#GET DOWN MY POOKIES

[lesbiansurge]

seeing "trio assassination" starting to become an actual term in brawl community is so funny to me. first cinema trio now brawlywood trio. We need that gay ass knight and his boywife to shelter somewhere. AND WE NEED THE we need shithead and shrimp to fucking RUN. QUICKLY.

[bakudekublogblog]

the way katsuki just IS izuku's first love drives me nutty. like he just had a big ole crush on him with his huge-ass heart eyes and he chased him around with maximum puppy-love smitten energy

[brainrotcharacters]

"His little pet Wolverine."

"Tell me somethin'. Are you pissy because I left, or because I'm with him now?"

[formulanni]

My Pookie wookie sugarplum babygirl

[thegreatgremlingang]

its so funny that jiang cheng has absolutely no girls in universe but he has a entire mob, throng, horde of women ranging from teenage girls to middle aged women (me included somewhere) desperately wanting no more than to be in his walls, his food, his clothes, his mouth, his arms, his bussy, his soup, etc etc

[whisperingn1ghts]

Toxic Yuri.... Save me

Reference below!!!

[asclexe]

i got my stupid fucking friend into house look what he sends me every fucking day

should i disown him

[generalsdiary]

Moze x Jiaoqiu

warnings: none

word count: 900~

description: just them being domestic (pre-2.5 events)

moze is the type of husband who always cleans, keeps everything neat, he will run (quite literally) anywhere and do any errand without complaint, nothing is too hard or difficult for him. he is v protective, „I promise I will bring him back“, nothing is stopping him from getting his husband back, he is confident in his abilities, to the point he isn't even worrying. he always attentively listens to jiaoqiu’s ramblings, his full attention on the foxian. he will eat anything jiaoqiu puts before him, no matter his preferences. uttering simple praises after the meal and never letting his husband clean up.

at night he cuddles with him, being the big spoon, holding his husband close, face buried in the orangey pink hair. like a touch starved kitten, he gravitates to him during the day, always hugging him- backhugs are his favorite. jiaoqiu always smiles, a sparkle in his eyes with each embrace. moze is often quiet, very thoughtful- usually ending up blunt in his words but not cold, never cold. the care and love for each other shown in the soft words, gentle embraces and lingering gazes. moze doesn’t do causal touches, his hands don’t wander to jiaoqiu’s soft tail, or even softer ears, or to caress him. he doesn’t want to overwhelm his husband or make him uncomfortable. yet when they stand close he bumps his nose against his. and when he is so so tired he rests his forehead on the shorter man’s. recharging, seeking comfort, love. luckily for him, his husband knows his main love language is physical touch. jiaoqiu bringing his hands to cup his cheeks, thumbs caressing the rough skin. he misses the smile that brightens the foxian’s face, his eyes shut relishing in the sensations. such a sensitive and responsive man. jiaoqiu is the only person moze allows to touch him, to drag those soft fingers across his scars, through the silver hair, to see him shirtless. he is the only one with whom he makes and keeps eye contact. moze is the type of husband that even without being close jiaoqiu can feel his touch on him. sitting across him, over a hotpot. lilac eyes on him. full of love. as if he is caressing his husband’s cheek at that moment. making jiaoqiu’s chest feel warm from the feeling of such a silent expression of admiration.

on the days jiaoqiu voices that he feels tired a quick response is given in turn “I can carry you.” a blunt, straightforward, and the same offer every time. he is more than happy to carry him + he enjoys showing off for his hubby. not caring for the public opinion or any observers; it doesn’t even cross his mind, jiaoqiu’s happiness the only thing on his mind. sadly, he is always rejected (occasionally making him pout). moze doesn’t even know why (painfully obvious why, the rare blushed jiaoqiu further confirming it). shadows are his safe haven, but jiaoqiu is his peace. they fill each other's needs, like puzzles fitting together, completely domestic in their behaviors; perfect for general feixiao’s safety and well-being. despite working together they don’t get tired of each other. work is work and their house is home.

coriander is not allowed under this roof and no big lights are ever on. when they have guests, jiaoqiu compensates with many small lamps, fairy lights, and a bunch of candles. unscented ones. otherwise, they would clash with the meal. sometimes, jiaoqiu will light a scented candle, but it won’t be lit for longer than an hour, otherwise, he would get overwhelmed due to how sensitive his nose is to smells. moze being the clean freak, and insistent on maintaining really good hygiene and not strong perfumes so he can do his job perfectly would just make jiaoqiu purr if he could. type of husband truly only for him. jiaoqiu is quite a social butterfly and he drags his husband with him, who will grumble a bit and then go along, and behave politely to the best of his capabilities. moze cannot read a room to save his life, short in his sentences and straight to the point despite pondering his words prior, they end up always coming off blunt. he means no harm and what he says is usually of little matter, and none of it holds any weight to him when all he needs is to hear his darling chuckle or gaze at him and all is well in his world. the only result he could possibly ever wish for.

and when they kiss? the lighting and shadow with fire and spice? the I talk a lot, flirtatious, rarely flustered with I listen to you with heart eyes, mainly unaffected but you make me smile. well… they keep it private. such actions feel too personal and intimate for them to be shown in public and given for anyone to see on display. they hold it too close to their hearts, it matters in a different way to them. something near and dear. they won’t be caught showing pda, not even holding hands- well they rarely hold hands either way. it is behind closed doors and in the privacy of their home that their lips meet, and hands wander, leaving soft touches in intimate places that they’d never do in public (unlike many others). it means too much to them.

[officiallydarkgeek]

Amazing character 10/10 I totally buy the mafia boss vibe Sylus has got going on. Big problem tho, next person to give me orders so blatantly will get a bullet to the head, even if just to be a pain on his ass.

My personal rant about Sylus (not a hate to the game, a hate to how his psych profile clashes with mine) SPOILERS AHEAD

It's my issues okay. I'm well aware. But Sylus annoys me so much I hate blatant domineering people and I have no other choice than to annoy the ever loving FUCK out of them like a fucking cat.

Gaining Affinity points is like pulling teeth and the diamonds are the thing that motivates me. I see him being sweet and don't believe a single word. If I had the option I would throw him paperballs every time I saw him, just to show my blatant displeasure and disrespect.

It would not be wise. I would do it anyway.

If I was the MC I would 100% find a way to fight my way to a top ladder, get myself a reputation, gain my bargaining chips and set myself as his equal so he no longer has any hold over me, or at least make it so it's not wise for him to cross me either/it's wiser to keep me on his side.

When Phil (the Shopkeeper) told him MC probably felt disgusted by him Sylus looked SO indignant it was glorious, and when he said she had to accept him I outright cackled.

JUST LOOK AT THEIR FACES it made everything worth it truly

[allastoredeer]

Can I ask some of your pet peeves that will make you say ew, no and turn back to a fic? Far from the top Al/bottom Luci that you have talked about

I, for example, can't stand any fic where they punish Stolas or Blitzø for what led to the breakup, and there's a difference between exploring a perspective and rejoicing in crushing a character. I love the relationship between Niffy and Alastor but when they infantilize her? Yes, no, goodbye. If your found family dynamic is trying to crush the characters in the nuclear family boxes I DON'T WANT IT

Certaintly!

And I totally agree with you about Niffty being too infantilized. She is a grown ass woman, even if she acts childish at times. Also, I can't stand it when people put all the blame on Blitz's and Stolas' relationship on either one of them too. It's a very complicated relationship where they have both made mistakes and both of them suffer from unresolved trauma.

Here are my pet peeves:

The implication or outright statement that Alastor's love interest "taught" him how to love, or "showed" him how to love. It implies that there was something in him that was lacking, something in him that needed to be "fixed," and the aphobia is so real it puts a horrible taste in my mouth every time. Implying that a basic human emotion such as love is something that Alastor had to be taught (especially when in reference of his asexuality), sends me clicking out of a fic so fast my browser crashes.

Overuse of the word "deer" in substitute for "dear." Look, I know its a popular nickname. Yes, it can be cute. But terms of endearment like that are cutest when they're used sparingly. When its used a lot, it gets very old and very repetitive really fast. I can't get lost in a story when the words "my deer," or "yes, my deer," or "of course, my deer," or "no, my deer," is used every other sentence. It makes me want to pull my hair out. (Also Alastor using the word "dear" so much. He does say it, but not that often, even in the show. Like I said, endearments like that are much more effective when they're sprinkled, and not every time he opens his mouth).

Lucifer coming off as too naive or innocent. I'm okay with him being naive to modern day Hell, but the guy isn't stupid. And he sure isn't innocent either. When he acts too cutesy and sweet, especially for the majority of the story, I lose interest. Where's the spice? Where's his bite? Where's the guy that went from 0-60 in the blink of an eye and insulted Alastor within the seconds that he met him? (Also any fics that have him making a deal with Alastor so easily. Or Alastor manipulating him into making a deal. Or he's ever, at any point, scared of Alastor. That bitch is not scared of him, even when Al's in his big, creepy demon form. Lucifer would not be blink an eye.

Anytime Lilith is depicted as an abusive, shallow and neglectful wife, especially when that's also made to be the sole reason for Lucifer's depression.

Lucifer being overly obsessed with ducks. It's the same as the "dear/deer" thing. I don't mind seeing it sprinkled in through his character, but I hate it when its used as a defining trait.

Alastor coming off as too much of an old-timey gentleman. Or coming off as super masculine. If I can't imagine him sassily flicking his wrist or lounging on a bed, kicking his feet in the air, it takes me out of the story. I can't stand it when he's written so stiff. Too much like a prim-and-proper butler in an old movie when he's one of the most flamboyant characters in the show.

Over use of the word "picture-box" in reference to Vox. It's the exact same as "dear/deer." It has the potential to be cute, but it's so overused. It makes the dialogue sound clunky and unnatural when its repeated so often, and sometimes, it's when it's used that throws me off. It's the kind of word that clutters a sentence, and if its not used right, it sticks out to me like a sore thumb.

But what's probably my biggest pet peeve is when Alastor's dialogue is bland. Like, when he doesn't sound like a person and speaks like the walking personification of an instruction manual. When his words are too artificial, impassive, and formal. Alastor is very expressive when he speaks, he has a lot of vocal intonations, and he actually uses a lot of body language and hand gestures when he talks (see his entire first interaction with Lucifer). He can be very stiff, like when he's walking with his back straight and his head up, but he also spins his cane all the time. He flicks his wrist. He snaps his neck at 90 degree angles. He uses wide and expressive body language. He uses his cane to gesture at things. His face is very animated. And most importantly: he's an entertainer! That's how he keeps peoples attention on him. That's why is presence can be so big. He needs showmanship! And a lot of that showmanship comes from his voice. He deals in radio, which is all audio! He knows how to keep an audience with nothing but his voice. So when he sounds bland and impassive, I can't keep reading because I can't even see him as the same character. I feel like I'm reading an OC. Or an off-brand, less interesting bootleg version of him.

Adding onto the above, another pet peeve is when Alastor's internal thoughts are as bland and formal as his speech. Even if he's being written intentionally super formal, especially as part of a ruse, his head is where he doesn't have to keep up the act. His thoughts do not have to mimic his charade. He has the freedom to 100% completely and wholly be himself, because his act doesn't extend to him. If he doesn't sound like a a person who had once lived on Earth, who lived a whole human life, in his own internal thoughts, I can't even force myself to keep reading. His mind is the perfect place to see who he really is, and I have a hard time believing the real Alastor is the charade he puts on for everyone else.

There might be more that I'm not thinking of, but I'll add to the list as they come back to me.

LOL as you can see, a lot of my pet peeves revolve around Alastor. I can be a very picky reader, especially when it comes to him.

But I will say that a lot of these pet peeves also depend on how they're written. I have read, subscribed, kudo'ed, and bookmarked stories that have had multiple of my pet-peeves, but they were written in a way that was either so small that I could overlook them, or the story & plot were so interesting that I ignored them and kept reading.

I can enjoy fics that have any of the above, it just depends on how the author writes it.

[mikeymadisonsvibrator]

try not to confess your murder attempt to this adorable face (level impossible)

[vampire-caprisun]

Post battle hugs 🥺

[beyonceswigs]

Just played The Wayhaven Book 4 demo and M reacting THAT way initially made me mad until I remembered that they’re canonically an Aries

[iddybittysnail]

on the dance floor. straight up "funrkin' it". and by "it", haha, well. let's justr say. My dismcohorlc.

[ox1-lovesick]

hi

[torgawl]

everytime i think about the new chapter the more and more i like it, it really consolidated yuuta and gojo's characters. the revelation of how the higher-ups were taken down and the set-up for the scene with gojo and yuuta's conversation about what their plan was for gojo's body, in case he lost, might just be the part i find most interesting. all in all, the chapter really highlights the underlying difference between the violence of oppression and the violence of resistence and revolution.

when it comes to yuuta and the archetype of his character he is the pure embodiment of love in the series. if yuuji is able to reach sukuna because he was one with him (love as oneness), yuuta's entire exitence has sorrounded love and, specifically, love as a curse. sukuna's surprise at yuuta's antics come from a place of not understanding love and therefore being unable to conceptualise that yuuta would go so far as betray his own humanity for it. he can't conceive how love can drive a person like yuuta, who's sweet and kind-hearted, to a place as cursed as this - emphasised by the sheer horror and heinosity that is seeing the usage of gojo's dead body with yuuta's innocent expression. but we know that yuuta's journey has always been marked by this concept of love as a curse, starting all the way back in jjk 0 where yuuta's unwillingness to let go of a deceased rika caused her to linger in the world in the form of a cursed spirit. one that yuuta learns to let go of by the end of the story. a lot of what he learns in that moment is about consent and mutuality in love (hence his domain expansion name), and although rika's soul passes and gets freed she is able to manifest her will into her vessel that continues to protect yuuta until this day. yuuta asking gojo for consent to use his body not only consolidates this mutual exchange and respect that he has for those he cares for - which are his main driving force - but is also exactly what separates him from someone like kenjaku, who body hops with total disregard for who they were originally. so there's that layer of irony behind yuuta having rika consume kenjaku to copy his technique and make use of it in a equally disturbing but more compassionate way. which in itself can serve to both question if intent plays a role in absolution and introduce, once again, the idea that humans and curses are not so different, as explored between mahito and yuuji in shibuya with them mirroring each other.

in regards to gojo i think his aknowledgement of his own inertia when it came to the revolution that he was leading was the cherry on top to consolidate who gojo really was as a person. gojo's greatest character flaw was arguably that he simply wasn't radical enough, allowing his students to be targets under the influence of the higher-ups. he had reasons not to kill them, as he explained before in the series, but he still failed to weight the consequences of his own actions and how no one is rewarded by working under a broken system. and i feel like having the youth he guided watching as he killed them is also quite significant as they're followers of this new revolutionary ideology.

i think the shock or impact these violent or twisted acts by the hands of those forced to survive within the status quo (like maki slaughtering her clan, gojo killing the higher-ups, yuuta taking over gojo's body) as a reaction to the violence they're subjeted to by this same system serves some purpose. and i think this is the reason the higher-ups are these anonymous faceless figures, barely-there personalities who have such a big influence in the lives of so many people. even in the real world, and we can think of systems like capitalism and how it exploits people in such a casual way and it relies on that exploration to survive, we sort of take for granted that violence coming from those institutions, having our attention driven away from the minority that's upholding these systems to other things instead. that violence is more "acceptable" because we've been conditioned to it whereas the violence in response to those acts is always met with more scrutiny. and that kind of contextualises why shoko and nanami, for example, much like gojo, aren't really revolutionary with their ideals either - or rather, do not get that priviledge. the difference being gojo was someone these higher-ups were actively afraid of, because if he wanted to, he could have done more. and that's exactly why the instant he was sealed it was the perfect opportunity for them to do whatever they could to prevent him from coming back and place new-drawn targets on the backs of the people gojo was protecting. the gruesome nature of maki slaughtering her clan or the off-putting way people react to yuuta discarding his own humanity and going against what he believes is right to make sure gojo's legacy continues is almost forcing this question of what are people willing to stomach in the name of survival and change.

gojo remembering geto in that crucial moment ("i was falling behind" or "i have to catch up") and just having in mind how they were both so young and naive is so incredibly bittersweet. geto had radical ideals, no matter how misguided. he looked at the world and he had this unshakeable conviction that things couldn't continue to be the way they were. he reached incredibly misplaced conclusions, yes, which came from a place of great pain and alienation, but gojo finally stepping forward to follow that same path, to be more radical, also sort of confirms that things could have been so different if only gojo had the same level of consciousness back then; that they could have found a way better solution together instead of the tragedy that ensued. the parallels between them add an extra layer of wistfulness to their bond, too. their fates have and always will be so intertwined, in such a beautiful and tragic way. and i think geto's unwillingness to force gojo to take a certain path will always be one of the biggest proofs of his love towards him. at the end of the day, even knowing gojo was who he was, geto always seemed to want to protect gojo's path from being stained like his.

at the core, jjk really is a story about revolution and humanity; a story about love and curses and how love is the most twisted curse of all (which has been reinforced over and over again). the fact some are rewarded and some are punished for taking certain paths under the same system is there to convey a very specific message. i really love the incorporation of eastern philosophies within the story and the role horror plays, too. the usage of the genre to deepen the impact of these themes and the way things are introduced with the intention to provoke almost visceral reactions in the readers (much like yuuta's own reaction) also makes the message much more impactful. i think this chapter was great!!!