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insipid-drivel · 5 months

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Horses: Since There Seems To Be A Knowledge Gap

I'm going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I've noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that... well, most of you don't seem to even be aware of, because you wouldn't know unless you worked with horses directly!

Some Of The Most Common Horse + Riding Mistakes I See:

-Anybody can ride any horse if you hold on tight enough/have ridden once before.

Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn't unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don't come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that's just riding; not working or practicing a sport.

Furthermore, horses often reject riders they don't know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the "having a favorite special horse" trope, because it's true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.

-Horses are stupid/have no personality.

There isn't a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.

My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother's warnings never to kick him. "Kicking" constitutes hitting the horse's side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.

Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn't have done it if he didn't have the permission from the rider he respected, and was intelligent enough to ask, "mind if I teach this guy a lesson?" with his eyes, and understand, "Go for it, buddy," from my mom in return.

-Riding bareback is possible to do if you hold onto the horse's mane really tight.

Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse's head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we've been riding that particular horse for years and have a very positive, trusting relationship.

Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It's also essential to brush and bathe a horse before it's ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body's rhythm's with the rhythm of the horse's body beneath you, and quite literally move as one. Without stirrups, most people can't do it, and some people can never master bareback riding no matter how many years they spend trying to learn.

-You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.

At every barn I've ever worked at, it's been standard practice with every single horse, regardless of age or temperament, to secure their heads while they're being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse's halter (the headwear for a horse that isn't being ridden; they have no bit that goes in the horse's mouth, and no reins for a rider to hold) on metal O rings on either side of the horse's head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.

The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you're distracted! And they often try to get away with stuff when they know you're not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.

Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don't have the ability to throw up, and they don't have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.

Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It's not called "horseplay" for nothing, because during my years working with horses out in the pasture, it wasn't uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I've been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.

So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal's head when hands-on and on the ground with them.

-Big Horse = War Horse

Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they're the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.

More importantly, just because a horse is imposing and huge doesn't make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn't ride because we didn't have any horses strong enough to carry them due to their weight, but it's a matter of the animal's safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses' muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse's spine and force us to euthanize it.

Some of the best war horses out there are from the "hot blood" family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They're also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.

-Any horse can be ridden if it likes you enough.

Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that's given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who's never actually ridden a horse.

Just as well, the process of tacking up a horse isn't always the most comfortable experience for the horse. To keep the saddle centered on the horse's back when moving at rough or fast paces, it's essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse's belly. For the horse, it's like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you're tightening the cinch so you can't get it as tight as it needs to be, and then exhale when they think you're done tightening it.

When you're working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that's never used a bit before. While they lack a set of teeth naturally, so the bit doesn't actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it's important for the person you care about not dying, you'd be pretty pissed about having to keep it in there!

-Horseback riding isn't exercise.

If you're not using every muscle in your body to ride with, you're not doing it right.

Riding requires every ounce of muscle control you have in your entire body - although this doesn't mean it wasn't realistic for people with fat bodies to stay their weight while also being avid riders; it doesn't mean the muscles aren't there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they're barely moving at all, that's only because they're good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.

-Horses aren't affectionate.

Horses are extraordinarily affectionate toward the right people. As prey animals, they're usually wary of people they don't know, or have only recently met. They also - again, like service animals - have a "work mode" and a "casual mode" depending upon what they're doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it's time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they'll whinny and squeal while galloping to meet you at the gate. They'll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they're allowed to regardless of what you're up to.

-Riding crops are cruel.

Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn't need something sharp jabbing them in the side for emphasis when you're trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.

I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you're riding it?

Crops are best used just to lightly tap on the left or right flank of the horse, and aren't universally used with all forms of riding. You'll mainly see crops used with English riding, and they're just tools for communicating with the horse without needing to speak.

-There's only one way to ride a horse.

Not. At. All. At most teaching ranches, you'll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn't like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn't start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.

Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.

-Wealthy horse owners have no relationship with their horses.

This is loosely untrue, but I've seen cases where it is. Basically, horses need to feel like they're working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it's common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it's been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There's no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we're there to profit off the labor you don't want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.

So, maybe you're writing a knight that doesn't really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There's a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn't mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.

-Horses can graze anywhere without concern.

This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal's reach. This is an essential part of farm upkeep every year, because horses really can't tell what's toxic and what isn't. One of the reasons it's essential to secure a horse when you aren't riding it is to ensure it only has a very limited range to graze on, and it's your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.

There's probably more. AMA in my askbox if you have any questions, but that's all for now. Happy writing.

#horses #horseback riding #writing #writing tips #long post

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imaginealpha · 1 year

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are you riding on gandalf like,, on his shoulders or piggyback or like a horse or what

I always envisioned piggyback or shoulders but I have to say the image of riding him like a horse is fucking hysterical

#off to narnia........oh my steed? yeah we had to ditch the staff it was making it hard for him to gallop #anyways heres some breadsticks for the road bestie 🥖🥖🥖

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hedgehog-moss · 1 year

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Pampérigouste escaped today and I almost didn't make a post about it because it's just more of the same isn't it? do people who read this blog really want to hear about yet another Pampe escape? Then I thought, that's like asking if people who read detective novels really want to hear about yet another mysterious murder. Probably yes. Also Pampe would have been offended to have such a successful escape go unreported.

I would like to say that my new fence is still fully Pampe-proof. She has not escaped a single time through breaking or outsmarting the fence, so now she does it by outsmarting me. Which doesn't happen all that often, because we are intellectual equals. But I let my guard down this morning—I'd just peeled some greenhouse carrots to make purée and I went into the pasture to distribute the peelings even though it was raining (see how I got punished for my selflessness?), and I left the gate open because I was right in front of it, obstructing it with my body.

Pampe dropped her carrot peelings and acted like she couldn't find them even though they were right under her feet, so I took pity on her and crouched down to gather them and offer them to her again (see how I'm getting punished for my compassion??) and she took advantage of this diversion. In the span of 0.2 seconds she slithered around me and she was out. It was a little bit beautiful. I don't know if you remember this photo of Pampe & Pyrgus, but it's a perfect illustration of what happened:

I sighed and ignored her and finished distributing the peelings to the other animals, and then went to the barn to get muesli to lure my nuisance back to her pasture. After escaping she initially ran towards the woods, but since I ignored her the whole time, she emerged from the woods when I returned, like, wait, did you notice I escaped? Behind your back, just earlier? Did you notice how I won and you lost?

It shouldn't have been difficult to get her back into the pasture with the help of her favourite snack; unfortunately Pampoldine is still a big baby who was distraught that her mum had left her behind yet again (she should be used to it, honestly, it's been like this since she was an infant), she started making these little panicky noises that Pampe has never paid any attention to—

—so when I propped the gate open with a branch to get Pampe back inside, Poldine hurried out instead. I wasn't expecting this, I thought it was clear that I had the situation under control and her mum would be back in 5 seconds. You could have just waited 5 seconds, Poldine.

Pampelune had no interest in escaping, but she's the matriarch and where her herd goes, she goes, so once the other two were out she barrelled past me as well. I opened the gate to bring 1 llama in and instead 2 llamas went out. Pirlouit besides me was like

For some reason the llamas galloped towards the road, instead of just hanging out in the woods where there's stuff to eat. Maybe because Pampe hadn't gone out in a long time and she wanted to be admired for her feat. Her wish was granted—2 cars stopped to say hi as I was miserably trotting after my llamas on the road in the rain. One of them was the post office lady who once herded my animals out of a pasture with her car, and she was like hop in, it'll be like old times!!!

The two people who stopped their car were enchanted with the encounter and they both told me that they missed the days when Pampe Sightings on this road were a regular thing. No one sides with my fence in the Pampe v. Fence conflict. I love the post office lady though, she had a Niagara song playing in her car when I got in and a minute later I muttered "I'll sell her to the butcher" and she started singing "Pampe ♪ Je vais devoir te vendre au boucher ♫" to the tune of that song. It fit the tune really well, too.

After we managed to get the llamas off the main road and back in the woods, she was like, godspeed, I wish I could continue chasing them with you but I have to go make lunch for my kids. I told her that now that the llamas were no longer on the road I'd just let them roam, they'll come home before night, no way I'm going to chase after them in the woods in this dog weather. So I went home and grumpily resumed peeling carrots and potatoes for my mash.

I sat in front of the window to do it so I could keep an eye on Pirlouit, who was wandering around the pasture like a cursed soul, drenched with rain, lonely and llamaforsaken. Sometimes he brayed to try and guide his friends back home, wherever they were, but he never brayed while I was filming. His braying is a poignant display of emotion and is not for public consumption.

I figured, if the llamas come back Pirou will spot them and perk up his immense ears, and I'll know to go out and open the gate. Instead at some point I looked up from my potatoes and saw my donkey finally at peace, grazing rather than pacing restlessly, and I went to look outside and his friends were back! And so was his appetite.

I had new peelings + some muesli to offer, but of course Pampe could tell this offering was a crude and blatant trap and refused to fall for it. Meanwhile her innocent daughter was like yay, snacks :) and followed me in the pasture, a llama entirely devoid of wiles.

After I got Poldine back inside I went like WELL since NOBODY else wants that delicious MUESLI I guess these deserving chickens can have it—and Pampe was here in the blink of an eye to shoo the hens away from her muesli.

She was grudgingly smiling about it, too. Like, point for you.

I love this pic where my chicken looks like she's herding the animals back in their pasture all by herself.

Everyone is home! Pampe and Pandolf are walking away in search of new adventures, Poldine follows her mum because of her abandonment issues, and Pirlouit is also following everyone very closely, like, I'm not getting left behind again.

I finally managed to cook my mashed carrots & potatoes (+ herbs from the greenhouse) and it's so nice to make food with nothing but ingredients you grew yourself! (To be completely honest I only managed to grow 3 carrots in the past few months but that's because I neglected them in pursuit of more flashy summer vegetables)

I also had an apple-plum compote for dessert made with my own fruit <3 Okay, the cheese course in between was store-bought. One of my friends really wants me to get goats and be self-sufficient in cheese and when I told her I would be constantly chasing my goats over hill and dale because they have a reputation to be insufferable escape artists she was like, what difference will it make to your life...

#crawling along #llama drama

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sugar-phoenix · 3 months

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𖥔 . overheating . 𖥔

synopsis: you're out on an operation with Boothill, and after a long battle and a quick getaway, you turn to realize that the cyborg cowboy is...overheating. With all the implications that come with that. tags: f!reader (Boothill refers to reader as "Lady" and "Missy" once), no smut, fluff, light romance a/n: 1.3k words, wrote this in a craze based off of a headcanon that @k9wa and @nvuy posted about! tickled my brain too much!

ao3 link here!

The sound of gunshots rang out in the night. You ducked in your getaway vehicle, a hover car illegally outfitted with nitrogen turbo boosters. Sticking our head out of the car every now and then, you aimed your pistol at the heads of IPC guards, knocking them dead left and right.

Boothill had been inside the IPC base for a while now. It was supposed to be a quick job. He only needed to run in, download the secret data straight to one of the USB ports on his hip, and then run out. Probably nailing an IPC soldier or ten in the head while he was there.

“Boothill,” you muttered, “where are you?”

You met the cowboy only once before this operation — he had sought you out as a fellow Ranger against the IPC for your getaway vehicle.

“’M gonna be lootin’ a pretty big IPC base, ‘n I need some kinda escape route,” he drawled. “You git me?”

You happily agreed. Why not? Anything that would be a loss for the IPC was a win for you.

Not to mention the cyborg cowboy was one of the finer men you’d come across in your travels.

Presently, you shook that thought out of your mind and fired a shot at another guard. It’s better to stay clear-headed when you’re in a shootout. Any unholy thoughts were perfectly fine to sift through in safer, calmer settings.

“Where is that dang cowboy?” you muttered again for the fifth time.

A hoot and a holler rang through the air, and you glanced towards the entrance. As though in answer to your question, Boothill emerged from within the base, running full gallop towards the vehicle.

“Start drivin,’” he ordered as he slid into the passenger seat.

“You don’t have to tell me twice,” you replied as more IPC soldiers spilled out of the entrance. The engine roared as you slammed the gas pedal to the floor.

“Ugh, turn up the A/C,” Boothill groaned.

“Turn ‘em up yourself, cowboy,” you responded. “I’m too busy making sure we’re getting away.”

The cyborg reached towards the dashboard and rotated the knob to the coolest possible setting. He leaned back into his seat, huffing and panting.

“All good?”

“Yeah. ‘S just a lot of fighting. Got me worked up.” He sniffed. “This dang A/C ain’t cool enough for me.”

You shrugged, checking the rearview mirror. The IPC vehicles were hot on your heels. Thankfully, that wasn’t a problem for you. As an expert driver, you were fully trained in the art of evasive maneuvers. It’s what the cowboy hired you to do, after all.

You sped into the nearby city, a metropolis that conveniently had many twisty alleys and tight turns.

“This’ll be a piece of cake. Don’t you worry, cowboy,” you chuckled. The cowboy didn’t answer, and you were too busy focused on the road to check on him.

Drifting through intersections and jumping across lanes, you managed to throw off the majority of the IPC squadron pursuing you. There were only three small hover vehicles left, chasing you through a single-lane alleyway. You revved your engine to taunt them and cackled as the reverberations echoed off the buildings on either side.

The hovercar drifted, fishtailing as you made a sharp turn to the right. You swore as the sound of screaming metal rang out in the air, signaling that your spoilers had scraped against the walls.

“That’s gonna cost ya, cowboy,” you quipped, smiling as you saw two of the three vehicles crash into the wall behind you.

“Lady, I ain’t at fault for your drivin’ skills.”

You snapped your head towards Boothill, giving him a full-on death glare.

“Not that you drive bad, missy! I was just sayin,” he said, raising his hands up in surrender. It was then that you realized he’d unzipped his jacket, letting it fall lazily off his shoulders.

Heat rising to your cheeks, you snapped your attention back to the road, trying to evade the last IPC hover vehicle. A few quick turns and an IPC crash later, you pulled into a dark alleyway and braked, turning off the car.

“Why are we stoppin’?” Boothill asked.

“They’re probably swarming the city. Best to lie low for now until it all subsides.”

There was shuffling in the passenger seat, and you turned to look.

Boothill laid back against the seat, his limbs sprawled out. His bangs were arranged in wet clumps, and sweat gleamed off his face in the glow from distant neon signs. The rest of his long hair was put up along the headrest behind him, leaving his neck bare. His jacket, bandana, and hat were thrown in the back, leaving his upper torso bare for all the world to see. His pants were shrugged low on his hip, almost revealing his unmentionables (did cyborgs even have unmentionables?). Panting and huffing, he closed his eyes, frowning. You could hear a loud hum emanate from within his robot body.

“Boothill?” you croaked, fighting to speak through the feeling of your brain frying in your skull. It wasn’t just his appearance that was, well, hot, but a boiling heat was radiating off of him. You had hardly noticed in all the earlier action.

“Yes, darlin’?” He groaned. Your heart fluttered at the way he said darlin.’

“What. Are you doing?” You hardly thought the cowboy was one to give in to his darker desires at the drop of a hat, although there was something off about the scene that told you it wasn’t motivated by lust.

He chuckled before answering.

“Told ya I got worked up during that fight. I’m overheatin.’ One of the problems with having a robot body, ya get me?” Boothill breathed out heavily, his breath steaming in the air. “Fudge,” he muttered, closing his eyes and frowning again.

“Are you in pain?” you asked. His stance was akin to a man tortured, impaled from the back with hot iron spears.

“Nah, darlin,’ nothin’ like that. Just… hot, is all. Really fudgin’ hot.” Boothill let out a breath of steam again. “It’ll go away, like it always does. I jus’ need ta’ keep still for a lil’ bit. Let it cool down.”

You leaned over him, trying to ignore how close you were to his hot (both physically and metaphorically) abs, and pushed the passenger door open. It only went so far as the narrow alleyway let it, but you could feel the cold air of the night wash over you both.

“Thank ya’ kindly, darlin,’” he murmured.

“Don’t mention it,” you said, leaning back. You jumped when your arm brushed over his body.

“Did I burn ya?” Boothill didn’t move but his eyes fixed you with a worried look.

“No, you didn’t, it’s just…” You trailed off, not knowing how to end that sentence without embarrassing yourself. A heat creeped over your cheeks again.

“Oh, I see,” he smiled. “You can touch me if ya want darlin.’ I don’t bite.” He punctuated that sentence with a wide grin, showing off his shark-like teeth.

“But not right now,” he said as you tentatively reached an arm towards him. “Not while I’m hot like this. And it ain’t cause I might burn ya sweetie, but with all due respect, I ain’t wanna touch anything right this moment.”

“Got it,” you said sitting straight back in your seat.

A silence filled the car, gently broken by the whir of Boothill’s internal fans and the ambient hum of the city outside.

It was a comfortable, soft kind of silence. You let it soak into your flesh, down to your bones, etching this moment inside of yourself. It was nice.

“’Course, when I’m not overheatin,” Boothill murmured, “you’re free to touch whatever.” He grinned mischievously.

“Stop it,” you said. “You’re gonna make me overheat.”

dividers by cafekitsune

#hsr fanfiction #hsr fanfic #boothill #boothill hsr #hsr boothill #boothill fanfic #boothill x reader #fluff #honkai star rail #honkai star rail fanfiction #honkai star rail fanfic #boothill honkai star rail #honkai star rail boothill #fanfic #fanfiction #writing #✎ . writings #✤.fanfics

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ceilidho · 8 months

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take me home, country road

[ao3]

prompt: 1800s price/reader…. reader flees to his town where Price is the sheriff after a murder in her previous town only to be mistaken for the mail order bride that Price just sent for ….and he’s not interested in hearing any of her excuses when she tells him that he’s got the wrong girl (part 5) part 1, part 2, part 3, part 4

As it happens, the sun does rise the next day.

You wake up gummy-mouthed, brow furrowing before your eyes even open. Sunlight filters in through the curtains, diaphanous and left open from the night before. Warmer than usual. It draws you back into its arms for a brief moment, ensconced in its warmth, bathed in the fuzzy in-between of wake and sleep.

Memories trickle in slowly at first. It comes piecemeal; your first thoughts, a shallow pool that ripples when you dip your hands in, memories of the day previous scattering until you wait for them to come back together. You open your eyes to the window opposite you again. When you blink, it doesn’t fade like a dream. Your lips purse unconsciously because the truth is that you can’t recall ever sleeping in a room with a window. Or in a bed as comfortable as the one you’re in.

An arm around your waist pulls you in tight.

Your stomach swoops when you register the body behind you, a bracket of warmth at your back. Your immediate instinct is to kick away, go flailing off the edge of the bed and frantically search for the nearest object to brandish at the man in your bed. Then a hand runs up from your belly to cup your breast and your thoughts fizzle out again. His hand closes around the flesh and holds there, slotting your nipple between two thick fingers. Even with the fabric of your shift separating his hand from your skin, the feeling is electrifying.

He grumbles against the back of your head and the sound reverberates through you. A full body shudder. Mildly peeved that your neck breaks out in a sweat. The sound is familiar though, as is the way he chuffs in his sleep, a brief expelling of air that glides over the naked skin of your neck.

Something about his touch makes it click. You remember the glimmer of his badge and the rattle of the belt around his waist. The memory of his touch is bone deep; you’ve known John Price for less than two days, but you’ve felt almost every part of him by now.

His legs tangle with yours under the sheets, a big thigh slotted through yours, giving you a perch to sit on. The two of you completely intertwined. You don’t remember falling asleep wrapped around him; maybe the slightest cuddle before rolling away to the edge of the bed.

When the hand on your breast squeezes, you inhale sharply. Loud. It echoes in the small room, the only sound apart from Price’s slow, even breaths. Part of you aches to move his hand. Again, he touches you where no one’s touched you before. You count your blessings that the sound of your gasp hardly makes him stir, sure that if Price were to wake up now, he’d never let you live down the way your nipples bead at his touch.

As if your traitorous body answers to you these days. Your skin heats and sweats without your approval, heart always at a gallop when the man now known as your husband lingers close to you or sets a hand on your waist. Maybe in time it’ll become easier to withstand his touch, but the thought of lingering in his house even a week longer puts you on edge.

It feels more like a curse than a blessing when his hand slowly draws back down the length of your chest. Panic sets in the moment his hand twitches, worried that Price might have woken up, but he breathes the same. Even, deep. He’s touchy in his sleep, always looking for some part of you to hold. You relax for a moment when his hand lingers on your belly. The weight is almost comforting, in a sense. Tender.

Then, it dips farther down.

“John—John—” you whisper frantically, voice far too thin to pierce through the veil of sleep still shrouding him, trying to push his hand back up to no avail. He grunts in his sleep, curling around you.

The hand on your belly sinks between your legs. It bunches up your shift, dragging the fabric of your nightdress between your legs. Your heart thunders in your chest.

He cups your sex roughly, a firm hold that doesn’t budge when you try to squirm away. You’ve felt those fingers on your backside and curled around your wrist and threaded between your fingers, but between your thighs his palm feels wide. A man’s hand. The texture of his calloused fingers is dulled through the fabric of your shift, but you swear you can feel its heat.

He rocks the palm of his hand into your sex, the heel rubbing up into the apex of your thighs, making your whimpers go feathery and frail. You nearly bite clean through your bottom lip trying to stave off the moan crawling up your throat. His fingers rub at your hole through the gusset of your underwear and shift, the tip pushing just barely inside.

A fevered, aching hotness spreads in your belly when his fingers sink in just the slightest bit. You can feel how sopping wet the fabric is, where he uses your own slickness to push inside.

John practically growls when you finally cave and press your hand over his, tilting his hand just enough to grind the heel of his palm against your pearl. The shame is almost unbearable, so desperate for pleasure that you’d use a man in his sleep to reach your end. Hardly your heaviest sin, but it sinks into you anyway, another feather on the scale. Still, you choke back a suffering gasp and press down harder into his hand.

Pleasure suffuses through you when he grinds his palm just right. First, utter relief, the tension draining from between your shoulder blades and dripping onto the bed under you. Then, burning hotter than before, chewing your lip to keep quiet, terrified that you might wake John. Terrified that he might not, might keep you hovering over the edge with your feet kicking out.

You’ve played at touching yourself before, but never with a firm, steady hand. Never without the aftertaste of guilt. It whispers in the back of your mind even now, a thorny prick, but then it whispers something else. It’s not sinful if he’s your husband, mumbled deliciously into the whorl of your ear, in John’s voice somehow. A husband doesn’t ask forgiveness for spreading his wife’s thighs open. He takes what’s his.

John ruts against your bottom, huffing into your neck when you bite off a wail and breathe out heavier instead. The heavy shaft between his legs that you’d gotten a glimpse of the night before presses into the curve of your backside to nearly the small of your back. Thicker, hard as it is; you can only imagine how it’d feel to have that inside of you, to have him lay you flat on your back and bury his length into you.

His hand tightens over your mound, gripping harder than before. Two fingers nudging at your entrance break you. It sends you down the side of a waterfall, frantically trying to swim your way back before plummeting down into the frothy depths, directionless in the water until you surface.

John spills inside his trousers against your back. You feel it when he grunts and jerks against your backside one last time.

You lie there, basking in the aftermath while the sun warms up the room. It’ll be at least an hour before the heat truly sets in. For now, it’s a gentle warmth. John’s hand is a loose hold between your legs now, petting your sex softly in his sleep. You feel your guilt just on the periphery, waiting with bated breath for you to come back down to earth.

You feel John shift behind you and then a kiss is pressed into the crown of your head. Every inch of your body stills.

“Morning, darlin’,” your husband croons, the smile thick in his voice. “That was a nice way to start the day.”

You’ve felt embarrassment before. You’ve felt shame, humiliation, horror, terror, guilt, and a medley of other sentiments that are part and parcel of living at the behest of others. So it’s not embarrassment that leaves you lying frozen in bed while John climbs out of the other side of the bed, but perhaps its cousin.

It weighs on you so heavily that you can hardly even bring yourself to twist your head towards him.

“You were—” your voice is brittle-thin when you speak “—awake?”

He divests his nightwear with ease, pulling out a new day’s pants and shirt from the chest of drawers and then rounding the bed to take a knee by your side and cup your cheek. Not the same hand, you think wildly, staring at him wide eyed, still lying on your side. Frozen there. Tempted to say something else until he leans forward to press a firm kiss to your forehead.

“I’m an early riser,” he says, a warm smile spreading across his face. He’s got a lovely smile, you think in a daze.

He leaves you alone in the room, whistling on his way down the stairs. They creak one-by-one under his weight. When you finally sit up in the bed, you can vaguely hear him rummaging around in the kitchen. A pot clanging against a counter before the sound of the screen door shutting behind him. He must’ve gone to the well to fetch water.

It takes an age for you to find the strength to get up out of bed. There’s still a wet spot on the front of your shift that makes you blink when it brushes against your legs. Then heat up like a roast duck. You’re tempted to change into your daywear and maybe bury the shift somewhere out back where you never have to acknowledge it ever again, but when you look over at the chest of drawers, all you can think of is John dropping trou just a moment ago.

Your stomach aches all over again.

You limp hot-cheeked down the stairs to the kitchen for breakfast. The smell of fresh brewed coffee wafts from down the hall. You take a peek out the front window before joining him. Still hesitant, embarrassed like you’ve been caught. And you have been, you know. Caught and reeled in. Dragged to a courthouse and married to a man who hasn’t yet called you anything other than darling and honey. You wonder if he even remembers your name—or, your supposed name.

Beyond the dirt trampled horse pen, a thick blanket of wild grass sways gently in the morning breeze, dotted with white wildflowers. Hardly a cloud in the sky today. Bluer than the bluest sea. This early, the sun only glints in the eye, a spectral everywhereness about it. In the noontime, it’ll hover overhead and glare down balefully, a sweltering curse.

In the kitchen, John pours coffee into two cups. Rich stuff, not the bitter sludge served on the train or the watery cocoa that your aunt used to make to carry you through the brutal east coast winter months. You get a whiff of chicory.

It must amuse him to hear you hovering in the doorway before creeping tentatively into the kitchen because he looks up with a little smile. You keep shame as a periapt around your neck these days, it seems; it must jingle when you walk.

“Good morning,” John says.

“You know—I didn’t know you were awake,” you blurt out, fists clenched at your sides.

His eyes twinkle. “I caught on to that when you froze like a mouse.”

The comparison makes your lips twitch. “You should’ve told me that you were awake.” You don’t have any right to scold him. Even as the words come out of your mouth, you know how foolish they sound and what they say about you. Little harlot that chases her pleasure with her sleeping husband’s hand.

“Told you?”

“It’s only polite.”

“Polite.” There’s a teasing note in his voice that ruffles your feathers.

“It’s only right.”

“Well then. Want me to wake you up the right way next time?” he asks instead, leaning back against the countertop.

You frown. “The right way?”

He holds out a hand, beckoning you to him. You go, but with a stumbling step, nearly tripping into him when you take his hand. Without the barrier of your shift, you can feel the calluses on his hand when your fingers run over his palm. A shiver races down your spine. He reels you into his chest and holds you in place with a hand on your low back, pulling you so close to him that you’re practically leaning against him, as tangled as you were upstairs in the bed.

John lets go of your hand to tip your chin up. “Barely got my hand wet, darling. Next time, I’m gonna pull that little shift up around your waist…wake you up nice and easy with my mouth. Drown out that voice in your head giving you a million and one reasons to leave. Yes, I can—” he huffs a laugh when you squirm in his arms, held steadfast to his chest “—I can tell you’re not yet settled. Maybe itching to run even, take the next train out. Go back to your old ways. But I said I’d make it good, darling, and I will. You just wait for tomorrow and the next day and the day after that. I’ll make it good enough to give you a reason to stay.”

Your mouth is dry when you rasp, “Your mouth?”

“Every morning,” he promises, sun-sweet. “I’ll make it so you don’t have a care in the world apart from when you’ll come next.”

Flustered doesn’t even begin to cover it. His words make your stomach pull in taut, leave you a threadbare, panting mess. Like a new language, spoken in stuttered breaks when you repeat it back in your head; the words somehow sutured together into a phrase that you know you’ve dreamt and forgotten.

In the wispy daylight hours, it’s hard to see where the edges of you diverge from his. You’re still back in the bed upstairs with your legs tangled in his and his arms pulling you in close, the burr of his beard scratching the back of your neck. Touching the dark hair of his forearms, the groves of the muscles there, the softness of skin giving way to the hard musculature underneath.

And then he dips his head for a morning kiss, his rough whiskers against your lips breaking the spell.

“You haven’t brushed your teeth,” you complain, face puckered up at the stale taste of his mouth. When he smiles against your mouth, you can feel his beard drag up your skin the slightest bit. He draws back.

“Well, guess I oughta wash up. Think you can start breakfast ‘till I get back?”

Cooking you can handle. You coat the pan with a lump of butter that melts over the iron. Two eggs cracked and sizzling in the butter. When he comes back, John cuts thick slices of bread that you heat in the pan with the eggs, the butter making the bread golden crisp. And it’s quiet. It’s quiet and there are birds twittering outside in the trees, chickadees and red-winged blackbirds.

“Do you have any fruit?” you ask. More of a mumble.

He hums. “Canned peaches in the pantry. Jam too.”

The pantry’s well stocked. Jams and jellies, cured and salted meats stored away in jars. Cornmeal and other grains. Pickled and canned vegetables. It’s the fruit you’re after though—the preserved peaches with the gingham fabric nestled under the sealed lid. Thick, juicy slices that come out of the jar coated in their own syrup that spreads out on the plate and touches the edge of your toast, softening the hard crust.

You sit across from him to eat. Breakfast is a quiet affair interrupted only by your eyes flickering up to his face with each bite. Interrupted only by your skittering heartbeat. It’s hard not to be drawn to him, tempted to sneak a glance. Though dressed in his daywear, the edges of sleep still cling to him faintly, in the lines around his eyes and the folds of his forehead. You catch your eyes caressing those spots with a tenderness that makes your heart flare red for a moment, troubled. Like a red hot iron glowing at its hottest point.

There’s no denying that you’d like to stay the course. Perhaps just out of curiosity.

You’re ruled by your history though. Again, you look over at him, watching him silently and wondering what it must be like to live without that pressed upon you. To not be fixed like a violet between parchment paper. You’ll leave eventually, you know; when the moment presents itself. Even now, though he stares down at his plate, contemplating something that he doesn’t vocalize, you know that he’s aware of your every move. If you should so much as twitch, he’d know.

A day or two won’t matter, you hope at least; there’s always a chance that your name might come across his desk, but there’s little chance at this moment that he’ll link it back to you, not thinking of you as his wife of another name that he refuses to say. It sits in his mouth like chaw. What you can’t wait out are the men surely following your scent, dogs with their noses to the dirt, sniffing you out.

There will be a moment when his attention shifts. You just have to wait him out.

The next train out, you think, scrapping butter onto your toast, picking at the crust with nervous fingers. You set a peach slice on top to make the perfect bite, bashfulness sinking back when you have to brush the crumbs from the corners of your mouth. Good etiquette finds you wanting here, sitting at the breakfast table in your thin shift with nipples pebbling in the cool air, crumbs all over your face.

John reaches across to drag his thumb just under your bottom lip, wiping up a drop of syrup. “Messy girl.”

The hammer comes down on the iron again, liquid metal poured back into the crucible. Swallow with a dry mouth. You just have to wait him out.

#ceil writing #cod mw2 #cod x reader #captain price #price x reader #price x you #john price x reader #price/reader #captain john price

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lilakennedy · 1 year

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Old Kings Road Doodles

*Crawls out of hole in the ground* Hey anyone remember uhhh... this?

Here are some doodles based of my favorite little moment in Chapter 1 and some lighthearted behind-the-scenes for chapter 2!

You can read the story between Gunnar & MC here!

#sso #ssoblr #star stable #star stable online #galloper thompson #gunnar thrymson #lila doodles #Old Kings Road #*winces* no i have not abandoned the story i just struggle to write recently...#so here have these doodles!!#i'd like to think Gunnar is still stubborn as a human can be and Morrigan just kinda goes along with it #i have not written anything about their dynamic for OKR but its so clear in my mind

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shotmrmiller · 18 days

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pretend boyfriend but it's in a time where roads are nothing more than muddy tracks, making travel slow and cumbersome. the town's buildings are a mix of weathered wood and crumbling brick, faded paint peeling off their facades. wanted posters, yellow and tattered, are plastered on every available surface, faces of outlaws and fugitives who roam the countryside depicted in greyish ink.

the townsfolk go about their lives with a wary eye, and you go about yours with a sharp one, in search of opportunity: a cowboy too drunk off his wits to know his right from his left. the humble borough of blackthorn doesn't need any more working girls, no more ladies with hair down to their corseted waists beautifying the arms of both bounty hunters and farm hands alike.

that's fine, you reckon. you've always had a knack for survival. your deft fingers have made a living out of slipping into pockets and relieving men of their hard earned coin pouches when they lose themselves in drink and laughter. its not an easier life than that of the ladies in the saloon but it's yours, and you've learned to navigate it with equal cunning and charm.

but as people say, anything that can go wrong, will and tonight nothing seems to go right for you. just as you'd been slipping the stolen bills from your latest mark in between the swell of your breasts, he stirs from his drunken sleep, bedsheet tangled in his spurs as he struggles to rise onto unsteady feet. his movements are sluggish, muddy brown eyes blinking against the dim light of the quaint room.

you don't wait for him to ask any inane questions, you know when you've been caught with your hand in the cookie jar. you run out the door on bare feet, fisting the rough fabric of your dress to lift it above your ankles as you barrel down the stairs.

your shoulders ache from bumping into patrons as you try to quickly weave your way toward the door, your breath coming in ragged, panicked gasps. the saloon is a blur or faces and noise, the jaunty tune coming from the piano as fast paced as the galloping of your heart.

just as you reach the swinging doors, you glance outside through the dusty window panes and see someone right across the street in the patio of the drugstore.

the star on his chest gleaming even in the flickering light of the shop is distinctive. your heart sinks like a stone dropped into a well, the weight of the situation leaden over your puffed shoulders.

but you haven't made it this far while skirting around law and order without a sharp mind. your thoughts swirl in your mind as you run through options. a horse loosely tied to the hitching post out front, sleeping roll behind the saddle. you could take it but risk getting roped off by someone. slipping out the windows would draw too much attention. using the back door near the kitchen would have the owner on your arse.

shit. shit-

then you spot him. sitting alone at a table is a hulking, beast of a man. (his broad shoulders and burly frame makes him resemble more mountain than man tbh.) a small shot glass rests on the scratched surface before him, the only delicate item in his vicinity. the wide-brimmed hat he wears casts a shadow over his face but the glint in his eyes is unmistakable. maybe that's why even the other patrons have given him a wide berth. (the knotted scar that runs from the corner of his cheek pulling his lips into a permanent, twisted sneer makes the hair on the nape of your neck stand on end.)

desperation fuels your next move.

your hand trembles when you place it on the the exposed skin of his forearm that's covered in a fine layer of grime, as does your voice when you speak.

"hey-" you don't get to finish your sentence, feeling the words crumble into ash on your tongue when you realize you're out of time. the drunken idiot from upstairs is storming straight towards you, his nostrils flared, white etched on his knuckles. panic surges through you and so you move.

coming to stand behind the seated stranger, your arms cradle his large head, clammy palms flat on the sweat stained fabric of his union shirt. his body tenses under your touch, muscles cooling like a spring, but you muster all the bravado you can.

"if ya got a problem with me," your voice is steady despite the fear that's settled at the base of your spine, "take it up with my husband."

the drunk comes to an abrupt halt, his anger momentarily replaced by confusion, uncertainty, as he glances between you and the human(?) shield you're clinging to.

the room has fallen silent, all eyes on the unfolding drama. they watch with bated breaths, even the bartender had paused mid-polish, his hand frozen on the glass.

the man wavers, his resolve crumbling like freshly tilled dirt before you. but the final nail in the coffin is when your 'husband' grabs onto your arm and leads you to sit onto his lap, both your legs fitting on top of his one, feeling the tarnished buckle of his leather belt even through the couple of layers of your dress on your arsecheek, his arm cinching tightly around your waist.

his skin feels rough, scarred, yet warm, beneath your hand. (embarrassing that this surprises you.)

you can feel his voice vibrate from his chest and sink into your bones when he aids you in this mess you've created. "ya 'eard m'wife. piss off 'fore i make you."

his mouth twists into an ugly line but concedes defeat, telling your 'husband' to "keep his wh-wife on a tighter leash unless she's keen on ending up on a missing poster alongside the wanted ones."

when you turn in his lap to look outside the window, watching the drunk unsteadily get on his horse and leave, you give the man you're on a muted thanks and move to get up only-

the arm around your waist feels more like an iron band. you're can't get up. you can't leave. your feet don't even touch the wooden floorboards of the saloon. you turn your wide eyes toward him, lips parted in surprise.

he doesn't seem as surprised as you.

"wha'? thought you could jus' up and go 'bout your way?"

you open your mouth wider, to scream maybe, you aren't sure but he cuts you off with a sharp suck of his teeth.

"make trouble and there will be trouble. i'll drag your pretty arse to the sheriffs office by the hair."

the realization of what he is keeps you utterly frozen in place, any fight you'd had bleeding out of you.

a bloody bounty hunter. no wonder everyone had kept their distance.

"i'm gonna be finishin' this bottle and you'll be a good wife and draw me a bath in our hotel room."

(he plucks the dirty money from where you'd kept it and tosses it on the bar top, carrying you straight to where he'd hitched his horse and plops you in front, your back to his barrel of a chest. "youll bathe with me, gotta have you clean for our consummation.")

#i lost all will to continue halfway through idk if you can tell lmao #i went from this is a genius idea to this seems fucking stupid actually #oh well #he lets you run away a max of two times on foot before you come back on your own cuz there are wolves around #:(#simon ghost riley x reader #simon ghost riley x you #simon ghost riley #simon riley x you #simon riley x reader

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laurasimonsdaughter · 3 months

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A farrier and her son were closing down the forge late at night, when the sound of hooves approached from up the road. They looked out across the yard and watched, with growing discomfort, how a hooded figure on a blood bay horse came riding towards them. Steed and rider halted at the gate, and the farrier hesitantly lifted her hand as the stranger spoke, in a voice as searing as fire:

“I am expected in the next town and my horse needs shodding.”

Neither master nor apprentice dared to lift up their eyes.

“Yes, sir,” the farrier answered and the figure dismounted.

The bay was a formidable animal, but it followed its master’s orders. The farrier worked the metal while her son worked the forge and she shaped the horseshoes exactly to the horse’s feet. But when it came to the shoeing, the nails that her son put in her hand were barely half the length of what was needed. She held them, and hesitated, and nailed the irons in place.

“What is your fee?” the stranger asked, once more taking the reigns of his steed.

“No fee, my lord,” the farrier replied. “An honour to serve you.”

The hooded rider went away and mother and son stayed behind, too frightened to speak. But barely had they gathered their courage and turned their backs to the road, or a second rider approached them.

He too was hooded, and his horse was black as night.

“One of my fellows went before me and I follow where he goes,” the rider spoke with a voice as dry as the cracked earth. “But my horse needs shodding.”

Once again the farrier worked the metal while her son worked the forge, one again she affixed the horseshoes with nails too short by half. She would take no fee for their labour, and the stranger rode off into the night.

No sooner had the sound of pounding hooves faded from their hearing, or a third set of hooves could be heard coming nearer.

This rider rode a white horse and his words dripped with the thickness of his voice.

“My horse needs shodding, for two of my fellows have gone before me and where they go I am close at hand.”

Barely a word was spoken. They shod the stranger's horse exactly like the others, and watched him gallop away. Then the farrier took her son’s hand, stood in the yard, and waited.

Slowly, at a steady pace, a fourth figure came down the road and halted at their gate. His hood and cloak were black, he carried a scythe at his side, and sat astride a pale horse.

“Three of my fellows have gone down this road, and whatever their destination they choose must be my own. If I am to go where they are going, my horse will need shoeing.”

“Of course, sir,” the farrier replied, but her son spoke up:

“But must you?”

The figure bowed his cowled head and cosigned his horse to the farrier’s care.

Again she carefully trimmed the hooves, again she expertly shaped the horseshoes, but when her son handed her the nails she shook her head. He faltered and she shook her head again. He gave her the proper nails and they finished their work.

“Thank you,” the stranger nodded. “What is your fee?”

“Whatever you deem our services are worth, my lord.”

The stranger held his horse by the reigns and for a long time he looked thoughtfully down the road where the three had gone before him. Then he looked at the mother and son, standing stiffly side by side.

He held out a thin hand and gave them each a single coin, one just like the other, before mounting his horse, and turning back in the direction from which he had come, riding at the same unhurried pace.

The farrier and her son watched him until he was out of sight and out of hearing. They stood there, until dawn broke, and the dark was chased away. Only then did they did they dare to lock the gate and go to the house, where the rest of family still slept soundly.

The two coins were placed in salt and buried underneath the doorstep. And for as long as that house stood, no one who was born under its roof was carried out of it before their time.

#fantasy #the four horsemen #laura drabbles #I've had this concept fermenting in my brain for almost a year #into the world with you #why do I keep writing about horses I know nothing about horses

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