. In here,” he says, placing a palm over his heart. “But you second-guess it in favor of what’s up here.” He taps his index finger against his temple. 

“I happen to think humanity in general should obey their brains a little bit more, speaking from experience.”

Marcus laughs loudly, breaking the intense mood that had settled over the table. “I don’t think you’re wrong. But when it stands between you and your desires? Sad,” he comments, pouting his lip slightly.

“Some desires should remain just that–desires, nothing more.” Your voice wavers.

“I respect that,” he says lightly. Signaling to the waitress with a wide, friendly smile, he asks for the check. “But you don’t strike me as a person who indulges most of her desires. You put everything else first, don’t you?”

“Not always,” you object, bristling slightly at the blatant call-out. 

“I’m sure,” he grins as he scribbles a signature on the receipt. “Well, Cricket, I hope I’m wrong. I hope you chase the things you want, that you indulge in the little things that bring you joy, that you live your life not being afraid to say ‘I’m doing this for me.’ After all, I’m seeing such a fleeting moment of your life, aren’t I? A blink of an eye in the scheme of things. You and I are merely ships passing in the night, never to be seen or heard from again.” He stands. “Have a good night, Cricket.” 

And with that, Marcus gives you one last fond smile and disappears through the front doors, leaving you stunned–frozen to your seat as you absorb his speech.

You wake up confused for the second morning in a row.

Bright and loud. Why is it so bright and loud?

This time, the confusion resolves itself quickly as your brain comes back online and you realize that your work phone is ringing again. 

The old-fashioned alarm clock across the room reads 5:23 AM.

“Hullo?” you croak.

“You’re not going to fucking believe this.”

At the sound of the Sergeant’s voice, you switch on your bedside lamp and blink rapidly in the harsh light. 

“What is it?” you ask, trying to sound more awake than you actually are.

"Maisie Fletcher called the station around four saying her husband never made it home from the Waterhole. Evans drove the road from town to their house about a mile south just to take her statement, and found solid evidence of fresh skid marks leading into the river.”

Your heart sinks. The river. 

“Any sign of a vehicle?” you ask, already suspecting you know the answer.

“No.”

You take a deep inhale through your nose and let it out slowly through your mouth. Pulling a body from the Mississippi is miserable, unpleasant drudgery. First, you’ll spend hours directing boat patrols back and forth in a cross-hatch pattern for miles south of the suspected entry point. Then, once you finally find the vehicle, the work to exhume it from the water begins. The fire department will need to be coordinated with, and, depending on the depth of the car, a SCUBA team or a crane. 

“Fletcher…” you repeat, frowning. “Isn’t that–” 

“The domestic disturbance couple, that’s right,” Hubbard confirms. 

You snort. ‘Couple’ is a strong word, in your opinion. The husband, Gavin Fletcher, was single-handedly responsible for half a dozen trips out to their house along the river over the years, but every time you’d asked Maisie–with increasing urgency in your tone–if she’d like to press charges, she had declined. And every time, you’d leave the house with a lead balloon in your stomach. 

You always worried it was a matter of time before the “domestic disturbances” turned ugly. Or worse… fatal. 

And now… he’s in the Mississippi. Maybe. Possibly.

Is it bad if you find yourself hoping he’s at the bottom of the river?

Yes. Yes, it is. 

“Understood,” you sigh into the phone. “Let me throw on my uniform and I’ll meet Evans down at the bank.”

After a long day of standing on the banks of the Mississippi, watching patrol boats pass back and forth in slow, deliberate lines while drizzle slowly seeps its way down into the innermost reaches of your clothing, a vehicle turns up around six pm. You watch as the fire department uses the Jaws of Life to pry open the driver-side door, sending a cascade of muddy water onto the ground. 

It’s difficult to recognize the former person being pulled from the wreckage–even after less than twenty-four hours of being submerged, water can do a fucking number on a body–but a search of the wallet in the back pocket of its jeans confirms the identity of the swollen, bloated corpse that used to belong to Gavin Fletcher. 

Predictably, the task of notifying Maisie Fletcher is handed down to you. 

Your mouth is a thin, tight-lipped line as you drive down the gravel driveway that you wish wasn’t so familiar. You barely have to knock before Maisie is at the door and falling to her knees in a display of grief that you simply can’t find yourself to feel. Try as you might, you can’t force anything–any emotion other than ‘numbness’ onto your face as you deliver the news as gently as you possibly can. 

Maisie, still weeping, agrees to meet you at the morgue tomorrow to officially ID her late husband, and as she shakily rises to her feet, you can’t help but note the not-quite-healed-over bruise on her temple. 

You need a fucking drink. 

Thirty minutes later finds you at the Waterhole nursing a cold beer and an even-colder mood in your still-damp uniform. 

Palmer, ever the charmer, leans into your personal space with all the enthusiasm of someone attempting to disarm a bomb, and mutters, sotto-voce, “You smell like a goddamn fishmonger, Cricket.”

At your deadpan glare, he backs away, hands in the air, and makes a show of cleaning cocktail glasses instead.

You don’t much feel like talking. 

For one–yeah, the lingering smell of river brine–with the barest hint of ‘bloated corpse’ underneath–doesn’t put you in a sociable mood.

But what’s really bothering you is all of those old “domestic disputes” hovering in the forefront of your mind ever since Hubbard said the name ‘Fletcher’ at 5:30 this morning. God, you had all-but-begged her to press charges; in hindsight, you probably sounded insane. And each time, you took her refusal personally–as if it were happening to you, not to her. You’ve worked hard over the years to put that hurt, that anger away in a tiny little box in the corner of your mind, but the death of Gavin Fletcher seems to have released it all over again.

He’s dead, you point out to yourself. There’s no point in resurrecting your demons.

“Back at it, I see?" a slightly amused voice calls out from your periphery, and you close your eyes in exasperation.

You can't do this dance now.

"Marcus," you say with a resolute sigh. 

"Fancy seeing you here," he grins, and slides onto the barstool next to yours. "I'll have the same," he says to Palmer, who nods.

Seated next to you, you can tell exactly when the odor of your uniform hits his nose. He pauses, beer bottle halfway to his lips, and cocks his head in a way that would be comical, had you been in a better mood. His eyebrows pinch together, causing a little crease to appear between them, as he looks at you. 

"Did you… get dumped in the river earlier?"

You sigh again. "Not exactly. Had a car go into the river last night. Had crews searching all day, and finally found it this evening."

Marcus lets out a low whistle. "Roads must have been slick last night with all the rain," he points out.

"Yeah, exactly," you agree. "Honestly, it's probably worth it to put a feature on hydroplaning in the local paper after the news comes out. Not enough people take it seriously."

"Occupants?"

"Just the one. Male, forties. I can't release any names until tomorrow, though."

"I know," Marcus says, smiling fondly. "So after a day in the rain and the Mississippi mud, you're so ready for a beer that you don't even change out of the wet uniform, huh?"

"Fishmonger," Palmer grunts from the other side of the bar.

"I wasn't going to say it, but…"

"If you two are gonna gang up on a woman drinking, I'll damn well go home and do it alone," you grumble.

"Nonsense," Marcus grins. "If I bought the second round, would that convince you to stay?"

"One," you say, holding up your finger. "You have me for one more drink. Then I'm going home and getting into a hot bath."

"Yes, ma'am," he drawls, a glint in his eye when you mention the bath. "Guess I'll have to get my fill in the span of two beers."

You drain your first bottle and set it down challengingly. 

"...One beer," he amends.

"It's just as well," you tell him. "I'm less than pleasant company tonight."

"Impossible," Marcus promises. "Your company becomes more and more entrancing to me the more I'm graced with it."

"I guess if you can't handle me at my 'smelling like rotten fish,' then…"

"Don't make me beg to 'handle' it."

"Marcus!" You bark out a surprised laugh in spite of yourself. 

"Ha! There it is," he crows triumphantly. 

"Are you trying to cheer me up or piss me off?"

"You looked like you could use the former. Seems as though you already have enough of the latter."

You can't help but chuckle again. Damn him that it's working.

"Is it so wrong to desire the company of a beautiful woman who smells like the bottom of a river?"

"Leaving," you sputter through your stifled laughter, although you make no move to get off of your stool.

"You wound me."

"I'm not the one habitually insulting your smell.”

“If I smelled like that, I’d hope someone would ask why,” Marcus points out with a teasing grin.

"I guess if I had known I'd be doing… this, I would have gone home and showered first."

"Doing… what?" Marcus asks, a flirtatious glint in his expression.

"This. This… dance, this back and forth." You gesture between the two of you.

"This… dance?" he repeats teasingly. "Cricket, if you wanted to dance, all you had to do was say so."

"Do you ever stop?" you laugh, rolling your eyes.

"Of course I do," Marcus answers, sounding affronted. "I'd never push someone if I didn't think my feelings were returned."

You close your eyes and exhale shakily. "You know I do… I do feel the same way, Marcus. And it isn't like I haven't thought about what you said last night–in fact, I've thought of it a lot. But I keep coming back to the fact that I just… I don't want to just scratch an inch. I'm looking for…" 

"Connection?"

"Yes," you say emphatically. "Exactly. Not to be melodramatic, but I'm just too damn old for anything else."

"I feel the same way," Marcus murmurs.

"If you feel the same way, how the hell do you reconcile the fact that we're from two different parts of the country?" 

"I don't know," he says softly. "But I know I can't ignore what I feel for you–the connection I feel between us. I know that's real, don't you?"

You drain the last of your beer and set it down on the counter. 

"Guess that's my time," Marcus chuckles resignedly.

"Walk me to my car," you say quietly. 

Marcus nods, throwing some cash onto the counter and extending his hand to you. "Shall we?"

Not taking your eyes off of his, you gently slip your palm into his own. He walks you to your car, one hand resting perfectly at the small of your back and making the skin there tingle slightly.

“I won’t ask to kiss you,” he announces as you open your door. “But from one passing ship to another, I’ll just say that you look so goddamn beautiful right now under the streetlights.”

You turn carefully around. Marcus’s expression is open and earnest. His lips are parted, his eyebrows upturned as he watches you. He’s made his desires clear, and you… you simply want to bask in that all-consuming attention of his for just a few moments. 

Slowly, achingly slowly, you bring your palm up to lay against his sternum. Your eyes meet–a question in his, an answer in yours. 

Just as unhurriedly, Marcus steps closer. He gently cups your chin in one of his large hands as he tilts his head just slightly and lowers it to meet you. 

His lips are soft when they slowly brush against your mouth. The kiss is sensual, full of longing and barely restrained passion lurking just under the surface. His lips are parted, but he makes no attempt to deepen the kiss; you never feel the careful slip of his tongue into your mouth or the sting of teeth. Despite this, it might be the most sexually charged kiss you’ve ever received. A wave of pure want surges down your spine and into the base of your core and your grip on his shirt tightens to steady yourself as a small, involuntary noise escapes from deep in your chest.

You expect things to escalate from there. You wait for your back to hit the side of your car, to feel the weight of Marcus’s body against you as he pins you against the door. You wait for his hand to grip your hip, his fingertips to dig into the back of your neck as he takes control.

Instead, he pulls back–breathing shakily as he does–and rests his forehead against yours.

“Maybe we shouldn’t have done that,” you laugh breathlessly, thinking of how the hell you were supposed to to work with him now.

“Maybe not,” Marcus chuckles back. “But I don’t regret it. I can’t.”

The orange light from a nearby lamp casts half of his face in shadow, making his features stand out in dark relief: the bow of his upper lip, the angle of his cheekbone, the strength in his brow, the line of his nose… 

He’s the one who looks beautiful, you think. Out loud, you say something else. 

Just one word.

Your name. 

Marcus’s lips part in surprise, eyebrows turning upward as he realizes the gift you’ve given him. He could have used it all along, of course, had probably seen it in the city directory before he’d even met you. 

But he waited for your consent, instead.

And oh, how sweet it sounds when it falls from his lips for the first time like this, his mouth just inches from yours.

“I can’t believe I let you kiss me smelling like this,” you joke, trying to dispel the heavy cloud of tension.

He laughs quietly, and murmurs your name again, his thumb brushing delicately back and forth against your cheekbone. “Go home,” he whispers. “Take that bath. It’s late.”

You nod, swallowing thickly. “See you tomorrow.”

Marcus steps back, giving you a fond, warm smile. “Sure will.”

Christ, what have you done?

The thought doesn’t hit you until the wee hours of the morning, when you bolt upright in bed before your alarm and realize that you’re going to have to continue working alongside Marcus for the foreseeable future. 

You don’t know him, not really; you don’t know how he’ll act in a professional setting after a very unprofessional moment between the two of you. He brings out a softness in you that you don’t recognize, a deep yearning at the very core of you that had been shoved down and suppressed for years. Vulnerability is punished in your line of work, especially as a woman, and you’ve gotten so well-practiced at stamping out any trait that could be perceived as weakness that you, unknowingly, eradicated it from your personal life as well.

How long has it been since you’ve let someone in?

How long have you denied yourself the comfort of another’s touch?

Damn him.

He’s brought all of these feelings to the surface, and now you have to worry about not only his reaction to seeing you at work today, but yours as well. 

Will you be able to hide the way your body seems to gravitate toward him? Can you keep your face from betraying you? 

Will he be able to remain aloof and businesslike, or will the mask drop–showing everyone the hunger in his eyes? 

You shudder slightly. Please, let the day go smoothly. 

As it turns out, all your nerves were misplaced. There’s no awkward reunion, no shy smiles or stilted small talk. 

“They ID’ed the guy!” Marcus exclaims loudly as you walk into the bullpen. 

The outburst from the typically softspoken man surprises you so much that you nearly drop your coffee.

“What?” 

“Your Norman Rockwell thief! His name is Reuben Porter, and he lives in Moberly.”

A slow smile spreads across your face. “No way.”

Marcus grins back, dimple on full display. “Fancy a drive to the field office today?”

“Hell yes. Gotta be sooner than later, though,” you add, thinking of Maisie Fletcher. “I’ve got a meeting at three.”

“Yes ma’am,” he smirks. “Shouldn’t take too long. They’ll share all of their files, and you and your precinct can be the ones to make the arrest.”

“Wait… you’re not doing that?”

“Told you it was still your case,” he points out. “Yeah, before you know it, I’ll be out of your hair and on a plane back to D.C.”

“What a relief,” you joke, but the words hardly have any bite to them. Back to D.C.? Part of you wants to have your fill of him first; that kiss last night only left you craving more. All you can think about is his lips on yours, and wonder about the feel of his body as it pins you to the bed. 

“I’m sure it is.” 

Marcus’s voice deepens, his tone tinged with amusement, and you fight the urge to avert your eyes like a schoolgirl. 

“Shall we, then?” you say lightly, raising your eyebrows and tilting your chin upward.

“You’re driving, this time,” he says with a boyish smile.

The car is where the tension finally returns. The air feels dense, each lull in polite conversation pregnant with what goes unmentioned and unacknowledged. To your surprise, you find yourself itching to address the elephant in the squad car, even after what feels like hours of giving yourself pep talks before work, promising yourself you wouldn’t be the one to slip.

“When… when is your flight?” you ask instead.

“Tomorrow.”

“...Oh.”

“I know what you’re thinking,” Marcus says seriously.

You blanch. “You do?”

“Mmhmm. ‘Good Riddance,’ right? Mister Big City Agent, finally getting out of your way so you can arrest the jerk who had the audacity to defile the Mark Twain Museum.”

You bark out a surprised laugh. “I can’t tell if you’re making fun of Hannibal or not.”

Marcus makes a show of appearing offended. “I would never poke fun at the birthplace of Samuel Clemens.” Sobering, he adds, “I hope you know by now that I care very deeply about every art case.”

You can’t help but beam at him. Taking a leap of faith, you respond. “And I hope you know by now that I’m not hoping the door hits you on the way out.”

“Yeah?” he asks quietly. 

“‘Course.”

Marcus slowly reaches his hand over to you and drags just the tip of one finger from your wrist and down your hand to the end of your pinkie finger in a barely-there caress. 

You let out a shaky exhale as the squad car pulls into the lot of the St. Louis field office.

Damon greets you and Marcus cheerfully as you enter the Art Crimes Department. He shakes your hand, offering his congratulations, as you follow him back to his office.

“Here you go,” he says, handing you a singular flash drive. “The final identification reports identifying Reuben Porter as the thief, and all related case notes.”

“...That’s it?”

“That’s it.”

“Oh,” you say, turning the flash drive over in your hand. “Why not just email it?” 

“File’s too big,” Damon shrugs.

“Got some stuff for you, too,” Marcus adds, pulling out his field notebook and a manila folder and handing them to you. “My notes, and my formal report of my involvement in the case.”

“Thank you,” you say, looking at Damon, and then at Marcus. “For your expertise and your support. I’ll–”

You’re interrupted by the loud ringing of your work cell. Grimacing, you give the agents an apologetic smile and duck out of Damon’s office.

“Yeah,” you say impatiently into the phone.

“Hey,” Hubbard replies, sounding, for once, incredibly hesitant.

“...What’s going on?”

“Can you go on a call?”

"I'm at the St. Louis field office with Pike," you tell him. "You'll have to call Evan in."

"Evan is already here," the Sergeant says, making you frown in confusion. 

"He is? Then why–"

"We’ve got a body, but Cricket? …It's Johansson."

You don't realize your legs have given out until you feel the cold chair underneath you. Your breath comes in short pants after hearing That Name. That fucking name.

"Jakub," Hubbard continues, as if you needed to be told.

"H-How?"

"Looks like an overdose, but the autopsy will have to confirm it, obviously."

You feel as though you're floating above yourself. That fucking case. You hadn’t been on the force long; it was the first time the system had failed you. Failed her. 

"I just thought you should know," the Sergeant is saying. "If you need to take a few days–"

"I don't," you interrupt. "Thanks for telling me. You still need me to come?"

"Nah," Hubbard says. "Have fun in St. Louis."

"Yeah," you hear yourself saying over the blood rushing in your ears. "Thanks." You robotically set the phone down on the table, eyes unseeing as you process the conversation. 

A warm palm lands on your shoulder, and you exhale shakily. "S-Sorry, just give me a minute."

"Are you okay?" Marcus's voice is full of concern.

"Yeah, it's um… just a name I haven't heard in a while, is all."

But that’s not true… is it? The name is fresh in your brain, feels familiar when you silently form the shape of it with your mouth. Jakub Johansson. You’ve tried your best to put him–and all the other cases that keep you up at night–in the past, but ghost after ghost keeps turning up this week, in more ways than one. 

“Do we need to get back to Hannibal?” Marcus asks.

“Nah. No. They’ve got it handled, they were just–it was one of mine, so… informing me, I guess.”

“One of your… what?”

“Sorry. Just an old case. Someone connected with it, anyways.”

“Everything alright?”

“They’re dead,” you deadpan. And even as you say the words out loud, a weight you didn’t realize you had been carrying seems to lift from your shoulders. Finally unparalyzed, you turn and look at Marcus. His gaze is burning, his eyes searching your face with unrelenting intensity. 

“Do you need to take a moment?” he asks softly, plush lips barely moving and his wild eyes never once leaving you.

Suddenly, the windowless Art Crimes Department feels stifling, like there’s not enough air. You can’t speak; you can’t breathe. Instead, you nod as you quickly rise from your chair and all-but-bolt from the room, walking quickly down the hall and up the stairs until you reach the lobby, then rushing out of the main entrance. It’s only then that you feel as though you can suck in a deep, ragged breath of crisp autumn air.  

You’ve carried this case with you for almost seven years. Seven years of feeling like you were the one who failed–not the system. You. You could have collected more evidence, you could have fought harder, you could have–no. You pace the sidewalk, repeating the statements the Force’s therapist gave you all those years ago. You did everything you could do. You helped a woman in need and brought a bad man to justice. His light sentence is not your fault. 

And now he’s dead.

Why doesn’t this feel like relief?

That feeling, the one you've been having all week, returns. That feeling of wrongness, like you’re forgetting something important. 

“Hey.” A soft voice cuts through your thoughts.

“I don’t understand what’s going on,” you murmur, not turning to acknowledge Marcus. “What the fuck is happening this week? Pearson, Dalton, Fletcher, J-Johannson… I’ve seen more dead bodies in one week than I’ve seen in a fucking lifetime.”

“You look like you’ve seen a ghost,” Marcus points out, “not a dead body.”

“The case with Johansson, it… it fucked me up for a while,” you say quietly, not looking at him. “I had to take time off, I was appointed a therapist to speak to, I–” 

“The details must have been really upsetting to you,” he says gently, laying his hand on your forearm.

“I had panic attacks,” you whisper, feeling the leftover shame wash over you. “We’re supposed to keep our own emotions out of the job, and I… I failed–”

“That’s not a failure–” Marcus starts, but you interrupt quickly.

“I failed her,” you grit out through clenched teeth, spinning to face him head-on. “I thought I was doing everything I could, but it wasn’t enough.”

The soft sound of your name causes a sob to catch in your throat.

“Listen to me,” Marcus says softly. “You did everything you could, I know you did. You’re a caring, capable, brilliant cop, and you did everything in your power. And besides, the universe has a way of making things right, doesn’t it? He came to justice in the end.”

You snort. “He fucking overdosed in his own home, and his victim was left with a lifetime of trauma. If that’s justice, the universe has a funny sense of humor.”

You deflate with a sigh. Checking your watch, you give Marcus a humorless smile. “We’ve gotta go, anyway. I need to be back to meet with the wife of a drowned man at the morgue.”

Maisie Fletcher’s demeanor is far more stony than it had been the day before. Head held high and lips pursed, she strides confidently into the observation room and watches expressionlessly as the sheet is peeled back to reveal Gavin Fletcher.

“That’s him,” she confirms with no emotion in her voice.

“I’m sorry for your loss,” you say, because it’s what you’re supposed to do.

Maisie snorts, the first time her facial features have changed since she walked in. “Really? Knowing what you know about him? You might be the only other person who knows the truth about what he really is.”

When you don’t answer, she speaks again.

“This might be the best thing that's ever happened to me." The words are whispered, barely audible even in the cryptlike silence of the morgue.

You nod at the mortician, Milo, who you remember from a few grades below you in school. He nods back and carefully replaces the sheet.

You escort Maisie back out to her car with a heavy heart and brooding thoughts.

"What are you going to do?" you ask quietly.

"I'm leaving town. Soon as I can. I–I never meant to stay here, but…"

"It's hard to leave," you murmur. "The town, mean," you correct quickly. "It sucks you in. Believe me, I know."

"You could go, too," Maisie points out. "Every town needs cops."

"And leave all this?" you joke. "I'm good. Really. Just been a week for the record books."

As Maisie drives off, you turn and see that Milo is watching you from the front entrance.

"There a problem?" you call out.

"Nah, just wanted a second opinion on something. You busy?"

You shake your head, walking back into the morgue behind the mortician.

"Lot of new tenants this week," Milo says. He pauses, looking over at you as if waiting for your laugh. You manage a weak one, but it seems to satisfy him. He stops in front of one of the metal drawers and turns toward you. "This one, the one they found yesterday? The autopsy hasn't been completed yet, but I wanted to run something by you to see if you agree with my analysis."

You shrug, holding your arms out in a gesture for him to continue. He grabs the handle and pulls, revealing the pale, stiff corpse of Jakub Johansson. You suppress a flinch.

"It doesn't take an autopsy to conclude that the overdose killed him," the mortician says. "We've got all the classic signs of a fatal dose of Fentanyl. Should be cut-and-dry."

You pause, a small frown on your features. “If it’s cut-and-dry, why am I sensing a ‘but’ there?”

“Well, the overdose is cut-and-dry. No one walks away from that many drugs in their system, but… well, it looks like he got into a fight or something right before.”

“A fight?”

Milo sweeps the sheet back from the corpse’s arm. “Here. See, there’s the puncture from the needle, but look–” he gestures at the upper arm, where, through the discoloration of the already-decomposing skin, you can clearly see five purple marks. 

“Someone grabbed him,” you say quietly. 

“Mmhm. And here.” He points to the forearm, where a larger bruise runs horizontally across the skin. 

Staring at the marks, the image starts to crystalize in your mind. “It looks like… like someone grabbed his upper arm, and held his forearm in place with their knee, or something.”

“That’s exactly what it looks like,” Milo nods grimly. 

“He was held down,” you murmur, barely audible in the silent room. “He was held down and given a fatal dose.”

“The injuries were perimortem,” the mortician adds. “They would have been sustained just before he overdosed.”

“How long before?”

“No way to be precise, but…” he clicks his tongue, “...no more than an hour or two.”

You thank Milo in a daze, heading back out of the morgue with rapidly swirling thoughts. You can no longer ignore the facts: All the people who have died this week, with the exception of Bobby Pearson, were on your list of ‘Cases that Haunt your Dreams.’ That list… subconscious, but so vivid that you may as well have it written down on a piece of posterboard and hung opposite your living room couch. They were the cases that kept you up at night, the reason you… 

… the reason… you…

…drink… to… forget.

The phrase seems to set off a chain reaction in your mind. You hear it again and again, but not in your own voice…

In the voice of someone else. 

“They say there’s only two kinds of people,” Marcus says. “Those who drink to remember, and those who drink to forget.”

You remember his soulful eyes, the understanding in his expression as he acknowledged that he knew exactly which of those people you were.

“I drink to remember.”

“The living, and the dead.”

The dead.

Images flash rapidly in your brain. Him telling you the work matters. Urging you to tell him the names. Pouring you another drink. You, crying against his dress shirt. Him pleading with you to let it all go, the burdens you carried.

The names…

Nothing makes sense, anymore.

Well, actually, everything makes sense, it’s just that you don’t want it to. 

Everything that’s happened over the past week is leading you to one conclusion–and you simply aren’t ready to face it. Not yet. 

You can’t face it… but you can’t let it go, either. It would be against everything you thought you stood for. So rather than go home and drown your suspicions in more whiskey, you go back to the station.

Not bothering to turn on the lights, you sit down at your desk and power on your computer. The blue light is harsh in the dim bullpen as you open the FBI’s website and search for the Art Crimes department. You glance at the directory–Supervisory Special Agent Marcus Pike at the very top, of course–then navigate over to the department’s news page and scan the recent case headlines. 

Wilton Man Admits Operating Fraud Scheme

Palm Beach Art Dealer Sentenced to Federal Prison for Laundering Money From Art Fraud Scheme.

Lips pursed, you open up a second tab and search for ‘Wilton.’ It’s a small town in Connecticut–and you find the town’s local newspaper easily. You click back to the FBI page, look at the date the man was arrested, and look through the newspaper archives on and before the same day. 

No major headlines stand out, but when you read the obituaries for the week, goosebumps begin to rise at the back of your neck. Elliott Bradford, 42. Overdose. Mark Hampton, 38. Suicide. 

Those kinds of deaths are common everywhere, you try to tell yourself. But, pulling up yet another tab, you search for the first name. Immediately, article after article appears in the results. Heart in your throat, you click on the first. 

Sex Offender Elliott Bradford Implicated in Trafficking Ring. The news is from over a decade ago–but the details are enough to turn your stomach. He’d been sentenced to ten years in prison, which means he would have just been released… last year. Mere months before Marcus would have been there for work. 

When you search for Mark Hampton, you find a similar story. Marjorie Hampton Files Suit Against Husband Mark Citing Repeated Abuse. And just a few years later, he’s dead, too.

A little voice in the back of your head tells you to stop digging, but you can’t seem to quit. You repeat the search with Palm Beach, and find that again, the obituaries are filled with accidental deaths and suicides from the town’s most violent men. 

Minneapolis. North Hollywood. Palmdale. You’ve gone as far back as 2016, and every town has the same pattern: Marcus Pike arrives for a case, and days later, known abusers start turning up dead. 

Every. 

Single. 

One.

It’s nearly two in the morning when you finally force yourself to stop. Your mind is swirling with names, dates, and heinous crimes. And all of them died within weeks of the town being visited by a certain FBI Art Crimes Detective. There’s still a part of you that can’t believe your conclusions are real–that the sweet, kind man you can’t deny your feelings for any longer is actually a killer. Which is why, hands trembling, you do the one thing you definitely should not do at this moment.

You text Marcus Pike.

“I need to talk to you.”

You regret it almost immediately. Part of you hopes that he’s asleep. He has to be, right? It’s two AM. Shaking your head and inwardly chastising yourself, you slip your phone into your pocket and start shutting down the computer. 

When you get up to leave, however, your phone pings.

“Where and when?”

"I–I need to talk to you,” you blurt out the moment the hotel room door opens, but the sight before you almost makes you swallow the last few words.

Marcus is shirtless, wearing nothing but a pair of gray sleep pants low around his hips. You can’t help but stare at the sight, taking in his broad shoulders, the light musculature of his arms, his slender waist and the soft skin on his stomach. A light trail of hair disappears below the waistband of his pants, and you swallow thickly as you drag your eyes back up to his face.

"So you said," Marcus says quietly. If he’s amused at your obvious staring, he doesn’t show it.

"You–what're you doing up so late?"

"Never did sleep much," he says with a crooked grin. One of his eyebrows raises as he looks you up and down. "Why are you up and at my door at this time of night?"

"Losing my fucking mind," you murmur shakily.

He steps forward, reaching his hand up to tenderly cup your cheek. Your eyes flutter closed as your body instinctively responds to his touch.

"Marcus," you whisper. 

"And why does that bring you to me?" he asks, his voice deepening. His thumb traces back and forth across your cheekbone.

To confront you, you want to say. To make you tell me I'm not crazy. That I figured out your secret.

Instead, you reach out and touch one trembling hand to his sternum, indulging in your desire to touch that expanse of golden skin. 

You open your eyes to find him watching you with a hooded, coal-black gaze. His eyes flick down to your hand on his chest, then back up to your face.

The moment feels like the drawing back of a bowstring. It seems to linger, seconds stretching out longer and longer until the inevitable moment where everything snaps.

Suddenly, Marcus is pulling you forward, shutting the door, and pressing you back against it in one swift, fluid motion. 

His entire body molds to you–hips, hands, lips–with far more ferocity and less restraint than the night before. You feel the sting of his teeth, the grip of his fingertips as he takes from you.

You aren't exactly idle, either; your hands map the planes of his chest, hips canting up to grind against the hard length you can feel there. When he pushes right back, you groan loudly and dig your fingernails involuntarily into the meat of his upper back, and he hisses.

"Sor–"

"Again," he growls, so you scratch harder.

A low, feral sound escapes from deep in his chest he breaks away from your lips and kisses a frenzied path down your neck.

"This was always going to happen," Marcus rasps into your skin. "You, and me. Can't you feel it?"

"Feel–?" you gasp, arching your back at the little nip of teeth at your shoulder. What you feel, right now at least, is the hard, thick length of his cock pressing insistently against your stomach, and it empties your mind of all other thoughts. 

"Feel the electricity between us. The connection," Marcus clarifies between kisses back up your neck until he gently nibbles your jaw. 

"Mmhmm," you whimper. Your knees almost buckle.

"Tell me," he orders. 

"I feel it."

You reach down and grasp his erection through his clothes as if to punctuate your meaning, and Marcus’s knees do buckle slightly as he sags against you with a broken groan.

"Every fucking night," he growls, "I pictured how you would look spread out on this bed. You'll forgive me for indulging that, now."

"Tell me," you parrot coquettishly, staring up at him coyly from behind your lashes.

Another low sound emanates from deep within Marcus's chest at your command. Spinning you around so fast you nearly lose your sense of direction, he pulls you further into the room and deposits you on the bed before crawling over you. 

"Tell you, huh? Tell you what? How I would close my eyes and think about the sounds you'd make for me? Or about how I'd get so worked up imagining the way you'd taste, the way you'd look coming undone beneath me that I'd have to fist my cock just for a little relief?"

"I wanna see that," you say lazily, licking your lips and making a show of pulling your shirt over your head. 

"Next time," Marcus promises darkly. “Next time I'll do it just like this, with you staring up at me, watching me fuck myself for you. But I don't think I can go one more night without being inside you."

"Please," you whisper, staring up at him with wide eyes. 

"Yeah?"

"Fucking… yes, Marcus, shit–"

He chuckles, straight, white teeth showing as he grins and starts to unbutton your pants. You let him draw them down your hips, along with your underwear, your breath getting shakier as you see the hungry look in his eyes. It makes you feel powerful, the way just the sight of your bare center seems to affect him. 

When your pants reach your ankles, he yanks them off the rest of the way and casts them aside in the corner of the room. His gaze is almost predatory, but you get the feeling you are the one who has him under your thumb at the moment. Giving him a sly, crooked smile, you spread your legs wide.

Marcus pitches forward onto his elbows, dropping down onto the bed as if deep in prayer, but everything about the man in this moment is sinful. With his mouth inches from your pussy, he breathes in, closing his eyes and shuddering visibly. When he opens then again, they're deep obsidian. They don't move from your face as he lowers his mouth to you.

You aren't sure who moans louder at the first generous lick of his tongue into your pussy. Rather than start at your clit, he dives in; thrusting the wet, warm muscle as deep into your cunt as he can while his nose presses deliciously against you. 

He devours you greedily, licking up into you as if he could pull pleasure out of your channel with just his tongue. He seems to be getting almost as much satisfaction out of doing it; his eyes are closed as if savoring you, low, muffled moans from deep in his throat punctuate every lap into your pussy, and every so often, his hips thrust slightly against the bed as though he can't help but seek a little relief.

His hands scrabble at your hips, yanking you closer as soon as he can find purchase, and you throw your head back on the pillow as he buries himself even deeper than before.

Christ, how is he even breathing?

His nose rubs back and forth against your clit, and you can feel your orgasm starting to build. Growing bolder, you rock your hips subtly against Marcus's face, and by the loud groan that escapes him when he feels you do it, he enjoys it.

He pulls at your hips again, wordlessly commanding you to continue. 

"Fuck," you murmur. "Marcus, your mouth–"

You slowly grind on him, gyrating your hips as you chase the sensations that feel best for you. It causes everything to pull up tight, and before you even realize what's happening, you're falling apart on his tongue.

"Have to have you," Marcus pants in your ear, having surged up to cover you with his body even as you were still trembling with aftershocks. "Tell me I can have you."

"Yeah," you agree. "Fuck, take it. It's yours." Make me forget.

"Condom?" 

"Clean. You?"

"Clean. You–You sure? Tell me now, because I don't think I can wait any longer."

"Please," you whisper, reaching up to gently wipe away some of the slick above his upper lip with an amused smile. He looks wrecked already–the only time you've seen him with a hair out of place–and it's incredibly endearing. 

You don't have time to dwell on that thought, because with a broken sound, he sheathes himself within you. 

The noise that escapes you is involuntary–an instinctual, guttural reaction from somewhere deep in your subconscious brain. You can feel Marcus everywhere at once, pressing against nerves deep inside of you, nerves you didn't even realize you had. 

Anyone would be forgiven for expecting sex with this clean-shaven, softspoken man to be just as gentle and sweet as the man himself. You would have thought the same thing, except for one feature of his that always made you feel as though something darker was lurking underneath: that smile. Wide, toothy, eager; the rows of straight, white teeth; the boyish little dimple it exposes.

It's his eyes when he smiles like that that have always made you wonder what he's hiding; what demons are being concealed behind pearly whites and laugh lines.

But you think the way Marcus fucks might expose far more than anything else about him. 

The fire that dances in his eyes has certainly hinted at a deeper passion, but you've yet to experience anything like the way it feels to be on the receiving end of this much intensity. 

He's unrelenting in his pursuit of pleasure; fervent and raw and so very physical. He doesn't shy away from the messiness of sex; he licks an escaped tear as you reach your second peak, he spits on your clit and rubs it in with his fingers, and when he finally pulls out and finishes on your chest, he immediately covers you with his mouth and sucks himself off of your nipples.

You'd also be forgiven in thinking Marcus was done with you. That, given the late hour and the vigorous, explosive way he had fucked you, he'd collapse on the bed with a tired, sated sigh.

Instead, he pulls at your hip and guides you to turn over on your stomach. You're about to open your mouth and question his motives when you feel his hot, wet tongue press against your other hole.

You squeal involuntarily, burying your face in the pillows as you surrender to the onslaught of Marcus’s attentions. In this, just as in every other way he's already had you tonight, he's incredibly vocal. He straightens his tongue and pushes it inside, and moans loudly as he feels you give way for him.

"Good girl, so fuckin' good, gonna make me hard again, aren't you? Mewling so prettily into the sheets like that while I take you apart. You like that, don't you? Filthy fucking girl, huh? Good. I am, too–told you we were made to do this."

Marcus is merciless, giving you his tongue, fingers, tongue again, over and over and over in your pussy and your ass until you come undone again with a wail. 

You're boneless and pliable as he hauls your trembling body up onto your knees and enters you again, this time from behind. 

He's equal parts brutal and reassuring: ample, generous praise spills from his lips with every rough punch of his cock. 

You're so overwrought with pleasure, you can't even speak. Marcus is destroying you in every delicious way, and you aren't sure how you're supposed to come back from this. How you're supposed to confront him after he's made you feel things you didn't even know how could feel.

His lower hands are pressing down on your lower back, intensifying the arch in your spine and causing his cock to hit the perfect spot inside you.

"Gonna–" you gasp.

"I know," Marcus answers. "Together, this time. With me, yeah? I'm so close, but I'm waiting on you. Cum for me, let me feel it baby."

You sob into the pillows as he fucks you through your orgasm, your walls aching and ultrasensitive from the relentless onslaught of his cock. 

You're only barely aware of him pulling out and letting you collapse forward onto the bed. You aren't sure why it surprises you–perhaps just the intensity of the moment before–but you aren't expecting the warm, gentle arms encircling you as Marcus follows you down and wraps you up, pulling you into his chest. 

You're still panting, trying to catch your breath and regain equilibrium as you hear his voice behind you. It's not rough and rasping like before, but soft and soothing as he croons into your ear.

"So good for me, so perfect. Took me so well, look so good in my bed. Incredible.”

Giddy and overwhelmed, you start to laugh breathlessly.

Marcus chuckles too, nuzzling the spot behind your ear with his nose with a satisfied hum. His fingers start to trace a path up and down your stomach, and you sigh bonelessly and settle against him.

"This… this wasn't what I came here for," you murmur after a few moments.

"No?" Marcus nips playfully at your jawline just below your ear.

"No, I… I…"

The teasing kisses continue, causing sparks to shoot up and down your spine.

"Marcus," you sigh, as you feel another little nibble on your neck. "Marcus. Stop."

Slowly, cautiously, he pulls back. You turn in his arms, frowning slightly.

"I came here… Jesus, this sounds–I need you to convince me I'm just being jumpy. That I've been spooked, scared of my own shadow…"

“You’re under a lot of stress,” Marcus says gently. “You’ve had a hard week.”

You scoff. “Hard week? I’ve had hard weeks. This week was devastating. I’ve seen more deaths in one week than in almost my entire time on the force, and–” you swallow and look up, meeting his dark eyes, “–they’re all connected to me.”

“It’s not your fault,” he whispers. “They were bad men, and they all had their vices…”

“Every single one,” you forge ahead, “was connected to a case assigned to me. But that’s not the only connection, is it?”

Marcus cocks his head to the side, not dissimilar to a confused puppy. “What do you mean?”

“They were all connected to cases that keep me up at night. Cases that didn’t end in justice. Cases that I confessed… to you.”

Confusion melts away into an easy, casual smile. Marcus chuckles softly. “I thought you said you didn’t remember anything we talked about that night.”

“Details might be blurry, but it’s the only thing that makes sense,” you say, laying back to stare at the ceiling. “I was upset over Bobby. I was disillusioned with the job. You were all too eager to lend an ear, to let me drown my sorrows and whisper the names of the men whose faces I’ll never forget. I cried on your shoulder, Marcus. And you… you took those names, and—”

“Are you saying you’re accusing me of being some kind of one-man vigilante justice machine?” Marcus asks, beginning to laugh outright. “Cricket, do you have any idea how that sounds?”

“It sounds crazy," you say, turning toward him again. "So convince me otherwise. Tell me I've lost my fucking marbles on this one."

"I think it would be natural for anyone to look for some kind of reason behind a string of deaths of people they know," he offers gently. "And these men, they've… they've affected you more than most–let's not mince words, you were traumatized by these cases. It's only natural that you would look for answ–"

"Answers?" you interrupt. "My job is to find answers, you should know that. I've been researching you on your own website, what do you have to say about that? I know where you've been for other cases."

Marcus chuckles, although it seems… deeper, this time. "That's publicly available information on the government's own servers. I'm not sure what your point is."

"I also looked up all the newspapers from the times you would have been there," you say. "And just like in Hannibal, there's a rash of suicides and accidental deaths, and all of the victims? They all had rap sheets miles long."

"Cricket," Marcus intones softly. "I know you're desperately trying to find connections here, but you have to realize these all sound like huge coincidences–"

"You got sloppy," you accuse, picking up steam and confidence as you continue to talk through it. "Did you know that? Johansson's death was no accident. He was held down and given a fatal dose. It was rough; whoever did it wanted it to hurt–"

"Stop." Marcus cuts you off, his voice harsher than you've ever heard it. "You're grasping at straws. You're under a ton of stress, and you've concocted a wild fantasy to cope. It's a good story, but that's all it is. The things you're accusing me of, the person you've made me out to be… it's not rational, and it's dangerous. I'm an agent with the US Government, and you're throwing around some pretty serious allegations."

"I know what I've seen…" you murmur, shaking your head.

"You haven't seen anything," Marcus insists. "I'm not sure what your game is here. You come to my hotel room in the middle of the night saying you want to talk, you come onto me, we have sex… and now you're telling me you think I'm, what? A serial killer?"

"I–I think I should leave," you say quietly, getting up from the bed and padding over to pick up your uniform–where your gun is still holstered in your belt. You grab the pile of clothes and retreat to the bathroom to breathe and regroup. You splash cold water on your face, trying to ignore the fact that your hands are trembling slightly. 

Get it together. 

The pull you've felt for the man all week doesn't matter. Put it aside. Do the job. 

You take a few more deep breaths, then pull on your clothes. With a set jaw, you unholster your gun and slowly open the bathroom door.

"Marcus Pike, you're–"

You freeze mid-sentence, staring at the now-empty room.

"...gone?"

Epilogue (1 year later)

“I know it’s not much, but–”

“It’s perfect,” you breathe, walking into the small office, carrying a paper box full of your belongings, all waiting for a home among the bookshelves and desk space.

“Sure,” the other agent laughs.

It might not have a window. It might not have much charm. But it has a door–a real door that closes and everything–and even more importantly, it bears your name on a plaque.

A real office.

Yours. 

“You’re coming to us from… Saint Paul?”

“Saint Louis,” you correct amicably. 

“Welcome to White Collar Crimes,” your new coworker says with a wan smile. “It’s like Organized Crime, except instead of bodies, you’re examining accounting spreadsheets.”

“Good,” you say emphatically. “I’ve had enough death for several lifetimes.”

The other agent makes a face. “What the fuck was going on in Saint Louis?”

You huff a laugh through your nose. “You don’t wanna know.”

You set the box down, taking out some of your most prized possessions: A Mark Twain bobblehead, your Bachelor’s Degree in Criminology from the University of Missouri, and more recently, a certificate from Quantico labeling you as a Special Agent with the FBI.

It had taken most of the year to coordinate your exodus from the tiny town of Hannibal where you grew up. Sure, you could have simply gone to another city to be a cop, but the endless parade of speeding tickets, accidental overdoses, and orders to break up tent cities was wearing on you. Were you really making a difference where you were? 

No.

No.

You wanted to go after the real criminals. Those who swindled the vulnerable out of their hard-earned money. Those who gamed the stock market only to make a few million more than they already had. 

White collar crime.

“Well, welcome to D.C.,” the other agent says, his tone tongue-in-cheek, but your smile is genuine nonetheless. He leaves you to your task–setting up the tiny, cramped space that serves as your office. 

You unpack a box of your favorite pens, your stapler, a potted plant (fake) to add some greenery. Maybe when you get an office with a window, you can get some real plants, you think as you rearrange your notebooks on the small bookshelf beside your desk.

You glance down at the badge on your lapel and smile.

It had been a year since your strange run-in with the Art Crimes Agent that changed the course of your career. 

After Marcus Pike fled the scene of his own hotel room–leaving most of his belongings behind–you couldn’t find it in yourself to continue down the road of being a small-town police officer, handing out tickets and misdemeanors and investigating every tragic case that came across your desk. And they were all tragic, make no mistake. 

After a few months of being angry and indignant, you’d grown to respect Marcus Pike. You’d realized he was telling the truth all those months ago: he’d felt useless as an Agent, cutting through all the red tape and bureaucracy, and he’d simply taken matters into his own hands in the end.

He used his connections within law enforcement to gain access to the world’s undesirables: the violent, the unhinged, the maladapted, the unacclimated. 

The bad men who had gotten light sentences or slaps on the wrist when they should have been removed from polite society for the gain of humanity.

Compared to you–fighting through the red tape of Government at every turn–Marcus was unstoppable. You guess that’s why so many people like to read about comic book heroes who spend their time doling out vigilante justice. Fighting for prolonged sentences within the criminal justice system was one thing. Living by your own creed of law and order? That was another.

Marcus simply… went around the law.

Did the ends justify the means?

That was a question that kept you up for months on end–that still causes you to shoot up in bed, panting and sweating, fighting off the remnants of a nightmare.

Even now, you aren’t sure of the answer.

That, on top of the real job opportunities that the FBI awarded you, is what really brought you here.

Marcus Pike… is a murderer.

You’re here to keep an eye on him.

Putting aside your… more personal connections, the man is dangerous. After all, you have no way of substantiating that his moral code, the way he kills for his own perceived sense of good, will always match the general sense of human morality. Is Marcus the type of man who would take a personal slight and warp it into his own twisted sense of justice? Would ever kill to satisfy his own grievances? Would he ever simply kill for the sake of it? You have no way of knowing.

A soft tap on your office door interrupts your reverie.

“Got a briefing on the Waters case in five. I’m assuming you read the file I emailed over?” 

At your nod, the other agent continues. “It’s in conference room 2E63. Since this place is a bit of a labyrinth, thought we could walk there together.”

“Appreciate it,” you say cheerfully, snapping your laptop shut and grabbing your notebook. 

Time to work.

“Got any questions for me before the meeting?” your coworker asks as you navigate through the halls.

“Are other departments involved in this case?” you ask. “There’s the embezzling scheme, stock fraud, that’s obviously us. But what about some of the company’s other operations? The file mentioned something about illegal smuggling and money laundering, surely that’s–”

“Organized Crime, yup. We’ve got two representatives from that team, they’ve been heavily involved. It was recently discovered that some of the goods smuggled were uh, famous paintings or something? So we’ve recently added someone from—This is us, by the way.”

Your coworker opens the conference room door, and across the room, a familiar set of deep brown eyes flicks up in surprise.

“Anyway, yeah, we also recently added someone from Art Crimes to assist in the recovery of the, uh–” your coworker trails off, turning to the only other agent in the room that you happen to know, apparently hoping for him to complete the sentence.

He doesn’t. Agent Marcus Pike is still staring at you, lips parted, his face white as a sheet. Fear lurks in his wide eyes.

When he blinks, though, the mask suddenly drops back down over his expression, his agitation replaced with cool confidence.

“Cézanne,” he answers patiently. To you, he extends his hand. “I haven’t seen you around here,” he says carefully. 

To anyone listening, the words are straightforward, said by a stranger, but you catch the hidden, underlying message. I’ve seen you before, but in a different world. You are out of context. 

“Just started today,” you comment lightly before giving him your name, taking his hand, and shaking it firmly. Very firmly. Marcus blinks. You see a flash of that wild intensity that you know lurks beneath his unassuming exterior.

When he smiles, you take in the rows of perfectly straight, white teeth and his singular dimple. 

A warning. Or a promise.

“I look forward to working with you.”

[always---wrong]

OKAY, so I know no one ever talks about SAO abridged on here but it's version of Kirito is like definitely autistic, right? I have the tism and I'm just saying, he probably has it too.

I'm not sure about the original Kirito since I couldn't get through season one but i genuinely feel so connected to abridged Kirito. He's so bad at socializing, he's so insecure, and he has a special interest in video games. I mean come on, he would rather live in a video game than in reality. Season 2 really shows the true scope of his autism. He went through serious character growth the last season so he's a lot less egotistical in this one. Because of this we can see what he was hiding before. He genuinely cares about Tiffany and their friendship and he shows this by directly stating it which is like a literal and blunt way to do things which can be autistic. He gets all excited about the new VR fairy game to the point he didn't hear Tiffany talk about his missing wife. He starts rambling and My God I love that scene so much cause he's just so happy and we don't get to see him happy too much. His little "Noooooooo," when he was acting out him destroying all the noobs lives in head rent free.

Kirito also speaks in a lot of sarcasm and movie references. And that is not necessarily an autism symptom but I do that a lot and so do a lot of other autistic people I know. He also takes things literally, like when Asuna (is that how you spell it?) said he really speaks from the heart in episode 2 and he responds, "I thought I was speaking from my mouth, guess that shows what I know about autonomy." He seemed completely serious too.

I just LOVE this Kirito so much to the point when SAO is mentioned I want to say I love that anime but then I remember that it's not the anime that I love but the abridged version on YouTube. Like, I see Kirito fan art and I have to remind myself that it's not the character I fell in love with.

I find it kinda funny that I resonate so much with a fan made thing rather then the original.

Anyway, this giant thing is just a scratch on the surface of reasons I love SAO abridged. The character development, humor, emotional moments and story beats are just so good.

I can go on and on about why I think Kirito is autistic too. Like, I only named a few things.

[edwinisms]

You have some pretty great takes on Edwin so I was wondering if you had any thoughts on what a season 2 arc could realistically look like for him. Edwin's s1 character arc is fleshed out and concludes nicely with Edwin having a growing understanding of himself, so I'm guessing we will get to see him navigate these newly realized parts of himself in season 2, but I have no idea how that could actually play out. I'm also wondering about the Charles of it all, since one of Edwins newest revelations is his feelings for Charles. I'm wondering how he'll deal with that. Edwins a very "on mission" type person who always needs a problem to solve, but since his feelings for Charles are already figured out (and Charles supposedly lack of romantic feelings isn't a problem with a solution) I can imagine Edwin pushing those feelings to the back of his mind so he can focus on problems he deems fixable.

good question– I feel like it’s pretty easy to think of what kinds of conflicts and feelings charles might deal with in a s2 but edwin’s situation is certainly a lot more open-ended as it stands– but, that being said, him and his feelings are very very intertwined with charles and whatever charles is dealing with (especially in regards to edwin himself), so whether or not something external or overarching s2 plot-related ends up influencing edwin’s arc(s), I think we can pretty solidly say that part of his s2 situation is gonna have to do with charles’, not passively, but directly.

soooooo what i mean is that whatever might ALSO be going on at the same time with him, edwin’s probably gonna be heavily impacted by charles’ impending sexuality/romantic crisis and however that manifests. I think the most prominent idea in my head of how this might go (though of course i have others) based on charles’ response to the confession and his flirtatiousness in the finale is– if charles maintains, or god forbid ramps up, his flirting and teasing, all while edwin believes he was rejected, charles is straight (and based on crystal kissing him in the butcher shop, also possibly believing charles is still set on dating her), and all-in-all he doesn’t actually have a chance– it’s going to drive him fucking insane.

like, obviously he’d love the affection and attention, and he’d continue to be relieved that his confession definitely didn’t repel charles in any way, but with the belief that it can’t and won’t amount to what edwin pines for, that the implications of attraction aren’t genuine, etc– at a certain point that relief and flattery is going to give way to an ever-growing, pained frustration that’s bound to reach a breaking point eventually. and with edwin simultaneously becoming more and more confident in his sexuality and his romantic feelings and such, the pre-existing insecurity won’t be strong enough to prevent his willful, not-afraid-to-speak-his-mind personality from breaking through and making him snap once something pushes him over the edge. and yeah, he’d be a bit worried about damaging their friendship by bringing it up initially and all that, but I think he’d be equally, if not more worried over the feeling that he won’t be able to take being strung along like this forever, especially if/when charles ends up with someone else. it’d just be unnecessarily painful.

of course, all the while, charles isn’t registering his behavior as cruel or anything, because in his mind, his response to the confession wasn’t a rejection at all. it was open-ended, with the implication that they’d figure it out over time once they could. nor is he really that focused on edwin’s perception of his flirtatiousness, because he knows how edwin feels about him, and he’s dealing with his own internal conflicts trying to figure out

A) if his feelings truly amount to being “in love”,

B) what that implies for his identity, and

C) how to know what being “in love” even means and how to identify it in himself (this one being especially heavy, because it involves dealing with the fact that he really wasn’t deeply loved by anyone during his time alive, and he didn’t get to see any good examples of what being in love should be either).

shifting the focus back towards edwin– let’s say, as charles is dealing with all that, he ends up in a situation where crystal kisses him, perhaps misreading him confiding in her and asking about what it means to be in love (which, I have to note, would be a satisfying little parallel to edwin’s conversation with monty). and though he’d shy away and she’d be able to tell something was wrong and/or that he wasn’t talking about her before he even says it, the damage is done, either directly (by being witnessed) or with a delay (someone mentioning that they kissed later on). that, and/or the two appearing to be off in private together and in intimate conversations a lot as of late (when in reality charles is mostly working out his feelings for edwin and his identity issues with her, definitely deeply bonding with her but not like that)– the cues would build up and make edwin’s snapping all the more inevitable.

and i mean, there’s several ways that confrontation could play out, but the natural, drama-esque scenario to me would be edwin having an outburst of all that pent up anger and pain and jealousy and confusion, during which charles realizes that this whole time edwin’s thought that he’d been rejected. edwin, being stubborn and intense as he can be, clearly needs to be fully, completely convinced, and charles, always the type to act on impulse and heart, kisses him into clarification. and also to shut him up. cliché? maybe. but tell me you can’t see it.

anywayyyyyy obviously there’s a plethora of other ways all this can go, plenty of other conflicts that can pop up in between, and as for storylines/themes/etc outside of this particular relationship it’s nearly impossible to tell what might come up because obviously edwin (and everyone else) will be intertwined with whatever the plot turns out to be and whoever it may introduce– but this is probably what I’ve thought about the most. second most dwelled upon plot point in all this being charles having to address his Own jealousy over the guys who hit on edwin– like. considering that’s not exactly a super platonic feeling, at least at the level he feels it. but yeah, i could go on forever so I should probably stop.

[88y53]

New trailer for MAWS Season 2! I have some things to say.

Mainly about the villains.

And I just...

How about we start with the positives.

They brought in Atomic Skull, which is great. He should've been here sooner if you ask me.

Parasite is returning, and he was a stand-out in my opinion. Loved how they reinvented him.

That's unmistakably a parademon, which means they'll be expanding the space side of the story and bringing in the New Gods. Cool.

I'm thinking this is Solaris, the Tyrant Sun. Always fun to bring in an evil sentient star.

Looks like they're bringing in Steel, which is awesome. Love having him around.

And for the big one:

Supergirl! Clark isn't alone anymore!

It'll be really fun watching how this develops.

Okay, now for the things I'm iffy about.

Is this guy supposed to be Bloodsport or Conduit? Either way, can we stop with the techno-mercenary-criminals?

I guess not because apparently this is going to be Blockbuster.

Livewire's back. I say through clenched teeth. Hopefully, they'll introduce her pathological need for attention and validation in this season.

Apparently, Brainiac is a collaborator with the Kryptonians, who seem to be like the Viltrumites from Invincible–superpowered world conquerors.

[I do kind of like this call-back to the old Fleischer cartoons]

And then this:

This is officially Lex Luthor.

. . . (sigh). This show is so frustrating to me because it's so close to perfect, but it just never commits to getting it right.

Now, I understand Lex Luthor is a hard character to grasp because he's been completely misunderstood for the past 40 years (and we have John Byrne to thank for that).

I can see how they could spin this into a Breaking Bad scenario–a young genius who feels overlooked and underappreciated decides to become a master criminal to get the respect law-abiding society denied him.

But that's still missing a critical piece of his character.

Lex Luthor and Superman used to be friends.

(This was written by Jerry Siegel, by the way–AKA the co-creator of Superman)

There was a time when Lex had the potential to be a world-changing scientist, but a rookie mistake by Superboy completely changed the trajectory of his life.

It's only when they had a falling-out that Lex became a criminal because he lost faith that society would ever accept him.

This Lex feels more in the mold of the John Byrne Lex who was just a bad Donald Trump parody.

It also brings to mind Jesse Eisenberg's pseudo-libertarian Mark Zuckerberg Luthor, which was just the apex of how shallow the Post-Crisis Luthor is.

Basically Lex Luthor becomes a super-criminal because he has no friends. He's a GD incel.

Like, seriously, he's just a lonely nerd who denies his insecurities through a hyper-masculine persona, all to distract himself from how miserable he is.

That is Lex Luthor

That's what makes moments like this so poignant:

Lex Luthor could be happy and respected if he just let go of his toxic mindset, but he's so wrapped up in his misanthropy, self-pity and self-loathing, entitlement, and blaming of Superman to see it.

I also kind of headcanon that Lex is gay and just massively over-compensates for it, and his fixation on Superman is the same hated obsession incels have with women.

Maybe the show will surprise me, who knows?

I'll still watch it–it's the first solo Superman cartoon in the last 27, so you can't be picky about these things.

[vergeltvng]

SPOILERS for The Boys Season 4

I'm still processing the final episode but here are some of my random thoughts, in no particular order. It was a wild ride and I enjoyed it for the most part. The season had its lows for sure and I'll never forgive the writers for how they treated Hughie. I'm still fucking mad about everything they did to him after episode 5. I also felt like they wasted a lot of potential with Annie's arc. She's been through a lot after season 3 and I loved the idea of her having an identity crisis but it was just so poorly executed. It all felt messy and as if the writers had no conclusion in mind for both her and Hughie's plotlines. Unfortunately I couldn't find myself caring a lot about Frenchie's and Kimiko's subplots which is sad because I love these two. I was hoping they get to kill that bitch Little Nina and Kimiko getting her revenge on the SLLA. Both could have happened this season before they got separated in the end. Instead we've been put on hold to wait if these plots get resolved at all. Firecracker and Sage were great additions, I loved to hate Firecracker and Sage gives off endboss vibes for me. I still feel like she's gonna betray Homelander in the end. Can't wait for "phase two". A-Train's arc was great, he truly redeemed himself and him showing up at the flat iron to save the others was proof enough for me how serious he was about doing the right thing. I liked all of his scenes with MM, too. I loved Ashley this season, I hope she gains some badass powers and kicks everyone's ass. I've seen some complaints about Homelander being nerfed - are we watching the same show? He is fucking unhinged and more terrifying than ever. He is basically god by the end of the season and can (and will) do whatever the fuck he wants with no one in his way. Someone telling me that's not scary?! He is and always will be one of the best villains in tv history. Poor kid Ryan, he deserved better. How is he ever supposed to feel safe around Homelander and Butcher phrasing it that way was downright evil and manipulative towards the boy because he knew it would make Ryan feel insecure and cornered. Him pushing and killing Grace was in self-defense. His reaction afterwards however is concerning and I guess ambiguous for interpretation on purpose. I still don't get how some people in the fandom could hate on a 12 year old child so much, leave the kid alone.

Where do I start when it comes to Butcher? I have many thoughts and this text is already long but I'll give it a shot anyway. Obviously I'm biased because I love this man and will defend him to the very end. I think his arc was one of the better aspects, he is still one of the best written characters on the show. What I always loved about him was him being truly morally grey and the ambiguity in his words and actions. He cannot be trusted. I don't know if it's me but Karl's performance makes him actually a lot more likeable than he deserves. He is a bad person and I don't think this is negotiable. I have thought about this so many times in made-up scenarios and I stick with my opinion that there's no fixing him and there never was. I have tried to stay away from fandom discourse as much as I could for my own well-being but I don't get how people act surprised and as a result hate over his behavior and decisions. I think most were true to his character and also him killing Neuman made perfect sense and was a well-deserved payoff narratively. Not that I'm not mad at him for doing so! I loved Vicky and she was such an interesting character. But his final words in season 3 were "that bitch has to go" and one of his main goals across the whole season was to get that virus to kill her. He was absolutely clear about it and worked towards this goal on his own terms, not even under the influence of Kessler. Certainly Kessler pushed him to commit some of his atrocities but it matched with what he wanted himself. He drew the line when it came to supe genocide and was conflicted about it initially but one of his core themes is doing whatever it takes and losing his humanity on his chosen path. Since he is highly intelligent he knows very well what's wrong with him what emphasises even more that he actively chooses to do bad things rather than being impulsive and regretful afterwards. I personally loved his turn at the end and I am eager to see his villain arc. What's not to love about evil daddy?! I could go on about some of the dynamics between him and Kessler but I'll do that in another post maybe.