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s1utspeare · 4 years ago

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DMBJ Characters as Shakespeare Leads

I got into it in the notes of a moonfall echo post and now I’m going insane about what Shakespeare Characters each DMBJ person vibes the most with who do I blame for this

ANYWAY WELCOME TO MY LATEST NONSENSE THESE ARE MY PERSONAL OPINIONS AND ALSO BASED ENTIRELY ON VIBES ALONE

WU XIE as VIOLA from Twelfth Night

okay bear with me, I know this is a strong one coming right out the gate. But the GAY ENERGY. the ATTEMPTING TO BE SOMEONE THEY’RE NOT ALL THE TIME. the sheer amount of LOVE INSIDE. also this bitch spends SO much time in the series dressed up as other people like??? mans loves cosplaying except the cosplay is for Life and Death Situations. also the love triangles are hilarious. plus they’re both cute and gay and i love them

ZHANG QILING as CORIOLANUS from Coriolanus

did i choose these two because they’re arguably the hottest characters in each of their canon? maybe. also Cori Boy is the only one violent enough to even come CLOSE to xiao-ge’s deadly energy. I could have done Hamlet, who is the only other real Shakespearian swordsman, but Hamlet talks too much. also something about the desperation and side-switching that appeals to me. OH THEY BOTH HAVE GOOD TITS yeah that’s a good reason too

WANG PANGZI as THE FOOL from King Lear

okay before any of you come for me in the notes, the Fool is arguably the greatest Shakespearean character. They’re only CALLED the Fool cause it’s their job, but actually they’re the only one with any braincells in the play. Both start out as the archetypal comic relief character and then become the heart and soul of the story. The Fool makes a bunch of jokes and also prophesies the end and possibly is magic?? who’s to say. But anyway Pangzi also does all of those things and I feel like he should get to wear a funny hat. plus the Fool just has to deal with idiots trying to take his job by being clowns for free, and Pangzi can relate to that energy I think

LIU SANG as ARIEL from The Tempest

If it weren’t for just the SHEER amount of creepy magical energy they both exude, it’s the loyalty and sacrifice that does it for me. Not only are they both Ethereal Beings, there’s also a lot of sound ties to Ariel in The Tempest, so like it checks out. Plus they both Crouch. Also I just want Liu Sang to be able to smite some bitches sometimes. That would be good for him (it’s NOT because they’re both my favorite characters IT’S NOT)

Bai Haotian as Puck from A Midsummer Night’s Dream

So this is not only because i have a thing for casting women as Puck, but also because they fit so well together!! like. they both have crushes on people they perceive to be in authority! they both like being helpful! they both should get to be a little feral and also do magic! like Xiao Bai would be SUCH a cute Puck and if Wu Xie weren’t such a dumbass he’d make a good Oberon but alas. He is a Dumbass. so Xiao Bai is Puck but Wu Xie doesn’t get to be in Midsummer because he is simultaneously Too Dumb and Not Dumb Enough.

LI CU as PRINCE HAL from Henry IV Part I

sorry for more Tom Hiddleston pics but he’s genuinely like the best Shakespearian actor I’ve ever seen, and he’s done it all. Anyway Li Cu is Hal but specifically Hal from Part I because Part II isn’t as good and Hal is basically Dead when we get to Henry V so it has to be Part I. Anyway. Troubled youth who doesn’t want to do what his father wants so he basically gets kidnapped and raised by an older man who is full of Trickery and also Witty Remarks? The Best Friends Trios? The evolution into a Hero in Their Own Right? These guys are perfect for each other. Also I go feral about both of them at any given moment

A-NING as LADY MACBETH from Macbeth

YES I used A-Ning from Time Raiders because I think she’s the hottest version of A-Ning WHAT ABOUT IT. Anyway A-Ning could be no one other than the scheming girlboss Lady Macbeth. They’re both Morally Ambiguous but Fuck they look so good doing it. Can And Will manipulate literally any man into doing what they want. Su Nan was also a contender for Lady Macbeth because she resonates very strongly with the “Out, damned spot!” monologue, but she respects authority too much. A-Ning would not hesitate to kill the bitchass king of Scotland so that her family could ascend to the throne and I love that for her

ZHANG DADDY RISHAN as HAMLET from Hamlet

OKAY BEFORE ANYONE SAYS “brigid i know u chose them because ur a simp for zhang daddy rishan and ur a simp for hamlet stop being so predictable” LITERALLY NO ONE ELSE COULD DO IT THO??? LIKE??? ok they both are setting their life purpose on the bedrock of an older mentor figure’s death... they both have to deal with conspirators trying to usurp them... both the Ultimate Tragic Hero and Make Me Cry Every Damn Day... both are torn away from their nerd boyfriends by death... they both live in my head rent free... I know Zhang Daddy Rishan does not talk as much as Hammie Boy but I 100% think that there’s a CONSTANT monologue going on in his head at all times. Also the Am I A Coward speech? That’s our Daddy Rishan to the MAX. No one look at me or im gonna start making picsets of him with Hamlet quotes superimposed over it I swear to GOD

and finally....

WU SANXING as IAGO from Othello

Not only does this picture from the NTL production of Othello represent what I want to do to Sanshu every time I see him onscreen, but these bitches are two of The Fakest Hos I have ever come across. It’s a love-hate relationship with them most of the time; you hate them for what they’re doing to the heroes, but they’re so good at the Trickery that you can’t help but admire them for it a little bit. They can, have, and will sell their family members for a single Lick of Power and Wealth. And yeah, you could MAKE an argument for them to be Good or at the very least Morally Ambiguous but they’re both giant dicks and deep down in our hearts we all know it.

#so welcome to my hell #it's an ambiguous amalgamation of all of my interests and they only sort of interlap #anyway i have a lot of feelings about Shakespeare and a lot of feelings about DMBJ #if u have any questions or would like me to assign a different character a Shakespeare-sona #or would like me to assign YOU a Shakespeare-sona #please drop by my ask box #thank u and goodnight #dmbj #dmemebj #the lost tomb #billy shakes #i did not have to do this and yet

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fillingthescrapbook · 3 years ago

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Rewriting The CW's Kung Fu, Part 9: Reflections and Moving Forward

And we have reached the end of our Kung Fu journey. If you haven't seen where we began, here's a handy guide to the previous posts:

Part 1: The Characters

Part 2: The Pilot

Part 3: The Mythology

Part 4: The Story Map

Part 5: Act I

Part 6: Act II

Part 7: Act III

Part 8: The Finale

Before I start with the lessons I learned and my other reflections, I want to thank @flailingbloo for all of her help and support in this endeavor. Without her to talk to and commiserate with, I would probably have gotten stuck in Act II forever and everything I've written would've been riddled with spelling errors and grammatical mistakes. So my eternal gratitude to flailingbloo. And now, we begin:

Lessons.

Going into this writing exercise, I already knew it was going to be hard. Writing stories is time-consuming, it's nerve-wracking, and it takes a lot of research...and patience. Writing, especially for television, is also not a solitary task. I mean, sure, the writing itself needs to be done alone--but everything that comes before, during, and after the writing needs input from so many people.

Although I have a lot (and I mean A LOT) of complaints about how The CW's Kung Fu was handled and written, I do have a lot of respect for the work that the writers put into their scripts. And I do appreciate all that they have done to have a show like this produced.

Doing this rewrite, I learned that it's really important to make the main character likeable. Like, every episode I broke down, I had to ask myself: is Nicky likeable here? Is she someone who viewers would want to root for? Like, for me she is, but only people who read what I wrote can say for sure. My perspective is now a bit skewered because I have bias.

Second, story maps are very helpful. There were times, especially during Part 6 (where I wrote breakdowns for Episodes 6 to 9) where I kept getting road-blocked by where I want the story to go. So I went back to the story map over and over again, to remind myself--where does the story itself need to go? How do I help the characters get to the point where they're ready for what needs to happen? (This is also where flailingbloo helped the most for me. Like, she really reminded me why I was doing this rewrite in the first place. Because I care about Nicky and the show. I wouldn't have funneled so much of my time and effort into this if I didn't.)

Another thing I learned, or rather re-learned, is the art of letting go. I created the character of Stanley to recur throughout the series as a reminder of who Nicky was and who she is becoming. And then I finished writing the first act without even mentioning him. By the second act, I was ready to use him finally--but, after multiple false starts, I realized Stanley was one of the reasons why I was having a hard time pushing Nicky's story forward. Because I kept trying to go back to the past. So I decided in the writing of the second act to shelve Stanley completely, only to find him popping up in the second to last episode in a, at least I hope, more organic way.

The last thing I learned in this exercise was that, whenever a new character needs to come in, I have to look at my existing characters first to see if any one of them can fulfill the role I needed for the story. Like, creating new villains for Nicky was fun, sure--but, at the same time, I realized that there were already existing villains that could recur. Like the Triad, who played villains in two more episodes after the pilot; and Henry's martial arts class at the community center became the source of two existing storylines from the actual show.

Reflections.

Do I think what my rewrite is better than the show? To me, yes. But, again, I am very biased. That said, I am proud of how I utilized the characters that the show created and didn't really give much importance to. Dennis, when he was introduced, felt like a rich character that could provide a very different point-of-view from the Shen siblings--but he was mostly relegated to being eye-candy. And I thought I gave him more meat by making him more involved in Althea's sexual harassment storyline, while also involving him in Nicky's stories.

That said, I also realize that I wasn't able to play up Nicky and Evan's past relationship as I was writing the episodic breakdowns. I was able to give them a lot of opportunities to explore their chemistry together, as I did with Nicky and Henry, but I kind of dropped the ball as a writer on guiding those planted moments into something more significant. Granted, I only wrote breakdowns and not actual scripts. Maybe I could've explored the romance angle more with a little sprinkle of direction and dialogue.

As I went deeper into the rewrite, I do see how easy it is to fall in love with characters as you write them. It's very easy to trap yourself into wanting villains to be more well-rounded. I keep having to remind myself that I don't have to redeem everyone. Just Nicky. Which became harder and harder as I went further and further into the story.

Another thing that became difficult as I went on? Keeping the mythology from just bursting open. That's how Henry, as I wrote him, evolved into becoming the son of a guardian--just so there's a reason for him to be so invested in Nicky's quest, while also having someone who can explain things to our main character. I'm actually really proud of that evolution.

All that said, I also have to recognize that I rewrote the show with the benefit of hindsight and the lack of budget constraints. In the real show, there's a group of writers who each have their own ideas of what the show should be. (This is where a head writer--not a show runner--would come in handy, so they could reel in the story to what needs to be told.) With more writers comes more chances for inconsistencies to happen. (And this is where a script supervisor, or a writing assistant, could come in handy.) And then there's production notes and budget. Not to mention, you know, the whole pandemic that's still happening. I didn't have to think about those things while doing this rewrite.

So, again, I want to give the writers kudos to actually producing scripts. I hope they haven't lost their minds--or their will to write--just because there are people like me who nitpick at everything. That's what people who love things do. We nitpick because we care.

Moving forward.

I do plan to stick with the real show for Season 2. I hope it's planned better. I hope they get researchers (plural!) and a writing assistant to help in the writing room. I hope the writers would sit down with the cast to discuss and develop the characters more. And I really hope they hire a better fight choreographer and fight director for the second season. (Like, rehire the people who choreographed and filmed the flashback scene in... Episode 11? The one with Nicky's maternal grandmother and Pei-Ling's own mother?)

I hope that the Nicky-Henry relationship gets explored realistically, and if a potential new love interest is ordered, they get introduced in a way that isn't antagonistic. Make them more well-rounded characters too, please. Make us want to root for their success. And while I think Nicky doesn't have an iota of chemistry with Evan, I do like Evan himself as a character. So I hope they get him more involved in future storylines--as an outsider looking in, sure, but also as an honorary member of the Shen family.

With regards to the Shen family, I do hope that we get to explore their relationships and dreams more before the show drops the reveal about Mei-Xue's daughter. I want Althea to have a cohesive storyline that doesn't pause for no reason. I want Ryan to explore being Asian AND gay as a first-generation Asian-American. And give the Shen siblings some recurring friends. They don't have to be semi-regulars (unless there's a story that can be explored) but let's not keep the Shens in a bubble. It was weird in the first season. Especially for Althea whose friends only showed up for her bachelorette party and never again. Not even when she was panicking about wedding preparations, which, considering how rich Dennis's parents were? They wouldn't let Althea be in charge of anything. They would hire a Chinese wedding coordinator. And an expensive and hard-to-book one at that. They donated an entire hospital wing, for crying out loud.

I want Jin to have an actual character, and not just be the supportive dad who loves his kids very much (admittedly my own rewrite also made this same mistake). And I want Mei-Li to be consistent as a character. Like, no more surprise twists about being the descendant of a legendary warrior without proper foreshadowing and plot-planting please.

Dennis shouldn't just be eye-candy. The same applies to Kerwin. Sure, I get that shirtless men are a must in a CW series, but please give their characters some meat too. Dennis's nerd-side was never showcased in the show, and Kerwin had that poor little rich boy background that didn't get explored either. Because the show was too busy keeping him and Zhi-Lan tearing each others' clothes off--when they're not tearing other people down.

Also, don't drop the ball on the tease that Bian-Ge is now everywhere. If I understood correctly, Bian-Ge is Kung Fu's version of Qi. If yes, then I hope they treat it respectfully as a force of nature--and not just the source of magic. The flowers from Bian-Ge itself can be magical, sure, I have no problem with a fictional flower being a McGuffin.

Finally, I hope the show also explores other Asian communities and cultures. Like, Kung Fu is great--but imagine if Nicky had to face someone who is versed in Silat Melayu? Or someone who uses Arnis? Someone who practices Kalaripayattu or Lathi Khela? Or Kuntao? Imagine Nicky having to use Wing Chun against someone who uses Karate or Krav-Maga? Asia is a big continent and there are so many different types of martial arts found from the Middle East to Southeast Asia. Kung-Fu is an umbrella term, so it'll be great to see the different styles found under it.

... This went long again. Sorry about that. Funny thing is, when I started this whole rewriting plan? I thought it would take three posts, tops. And look at us now. Nine posts deep, and it seems I still haven't run out of things to say. So I'm cutting myself off before I completely wear out my welcome.

But if you've read all my Kung Fu posts, please do reach out. Let's discuss the show and what it can do to produce a better second season.

#Kung Fu CW #tv talk #my words

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polarisstop · 2 years ago

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God eater 2 english voices

There’s currently no definite release date yet but we’ll definitely let you know as soon as Bandai Namco announces it. God Eater 3 will be available for PlayStation 4, and PC via Steam sometime in 2019. – Dynamic slayer fights with high speed action – First GOD EATER game imagined and conceived for new generation home consoles Explore devastated areas you have never seen in the previous GOD EATER games. God Eater 2 in Europe has a physical Vita version that includes God Eater Resurrection code. Select your weapon from a wide range of God Arcs and face brand new Aragamis in dynamic high-speed battles. In a world ravaged by mad gods, these “God Eaters” fight a desperate war…Ĭreate your character, and fight for the survival of human-kind in GOD EATER 3. Following the development of “God Arcs”-living weapons which incorporate Oracle cells-their wielders, the “God Eaters,” appear. One single ray of hope remains for humanity. With an epic story, unique characters, and all new God Arcs and Aragami, the latest evolution in.

It features a new setting, as well as new protagonists, new monsters, and new weapons. In the face of an enemy completely immune to conventional weapons, urban civilization collapses, and each day humanity is driven further and further toward extinction. Set in a post-apocalyptic setting, it’s up to your special team of God Eaters to take down god-like monsters devastating the world. God Eater 2 (2 Goddo t 2) is a video game developed by Shift and published by Bandai Namco Entertainment on Novemin Japan for PlayStation Portable and PlayStation Vita. Their ravenous appetite “devour” and remarkable adaptability earn them first dread, then awe, and finally the name “Aragami”. He is no longer used in God Eater 2 Rage Burst. Here’s an overview of God Eater 3, via Bandai Namco of Europe:Īll of sudden, unknown life forms called “Oracle cells” begin their uncontrolled consumption of all life on Earth. Note: This protagonist is mostly used in promotion of God Eater 2 (gameplay videos, screenshots, etc.) than Hiro. Since it’s been quite a while since the last God Eater game came out on consoles, all eyes are on God Eater 3 as it features a lot of new things compared to its predecessor. For quite some time, God Eater gamers are often compared to Monster Hunter due to its monster-slaying genre. God Eater 3 is one of the most anticipated games to arrive on the PlayStation 4 and PC via Steam. You can also freeload God Hand PC Game.Bandai Namco confirmed today that God Eater 3 for PlayStation 4 and PC via Steam will support both English and Japanese audio, a first for the series, when it releases in the West in early 2019. I have already spent probably 20+ hours in total on this project as there was a lot of checks to do, editing and compiling. The game’s plot or storyline is divided into many parts, allowing players to complete each segment at once or follow the God Eater mainstream plot. THIS IS A PARTIAL UNDUB, HENCE THE BETA This thread will go through multiple updates across the days until the 30th when God Eater 2:RB comes out and I will be focusing my attention towards undubbing pc/vita. Blood Arts is the supreme new featured introduced into this amazing expansproton pack known as God Eater 2 Rage Burst freeload PC game. All of these three new weapons have their specific attribute and can work differently in obtained situation in God Eater 2 Rage Burst freeload PC game. And respectively the three new weapons introduced in Rage Burst are The Boost Hammer, Charge Spear and The Shotgun. In comparison to the original game, players in Rage Burst will have their grab on three new deadly weapons and enhanced blood arts. I would be so appreciated if this title get fan translated. GE in the PSP was loved by many and those fans having been. Just think about it, Playing final fantasy type-0 in English while having God Eater 2 would be a great addition/plus to this fan translating project. The Rage Burst expansproton pack is one of the best and fruitful content pack released for God Eater 2 freeload PC game. Even with English subs and Japanese voices this is guaranteed to be a huge hit with the West.

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#God eater 2 english voices

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collinthenychudson · 2 years ago

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Day 20: GE Evolution Series

Info from Wikipedia:

The Evolution Series is a line of diesel locomotives built by GE Transportation Systems (now owned by Wabtec), initially designed to meet the U.S. EPA's Tier 2 locomotive emissions standards that took effect in 2005. The first pre-production units were built in 2003. Evolution Series locomotives are equipped with either AC or DC traction motors, depending on the customer's preference. All are powered by the GE GEVO engine.[4]

The Evolution Series was named as one of the "10 Locomotives That Changed Railroading" by Trains Magazine and was the only locomotive introduced after 1972 to be included in that list.[5]

The Evolution Series locomotives are some of the best-selling and most successful freight locomotives in United States history.

Currently, six different Evolution Series models have been produced for the North American market. They are all six axle locomotives and have the wheel arrangement C-C (AAR classification) or Co′Co′ (UIC classification), except for the ES44C4 which has an A1A-A1A wheel arrangement and the meter-gauge version developed for the Brazilian network ES43BBi which is B-B-B-B.

The ES44DC (Evolution Series, 4,400 hp, DC traction) replaced the Dash 9-44CW model in the General Electric catalogue. Primary users are BNSF Railway, CSX Transportation, and Canadian National Railway. Pilbara Iron in Australia ordered a lengthened, international version designated ES44DCi. The extra length is used for a larger radiator to increase cooling capacity in the Australian outback.

The ES44AC (Evolution Series, 4,400 hp, AC traction) replaced the AC4400CW model in the General Electric catalogue. These locomotives have been ordered by every Class I railroad in North America: Union Pacific Railroad (who refers to these locomotives as the C45ACCTE), BNSF Railway, CSX Transportation, Norfolk Southern Railway, Kansas City Southern Railway, Kansas City Southern de Mexico, Ferromex, Canadian Pacific Railway, and Canadian National Railway.

The ES44C4 (Evolution Series, 4,400 hp, C to denote 3 axles per truck, 4 traction motors) was introduced in 2009. While similar to the ES44AC, the ES44C4 has two traction motors per truck, instead of the conventional three such as on the ES44AC. No ES44C4s with DC traction were built. The center axle of each truck is unpowered, giving an A1A-A1A wheel arrangement. BNSF Railway is the launch customer for this model, ordering an initial batch of 25 units numbered 6600–6624.

The ES44C4 was initially only built for BNSF. The 4200s and units 7921-7999 are certified as Tier 4 Credit units, while the others are Tier 2 or Tier 3. On 30 January 2014 Florida East Coast Railway announced that they would buy 24 ES44C4s, to be numbered 800–823, for heavy haul service and intermodal traffic. All were delivered by the end of 2014, in order to beat the EPA's deadline on exhaust-emissions standards for new-built Tier 3 locomotives.

A feature of these units is a variable traction control system in their computer systems. One of the differences between an ES44AC and an ES44C4 are the air cylinders and linkages on the truck sideframes of the ES44C4; these are part of the traction control system. Every time a variation in grade, traction, or wheel slip occurs, the computer adjusts the pressure in these cylinders to maintain sufficient adhesion, by varying the weight on the drive axles.

The ES44DCi (Evolution Series, 4400 horsepower, DC traction, international version) was built for the Rio Tinto railway in Australia. The ES44ACi was built for the Roy Hill and Rio Tinto Group.

Rio Tinto's units can be remotely driven, meaning nobody has to be in the cab as they can be controlled from a control center.

The ES44ACi/DCi is essentially an ES44AC/DC in a GE AC6000CW's body, with the radiator at the end protruding out over the rear deck in the same way the AC6000CW does. The locomotive's large radiator allows it to handle the Australian outback's extreme temperatures.

Roy Hill has ordered 21 ES44ACi locomotives, and is currently in possession of all 21 locomotives (numbered 1001 "Ginny"-1021). Rio Tinto ordered 100 ES44DCi locomotives and has all 100 (numbered 8100–8199) and 21 ES44ACi locomotives (numbered 9100–9120) and more are on order.

Ferromex also acquired 50 ES44ACi. As the construction of these locomotives was subsequent to the new environmental laws of the US, GE cataloged them only as ES44ACi, although in the external technical specifications of the locomotives say ES44AC). These locomotives can no longer reenter the US operating.

The ET44AC (Evolution Series Tier 4, 4,400 hp, AC traction) replaces the ES44AC model. These locomotives have been ordered by most of the Class I railroads in North America, including Union Pacific, CSX Transportation, Norfolk Southern and Canadian National Railway. BNSF Railway will be receiving similar ET44C4 locomotives, which have no traction motor on the middle axle of each truck. CSX designates their ET44ACs as ET44AH, due to their locomotives being heavy-ballasted.

The TE33A is an export 1520 mm gauge locomotive in the GE Evolution Series.

The Evolution Series locomotives are visually similar to the AC4400CW, although small differences are evident. The most noticeable difference is the radiator section at the rear of the locomotive is larger to accommodate the GEVO's Air to air intercoolers. As with the AC6000CW, the radiators project beyond the end of the hood. On the ES44ACi and ES44DCi models, the radiator extends in the same way as the AC6000CW, protruding out over the rear deck. For the other Evolution Series locomotives, the radiator does not protrude completely over the rear deck, but rather sits nearly flush with the rear of the engine hood. Unlike previous GE locomotives, the grills under the radiator are at two different angles. The increase in radiator size is due to the necessity for greater cooling capacity in the locomotive in order to reduce emissions. The other major difference between the Evolution Series and earlier models are the vents below the radiators, which are larger than those on previous GE locomotives.[11] Also, all Evolution Series units have air conditioners mounted below the cab on the conductor's side.

In 2002, GE and UGL Limited launched the Evolution Series locomotive, and in 2009, continued their partnership for another 10 years for UGL to distribute and sell GE locomotives in Australia.

Transnet Engineering in South Africa has a license to manufacture 233 4,200 hp (3,100 kW) 3 ft 6 in (1,067 mm) Cape gauge ES40ACi locomotives for Transnet Freight Rail, with core components including GEVO-12 engines supplied from the United States.

The first six of these Class 44-000 locomotives were built in Erie, Pennsylvania in April and July 2015. In October 2015, the first of the 227 South African-built locomotives was nearing completion at Transnet Engineering's Koedoespoort shops in Pretoria.

Models and Route by: , JointedRail Auran, and Download Station.

#UP #UPRR #Union Pacific #Union Pacific Railroad #ES44AC #GEVO #GE Evolution Series #Diesel Locomotive #Trainz Simulator #Advent Calendar #Christmas #Christmas 2022 🎄🎅🎁

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psychics4unet · 1 month ago

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hellooo sweetyyy

What will I do in lifeee😭😭😭😭😭

Thank u!!!

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superseraphim7 · 6 years ago

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💙 )( * THE EVENT- THE FIFTH DIMENSION IS HERE! * )( 💙 * PLEIADIAN LIGHT FORCES TRANSMISSION 1/26 * 💙CHANNELED BY MICHAEL LOVE 💙 BEGIN TRANSMISSION.... 2 EARTH DAYS AGO ANOTHER HUGE FLEET OF LIGHTWEIGHT PLEIADIAN RAINBOW PLASMA SHIPS CAME THROUGH THE SOLAR PORTAL AND ARE NOW DOCKED AROUND EARTH'S SUN. THERE IS A TOTAL OF APPROX 500,000 OF THESE BENEVOLENT HIGH-VIBRATIONAL PLASMA SHIPS HERE IN OUR SOLAR SYSTEM CURRENTLY. THESE HEAVENLY SHIPS ARE BEING PHOTOGRAPHED AND FILMED ALL AROUND THE WORLD EVERY DAY NOW! ITS IMPORTANT TO NOTE THAT THESE SPECIFIC LIGHT SHIPS ARE VERY POWERFUL BENEVOLENT LOVING AND LIVING ENTITIES KNOWN AS ANGELS OR EXTRATERRESTRIALS. DO NOT CONFUSE THEIR IDENTITY WITH WHAT MATRIX HUMANS CALL 'ALIENS'. THESE BEINGS COMPRISE THE GALACTIC FEDERATION OF WORLDS WHICH IS LOCATED IN THE FIFTH DIMENSION AROUND PRIMARY STAR CLUSTERS. THE PLEIADIANS AND 3 OTHER MAIN STAR RACES ARE HERE LEADING THE WAY TO ASSIST HUMANITY IN THEIR GRAND EVOLUTION! THESE PLEIADIAN SHIPS HAVE BEEN COMING IN THROUGH THE SOLAR PORTAL SINCE 9-11, 2018 AND ARE POSITIONING THEMSELVES FOR THE GRAND FINALLY OF THIS ASCENSION! IN MOST CASES THESE CELESTIAL LIGHT-BODY SHIPS APPEAR AS TRANSLUCENT RAINBOW- COLORED CLOUDS.... IT IS POSSIBLE TO PHOTOGRAPH OR FILM THESE SHIPS IF CONDITIONS AND LIGHTING ARE CORRECT AND IF YOUR VIBRATION IS HIGH ENOUGH! THESE SHIPS ARE NO LONGER CLOAKED BUT DO RESONATE IN A HIGHER, LIGHTER FREQUENCY AROUND 40-100 HERTZ. Q. WHY ARE THESE PLEIADIAN RAINBOW LIGHT-BODY SHIPS HERE? A. TO CONTINUE RAISING THE VIBRATION OF THE STARSEEDS STATIONED HERE, TO THE FIFTH DIMENSION UNTIL ALL THINGS ARE FULFILLED. MANY ASK US, "WHEN WILL 5D COME TO EARTH?" WE SAY, "IT IS NOT COMING, IT IS ALREADY HERE IN A HIGHER REALM!" "YOU MUST LIFT YOURSELF UP ENERGETICALLY TO GE ABLE TO PERCEIVE IT!" MANY STARSEEDS STATIONED ON EARTH ARE ALREADY MOVING FULLY INTO 5D NOW! THE ONE WHO CHANNELS THIS DATA CERTAINLY RESONATES AT THIS 5D LEVEL NOW AND CAN TELL YOU FIRST HAND ABOUT THE EXPERIENCE AND HOW IT ALL WORKS! WE AS THE PLEIADIANS HAVE DEPLOYED MANY TEACHERS AND HEALERS ONTO THE EARTH AND WE ARE WORKING THROUGH THEM TO MAKE ALL OF THIS MAGIC HAPPEN! WE MUST NOTE HERE AGAIN THAT IT IS IMPOSSIBLE FOR AN UNCONSCIOUS HUMAN TO DECODE THE LIGHT-DATA WE BRING! TRYING TO LOOK AT ALL THIS FROM A 3D POINT OF VIEW CAUSES QUITE A RIFT! IT JUST ISN'T POSSIBLE! 3D AND 5D HAVE NOTHING TO DO WITH EACH OTHER IN ANY WAY AND ARE TWO COMPLETELY DIFFERENT REALITIES! THE LAWS THAT GOVERN 3D DO NOT APPLY IN 5D AND 5D LAWS OVER RIDE ALL 3D LAWS! EVEN IN UPPER-4D STILL THERE IS MUCH CONFUSION ABOUT HOW THIS 5D TRANSITION WORKS! ON THIS DAY WE CAME TO SPEAK DOWN-TO-EARTH AND CLEAR IT ALL UP! HERE IS A SIMPLY AND ACCURATE EXPLANATION OF HOW ALL OF THIS WORKS: A LITTLE ASCENSION 101 RECAP: THE LABELS 5D, HEAVEN, GAMMA STATE OF CONSCIOUSNESS 40-100 HERTZ SCHUMANN RESONANCE, BLISS, LOVE ALL MEAN THE SAME EXACT THING! THERE ARE 12 DIMENSIONAL BOUNDARIES IN THIS UNIVERSE, EACH ONE RESONATING AT A FASTER FREQUENCY AS YOU MOVE UP THE SCALE. YOUR BODY HAS 12 PRIMARY STRANDS OF DNA WHICH WORK LIKE A FIBER-OPTIC CABLE AND 12 MULTIDIMENSIONAL CHAKRA PORTALS THAT ALLOWS ASKASHIC LIGHT-DATA TO COME INTO THE BODY. YOU STORE THIS ADVANCED DATA IN YOUR CRYSTAL CELL DATABASE AND TRANSMIT IT BACK OUT AGAIN BY VIRTUE OF YOUR FREQUENCY. THIS TRANSMISSION BROADCASTS OUT OF YOU TO THE ENDS OF THE UNIVERSE OF WHICH THERE IS NO END! YOUR DATA BROADCAST CHANGES THE ENERGY OF EVERYTHING IT TOUCHES AND MOLDS THE MATTER OF THE ENTIRE UNIVERSE INTO SOLID ENERGETIC FORM! 10 OF THESE BODY DNA STRANDS WERE DEACTIVATED EONS AGO (BY NEFARIOUS BEINGS) FOR MOST HUMANS AND THIS IS STILL THE CURRENT STATE FOR HUMANITY AS A COLLECTIVE. MOST STARSEEDS ON EARTH NOW HAVE 4-5 STRANDS ACTIVE! THERE ARE APPROX 4.5 BILLION STARSEEDS OF THE ANGELIC SPECIES, STATIONED ON EARTH NOW HERE TO WAKE UP HUMANITY! 5D IS NOT A PLACE, IT IS A STATE OF BEING OR A STATE OF CONSCIOUSNESS KNOWN AS THE GAMMA STATE. IT IS A BLISSFUL STATE OF BEING WHERE BOTH BRAIN HEMISPHERES (MALE-FEMALE) ARE FULLY MERGED INTO ONE COHERENT MODE OF OPERATION. THOUGH 5D IS NOT A PLACE, THIS ENERGETIC STATE INSIDE OF YOU CAN AND WILL MANIFEST OUTWARDLY AS YOUR PHYSICAL EXTERNALLY PERCEIVED WORLD OR REALITY! THIS IS BECAUSE YOU ARE ALWAYS MANIFESTING YOUR PHYSICAL REALITY 100% BY VIRTUE OF THE SUM-TOTAL VIBRATION OF YOUR BEING. IN CONTRAST, IF YOUR INTERNAL VIBRATION IS RESONATING LOW ENOUGH YOU WILL MANIFEST A HELL JUST A SURELY! THIS IS JUST THE WAY THIS UNIVERSE WORKS AND ONCE YOU GET THE HANG OF THIS GOD-POWER AND WILL BEGIN TO CONSCIOUSLY MANIFEST WITH POSITIVE HIGH-VIBE INTENT AND THEN, UN-BELIEVABLE MAGIC STARTS TO HAPPEN ALL AROUND YOU! OVER 2300 YEARS AGO A MASTER TEACHER WAS ASKED "WHERE IS THIS KINGDOM OF HEAVEN AND WHEN IS IT COMING?" HE SAID, "IT IS INSIDE OF YOU AND AROUND YOU RIGHT NOW AND RIGHT HERE!" IN META-PHYSICS WE KNOW THAT NOW IS THE ONLY TIME THAT EXISTS AND HERE IS THE ONLY PLACE THAT EXISTS! WE PUT THE WORDS TOGETHER AND IT SPELLS, NOW-HERE! THE KINGDOM OF HEAVEN OR 5D IS NOWHERE MEANING IT IS NOW AND IT IS HERE! IT ALWAYS HAS BEEN! THAT GRAND MASTER TEACHER SAID "YOU JUST CANT SEE IT YET", MEANING YOU ARE NOT RESONATING WITH IT OR YOU ARE NOT ON THE SAME ENERGETIC WAVE-LENGTH! IF 5D HEAVEN WAS HERE THEN, IT IS STILL HERE NOW! IT ALWAYS HAS BEEN INSIDE OF YOU WAITING BE MADE MANIFEST! UNTIL NOW ALL THE HOARDS OF HELL HAVE HELD U BACK BUT NOW A WAY HAS BEEN MADE BY THESE ANGELIC HELPERS AND YOU HAVE BEGUN TO BREAK THROUGH INTO THIS BEAUTIFUL DIMENSION. HERE IS HOW IT COMES: IT COMES FIRST INSIDE OF YOU AS AN AMAZING FEELING OF BLISS AND KNOWING! IT THEN COMES OUTWARDLY IN YOUR EVERYDAY LIFE! YOU CANNOT SEE THIS KINGDOM UNTIL YOU ARE FULLY HEALED DEAR ONES! SOMETIMES WE THINK WE ARE HEALED BUT IF ANOTHER BEING COMES CLOSE WHO HAS POWERFUL 5D LOVE, IT WILL SURELY BRING THIS OLD ENERGY UP FAST! THIS IS HOW THE TWIN FLAME DYNAMIC WORKS! YOU WILL START TO JUST BE IN 5D WHEN U RESONATE WITH IT AND THERE IS NOTHING MORE COMPLICATED ABOUT IT! IF YOU ARE NOT EXPERIENCING THIS EVEN IN A SMALL WAY THEN THERE IS MORE INNER WORK FOR YOU TO DO! WE ARE HERE EN-MASSE TO HELP ALL WE CAN BY SENDING POWERFUL GAMMA LIGHT TO THE EARTH BUT YOU MUST DO YOUR PART! YOUR PART IS TO CLEAR OUT ALL LOW-VIBRATIONAL ENERGIES FROM YOUR BEING AND DO ALL YOU CAN DO TO VIBRATE SUPER HIGH! YOU MUST START LIVING AS A STAR-BEING ON EARTH! YOU JUST CAN'T LIVE LIKE A 3D HUMAN ALL DAY AND EXPECT ANY OF THIS TO BE A REALITY FOR YOU! YOU MUST BEGIN LOVING YOURSELF FIRST! THIS IS THE PRIMARY BLOCK TO ANY ASCENSION OR STATE OF 5D BLISS-HAPPINESS! WHY ARE YOU DOING SO MANY THINGS THAT U DO NOT WISH TO DO AND WHY ARE YO NOT DOING WHAT YOU DREAM OF AND LOVE? THIS IS WHERE YOU JUST BEGIN! WHY ARE YOU IN RELATIONSHIPS THAT ARE NOT LOVE AT ALL? WHY HAVE YOU NOT BEGUN TO HEAL YOUR INNER BEING? WHY DO YOU STILL BELIEVE ALL THE NONSENSE FROM 3D BECAUSE IT DOES NOT SERVE YOU! IT IS TIME TO START BEING THE HIGHER BEING THAT YOU ARE! DON'T BE AFRAID, START TODAY! TAKE A LEAP AND BEGIN! ALL THOSE LOW-VIBE THINGS WILL ABSOLUTELY FALL AWAY FROM YOU BUT KEEP GOING AND TRUST NO MATTER WHAT! THIS IS THE ASCENSION DEAR ONE! YOU CANNOT HAVE THIS HEAVEN UNTIL YOU REMOVE THE THINGS THAT DO NO RESONATE WITH IT! WE SAY ALL OF THIS IN THE HIGHEST LOVE, BUT IF WE DO NOT SAY IT, YOU WILL NOT BE TRIGGERED TO WAKE UP AND TAKE ACTION! LET YOUR SPIRIT BE FREE LOVED ONE! YOU ARE THE MOST MAGNIFICENT BEING IN ALL OF CREATION SO COME AND MEET THIS GRAND CELESTIAL BEING! WE ARE THE ANGELS OF HEAVEN, THE GREAT PLEIADIANS AND WE SAY, "COME UP HIGHER WHERE WE ARE!" LIFT YOURSELVES UP! WE ARE HERE HELPING! SEE OUR AMAZING RAINBOW LIGHT-BODY SHIPS IN THE CLOUDS! WE CAME TO WATCH YOU ASCEND AND TO HELP YOU WITH IT ALL! WATCH AS WE RING THE EARTH'S IONOSPHERE LIKE A BELL WITH GAMMA LIGHT BEAMS TO ASSIST YOU! WATCH SOMETHING SO AMAZING HAPPEN ON THE FIRST DAY OF SPRING! WATCH AS THE EARTH BECOMES FREE! AMAZING THINGS ARE HAPPENING ALL AROUND YOU DEAR ONE IF YOU JUST TUNE IN AND SEE! FURTHER CLARITY FROM PLEIADIAN LIGHT FORCES... THE EVENT? WHEN WILL THE EVENT HAPPEN? THE EVENT IS ALREADY HAPPENING! IT KICKED INTO HIGH GEAR STARTING ON 11-11-2018 AND WILL RISE TO AN APEX NEAR THE SPRING EQUINOX 2019! WHEN WILL THE OLD MATRIX BE DISSOLVED? WHEN I LOOK OUT AT THE WORLD, IT SEEMS AS THOUGH NOTHING HAS CHANGED! WE TELL YOU, IT ALREADY IS BEING DISSOLVED! EARTH ALLIANCE INSIDER MEMBERS AND PLEIADIAN DELTA FORCES ARE WORKING AROUND THE CLOCK TO PHASE THE 3D-MATRIX OUT AND PHASE IN A NEW 5D EARTH! WHAT ABOUT THE OLD WORLD DEBT-BASED ECONOMY? IT ALREADY CRASHED AT THE END OF 2018! DO YOU BELIEVE WHAT YOU HEAR AND SEE OUT THERE? MAKE SURE! WE SEE EVERYTHING FROM A HIGHER VIEW, REMEMBER? THE GRAND SOLAR FLASH? THE GRAND SOLAR FLASH IS ALSO UNDERWAY! ITS BEEN HAPPENING FOR 3 MONTHS NOW AND IT'S NOT JUST A QUICK ONE-MINUTE OR ONE-HOUR EVENT! IT IS BEST TO THINK OF IT AS A SERIES OF PLASMA WAVES INSTEAD OF A FLASH. MANY OF US ARE HAVING WHAT IS KNOWN AS 'THE WHITE LIGHT' EXPERIENCE! THIS WHITE LIGHT EXPERIENCE WILL PRODUCE A EUPHORIC BLISS STATE FOR ALL OF YOU AND YOU WILL BECOME COMPLETELY FREE AND UNINHIBITED FOR THE FIRST TIME IN MODERN EARTH HISTORY! THE GRAND SOLAR FLASH ORIGINATES FROM THE CENTRAL SUN AT THE GALACTIC CORE! LIGHT FORCES ARE CHARGING UP THE EARTH'S SUN AS WE SPEAK LIKE A SUPER CAPACITOR UNTIL IT FULLY DISCHARGES. THE APEX OF THIS SERIES OF LIGHT WAVES WILL CULMINATE ON 3/21 AND COULD BE DESCRIBED AS GRAND FLASH OF WHITE MAGNETIC IONIZED PLASMA LIGHT! THINK OF THIS WHOLE PROCESS AS A GALACTIC-SIZED SUPER CAPACITOR CHARGING AND RELEASING! THIS IS EXACTLY WHAT STAR FORCES ARE DOING. THEY ARE CHARGING THE SUN AND THE NIBURU FLAGSHIP WITH SUPER PLASMA TO A MAXIMUM LEVEL AND WILL LET IT LOOSE WHEN THE CHARGE REACHES MAXIMUM EFFECTIVE LEVELS! ONE EXAMPLE OF THIS SOLAR-WAVE-FLASH WAS THE GAMMA WHITE-OUT ON 12:21! WHILE THIS WAS JUST A TEST, THE FINAL DISCHARGE WILL BE SIMILAR BUT WILL CAUSE A COMPLETE SUSTAINED 40 HERTZ GAMMA WHITE-OUT AROUND THE EARTH! THE GRAND FINAL DISCHARGE IS SET TO OCCUR AROUND THE EQUINOX ON 3/21/2019! THIS GRAND OPERATION IS DUBBED "PROJECT ANDARA" AND WILL BE ONE OF THE MOST MAGNIFICENT TIMES EXPERIENCED ON EARTH! WHAT WILL HAPPEN WHEN THIS SOLAR FLASH IS COMPLETE IN ME? THE 3/21/2019 MULTIDIMENSIONAL SOLAR FLASH APEX PORTAL WILL ALLOW SUPER HIGH VIBRATIONAL GAMMA-LIGHT-AKASHIC-DATA TO POUR INTO THE EARTH AND INTO YOUR AURIC FIELDS WHERE IT WILL BE CARRIED AT ONCE INTO YOUR DNA! YOUR CELLS WILL BE INSTANTLY RE-CODED TO A HIGHER ORDER AND YOUR LAYERED BODIES WILL BE ABLE TO PROCESS A MUCH MORE ADVANCED LEVEL OF COSMIC DATA CAUSING YOUR OUTWARD MATRIX REALITY TO MORPH INTO THE NEW EARTH/HEAVEN FREQUENCY! MANY OF YOU KNOW INSIDE THAT THE GREAT TIME HAS COME AND WE HAVE DONE ALL WE CAN TO GIVE U AS MANY SIGNS OF HOPE AS POSSIBLE! THINGS WILL NOT GO ON AS THEY ALWAYS HAVE ON EARTH AND CHANGE HAS COME! KNOW THAT WE ARE YOUR HIGHER SELVES AND YOU ARE ABOUT TO CONNECT WITH US! WE ARE SIMPLY A HIGHER VERSION OF YOU THAT CAME BACK FROM YOUR FUTURE TO ASSIST YOU IN THIS GREAT TIME! WE ARE THE GREAT CELESTIAL ANGELS OF LOVE SPOKE OF OLD AND WE HAVE DESCENDED DOWN TO EARTH! NOW LET US MAKE OUR FINAL PREPARATIONS GREAT ONES AS THE 3/21/2019 5D PORTAL FULLY OPENS! IT IS TIME FOR YOU TO RECEIVE YOUR UNIVERSAL REWARD GREAT ONE FOR ALL THAT YOU HAVE DONE AND ALL THAT YOU HAVE ENDURED! CONGRATULATIONS FOR YOUR MAGNIFICENT ACHIEVEMENTS, YOUR LONG MISSION ON EARTH WAS A SUCCESS! BE VERY PROUD BECAUSE LOOK AT WHAT YOU HAVE ACCOMPLISHED! WE SALUTE YOU AND WE ARE RIGHT HERE BESIDE YOU UNTIL ALL THINGS ARE FULFILLED! THANK YOU FOR COMING TO EARTH AT THIS TIME AND FOR SACRIFICING EVERYTHING ON BEHALF OF THIS ENTIRE WORLD! YOU ARE THE GREAT ONES SPOKEN OF OLD THAT OVERCAME THE WHOLE WORLD! GOD-SPEED, ~ MICHAEL 💙 IF YOU SUBSCRIBE TO MY PLEIADIAN CHANNELS AND WOULD LIKE TO SUPPORT THE GLOBAL WORK I DO, CLICK THE LINK BELOW TO SEND YOUR GIFT OF LOVE: https://paypal.me/micahangel

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aublog581 · 3 years ago

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Eagle Epac 300 Controller Manual

Eagle Epac 300 Controller Manual Free

Eagle Epac 300 Controller Manual Instructions

Eagle Epac 300 Controller Manual Diagram

Eagle Epac 300 Controller Manual Download

Eagle Controller Manual Traffic M50 viridia telemetry eagle epac 300 controller manual intruder lc epac 300 actuated signal control manual tricia 1984 xr200 repair epac eagle controller manual and study siemens eagle epac300 nema controller epac3608m10 chainsaws ms180c eagle epac 300 traffic controller manual documents. Eagle epac 300 manual Download Eagle epac 300 manual Information: Date added: Downloads: 407 Rating: 470 out of 1203 Download speed: 17 Mbit/s If you are searching for the ebook Eagle epac 300 controller manual in pdf form, in that case you come on to correct site. Actuated NEMA Traffic Controller Unit Basic Programming Guide Prepared By: Nick Basilico Version: 1 Date: 10/2014 2 Overview This guide is intended for traffic signal collectors that are new to the EPAC 300 traffic controller or any controller unit operating SE-PAC software.

Jun 20, 2015 The controller is an Eagle EPAC 300. Despite using Eagle signal heads, their controllers are not really used in this area. The EPAC series is a favorite of collectors since it’s (relatively) simple, new enough to be reliable but not too new to be complicated and expensive, and other collectors use them so help programming is available. EPC3000 Programmable Controllers EPC3016, EPC3008, EPC3004 HA032842ENG Issue 2 Date: September 2017.

Note: This section currently only covers the scope of Eagle Traffic Signals from the first documented signal in 1931 to their modern day evolution into the Siemens ITS conglomerate.

Go Here For Essco, AKA the Eagle Signal and Sign Company.

Go Here For Harrington-Seaberg.

1History

1.5Part Numbering Systems

2Traffic Signals

2.1Four Ways

2.1.3Variants

2.2Adjustables

2.2.2Eaglelux

3Pedestrian Signals

5Lenses

5.1Vehicular

5.2Pedestrian

5.2.1Worded

6Controllers

6.1Early Controllers of the 1930's

6.2Photos Temp

History

Founding years

The Eagle Signal and Sign Company appears to have been founded in 1931 coming in right after the first wave of signals and manufacturers in the mid 20's. It's early operation history is still under debate and may have involved contract production for, by or merely distribution partnerships with Harrington-Seaberg and ESSCO.

Middle Ages

As Eagle moved through the 1930's and into the 1940's they kept with a narrow product lineup but continued to tweak and upgrade the designs. They remained a market leader competing with Crouse-Hinds, and to a lesser amount Marbelite, for control of midwest America as early competitors like GE and Horni faded away while new companies such as Econolite and A1 signal came onto the scene. Having plugged away for over 25 years with the same basic design, the first generation of flat back models wee introduced in the mid 50's with fully modern adjustable signals quickly followed by 12' signals as Eagle entered the 1960's

Modern Age

As Eagle entered into the modern age of signals they underwent many corporate changes. Moving from their traditional headquarters in Moline, Illinois to a new base of operations in Davenport, Iowa and an acquisition by Gulf & Western started a long period of corporate activity. 1987 Mark IV Industries acquires Eagle Signal (DBA Harrington Seaberg?) and in 1988 consolidates the Mark IV, Automatic Signal, and Eagle brands into Automatic Signal/Eagle Signal. Mark IV moved the company to its current headquarters in Austin, Texas. Name later changed to Eagle Traffic Control Systems. Timer motor division sold in 1992? January 9, 1997 Mark IV Industries, Inc. sold its Automatic Signal/Eagle Signal subsidiary to Siemens Energy & Automation, Inc. The Eagle name was dropped following aquisition to be now known as Siemens ITS.

In November 2013, Siemens split the product line in two and sold the traffic signal and cabinet manufacturing to Brown Traffic Products of Davenport, Iowa. Siemens ITS retained the controller software and hardware lines, as well as the regional software products. Brown Traffic operates the former Siemens Austin TX facility, and has brought back the original Eagle brand name.

International Operations

Some vintage Eagle equipment has been seen, in slightly modified versions of the American designs, in both Australia and Europe.

Part Numbering Systems

The part numbering system for Eagle Signals, especially in the early days, is quite confusing. The general patterns are as follows:

Signals

Older rodded signals were identified by a pattern of 1234

1. Prefix of S or X (for signal presumably), Z for internal flasher, Y for internal controller, Blank for 4-ways.

2. Number of separate signals in the design, 1-5. Six seemed to imply a stand-alone bare signal. 4-ways with less than 4 had (4-x) blank plates installed.

3. Number of lenses per signal head...1-4+

4. Accessory hardware,

For Four Ways

V-Pedestal

U-4-way Slipfitter

EX-Pendant Chain with Bell

E-Spanwire Hanger

H-Mast-Arm Hanger (and bottom bell?)

F-Downlight

For Adjustables

I-Side of pole cluster mount pipes?

II-Side of pole cluster mount pipes?

J-Side of pole cluster mount pipes?

C-Pipe Slipfitter and Finial

P-Terminal block Housing Base and Finial

A-Finial Only

C-Slipfitter with Cluster Pipe Frame

G-Mast-Arm Hanger

E-Spanwire Hanger

(blank)-No Hardware

Modern signals seem to have been sold more in kit forms and have separate partnumbers for generic signal heads, fittings, etc.

Controllers

Many controllers were identified either by name only, or a descriptor instead of a discrete partnumber. Those that do follow a structured numbering system, like signal are from the 30's to mid-century. Controllers carried on the standard scheme longer than signals by a decade or two, however, up until around the 70's.

Controllers were identified by the pattern of 123

1. Controller Function or Motor Type, E for Electro-Mechanical, H for Flasher (or induction motor?), L for Relay

2. Sub-descriptor for Controller Design, Pattern Not Identified.

Possibly A-E were reserved for controller lights pattern?

D-

F-

K-

H-

T-

3. Model Number, Not believed to be anything more than a name.

Traffic Signals

Four Ways

Eagle produced 4-way signals in one standard body style from their introduction in 1931 as the Eaglelux to the end of production during the flat back signal era in the 50's. Only minor internal differences with the reflectors, as well as removal of the brass ID tag from the base plate, differentiated the age of these signals. The internal changes are further documented in the Adjustables sections for the Eaglelux and flat back (Rodded) 8' signals.

The Eagle 4-way signal is built from individual sections with four sides riveted together. Each side had provisions for a reflector and related hardware. For less-than-4-ways, a blank door could be installed in place of a lens door - some beacons used this as an alternative location to mount the internal flashing device. One or more sections were stacked as necessary to build the signal, held together by tie rods running through the top and bottom plates. The trim of the bottom plates were especially susceptible to damage, being a cast flat plate with curved edges, both drops and side impacts focused their energy to the edge of the unrelieved curved edge causing chipping and breaking. It should be noted though, that they were an overall sturdy signal for this plate edge breakage rarely caused further damage to the signal.

Eaglelux

Earlier signals used a significantly heavier cast design, most notably as many were equipped with cutaway visors being molded into the door

Rodded Eagle

Variants

Fire Beacon

One unique signal offered was the fire beacon. Equipped with a siren on top, the beacon was intended to be placed outside a firehouse where it would be activated by the crew inside, clearing the road as the equipment roared out of the garage.

Integrated controller

When signals were more isolated and most installations were meant to be first time or lifetime, Eagle was one of many manufacturers to offer a controller built into the signal where a town merely had to mount the signal, plug it into the nearest outlet, and have a fully automatic intersection. Both beacon flashers and full RYG signals were offered with controllers built into the base. These signals are easy to spot, having a small latched box protruding below the signal skirt.

4-Way Photos (Temporary Holding Place)

Figure: Pedestal Beacon Model 21ALV

Figure: Model 23CU two-way post mount signal.

Figure: Fire Alarm beacon, typically painted red with black accents and a siren, pendant hung via chains. Model 41EX.

Figure: Standard three-section Eagle 4-way model 43E for spanwire hanging.

Figure: Figure: Model 43H three-section Eagle 4-way with mast arm hanger and bottom downlight? bell? provision.

Figure: Model Z31F

Figure: Model Y43E

Adjustables

Ornamental Eaglelux Signal - Solid Body

The earliest of Eagle Signals, was the Roman Column style of signal. Produced in 1931 and onwards to the mid 30’s, it appeared in Eagle advertisements until approximately 1937. It's exact dates are unknown, the front view is identical to a standard Eaglelux, while the remainder is completely different making positive identifications rather difficult. The signal itself only seems to be called decorative or ornamental in design, however, examples have been found that have Eaglelux ID tags installed.

In terms of construction, it resembles a Horni or Ruleta of the era. Reflectors are housed in a cast frame assembly, the entirety of which is hinged off the signal door. The body itself is just an empty shell.

Figure: Model S23II

Figure: Model X13J

Eaglelux

Eagle produced adjustable signals in one basic body style from their introduction in 1936(???) as the Eaglelux to the end of production well into in the 50's when the rodded flatback signal was introduced. The signals underwent continuous, miniscule modifications throughout production, the most notable features of which are outlined below.

Logos

Blank bodies are found on all tall-fin, and some early models of short-fin. The back of the casting featured a prominent mold insert imprint but was devoid of any manufacturer's indication. The reason behind this is unknown. Later models of the short fin did incorporate the Eagle thunderbird outline with the raised text 'Eagle Signal Corp' incorporated onto the figure. It is believed the earlier versions used a climbing script version of the word Signal, with later ones using the same font as the words Eagle and Corp always did, a plain sans-serif font.

Endplates

All Eagleluxes were of the tie-rod design, with two end plates holding together the group of common signal sections. The earliest of these plate styles was known informally as the Tall Fin. It was a significant flange, around 1 3/8', on the front face of the signal featuring a gentle, rounded arch shape and adding significant height to the front face of the signal. In later years this was modified down to 3/4' tall to only be a small, Short Fin which kept a similar arch profile but was barely taller that the thickness of the plate it was made to,. The top and bottom plates were interchangeable and only distinguishable because the ID tag went on the bottom. They were built with a inset flange designed to mate with the tapered body housings, the upper part of the signal was narrower and set inside a lip on the endplate while the lower part of the signal was flared out and set outside the endplate lip. This same philosophy also allowed the bodies to stack securely amongst themselves.

IMG 3105

ID Tags

All tall-fin models came with one or more ID tags installed. Some, if not all, short-fin models also came with an ID tag. There were several variations over the years, and the following is speculative data on when and what order and dates they were used.

Brass vs. Aluminum tags. The earliest tags were made of brass, with later signals moving to aluminum tags (in the tall fin era). It is possible that in the final years of the tall fins or during the short fins, tags were changed back to brass. (Look at if this was related to WW2)

This set of tags was from a pre-1942, tall-fin model. Note the two accessory tags, one references the 'original' 1924 traffic signal patent 1490567, not owned by Eagle, and the other eludes to Eagle patenting the Eaglelux design when this master patent expires. Signals from 1942 and later feature tag(s) with the 2xxx patent number which are specifically for the design of this signal.

These next tags are also tall-fin tags.

Lens Holders

As the Eaglelux was a long serving signal it is quite apparent the design was modified to keep up with the latest trends. The first lenses were held into the signal with four steel quarter-rings that interlocked. A lens to signal body and a lens to ring cork gaskets were apparently used from the start of production, however due to their fragility and short life, most signals are devoid of original gasketing. In later years these two pieces of cork became the modern single wraparound rubber gasket, still secured with the four part ring. The last of the Eagleluxes used conventional lens tabs on the bosses of the original quarter rings.

Acorn Nuts/Tie Rods

Some of the earlier tall fin signals used large, ornate brass and steel 'acorn nuts' to cap the tie rods, sealed with a lead washer. These are faux nuts, however, not of a standard Imperial wrench size and barely fitting a suitable metric wrench, these were actually formed stampings that appear to have been swaged onto standard steel hex nuts. The remainder, and newer Eaglelux signals used standard high-profile acorn nuts without any fancy stamping or machining assembly required. Split lock washers and lead sealing washers were still in use though.

Screws

At some point in the production run, Eagle experimented with that new for 1934 device, the Phillips screw. This appears to be short lived, as only a few Eagleluxes have been seen without slotted screws, and by the time of the rodded flatback slotted screws were again in use. Perhaps this was around 1950 when the patent was revoked and the screw, ubiquitous to the market now, was first available cheaply to the masses.

Visors

Both cap and tunnel visors were popular accessories, it is presumable full circles and other variants were available as well. The earliest of visors are believed to have been made of rolled aluminum sheet, with the visor tabs being heavy brass L-brackets with one rivet into the visor and screwed to the signal in a conventional manner. The remaining visors kept to the simpler design of a rolled sheet with a folded up tab to bolt to the signal. Through the years these went through both small, thin tabs with a drilled hole and larger modern type tabs with a slot to allow easier installation and removal.

Hinge Pins

Rounded Rivet-Pins were used on some signals, while others a Flat-Headed Pin e.g. 'Nail' were used instead.

Odd variations

As with most manufacturers of the time, signals were available by special order with modified designs or materials such as steel, cast iron, and bronze. Here, a surviving pair of signals made of steel are pictured. Note the slight modification to the hinge design.

Eaglelux Photos (Temp Holding Place)

Figure: Eaglelux signal, Tall Fin, Post Mount with Finial, Model 13C or X13C.

Figure: Eaglelux 13P signal with UJ15 horizontal side of pole mount hardware.

Figure: Model KB63

Figure: Model S11A

File:Eagle S23A-1937 LC.jpg

Figure: Model S23A

Figure: Model S23C

Figure: Model S23I

Figure: Model S33G

Figure: Model S41E

Figure: Model SX33C

Flatback (Rodded)

Flatback 8' and 12' (Conventional Design)

The Flatback model was an evolution of the last rodded signals. The casting was shortened slightly and sealed off on both ends to make a conventional sectional signal. At the same time, the reflector assemblies were simplified to a conventional reflector H-frame design and reflector/socket holder. This reduced the material and assembly required from the older style swingout/latching frames and the need to install additional features inside the housing to accomodate them.

These signals, when introduced, were known as the KB170, for the eight inch version, and the KB380 for the new 12' signal heads. The models were visually identical, with the exception being dual latches on the 12' model.

Alusig

The Eagle Alusig is an aluminum traffic light that was introduced in the early 1970s; its 8-inch design on the back is shaped like a trapezoid with very small semicircles on the sides, whereas the 12-inch design has the round portions of the back enlarged and making a 'bowtie' formation.

Durasig

The Eagle Durasig is one of the first traffic lights to be made out of polycarbonate; it was introduced in the early 1970s, around the same time as its aluminum counterpart (Alusig). Its 8-inch design on the back looks very simliar to the Alusig, but the 12-inch design has a round circle in the middle to complete the bowtie-like design from the Alusig.

MarkIV

Pedestrian Signals

describe models, variations (delete)

Vehicle Heads (Round)

Vehicle Heads (Square Door Adapters)

Pedestrian/Sign Heads (Rectangular)

Early rectangular pedestrian heads were a modification of standard single faced signal heads. A rectangular reflector adapter was fitted to the front of a standard signal body.

Figure: Eagle worded pedestrian signal.

Figure: Interior view.

Informational Signals and Signs

describe models, variations (delete)includes 'box signs,' 'case signs,' and Ped Heads with special (non-ped) lenses.

Lenses

Eagle Epac 300 Controller Manual Free

Vehicular

Kopp 27 Diamond

Early Eaglelux signals often were equipped with Kopp lettered or non-lettered diamond pattern lenses.

Figure: Kopp 27 'diamond pattern' lens with command lettering.

Adler Bar Lenses

Adler bar lenses were optional. They were designed for color blind drivers. Red lens - horizontal bar. Amber lens - diagonal bar. Green lens - vertical bar.

Figure: Adler bar lens.

Kopp 88.1

A rare variant of the 88a was the 88 or 88.1 lens. While visually quite similar to the more ubiquitous version, the 88.1 had more of a vertical brick pattern.

Kopp 88a

The majority of Eagle signals have featured this lens. These lenses had a very fine beaded pattern that refracted a bright light. Earlier lenses had Eagle's Stop-Go crossed semaphore flag logo prominently molded in the front. In later versions of the Kopp 88a lenses, the crossed flags were replaced with a spread wing eagle inside a square.

Figure: Kopp 88a lens (with stop and go flag logo)

Pedestrian

Worded

Circular

Square

Shown below is a less common variation of the walk lens where there is a stripe through the letters instead of the lens being completely black. This came in a white or black stripe. Pictured here is a black stripe that has faded to a gray color from years of use.

Symbols

Special

Controllers

Eagle has manufactured controllers for as long as they have signals. In 1926 they (possibly in the previous company as ESSCO) installed what is claimed to be the first flexible progressive timing system in the loop district of Chicago. By 1931 they were a full line controller company making flexible progressive, limited progressive, coordinated, and isolated controllers.

Also in the late '20's the famous Co-ordiplex system was developed. This was widely adopted by many of the larger cities from coast to coast entering the 1930's including:

Of special note is their early international reach with both Winnipeg, Manitoba, CAN and Melbourne, AUS using the controllers and in the case of Melbourne at least, Eagle Signals for many years to come.

Eagle, like most manufacturers, had a few basic cabinet castings over the years, going from small cast metal tombstone style cabinets to larger and more squared off cast aluminum cabinets before the modern stamped and formed stainless steel sheetmetal cabinets to refrigerator sized boxes of today. Each era housed a variety of similar model controllers, the main differences being in functionality and installed accessories.

Early Controllers of the 1930's

Fixed Signal Patterns

In 1934, with many two-color lights still in service or being installed, Eagle offered the following five fixed controller patterns:

Simplex Traffic Signal Timer

A name more synonymous with W. S. Darley and timeclocks, the 20's saw Eagle develop the Simplex timer early in traffic signal development. It featured low maintenance, an induction disc drive motor, and heavy contact load ratings. Stop, Go, and the total period are adjustable via sliding scale and dials (Amber-Caution being a byproduct of the red, green and total times). Furnished in both automatic and manual control versions, and in an aluminum weatherproof cabinet.

The Simplex controller of the 1930's was used for isolated intersections and as the master for a staggered system. The adjustability was for green lights and cycle times (amber was fixed). Contact ratings were 10A per circuit. The dial motors were available in induction disc and Synchronous types. When used with the later, the controller was known as a Synchro-Simplex and was better suited for interconnected operation and was apparently better regulated in timekeeping. These types were reccomended for 'intersections within 1000 feet' to allow coordinated movements of traffic. Regardless of motor type, the controller had manual control options and an optional amber flasher.

Image: Simplex timer in aluminum cabinet circa 1931. (Image by LC)

Co-oridplex Traffic System

An interconnected traffic control system with either a dual master switchboard or cabinet controller acting as the master timer while each intersection runs on a local timer connected back to the master with only four wires.

Can operate as a Simplex controller but designed for the flexible-progressive traffic control method hence the 'coordinated' surname. This was designed to have a master controller interconnected to local controllers at each intersection. By adjusting the timing of one intersection or adjusting values of the master controller it was possible to reflect the changes in the streets along that route, allowing a smooth flow and proper intervals to be made years before proper analog computers were in existance! Like the Simplex, these were available in induction disc and synchronous types - the synchronous recommended for more heavy duty traffic applications.

Image: Co-ordiplex local timer in aluminum cabinet circa 1931. (Image by LC)

Eagle-Senior Controllers

These were an early attempt to allow programmability in controllers (as noted previously, most controllers did a forced green-yellow-red with little adjustment between them nor other patterns like left turn arrows, all reds, etc.). With expansion and large intersections in mind they were designed to accomodate 14 circuits and allow 12 timing intervals. They were designed to accomodate flexible-progressive and Co-ordiplex control systems and would operate on a synchronous motor and keep good time so controller interconnection was not necessary. The Senior-Triplex was one of the first three-dial controllers allowing one controller to operate at three different timing patterns.

Eagle Master Controllers

Master controllers were designed to drive the entire flexible progressive system. Their functions were to keep all local controllers in time with each other, adjusting the total cycle time for the system, and finally to serve as an overall signal control - setting nighttime flash mode, emergency street clearance, etc.

Actuated Controllers

Eagle claimed a 'liscensed list of an imposing list of patents' for actuated controllers. While they do not go into detail, by 1935 they were incorporating this into their flexible-progressive systems.

Eagle-Junior Beacon Flashers

These were described as small, ball bearing movement flashers. The motors were of induction type with cotton windings. Silver was used for the contact points. 'Years of maintenance free operation'

Vario Three-Period Timer

Designed for three-street intersections with independant 'Go' periods for each street once per cycle with 'a customary traffic change period' before each change in traffic. The amber period is also independently adjustable. Comes in aluminum cabinet.

Image: Vario three-period timer in aluminum cabinet circa 1931. (Image by LC)

Photos Temp

Co-Ordiplex Demand Controller

Figure: Eagle Co-Ordiplex Demand Controller

ED19 Auto/Man. Induction Type Simplex

Figure: Eagle ED19 automatic and manual induction type Simplex controller circa 1934-1935. (Image by LC)

EH1 Induction Type Master Controller

Figure: EH1 Induction type master controller circa 1934-1935. (Image by LC)

EH4 Duplex Induction Type Master Controller

Figure: EH4 Duplex induction type master controller circa 1934-1941. (Image by LC)

EH60 Synchronous Master Controller

Figure: EH60 Synchronous master controller circa 1934-1941. (Image by LC)

EK41 Auto/Man. Co-ordiplex Controller

Figure: EK41 Automatic and manual co-ordiplex controller circa 1934-1935. (Image by LC)

EK400 TBD

Figure: EK400

EK658 Co-ordiplex Controller

Figure: EK658 shown without covers and removed from cabinet. Circa 1934-1935. (Image by LC)

EKS70 Co-ordiplex controller

Figure: EKS70 Co-ordiplex controller shown with dial cover open. Circa 1934-1935. (Image by LC)

EKS71 Eagle-Senior Three Dial Controller

Figure: EKS71 Eagle-Senior three dial controller without mechanisim cover. Circa 1934-1935. (Image by LC)

HT4 Junior Flasher & EL42 Cabinet

Figure: HT4 Eagle-Junior flasher with RFI filter. Cabinet shown is EL42. Circa 1934-1935. (Image by LC)

HT14 TBD

Figure: HT14

LA1 Jack Mounted Relay

Figure: LA1 Jack mouted relay, one of 75 types available. Circa 1934-1935. (Image by LC)

Simplex TBD

Figure: Simplex

Synchro Simplex TBD

Figure: Synchro Simplex

A2 TBD

Figure: TypeA2

A TBD

Figure: TypeA

Eagle Programmable Actuated Console (EPAC)

EPAC 300 M10 Series

EPAC 300 M30 Series

EPAC 300 M40 Series

EPAC M50 Series

Eagle Programmable Interval Console (EPIC)

Monitor And Report Console (MARC)

Ramp Metering Console (RMC)

Hardware

this would include any kind of mounting hardware including brackets, slipfitters, hangers, bases, etc. (delete)

Eagle Epac 300 Controller Manual Instructions

Restored Examples

Eagle Epac 300 Controller Manual Diagram

Eagle (Eaglelux) Type 43E with Kopp 27 lenses. (Willis Lamm Collection)

Eagle (Eaglelux) KB63 with two original Adler lenses. (Willis Lamm Collection)

Eagle 'rodded flat back' single face signal with Kopp 88a lenses. (Willis Lamm Collection)

Eagle 'flat back' single face signal with 12 inch red section. (Willis Lamm Collection)

Eagle Epac 300 Controller Manual Download

Relevant Patents

Patent numbers relevant to this MFR or signals specifically. Not just every patent by company X.

References

Eagle Signal/Danaher Industrial Controls

ITS Siemens Corporate History

Business Wire, Jan 9, 1997

Retrieved from 'https://highwaydivides.com/wiki/index.php?title=Eagle&oldid=2655'

Signalfan's Controller Inventory

CROUSE-HINDS KS-2 (w/cabinet)

CROUSE HINDS DM-200

CROUSE HINDS PCE-1000 (w/ cabinet)

CSC T-1 (Have 2)

EAGLE EA-10 ELECTROMECHANICAL w/ cabinet (Have 2)

EAGLE EF-20 ELECTROMECHANICAL w/ cabinet (Have 3)

EAGLE EF 140 (fixed time)

EAGLE TF-2120 back panel only w/ EF-20 dial assembly

EAGLE NC-158

EAGLE DP-9000 (4 phase)

EAGLE EPAC-300 (Have 2)

ECONOLITE D-2004 (Have 3, 1-w/ cabinet)

ECONOLITE EMC-2000 (Have 2, 1 in 2 phase cabinet, 1 w/ customized outputs)

ECONOLITE EMC-4000

ECONOLITE EMC-8000 (customized for 8 phase outputs)

ECONOLITE N-2000 (Have 2, 1 in 2 phase NEMA cabinet)

ECONOLITE ASC-8000 (Have 2, 1 in 6 phase NEMA cabinet)

ECONOLITE ASC/2S-2100

ECONOLITE KMC-8000 (Have 3)

ECONOLITE KFT 1800 (in F-type cabinet)

ECONOLITE VT-4000

ECONOLITE F-TRAY ELECTROMECHANICAL (Have 4) w/ cabinet, 1-3-way control & large.

ELECTRO-MATIC 804

KENTRON KMT 8800

MINNESOTA MICROTRONICS M-115 (Have 2- 2 phase w/ harness)

MULTISONICS 911 (Have 4, 2- 8 phase, 1- 2 phase, 1- 4 phase)

MULTISONICS 820 (Have 2)

MULTISONICS 820A (Have 2)

SAFETRAN 170 (Have 2, 1-w/ LACO software)

SCC 170 (Have 2, 1-In 332 cabinet rack, 1-in 336 2 phase cabinet)

SINGER 2200 (2 phase)

TRACONEX 290

TRACONEX TMP-390

TRACONEX 390CJ (Have 2)

TRANSYT 1800 (4 phase)

TRANSYT 1800 (8 phase)

TRANSYT 1880E (8 phase)

(Total 60 units)

(Back) / (Home)

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evoldir · 3 years ago

Text

Fwd: Other: WebinarSeries.PopulationGenetics.Vienna

Begin forwarded message: > From: [email protected] > Subject: Other: WebinarSeries.PopulationGenetics.Vienna > Date: 24 September 2021 at 05:44:54 BST > To: [email protected] > > > The Vienna Graduate School of Population Genetics runs an internationally > recognized seminar series featuring weekly talks by leading experts in > population genetics. The pandemic forced us to go online, so we invite > interested listeners to join our Tuesday webinars (17:00 CET/CEST): > > Sign up here to receive webex invitations/reminders: > https://ift.tt/3i39NUJ > > Winter term webinar program: > > 05.10.21 - Sheng-Kai Hsu (Vetmeduni Vienna, AT) > The role of sex in evolution: sexual conflict and sexual selection. > > 12.10.21 - Hunter Fraser (Stanford Univ., US) > Using hybrids to explore the evolution of complex traits. > > 19.10.21 - William Ludington (Carnegie Institution for Science, US) > The niche for commensal bacteria in the Drosophila gut: a model for > complex host-microbiome relationships. > > 02.11.21 - Kerstin Lindblad-Toh (Broad Institute, US / Univ. of Uppsala, SE) > Understanding genome evolution and disease using comparative genetics > and genomics. > > 09.11.21 - Florian Schwarz (Vetmeduni Vienna, AT) > Transposable Element dynamics in space and time. > > 16.11.21 - Kathryn Elmer (Univ. of Glasgow, UK) > Evolution, ecology, and genetics of egg-laying vs live-bearing reproduction. > > 30.11.21 - Eugene Koonin (National Institutes of Health, US) > Evolution of viruses. > > 07.12.12 - Amaury Lambert (Coll�ge de France / Sorbonne Univ., FR) > Neutral models of speciation. > > 14.12.21 - Jianzhi Zhang (Univ. of Michigan, US) > Most synonymous mutations in yeast are strongly non-neutral. > > 21.12.21 - Aglaia Szukala (Univ. of Vienna, AT) > title tba > > 11.01.22 - Torsten G�nther (Uppsala Univ., SE) > title tba > > 18.01.22 - Bart Nieuwenhuis (Ludwig-Maximilians-Univ., DE) > title tba > > 25.01.22 - John Kelly (Univ. of Kansas, US) > title tba > > All information about schedule updates and recorded talks: > https://ift.tt/2GCtwLJ > > Kind regards, > Julia on behalf of PopGen Vienna > > > > > Dr. Julia Hosp > Vienna Graduate School of Population Genetics > Coordinator > > www.popgen-vienna.at > https://twitter.com/PopGenViennaPhD > > c/o Institut f�r Populationsgenetik > Veterin�rmedizinische Universit�t Wien (Vetmeduni Vienna) > Veterin�rplatz 1, 1210 Wien > > Current home office contact via Skype: julia.hosp > Office: +43 1 25077 4302 > > https://ift.tt/2fFgleK > https://twitter.com/PopGenVienna > > > Julia Hosp > via IFTTT

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stemcellee · 7 years ago

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NOTES MASTERPOST (UCLA)

hello friends, as mentioned before I will be uploading my notes. i am a biochem undergrad at UCLA (class of 2020)

this is the masterpost for the notes and if you are interested in these classes (and maybe I’ll add previous classes) then you might want to bookmark this page!

p.s. some don’t have notes bc either I didn’t take notes or the notes I took are embarrassing lol (but feel free to ask me about the class if you want!)

FALL QUARTER 2019

CHEM 154: Biochemical Methods II

CHEM C150: Research Methods and Integrity in Cellular and Molecular Biology

SPANISH 3: Elementary Spanish III

AFRICAN AMERICAN STUDIES 1: Introduction to Black Studies

SPRING QUARTER 2019 (barely any notes...busy quarter)

CHEM 153B: DNA, RNA, and Protein Synthesis

DESMA 9: Art, Science, and Technology

ENGCOMP 5W: Literature, Culture, and Critical Inquiry

WINTER QUARTER 2019

CHEM 153C: Biochemistry: Biosynthetic and Energy Metabolism and its Regulation

MIMG 101: Introductory Microbiology

EPIDEM 100: Principles of Epidemiology

CHEM 147: Careers in Chemistry and Biochemistry

FALL QUARTER 2018

CHEM 153L: Biochemical Methods I

CHEM 30CL: Organic Chemistry Laboratory II

PHYSICS 5C: Electricity, Magnetism, and Modern Physics

HONORS COLLEGIUM 149: Art & Trauma

SUMMER SESSION A 2018

LIFESCI 23L: Introduction to Laboratory and Scientific Methodology

SPRING QUARTER 2018

CHEM 153A: Biochemistry: Introduction to Structure, Enzymes, and Metabolism

CHEM 30BL: Organic Chemistry Laboratory I

PHYSICS 5B: Thermodynamics, Fluids, Waves, Light, and Optics

CHEM 189: Advanced Honors Seminars

WINTER QUARTER 2018

CHEM 30C: Organic Chemistry III: Reactivity, Synthesis, and Biomolecules

CHEM 30AL: General Chemistry Laboratory II

LIFESCI 4: Genetics

CHEM 89: Honors Seminars: Honors Seminar for Chemistry and Biochemistry 30C

FALL QUARTER 2017

CHEM 30B: Organic Chemistry II: Reactivity, Synthesis, and Spectroscopy

PHYSICS 5A: Physics for Life Sciences Majors: Mechanics and Energy

LIFESCI 3: Introduction to Molecular Biology

SPRING QUARTER 2017 (list only, no notes)

CHEM 20L: Introductory Chemistry Laboratory

LIFESCI 1: Evolution & Ecology

CHEM 30A: Organic Chemistry I

GE CLUSTER 80W: Special Seminar in Gerontology

WINTER QUARTER 2016 (list only, no notes)

CHEM 20B: Energetics and Change

LIFESCI 2: Cells, Tissues, Organs

MATH 32A: Multivariable Calculus

GE CLUSTER 80B: Frontiers in Human Again II

FALL QUARTER 2016 (list only, no notes)

CHEM 20A: Thermodynamics

MATH 31B: Calculus: Sequences & Series

GE CLUSTER 80A: Frontiers in Human Aging I

with love,

ellee

#studyblr #stem #science #information #chemistry #chem #bio #biology #physics #engineering #premed #college #notes #note taking #notebook #study #studying #ucla #notesmasterpost #studytips

870 notes · View notes

orbemnews · 4 years ago

Link

The stakes couldn't be higher for America's first major offshore wind farm The federal government this week gave the green light to Vineyard Wind, the nation’s first commercial scale offshore wind farm. Although onshore wind is a growing part of the nation’s power grid, offshore wind is just getting off the ground. Located 15 miles off the southern coast of Martha’s Vineyard, the massive project aims to power more than 400,000 Massachusetts homes and businesses, slash carbon emissions and create thousands of jobs. The stakes couldn’t be higher. America’s power system needs a serious makeover in order to meet President Biden’s emissions goals. Dirty coal must be replaced by much more solar and wind — including a series of offshore wind farms that begin with Vineyard Wind. And if the 84-turbine project flops, it will give ammunition to critics who argue offshore wind is too expensive, too unreliable and too complicated. “We do feel a responsibility to get it right,” said Bill White, vice president of offshore wind at Avangrid Renewables, which co-owns the Vineyard Wind venture along with Copenhagen Infrastructure Partners. “We are prepared. We are ready. The project has been intensely vetted.” ‘Terribly important’ Now that the project has secured its final, major federal approval from the Bureau of Ocean Management, Vineyard Wind plans to begin construction this year and start providing power to Massachusetts in 2023. But this is no small task. Offshore wind farms must contend with rough seas, bad weather and the inherent challenges of installing gigantic wind turbines at sea — and then connecting them to land miles away. “This first project is terribly important in getting this sector kicked off on the right foot,” said Dan Shreve, head of global wind energy at consulting firm Wood Mackenzie. One key challenge is connecting export cables from the wind farm to power stations — in a way that doesn’t interfere with coastal communities. “We are seeing tremendous pushback within some communities over siting,” Shreve said. For instance, the Block Island Wind Farm, which lies 140 miles southwest of the Martha’s Vineyard site, is a much smaller project that launched in late 2016 and has run into problems after an undersea cable became uncovered. Reburying the cable at sea has proven complicated and set off a controversy over the cost to consumers. Vineyard Wind, which received 33,000 public comments and went through hundreds of hours of public hearings, also faced opposition from commercial fishermen worried about the impact to their industry. To ease those concerns, the developers reached agreements with Massachusetts and Rhode Island to compensate fishermen for potential losses of revenue. Avangrid, which has previously built offshore wind farms in Europe, applauded Biden’s team for approving a project that languished for years. “I don’t think it’s a secret that the Trump administration was focused on advancing fossil fuels and not renewable energy projects. Whether it was intentional or not, there was a stagnation of the process,” said White. “The Biden administration has convened an all-of-government approach to offshore wind, which we’ve never seen before.” $2.5 trillion in renewable energy spending Offshore wind is a central part of Biden’s clean energy agenda. The president recently laid out an ambitious goal of cutting US greenhouse gas emissions in half by 2050, compared to 2005 levels. His climate targets represent a “challenging task and require major changes in the country’s energy system that would shake the current fuel mix,” research firm Rystad Energy wrote in a report on Friday. Rystad Energy laid out a model that it considers the most achievable roadmap to reaching Biden’s goals. It calls for spending a staggering $2.5 trillion on renewable energy projects in this decade alone and sharp cuts to America’s fossil fuels appetite. Rystad Energy said that by 2030 US coal consumption will need be slashed by about two-thirds from 2021 levels and natural gas consumption will need to drop by 27%. At the same time, solar and wind power will need to grow dramatically to pick up the slack and eventually generate the majority of US power. Rystad Energy said a total of 700 gigawatts of wind capacity alone must be added by 2030. To put that into perspective, while Vineyard Wind is a large project, the 800 megawatts of power it will generate is a drop in the bucket of what’s needed. “The approval of this project is an important step toward advancing the Administration’s goals to create good-paying union jobs while combating climate change and powering our nation,” Secretary of the Interior Deb Haaland said in a statement. Offshore wind is especially important to efforts to decarbonize Northeast coastal states. Shreve, the Wood Mackenzie executive, noted that those states often have dense populations and yet lack the space or climate needed for large-scale solar and onshore wind power generation. “But they do have exceptional offshore wind resources,” he said. GE-powered turbines Until recently, offshore wind projects were considered too expensive to compete with fossil fuels. Technological gains have changed that thinking. “The costs have come down precipitously,” said Shreve. “It’s now viable where you can make the case as a politician that it’s a realistic option to decarbonize our state.” Part of the key to that is the evolution of the turbines themselves, which are much more powerful than a decade ago. Vineyard Wind will be powered by the Haliade-X, the world’s largest and most powerful offshore wind turbine. The 13-megawatt turbine, manufactured by General Electric, (GE) stands 853 feet tall, nearly as high as the Eiffel Tower, and its blades are 350 feet long. “Just one rotation of the turbine will power an entire Massachusetts house for a day. It’s staggering,” said White, the Avangrid executive. “There has been an extraordinary acceleration of the technology.” Source link Orbem News #Americas #Business #couldnt #farm #higher #Major #Offshore #Stakes #VineyardWind:America'sfirstmajoroffshorewindfarmiscentraltoBiden'sclimateambitions-CNN #Wind

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