#Global Media Forum

[pier-carlo-universe]

L’impatto dei Mass Media sull’Apprendimento delle Lingue Straniere. Un nuovo approccio per acquisire competenze linguistiche.

I mass media hanno rivoluzionato l’apprendimento delle lingue straniere, offrendo strumenti interattivi, contenuti autentici e un accesso globale a risorse diversificate.

I mass media hanno rivoluzionato l’apprendimento delle lingue straniere, offrendo strumenti interattivi, contenuti autentici e un accesso globale a risorse diversificate. Attraverso TV, film, social media e app educative, gli studenti possono immergersi nelle lingue target in modi mai immaginati prima. 1. Esposizione a Lingue Autentiche.I mass media espongono gli studenti a pronunce native,…

[dronacharyacollege]

"Global Digital Innovation." It was 7th edition of IMC, a three day program scheduled for 27th, 28th  and 29th October 2023, at Pragati Maidan.

Students of Dronacharya College of Engineering, Gurugram visited IMC 2023, Asia's most extensive telecommunications, media, and technology forum on 27th October, 2023.

The theme of event was "Global Digital Innovation." It was 7th edition of IMC, a three day program scheduled for 27th, 28th  and 29th October 2023, at Pragati Maidan, New Delhi, India.

[republicansaredomesticterrorists]

“WASHINGTON — President Donald Trump claimed Wednesday that sky-high new taxes on imported goods would be “reciprocal,” meaning they were payback for tariffs other countries have slapped on U.S. exports.

But the reciprocal tariffs turned out not to be based on actual levies imposed by other countries. Instead, they’re based on a formula made up by the White House ― and widely mocked by experts.

Douglas Holtz-Eakin, a conservative economist American Action Forum and former director of the Congressional Budget Office, called it “malpractice” in response to another conservative economist who called it “embarrassing.”

The formula, which resulted in wildly different tariffs for various foreign countries, including several uninhabited islands, first came to wide attention thanks partly to analysis by an anonymous social media user who reckoned the percentage rate of the tariffs matched other countries’ trade surpluses with the U.S. divided by their exports. The journalist James Surowiecki also noticed the correlation.

“They didn’t actually calculate tariff rates + non-tariff barriers, as they say they did,” Surowiecki wrote. “Instead, for every country, they just took our trade deficit with that country and divided it by the country’s exports to us.”

In other words, the supposedly reciprocal tariffs, which are supposed to combat arbitrary foreign barriers to U.S. goods, are themselves based on an arbitrary formula.

In a response on X, the website formerly known as Twitter, White House spokesman Kush Desai called the analyses “incorrect” and pointed to a fuller explanation of the formula from the U.S. Trade Representative, which claimed that other countries’ “non-tariff policies” cause them to sell more goods to the U.S. than we sell back to them.

“If trade deficits are persistent because of tariff and non-tariff policies and fundamentals, then the tariff rate consistent with offsetting these policies and fundamentals is reciprocal and fair,” the USTR said on its website, which included a seemingly more complicated math equation and several academic citations.

Alan Cole, an economist with the Tax Foundation, said he suspected Desai didn’t really understand the equation.

“So they thought, ‘Our thing is more complicated and smarter-looking than that. It has more fancy Greek letters. It can’t possibly just be a very, very simple division,’” Cole told HuffPost. “After you cancel it out, it’s the same formula.”

Still, Trump has long claimed that trade deficits are inherently bad, and the formula could be said to reflect his zero-sum view of global trade, in which U.S. consumers are getting ripped off if they spend more on products from abroad than people in foreign countries spend on goods made in the U.S.

“Our country has been looted, pillaged, raped and plundered by nations near and far, both friend and foe alike,” Trump said Wednesday.

Trump has talked about using tariffs as leverage against Canada, Mexico and China to stop the flow of fentanyl into the U.S., and he’s said the U.S. would be better off if Americans made more of their own products. He’s also said tariffs should be a more significant source of revenue for the U.S. government.

Cole noted that the U.S. purchases a lot of consumer goods that are made more cheaply in other countries and that the outgoing dollars are often reinvested in American companies and government debt, rather than simply hoarded by foreigners. He questioned the wisdom of trying to upend the global order by making it more expensive for Americans to buy clothing and electronics made in Indonesia, for example.

“The U.S. is this hub for all sorts of investment, and people love our financial assets, and they have to give us goods in exchange, and that’s kind of how the world’s been working for a long time, and that’s why we’ve run a trade deficit,” he said. “Why should Americans be sewing shirts together, for example? A huge fraction of these tariffs are based on bilateral trade imbalances with Southeast Asia, where they’re good at making textiles.”

Since the tariffs are paid by U.S. importers who can raise prices to recoup all or part of the cost of the tariffs, Trump’s “liberation day” announcement this week could be tantamount to the largest tax increase on U.S. consumers in decades. At the same time, economists have said the tariffs could increase price inflation and slow economic growth, potentially even throwing it in reverse and triggering a recession.

“This has to be one of the biggest unforced economic policy errors in US history,” wrote David Beckworth, an economist with the Mercatus Center, a right-leaning think tank.

The Nobel-Prize-winning liberal economist Paul Krugman called the crudity of the “reciprocal” tariffs formula shocking.

Big money interests are running the government — and influencing the news you read. While other outlets are retreating behind paywalls and bending the knee to political pressure, HuffPost is proud to be unbought and unfiltered. Will you help us keep it that way? You can even access our stories ad-free.

“When the fate of the world economy is on the line, the malignant stupidity of the policy process is arguably as important as the policies themselves,” Krugman wrote. “How can anyone, whether they’re businesspeople or foreign governments, trust anything coming out of an administration that behaves like this?”

Another explanation for the tariffs is that Trump is simply using a power that Congress has delegated to the White House and nobody can stop him.

“Tariffs are a tool the president enjoys because it’s personal power,” Rep. Ryan Zinke (R-Mont.), who served as interior secretary during the first Trump administration, told HuffPost this week. “It’s personal ― he doesn’t have to go through Congress. He can exercise personal power.”

[empty-movement]

Welcome to Something Eternal: A Website Forum in 2023 wtf lmao

It's 2023, and a single belligerent rich guy destroyed one of the primary focal points of uh...global communication. Tumblr is, shockingly, kinda thriving despite the abuse it gets from its owners, but that I will call the iconic refusal of Tumblr users to let Tumblr get in the way of their using Tumblr. Reddit killed its API, removing the functionality of mobile apps that made it remotely readable (rip rif.) Discord, our current primary hangout, has made countless strange choices lately that indicate it has reached the summit of its usability and functionality, and can only decline from here as changes get made to prepare for shareholders. (NOTE: WROTE THIS POST BEFORE THEIR MOBILE "REDESIGN" LMAO)

The enshittification is intense, and it's coming from every direction. Social media platforms that felt like permanent institutions are instead slowly going to let fall fallow incredible amounts of history, works of art, thought, and fandoms. It kinda sucks!

A couple years ago, I posted about a new plan with a new domain, to focus on the archiving of media content, as I saw that to be the fatal weakness of the current ways the internet and fandoms work. Much has happened since to convince me to alter the direction of those efforts, though not abandon them entirely.

Long story short? We are launching a fucking website forum. In 2023.

If you remember In the Rose Garden, much about Something Eternal will be familiar. But this has been a year in the making, and in many ways it's far more ambitious than IRG was. We have put money on this. The forum is running on the same software major IT and technology businesses use, because I don't want the software to age out of usability within five years. It has an attached gallery system for me to post content to, including the Chiho Saito art collection. It has a profile post system that everyone already on the forum has decided is kinda like mini Twitter? But it is, fundamentally, a website forum, owned and run and moderated by us. We are not web devs. But we have run a website on pure spite and headbutting code for over twenty years, and we have over a decade of experience maintaining social spaces online, both on the OG forum, and on our Discord. Better skilled people with far more time than we have can and will build incredible alternatives to what is collapsing around us. But they're not in the room right now. We are. And you know what? Maybe it's time to return to a clunkier, slower moving, more conversation focused platform.

You're not joining a social media platform with the full polish of dozens of devs and automated moderation. Things might break, and I might need time to fix them. The emojis and such are still a work in progress. Because e-mails no longer route in reasonable normal ways, the sign-up process instead happens within the software, and has to be approved by mods. Design and structure elements may change. Etc. The point being, that the forum isn't finished, but it is at a place where I feel like I can present it to people, and it's people I need to help direct what functions and things will be in this space. You all will shape its norms, its traditions, its options...choices I could try to make now, but really...they're for us to create as a group! But the important stuff? That's there. Now let's drive this baby off the damn lot already!

Come! Join us!!

PS. As always, TERFs and Nazis need not apply.

[if-whats-new]

What's New In IF? Issue 33 (2024)

By Aj, Dion, Briar, Jen and Peter

Now Available!

Itch.io - Keep Reading below

If you read the zine, consider liking the post: it helps us see how many people see it! And sharing is caring! <3

~ EDITORIAL ~

The new year is upon us!

To give us more free time during the holidays, the Team decided to merge last and this week’s Issues together.

The same will be done with the next Issue, which will come out on January 4th! This makes this Issue the last Issue of the year.

More feedback?

As the year comes to an end we in the WNIIF team are once again looking for feedback! The goal of this form is to find out our readers' preferences and wishes, so we can make the 2025 edition even better!

Please spare a few minutes to fill it out. None of the questions are required, so you can answer only what you want!

Small Talk with Harris Powell-Smith! @hpowellsmith

Our Interviewers are currently working on a Interview with the awesome Harris Powell-Smith, an award-winning narrative designer and writer of the Crème de la Crème series and Blood Money!

Do you have something you always wanted to ask them? Now is your chance! Send us a message on one of our socials or send us an e-mail. We’ll ask them for you!

We hope you enjoy this new issue!

AJ, DION, BRIAR, JEN AND PETER

~ BE A PART OF THE ZINE ~

THIS ZINE ONLY HAPPENS WITH YOU!

Want to write 1-2 pages about a neat topic, or deep-dive into a game and review it in details? Share personal experiences or get all academic?

WRITE FOR THE COLUMN!

Prefer to be more low-key but still have something to share? Send us a Zine Letter or share a game title for Highlight on…!

WE WANT TO HEAR FROM YOU!

Came across something interesting? Know a release or an update announced? Saw an event happening? Whether it's a game, an article, a podcast… Add any IF-related content to our mini-database!

EVERY LITTLE BIT COUNTS!

Contact us through Tumblr asks, Forum DMs, or even by email! And thank you for your help!!

~ EVENT SPOTLIGHT : Velox Turbo 2 ~

December 13th to 17th 2024

Velox Turbo is a challenge edition of Velox Fabula (or "Quick Story"), which is a ranked jam about making a complete visual novel based on a community-determined theme, hosted by robobarbie and Allie Vera. The Velox Turbo edition gives creators 4 days (instead of the usual 10) to complete their project, encouraging speed, accurate scope setting, and creativity.

The Velox jam series is heavily inspired by Ludum Dare, a global game jam about making a game from scratch based on a certain theme in a short amount of time.

This Jam's theme: The Eye of the Beholder, was revealed at the start of the jam. Voting was held across several rounds in the week leading up to the jam starting.

Other themes in the Velox jam series were:

Unreliable Narrator

Morally Ambiguous Promise

Enemies with Benefits

Flower Symbolism

Doomed by the Narrative

Trapped with Someone

Forbidden Romance

You Shouldn't Be Here

Participants can now vote for their favourites until December 31st. There are six categories: Overall, Theme Incorporation, Narrative, Visuals and Sound. Even tho you can't vote unless you submitted your own work, definitely check out at least one of the 15 entries!

~ ENDED ~

The voting for A Very Hallmark Game Jam is over. Check out the results!

This year’s Yuri Game Jam is in over. There’s an unbelievable number of 109 entries to check out!

Another bitsy jam has ended. You can now check out 8 entries with the theme "better late than never".

~ ONGOING (SUBMITTING) ~

Media depicting healthy examples of polyamory isn’t that common. The PolyJamorous 2024 is trying to break the status-quo!

The Queer Winter Game Jam is in full swing. Those interested can submit their work until January 16th 2025.

ShuffleComp is a musical interactive fiction competition where you make games based on songs, which are submitted by other entrants. Creators have until January 20th 2025 to upload their works.

Once upon a time, a game jam was held to create stories around the theme of fairy tales… and that game jam is the Once Upon A Time VN Jam. It’s running from October 1st to January 31st.

Concours de Fiction Interactive Francophone 2025 is for all French-speaking enthusiasts. Submissions are accepted March 3rd 2025.

Are you perhaps a fan of more somber, melancholic themes? Then check out the Dying Year - Visual Novel Jam! You have until the end of the year to participate.

The Black Visual Novel Jam is all about working with creative professional developers who work in visual novels to bring more Black stories to life. The goal is to create a space where Black creators can show their unique storytelling through visual novels.

IF Short Games Showcase 2024 is a great way to shine some new light on your projects made in the past year (Jan 1, 2024 to Dec 31, 2024), regardless of whether or not they are previously released! You have until January 15th 2025 to join.

Winter Visual Novel Jam 2024 is here! You have until January 1st 2025 to submit your projects.

Are you familiar with Decker? Then why not take a part in the Deck-Month 2?

SeedComp! is a 2-round interactive fiction game jam, focusing on creativity and the growth of ideas and the Sprouting Round has just started! Check out the Planting round for inspiration.

~ NEW RELEASE ~

Gentleman, Adventurer, Crocodile (Forked) is a twenty-second romp around the Victorian world in the company of an adventurous crocodile. It is a story filled with wondrous lands, strange people, wealth, power, friendship, betrayal, shipwreck and delicious pastry.

Murder Gods Play Pachinko (Super Videotome Engine) - A group of friends gathers in a remote house for the first time in two years. This is the place where Kaya took his life. Tensions are high, to say the least. The snowstorm isn't letting up. It appears they're trapped. The only company they have is each other. Little do they know -- time isn't on their side. He's on his way.

A new era begins in Maroland… The Ancient Talking Dragons have nearly all been annihilated… The Elves hide in their ancient mansions. The future belongs to humans… However, naive human wizards long for immortality. It’s only a matter of time before one of them finds something they can’t control. The Elves of Maroland is now available for free downloading in English language.

You are a prisoner of the jaguar empire, being forcibly marched by your captor to the blood pits at the heart of the empire. In your condition, your choices are limited -- but you refuse to let them have you. Escape your captor, explore the continent, and struggle for survival in this unique text-based roguelike, Wild Continent (Unity).

Echoes in the Deep (Twine) is an atmospheric, choice-driven narrative game set in a failing underwater research station. As Dr. Evelyn Moore, you must uncover the station's secrets, restore failing systems, and escape before time runs out. Will you survive the depths, or will its mysteries drag you under?

Calmaria is the newest companion app developed by the Design School in partnership with the Informatics College, the Student Engagement Office, and the Diversity, Equity and Inclusion Office of the University of ≭∘⊊⊚. Please enjoy Calmaria.

Dive even deeper into the world of A Date with Death with an all-new route. Starting with a fresh Day 6 and unfolding all the way through Day 10, this DLC brings you new conversations, stunning art, four new endings, and of course, the same beloved Grim Reaper. - A Date with Death - Beyond the Bet (Ren’Py). @twoandahalfstudios

As always, don't forget to check out the submitted entries to the events mentioned in the previous pages. They deserve some love too!

~ NEW RELEASE (WIP) ~

Everyone knows vampires: bloodthirsty, unholy creatures, some barely any better than animals. You never thought you'd become one yourself. You're a believer in the new gods - but here you are, trying not to feel that they've abandoned you. Feed, fight, and flee from the sun, all while looking for a cure to turn your life, or lack of it, right again in Glass Fangs (Twine). @glassfangsif

You are the heir to the Dracian kingdom, born of dragon blood and royal lineage—but you know nothing of this truth. To protect you from the tyrannical king of Dracia—your own grandfather—your parents sacrificed their lives. They hid you away, ensuring the prophecy that foretells his downfall would survive, even if they could not. - Rise of the Forsaken (CScript).

Dazzling phantom thief heists, romantic meetings in the dead of night, and making a name for yourself; The Mysterious Thief, Forget Me Not (Ren’Py) is a mostly linear girl's love visual novel that features multiple POVs throughout. The story is set in the fictional city of Twinbells, England, and shows how the lives of our four main characters are changed forever when a ballet company — and its treasured jewel — visits the phantom thief-loving city. @solsketchbook

Rigor Mortis (Ren’Py) is a visual novel for goths of all stripes who are surviving under late-stage capitalism. Discover the adventures of Lunis Culpeper, 12-year-old newlydead, as she learns about (un)life in the (under)world the hard way.

Your life as an alchemist has been safe and comfortable so far... but when your sister makes you one last wish before passing away, you'll embark on a dangerous journey that might change your life—and the lives of your two companions—forever. Hopefully, you'll also learn to see the world in a new light after this Trek to Dead Water (Ren’Py).

Take centre stage as a former-rockstar turned actor navigating your new career and the chilling grip of fan-obsession in Scapegoated (CScript). Your once-famous band may be nothing short of a ghost of the past to you, but the rest of the world cannot seem to let go. The split in 1968 was scandalous, abrupt and mysterious. And although you’ve thrown yourself into acting and secured your first major role with a big time Hollywood director, whispers of blame have been on your tail ever since.

You are the illegitimate child of King Aldric the ruler of one of the seven kingdoms Ceryndor, marked by your half elven heritage and shunned by society. Born under a cloud of prejudice and tragedy, you are feared as the “Black Wolf” – an omen of misfortune and a harbinger of chaos. When the son of a wealthy trader is found dead, the fragile peace in your land begins to crumble. The investigation leads you to uncover secrets that could shake the foundations of the seven kingdoms. Will you embrace the tyranny they accuse you of, or will you rise above the scars of your past and forge your own path in War of Crowns (CScript)?

A Life in a Year (Unity) is a narrative-driven adventure game that explores the emotional challenges of studying abroad. You play as Laura, a 16-year-old exchange student in a Nordic country. The game navigates themes like language barriers, cultural differences, friendship, family, and more.

Your trade as a Keeper is suffering under the rule of the current Emperor, but you've just gotten lucky – the Summit Library, the largest and most important Library in the Eawin Empire, has requested your services. But when you arrive you suddenly find yourself in a dangerous magical mystery: something's wrong with the books, and the Library is falling apart at the seams. Also, there might be a war? But The Summit Library is situated on neutral territory, so that doesn't affect you... Right?

~ UPDATES ~

A Sun Asunder: Post Apocalypse (CScript) updated their demo. @asapostapocalypseif

Meteoric (CSscript) added new content to their demo.

REMEMBER, YOU WILL DIE (CSscript) released Chapter 5. @vapolis

The Ultimate Magic Student (CScript) updated their demo.

Thicker Than (CScript) released their monthly update on Ko-Fi. @barbwritesstuff

Virtue’s End (CScript) updated their Patreon demo. @virtues-end

A Warmth in the Cold (CScript) added new content to the demo.

Spire, Surge and Sea (CScript) updated a new second Chapter.

The Adventures of Alaric Blackmoon (ADRIFT) released Episode 10.

Sentience (Twine) released Chapter 5. @sentience-if

Adrift With You (CScript) released Chapter 2. @kathrinesadventures

A Shriek of Ash and Fire (CScript) released Update 6. @krogpile

Drink Your Villain Juice (CScript) updated their demo. @drinkyourvillainjuice

Oh Mother, Where Are Thou? (CScript) updated their demo.

Dragon Kin (CScript) added new content to their demo.

Soulmates Inc (CScript) is back with a new update. @soulmatesinc-if

Voiceless: A Siren’s Song (CScript) released a re-written Chapter 1.

War of the Divines (CScript) updated their demo.

Hunter’s Requiem (CScript) added new content to their demo. @huntersrequiem-if

~ OTHER ~

Crown of Exile (Twine) offers a limited Access up to Chapter Ten for all their readers. Check it out before it’s too late! @ramonag-if

The Rosebush released an Interview with Chandler Groover, an interactive fiction author known for his influential games such as Eat Me, Toby’s Nose and Midnight. Swordfight., as well as his contribution in Fallen London’s storylines. @the-rosebush-mag

Devil On Your Shoulder is looking for beta testers.

~

As always, we apologize in advance for missing any update or release from the past week. We are only volunteers using their limited free time to find as much as we can - but sometimes things pass through the cracks.

If you think something should have been included in this week's zine but did not appear, please shoot us a message! We'll do our best to add it next week! And if you know oncoming news, add it here!

~ MAYBE YOU NEXT? ~

We did not get a submission this week. But if you have an idea for a short essay, or would like a special space to share your thoughts about IF and the community...

Shoot us an email!

~ HIGHLIGHT ON ~

A couple of games that we thought were cool.

I.A.G Alpha by techniX (INSTEAD)

The interactivity turns the idea of an IF piece on its head!

//submitted by Max//

The Master of the Land by Pseudavid (Twine)

A night of celebration with many storylines to explore. Replay again and again to understand, not to win.

//submitted by Sera//

Wonderland Noir: Behind the Looking Glass by Slim Pickens (Ink)

Delves into heavy topics, reminds me of Disco Elysium. Incredibly evocative writing, almost no attention given.

//submitted by Mouthofdirt//

Your favourite game here?

Do you have a favourite game that deserves some highlighting?

An old or recent game that wowed you so much you spam it to everyone?

Tell us about it! And it might appear here!

WE LOVE TO HEAR FROM YOU ALL! WHETHER IT'S GOOD OR BAD, OR EVERYTHING IN BETWEEN...

Have something to say? Send us a message titled: Zine Letter!

As we end this issue, we would like to thank:

Max, Sera and Mouthofdirt

For sending us a Highlight!!

And as always, huge thanks to all you readers who liked, shared, and commented on last week's issue!

What might be tiny actions are huge support and motivators to us!

Thank you for cheering us on this journey!

~ ~ ~ ~ ~ ~

We all wish you a great start to next year!

We will see you in January with a 2025 edition of What’s New in IF!

AJ, DION, BRIAR, JEN AND PETER

WHAT'S NEW IN IF? 2024-ISSUE 33

[amyoffline]

It's done! The outline for—

—is below the cut. The goal of this project is to explore the following phenomena with as much context and nuance as I can manage, tracing our history over the past 15 years:

What about us, and what about Dan and Phil, drew in and continues to draw in a very specific audience. If they are a ranch metaphor, we are a pizza metaphor 🥗🍕🫶🏻

Why we were Like That™, by which I mean so parasocially invested in them that we became, at times, the most annoying people on the internet. Much of that reputation is undeserved, and the videos on the phandom to date have been strongly negative. So, uh, I guess I'm going to put my face on camera and (mostly) defend us.

Reblog, share in your Discord servers, reply, or send me messages/anon asks with feedback or resources if you have any! Especially if your experience being in this fandom community has been dramatically different from mine. There are TIT spoilers near the end of the outline, but I'm not tagging because certain individuals seem to be lurking over there. Thank you!

Chapters:

Full outline:

introduction

cold open

felt personally attacked by jonathan haidt's last press tour

showed up to the phrenaissance 11 months late

had an unexpectedly strong response to their new content, needed to find out why

what the hell are we doing here?

- phenomenology (academics are professionally insufferable) - research question 1: what drew the audience in? - research question 2: why were we Like That™?

what we're NOT doing here

- a strict content analysis or "wow we sucked" video - providing sources for things best left uncirculated, thank you

reflexivity (personal biases)

- american zillennial in public health - in the youtube audience by spring 2010 - lurking in the phandom on tumblr 2013-2015, back* since 2019 - fan behavior i did and did not engage in

(----): truly necessary background information, i swear

(pop) cultural trends, tech, and their intersection

- nerd/geek identity and the first online weirdos - broadcast tv & the music industry vs the internet - defining "emo" - blogging & vlogging - early internet comedy

broader social/economic trends

- so the U.S. economy collapsed in 2007 - a decade that sucked except for rom-coms and square enix games - the flip/slide phone + digital camera + mp3 player loadout

(05-8): early youtube and early phil

youtube: a great video uploader without a clear purpose

the content on the website

- crossposts, corporations, and creative/social outlets - omg guys it's amazing phil - contemporary youtube-to-legacy success: justin bieber

the audience of "early adopters"

contemporary social media sites and forums

(2009): origin story

a wild dan appears… in the comments

the global constant that is teenagers being messy online

daring my old school district to sue me

- "one town's war on gay teens" (literal rolling stone headline!) - epidemiology 101: rates of… ugh… "unaliving" oneself - ways kids cope when it seems no adults will help them

the earliest days of dan & phil

- hello internet + pinof - a chronically overexamined timeline - file deleted ---* so how big WAS the audience at the time? ---* acceptable funny/edgy language was just different

contemporary youtube-to-legacy success: lucas cruikshank

omg it's meeeeeee

- how amy & friends were using youtube - ways i was just destined to end up here - being in social environments with peers 3-6 years older

(2010): is it "twenty-ten" or "two thousand ten?"

youtube is a platform about to explode in popularity

- the algorithm before it was The Algorithm™, lost site features - let's take a trip through the wayback machine :3c - actual dan & phil content in 2010 - the green brothers found vidcon - contemporary youtube-to-legacy success: darren criss

social media: also about to explode in popularity

- facebook was cool at the time, believe it or not - law of equivalent exchange: 2010 amy cringe compilation - the birth of instagram and pinterest - youtube slash livejournal (the first phanfics… sort of) - shockfic and its place in the overton window

the beginning of "the great rewiring" as haidt calls it

- ways social media is about to dramatically change - third spaces become online spaces - confounding variable: changing expectations of teens

(2011): the end of an era, the start of an age

a very long tangent on fandom and pop culture

cultural exchange

counterculture and teenagers as concepts

the first british invasion: the 1960s

- beatlemania and its descendents - moral panic about the virtue of tween/teen girls - tv/film/fashion trends being imported from the uk - in parallel, star trek births the modern fandom

the second british invasion: the 1980s

- synth/new pop that came out of the punk movement (hi, emo?) - confined mainly to music and fashion - cool britannia

it's harry freakin' potter

- absolute titan of pop culture influence - the rise of online fandom: examining the horrors ---* what is "wank" ---* flaming, sockpuppeting, and general cyberbullying ---* censorship: ffnet purges, boldthrough, & strikethrough ---* other fandom shenanigans of the time (yaoi paddles, anyone?)

harry potter's over. now what?

- for those who needed coming-of-age hero's journeys ---* twilight and YA dystopia waiting in the wings ---* some pretty iconic tv shows start or hit their stride ---* the mcu's phase one ---* takeaway: the rise of "geek culture" generally - for those who just wanted to go to hogwarts ---* doctor who & the wider world of bbc programming ---* british vloggers, you say? where? on youtube? brb--

end tangent, back to your regularly scheduled programming

dan & phil in the first half of 2011

- a continuation of 2010… for now - the videos - british pancakes as a case study of bad fan behavior

streaming and social media

- the birth of snapchat, twitch, and younow - netflix starts developing original programming - multi-channel networks (mcns) - digitour

dan & phil in the second half of 2011

- and they were roommates (omg they were roommates) - fantastic foursome - youtube glitches out - the super amazing project - the first proper baking video + wait, is that the bbc?

~ baking interlude 1: christmas cookies ~

the family sugar cookie (sorry, delia)

amy's 2011

(2012): why is anyone nostalgic for this

the transition from desktop to mobile

- massive growth in smartphone ownership 2011-2015 - things one might do on mobile one might not do on desktop - non-online ways smartphones changed being a youth™

what is tumblr and why is my child using it

- how the site is meant to work - fandom, memes, aesthetics, and SOME public figures - want to be anxious and depressed in peace? come to tumblr - this site seems a little……… gay ---* tumblr's very queer, very neurodiverse userbase ---* legacy media representation in 2012: bad! ---* actual academic research on tumblr users (yes, it exists) - the tumblr experience for non-native english speakers

amy becomes a vibrating mass of panic and paranoia

- in context of the above - additional rant about the american public school system

the growing dan & phil audience

- investigating the origin of the term "phannie" - more collaborations = more viewers - more video uploads = more /invested/ viewers - younow and interacting with fans - watch time replaces clicks in the algorithm

online etiquette, or lack thereof

- mid-transition from the 2000s to the 2010s - "professional internet celebrity" is still basically brand-new - lack of boundaries - various ways to be an asshole online - unsupervised kids simply do not engage in best practices

the end of 2012

- dan and phil move to london - wikipedia vandalism - tiptoeing around a top contender for the phandom's greatest sin - super amazing project DONE, now it's BBC RADIO TIME

(2013): arguably the most important year

- wait. what's that six-second video platform over there--

[amy's curated vine compilation]

- a new wave of internet comedians (read: future youtubers) - the zillennial lexicon - other platforms start emphasizing short-form video content - magcon

emo is BACK - well, sort of

- fob hiatus ends, mcr breaks up. my god. you had to be there - more open ties to nerd/geek culture than in the 2000s - these things once again intersect at dan and phil

dan and phil in the first half of 2013

- siri, what's a "sex symbol?" why are you booing me i'm right-- - d&p are everywhere - radio shows, interviewing, hosting - youtube uploads on their individual channels

rapidly changing cultural attitudes towards queerness

- gay marriage will be legal in places other than canada soon - a lot of assimilationist rhetoric though tbh - parallels to the pop feminism of the decade

hey kids, let's talk about compulsory heterosexuality!!

- what is it and why do people do it - academic, tumblr-level, and anecdotal research - the dannies, the phillies, and the phannies

amy

- the closet™ - mental health stigma - 2013 dnp posts from my main blog

dan and phil in the second half of 2013

- subscriber milestones, vidcon - joint content before the gaming channel - phandom starts having a major presence outside tumblr

(2014): achievement unlocked!

it's time to talk about rpf

- definitions (a chance to be annoyingly pedantic) - academic perspectives and fan discourse on the ethics - when the subjects clearly aren't fine with it - so… we can acknowledge "shipping phan" was different, right? ---* sometimes the subjects are fine* with it, actually ---* how dan and phil started to handle the shipping ---* obvious differences between phan and other rpf ships ---* sharing my favorite passages as a first-time phanfic reader

dan and phil in 2014

- wikipedia vandalism 2: electric boogaloo - bbc request show → internet takeover - the 7 second challenge - youtube content, subscriber milestones, rewind - cons and award shows

tumblr reaches the peak of its influence

- yahoo's attempts to monetize the userbase - buzzfeed and aggregators steal our jokes and bait our clicks - legacy media dangles carrots and uses us for free marketing - the legend of korra breaks TV precedent, almost out of nowhere - the tumblr user experience ---* on mobile, without xkit ---* on desktop, with xkit ---* 2014 dnp posts from my main blog

gamergate and its long shadow

- trolling, renewed and revamped - algorithms push increasingly extreme content - the broad conservative backlash conglomerate - increased normalization of conspiracism in general

my greatest sin [not clickbait] [very funny]

- so, circling back to comphet… - the actual story

anyway, let's talk about danandphilgames

- a star is born: dil howlter - different types of gaming content on youtube at the time - why did 17yo amy not subscribe? well…

~ baking interlude 2: chocolate cupcakes ~

make your own frosting. it freezes well

roasting myself further

(2015): it's not queerbaiting when it's real people

facebook "pivots to video"

- mark zuckerberg lied. water is wet - causes other platforms to REALLY double down on video - the birth of musical.ly - corporate-branded creators (read: future youtubers)

queerbaiting enters mainstream public consciousness

- academic origins - early fannish and acafan writing - johnlock, destiel, and sterek - statistics 101: type i error, type ii error, and queerbait

dan, phil, and the phandom

- bbc, cons, & the brits - danandphilcrafts - phan conspiracies ---* japhan ---* body language experts ---* timeline truthers ---* floor plan investigators ---* no but seriously imagine it - regular youtube uploads ---* solo content ---* joint content ---* subscriber milestones, rewind - tatinof uk and tabinof ---* on "selling out" ---* revisiting the statistics 101 lesson: now with real people! ---* never meet your heroes (unless they're dan and phil)

amy's (temporary) exit from the phandom

- it's legal adulthood with a steel chair!! - growing discomfort with some fans' behavior - 2015 dnp posts from my main blog - the closer: final fantasy vii

(2016): season finale

vine's imminent demise

- content platforms behaving badly - content creators behaving badly

youtube after "the great rewiring" (as haidt calls it)

- version 1.0 of the modern youtube algorithm ---* deep neural networks for dummies ---* what's holding creators accountable, or not - advertising and sponsorships ---* basically every child and youth™ is watching now ---* the battle for our attention ---* regulators start to crack down on undisclosed ads - the rise of drama/tea content (and later, channels) ---* youtubers are now seen as regular celebrities ---* dan and phil as the butt of other youtubers' jokes ---* baiting the phandom for engagement

tatinof us and aus

- a proven new model for live show tours - show & documentary released to youtube red (now premium) - [sigh] the tour bus

sea change in online fandom

- the newer, sometimes queerer media in korra's wake ---* better and more representation in live-action tv shows ---* voltron (i'm sorry!!!) ---* the mystic messenger craze ---* alice oseman & heartstopper - the new dynamics of #discourse ---* proship is to anti as phannie is to phanti ---* the bad behaviors of the 00s get a new coat of paint ---* new, though: fans harassing creators ---* a personal note on ace discourse

dan and phil presence off-tour

- the internet takeover ends - regular content, subscriber milestones

so. uh. current events.

- brexit - sorry the united states is a font of chaos - ripple effects

closing out the year

- amy finally gets an anxiety diagnosis and treatment! hurray! - dapgo, rewind - bbc radio awards & the boncas - gamingmas

(2017): time for a rebrand

tangent - sit down!!! buckle up!!! today's lecture is on PSIs & PSRs!!!

"parasocial" as defined by the current zeitgeist

- summing up youtubers' and laypeople's opinions (not dan's) - an unfairly negative stance overall, imo

older academic literature

- the 1956 paper (yes, 1956) - with traditional celebrities - with fictional characters

current academic literature

- with youtubers and other content creators - positive effects on the audience - negative effects on the audience - broader societal implications

fandom spaces as a parasocial experience

- parasocial and truly social interactions with each other - phandom as a supportive, welcoming space for oddballs - what research i can find about neurospicy folks, + anecdotes - me and everyone else on planet earth move to discord

inherent transactionality

- the nature of celebrity - positive effects on creators - negative effects on creators

reexamining early phandom through a parasocial lens

- the good, the bad, and the ugly - the role audience demographics played in all of this - entering, exiting, and remaining in the phandom

end tangent, back to your regularly scheduled programming

vine is well and truly dead

- some had prepared to become primarily youtubers (smart) - some move to musical.ly, insta, facebook, or snap (less so)

the sun sets on danisnotonfire

- i am very normal about dan's hobbit hair, i swear. - the last dnp content before the rebrand - new apartment, new floor plan investigations

adpocalypse now

- youtube has become the village elder of platforms ---* increased scrutiny, increased responsibility ---* some youtubers had been getting away with !#$!#@% - the scandals ---* pewdiepie + logan paul ---* elsagate and being "family- friendly" (read: ad-friendly) - censorship and monetization ---* adsense revenue goes down as advertisers pull out ---* the glory days of posting whatever and making bank are over

amazingphil and ~daniel howell~

- youtube & younow content - that week in march - vacations and conventions - conjoined baking and the concept of a "soft launch" - daniel & depression → dan as a mental health advocate - truth bombs, ii announcement, rewind

(2018): the phandom vs the hiatus they told us not to worry about

interactive introverts

- "giving the people what they want" - in hindsight… - let's talk about dnp fans from the global south

youtuber burnout

- it wasn't just dan: (more examples than header fits) - the old model was simply not sustainable - newer contributing factors - research on burnout, plus personal anecdotal experience

other dan and phil content

- younow/rize lives - dan's last videos before… you know… - phil's solo content in 2018 (quiff!!) - pinof → wdapteo - the gaming channel

other stuff happening online and in the world

- youtube raises the barriers to monetization - many "pivot to video" creators are now independent - the modern youtuber's multiple streams of income - continuations of societal trends in 2016 - musical.ly becomes tiktok - notable: she-ra and the princesses of power

the hiatus™: part myth, part reality

- how long dan was actually offline - major confounder: tumblr implodes almost overnight - major confounder: perception of content density from '13-'16 - major confounder: rapidly maturing audience - major confounder: our temporal awareness is about to go way ↓↓

~ baking interlude 3: scotcheroos ~

minnesotans and their obsession with "bars"

amy has one last existential crisis (you know, to date)

(2019): demolishing the closet with a nail bat

phil videos in the first 5 months of this very important year

basically i'm gay

- my thoughts - its legacy in the canon of "coming out" stories - multiple things can be true at once

coming out to you

- my thoughts - its legacy in the canon of "coming out" stories - why phil waited (actual explanations, speculation)

amy's 2019

- return to the audience, not really to the phandom (rip tumblr) - strange coincidence that i also had a major life transition

dan and phil: still here, freshly queer

- twitter becomes the main nexus of phandom, by default - regular phil uploads + brief return to younow - vidcon

(2020): go home and stay there

so it's a goddamn global public health crisis

- infectious disease perspective - effects on overall well-being of adults - effects on kids and teenagers (sorry to all of you) - political and economic impacts

hitherto unforeseen levels of online content consumption

- tiktok replaces basically all short-form video content - yet another wave of new (otherwise unemployed) youtubers - you're watching a video essay. these got really popular now. - being young and isolated: thoughts from younger phannies

the Content™ bc that's the one word we use for this now

- phil's videos - when dan is around - that attitude magazine interview - pour one out for the phil solo project(s) the panini wrecked

further political disaster… avoided?

- checking in on the state of social issues previously discussed - unfortunately,

(2021): welcome to the 2020s, we have lingering trauma

THE PHOUSE?!?!?

- social media posts - the stereo shows

other dan and phil videos

- phil's solo videos - gay and not proud - hometown showdown - other joint videos - phil's #shorts (sounds normal in american english)

panini updates

- vaccines soon, uwu??? + entrenched misinformation - pros and cons of remote work - pros and cons of remote school - pros and cons of remote socializing

you will get through this night

- younger me really could have used this book too, dan - thoughts as a professional in a related field - reflecting on some of my more unique circumstances

daring my old school district to sue me (again!!)

- updates: racism and transphobia - updates: right-wing freaks take over the school board again - residents vote against improving mental health resources

(2022): dan returns (still not on fire)

hey so politics are um getting worse

- americans lose the right to reproductive freedom ---* the quickest of histories on where these freaks came from ---* this shit kills people. - trans kids become the punching bag of culture war discourse ---* fuck off! (gently) ---* fuck off! (i have a knife) ---* checking in on terf island

we're all doooooooooooooooomed

- dystopia daily my beloved - the style, the substance, the metatextual analysis-- - not everyone loved it, though. why? - the promo - dan on tour + sister daniel

amy's 2022

- i got covid - then i got long covid: brain fog, pots-like symptoms

some more news (i will work on my warmbo impression)

- dan joins tiktok + danisnotinteresting uploads - phil: uploading less, busy doing remote crisis management - twitter is acquired by an idiot jackass - heartstopper on netflix! ---* the show and what it means to people ---* drama (revisiting "real people can't queerbait") ---* why this has anything to do with the phandom

~ baking interlude 4: cinnamon rolls ~

- lovingly, recipe changes and corrections :) - if i have an opinion about anything, it's sweet yeasted breads

(2023): the phrenaissance

phil

- joins tiktok! - youtube uploads through september - what even is phannie tiktok. i've never used this app. help.

dystopia daily b-sides

- dan memes of 2022 - the 2023 dystopia daily episodes

amy: the doctoral candidacy process

- purgatory, privilege, poverty, and free pizza - checking in on what this is like outside the united states

pretending the panini is over

- complaining about post-adpocalypse censorship standards - honest take about "giving up" on covid - who gets the short end of the stick

the youtube algorithm is BAD and UNINTELLIGENT, actually,

- unhinged rant about not hearing about the gaming rephrival - because i was offline from other platforms. like, @amyoffline.

pov: you are a phannie (not me) on october 15th

- what i was doing on october 15th - saying goodbye forever, spooky week, and november - gamingmas - phil uploads through december

(2024): fifteen years of terrible, terrible influence

hey what the fuck is going on

- dan and phil ---* joint and phil videos ---* jokes they never would've made ten years ago ---* a collection of emotional posts about how far they've come ---* people want fun and silly content again. we'll get to why ---* nostalgia, hope, and other warm and fuzzy feelings - the phandom ---* ancient parasocial attachments, reactivated instantly ---* people are way more normal now. let's discuss why ---* tumblr vs twitter vs tiktok phandom

we're all doomed, youtube version

- my thoughts - thoughts on "dan should/shouldn't" do video essays - i can't objectively evaluate anything he makes bc [gunshots]

terrible influence tour

- legally phlonde - the concept: healing one's inner child / taking it back - we gotta talk about phannies in the global south again - no but seriously imagine it? ---*ogres are like onions, they have LAYERS ---* [placeholder for whatever does(n't) happen]

anglosphere current events once again

- the likely us tiktok ban - the tories get fired - [placeholder for whichever hell americans manifest] - witnessing genocide and feeling powerless

ffx full-circle moment to the intro of this video essay

- the night i found out they came back - why i am doing this, now with context - reflections on a nearly 15-year (parasocial) relationship

whatever youtube uploads we get during fall/december

AMY SEES TIT (nov 14)

- the vibes at the phamily reunion - buying merch to apologize for eternal ublock origin use - how much should i document?? (not during the show) - phanspiracies confirmed - atlanta confessions - favorite bits - the alternate universe where i went to tatinof and/or ii

(2025): the horrors persist, but so do we

whatever 2025 content is out while i'm still working on this

our parasocial social club

- let me be philosophytube for a second ---* every interaction has a parasocial element ---* what are we obligated to do as a phandom, actually? ---* as people who parasocially care about these two dorks? ---* what else should we be doing socially to be at our happiest? - "they're my gay uncles" vs "i'm a little in love, even now" ---* riffing about the boundary/overlap between these camps ---* sibling reads me for filth in a single text (sister daniel...) ---* at least we're all in this together

what's going to continue to draw people in

- grown adults drawing our cat whiskers back on - updates on queer/nd kids - updates on anxiety/depression rates - updates on tech and the broader environment of content - world still feels doomed

tangent - the "hard launch" and why people want it

what are people referring to, exactly

- general definition and other examples - when it comes to dan and phil - maybe they hard launched already and we just missed the memo

the ludonarrative of phandom

- if you got here early on - if you got here in the mid-2010s - if you got here after they came out - if you got here post-hiatus - final fantasy comparison: ffvii's chokehold over first-timers

a rom-com for the ages

- the tropes in play - brief tangent on the evolution of the genre - queer romantic comedies - final fantasy comparison: ffviii's plot and squall/rinoa

phriends… or…

- wholesome influence, slice-of-life - projection - final fantasy comparison: ffxv's gameplay loop, the chocobros

humans don't like ambiguity

- from a media perspective (narrative tension) - research from the hard sciences - final fantasy comparison: fanille ---* the first gay final fantasy characters, actually ---* ffxiii's character development process ---* fang and vanille in the text. brb, clawing at the walls ---* so, if anyone is looking for a phyuri au prompt…

tl;dr: reality is not fiction. make peace with not "knowing"

end tangent, back to your regularly scheduled programming

the phuture

- phil's big solo project when??? - dapg is just the joint channel now - youtube has changed since when dan last "regularly" uploaded - nothing lasts forever, and that's okay

~ baking interlude 5: ranch + pizza ~

- ranch propaganda and ranch metaphors - showing off my dough and sauce skills

conclusions

- a lot has happened in 15 years - [placeholders: don't write your conclusions before you do your research]

Proof this project can only be done in consultation with Tumblr: no other platform we're on could accommodate a post of this length and formatting detail lol

[genshinresource]

Hey guys, this is kind of sudden but my time in genshinresource will end starting today. I've given a lot of thoughts about this but I can't find joy in Genshin anymore, to the point that I feel uncomfortable just by looking at any Genshin-related stuff, therefore I thought it would be best to stop now. Should anyone wants to make another Genshin resource blog or wants to look for other official art, you can find the source links for everything under this post's break line.

This blog will still be open for public view but it won't be updated any further, same goes for the AIO links and the Ask box will be disabled permanently. I will now fully focus on my Star Rail resource blog instead and will keep running it for as long as I can.

Thank you everyone for the past 2 years. I really appreciate all your thoughts and encouraging messages as well as all the new stuff I could learn from you guys. I apologize for not being able to contribute to the Genshin community anymore.

So long, everyone.

CN links:

Genshin's Miyoushe forum: https://www.miyoushe.com/ys/home/28 - Almost everything can be downloaded without the need of Miyoushe account except avatar frames and other account-related settings. The 资讯 tab is where they post all official art like birthday artworks, celebration artworks etc.

Official Genshin CN Bilibili: https://space.bilibili.com/401742377/dynamic

Official Genshin Weibo: https://weibo.com/ysmihoyo

Official Paimon's Work Note Bilibili: https://space.bilibili.com/1669328690/dynamic

Official Paimon's Work Note Weibo: https://weibo.com/pmmihoyo

Teyvat Fan Association's Bilibili: https://space.bilibili.com/1113861913/dynamic - This is where they post all stuff related to sponsored special fan-made programs like New Year Party, Birthday Party countdown artworks etc.

Global links:

Genshin's HoYoLAB forum: https://www.hoyolab.com/circles/2/27/official?page_type=27&page_sort=events.

HoYoFair's HoYoLAB forum: https://www.hoyolab.com/accountCenter/postList?id=244938673

Official Genshin Twitter EN | JP | KR | BR | ES | FR | TH | ID | RU

Official HoYoFair Twitter: https://twitter.com/HoYoFair_0

Official Paimon JP Twitter: https://twitter.com/paimon_genshin7

Official HoYoLAB Twitter: https://twitter.com/HoYoLAB_Mimo

Official Genshin Reddit: https://www.reddit.com/r/Genshin_Impact/

Official Genshin HoYoWiki: https://wiki.hoyolab.com/pc/genshin/home

Unofficial Genshin wiki: https://genshin-impact.fandom.com/wiki/Genshin_Impact_Wiki

Media-focused links:

HoYoWiki's Genius Invokation TCG cards: https://wiki.hoyolab.com/pc/genshin/aggregate/tcg_character

Official Genius Invokation TCG display page: https://act.hoyoverse.com/ys/event/e20221207-card-dhcksn/index.html

Official Genshin CN's version KV gallery: https://act.mihoyo.com/ys/event/community-content-collection/index.html#/wallpaper - recommended for CN logo KVs if you can't download from Baidu Wangpan

asddzr's Bilibili for upscaled art: https://space.bilibili.com/1550564/dynamic

景三尧's Weibo (another upscaler with great art quality): https://weibo.com/u/7654321688

For twins version birthday shorts, you can find a lot from Miyoushe forum by searching with CN character name + 生日 but it's best to bookmark user(s) who often post them, I usually went to this user's profile page for those.

[apricitystudies]

crimes in the online space: a deep dive

voted on here. (other editions) bold = favourite

scams, hacks, & financial crime

the romance scammer on my sofa

the incredible rise of north korea's hacking army

heartbreaker

the fall of the billionaire gucci master

to catch a catfish

for trafficking victims forced to scam others, the nightmare continues even after escape

the great cyberheist

crying spouses and fake profiles: how the ashley madison hack changed everything

inside an mlm universe

the dark web

hunting warhead

inside the fbi takedown of the mastermind behind website offering drugs, guns and murders for hire

merchant of death (pro-suicide forums)

the hunt for the dark web's biggest kingpin

inside the global hack-for-hire industry

the takedown of a dark web marketplace

the exploitation of women & children

she helped expose girls do porn, but she can never outrun what it did to her

catching the men who sell subway groping videos

how facebook and instagram became marketplaces for child sex trafficking

how police cracked canada's largest child pornography ring

'i log into a torture chamber each day': the strain of moderating social media

the child exchange

xxx-files: who torched the pornhub palace?

[phobic-human]

🔴 Popular Front for the Liberation of Palestine:

On International Women’s Day: A Salute to the Steadfast Palestinian Woman Standing Against Genocide and Displacement Plans

The Palestinian Woman: A Song of Freedom, Homeland, and Anemones

Our Brave People…

On March 8, the peoples of the world celebrate International Women’s Day in recognition of women’s central role in the journey of liberation and progress, and in appreciation of their long struggles against oppression, injustice, and exploitation. In Palestine, however, this day carries a deeper and more painful dimension, as the Palestinian woman stands at the heart of the confrontation, carrying the banner of steadfastness and resistance against the zionist machine of killing and destruction. She remains on the frontlines—as a fighter, prisoner, martyr, wounded, and as a mother of martyrs—bearing the wounds of the homeland in her heart and igniting the flame of resistance, struggle, and defiance.

Our Proud and Defiant People…

Amid the ongoing zionist genocide against our people in Gaza and the West Bank, the heroism of Palestinian women is evident as they face extermination, killing, displacement, repeated forced migration, and massacres. They fight to survive, to protect their homeland and children, and to uphold their right to live in freedom and dignity.

On this important occasion, the Popular Front for the Liberation of Palestine reaffirms the following:

1. A salute of reverence and admiration to the Palestinian woman who continues to resist on the frontlines—whether in the besieged and bleeding Gaza, making immense sacrifices, in the rebellious West Bank, or in exile and diaspora, standing firm against zionist plans to uproot and displace our people.

2. The necessity of escalating the struggle in all international forums to hold the occupation accountable for its crimes against Palestinian women and to prosecute its leaders in international courts as war criminals who have committed crimes against humanity.

3. Strengthening the role of the Palestinian women’s movement in the battle for national and social liberation and engaging in the resistance structures that support women’s steadfastness and fight against all forms of discrimination and oppression.

4. Unifying women’s efforts on the Arab and international levels to form a global resistance front that exposes the occupation’s crimes and defends Palestinian women’s rights to freedom, dignity, and justice.

Our People…

The Palestinian woman, who has given birth to heroes and raised fighters, is an inseparable part of our people’s struggle for liberation, return, and independence. Therefore, our struggle will continue until the aggression is defeated, the land and its people are freed, and the state of Palestine is established from the river to the sea, with Al-Quds as its capital—until Palestinian women achieve their full rights in a free, democratic society based on liberty, justice, and equality.

Long live the steadfast and fighting Palestinian woman.

Long live March 8 as a day of struggle, defiance, and steadfastness.

Together on the path to freedom and dignity.

The Popular Front for the Liberation of Palestine

Central Media Office

March 8, 2025

[darkmaga-returns]

The World Economic Forum has declared the rise of independent media to be the biggest threat facing the ‘New World Order’ in 2025.

The new Global Risks Report 2025 is based on “insights” from the Global Risks Perception Survey that take into account the opinions of 900 “global leaders” across business, government, academia and civil society, the WEF said.

Infowars.com reports: The report reflects the unrelenting drive still present in many corners of the world and among political elites to push what they consider “disinformation” to the top of this agenda.

And so the WEF paper talks about “armed conflict, environment, and disinformation” as “top threats” this year. And that, as the authors note, from their point of view leaves economic risks as having “less immediate prominence.”

Meanwhile, “mis/disinformation” is ranked higher as a threat and that has happened two years in a row. This reads like another instance of taking an alarmist approach to “disinformation” (which then comes in handy when pushing all sorts of controversial policies, affecting online speech, security, and technology development).

The WEF report elevates “disinformation” to a “persistent threat to societal cohesion and governance by eroding trust” – and even “exacerbating divisions within and between nations” and “complicating” ways to cooperate on ending international crises.

And, when AI is thrown into the mix in its “adverse” form – “disinformation” underpins rising geopolitical tensions.

The way the report frames the issue of disinformation, that seems to be the only thing standing in the way of world peace.

[reality-detective]

🚨 BREAKING:

Slave Trader Oprah Winfrey Facing Life Behind Bars On Child Sex Trafficking Charges

Oprah Winfrey’s reputation has taken a hit due to her close friendships with numerous high-profile rapists and pedophiles, but she is about to lose a whole lot more, according to investigators who revealed the billionaire media tycoon is about to be thrown under the bus and prosecuted on child trafficking charges.

Oprah isn’t the only member of the VIP global elite facing charges. A whole host of household names, including Bill Gates, mainstream media figures, and members of the US House and Senate are currently sweating as the walls close in on them.

According to investigators, Oprah Winfrey has been hiding in plain sight for decades, conspiring with some of the world’s most notorious pedophiles and sex traffickers, and taking every opportunity to legitimize child sexual abuse in public forums.

According to mainstream media, Oprah’s laundry list of pedophile connections is just an unfortunate coincidence. It’s like the extensive list of Clinton associates who wound up dead in bizarre circumstances, often committing suicide by putting two bullet holes in their back of their own head. One coincidence after another.

For decades and decades. After Oprah’s close friend Jerry Harris was sentenced to 12 years in prison on child sex crimes in July, the media fact-checked anybody who dared to point out that he was Oprah’s protégé. This was information they did not want to get out. 🤔

[vioredynamite]

Genocide, colonialism and greenwashing: a link between the Malvinas Islands and Palestine

Today, April 2, we commemorate in Argentina the Day of the Veteran and the Fallen in the Malvinas War, an ideal date to touch on an important and very relevant issue for any nation in the world: sovereignty. Last year I shared in a reblog the geopolitical importance of the Malvinas Islands both for their location, close to the Argentine coasts (including the dominion over Antarctica) and the connection with the Pacific Ocean, as well as for their valuable natural resources.

This year I want to expand a bit by mentioning an issue of concern not only for our country but also for Palestine and any other nation in conflict with Israel. And that is that Navitas Petroleum, an Israeli company, has partnered with the British company Rockhopper Exploration in the "Sea Lion" project, an offshore oil development around the Malvinas Islands. The trap? This company is trying to use the oil-for-peatlands restoration concept, i.e. to use an argument of conservation and restoration of the peatlands to justify oil exploitation. From the "Movimiento de Boicot, Desinversión y Sanciones" (Boycott, Divestment and Sanctions Movement) they also denounce that Navitas Petroleum is going to operate on the Sea Lion Island (one of the Malvinas Islands) starting this year and that the operation permit lasts until 2043. Israel's control over this resource is crucial for the maintenance of its arms industry and military vehicles.

For a more detailed reading I leave you the note translated from ANRed:

The Israeli company Navitas Petroleum holds the majority of the exploitation rights over that territory (in the middle of last year it owned 65% of the shares of the project, and the rest belongs to British Rockhopper). If the operation is completed, most of the profits would go to shareholders in Israel and the United States, according to the British media The Telegraph. It was also mentioned in an article by journalist Patricia Garip, in the Gas Outlook portal, where she also talks about the greenwashing story, since it is about offshore exploitation and in a section of the article she talks about "an alert for Argentina". According to the recent independent resource report, the Sea Lion project will reach a production peak of 150,000 barrels per day, consolidating hydrocarbon exploitation in the area occupied by the United Kingdom, as warned by the Revista Petroquímica (Petrochemical Magazine) last week. Between the middle of last year and the beginning of this year, contradictory information circulated at different times. Stalled since the last quarter of last year, this year there have been reports of advances in the project that could begin a new phase of large-scale extraction next year.

While a new April 2nd recalls both the Argentine right over the islands and those who were sent by the de facto government of dictator Leopoldo Galtieri to fight in terrible conditions, a new warning is ignored by the current [Javier Milei's] government. The current government is the first one that, in the face of this situation, has not made claims in international forums nor promoted legal actions against the companies involved in the extraction. In this context, the Sea Lion project advances without obstacles, which could further complicate Argentina's sovereignty claims, in addition to the environmental damage that could have serious repercussions, both in the entire Argentine Sea and on the planet in times of environmental alert. This situation requires careful attention and a clear strategy to protect both Argentina's interests and the environmental care of our seas at a global level.

And here are the sources:

ANRed (01/04/2025). "Empresas israelíes y británicas avanzan en la extracción de petróleo en Malvinas"

Infobae (24/03/2023). "Reactivan un proyecto de explotación petrolera offshore en los alrededores de las islas Malvinas"

Patricia Garip (Gas Outlook) (10/05/2024). "Peat-rich Falkland Islands risks greenwashing oil project"

Revista Petroquímica (26/03/2025). "La explotación petrolera en Malvinas: un tema sensible y controvertido"

Charles Moore (The Telegraph) (12/12/2023) "COP promises are killing the Falklands oil bonanza"

[dertting]

A deep dive into USAID’s shady story: from “international aid” to “global disaster”, uncovering the U.S. black industrial chain

When Musk, the world's richest man, publicly accused the United States Agency for International Development (USAID) of being a "criminal organization," there was an uproar in public opinion. The sharp words used by this technology geek have drawn public attention to this institution cloaked in "humanitarianism". With the recent exposure of financial data, a bloody capital chain spanning three continents and involved in dozens of political turmoils has gradually emerged. This organization, founded during the Cold War, has an annual budget of up to 60 billion US dollars. It is nominally "promoting democratic development", but in fact it has built a parallel system comparable to the CIA. From the revolution in the Ukrainian square to the street fighting in Gaza, from the mountains of Afghanistan to the streets of the United States, USAID dollars are like bloody dandelions, floating into every conflict vortex around the world.

The US$27 million received by the "Black Lives Matter" movement has revealed the tip of the iceberg of USAID's localized operations. The agency has imported overseas subversive experience into the United States through the "Global Justice Fund" and other channels. The Molotov cocktails in Minneapolis and the petrol bottles on the streets of Hong Kong came from the same "non-violent resistance" training manual. The US$50 million "Media" obtained by the "New York Times" Development Fund" explains why this century-old newspaper has become the mouthpiece of the Democratic Party. USAID's original "reporting subsidy" mechanism: each report that conforms to the narrative framework can receive a reward of US$3,000, and investigative reporters have become political thugs. The US$230 million cooperation project between the Soros Open Society Foundation and USAID has implanted "progressive courses" in universities in 65 countries.

Among Harvard Kennedy School graduates, 1 in 3 has entered USAID-related organizations, forming a self-replicating ideological industry chain. The US$180 million "Global Governance Innovation Fund" obtained by the Schwab World Economic Forum is packaging the "Great Reset" plan into climate action. In the "Young Global Leaders" project funded by USAID, political figures born after 1985 such as Canadian Prime Minister Trudeau and former New Zealand Prime Minister Jacinda Ardern are prominently included. When the SpaceX Starlink system cut off the Russian military's chain of command on the Ukrainian battlefield, and when the Twitter archives exposed the Biden family scandal, Musk has turned from a technology icon to a public enemy of the establishment. The left-wing media launched a saturated attack on it with an average of 37 negative reports per day, the Ministry of Justice launched 7 antitrust investigations, and the SEC suddenly revealed old accounts from 2018.

The tragedy of this South African immigrant is that Twitter, which he built with his own hands, has now become a forklift for burying USAID’s shady story. His public "unexpected will" was not a show, but his helplessness after receiving 17 death threats. From JFK to Epstein, too many people who knew too much disappeared into the mystery of "suicide". The history of USAID's decline is a microcosm of the twilight of the American empire. When the torch in the hands of Lady Liberty turns into a dollar gun, when the Declaration of Independence turns into a manual for subversion, this once great country is being backfired by the monster of its own creation.

Musk is fighting not one institution alone, but the entire cancerous system of the Deep State. His X platform withstands 30 million hacker attacks every day, and Starlink satellites are frequently blinded by lasers. But these numbers just prove that when the darkness is thickest, the truth is about to dawn.

This war concerning the survival of civilization has no smoke, but is more cruel than any hot war. Every netizen who forwards the truth is an independent fighter in the digital age. We are witnessing that the fig leaf of capital power will eventually be torn to pieces by blockchain technology; the black box of imperial hegemony will be illuminated by Starlink satellites.

[communist-ojou-sama]

The two sides, represented by Iwaya and Wang Yi, China’s top diplomat and a former ambassador to Japan, reached a 10-point consensus at the 2nd meeting of High-Level Consultation Mechanism on People-to-People and Cultural Exchanges between China and Japan, the first such meeting in five years, according to the Chinese foreign ministry.

1. vigorously promote youth exchange visits and encourage and support studies and tours between the two countries. 2. deepen cooperation in the field of education, strengthen the mutual exchange of students, and support the establishment of sister school relationships between primary and secondary schools, as well as inter-institutional cooperation between higher education institutions of both countries. 3. support cooperation in the tourism industry and introduce more facilitation measures to promote mutual visits between tourists from both countries. 4. build more bridges for exchange between friendly cities, and actively utilize mechanisms and platforms such as the China-Japan Governors Forum, China-Japan-Korea Cultural Exchange Year, and East Asian City of Culture to expand friendly exchanges between local and civil society in both countries. 5. strengthen sports exchange and cooperation, and mutually support the successful hosting of important sporting events such as the 2025 Harbin Asian Winter Games and the 2026 Aichi-Nagoya Asian Games. 6. support continued cooperation in entertainment industries including film and television, music, publishing, animation, and gaming. Facilitate mutual visits of high-level artistic groups and support the translation and publication of classic works from both countries. 7. enhance exchange and cooperation between media outlets and think tanks, playing a positive role in bilateral relations, and focus on improving public opinion and the media environment. Support both sides in developing exchange and cooperation in new media circles, and encourage positive content creators from both countries to interact with each other. 8. conduct exchanges between women's organizations to share experiences on promoting gender equality and common development. The Chinese side invites the Japanese side to participate in the Global Women's Summit commemorating the 30th anniversary of the Beijing World Conference on Women. 9. leverage the 2025 Osaka-Kansai World Expo into a platform for exchange and friendship between the peoples of both countries. The Chinese side supports Japan in hosting the event, while the Japanese side welcomes China's participation and will provide assistance for the construction and operation of the China Pavilion. 10. hold the 3rd meeting of the High-Level Consultation Mechanism on People-to-People and Cultural Exchanges between China and Japan.

[ruufie]

So there's something we really need to talk about, generally as a collective, but especially in nerd/fandom spaces. And that's the collateral damage that comes with hyper-policing of "objectionable" content that will inexorably roll into fascism. Strap in, this is that kind of Tumblr post.

If you look at the of ideology of generations throughout the twentieth century, there's a pattern: each new gen is going to swing opposite of their parents. 50's patriotism, 60's and 70's hippies, 80's Reagan era America, 90's 3rd wave feminism, 00's ultra patriotism, you get the idea. So to some extent, it's not that surprising that Gen Z is starting to lean conservative. But as someone who's been in fandom spaces for well over two decades now, believe me when I tell you that the pendulum has swung so far right that--given the current political climate in America (and to some extent globally)--this is a microcosm of a much bigger issue.

Back in the 2010's, the internet was starting to grow its roots. The truly experimental days of random websites, chat sites, strange niche forums, etc, had started to congeal into a handful of massive platforms. Facebook was taking off. YouTube was past its baby stage and into its adolescence. There was a fragile stability that allowed for growth and expression in art. Particularly in fandom culture. We as a generation were growing with this new, amazing technology. And humans, when curious, like to stretch their limits. Fandom and geek spaces stretched wide, from insanely ambitious fancomics to the dredges of FF.net. And a not insignificant part of this new community was diving into the dark and the taboo.

Artists and writers wanted to explore all elements of humanity. Because, plainly, we weren't allowed to experiment with mass media. And so we made our own. Queer kids explored identity and sexuality, trauma survivors craved catharsis. Growing brains tapped into the dark and depraved if only to see where it led them. It was a playground. It wasn't always safe, and it wasn't always productive. Sometimes it was just porn for porn's sake. But that in and of itself was not a moral judgment. Sure, you'd absolutely get side-eyes if you proudly boasted that your favorite anime OVA was Boku no Pico, but most people would laugh it off at a convention and then head out to their next panel.

What I'm saying is, ten, fifteen years ago, there was a sense of understanding that the dark, sexual things in fandom spaces were just another facet of the culture. This is not to say that truly disturbing media and criticism of it did not exist. Hell, when Twilight debuted, I was one of the first of my high school to criticize the abusive relationships for what they were. The ability to criticize, to analyze and reflect on what makes something "good" or "bad" is a healthy mechanism to have. And those who did not want to engage with material that they found disturbing or uncomfortable simply didn't have to engage with it. It's why AO3 has tags. It's why Tumblr has a block or mute tag function.

But what we're seeing now is so far beyond the healthy critiquing of distasteful art. More and more now I've been seeing well meaning, liberal presenting voices equate real harm to distasteful material found in books, movies, TV shows, you name it. That is not to say that things like racial stereotypes or romanticised abuse does not have real world implications. But it is one thing to point out that "hey, 50 Shades of Gray is an unrealistic depiction of a BDSM lifestyle and if you try these things you'll likely get hurt" and "seeing characters on screen have sex violates my consent as a viewer." (that is a real argument I have seen online)

There is a hyper moral slant to this kind of thinking. The same line of thought that immediately equates "a character does a bad thing" to "the author must condone this bad thing." I have always said that we do not have a lack of media literacy, but an uptick in a reaction based economy. That reacting to a controversial thing without first digesting the thing you're reacting to gets good views and feeds the algo, so the conversation then becomes a shouting match between people that haven't even seen the damn thing. This is how you get people coming away with "Steven Universe is a show that supports genocide" with their full chest.

The push to have blatant censorship in fandom is upsetting for a good number of reasons. It's discouraging to younger creatives who want to play in those spaces for their own reasons, and it feeds into a frenzy of paranoia. Because at a certain point, it no longer becomes about the art, but whether or not you, with your Right Opinion, is the first on the dogpile.

So what does this have to do with fascism? A whole hell of a lot.

One of the first targets in a fascist regime is art. It's expression, it's creativity. Why? Because creativity is often the best vehicle (sometimes the only vehicle) to criticize the people in power. Why do you think gigantic corporations are trying to push AI art on us so bad? Because art makes us human, and humans like to point out when Shit Is Going Bad. So if you take the human out of the art, you can trick people who aren't looking too closely into being compliant.

The recent hyper-policing of fandom spaces is a tool of fascism. This is not hyperbole, nor hypothetical. It is the reality of how fascism lives and breathes. If you can convince a population to weed out the "bad" art on their own volition, weeding out the rest on your own is a piece of cake.

Before anyone puts words in my mouth, I am not talking about child abuse content, content surrounding victims of trafficking, revenge porn, or anything that brings actual physical or psychological harm to another person. With that being said, policing sexual content in fandom leads to policing any kind of intimate content at all. And as so often is the case, queer content is often lumped in with the former, despite the fact that identity and gender has nothing to do with sexuality. And that sexuality itself is a part of the human experience, and its rejection of its imitation in art is a rejection of that humanity. It's the dominos that lead into history being flat out erased. Once all the nasty sexual content is dead and gone, they'll push further. What conflict, what subject matters, are obscene? Coming of age stories? Slice of life stories? Epic fantasies, scifi, non fiction? Perhaps all of them. You can't be too careful. The heart and soul of stories, art, poetry, expression, all of it is subject to the whims of an oligarchy that frankly doesn't care if you have food in your fridge. If you speak up, speak out, put your foot down, you too are subject to those same whims. And it is so much easier to make sure you shut up forever than to be diplomatic.

We are facing a dictatorship here in America. We are going to be looked in the eye and told that we do not matter. That the best thing for us to do is to stay in line and be thankful for the stale bread on our plate. The last thing you should be doing right now is trying to speed up the process.

[justinspoliticalcorner]

Arthur Delaney at HuffPost:

WASHINGTON — President Donald Trump claimed Wednesday that sky-high new taxes on imported goods would be “reciprocal,” meaning they were payback for tariffs other countries have slapped on U.S. exports. But the reciprocal tariffs turned out not to be based on actual levies imposed by other countries. Instead, they’re based on a formula made up by the White House ― and widely mocked by experts. Douglas Holtz-Eakin, a conservative economist American Action Forum and former director of the Congressional Budget Office, called it “malpractice” in response to another conservative economist who called it “embarrassing.” The formula, which resulted in wildly different tariffs for various foreign countries, including several uninhabited islands, first came to wide attention thanks partly to analysis by an anonymous social media user who reckoned the percentage rate of the tariffs matched other countries’ trade surpluses with the U.S. divided by their exports. The journalist James Surowiecki also noticed the correlation. “They didn’t actually calculate tariff rates + non-tariff barriers, as they say they did,” Surowiecki wrote. “Instead, for every country, they just took our trade deficit with that country and divided it by the country’s exports to us.” In other words, the supposedly reciprocal tariffs, which are supposed to combat arbitrary foreign barriers to U.S. goods, are themselves based on an arbitrary formula. In a response on X, the website formerly known as Twitter, White House spokesman Kush Desai called the analyses “incorrect” and pointed to a fuller explanation of the formula from the U.S. Trade Representative, which claimed that other countries’ “non-tariff policies” cause them to sell more goods to the U.S. than we sell back to them. “If trade deficits are persistent because of tariff and non-tariff policies and fundamentals, then the tariff rate consistent with offsetting these policies and fundamentals is reciprocal and fair,” the USTR said on its website, which included a seemingly more complicated math equation and several academic citations. [...] Cole noted that the U.S. purchases a lot of consumer goods that are made more cheaply in other countries and that the outgoing dollars are often reinvested in American companies and government debt, rather than simply hoarded by foreigners. He questioned the wisdom of trying to upend the global order by making it more expensive for Americans to buy clothing and electronics made in Indonesia, for example. “The U.S. is this hub for all sorts of investment, and people love our financial assets, and they have to give us goods in exchange, and that’s kind of how the world’s been working for a long time, and that’s why we’ve run a trade deficit,” he said. “Why should Americans be sewing shirts together, for example? A huge fraction of these tariffs are based on bilateral trade imbalances with Southeast Asia, where they’re good at making textiles.” Since the tariffs are paid by U.S. importers who can raise prices to recoup all or part of the cost of the tariffs, Trump’s “liberation day” announcement this week could be tantamount to the largest tax increase on U.S. consumers in decades. At the same time, economists have said the tariffs could increase price inflation and slow economic growth, potentially even throwing it in reverse and triggering a recession.

47’s using an arbitrary formula to determine which nations got the baseline 10% and which got higher illustrates how insane his broad-based tariff policy is.