#Gown Frock Dress Design

[cutecraves]

10 Things to Consider While Buying Ethnic Wear for Kids

Ethnic clothing for children is about more than just dressing them up. It’s a way to celebrate tradition, culture, and identity from an early age. Choosing the right ethnic outfit ensures your child looks adorable, feels comfortable, and stays connected to their roots. However, selecting the perfect gowns for girls online can be tricky, given the variety of options available. Here are 10 essential things to consider while buying ethnic wear for kids.

1. Comfort Is Crucial

Comfort should be your top priority when choosing ethnic wear for children. Kids are naturally active and need clothes that allow them to move freely without causing irritation.

Fabric Choice: Opt for breathable materials such as cotton, silk, or linen, which keep children comfortable throughout the day. These fabrics are especially suitable for events that involve long hours of activity or festive celebrations.

Fit Matters: Children grow rapidly, so what fits them today might be tight in a few months. Choose outfits with adjustable elements, such as elastic waistbands or drawstrings, which not only ensure a better fit but also accommodate your child’s growth.

Investing in comfortable clothing ensures that your child enjoys the occasion without being bogged down by itchy or ill-fitting attire.

2. Choosing the Right Size

Selecting the correct size is essential to avoid discomfort. Clothes that are too tight can restrict movement, while oversized clothing might look sloppy.

Consult Size Charts: Brands often have their own sizing standards, so always refer to the provided size chart for accuracy.

Room for Growth: A good strategy is to choose a size slightly larger than your child’s current measurements. This way, the outfit lasts longer and ensures unrestricted movement, especially during active events.

Avoid the common mistake of buying overly tight outfits for a polished look. Comfort and flexibility should always take precedence.

3. Color and Design

Ethnic clothing offers a vibrant array of colors, patterns, and designs. Choosing the right combination ensures your child looks festive and feels happy.

Occasion-Specific Colors: Bright and vibrant hues work well for festivals and celebrations, while muted tones and elegant designs suit formal occasions.

Involve Your Child: Let your child participate in the selection process. Allowing them to pick colors or patterns they love fosters a sense of ownership and excitement about their outfit.

Pairing the attire with the right accessories—like jewelry, shoes, or hair adornments—can enhance the overall look.

4. Consider the Occasion

The type of ethnic wear varies depending on the occasion. Choosing the right outfit ensures that your child looks appropriately dressed while embracing cultural significance.

Festive Events: Outfits like lehengas, kurta-pajamas, and dhoti-kurtas are perfect for celebratory gatherings.

Formal Functions: Sherwanis and traditional gowns work well for weddings and family events.

Casual Gatherings: For informal family outings, go for comfortable yet stylish ethnic wear that allows your child to play and interact freely.

Matching the outfit to the occasion ensures your child blends in seamlessly while enjoying the event.

5. Easy to Wear

Children often lack the patience for elaborate clothing. Ethnic outfits with simple designs and easy closures can make a significant difference.

Convenient Features: Look for garments with elastic waistbands, front-buttoned kurtas, or back-zipped dresses to simplify the dressing process.

Time-Saving Options: Quick-to-wear outfits are especially helpful during rushed preparations for events.

Opting for easy-to-dress clothing ensures a stress-free experience for both you and your child.

6. Fabric Quality

High-quality fabric is key to ensuring both comfort and durability. Children’s ethnic wear should not only look good but also stand up to active use.

Soft and Hypoallergenic Materials: Sensitive skin requires gentle fabrics to prevent irritation. Opt for hypoallergenic materials to minimize the risk of allergies.

Durability Matters: Kids tend to be rough with their clothes, whether they’re playing or attending events. Premium fabrics withstand wear and tear, ensuring the outfit lasts longer.

Brands like Cute Craves offer ethnic wear crafted from superior-quality materials, ensuring style and comfort for your little one.

7. Accessories and Adornments

Accessories and embellishments add charm and personality to ethnic wear, transforming a simple outfit into something truly special.

Sequins and Embroidery: Decorative elements like sequins, embroidery, or mirrors can make outfits stand out. Kids especially love shiny accents that make them feel like royalty.

Matching Accessories: Don’t forget shoes, jewelry, or headdresses to complete the look. Well-coordinated accessories enhance the overall outfit while adding cultural flair.

Carefully chosen accessories can elevate your child’s ethnic outfit, making them shine at any event.

8. Washing and Care Instructions

Ethnic wear for kids often features delicate fabrics and intricate details, requiring special care to maintain their quality.

Check Care Labels: Many ethnic garments need gentle washing or dry cleaning to preserve their vibrant colors and embellishments.

Durability: Invest in outfits that can withstand frequent washes without losing their appeal, especially if your child will wear them more than once.

Following care instructions ensures your child’s outfit remains in top-notch condition for future occasions.

9. Options for Customization

Customizing ethnic wear adds a personal touch, making the outfit unique and special for your child.

Tailored Fit: Customization allows you to achieve a perfect fit for your child, ensuring they’re comfortable and stylish.

Personalized Designs: Brands like Cute Craves offer customization options to create outfits that match your child’s personality or the theme of an event.

Personalized clothing celebrates individuality, making your child feel truly special.

10. Budgeting Factors

While it’s tempting to splurge on your child’s outfit, it’s essential to stay within budget without compromising on quality.

Affordable Options: Cute Craves offers a wide range of stylish yet affordable ethnic wear, ensuring you get the best value for your money.

Long-Term Use: Invest in versatile outfits that can be worn across multiple occasions to maximize your spending.

Setting a budget ensures a balance between quality and affordability, allowing you to enjoy the cultural significance of the attire without straining your finances.

Why Choose Cute Craves for Ethnic Wear?

Cute Craves is a go-to destination for stylish, comfortable, and affordable ethnic wear for children. The brand specializes in high-quality fabrics and designs tailored for kids’ unique needs, offering:

Variety: From vibrant lehengas to elegant sherwanis, there’s something for every occasion.

Quality: Soft, durable materials ensure comfort and longevity.

Affordability: Fashion-forward designs at budget-friendly prices.

Cute Craves combines tradition and style to create outfits that celebrate culture while ensuring your child feels confident and happy.

Conclusion

Selecting the perfect ethnic wear for kids involves balancing style, comfort, and practicality. By considering factors like fabric quality, ease of wear, and occasion-specific designs, you can ensure your child not only looks their best but also enjoys the experience of wearing traditional attire. With options like customization and budget-friendly choices, brands like Cute Craves make it easier than ever to celebrate your child’s cultural heritage with style.

Make your little one shine in ethnic wear that honors tradition while ensuring they feel comfortable, confident, and cherished.

[miracoulia-store]

Girl’s Big Bow Princess Dress 1-10 Years Old Fashion One Shoulder Sequin Fluffy Dress Carnival Birthday Party Performance Clothi

Girl’s Big Bow Princess Dress 1-10 Years Old Fashion One Shoulder Sequin Fluffy Dress Carnival Birthday Party Performance Clothi

1. Since different computers display different colors, the actual project color may vary from the above image. Thank you for your understanding.

2. Due to manual measurement, there may be a deviation of 1-3cm. hope customers can understand. Age and height are for reference only. If your baby is bigger, please choose a larger size.

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[pinkblueindia]

Designer Green Knee Length Girls Party Dress Buy Pinkblueindia

Buy Online Beautiful & Stylish Green knee length Party Wear boutique Frock/Gown/Dress. Perfect for Baby girl to Toddlers.

[little-lynx]

EVERLARK OUTFITS: THE VICTORY TOUR

This part of “Catching Fire” is done (finally) so I put it all together;) DISTRICT 11, THE SQUARE

I go to my compartment and let the prep team do my hair and makeup. Cinna comes in with a pretty orange frock patterned with autumn leaves. I think how much Peeta will like the color. <…> As the train is pulling into the District 11 station, Cinna puts the finishing touches on my outfit, switching my orange hairband for one of metallic gold and securing the mockingjay pin I wore in the arena to my dress. <…> I can hear the anthem beginning outside in the square. Someone clips a microphone on me. Peeta takes my left hand. // Catching Fire, ch. 4

I think this dress should be a little semi-official so I choose cape sleeve sheath midi dress. It’s perfect for autumn (and they have early autumn weather there in 11th). The hair is just plain + gold hairband = girlish innocent look like the one after the games (this tactics they choose for the Tour). Plus I wanted to draw Katniss with her natural straight hair because i draw her with her braid usually ;) And again nothing about Peeta’s outfit. You know I feel like Portia 😅 because I have to choose how to dress Peeta. I’m not complaining through. So it is black suit with golden buttons (matching Katniss’s hairband and pin), thin soft orange sweater and black leather shoes.

DISTRICT 11, THE DINNER

A pale pink strapless dress brushes my shoes. My hair is pinned back from my face and falling down my back in a shower of ringlets. Cinna comes up behind me and arranges a shimmering silver wrap around my shoulders. He catches my eye in the mirror. “Like it?”  “It's beautiful. As always,” I say. “Let's see how it looks with a smile,” he says gently. // Catching Fire, ch.5

DISTRICT 7

Jackson has devised a game called «Real or Not Real» to help Peeta. He mentions something he thinks happened, and they tell him if it’s true or imagined, usually followed by a brief explanation. <...> But since Peeta’s greatest confusion centers around me—and not everything can be explained simply—our exchanges are painful and loaded, even though we touch on only the most superficial of details. The color of my dress in 7. My preference for cheese buns. The name of our math teacher when we were little. Reconstructing his memory of me is excruciating. Perhaps it isn’t even possible after what Snow did to him. But it does feel right to help him try. // Mockingjay, ch. 19

So we have only one sentence in “Mockingjay” about this outfit. And still I decided to draw it because I have a theory (head canon?) about it. I think Peeta remembers the color of her dress because it was special night for him (a lot of kisses and attempts to sneak away from everyone and maybe it felt very real at times) and also because she had two braids and the dress was red. RED is the color ❤️. / Peeta has dark red + black + a little bit gold which is also sexy color combination.

DISTRICT 5 I volunteer to take Annie back to my house in 12, where Cinna left a variety of evening clothes in a big storage closet downstairs. All of the wedding gowns he designed for me went back to the Capitol, but there are some dresses I wore on the Victory Tour.  <…> Annie wears a green silk dress I wore in 5, Finnick one of Peeta’s suits that they altered— the clothes are striking. <…>  As surely as the embroidery stitches in Annie’s gown were done by Cinna’s hand, the frosted flowers on the cake were done by Peeta’s.  // Mockingjay, ch. 16

Katniss: green silk dress + wavy sleeves + sea waves embroidery / Peeta: ivory dress shirt + knitted green waistcoat with sea waves embroidery + tweed suit

DISTRICT 2

Girl talk. That thing I've always been so bad at. Opinions on clothes, hair, makeup. So I lie. “Yeah, he's been helping me design my own clothing line. You should see what he can do with velvet.” Velvet. The only fabric. I could think of off the top of my head. “I have. On your tour. That strapless number you wore in District Two? The deep blue one with the diamonds? So gorgeous I wanted to reach through the screen and tear it right off your back,” says Johanna. // Catching Fire, Chapter 15

This description gave me strong “Anastasia” feels 😅. So I loosely based Katniss dress on Anastasia’s ballet evening gown. For Peeta I chose tuxedo jacket similar to Salvatore Ferragamo design for FF 12/13.  Neo classic, purple velvet, shiny shoes. Also I decided to include a cane, both to help Peeta to have some rest during all this Tour activities and as an accessory.

DISTRICT 12

When we reach the mayor's house, I only have time to give Madge a quick hug before Effie hustles me off to the third floor to get ready. After I'm prepped and dressed in a full-length silver gown, I've still got an hour to kill before the dinner, so I slip off to find her. <…> She [Madge] saw my reflection behind her and smiled. “Look at you. Like you came right off the streets of the Capitol.” // Catching Fire, ch.6

When I started drawing this one I just felt that I need to make it look very “Capitol”. So I added some feathers. A LOT of sparkling feathers, haha. Also there are some “moon and stars” accessories in Katniss’ hair because this silver gown gives me moonlight vibes. For Peeta I came up with classic suit but made him wear it casually.

[starillusion13]

Hello! I love your writing!! I saw that your requests are open so I would like to ask what type of outfit would attract and turn on ateez members👀

Imagines...

These are just my thoughts, you might can agree and disagree at some point in your perspective but knowing them since predebut, this is my opinion on their likings and nature. But honestly, I was really imagining myself while writing this like how would I dress up if I ever get to meet them personally lol. i'm being too much delulu right now. I need some serious therapy.

Hongjoong

The man who is in love with passionate and hardworking girls rather you can say, a dedicated woman. He loves the way if you are always dressed up fashionably according to the occasion. If you are wearing a tight short dress or a long body-hugging slit gown for a night party or business meeting party then you should have to feel under watch. He would steal glances of you now and then and would keep you by his side and whisper some good and nasty compliments, to let others know how to keep their eyes off from you as you are taken by him. He would try to maintain a proper image in front of everyone with a wide toothy grin but behind the sly smirk is how he thinks of bending you in-front of the mirror and see you falling apart in that classy dress. Also, his soft side would get attracted if you wear any clothes and shoes designed by him, like the designer jackets which will make him proud that you are appreciating his hobbies and he would secretly click your pictures in it.

Seonghwa

Oh, a sweet personality who has always this adoration and awe in his eyes whenever he gets a glimpse of you. He loves a person who is a very soft aesthetic and dress up femininely. Wearing cute skirts or frocks like summer dress or casual wears. He would find you the most beautiful one in these outfits. He likes the way your dress flows with the light breeze and a bright smile adorning your face which brings a small smile on his face. He would hold your hand and feel himself the most luckiest one to have you and would try to help you in every other household chores so that you don’t look exhausted and can spend sweet times with him. But, it’s not always about this sweet romance as he might sometimes lose control to see you cooking and back hugging you in the kitchen in those frocks and well, he would bring the heaven to the kitchen counter.

Yunho

A tall handsome who doesn’t know how to keep his eyes off from you. He just finds you attractive in anything. He is like a hopeless lover and feels so happy just to see you holding his big hands with your cute little hands. Maybe, he likes you the most when you wear skirts as he would swiftly lift you up in his arms and place you on his lap, you placing your hands around his neck and both having beautiful smile on your faces. His one hand would caress your face and the other would going up and down your bare thighs. He loves the way you look so vulnerable in those cute skirt and top that it’s very difficult for him to leave you alone. Your every small shifting on his lap makes him hard and painful but no matter what he just wants to keep those cute skirts on you, rest everything off. Theres one more thing that attracts him more is you in his big clothes as you looked like a kitten dumped under the pile of clothes and he would coo and hug you all the day.

Yeosang

Well, he might be of two types. His one personality like you in some cute outfits which are totally like frocks and skirts and sweetly hold your hand and compliments here and there. He would often try to match his outfits with you and let you buy couple wears to let others know to whom you actually belong. His sweet demeanour is far to recognise that’s hiding a demon of possessiveness. He is very shy whenever he tells you about his favourite skirt or dress that looks absolutely beautiful on you. He loves it more whenever there are some cute floral or pattern designs on the dress. But if the dress is looking too sexy on you then just expect his other personality, his fingers inside of you as he would love to see you making little noises in those cute outfits. He just loves you so much so he doesn’t know how to really appreciate you in the dress so he sometimes tries to make a drawing of yours and you secretly keep it treasured in your closet.

San

He just can’t keep his hands off to himself whenever you are around him. He loves to see you in classy outfits where he can proudly present you as his partner to everyone. He has this side where he wants to see you in all elegant and classy and people admiring you for your beauty and success but he also loves your silly side. So, You in any elegant outfits might make him go crazy for you as he would definitely bring you to his parents to arrange for a wedding the next day. Speaking of turning him on, maybe if you are a very confident woman in a classy dress approach him but acts all shy during the conversation with him closely, it might turn your planned day into something else. Maybe his hands and minds both will be somewhere else unlike other times. Welcome the demon inside the sweet man.

Mingi

Tight outfits will make him hold you tightly against his body. Anything that highlighting your curves and hugging your body perfectly would turn him on. His here and there light touches and patting your head with a smile as if letting the others around him know that even if they are looking at you but you are only for him to touch and desire. Licking his lips and staring at you while you sexily sits across him on a sofa when you both have gone for a dine out would make it so hard for him to not drag you home and see you fall apart. But apart from this, he has a soft side which is majorly available the whole day, he is just always whiny for your attention so if you are wearing his favourite outfits then it might make him too soft for you to handle. He might also like baggy clothes on you sometimes as he thinks those look cute on you.

Wooyoung

He is such a Loverboy that he will always let you know about his likings and love for you. As usual, you both first met in the dance studio so that’s the very first thing he liked about you being having the same passion as his and you in the dance practice fits like a tank top or crop tops with sweat pants is the weakest point for him. He loves you in those funky outfits or tomboy-ish clothes but would definitely love anything which gives off an aura of dominance from you. Simply, those just turns him on even if you both are in public. Sometimes, you jokingly wear his clothes especially those hoodies as they are very much comfortable but to him, he wants you to always wear his clothes and maybe do all the nasty things that coming across his mind at the moment.

Jongho

He will never let you know that he loves you in your classy work outfits. Yes, this man is very reserve but a cute lover if you know him after spending 24/7 with him. Every morning whenever you are wearing those straight pants with a plain shirt or solid top , or maybe like a knee length skirt and blazer outfit. OH GOSH, have mercy on the man as he would be staring a bit too obvious that you have to raise your eyebrows and ask him continuously if you would change it or anything wrong with your look. He will wave it off as nothing or swiftly sing few lines for you to make you smile but inside his head the only thing is going on that why it is necessary for you to appear such perfectly for the meetings where all the eyes will be on you and he would not be there to glare them off. Lastly, he might just love you in outfits which are not too much revealing.

[ Please let me know if you like this sort of imagines, this is really my first time doing this sort of writings so idk how it turned out but I had fun. I want to make a NCT ver. on this so badly. Aldo, the other requests are in the queue to be posted soon. wait patiently babygorls, I'm back with all my out of world imaginations..... ]

Taglist: @mymoodwriting @justhere4kpop @anyamaris @yeoobin @icchyi @jwnghyuns @piratequeen-queenofgames @dinonuguaegi @oreharuuu @hwanring @sanwifesstuff @kiwiisnthereoops @kiwiraccoon @hyuukah @kazscara @aceofspadesbiofalltrades [open!]

[phrynefishersfrocks]

The seventh and final outfit of "Death Defying Feats" (Season 3, Episode 1) is a beautiful black net dress decorated with silver vines and a gold floral headpiece.

Known as the "Tarnished Net" dress, this gorgeous gown is made of a black silk slip underneath a black netting embroidered with a burnished gold floral design, with a wide elaborate lace border. The dress itself is a simple wrap dress, with wide shoulder straps and fastened together at the waist with a 1920's clasp shaped into a lily pad with decorative pearls that belonged to costume designer Marion Boyce.

Phryne accessorizes her gown with a beautiful wrap made of antique tulle with a similar wide burnished gold lace border to match the edging of the black netting of the dress itself. Her hairpiece is a complimentary metallic gold floral decoration set onto a comb. Diamond cluster earrings and a burnished gold ring finish off the look.

Season 3, Episode 1 - "Death Defying Feats"

Screencaps from here, costume exhibition photos from Frock Flicks, Marion Boyce's website, and Nikki Johnson's Flickr.

[cressida-jayoungr]

One Dress a Day Challenge

January: Red Redux

The Taming of the Shrew / Elizabeth Taylor as Katharina Minola

Kate wears this rich red gown with green stripes and gold trim for the final scene, which takes place at her sister's wedding--her first visit back to her home since her own wedding. When she first arrives, she also wears a red fur-edged mantle and looks very color-coordinated with Petruchio.

I've also included a side view showing her elaborate hairstyle.

Although most costumes for this movie were designed by Danilo Donati, Elizabeth Taylor's gowns were done by Irene Sharaff. They blend well enough with the other costumes that they don't stick out as different. There is something very 1960s about the combination of saturated red, deep olive green, and shiny gold. (Frock Flicks notes that it is probably modeled after this portrait below by Lorenzo Lotto.)

[opera-ghosts]

OPERA COSTUMES NOW SUIT THE ROLE, NOT THE SINGER March 11, 1984, New York Times

Back in 1875 the famous diva Celestine Galli-Marie was about to create the title role in a new opera called ''Carmen.'' In preparation for the premiere, she ordered a suitable costume - one that was supposed to combine authentic Spanish flavor with a romantic sense of the picturesque in a manner befitting a star of the Paris Opera-Comique. Thus first- nighters witnessed Bizet's spitfire emerge from her shabby cigarette factory immaculately attired in a close-fitting frock of canary satin trimmed with black silk ball fringe, a black velvet bolero, and a wide- brimmed hat with ball fringe to match. ''Gypsy chic,'' one might have called it.

Two decades later, when Emma Calvé performed the same role at the Metropolitan, wearing a seedy shawl (her own, of course), the Diamond Horseshoe gasped in disbelief: they couldn't tell Carmen apart from the chorus. Even her tenor, Jean de Reszke, was stunned. Before singing the role of Don Jose, a sergeant of the Dragoons, he had purchased a gleaming pair of boots suitable for a general. Though they weren't aware of it at the time, Calve was helping to usher in a new age.

The concept of stage costume has changed considerably since opera's palmy days. During the 19th century it didn't matter whether the stars played courtiers or courtesans, barons or beggars, so long as they were arrayed in suitable finery. Elegance and opulence were the rule, and every singer of repute owned a personal stage wardrobe from crowns to shoes.

One can only imagine, therefore, the sort of stage picture that resulted when an international cast assembled to sing, say, ''Les Huguenots,'' ''I Puritani'' or ''Der Freisch"utz'' dressed in a blinding assortment of color schemes, styles and decorations. Certainly it was closer to a fancy-dress ball than an integrated production.

''Obviously this practice is discouraged nowadays,'' says Peter Hall, the most recent head of the Metropolitan Opera costume department. ''Productions should be absolutely complete. Moreover, period is often changed by directors wishing to break with tradition, and things become rather heated when somebody comes along dressed 200 years out of date.''

To the Victorians, richness of effect was paramount, hence old-style costume decoration was very fussy, with all manner of contrasting fabrics used in combination with yards of beads, ribbons, plumes, fake gems, and embroidery, not to mention the pleats and tucks that must have been an absolute terror to clean and press.

''Things are very much simpler today than they were at the turn of the century,'' says Mr. Hall. ''While some designers, such as Zeffirelli, look at old portraits and copy those styles exactly, another school will look at authentic styles and re-interpret them somewhat. Last comes the 'self-indulgent' school that says, 'I'm not going to listen to the music anyway - I'll just do what I think is nice. Obviously that is the wrong way to go about it, for in the end the music should be reflected in the look of sets and costumes. I don't think that you can do Monteverdi in space suits. It has been done, in fact, but the result was hardly successful.''

Space suits or not, stage costume has always tended somehow to mirror its own time. Whether Nellie Melba was singing Gilda, Violetta or the Countess in ''The Marriage of Figaro,'' her ''period'' gowns - which were supposed to represent roughly the years 1470, 1850 and 1785 respectively - emphasized the hour- glass figure dictated by fashion at the fin de si ecle. Photographs of Emma Eames as Tosca show her wearing a bosomy costume that is little more than a gored Edwardian morning dress with an appropriate picture hat. Further on in time, Maria Jeritza's Tosca boasted the svelte lines popular during the 1920's and 30's.

Make-up and coiffure also have a lot to do with period feeling, but most singers have tended to wear whatever is popular or flattering. For instance, dark eyelids, kewpie-doll lips and headbands worn low over the brow usually indicate performances of the post-World War I era, whether the role depicted is Tha"is, Lakme or the "Agyptische Helena, and everyone is familiar with the all-purpose hairdo that Dame Joan Sutherland lets down only for mad scenes.

Men have been just as fashion conscious. When large, waxed moustaches were the rage, Caruso, Florencio Constantino, Mattia Battistini and many others sported them even when portraying normally clean-shaven 18th-century characters in powdered wigs.

Renaissance and earlier historical styles gave Victorian and early 20th- century designers the chance to indulge in amazing flights of fancy shackled by considerations of modesty. A copy of Harper's Weekly from 1855 contains engravings of Giulia Grisi and Marietta Alboni as the protagonists of Rossini's ''Semiramide.'' As the exotic Queen of Babylon, Grisi wore a pointed bodice, short puff sleeves, multi-layered skirt over numerous petticoats, floor-length veil and Statue-of-Liberty coronet that were merely outlandish variations on the outfit worn by Queen Victoria to the opening of the Crystal Palace in 1851.

Alboni sang Arsace, a trouser role, in a short flounced skirt worn over voluminous pantaloons tucked into dainty suede-topped boots (to give the impression of pants while hiding her legs) . With her little painted moustache - lest anyone mistake her for a woman - she looked rather like Prince Albert in drag.

Biblical and ancient garb were generally treated more like upholstery than attire on the stage prior to 1920. Old production shots of ''A"ida'' show the singers draped like ottomans in layers of heavy, embroidered fabric that would have caused real-life Egyptians to drop from heat stroke. The traditional get-up for ''Samson and Delilah'' resembled the wares of a Levantine rug merchant.

''Once again, it is the music that governs the look,'' says Mr. Hall who remembered a production of ''Samson'' 20 years ago ''for which I had not paid as much attention to the score as I might have. We designed rough, tweedy things with heavy Sumerian fringes. Then, upon hearing the priestesses' music in Act I, I realized that it calls for silk and flowing drapery.''

Nowadays, some sopranos are sufficiently alluring to make sense of more revealing attire when necessary. Gwyneth Jones, for example, sang the ''Tannh"auser'' Venus at Bayreuth clad in little more than a fishnet. It is still a rare tenor, however, who can portray Radames, Samson or Siegfried bare-chested in the appropriate heroic - or sub-tropical - manner. Indeed, Peter Hoffmann, is the only exception that comes to mind. As Siegmund in the Bayreuth centennial production of the ''Ring,'' he managed to strip to the waist before his battle with Hunding in ''Die Walk"ure'' without looking foolish.

Simplification and a greater striving for comfort and economy have had a marked effect not only on contemporary costumes themselves, but on their accessories. Although Mr. Hall personally favors ''full period costumes using fabrics as close to the original as possible,'' synthetics and substitutes can frequently be more practical and less costly. ''I like wool to be wool and silk to be silk, but obviously things are so expensive nowadays that one can't always do it. Materials that were extravagant at $25 a yard 10 years ago are now $125. It is still more economical to buy leather in skins than the imitations, however. For one thing, imitations can't be cleaned, nor can they be shaped like the real article.''

Stage jewelry and armour tend to be much lighter today than formerly. Old opera crowns used to be made of gilded metal, but the Met usually uses gold kid on a felt or elastic base. ''In Italy,'' says Mr. Hall, ''armour is still often made by property departments using brass and tin. We're inclined to use felt or vacuform (a plastic) with a metalic coating. Jewelry has also been greatly simplified. The old practice was to set false gems and pearls in brass prongs, then to sew the entire setting to the fabric. ''Now we sew on the pearls and gems directly, and apply gold braid afterward to suggest the setting.''

Robert Tuggle, archivist of the the Met, who acts as curator of the historic collection along with restoration consultant Gail Frohlinger, recently commented that, ''Even though luxurious silks and handmade laces have yielded to less opulent fabrics and trimmings, the general level of costumes is higher today than it used to be. The greater attention now being paid by designers to the chorus and smaller roles has fostered productions for which the workmanship on minor costumes is on a par with that given the stars.''

Recalling the violent upheavals that formerly took place when divas and dressmakers disagreed, Mr. Hall observed that there are relatively few donnybrooks in the Met's costume department today because singers are more serious about their work than their forebears used to be. They still have their quirks, however. ''One singer will not permit wool or velvet to cover his chest - only hard satin, because he says his voice bounces off it.'' Another once insisted that his voice was going up inside his helmet and being trapped there - although it didn't cover his face at all. ''So we made small holes on each side - like a rain hat - and he was delighted.'' Some singers avoid certain colors, either due to vanity or superstition, while others take a liking to one color or even to a particular garment. Luciano Pavarotti, it seems, belongs to the second category. ''He has a pronounced tendency to wear his favorite black suede vest in everything,'' said Mr. Hall, ''and you may quote me on that because I'm sure he knows it himself.''

Whether he does know it or not, whether it stems from superstition or from a desire for personal comfort, we can regard the tenor's habit, perhaps, as a holdover from the palmy days, a slender link with those bursting steamer trunks of the opulent past. There have been many changes in the philosophy of the dressing room over the years, but it's nice to know that some customs remain immutable.

[nessa007]

Cinderellas ball gown was perfect. When I saw the movie, it looked like a water painting brought to life. It was one shade of blue and dozens of shades of blue at once. It drew the eye even in the midst of other VERY GORGEOUS gowns the extras wore.

My issue with belle’s gown isn’t the corset thing. That said, Emma Watson shared those comments in the height of her white feminism phase so it was cringe to begin with. And she was repeatedly putting down Cinderella in favour of Belle so that didn’t carry well either.

No. Here are my issues with the dress.

Colour: I’m okay with it not being golden (after all, Cindy’s original was silver) but they made it a very uninteresting monochromatic shade of yellow. Those golden designs on the ruffles added nothing to it.

Style: Good thing the lower half was a bit poofy (it could have been more) but whatever magic it could offer was taken away by the top half. Too simple. Too under-shirt like. The dress ended up resembling a 1950s party frock. I half expected her to turn around and have a bow at the back but worse… it looked like a zipper. I don’t mind these outfits being NON-era appropriate but this is too far off the mark

Sleeves: They wouldn’t bother me at all if it weren’t for the fact that they made the dress look even less formal and MORE out of place and time than it already was. I am genuinely convinced that had they made the sleeves a bit longer and better detailed, they could have saved the dress

Hair: All her casual Belle hair styles looked better than the one in this scene.

Accessories: The singular huge pendant looked mismatched with the already simple outfit. And the ear cuff thing was very unnecessary and felt too much like personalized thing of the actress.

I heard Emma Watson had a lot of creative control and it shows. It doesn’t look like Belle. It looks like Emma Watson cosplaying Belle.

the dress really needed more volume in the skirt and sleeves and if the sleeves rested off of belle’s shoulders like in the animation, it would’ve been a lot better

[cutecraves]

Stay Ahead of the Curve: Trendy Baby Girl Clothing Ideas

Dressing up little ones is one of the most joyful experiences for parents. However, with so many styles, trends, and choices available, picking the perfect outfit for your baby girl can often feel overwhelming. Fear not, because Cute Craves is here to help! Whether you’re looking for everyday essentials or something special for those unforgettable moments, our handpicked list of trendy baby girl clothing ideas will make dressing your little one a breeze. 

From elegant ruffle dresses to playful princess gowns, here’s everything you need to keep your baby girl stylish and comfortable while showcasing her unique personality.

1. Ruffle Dresses

Ruffle Dresses are a staple in every fashionable baby girl’s wardrobe. Why? They add an instant touch of charm and sophistication while being incredibly versatile. A simple ruffle top paired with leggings or a skirt can create a look that’s effortlessly chic yet comfortable for your little one.

These tops come in various styles, including off-shoulder designs, asymmetrical ruffles, and multi-layered frills. For a casual day out, opt for cotton or linen ruffle tops in pastel shades. They are breathable and soft, ensuring your baby stays comfortable all day. For festive occasions, go for satin or organza ruffle tops adorned with lace or sequins to elevate the glam factor.

Pair ruffle tops with denim shorts, culottes, or even bloomers for younger babies to complete the outfit. Add a bow hair clip or a cute headband, and your baby girl is ready to steal the show!

2. Floral Designed Dresses

 Floral prints have a perennial charm that never goes out of fashion. They symbolise innocence and vibrancy, making them a perfect choice for baby girl clothing. From delicate, soft pastel floral patterns to bold and bright tropical blooms, there’s a floral print for every occasion.

Dresses with floral designs are a popular pick for birthday parties, family gatherings, and even casual outings. Flowy cotton frocks with small floral prints are great for summer, while heavier fabrics with embroidered floral patterns are ideal for festive seasons.

Don’t stop at dresses! Floral prints also look stunning on skirts, onesies, and even matching tops and leggings. For an added layer of style, pair floral outfits with solid-coloured accessories, such as a pink bow headband or white ballerina shoes.

3. Princess Dresses for baby girls

There’s something magical about princess dresses they make every little girl feel like a princess. These dreamy skirts, often made of tulle or net, are not just for ballet class anymore. Tutus are a go-to choice for birthday parties, photo shoots, and any occasion where your little one deserves to stand out.

When choosing a tutu, go for layers of soft, lightweight material to ensure your baby is comfortable and free to move. Pair it with a fitted top or a bodysuit to balance the outfit. You can also find tutu dresses that combine a fitted bodice with a flared, layered skirt for an all-in-one solution.

Add a touch of whimsy with sparkling shoes and a tiara or flower crown. And don’t forget—pastel shades like blush pink, lavender, and baby blue are always a hit, but don’t shy away from vibrant colors like red or fuchsia for a bold statement. 

Add Accessories for Perfect Finishing Touch

No outfit is complete without the right accessories, and headbands are a must-have for baby girls. They add a pop of style while keeping your baby’s hair neatly in place. From simple fabric bands to elaborate designs featuring flowers, bows, or pearls, headbands offer endless options to complement any outfit.

For everyday wear, soft cotton or knitted headbands in neutral colors are perfect. They’re gentle on your baby’s delicate scalp and go well with almost any outfit. For special occasions, opt for embellished headbands that match the color scheme of the dress. A floral headband paired with a floral dress creates a cohesive and stylish look.

Functional and fashionable, headbands are also a great way to enhance a photo shoot ensemble. Imagine your little one in a tutu dress with a sparkling bow headband—adorable, right?

Style Made Simple

Matching sets are a lifesaver for busy parents who want their little ones to look effortlessly stylish. These sets often include coordinated tops and bottoms or dresses with matching accessories, taking the guesswork out of assembling an outfit.

The best part? Matching sets come in a wide variety of designs. For a casual day out, choose a cotton set with playful prints like polka dots or animal motifs. For a more polished look, consider a satin set featuring intricate embroidery or lace details.

Matching sets are not limited to just tops and bottoms. Look for coordinated dress-and-headband sets, which are perfect for newborns and toddlers. They not only simplify styling but also make excellent gifts for baby showers and birthdays.

At Cute Craves, we believe in combining style, comfort, and quality. Our collection of handcrafted, luxurious clothing for baby girls is thoughtfully designed to keep your little one looking trendy and feeling at ease. Each piece is crafted with attention to detail, ensuring it meets the highest standards of softness and durability. 

Whether you’re shopping for a birthday party dress, festive wear, or everyday outfits, Cute Craves has a wide range of options to suit your needs. We specialise in blending timeless designs with contemporary trends, making sure your baby girl always stays ahead of the curve.

Ready to transform your baby girl’s wardrobe? Explore our collection for even more ideas and inspiration. Here are a few pro tips to make your shopping experience seamless:

Prioritize Comfort: Babies have delicate skin, so always choose breathable, soft fabrics like cotton and organic blends.

Mix and Match: Invest in versatile pieces that can be paired with multiple outfits to create different looks.

Accessorize Smartly: Simple accessories like headbands and shoes can elevate any outfit without overpowering it.

With Cute Craves, dressing your little girl will never be a challenge again. So go ahead and give your baby the gift of style and comfort. Browse our latest collection today and let your little one shine.

Blog Summary This blog highlights trendy and comfortable clothing ideas for baby girls, such as ruffle tops, floral prints, tutus, headbands, and matching sets. Each category is detailed to inspire parents to create stylish, practical wardrobes. The blog also emphasizes the unique qualities of Cute Craves’ designer collection, blending timeless fashion with modern flair for every occasion.

[couturearchivee]

CHRISTIAN DIOR FALL/WINTER 2004 COUTURE

Vienna,Istanbul back from a trip in Central Europe, John Galliano proposes his very free vision for a collection that mixes romantic 19t-century references, resuscitating Empress Elisabeth Sisi of Austria, the glamour of 1950s pin-ups and Zsa Zsa Gabor, stated the Dior Fall Winter 2004 Haute Couture Collection.

Imagine a stately parade of Austrian and Hungarian princesses competing with one another for precedence in outrageously ornate corseted gowns, their crowns slightly askew. Tottering under the weight of pounds of elaborate fabric, skirt flounces the width of the runway, bank vaults of jewelry, and 6 inch platforms, Christian Dior's models pulled off a spectacle that held the audience breathless in case someone fell. So vast and encased were the frocks that at one point, Karolina Kurkova actually got stuck in the exit and had to be manhandled off.

"I went on a research trip to Vienna, and then got to looking at Egon Schiele, and Empress Sisi, and Russia!" was John Galliano's explanation. Strangely, in spite of the mind blowing succession of hobbled, hourglass silhouettes, blown up with massive outcrops of Edwardian swags and drapes and gigantic fur trimmed opera coats, this was a pared-down Dior Couture in several senses. Galliano ditched the Leigh Bowery meets kabuki makeup in favor of powdered faces, and the dresses, for all their rich embroidery, crystal chunks, and hand-painted cherubs and birds, gave a new sense of the body beneath.

In that way, it was easier to make the imaginative leap from runway to real event (perhaps one of those royal weddings that have enthralled Europe this summer?) than was usual in previous Dior Couture extravaganzas. This show also made a heady, sensuous display of color, brick red, emerald, celadon, boie de rose, and more-and an opulent celebration of couture-crafted textures, often enhanced to look as if the girls were actually wearing the gilded upholstery and painted ceilings of an imperial palace. On the other hand, it was also essentially a show of one queenly message, repeated 28 times. And that, for Galliano, displayed an odd lack of variety.

For his most stately collection yet, the designer 'put on a regal display of mermaid silhouetted robes accessorised with crowns, orbs, diamonds and long white gloves that made humble subjects of his A-list audience, Vogue reported.

The most luxurious materials were used: silks, brocades, moires, taffeta and velvets, trimmed with sable, ermine and fox, adorned with peacock feathers and delicately embroidered or hand-painted with designs reminiscent of 18th-century motifs inspired by Sevres porcelain and Faberge eggs.

Trompe-loil effects such as flesh - colored bustiers also peppered the collection, while gravity-defying pleats and gathers on dramatic evening gowns showcased the skills of Dior's Haute Couture Atelier.

[morganamartin]

FABULOUS DISCOVERY! 1970'S GUNNE SAX PRAIRIE-STYLE FORMAL DRESS

What a great find! It’s always worth investigating; you just never know what evidence might be uncovered. A beautiful Gunne Sax gown, designed by Jessica San Francisco. Robin’s egg blue for Spring. This frock was worn, probably once, to a formal event or, possibly, to a wedding. In the 1970’s, Prom and wedding-party dresses for young women often looked like this. Gunne Sax was a favorite label…

[karinatailor98]

Best Ladies Tailor In Noida

Designer kurtis, Patiala suits, Sharara suits, Anarkali dresses, Western suits, blouses, frocks, lehengas, and gowns are just a few of the many women's clothes that Karina Tailor offers beautifully sewn. Every creation, from rich traditional attire to stylish contemporary ensembles, is a work of art intended to highlight your individuality and boost your self-esteem. Every item is expertly fitted to provide a great fit that suits all body shapes. Karina Tailor is your go-to source for anything fashion related, with a handy location in Noida that serves locations like Gaur City. This shop stands out for its dedication to quality and prompt delivery if you're looking for a trusted tailor or boutique nearby. Karina Tailor can help with everything from tweaks to a fully customized ensemble.

[phrynefishersfrocks]

Phryne Fisher’s Fabulous Frocks Outfit Recap: Season 3, Episode 1 - “Death Defying Feats”

As expected for the first episode of the season, "Death Defying Feats" opens season three with a gorgeously designed bang. The premiere contains seven distinctly beautiful outfits, starting and ending with sumptuous evening gowns displaying intricate embroidered and beaded patterns. A dreamlike jacket and scarf, followed by a jaw-dropping vintage sea foam lace tabard add to the underwater fantasy feel of the episode. Both Phryne's investigatory jacket and rich blue kimono lend a Chinoise element to the shades of blue found throughout, with the grand finale featuring an actual sequined mermaid costume. While not as numerous as previous premieres, the season three opener still upholds its well dressed reputation.

Outfit #1 - Blue Beaded Gown with Brown Fur Wrap

Outfit #2 - Mermaid Coat, White Camisole and Pants, Blue Hat

Outfit #3 - Green Lace Tabard, Jeweled Hairslide

Outfit #4 - Blue Chinoise Jacket, White Pants, Silver Cami, Red Hood

Outfit #5 - Blue Kimono with Gold Headwrap

Outfit #6 - Mermaid Costume with Gold Headwrap

Outfit #7 - Tarnished Net Dress, Tulle Wrap, Gold Floral Hairpiece

Previous Recaps:

Season Two Outfit Recaps

Season One Outfit Recaps

[cleverhottubmiracle]

Ever wondered which dress brands Kate Middleton favours the most?  Yep, me too. So I did the research*. After hours of meticulous searching, logging and double-checking, I can reveal Kate’s nine most-loved dress brands. The labels and designers she turns to repeatedly for public engagements.  And the first is no surprise… 1. Alexander McQueen (40+) Yep, as expected, Alexander McQueen tops this list! The Princess has commissioned dresses from the luxury fashion house more times than I can count (honestly, I tried!) As of October 2024, I believe that Kate’s worn 43 Alexander McQueen dresses since joining the Royal Family in 2011—and I’m excluding coat dresses, of which there are many!) Of course, Kate’s biggest McQueen moment was her Wedding Day in 2011.  Creative Director Sarah Burton and her team created not one but TWO stunning wedding gowns for the Princess. Kate clearly developed a great working relationship with the design house during that period, and she’s turned to Sarah Burton and Alexander McQueen for all her high-profile royal events since—Queen Elizabeth’s Gold and Platinum Jubilees, King Charles’s Coronation, overseas tours, etc. Kate also wore three Alexander McQueen gowns in the official portraits marking her milestone 40th birthday in 2022. In addition to breathtaking gowns, the Princess has worn many cocktail and day dresses from the British fashion house too. The Princess has a soft spot for Sarah Burton and the Alexander McQueen team. I assume she has a lot of trust in the atelier, knowing they’ll design and create garments appropriate for the grandness of each occasion.  However, in 2023, Sarah Burton exited McQueen. Last month, it was confirmed she has been appointed Creative Director of Givenchy. Whether Kate’s close relationship with Burton will continue will remain to be seen. The Princess has spent most of 2024 out of the limelight while undergoing chemotherapy. If she’s healthy enough to return to work full-time in 2025, I’ll be watching to see if she wears any pieces from the French luxury fashion house now that Burton is at the helm. 2. Jenny Packham (35+) Next up, Jenny Packham—the dazzling designer known for her elegant evening and bridal gowns. She came a close second. The Princess has worn 39 dresses from the British label since 2011. (I also included two plain designs worn under open coats by the same designer). Jenny Packham‘s ethereal, feminine creations have become a go-to choice for Kate, who often wears the designer’s fabulous frocks to gala dinners, state banquets and diplomatic receptions. Known for her glamorous gowns and intricate embellishments, Packham’s designs effortlessly blend classic elegance with contemporary flair, making them a perfect fit for a modern royal. The Princess owes most of her show-stopping gown moments to Ms. Packham. Remember the glittering gold gown that Kate wore at the James Bond premiere in 2021? (Who could forget it!) That was a Packham creation. She’s also worn less elaborate creations from the designer too, including simpler frocks more suited for daytime wear. Of course, the Princess has worn Jenny Packham for three monumental occasions in her life so far—to introduce her children to the world following their births. These unforgettable moments, captured by the press worldwide, are now etched in history. 3. Emilia Wickstead (15+) Moving on to the third most-worn designer in Kate’s collection now, Emilia Wickstead. Her stunning dresses have become a staple in the Princess’s wardrobe. I counted that the Princess has worn 18 Emilia Wickstead dresses since 2011. (Note: once again, I have excluded coat dresses—Kate’s worn A LOT of Wickstead’s coat dresses too!) Emilia Wickstead, a New Zealand-born, London-based designer, has earned a reputation for her modern take on timeless elegance. She often crafts sophisticated, tailored pieces that perfectly suit Kate’s refined style and reflect her status in the Royal Family. With her penchant for clean lines, feminine silhouettes, and luxurious fabrics, it’s no surprise that Kate has turned to Wickstead time and time again. The designer’s impressive roster of clients extends beyond the royal household, with celebrities such as Gwyneth Paltrow, Kate Bosworth, and Olivia Palermo also donning Wickstead’s polished creations. Interesting fact: My research highlighted that Kate’s never worn an Emilia Wickstead evening gown. 4. Erdem (10+) Let’s look at the fourth most-worn dress designer in Kate’s collection now, Erdem. The Princess has worn 14 beautiful Erdem dresses over the last 12 years, according to my research. Most showcase the brand’s affinity for bold, vivid floral patterns, which add a touch of whimsy and romance to her already stunning wardrobe. Some notable examples of Kate’s unforgettable Erdem moments include the ankle-length dress adorned with an eye-catching floral motif she wore to the Chelsea Flower Show in 2019 (above). And the vibrant blue velvet dress she wore during a visit to Sweden in 2018 (below). The brand’s signature floral prints, combined with modern silhouettes and delicate fabrics, have made Erdem a top choice for the Princess. 5. L.K. Bennett (10+) L.K. Bennett is Kate’s fifth most-worn dress brand. I count that the Princess has worn 14 of their frocks in public to date. It’s no surprise that L.K. Bennett has made this list. The Princess of Wales is closely associated with the British label. She regularly wears their shoes, clothing and accessories to public engagements. I think we all know the now-infamous Sledge platforms that Kate wore on repeat during the early years of her marriage. The shoes made headlines worldwide—the Victoria & Albert Museum in London even put a pair in their 2015 exhibition about Kate’s style. If the Princess wears an L.K. Bennett dress, don’t count on being able to get one hold of one easily. They’re particularly susceptible to “The Kate Effect” and sell out very quickly. The brand is known for creating timeless, refined designs that effortlessly blend contemporary trends with classic British style. 6: Temperley London (10+) Next on my list, Temperley London. This label places sixth among Kate’s favourite dress designers. (Note, I’ve grouped Temperley London, Alice By Temperley and Somerset by Alice Temperley together for this count.) According to my research (basically scouring my notes, Google images and asking on Twitter), the Princess has been photographed wearing 12 different Temperley London dresses since joining the Royal Family. Founded by Alice Temperley in 2000, Temperley London is known for its whimsical, romantic and feminine creations that blend intricate detailing with exquisite fabrics. The brand’s commitment to artisanal techniques and hand-finished touches adds a touch of magic to every garment. Kate favoured Temperley in the earlier years of her life as a royal, wearing the company’s enchanting designs to royal engagements and events. Though, we’ve not seen her wear a dress from the brand since around 2017. We’re overdue. Beyond the royal realm, Temperley London has attracted a number of celebrity clients, including Kate Hudson, Keira Knightley, and Dakota Johnson, who all appreciate the brand’s romantic, bohemian aesthetic. 7. Alessandra Rich (10+) Alessandra Rich is quickly rising in the ranks of Kate’s go-to dress brands, securing the seventh spot with 11 gorgeous dresses worn by the Princess in the last six years. Rich’s designs have made waves in the fashion world thanks to their distinctive ’80s aesthetic and feminine-yet-edgy sophistication. Renowned for their statement-making silhouettes inspired by retro and vintage designs, Alessandra Rich’s dresses often feature bold shoulders, cinched waists and eye-catching embellishments. The brand’s creations have struck a chord with the Princess, who has embraced their dresses since debuting her first in 2018. Kate’s love for Alessandra Rich’s unique designs is clear from the many styles she’s chosen and worn in recent years …but the less said about the yellow dress, the better… (Sorry Kate, I was not a fan! It was a rare miss for me.) My prediction: Rich will shoot up this list in a year or two. 8. Beulah London (10) Beulah London is the penultimate brand on this list—I count that the princess has worn ten Beulah London dresses in public since 2011 (including one frock worn to a private event, a friend’s wedding in 2012). I expect the Princess appreciates the brand’s elegant and timeless designs—but also their socially conscious ethos and commitment to making a positive impact in the world. Beulah London is dedicated to creating beautiful, luxurious garments while also empowering women who have been victims of human trafficking and exploitation. It’s only positive that the Princess can harness the so called “Kate Effect” for good, to ensure people spend their money on helping via fashion. 9. Self Portrait (8) Last but certainly not least, Self-Portrait. The British label holds the final spot on my list of Kate’s most-worn dress brands. The Princess has worn eight dresses from the company to date. Self-Portrait’s pieces blend contemporary design with classic, feminine touches, which may explain why Kate has gravitated toward the brand for public engagements in recent years. Known for their intricate lacework, structured silhouettes, and elegant tailoring, Self-Portrait dresses strike a balance between fashionable flair and timeless sophistication—an aesthetic that resonates with the Princess’s wardrobe. Despite Self-Portrait not being among the most well-known designer labels, Kate has repeatedly turned to the brand for high-profile appearances, from events marking the King’s Coronation and Queen Elizabeth’s Platinum Jubilee to televised moments like the Wimbledon trophy presentation and her Together at Christmas Carol service. Kate’s choice to wear Self-Portrait on such notable occasions speaks volumes about its appeal. Her appearances in Self-Portrait also spark “The Kate Effect”—always driving a wave of demand for the brand. * What my research involved: I worked out which dress brands Kate wears the most by using a mixture of my own knowledge accumulated from blogging over the last 13 years and the dress archive on my own site, cross-referenced with the dress page on Kate’s Closet. I set to work on Googling Images, looking for pictures of Kate in dresses by each brand. I tried to remember every single public appearance where Kate wore dresses by the top brands. I created a document detailing each appearance/each dress. I double-checked my document several times over the course of 18 months, and I kept it updated. I also triple checked some of the designers with my followers on X, asking if they could fill in any gaps. I published the article once I believed my figures were correct. All that said… I might have missed dresses, I might not have included some that ought to be included. I mean, this article is just for fun really, so I don’t really need a disclaimer… but here’s one anyway! Some photos on this page are from Deposit Photos. Source link