#Ghanaian people

[blackbeautyheaven]

AFRICAN QUEEN ✨️✨️✨️

[thinkpink212]

I’m at a funeral and I could immediately tell who was Nigerians when they arrived! Step in with a different energy, always!

[thepinkseashell]

-_-

[uchiha-gaeshi]

Remembering how I went from Child of God™️ with the strength to resist Wordly Temptations to a hardcore agnostic within a year.

[kimludcom]

Tom & Cynthia's Unforgettable Wedding Journey - Ghanaian Dutch Wedding

[sankofaspirit]

"We face neither East nor West: we face forward."

Kwame Nkrumah

[prnanayarquah]

G-West’s lyrical prowess shines on "People Pleaser."

New Post has been published on https://plugzafrica.com/g-wests-lyrical-prowess-shines-on-people-pleaser/

G-West’s lyrical prowess shines on "People Pleaser."

George Kofi Mensah, known by his stage name G-West, is a Ghanaian singer, songwriter, and Afrobeat recording artist. He released his new single, “People Pleaser,” produced by Ghanaian Stallion, on Friday, March 15, 2024, sparking several conversations.

The song delves deeper into the dynamics of relationships. The powerful presence of the song’s muse in the chorus, “Girl, it’s pandemonium when you show your face, you’ve got too much sauce,” adds a layer of intensity and excitement to the romantic theme.

Additionally, the desire to whisk her away to Ibiza mentioned in the song speaks to the aspirational and escapist themes prevalent in contemporary music, suggesting a life of luxury and leisure that’s just a flight away.

People Pleaser – Cover Art

The song’s production by Ghanaian stallion deserves a nod. The beat is robust, melodic, and smooth, creating a soundscape that complements G-West’s soothing vocals without overpowering them. The rhythm of the song is very consistent with a hint of dancehall vibes that permeate modern Afrobeat, yet it maintains a freshness that keeps it on the cutting edge. G-West’s ability to blend languages and local idioms with global music trends showcases his artistry and commitment to promoting Ghanaian and African culture.

G-West

‘People Pleaser’ is a strong offering from G-West, showcasing his growth as an artist and his knack for creating tracks that resonate both locally and internationally. It’s a song that is sure to captivate audiences. G-West is signed to 610 Music, an American record label and distribution founded by Kofi Sonny.

Streaming Link: https://songwhip.com/g-west/people-pleaser

[ninguitar]

୨୧　𝓐IN'T YOUR GIRLFRIEND!　˒˒　MB

─── ﹙☕️﹚you're not her girlfriend, and she's not yours, so why was her jaw clenched at the mere sight of you with another person?

pairing. manon bannerman x 7th member f!r genre. angst & fluff wc. 1k notes. lowk don't rlly like this but wtv 😭 loosely based off of a gilmore girls scene tho !!! req here ( MASTERLIST )

now playing ⋆ boyfriend by ariana grande ft. social house

"IT'S JUST ME AND YOU, AGAINST THE WORLD."

since the start of dream academy, that was all manon repeated, the particular sentence becoming a mantra in your head. the soft, gentle tone of her voice only made you believe her words more—the way they just roll off of her tongue so smoothly, like it was everything to her.

the strobing lights of the lively party, accompanied by the buzzing of laughter, music, and people's bodies up against one-another's, only serves to make your head reel. you knew the responsibilities of being an idol, especially socializing with others to form connections on late nights where you could be at home, unwinding after a stressful week of constant promotions.

and yet, despite all the chaos that fills the venue, all of manon's mind was set on one thing—you. her jaw clenches with her eyes scrutinizing your every movement, and her ears tuning in on the sound of your infectious laughter from across the venue.

manon thinks—no, she knows—that from any proximity, she could pick up on the sound of your distinct laughter, and the way your hair was tousled and lips glossy. her eyes drift to your silhouette in the crowd, accompanied by another silhouette, noticing the gleaming, ear-to-ear smile playing on your face.

with her ring-clad hand curling around the glass of her soda, the drink practically crumples under her fist from the pressure on it, her irritation growing at her chest from the sight.

for the entirety of dream academy up to now, you and manon have been stuck in the same continual cycle like mice—the two of you attached to one-another's hips, then random, sporadic periods of avoiding one-another, and then back to acting like you two would die without seeing each other. so why was manon seething while her eyes scan for you over the crowd?

a set of arms suddenly snake around your waist, making a quiet squeal escaping your throat, before you realize it was manon.

"jesus," you mumble under your breath audibly, as you take a deep breath.

"who's this?" the ghanaian girl mutters, her eyes narrowing down at the guy beside you. your eyes quickly dart towards the guy with uncertainty, as you meekly mumble out, "just a new friend."

"new friend, huh?" manon drawls, sending a glare down the guy, her jealousy practically like a ticking bomb, "isn't it getting late? we should leave, shouldn't we?"

the girl nudges your shoulder gently, beckoning you to just agree, as you struggle between whether or not you should follow manon.

"c'mon, it's like, what, 10 pm," the low register of your "new friend" barely audible above the blaring party music, "loosen up!" he exclaims, a toothy grin playing on his face, which did nothing but fuel manon's resentment.

"i don't need to be told to loosen up," the ghanaian girl sneers, shaking her head, as she scoffs while making inaudible comments under her breath. a slight furrow forms between her brows, her eyes piercing through the guy, with her mouth slightly open, as if she was in disbelief at his ego.

"jeez, what's your issue?" he grumbles, as he leans his arms on your shoulders, a grin playing on his face. "besides, 'm sure she still wants to be here," he directs at you.

before manon could make another quip, your hands curl around her wrist, dragging her elsewhere. a thin line presses onto your lips, as your hands move to the girl's shoulders, trying to push her gently.

"you're no fun when you're tense, y'know that?" a low chuckle escapes her breath, and god, you could feel your knees buck at her sardonic comment.

"maybe this whole thing could be solved between that new friend of yours and i if we just sat down, had a little heart-to-heart; he could tell me his issues, and i'll tell him mine," she giggles before continuing:

"i promise i'll speak slowly."

"manon!" you hoarsely exclaim her name, as you lament at her taunting comments. with your back plastered against the cold, marble wall, manon practically cages you in.

"the fuck is up with you?" you mutter, disdain painting your features, as you watch manon's arms cross against her chest, glaring at you.

"i wonder what's up, especially when you're so clearly flirting that random guy," her lips press into a thin line, trying to sound casual, but you catch the prominent edge in her voice.

you rub your temples, "i'm not dealing with your shit right now; this isn't the place nor time for this, manon," and even then, your tone was gentle, her name rolling off your tongue smoothly.

"i- i mean, i don't get you. you tell me you wanna be mine, then ditch me right after, and it just leaves me there, fuckin' waiting for you. even the members can tell," you sigh, all in one breath, as your cheeks flare, "this- this was stupid; we shouldn't have even crossed this boundary in the first place!"

"calm down, fuck, baby," manon pauses, the nickname just slipping out of her mouth almost instinctively. she tries to lean closer to you, only to be held at an arms' length due to your hands pressed against her chest, moving her away.

you cross your arms against your chest, heat curling at your cheeks, "so, talk."

"i didn't mean for things to be like this, okay? i like you—more than anybody else. please, y/n," she practically pleas, her hands interlocking with yours instinctively. her nails hover over your hands, sending chains of shivers down your spine.

"how can i even believe you?" you snicker, eyes glazing over her expression and the very obvious hint of hurt on her face, your words bruising her ego.

her hands pull on your collar before you could register what was happening, "it's only you; i kept us as friends because i was afraid—afraid of the trouble we could be in." and by then, manon couldn't help but chastise herself for being so stupid when handling the situation, feeling her complacency crumble.

"manon—" it was absurd how easy it was for the ghanaian girl to make your breath hitch and your head spin, especially with the sincerity laced in her words that made you love struck. with your gaze fixating on her lips, your hands hastily move to the back of her neck, your lips capturing hers.

the girl practically leaves you breathless, as you pull away, her breath hitting against your lips, "been wantin' to do this since forever," her words almost desperate-sounding.

"i don't wanna be just whatever we are—girlfriends only," you lay out flatly, your hands resting on manon's shoulders, as you slightly tilt your head.

"so, will you be mine?" a chuckle escapes her breath, a hint of her previous teasing demeanor returning, as she buries her head against the nook of your neck, sighing heavenly.

but you don't want me to touch nobody else (nobody)

baby, we ain't gotta tell nobody

taglist. ୨ৎ @lararajjj @kisshae @sed7ction

@jellaaa @yeetaberry127 @angelixstorm

[apennyforurthots]

Happy World Goth Day 🖤

[allthegeopolitics]

The United Kingdom has returned 32 gold and silver treasures stolen from the Asante Kingdom more than 150 years ago in what is today’s Ghana on a six-year loan, Ghanaian negotiators have said. The artefacts, comprising 15 items from the British Museum and 17 from the Victoria and Albert Museum (V&A), were looted from the court of the Asante king during the turbulent 19th-century clashes between the British and the Asante people. Ghanaian authorities have for years tried to reclaim gold treasures looted by British soldiers from the Asante kingdom, which is also known as Ashanti.

Continue Reading.

[cinnamanz]

# DARLING, I — chapter thirty-one!

when new york city’s widely-known spider-woman's life becomes unknowingly entwined with a member of the rising global girl group katseye, she learns that juggling superhero duties, university, and a sudden crush may or may not just be the downfall of her. but hey, at least she's helping people, right?

ONE HELL OF A DATE

“wake up, sleepyhead.” 

startled at the water yunjin splashed over her face and soaking her shirt, y/n sat up on the bed all bleary-eyed, all while the other crossed her room and cranked open her blinds harshly, earning a displeased hiss from y/n.

“yunjin, what the absolute fuck do you think you’re doing?” y/n grumbles out, voice raspy from the lack of use from the following hours of being in a deep slumber, running a hand over her hair and down her face, an exasperated sigh leaving her lips.

“getting you ready for your date with ms. bannerman, of course.” like clockwork, y/n’s body winds up like a toy as she attempts to get out of bed, sheets bunched around her ankles and restricting her movement as she stands up, crashing down onto the floor with a loud groan and a thud.

yunjin clicked her tongue at the sight. “see, that’s what i’m talking about. you’re a mess. you can't go on a date with manon like this."

sitting up on the floor with her sheets strewn across the floorboards, y/n sighs deeply. “help me.”

“dani, is this one better?”

manon picks out another article of clothing from her closet with a grimace, holding it up for the other to see, watching as daniela shook her head from the bed. “too revealing.”

the ghanaian nodded in response, sighing as she continued to sift through her closet, brows furrowed in focus as she struggled to find the perfect outfit for her date. “at this point, i might just ransack someone else’s closet.”

daniela chuckles at manon’s words, enjoying the sight of the other woman almost go mad from her indecisiveness, lips pressing together in an amused smile. “manon, you literally can’t go wrong with your outfits. really, i think you’re overthinking this. i’m sure y/n would love whatever you have on, as long as you’re there.”

manon turned around with raised brows, looking at the cuban woman in contemplation. “okay, so you’re saying i could wear a garbage bag to the date and y/n would love it? just say you hate me.”

"you know that's not what i meant." a defeated sigh left daniela’s lips at the older’s words, the door of their bedroom creaking open as lara and yoonchae trickled in, obviously checking up to see how manon was faring.

“oh, girl…”

waiting outside the designated restaurant, y/n stood there awkwardly and fiddled with the sleeves of her dress shirt, suddenly feeling waves of nervousness and insecurity over what she was wearing, a stark difference to the usual baggy clothes she’d wear. the formality of the situation presses down on her chest and restricts her breathing, a shaky hand coming up to undo the third button while the other hand clutches onto the neatly-made bouquet.

“y/n?”

a honeyed tone was a welcomed distraction from the current circumstances, neck whipping to meet eyes with manon who wore a black, backless dress that was topped off by a fur jacket, breath hitching as words and thoughts jumbled against one another, tongue-tied at the beauty who smiled sweetly in front of her. 

looking like a deer caught in headlights, y/n brings her in for a quick hug, albeit awkward and sudden, it pulled a laugh from the ghanaian’s throat who eagerly returned the hug, catching a whiff of the taller’s perfume who shot her a meek smile. “uh, for you.”

just like the first time they’d met, y/n hands her a beautifully wrapped bouquet of sunflowers, running her clammy hands down her pants and offering an arm out for her. “shall we go in, my lady?” y/n murmured in an exaggerated british accent, pulling another one of those beautiful giggles from manon’s lips. 

“indeed we shall, my dearest one."

“it’s actually so impressive how you took the first-ever spider-woman photo.” manon’s words cause a chuckle to tumble past y/n’s lips, glancing down at the woman who had her arm hooked around hers as the two of them strolled around nyc, deciding to take a breath of fresh air before calling it a night.

“really?”

“really!”

“i’m surprised you even knew about that. most people don’t really pay attention to details like that.” y/n murmured, watching as a group of tipsy tourists stumbled down the street in a struggle, before continuing with her words. “not like i’m known for it, too.”

“mm, well…” the ghanaian struggled to form a sentence that didn’t necessarily expose her love for the mentioned webslinger in a spandex, lips pressing into a thin line. “i read about it somewhere.”

y/n hummed, feeling the shorter woman’s grip on her arm tighten, following her line of sight where a wasted new yorker was stumbling around, a bottle of beer in his hand as he crashed onto a nearby car, setting off the alarm with the impact, sending him bumping into a trash can. any other day, the scene would’ve been a usual occurrence in nyc, but when he locks eyes with manon’s figure beside you, your spidey senses tingle just a bit. 

“hey, maybe we should cross the street.” more than eager to comply, manon’s already tugging y/n across the street, the drunk following suit. “is he seriously following us?”

manon nodded silently, not daring to look back as she pulled y/n closer, the latter turning her head to assess the man who was now following her. “just stay close, alright?”

before manon could respond, the man’s voice rang out in the street. “hey, ladies!” his voice, all hoarse and slurred from the alcohol made the two women’s skin prickle from goosebumps as they continued to ignore and walk down the street. “hey, i’m talking to you.”

eventually annoyed at the lack of attention given his way, he furiously threw his bottle of beer towards the pair, y/n’s spidey senses ringing alarm bells as she pulled manon close to her chest and moved them out of the way in record time, bottle disintegrating into pieces and spreading out on the concrete floor with a deafening crash in the silence of the night. 

eyes wide and panicked, manon clutched onto y/n's shirt tightly, fabric crumping beneath her hold as sunflowers squished between their bodies, y/n turning to face the man. shielding manon from his sight, y/n licks her lips. “get lost, asshole.” the commentary easily slipped under the man’s skin, parting his lips to respond when y/n hoisted manon over her shoulder and sprinted down the street, eliciting a squeal from the latter and leaving a dumbfounded drunk. 

and as she ran down the streets, the only thought present in her mind as she carried manon was, ‘this’ll be one hell of a story to tell our children one day'.

masterlist 🕸️🕷✮⋆˙ next

taglist : @d1spact @yeetaberry127 @urmom2314 @lararajjj @artrizzler19 @ninguitar @ohmyhaely @firstclassjaylee @meganskiendielsbtc @sed7ction @modanisgf @vrtualstar @ssamlovr @grahstumhurts @sixflame438 @fearnotfearmore @c-yerim @taikabui @saturn-projector @uchinagai @goofymickeyr TAGLIST OPEN!

[ed-recoverry]

Shoutout to all African LGBTQ+ folks.

Africa has thousands of ethnicities, so I tried to add all nationalities and popular ethnicities, but please be aware there are thousands of beautiful ethnicities, cultures, and people to celebrate.

Shoutout to all Akan LGBTQ+ folks.

Shoutout to Ethiopian LGBTQ+ folks.

Shoutout to all Kenyan LGBTQ+ folks.

Shoutout to all Amhara LGBTQ+ folks.

Shoutout to all Beninese LGBTQ+ folks.

Shoutout to all Chewa LGBTQ+ folks.

Shoutout to all Liberian LGBTQ+ folks.

Shoutout to all Fulani LGBTQ+ folks.

Shoutout to all Malawian LGBTQ+ folks.

Shoutout to all Nigerian LGBTQ+ folks.

Shoutout to all Baka LGBTQ+ folks.

Shoutout to all Nigerien LGBTQ+ folks.

Shoutout to all Hausa LGBTQ+ folks.

Shoutout to all Ghanaian LGBTQ+ folks.

Shoutout to all Guinea-Bissauan LGBTQ+ folks.

Shoutout to all Hutu LGBTQ+ folks.

Shoutout to all São Toméan LGBTQ+ folks.

Shoutout to all South African LGBTQ+ folks.

Shoutout to all Algerian LGBTQ+ folks.

Shoutout to all Igbo LGBTQ+ folks.

Shoutout to all Congolese LGBTQ+ folks.

Shoutout to all Sudanese LGBTQ+ folks.

Shoutout to all South Sudanese LGBTQ+ folks.

Shoutout to all Kanuri LGBTQ+ folks.

Shoutout to all Cameroonian LGBTQ+ folks.

Shoutout to all Rwandan LGBTQ+ folks.

Shoutout to all Kongo LGBTQ+ folks.

Shoutout to all Angolan LGBTQ+ folks.

Shoutout to all Luba LGBTQ+ folks.

Shoutout to all Burkinabé LGBTQ+ folks.

Shoutout to all Ivorian LGBTQ+ folks.

Shoutout to all Chadian LGBTQ+ folks.

Shoutout to all Mongo LGBTQ+ folks.

Shoutout to all Somalian LGBTQ+ folks.

Shoutout to all Basotho LGBTQ+ folks.

Shoutout to all Botswanan LGBTQ+ folks.

Shoutout to all Malian LGBTQ+ folks.

Shoutout to all Tunisian LGBTQ+ folks.

Shoutout to all Mossi LGBTQ+ folks.

Shoutout to all Somali LGBTQ+ folks.

Shoutout to Togolese LGBTQ+ folks.

Shoutout to all Central African LGBTQ+ folks.

Shoutout to all Ugandan LGBTQ+ folks.

Shoutout to all Nilotes LGBTQ+ folks.

Shoutout to all Libyan LGBTQ+ folks.

Shoutout to all Oromo LGBTQ+ folks.

Shoutout to all Tanzanian LGBTQ+ folks.

Shoutout to all Zimbabwean LGBTQ+ folks.

Shoutout to all Seychellois LGBTQ+ folks.

Shoutout to all Asante LGBTQ+ folks.

Shoutout to all Equatorial Guinean LGBTQ+ folks.

Shoutout to all Senegalese LGBTQ+ folks.

Shoutout to all Shona LGBTQ+ folks.

Shoutout to all Maasai LGBTQ+ folks.

Shoutout to all Zambian LGBTQ+ folks.

Shoutout to all Namibian LGBTQ+ folks.

Shoutout to all Khoekhoe LGBTQ+ folks.

Shoutout to all Mozambican LGBTQ+ people.

Shoutout to all Djiboutian LGBTQ+ folks.

Shoutout to all Songhai LGBTQ+ folks.

Shoutout to all Gabonese LGBTQ+ folks.

Shoutout to all Yoruba LGBTQ+ folks.

Shoutout to all Cameroonian LGBTQ+ folks.

Shoutout to all Zulu LGBTQ+ folks.

Shoutout to all Eritrean LGBTQ+ folks.

Shoutout to all Malagasy LGBTQ+ folks.

Shoutout to all Sierra Leonean LGBTQ+ folks.

Shoutout to all Mauritanian LGBTQ+ folks.

Shoutout to all Mandé LGBTQ+ folks.

Shoutout to all Guinean LGBTQ+ folks.

Shoutout to all Burundian LGBTQ+ folks.

Shoutout to all Beti-Pahuin LGBTQ+ folks.

Shoutout to all Cabo Verdean LGBTQ+ folks.

Shoutout to all Eswatini LGBTQ+ folks.

Take pride in it all. Your culture, your identity, it’s all so beautiful. Celebrate where you are from and who you are. It makes you you, and that is something to be proud of.

Post for Oceanic folks, post for Middle Easterners, post for Asians, post for Hispanics, post for Native Americans, post for Caribbeans

[kimludcom]

What a show! The Bridesmaids didn’t come to play! l 🇬🇭 Ghanaian Wedding between Emmanuel & Rubie

[sankofaspirit]

African Resistance Movements Against Colonialism: A Garveyite Perspective

“Rise Up, Ye Mighty Race!”—The Spirit of Resistance and Liberation

Introduction: The Garveyite Lens on African Resistance

Marcus Garvey, the great Pan-Africanist and leader of the Universal Negro Improvement Association (UNIA), championed African self-determination, unity, and economic independence. His teachings emphasized that colonial rule was not merely a political imposition but a spiritual and economic stranglehold that sought to erase African sovereignty and dignity.

From a Garveyite perspective, African resistance to colonialism was not just about territorial control—it was about reclaiming African identity, self-sufficiency, and the destiny of the Black race. The heroes of these movements were not just warriors but visionaries who embodied Garvey’s call: “Africa for the Africans, those at home and those abroad!”

1. Early Resistance: Fighting for Ancestral Lands and Autonomy

Before European colonization took full control, African kingdoms and societies fiercely resisted foreign domination. Many of these struggles were aligned with Garvey’s ideals of self-reliance and strong leadership.

The Ashanti Wars (1823–1900, Ghana): The Ashanti Empire, led by rulers such as Asantehene Prempeh I and Queen Yaa Asantewaa, waged multiple wars against the British. Yaa Asantewaa’s leadership in the 1900 War of the Golden Stool exemplified the defiant spirit Garvey championed: African women and men leading their own struggles, refusing foreign rule.

The Zulu Resistance (1879, South Africa): Under King Cetshwayo, the Zulu military defeated British forces at the Battle of Isandlwana, a powerful example of African strategic brilliance. Garvey would have seen this as proof that African people, when united, could stand against European imperial forces.

The Maji Maji Rebellion (1905–1907, Tanzania): A widespread uprising against German rule, where different ethnic groups united under spiritual leadership. It echoed Garvey’s belief in unity as the key to liberation.

These wars proved that Africa was never passively colonized. The struggle for sovereignty was present from the beginning.

2. Pan-Africanism and the Rise of Organized Resistance

As colonial rule tightened, African resistance evolved into more structured political movements. This shift aligned with Garvey’s vision of a global African awakening.

The Ethiopian Resistance (1935–1941): Emperor Haile Selassie’s defiance against Mussolini’s invasion of Ethiopia was a monumental moment for Pan-Africanists worldwide. Garvey saw Ethiopia as a symbol of unbroken African sovereignty, and Selassie’s resistance was a rallying cry for Black liberation worldwide.

The Mau Mau Uprising (1952–1960, Kenya): The Kikuyu-led Mau Mau rebellion against British rule was one of the most militant anti-colonial struggles. It embodied Garvey’s call for Africans to seize their freedom by any means necessary.

The Liberation of Ghana (1957): Kwame Nkrumah’s leadership in achieving Ghanaian independence was a direct continuation of Garvey’s ideals. Nkrumah, deeply influenced by Garveyism, declared: “The independence of Ghana is meaningless unless it is linked up with the total liberation of the African continent.”

These movements reflected Garvey’s belief that African unity and self-determination were inevitable forces that colonial powers could not suppress forever.

3. The Role of African Diaspora and Garvey’s Influence

Garveyism was not just a philosophy—it was a movement that connected the struggles of Africans on the continent with those in the diaspora.

Caribbean and American Influence on African Liberation: Many African revolutionaries were inspired by Pan-Africanist movements in the Caribbean and the U.S. Leaders like Jomo Kenyatta (Kenya), Julius Nyerere (Tanzania), and Nkrumah (Ghana) studied abroad, where they encountered Garvey’s teachings and applied them to their home struggles.

UNIA’s Impact on Black Consciousness: Garvey’s UNIA spread ideas of African nationalism, economic self-reliance, and military resistance. His vision of a self-sufficient Africa influenced independence leaders and fueled anti-colonial activism.

The Back-to-Africa Movement: While most Africans did not physically return to Africa, Garvey’s message inspired a psychological return—one that led to a reconnection with African identity, history, and the fight for sovereignty.

The African resistance movements were never isolated struggles. They were part of a global Black awakening, demanding not just freedom from colonial rule but also a reclamation of dignity and economic power.

4. Lessons from Garvey for Today’s Africa

Garvey���s vision remains as relevant today as it was during colonial rule. As Africa continues to navigate neocolonialism—economic exploitation, foreign influence, and internal divisions—the core Garveyite principles remain essential:

Economic Self-Reliance: True liberation means controlling resources, industries, and trade. Modern African nations must prioritize building strong, independent economies rather than relying on foreign aid.

Pan-African Unity: Colonial borders divided Africa, but unity remains the key to true independence. Regional alliances like the African Union must embrace Garvey’s radical call for continental solidarity.

Cultural Reclamation: Garvey understood that mental liberation was as crucial as political liberation. Africa must continue reclaiming its history, languages, and cultural pride to fully escape the psychological chains of colonialism.

Conclusion: The Struggle Continues

Garvey’s cry—"Up, you mighty race, accomplish what you will!"—remains a guiding light. The resistance against colonialism was never just about defeating European powers; it was about the restoration of African sovereignty, pride, and unity. The struggle continues today in economic policies, cultural narratives, and the fight against neo-colonial forces.

Garveyite thought reminds us that true liberation is not just about removing the colonizer’s physical presence—it’s about ensuring that Africa stands tall, self-sufficient, and united in its destiny.

Africa for the Africans—Yesterday, Today, and Forever!

[72crowe89]

Reactions to Reactions to Snape's possible casting

The Hollywood Reporter has reported that Ghanaian-British Actor Paapa Essiedu is being looked at to play the role of Severus Snape for the upcoming Harry Potter show. Here are some of the reactions I've seen of the news from, imho, worst to best, and my reactions to them.

Now, because it needs to be said, every opinion is valid. Even if I respect many opinions and roll my eyes at others, I 100% believe that everyone has the right to feel about this news anyway they want and to express that publicly, as long as they are not harassing either anyone with different opinions or, especially, anyone connected to the production of the TV show because of it.

And now to my reactions:

I don't want a Black Snape because Snape shouldn't be Black: Thank you, next

I don't want a Black Snape because Snape has a specific description in the book that doesn't work with a Black actor: Fair, but Neville was blond in the book, but no one cared that Matthew Lewis wasn't. Daniel Radcliffe famously did not have Harry's iconic black hair and green eyes, but after some grumbling people overall accepted it because Radcliffe embodied Harry's character. Umbridge looked like a frog in the book, but Imelda Staunton's grandmotherly appearance, imho, made Umbridge's actions even more horrific than an actress with a book-accurate appearance. For me, I don't care about changes to a character's appearance as long as they embody that character's personality.

I don't want a Black Snape because a book-accurate Black Snape would be a Black man bullying a White child (because Harry not being White will open up a bigger can of worms) due to lusting after his White mother: Yes. One of the downsides of race lifting characters is that many productions don't consider the nuances in putting a racial minority in a certain role, especially one originally held by a White person, has on the story. This production is going to have to balance book accuracy with the image of a Black man who's main motivation is a White woman who ultimately chose his rich White bully, all the while bullying a White child. Same story, but there are racial politics that weren't there before.

I don't want a Black Snape because any Black actor playing Snape will be harassed to hell and back: I definitely agree with this. I haven't seen Paapa Essiedu in anything else, but I've heard that he's a good actor. It won't matter, however, how talented either he or any other POC actor they consider for Snape is. At best, people just won't get attached to their portrayal because it's too different from the Snape they know. At worst, it will leave them prey to all of the virulent racists who need a new target.

There is no Snape but Alan Rickman: 1000%, which is the real crutch of the matter. The Harry Potter movies are just as iconic as the books, so much so that people sometimes mistake things that were movie exclusive as things that were also true about the book (e.g. Beauxbatons and Durmstrang were both coed in the books rather than one-gendered schools as they are in the movie). Similarly, the cast of those movies were just as iconic. Daniel Radcliffe will always be Harry Potter, Maggie Smith will always be Minerva McGonagall, and Alan Rickman will always be Severus Snape. Rickman's tour-de-force as Snape is so entrenched in the minds of many fans that his portrayal of Snape as a stern but completely over it teacher overshadows the petty and casually cruel Snape from the books. To ask any actor to fill Rickman's shoes in this role is a tall order, taller still for any actor of color, even taller still if the meaner book version of Snape is the one they're aiming for.

[queen-mabs-revenge]

for ted lasso fans who aren't football fans, the akufo league subplot was pretty directly inspired by the april 2021 announcement of a proposed european super league founded by 12 of the richest clubs in europe competing in a closed group against each other plus 8 other teams tba.

the enterprise was cancelled very quickly after its announcement, but the differences between how that played out in ted lasso and the story as it played out in real life are.....hmmmm interesting choices to say the least.

the esl wasn't proposed by a cartoonishly villainous ghanaian billionaire. it was launched by a c-suite of white european and united states billionaire businessmen/team owners. - real madrid president florentino pérez spearheaded the proposal and claimed CEO position with andrea agnelli (owner of juventus), joel glazer (owner of man u), john henry (owner of liverpool), and stan kroenke (owner of arsenal) making up the rest of the proposed executive board. -these five are worth $2.3B, $13.5B (agnelli family), $4.8 (glazer family), $4B, and $12.9B, for a total of 37.5 billion dollars.

the esl proposal was formally announced on 18 april 2021 and by 21 april all 6 epl founding clubs had publicly announced their planned withdrawal from the league. this wasn't because of a rich white lady giving a heartwarming speech to a room of other rich people, it was because of a mass movement of working class fans denouncing the move as the capitalist greed and exploitation that it was, with some calling for fan ownership of clubs entirely:

i get using real events as inspiration and adapting them to fit a narrative purpose within the story, but i think it's worth it to know what the story line was based on, especially considering the specific racial and class changes that were made reframing the villains and heroes of this particular story.