#GREAT META

[ann-atar]

Yes! I think that's why it was so important to see gooey horror movie Sauron, because that's what he does no matter what fair form he takes: consumes light, and uses it to grow in power. I really like the conversion reaction theory too, and I think it was happening in Galadriel even before she was face-to-face with Sauron, after all she went through after Finrod died and she took up that cause in Middle-earth. What she said to Elrond about carrying the darkness with her before she sailed really haunts the first and second seasons.

It makes you wonder what that means for Sauron. If he takes a long detour in Mordor before going to (I assume) Numenor, will he feel the effects of being away from sources of life and light? And since he's unlikely to be able to treat with elves in the immediate future, will Sauron try to find (or make) a new light/power source? I wonder if that will be one of the reasons they'll imply, other than welding power over the ringbearers among dwarves and men, for the forging of the One.

Devourer of Light: How did Sauron regain his power in the Second Age?

So @cassey-fitzcassey and I have been doing some musing.

Since the end of the first season of Rings of Power, we’ve known that Sauron has been hiding under the guise of human Halbrand. 

Since the beginning of the second, we’ve known this isn’t by choice: that Sauron slid straight from powerful would-be ruler to powerless goop, festering in darkness before absorbing his way up the food chain, the passing of an unfortunate rat the true catalyst in this story.

‘Sauron lives because of you!'

When Sauron finally hijacks a body with functional hands, face and legs, the relief on his stolen face is clear. He is free from his squid ink spaghetti prison. And, for better or for worse, from his former life.

But Sauron has been debased: a great Maia, heir to Morgoth, forced into the body of a mortal man? Oof. If he had the power to do so, I have no doubt he would have changed his shape immediately, from the humiliation alone. 

But he doesn’t. Which means he can’t. 

When we see him having to warm his pitiful human body in the Northern Waste, he is dispirited. Resentful of his debasement. Rueing his sworn enemy who he’s had hundreds of years to bitterly, goopily hate.

When he meets the Southlanders, they’re heading away from the orcs: chances are he’s on his way to encounter Adar.

To what end, we don’t know. I’m not sure he does either. He’s almost visibly single-minded on this task, using the trail of humans as a wayfinder. When the Southlander with the sigil shares his wisdom, Sauron is surprised to be approached. He is apathetic towards the conversation, but his curiosity — or opportunism — is piqued enough to turn, and follow. Sauron’s opportunity weather-vane in action.

When the sea-wyrm (hi Ossë) attacks the Southlanders’ ship, once again, we do not see Sauron shapeshift into something more useful. Implication, he still can’t. Or, he’s committed to giving this good human life thing a go. Coin toss, but let's be honest, in such a situation, with no one watching me, I'd probably scrap that plan and disappear stealthily into the depths.

So when does Sauron regain enough power to do all of his usual shapeshifting and other demigodly shenanigans?

Well, by the second season, Sauron is able to put on The Jesus Show™ for Celebrimbor.

At this stage, he can do pretty light displays, give himself a booming voice, change his clothing and physical appearance (to an extent; presumably a vampiric bat is still beyond him) and perhaps (as some have suggested) even control the weather to make Brimby feel bad for him. So when did he regain power? And more importantly, how? 

Theory #0 Horror movie Sauron

It’s true that we have seen Sauron regain shape and form by devouring other beings.

But, presumably, this isn’t how he continues to regain his former strength, which continues to grow throughout Season 1 and into Season 2 — otherwise Rings of Power is at risk of becoming something a lot more sinister than it already is.

This gruesome mechanism seems more of a primitive way for a discorporated Maia to regain a physical form, not to reclaim all that Maia energy that burst from his body — something akin to morsels versus the feast, or long-term nourishment. All in all, while this might be how Sauron starts the process of regaining his strength, it feels unlikely it's how he continues, as any power from everyday creatures and humans simply wouldn’t be enough to restore him to his former self. But the possibility’s still, technically, on the table.

Given this is a high fantasy show, and (mostly) not a cosmic horror one… at this point, it’s worth consulting the source texts. What do we already know from Tolkien about Light and power in Aman and Middle-earth?

Elrond's Lore Interlude: Light and Darkness as interchangeable power sources

Anyone who’s read The Silmarillion remember Ungoliant, ancestor to Shelob? When telling her story in The Silmarillion, Tolkien has some interesting things to say about Light and Darkness: 

There … the shadows were deepest and thickest in the world … secret and unknown, Ungoliant had made her abode … She had crept towards the light of the Blessed Realm; for she hungered for light and hated it.  In a ravine she lived, and took shape as a spider of monstrous form, weaving her black webs in a cleft of the mountains. There she sucked up all light that she could find, and spun it forth again in dark nets of strangling gloom, until no light more could come to her abode; and she was famished. A cloak of darkness she wove about them when Melkor and Ungoliant set forth: an Unlight, in which things seemed to be no more, and which eyes could not pierce, for it was void. — J.R.R. Tolkien, The Silmarillion, 'Of the Darkening of Valinor'

In brief summary of What Goes Down, Morgoth promises Ungoliant all her desires in exchange for her service, and they temporarily ally to launch an attack on the Two Trees Laurelin and Telperion...

...causing the Darkening of Valinor:

…when both Trees were shining, and the silent city of Valmar was filled with a radiance of silver and gold … in that very hour Melkor and Ungoliant came hastening over the fields of Valinor, as the shadow of a black cloud upon the wind fleets over the sunlit earth… Then the Unlight of Ungoliant rose up even to the roots of the Trees, and Melkor sprang upon the mound; and with his black spear he smote each Tree to its core, wounded them deep, and their sap poured forth as it were their blood, and was spilled upon the ground. But Ungoliant sucked it up, and going then from Tree to Tree she set her black beak to their wounds, till they were drained … And still she thirsted, and going to the Wells of Varda she drank them dry; but Ungoliant belched forth black vapours as she drank, and swelled to a shape so vast and hideous that Melkor was afraid. So the great darkness fell upon Valinor.

Why is this relevant? Ungoliant shows that Light can be converted into Unlight, or Darkness. (Side note: Anyone read the Stormlight Archive by Brandon Sanderson? Yeah. That’s where he got it from.) Tolkien makes this relationship even more explicit in the next paragraph:

The Light failed; but the Darkness that followed was more than loss of light. In that hour was made a Darkness that seemed not lack but a thing with being of its own: for it was indeed made by malice out of Light, and it had power to pierce the eye, and to enter heart and mind, and strangle the very will.

And, importantly, Ungoliant grows more powerful by consuming Light.

So, back to Sauron. How might he regain his lost power?

Sauron, Devourer of Light

If Ungoliant’s example is anything to go by, it could be: simply, from encountering things that have Light in them. And devouring it. But what things, and when?

Theory #1 From the Mithril

So, @cassey-fitzcassey had the idea that Sauron might have regained his power when he touched the Mithril during the making of the rings.

Timeline-wise, this is certainly possible, as Sauron does not demonstrate any significant unseen-worldly powers until after meeting Celebrimbor (The Raft: Reprise). But given Sauron wants the rings to be as powerful as possible, there was only a small amount of Mithril available to he and Celebrimbor to work with (hence why it must be magnified using the ring shape), it’s less plausible he would take too much Light power from the Mithril, lest he weaken the end result. Still, however, a possibility.

Theory #2  From Middle-earth, including Lindon's tree

In his time spent as human Halbrand, as part of ‘the residue of evil’ that Morgoth had left behind, Sauron could have been slowly siphoning power off the land and its peoples.

At the beginning of the events in the Rings of Power, the whole of Middle-earth is at peace — the Light of the Eldar is the Light of Valinor, responsible for sustaining their immortality — and it follows that there would be Light both metaphorically and, in the Tolkien universe, literally saturating the lands and its people.

But that light is fading, and there is a blight upon the Great Tree of Lindon.

Darkness is seen elsewhere in Middle-earth, too. In the first scenes in the Southlands, Arondir examines a cow oozing black goop; she has been grazing in lands where there is Darkness, triggered — or, if Sauron himself spent this whole time quietly radiating Darkness from under his icy fortress, exacerbated — by the presence of the orcs.

The implication made clear here is that Light and Darkness can exist inside beings, and that the levels can vary. But, like trying to drink from a trickling creek, Sauron supping Light in this way enough to regain his former powers couldn’t happen quickly. So, given he shows no signs of using those powers in the Prologue, why the apparent acceleration after the shipwreck?

Theory #3  From the Lady of Light herself

You can see where this is going.

Galadriel is the Lady of Light, and lore goes the gold of her hair ‘was touched by some memory of the starlike silver of her mother, and the Eldar said that the light of the Two Trees had been snared in her tresses' (Unfinished Tales, 'The History of Galadriel and Celeborn'). 

In Tolkien’s world, where Light can be a source of power for a creature of Darkness to grow stronger, the Light in Galadriel is unlikely merely metaphorical.

The Eldar contain the Light of Valinor and bring this Light to Middle-earth: Galadriel, as one of those who basked in the Light of the Two Trees themselves, will contain more than most.

So when Sauron encounters her, with all her irresistible Light, he’s discovered a deep well of convertible power. Even a bit of her Light might have sped up the process. And, well, while she’s busy touching the darkness, she’s not going to notice a bit of it going missing, is she?

Bonus Theory: Reverse conversion

This has little bearing on where Sauron regains his power from, but as a thought: does Light replace Unlight, or Darkness? Or can it be internally converted?

As his discorporated form shows, Sauron is — spiritually speaking — made of Darkness. He is black ooze personified. Or Maia-ified. Maybe, just maybe, in a world where Light and Dark aren’t only metaphors for morality, Galadriel and Sauron spark a conversion reaction inside one another. Their internal battles become metachemical, with a little of Galadriel’s Light turning to Darkness, and Sauron’s Darkness… turning to Light. 

That may be stretching the bounds a little. But, either way, Sauron lives and regains his power because of Galadriel. And the rat.  ________________________________

Disclaimer: I haven’t read all of Tolkien’s legendarium yet. He wrote a lot of stuff. If there’s anything that’s been missed, I’d love to hear about it.

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[velvet4510]

It’s actually so significant that Charles is introduced in First Class as a guy who uses his thesis as a pick-up line and seeks out girls with some kind of mutation.

It’s clearly indicating that Charles is trying to find a fellow mutant to connect with romantically. Raven’s off the table, since she’s his sister. But he wants to find and build a romantic bond with someone who has a mutation, who is different like he is, and he’s resigned to searching for things like heterochromia and auburn hair because he doesn’t know for sure if there really are more full mutants out there with actual superpowers.

Literally the only reason he starts flirting with Moira is that she has auburn hair, i.e. a mutation.

Then he meets Erik and all the flirtation with random heterochromia women and with auburn-haired Moira stops. Because Erik is what he’s been looking for.

Charles’ entire setup as a character in that film is constructed in a way that the only resolution that makes any sense is him finally finding a real mutant to connect with romantically. And who does he find? Erik Lehnsherr.

[gale-force-storm]

Thinking about the fact that, to pull Gale from the stone and get him in the game at all, you have to decide to try to touch an extremely dangerous looking swirling mass of unstable magic. Something that is, objectively, a terrible idea

Like, the options it gives you are to either touch the sigil or leave, and if you leave you just... don't get Gale in the party

You have to take the risk. You have to let your curiosity override your common sense. You have to look at this unstable, possibly dangerous malfunctioning magic sigil and go "...Ok, but what if I poke it?"

In short, to get Gale in your party, you have to do exactly what he would in that situation, and indulge in a moment of reckless curiosity. And I just think that's delightful

[bethanydelleman]

This is amazing analysis!

I've been thinking of the idea that Jane Austen might have been partly inspired to create Elizabeth and Darcy in Pride and Prejudice by Beatrice and Benedick in Much Ado About Nothing.

@anghraine has posted repeatedly about how P&P can almost be read as a then-modernized retelling of Much Ado, like Clueless is to Emma. Not only because of the Beatrice and Benedick/Elizabeth and Darcy parallels, but other details and character parallels too.

If Austen really was inspired by Shakespeare in this case, then I think she deserves praise for one thing that isn't often mentioned: that in writing her Beatrice and Benedick-like couple, she also wrote counterparts of Hero and Claudio, but she handled them in a way that's much less... divisive (to put it nicely) than the always-difficult Hero/Claudio storyline. Namely by dividing Hero and Claudio's role in the plot between two couples: Jane/Bingley and Lydia/Wickham.

The parallel between Jane and Hero is more obvious, since Jane is Elizabeth's sweet, innocent, most beloved family member just like Hero is to Beatrice, and since like Hero, she temporarily loses the man she loves because he's led to misunderstand her, which makes Elizabeth, like Beatrice, beside herself with rage. (If she could, Elizabeth probably would eat Darcy's heart in the marketplace after she learns he convinced Bingley to leave.) But instead of being melodramatically tricked into thinking Jane is sleeping with another man, Bingley is only led to think she likes him as a casual acquaintance but no more, and instead of taking her to the altar only to publicly shame and reject her (which would be a ridiculous thing to do for the mere "crime" of not feeling romantic love), he just quietly leaves the neighborhood without proposing or confessing his love to her, and without realizing the pain it causes her. This makes it much easier to root for Bingley to reunite with Jane and finally marry her than it is to feel the same way about Claudio.

But of course Hero's public shaming does more than break her heart: it also threatens to ruin her reputation forever, and her family's too. Austen also places her heroine's family in this type of danger, and just like Shakespeare did with Benedick, she has Darcy's efforts to set things right be the final stroke that brings the two formerly-battling love interests together as a couple. But thankfully, instead of tainting Jane and Bingley's sweet little romance by having them be the source of the near-disgrace, she has Lydia run off with Wickham. Effectively, her solution is "What if Beatrice and Hero had another young female relative, and instead of tricking Claudio, Don John straight-up seduced the third girl and that was the cause of the family's shame?" And instead of challenging Wickham to a duel, a la Benedick with Claudio, Darcy simply pays him off to marry Lydia: a choice that's telling about the difference in time, place, and genre between Austen's realistic, satirical portrayal of Georgian England and Shakespeare's portrayal of Renaissance Italy. (Austen furthers this point when Mrs. Bennet convinces herself that Mr. Bennet will duel with Wickham over Lydia's honor and panics at the thought, only to seem disappointed when he doesn't.)

I don't know if Austen consciously drew inspiration from Much Ado when she wrote Pride and Prejudice or not, but if she did, she made some clever character changes that suit the differences between a slice-of-life Georgian novel and a Shakespearean stage comedy.

[captain-krow-drozdov]

Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him

Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.

It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.

So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.

Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.

Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).

Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?

All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.

Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.

One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.

They Now Think Danny Is An Escaped Ra's Al Ghul Clone.

Memes For The Vibes:

[atlasshrugd]

no but the thing is, when the hero falls in love with the villain she is falling in love with the darkest parts of herself. she is owning her shadow and the owning makes her stronger. it is not about whether a ship is toxic or romanticising abuse because it’s not about two individuals. the struggle is not one between two people, just like the love is not between two people. when the hero falls in love with the villain she is loving herself. when she loves herself she is stronger, better, able to transform darkness instead of running from it. at the moment of loving, a person changes. the loved changes. and the love of the villain changes the hero. it’s all about this, don’t you see?

[mellxncollie]

Charles Rowland & Edwin Payne | Dead Boy Detectives 1.02

[lexkent]

#whyy did the show do this I wanna know #it would've been one thing if we'd never been sure how lex would've reacted until he got closer to it in the later seasons #but they literally SHOW LEX REACTING WELL and looking awed and relieved at the show of clark's powers?? #and then tirelessly protecting clark even when he's offered a way to escape #it just makes clark's behaviour after this so baffling and wrong honestly #were you panicking so much that you didn't see the look on his face or hear the words he was saying to you during your visit? #and clark shows absolutely zero self-awareness or reflection over how he handled this not even in retrospect #in fact the show never brings it up again which is maybe why a lot of fans don't seem to remember or notice it either #I include myself in this the first time I watched it but: #I think *clark's* perception biases a lot of viewers and they come away thinking that lex really was just out to get his secret #when what they really showed us was that clark's paranoia about being sold out distorted his perception of him and made him drive him away #except this stupid show doesn't even commit to that because in later seasons everyone acts like lex was bad/untrustworthy the whole time... (via @cryingalexanders)

Nightmare vs Reality: Lex discovers Clark’s secret

[greenqueenhightower]

The ending scene at the sept is peak cinema to me because it frames inescapable tragedy as one possibly averted had Rhaenyra and Alicent not let that chasm deepen between them, and had they put aside their pride and differences and met sooner. There is now nothing left to be done and for the first time, they realize just how powerless they are in stopping the current from sweeping everyone away. They leave the sept discovering that lighting candles doesn't bond them anymore, as they have each previously lit the fuse of the dangerous war that will devour all of them, with their own hands.

[glazedcroissant]

Haha that'd be cute, Snappy! @what-is-love-babey-dont-hurt-me Unfortunately...

Meta knight loathes Magolor and his general existence after the whole betrayal thing. Meta holds grudges, and it's on sight

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[velvet4510]

The fact that all of Erik’s greatest fears about humanity’s response to mutantkind come true in the dark Sentinel future, and yet when he and Charles end up cornered about to die while waiting for the timeline to be changed, rather than express hope that mutants will have better lives in the new timeline, Erik’s last words instead express hope that he will have more time with Charles.

The fact that in his last moments, more time with Charles is what Erik wants most, even more than peace for mutantkind.

The fact that he admits all those years without Charles were a waste, that his life was wasted because he chose to spend it away from Charles.

The fact that having a life with Charles is the possibility that makes everything worth it for him, even more so than this new hope for his kind.

The fact that he ensures Charles knows that if he could save time in a bottle, the first thing he’d like to do is save every day till eternity passes away just to spend them with his beloved telepath…

[aphel1on]

AURGH auwarghh the autistic parental trauma... the epi was wacky hijinks then dropped this on us out of nowhere... (sobs) laios... laiiiiooooos

[quicksilversnails]

Took some notes from the Wild Life retrospective episode of the Imp & Skizz podcast featuring Grian because I thought the behind the scenes info was really interesting!

(3:15) The wild cards were all kept totally secret from the players (apart from Grian), with the exception of the superpowers and finale (as they required the players to set keybinds)

(3:45) The players were given files containing the required mods each week, which were named things like "creeper rain" to throw them off

(4:12) Wild cards were a combination of data packs and mods

(4:38) Grian told them not to read the folder name to avoid spoilers (which is kind of impossible), so everyone fully believed there would be creeper rain lol. Grian was saying it in jest but everyone took it seriously and were apologetic about having seen it, to which Grian told them not to worry

(6:58) Grian originally contacted a data pack dev called Brace for help with programming the wild cards. Some, like the shrinking/growing could be achieved with minecraft attributes, but the snails were too janky and unusable. Grian still liked the idea though, so he reached out to mod developers Henkelmax and Breadloaf, who designed the pathfinding/behaviour from scratch

(8:49) They had a debugging mode used to test the pathfinding of the snails, shown in the podcast and in Grian's credits

(10:09) Grian wants most of the credit to go to the development team and artists, as he was mostly in charge of ideas & organization!

(10:39) Grian's only regret with the snails was that they were too fast in session 3, leading to unexpectedly many deaths. They were apparently not so difficult to get away from during testing, but perhaps the testers were more used to them than the players were

(11:44) Grian: "We did develop to the lowest common denominator" ie. prioritizing how players would struggle over how worrying about if players would do too well

(12:56) Oli's voice for the snails was iconic. It cost Impulse a life because he intentionally stayed closer to it to hear the voice lol

(13:42) Danny was in charge of the snail models and animations

(14:11) During testing, the snails just sounded like Oli, which made it feel weird. They pitched up his voice so that it'd be less immediately recognizable

(15:18) The snails' jumping attack was meant to be clearly telegraphed: they would stop, wiggle, make a "ooeee" sound before jumping. Many players had their friendly creatures volume turned very low/off (as cows and other mobs are loud), which made this attack much less obvious for them

(16:57) The growing/shrinking had the least testing done for it, as it was the simplest conceptually and to program. This meant that the falling off of blocks due to the shrinking hitboxes wasn't anticipated

(17:55) Before the 1st session, Grian told them that he didn't think anyone would die to the wild card. Pearl's death made Grian pretty nervous, as he didn't want everyone dying too early in the season

(19:29) 6 lives were given, knowing that many of the death to the wild cards were unexpected/unfair. The intent was for ~3 lives to be allocated for wild cards, and ~3 for PvP.

(21:13) The developers were all fans of the Life Series!

(22:43) The shrinking/growing was intentionally pretty simple to ease players/viewers into the concept and build up toward more dramatic wild cards like the snails

(25:38) In the hunger episode, Grian didn't know which foods would be good

(25:58) Grian thinks that "it's unfair that Grian already knows everything" is valid criticism, but that it's important for him to be involved with the ideas. Having someone else do that is like having someone else record his videos: Life Series is his brainchild

(26:35) Well before the season began, while they were still developing the concept, Grian asked the other players for wild card ideas that would meet a few criteria. All of them ended up being unused for one reason or another. Impulse thinks his ideas were very "inside the box" because he was viewing things through what was possible in vanilla Minecraft. His idea was to have a scavenger hunt where the players would search to find a relic. The first person to find it would get a buff. Skizz's idea was for every player to turn into a random passive mob for every given interval of time. They would have to find every other player of the same mob type as them or else the whole group loses a life.

(29:44) The food qualities were weighted by the rarity of the item, so very common blocks like dirt and cobblestone would never give anything good. The other items were randomly selected

(30:23) Regular blocks/items cannot be made edible normally, so they had to circumvent that and custom code a fix for items not stacking correctly

(32:41) While a lot of players do want to win, the main priority is creating entertainment, which prioritizes playing recklessly

(33:20) The food wild card wasn't included in the finale because it would've felt like "too much". There was a higher risk of technical issues since it changed the data values of items, and Grian didn't want someone's last death to be because they ate their sword. In his mind, it was a good and fun wild card, but didn't need to be repeated in the finale. Impulse points out that they all would have collected more rare items by that point, removing the incentive to search for blocks to eat

(33:46) The wild cards in the finale were nerfed from their original sessions. The shrinking/growing had a smaller height range, the snails moved slower, etc.

(36:21) The personalized snail skins were a late addition by Danny, who made 18 skins very quickly

(36:49) Grian did not anticipate the snails becoming as popular with fans as they were. After the session released, they had the idea to release the snail merchandise, which directly funded the rest of the season

(39:20) Grian spent what "felt like every day" testing with the developers. They'd record the sessions on Tuesdays, meet up with the dev team, talk about what need to be done, testing, bugs, etc, edit and upload on Saturday, and would get a few days grace before starting again

(40:01) After the snail session, Grian was worried that the season would be very short due to all the deaths. They were considering toning down the later wild cards but ultimately didn't change them too much

(40:36) The time wild card was carefully balanced. If it had gone even a little faster, many players likely would have died because they wouldn't have time to react to threats like baby zombies or creepers.

(40:57) While sessions normally run for a variable amount of time, session 4 was hardcoded at 2 hours. Grian ended the session ~10 minutes early, just after they hit max speed, because he felt like things were getting dicey

(42:46) When the wild card first activates, it looks a lot like the server had frozen or crashed. Grian told the players before the session started that it would look like the game was broken, but that it isn't broken. Skizz tabbed out anyway and missed the beginning 😔

(43:30) Having the rain start just as the wild card began was a good visual indicator of time slowing down. This was a suggestion from the dev team (probably Brace)

(44:41) Impulse and Grian "cheesed" the end of the session by going branch mining. Grian wanted players to take advantage of the wild cards (eg. mining quickly, helping to kill someone), and not have them just be an annoyance.

(45:30) Keeping the client and server-side time stay in sync was challenging. The sky's motion was changed to be smoother on client-side. The players were also not as fast as the server (around 2x faster), the server was going faster than that, and the time of day was even faster

(46:56) The sounds were pitched up/down based on the speed to add to the effect

(27:46) In testing, if the players were made 7x faster, it would be basically unplayable, which was why it was capped at 2x speed. This made mobs very dangerous, as they were now faster than players and could catch up to you and kill you easily

(49:01) On several occasions, they had to extend the fuse duration of creepers to make them more fair. In the time session, their speed was only increased by ~10%

(49:39) Usually, Grian was the one to test the wild cards and notice when things like creeper speed would be an issue, since he was the one with experience making videos

(50:50) A challenge with balancing wild cards is accounting for the playstyles of so many players: reckless players like Scar and Skizz, "kind and gentle" players like Bigb who would stay off to the sides, and "the sweat squad" (Scott, Impulse) who play very cautiously

(52:48) Trivia Bot was the only wild card that was not planned in advance. Grian was struggling to come up with a wild card for that episode, and wanted to have a wild card available that could give people lives in case many people died to early wild cards without it feeling cheap.

(53:33) Trivia seemed a little boring on its face, so presentation was essential

(54:34) This one made Grian the most stressed due to all the moving parts involved in making it (coding and pathfinding mostly by Henkelmax, visuals by Hoffen, audio/music, questions)

(55:08) Trivia Bot's design was based on Grumbot and Mettaton from Undertale. Hoffen drew concept art shown in the video

(58:32) They show Trivia Bot's custom animation for becoming a snail and it's really cool

(59:12) The music was the most stressful part of the project. Grian spent 2-3 days looking through Epidemic Sounds for a Trivia Bot theme song and couldn't find anything good. He commissioned Zera @hopepetal for a theme song, which is played in the podcast. However, Grian realized he needed a full audio package, so he commissioned Oli late in development, who created the final soundtrack and many audio variations

(1:01:38) Grian wants to send appreciation for everyone who worked on the project, even if their work ultimately went unused

(1:02:58) Skizz was happy to give back however he could by staying on standby in the final episode as a zombie, as the players were able to "reap all the benefits" of the hard work of the development team

(1:05:21) Grian didn't know any of the trivia questions beforehand, which were done by fans of the series. The goal was for ~50% of the questions to be answered correctly, which was approximately met

(1:07:11) Players couldn't get questions about themselves because it would be too easy. This would encourage players to leave their bot, allowing other players to mess with them

(1:07:57) Grian felt a little left out from the discovery element of the wild cards, and decided to mess with Scar by hiding his bot. He wasn't expecting Scar to die from it, and could tell that he was genuinely a little upset by it. Grian felt bad about it, which led to a genuine in-game alliance between them

(1:12:32) Grian was very close to letting Trivia Bot give lives as rewards, but decided it would feel too cheap

(1:14:38) Mob swap was slightly toned down, with more camels and sniffers spawning

(1:15:07) Evokers didn't drop totems anymore. Instead, there was a minuscule chance a warden or wither would spawn, which would drop a totem if killed. Grian was a little disappointed that the warden got cheesed in the end

(1:17:45) Having the mobs start passive and turn hostile was mostly for the presentation, building anticipation, and so players could predict where mobs would spawn and react accordingly, making things feel less unfair

(1:20:32) There was no superpower made for Skizz (or Mumbo presumably)

(1:20:38) The superpowers were another late addition. There was a large design doc where Grian created all the powers, which were handed over to Henkelmax and completed over 4 days

(1:21:42) Grian avoided superpowers involving strength, that could cause someone to die easily. Most of the powers were social or movement-based, which couldn't be used for offence as easily

(1:22:25) Some powers were randomly assigned, others weren't. Impulse's was random. Cleo's, Bigb's, Lizzie's, Grian's were assigned.

(1:24:25) Grian gave himself the mimic because it could easily backfire (like in Grian's fall damage death), and because it would've been confusing for a player who wasn't aware of the other powers. They likely would've spent the episode just figuring out how everything worked and not actually using the power to its best ability

Lots of discussion about the superpowers and how they interacted in the episode itself, go watch if you're interested :)

(1:33:38) Talk on how the series "standard" rules evolved since 3rd Life. There was no keep inventory, and no restrictions on enchanting levels or potions, which created slow or unbalanced fights

(1:36:23) 3rd Life was designed to be an experimental series, which made Grian eager to improve it. For example, some people just weren't dying in 3L, leading to the boogeyman in LL, and so on

(1:37:17) The goal with the seasons isn't to one-up the previous one, but to create a different experience every time, which keeps things engaging for the creators

(1:38:31) At the end of each session, Grian would ask the group if they had fun and how they felt about the wild cards. According the Skizz, the answer was "a resounding yes"

(1:39:08) Grian had moments throughout the season where he personally felt like things didn't go well for him, and was anxious for the rest of the group's episodes. Things worked out while editing the raw footage, though. His issues were never with the wild cards themselves, but his own actions (traps not working, spending too long branch mining), but would always find funny moments in his footage

(1:43:41) Everyone in the Life Series cast genuinely likes and genuinely respects everybody else in the group. This allows them to make the show and get mad at each other, because they know it's all just in-character

(1:44:50) It'd be hard to top Wild Life in spectacle, and Grian doesn't want to start an arms race with himself. The next season could potentially be closer to 3rd Life, but Grian's not sure yet. For Grian, Wild Life was the most enjoyable

(1:45:20) Grian: "As long as people keep enjoying [the Life Series] then I'd love to keep doing it"

(1:49:35) With the finale, Grian knew how the wild cards played out the previous sessions and was able to adjust them

(1:49:56) Grian's goal was to create safe chaos where everyone knew what was happening and wouldn't die to them, which didn't go entirely to plan. The snails were 60% of their original speed and people still died

(1:51:03) Grian made a precise timeline of when each wild card would start/stop, it wasn't randomized.

(1:54:16) All the superpowers were randomized, with Bdubs' power being removed from circulation because it didn't have much use in a finale setting

(1:56:10) It was important for Grian that in the final moments, the wild cards were removed, so there were no interruptions. The timing worked out well because there were a few people left and it ended within ~10 minutes (this implies that the change wasn't based on # of players alive, as people had speculated based on Gem's death)

(1:58:48) The players all randomly switched to zombie skins throughout the session to mess with people on NameMC. Well-played :)

[bethanydelleman]

Maria and Tom both believe that Edmund joined the play because he couldn't stand anyone else acting opposite to Mary Crawford:

Such a victory over Edmund’s discretion had been beyond their hopes, and was most delightful. There was no longer anything to disturb them in their darling project, and they congratulated each other in private on the jealous weakness to which they attributed the change, with all the glee of feelings gratified in every way. (Ch 17)

and I'm inclined to agree with them.

I want to say that Edmund's central problem is that his principles are not firm. He HAS the principles. He knows what's right and he wants to do what's right. But he talks himself around them. And to some extent it's his inherent niceness--a desire to like and be liked-- that pushes him to do it.

He knows the play is a bad idea. But he's convinced to do it anyway by the slight change in circumstances. (And on this one I'd really have to go back to see what I think his actual motivation is. I'm not sure if I'd say the error arises from self-righteousness/self-importance-- I can fix it, I know better, I can make it okay-- or justifying a desire to spend time with Mary, or not wanting the group to not like him/wanting to think better of them and what they're doing, or a combination of all of that).

He would disapprove of Julia and Maria's interactions with Henry but he wants to believe the best of all of them so he in trying to give them the benefit of the doubt he's blinded to the reality of the situation. And in wanting to 'keep the peace' and think well of everyone he neglects his role as an older brother, and forms a poor understanding of nearly everyone's character.

He explains away Mary's faults (or is blinded to them entirely) because he's in love with her.

And he initially approves Fanny's rejection of Henry, but then tries to talk her into accepting him because he wants to believe that Henry (in part as an extension of Mary) is a great guy and because he's got a picture in his head of a happy little future where he's married to Mary and they hang out all the time. So he can't accept what Fanny's criticisms of Henry and he can't hold onto his initial instinct of defending Fanny's decision.

In a way, constancy is a central concern of a the book. On side we have Fanny who is consistent in her affections all the way through (her loyalty both to William and to her love for Edmund) and who even when she struggles to voice them is firm in her principles. Even when she starts to believe that Henry may have changed, she doesn't really waver in her decision to reject him. On the other side we have Henry who is fickle. He flirts with Maria and Julia, and then jumps to Fanny. His plans are constantly changing. He starts to change for Fanny (but even there he's being driven by what SHE thinks not genuine principles of his own) but can't maintain that and flips back to Maria at the first temptation. And Edmund is squarely in the middle, torn between Fanny's influence and the Crawfords'. Edmund first has to be forcibly confronted with his errors and then respond by growing up and learning that constancy.