#Foreign Stars Most Loved By Koreans Ranking
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bookshop · 2 years ago
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pardon me i'm just overwhelmed by wang yibo (as usual)
It's just, this kid, THIS KID, YOU DON'T UNDERSTAND LET ME EXPLAIN
— he has to battle his way up through the ranks of YG to get to debut, in another country, away from his parents, while barely a teenager, all while learning a second language, and he not only does it, but according to legend he and Lisa are the only two foreign idols in YG history to graduate the program with all As
— and then his debut gets canceled and he has to go back to China and Yuehua and restart his entire career without much support at all from his agency, and he just does it, he starts the grind all over and just fucking does it
— he isn't even Yuehua's first choice for Day Day Up's new host competition, and they submit him only because he speaks Korean and that's good for the show, but then Wang Han sees him backstage one day and sees how hard he's working on his dance routine and immediately knows that Yibo is their next host, and not only is he an incredible addition to the show, but he stays on DDU longer than he reasonably should given how massively famous he gets, and he's so beloved that when he returns for Hunan's 2022 NYE concert, the network rolls out the red carpet and treats him like he's their hometown son and Wang Han is like, "Our Yibo has come home" (And Luoyang is the girlfriend in the distracted boyfriend meme lol but ykwim)
— he has to submit his comp shots twice just to even get an audition before anyone takes him seriously for The Untamed!! Except then the moment they see him, they immediately know he's their Lan Zhan
— he's the "pretty idol" throwaway captain for SDC3 and you can tell this when you watch the editing for the first episode because the comments for Yibo are all about how hot he is, and he comes in last place after the first captain's dance, and it's clear nobody really takes him seriously, but then the second he opens his street auditions, the tone of the entire show changes and from then on, for the next two seasons, he is completely unstoppable, his talent and intelligence and strategic thinking and competitive drive are so raw and exciting to watch that he basically takes over the entire show, the ratings more than double from s2 to s3, his fandom grows even more massive, and the dancers all fucking LOVE HIM. like dude he wins street dance of china so hard that within three seasons he's basically co-producing it and he's literally given a writing credit.
— The director of Being a Hero doesn't think he's old or mature enough to play Chen Yu and then Yibo sits down and talks to him about why he wants the role and the director realizes that Yibo basically is Chen Yu, he's the focused hard-working persevering single-minded actor of his dreams, and Yibo winds up giving a performance so moving it makes the director cry and declare, "That? That's acting."
— he jumps from no ranking at all to 9th place to #2!!!!!! within TWO YEARS on the Forbes China 100 Most Powerful people list between 2019 and 2021
— Duhua famously didn't take him seriously or treat him well for most of their long contractual relationship, oh shit, because now according to YH's latest investor report for Q3-4 2022, he singlehandedly brings in 90% of the profit for her entire company, a shareholder, the "top talent," and the one who has to pay whenever Uniq gets together because he's "the boss"
— Yibo goes from being the SDC underdog to being so respected that when Da Peng is looking for a dancer to star in his street dance movie, he asks all the best street dancers what actor is capable of doing the moves, and they all unanimously tell him: Wang Yibo. Da Peng winds up telling the press on Weibo Film night 2022 that he wrote the whole movie for Yibo, and that "if there's no Yibo, there's no movie"
— Cheng Er, director of Wuming, claims he has no idea who Yibo is, and just decided to cast him in a supporting role in his film because he looks the part of a Republic-era spy. And then he sees Yibo act, and he sees Yibo immerse himself in the part, and he sees how hard Yibo is willing to work and how committed he is, and he rewrites his entire movie until Wang Yibo is the main fucking character; Wang Yibo, in his first major film debut, acts his way into the lead and earns rave reviews from across the globe, including the goddamn new york times
Every time you think people will have finally figured out that you do not underestimate Wang Yibo, you learn of some new example where Yibo, once again, has had to prove himself in an industry that perpetually writes him off and doesn't take him seriously at first — only for the people around him to be absolutely blown away by his talent and dedication and mesmerizing star power.
And this happens over and over and over again. And he just does the work, always, every time, without complaint, and every time the result is something surprising and unexpected and fantastic and such a mark of his incredible passion and talent
— and every time I think my heart can't possibly grow any more sizes over Yibo, he proves me wrong
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xtruss · 2 months ago
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The Most Translated Song from Every Country, Mapped! It’s Not Always The Song You’d Expect.
— By Paul Anthony Jones | Saturday September 28, 2024
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WordFinderX//CC by SA 4.0. Map has been cropped.
A few years ago, there was little escaping Taylor Swift’s megahit Blank Space—and its somewhat bizarre line referencing “all the lonely Starbucks lovers.”
As any self-respecting Swiftie will know, of course, the line’s actual lyrics (despite what most of the English-speaking world thought) were “got a long list of ex-lovers.” The “Starbucks lovers” misinterpretation is a mondegreen—a misheard word or phrase from something read or sung.
Misapprehensions like these are especially common in songs sung in unfamiliar languages. The French nursery rhyme Frère Jacques, for instance, is a frequent source of childhood mondegreens, with the line “Sonnez les matines” (“Ring the matins bells”) often mistakenly thought to have something to do with semolina. But if you’re at a loss to know what your favorite foreign-language singer is actually saying, you could always turn to an online translation—and now, a new analysis by language blog WordFinderX has sought to uncover the most translated artists and songs for every country (with available data) in the world.
The analysis’s authors used Lyrics Translate, an online library of song translations, as their starting point, and looked at 627,000 individual translations of over a quarter of a million individual tracks performed by more than 11,000 different artists. Next, they ranked the songs by the number of times they’ve been translated from their original language into a different language; individual artists were ranked by the number of tracks on which they appear (as either the main or a credited performer, on both live and studio tracks) that have been translated into languages other than the one in which it was originally recorded.
The Most-Translated Artists
The Most Translated Artist From Each Country
The Most Translated Songs
The Most-Translated Artists
The analysis showed that Taylor Swift is not only the source of an excellent English-language mondegreen, but is far and away the world’s most translated pop star, with a total of 4954 global language translations. Her fans’ love of her often Easter Egg-packed lyrics have seen no less than 365 of her songs translated into a total of 57 different languages worldwide.
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Those stats put Taylor Swift quite some distance in front of her closest rivals, South Korean pop group BTS, who have 239 songs translated just over 4000 times into 59 languages. That makes them by far the world’s most-translated non-English language act, while putting them just ahead of artists like Lana Del Rey (3709 translations) and The Beatles (3156) overall.
The Most Translated Artist From Each Country
Ranking every artist in the analysis by their place of birth allowed the authors to discover who each country’s top pop star was. Swift took the top spot in the states, and worldwide, pop music royalty like Celine Dion, Sia, Rihanna, and Lorde came out on top as the most translated artists in Canada, Australia, Barbados, and New Zealand, respectively. Edith Piaf turned out to be France’s most translated artist. ABBA and Björk unsurprisingly topped the Swedish and Icelandic lists. Ricky Martin came out on top in Puerto Rico, and Enya beat U2 to the title of Ireland’s most translated pop star.
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Other countries whose national artist has likewise enjoyed global success include Spain (Julio Iglesias), Colombia (Shakira), and Trinidad and Tobago (Nicki Minaj), while classic pop-reggae superstar Eddy Grant—who had smash hit with Electric Avenue back in 1983—was Guyana’s top artist.
The Most Translated Songs
Switching the data around, however, allowed the authors to see what the world’s most translated songs are—which for several countries turned out not to be the work of the country’s most popular artist. ABBA might be Sweden’s most translated artist, for instance, but it’s Avicii’s hit Wake Me Up that is the No. 1 translated track by a Swedish artist (with 66 different languages). Likewise, Hosier’s Take Me To Church (84 languages) warded off anything by Enya as Ireland’s most translated song, and even Taylor Swift was dethroned by Simon and Garfunkel’s The Sound of Silence, which came out on top in the U.S. as the most translated track by an American artist with 97 languages.
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WordFinderX//CC by SA 4.0
Not every country turned out quite so surprisingly, though. The Beatles are the UK’s most translated act, and their classic track Yesterday is the UK’s most translated song (108 languages). Rihanna’s Diamonds topped the Barbadian list (72 languages), while Camila Cabello’s Havana came out on top in Cuba (31 languages), Bob Marley’s Could You Be Loved was Jamaica’s No. 1 (24 languages), and there are 84 different available translations of Sia’s breakout hit Chandelier, making it Australia’s most translated song.
The most translated song in the world, however, is not an English-language hit at all, but a Brazilian Portuguese one: Michel Teló’s 2011 track Ai Se Eu Te Pego—a No. 1 hit in many countries—has currently been translated into a staggering 131 different languages, ranging from Afrikaans to Welsh.
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xiaozeal · 1 year ago
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Children | Chibonuunh
Elena...Regal...Twilight...Army...Military...Coronet...hmm...Acid...Valkyries (ty)...hmm...Thanatos...Leviathan...Adam...Eve...Sniper...Precision...Sparrow and Raven...Poseidon...Athena...Eclasty...Prism...and when there's more!~ Love, Distinguish (Kitsugeh), Recognition (Sansuhmnuhn), Latte (Shiguehnun), Xuanjuah, Celestial, Pivon, Pirate, Maroon, Xiu Xin, Xiang Leieh, Migumi Crisin, Scythe, Grimoire , Sex (Xiengshi), Pivotal, Kitenshi (Might)
Yejusen Yuno (YAY MY HIGHER NAME) | Please give my kids the requirements. Thanks!~ (5 of YOUR WISHES CAME TURE YEJUSEN), and also a Psychology Book Requirement: Blink
All Surname | Wei
Requirements
English | University Writing and Critical Thinking Using Literature
Foreign Languages | Spanish, Chinese, Japanese, Korean, Khmer (Cambodian)
Mathematics: Calculus 2 (I made it to 5000 A+, Yes, Calculus Based Physics, Chain Rule...)
Psychology Requirement: AP Psychology or University Psychology
Social Sciences | Economics, Political Science, Anthropology, Philosophy, History (U.S. History, European History, World History)
Science Requirements | Biology, Chemistry, Physics
Triple Threat | Music (Voice Requirement) Instrument of Choice, Violin, Piano | Dance (Hip-Hop and Ballet) | Acting (Live, such as Production, and Film)
Game Requirements | Dance Dance Revolution | Arcade Games | Carnival Games (AT LEAST ONE WIN from Ring Toss into the Bottle and ONE WIN from the toss into the Giant Jug) | Final Fantasy: VII Completion | Guild Wars ( 5, 20s, with Ascension and Elite Armor, One Elite Armor from Kurzick and One Vabbian Armor, And One Elite Armor from Prophecies) | Beat Prophecies, Factions and Nightfall | Guild Wars 2: Rift Warden Title Requirement, 5 Max Levels (80) with at least ONE Birthday Cake (80) (Deer Rank: 10 Minimum in PvP Arena), World vs. World Requirement (5: Assaulter), Neopets: 1,000,000 Neopoints |Illusen and Jhudora Avatars | Secret Avatars: Get To Mission Level 20, League of Legends: Level 30 Account Requirement, Ragnarok Online: 3rd Class with Transcendence (10 Characters), Mario 64 (255 Stars WITHOUT Looking Up The Strategy Guide), Dynasty Warriors 9 (Unlock Diao Chan SET: Diao Chan, Lu Bu, Duong Zhuo
Swim Requirement: Level 7 Completion with the Certification (There is 10+, The City of Orange) | Competitive Swim
Martial Arts: Tae Kwon Do, Karate, Piguaquan
Leadership/ASB (Board Positions Included) | 4 Year Requirement
Volunteer Hours: 1000 Hours
Steps Requirement: 100,000 Steps
Classes: Honors, AP, IB (Full Diploma)
College Acceptances Requirement: Universities of California (UC) or California State Universities (CSU)
Sport: Volleyball
Bonus | Superlative Tier
Hobbies | 5 Minimum
Cooking Skill Requirement | Cambodian Level
Anime Requirements | Katekyo Hitman Reborn, Sailor Moon, Full Metal Panic, Naruto (First Season Minimum)
Yes, Daddy goes through all of your works, academics especially. Work hard in school!~ Make a lot of friends! Be your best. Finally, learn to grow. Learn from each other. You guys are siblings. Help each other out. Always be there for one another. I taught you guys well! #SiblingSkills Hehehe~
List of Books (Read 12, BLINK is Required of Sythe and Grimore)
Art of War
Eragon
The Romance of The Three Kingdoms
The Da Vinci Code
I Know Why The Caged Bird Sings
Harry Potter
The Hunger Games
The Bad Beginning
Crazy Rich Asians
The Devil Wears Prada
Dracula
China Rich Girlfriend
Rich People Problems
Beyond Good and Evil
Drowned Wednesday
Strawberry Girl
Catching Fire
Mockingjay
The Diary of Anne Frank
Night
The Iliad
Brave New World
One Flew Over The Cuckoo's Nest
Sons and Lovers
Crime and Punishment
Oedipus Rex
The Most Dangerous Game
The Lottery
Peter Pan
Alice In Wonderland
Two Good Friends (BEST CHILDREN'S BOOK)
The Road
Pride and Prejudice
Frankenstein
Hamlet
Romeo and Juliet
Taming of The Shrew
A Doll's House
The Lion The Witch and The Wardrobe
Holes
By The Great Horn Spoon
Little House On The Prairie
Animal Farm
Charlotte's Web
Brisingr
Eldest
Magic Requirement: Elements (Water Focus)
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101now · 2 years ago
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Beautiful Korean Women 101now.com Dating Asia Find Love WIFE HUSBAND ONLINE
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alethia000 · 5 years ago
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191122 KBS 연예가중계 (Entertainment Weekly) - Nichkhun ranks No.10 on "Foreign Stars Most Loved By Koreans Ranking."
Ranking No.1-16 
https://blog.naver.com/nasci/221715815736
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gallyl · 4 years ago
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Stars and Stones: Qi Hun details (Hikaru no Go)
There are some lovely details in the drama adaptation. For anime fans who didn’t watch Qi Hun (Hikaru no Go) yet, I’ll put a spoiler warning, where necessary. In the drama, these are the names:
Shi Guang - Hikaru Shindou
Yu Liang -  Akira Touya
Chu Ying - Sai Fujiwara
Hong He - Waya Yoshitaka
In the manga Hikaru's key color is yellow (sunlight). In the drama, this color appears from time to time to express inner strength or character development. As a child, Shi Guang likes yellow, then, as a teenager, he wears clothes with dull colors like someone who "lost his light", but gradually regains “true colors”. He appears in yellow when he returns to go, and when he takes the pro exam. Color schemes of the golden trio appear during the pro exam in their clothes and lucky wristbands (Hikaru - yellow, Waya - red, Isumi - blue).
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Go game is heavily based on the astronomy. In the drama, the go club is located in the chemistry class (like in the manga), but later moves to the astronomy class, which occupies the top floor and the roof (for night sky observations). Likewise, a divine move is represented as a supernova star.
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Yu Liang has a name "Akira" engraved on his go board. He also uses a nickname "Akira" on the Internet go server. 
He Jia Jia (Kaga Tetsuo) claims that Yu Liang lost to him on purpose and disrespected him. But at the school tournament years later Liang instantly recognizes He Jia Jia and greets him with a nod. The latter nods in return: they finally reconcile.
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Yu Liang keeps his fashion style from manga with blue and dark clothes (moonlight). There is a special artistic approach to the “light” in his life. Liang’s time during the school go club, pro exams and further professional career is depicted as mostly sepia/cold/gloomy. Liang’s house is dark. But when Guang shows up, colors become warm and light. Guang “illuminates his world” (pay special attention to lights and color during the house training in Episode 36).
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Yu Liang likes music by Maksim Mrvica and Maria Carey. We can instantly see by his musical tastes, that he’s a hopeless romantic. Mariah Carey was probably selected for her gentle sound, which is not too silly or “pop“. Maksim Mrvica is a pianist, who was very popular in Asia. Liang is holding an album “The piano player", notable for the track "Claudine", which has a separate Chinese lyrical version "信望愛" ("Trust Hope Love") about the parting of lovers. Liang gets a VIP ticket to Maksim’s concert as a gift from his father, and it’s a rare opportunity to see a foreign artist. But he misses the event because… he’s a hopeless romantic, right.
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During the Go camping arc, Yi Liang and Shen Yi Lang (Isumi) are both teachers. But Liang gets his own accomodation, while Shen has to share a room with 2 students (Shi Guang and Gu Yu). It is implied, that Yu Liang was supposed to live with Shen, but the organizers made changes out of respect for his high status and professional rank. Liang ended up isolated and the only teacher who didn't make friends among students.
When Liang loses a motivation to play, he collects puzzles (Claude Monet “Water lilies”, “Mona Liza”). He starts from the angles until he reaches the easiest part (face). Or he's treating a puzzle like a go game, starting from the corner and moving to the center :)
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In the drama, Xiu Ying (Hong Suyong) is a friend of Yu Liang. The most probable reason for this, is that he becomes a foil to Shi Guang: he resembles Guang in appearance and behaviour, and Liang feels at ease with him. Liang either likes the same type of people, or he missed Guang and befriended a person like him. Unsurprisingly, his Korean friend is the one who returns his hope in Shi Guang. [I wonder if there’s another parallel between an orange juice they are drinking together and Ep. 36 juice tease? Hehehe]
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In episode 22, when Shi Guang buys wristbands and a lucky bean, Chu Ying asks Guang to keep his exam entry card safe, because it may be lost when he’s shopping. Guang replies: “It’s here. Why are you more anxious than me?” and then thanks Chu Ying for being around. This might be a metaphor for the end of their journey. BONUS: Check out this post about the lucky bean by @dorkshadows​ . The character on the lucky bean says “Win” which is pronounced “Ying” but in fact that’s “Ying” from Chu Ying. Afterwards Guang plants the bean in the pot, but it fades. Another metaphor.
Hong He (Waya) gets a red scarf from his girlfriend (luck, love, marriage). Likewise, when Hikaru experiences the loss, he shows up in a black scarf (mourning). He appeared in this black scarf before, but in Ep 35 the impression and the message are drastically different, he’s a changed man.
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[MAJOR SPOILERS] Hong He’s decison to end his career is a tragic mistake. In the hospital, his father says “Go... Play...“ and, upon hearing about his son's decision, starts to weep. He obviously changed his mind after suffering a stroke and thus learning to appreciate life. But Hong He feels too guilty to notice. Hong He’s excessive care for others above his own needs destroys his own happiness. He serves as a foil to Shi Guang, who lost his father figure but worked it out and continued to play.
[MAJOR SPOILERS] In the final episode Yu Liang asks Shi Guang to trust him just like he trusts himself. Later, when the trust is established, Guang passes the fan - his most precious item - to Liang. The spontaneousness of the moment highlights absute trust.
***
There must be more details and ideas hidden in plain sight, but I need to rewatch once more. Also, Yu Liang / Shi Guang scenes need a separate visual analysis due to many moments that are shown rather than spoken.
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aliveandfullofjoy · 4 years ago
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Oscar Trivia 2021
A few days late, but here we are!
The elephant in the room is that for the first time in Oscar history, there is more than one woman nominated in Best Director: Chloé Zhao (Nomadland) and Emerald Fennell (Promising Young Woman). As part of their unique roads to their nominations, Zhao is the first Asian woman nominated for the award, while Fennell is both the first British woman nominated and the first woman to be nominated for her directorial debut. If either of them win (which looks incredibly likely for Zhao), they will be only the second woman to win Best Director, joining Kathryn Bigelow who won for The Hurt Locker (2009).
The late Chadwick Boseman (Ma Rainey’s Black Bottom) has become the eighth actor to be nominated posthumously and the first in the Best Actor category since Massimo Troisi in 1995 (Il Postino). If/when he wins, he’ll be the third actor to win after their death, joining Peter Finch (Best Actor 1976, Network) and Heath Ledger (Best Supporting Actor 2008, The Dark Knight). 
In a continuation of the weirdest streak possible, Leslie Odom, Jr. (One Night in Miami) is the fourth artist in a row to be nominated for both acting and songwriting. For over 40 years, Barbra Streisand had the distinction of being the only person nominated for both acting and songwriting. Mary J. Blige one-upped her in 2017 when she was nominated in both categories in the same year (Mudbound), and then Lady Gaga (A Star is Born) and Cynthia Erivo (Harriet) managed to do the same in the following years. Odom is now the fifth person to achieve this distinction in Oscar history and the first man to do so. Barbra still has the last laugh, though: she’s still the only person to win both categories (albeit in different years). 
Steven Yeun (Minari) is the first Asian-American actor ever nominated in the Best Actor category and the third male Asian-American actor nominated ever, joining the ranks of former Supporting Actor nominees Mako and Pat Morita. 
Borat Subsequent Moviefilm’s Maria Bakalova is the first Bulgarian actor nominated for an Oscar. 
With her Best Actress nomination for Nomdland, Frances McDormand has joined Meryl Streep, Jack Nicholson, Laurence Olivier, and Michael Caine as actors nominated in five consecutive decades. Additionally, as one of the producers of Nomadland, McDormand is the first woman nominated in acting and producing in the same year and the third overall (the other two being Barbra Streisand and Oprah Winfrey). 
Glenn Close (Hillbilly Elegy) received her eighth nomination, extending her own record as the most nominated living actor without a win. She is also the third actor to be nominated for both an Oscar and a Razzie for the same performance, and the first since 1983. 
Daniel Kaluuya (Judas and the Black Messiah) is the first Black British actor to receive more than one Oscar nomination. If he wins (which looks incredibly likely), he’ll be the first ever Black British actor to win an Oscar.
With her nomination for Ma Rainey’s Black Bottom, Viola Davis is now the most nominated Black actress in Oscar history, with four nominations and one win. If she wins, she’ll be only the second Black woman to win a Leading Actress Oscar and the first since Halle Berry, who won for 2001′s Monster’s Ball. 
Riz Ahmed (Sound of Metal) is the first actor to Pakistani descent to be nominated in any acting category and the first Muslim actor nominated in Best Actor. His performance is also the first one primarily in American Sign Language (ASL) nominated in this category since Alan Arkin in 1968′s The Heart is a Lonely Hunter. Additionally, Ahmed is one of the only actors of color in Oscar history to be nominated for a role in which his race has no bearing on the story. 
Youn Yuh-jung (Minari) is the first Korean actor nominated for an acting Oscar and the third East Asian woman nominated (the others being Japanese actresses Rinko Kikuchi and Miyoshi Umeki). 
This year also marks the second time ever with more than one Black nominee in Best Actress, with both Viola Davis (Ma Rainey) and Andra Day (The United States vs. Billie Holiday). The only other time this happened was in 1972 when both Cicely Tyson (Sounder) and Diana Ross (Lady Sings the Blues) were nominated. In an incredible coincidence, both Ross and Day are nominated for playing the same role: Billie Holiday. 
Between the five of them, the films nominated in Best Visual Effects have a total of seven nominations, the lowest for that category since 2007, when there were only three films nominated. 
On that same note, Billie Holiday is now the sixth historical figure to earn multiple actors Oscar nominations in different films. The others are King Henry VIII (Charles Laughton in 1933′s The Private Life of Henry VIII, Robert Shaw in 1966′s A Man for All Seasons, and Richard Burton in 1969′s Anne of the Thousand Days), Queen Elizabeth I (Cate Blanchett in 1998′s Elizabeth and 2007′s Elizabeth: The Golden Age and Judi Dench in 1998′s Shakespeare in Love), Abraham Lincoln (Raymond Massey in 1940′s Abe Lincoln in Illinois and Daniel Day-Lewis in 2012′s Lincoln), Howard Hughes (Jason Robards in 1980′s Melvin and Howard and Leonardo DiCaprio in 2004′s The Aviator), and Richard Nixon (Anthony Hopkins in 1995′s Nixon and Frank Langella in 2008′s Frost/Nixon). Holiday is the first Black person to receive this distinction.
At 83, Anthony Hopkins (The Father) is the oldest Best Actor nominee in Oscar history. He is also the first person to get back-to-back acting nominations in his 80s and only the third actor in history to receive more than one acting nomination in his 80s, joining the likes of Jessica Tandy and Christopher Plummer. 
Ma Rainey’s Black Bottom marks the third time ever that Best Actor and Best Actress both have Black nominees from the same film. The other two are Sounder (1972, with Paul Winfield and Cicely Tyson) and What’s Love Got to Do with It (1993, with Laurence Fishburne and Angela Bassett). Of the three films, only Sounder made it into the Best Picture category.
Judas and the Black Messiah is the first Best Picture nominee with an all-Black producing team. 
Thomas Vinterberg scored a surprise Best Director nomination for Another Round, which makes him the first Danish filmmaker to receive an Oscar nomination. Another Round is now only the third film in history to be nominated for Best DIrector and no other non-Foreign Language Film categories, along with Hiroshi Teshigahara’s Woman in the Dunes (1965) and Federico Fellini’s Fellini Satyricon (1970).  
Amanda Seyfried (Mank) is the second Mean Girl to be nominated for an Oscar, joining Rachel McAdams. None for Gretchen Weiners, indeed.
With the nominations for Maria Bakalova and for Adapted Screenplay, Borat becomes the eighth film franchise to ever receive multiple nominations in above-the-line Oscar categories, joining The Godfather series, the Toy Story series, the Before... series, the Lord of the Rings trilogy, the Rocky/Creed series, and the pairs of Going My Way/The Bells of St. Mary’s and Elizabeth/Elizabeth: The Golden Age. 
After the Macedonian film Honeyland became the first film in Oscar history to be nominated in both Best International Feature and Best Documentary Feature, the Romanian documentary Collective became the second film to earn this distinction this year. 
The White Tiger continues the 20-year-old trend of there being at least one film that receives a screenplay nomination and nothing else.
Terence Blanchard (Da 5 Bloods) is the first Black composer to receive multiple nominations. 
Sound of Metal is the third Best Picture nominee in the last 20 years to have its world premiere the year before its American Oscar-qualifying release. The other two are Best Picture winners The Hurt Locker (which premiered at the Venice Film Festival in 2008) and Crash (which premiered at the Toronto International Film Festival in 2004). 
Mank is the third black-and-white film to be nominated in Best Makeup and Hairstyling, and the first since Ed Wood in 1994. 
This is only the third time that all five of the Best Actor nominees were nominated alongside co-stars. This previously happened in 1991 and 2013.
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chibimyumi · 4 years ago
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Hi
I hope you're doing well
I have questions if you don't mind
Who do like Axel von Fersen in Marie Antoinette or Axel von Fersen in 1789 les amants de la bastille and also do you like Marie Antoinette in Marie Antoinette or in 1789 les amants de la bastille
Thank you for answering my questions
Dear Anon,
I am doing well, thank you very much! I hope you too.
Hmmm, as a quick answer I would say I prefer both Marie and Fersen from ‘Toho MA’, but the full answer is slightly more complicated.
Firstly, it is almost unfair to compare them to each other because in MA they are the main characters, whereas in 1789 they are main-support or secondary-mains at best.
Secondly, MA has a far bigger focus on the characters because that is what drives the plot, while the opposite is true for 1789, which mainly sells a spectacle. I myself am more fan of subtle and deep story-telling rather than spectacular shows, so the MA versions of Marie and Fersen are more to my liking.
Thirdly, the quality of the characters also depends greatly on the cast. My first view of MA is the A-cast, and therefore my impression of the characters is that they are incredibly well written. After comparison with other casts however, I started to wonder whether it was just the A-cast being too good, and the musical itself being ‘fine’. (In short; I’m not fully sure how much I’d ‘clearly’ have preferred MA Marie and Fersen were it not for A-cast. Click here for a comparison between the two casts written by my friend @wildandwhirlingwords)
But, I shall go into more detail for both characters why MA’s version appeals more to me - someone who enjoys character writing most.
🌹Marie Antoinette🌹
M.A. 2018
In my opinion Marie Antoinette is better in MA because you see her journey and her motivations. We all know that the historical Queen screwed up majorly, but in MA we see why, and in what ways she indeed had very little other choice from her own perspective. She was a flawed foreign woman in a time and place where flawed foreign women were hated most.
In the beginning of the musical the King comes tell Marie that she’d have to live more economically. Marie is clearly not very enthusiastic to hear that, but she also never protests. She just asks ‘why’ and then accepts the answer - albeit broodingly. More importantly however: we need to keep in mind that despite being called Madam Deficit, the historical Marie Antoinette was actually quite economical at first because the Austrian court where she comes from was way less extravagant than the French. It was after her marriage into French royalty that she became more extravagant, because she was criticised for “not being a proper royal” by the French. According to the court, the 14 year old Marie was “a peasant unworthy of becoming Queen.” When you’re that young and criticised by your entire new life, you do everything in your power to make sure you can actually have a life; you adapt. So when Marie was then suddenly told to stop ‘adapting and be a proper Queen worthy of the French”, we can see why more is at stake than “Karen needs to deal with only 10 dresses a week.”
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Something else that adds depth to her character as opposed to her 1789 counterpart is that as the story progresses, Marie actually grows. She becomes more mature and more serious, and you see in her how all the events have a clear toll on her. From her own perspective, she really was trying very hard, but anything she tried was inadequate to improve the situation. What she didn’t know is that no matter how hard she tried, the situation was already un-salvageable before she was even born. The populace AND the court had already decided to hate her for being an unintelligent foreign woman from an enemy state, after all. This is an insight most historians nowadays agree on.
In a later scene where Margrid confronts Marie, she asks the Queen: “what makes you think you are better than us?” Marie confirms nor denies, but replies: “I am merely Queen as I was appointed by God.” When she adds: “All I know is duties, you are free,” there is also a clear sense she genuinely doesn’t know why she was appointed by God, but as she is now, all she can do is her best. She is still ignorant, which was a genuine problem about her. She does not know the hardships of not being from the top rank, allowing her say something as insensitive as: “at least you’re free.” But again, despite her ignorance, her feelings are sincere. From all the unfair expectations she was made to live up to from age 14, you really do see why ‘a life without duties’ seemed so much more appealing to her.
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1789 - The Lovers of the Bastille
Marie in 1789 is more of a side-character, and the musical itself just is not very character/story driven as MA is. 1789 has the tendency to take the tropiest of tropes and stay on surface level with the characters. Ouki Kaname is an incredibly good actress and she tries her best; but she cannot do more than the script gives her to work with.
In this musical Marie is not portrayed in a very relatable or sympathetic light. She is extravagant because she has escapist fantasies, but we don’t really see what she’s escaping from. The sympathy from the audience is supposed to be drawn from the tragedy that she’s married to the King but is in love with Fersen. Oh, and she has a son but he’s mortally ill. Meanwhile however, you don’t see how her life is so bad she needs to escape... and you also don’t see Marie really being worried about her son than an occasional: “Oh Ill again? Sucks I guess. Gotta cry my eyes out on my lover’s lap, AHHH FERSEN 💗” It was not until her son had already died that Marie woke up, but the lack of portrayal of Marie’s perspective and the pacing really makes one legitimately wonder whether the child did not just die of Marie’s neglect. And about the forbidden love ...we’ve seen enough love triangles with star-crossed-lovers... I don’t know about you guys, but I am numbbbbb to this “problem”.
When Marie receives message from Olympe that she finally gets to meet her lover after a long separation at the Palais Royal, one of the first things she says is: “is that not the place where revolutionaries and prostitutes are gathered?” This immediately sets up an empathy-barrier between her and the common people. This Marie clearly views herself too good for people who do anything to get by; why would you care about her then? Because Marie’s story is not fleshed out you don’t see parts that can make you go: “oh, the revolutionaries really hate her for reasons beyond her control, she is in danger.” Or “she was raised by a puritan society, making her hate on sex-workers; that’s part of her character flaw.” Instead it’s just this Diva being quite judgemental.
Ouki was trying very hard to make the focus about her own safety, but with the script being what it is... she’s still a mostly unsympathetic character who is a martyr of forbidden love.
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There is one scene where we see her take on a much more mature and responsible role. That was the first time I personally felt like Marie from 1789 is an actual human being with feelings and personal difficulties. But in great part this is Ouki’s acting... (the other cast didn’t do much for me). What is also important is that Marie was ‘humbled’ because her son died. Marie did not have much of a personal growth, and then she changes to a more sympathetic person because of an external factor just... feels less earned.
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In the finale Marie appears again in her execution clothes, and the way Ouki appeared really felt like a punch in the gut. She sings “as a recompense for our griefs, people have learnt forgiveness.” However, the story skimped over the characters so much I was left to wonder: “who learned to forgive whom?” Do you think the people forgave you? Or was there somebody you hated but now learned to forgive? What was your grudge? Do you understand the angry mob’s grudge?
The finale of the musical treats like after the heroic sacrifice of the protagonist (Ronan) the oppressive monarchy was replaced by a good democracy, and a Reign of Terror will DEFINITELY not happen under Robespierre or something. But if you’ve had a BIT of European history you just know it’s a blatant lie. So the finale just feels too simplistic, and this simplistic feeling was in part presented by Marie’s very empty, lip-service-y line.
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⚔️Hans Axel von Fersen⚔️
M.A. 2018
Fersen is a bit harder to compare which version is better, because honestly, depending on who plays Fersen in MA, Fersen is either the most generic Hollywood sweeping-lover-hero, or a diamond mine to excavate. In the same post linked above by my friend, she explains in detail the differences between TashiroFersen and FurukawaFersen. K-musical fans, don’t @ me, but from what I can tell, the Korean Fersens are also very... typical.
In this post I have discussed Furukawa’s Fersen in great detail, so I shall skip over these for this post. But to summarise, when portrayed by Furukawa at least, Fersen in MA is very nuanced and restrained. Even if we do not fully credit Furukawa however, then at the very least the script allows enough space and material for an actor to flesh him out so phenomenally well (I think Tashiro and some other actors just.... really missed out on the potential).
Fersen in MA incredibly memorable because the main atmosphere of the imminent doom awaiting everyone is carried by him in a way nobody else does. The moment Fersen enters you feel the tension that the musical wishes to tell. Fersen has seen revolutions, he’s seen the power of anger; he knows shit is going to hit the fan because he’s familiar with this trajectory. 
Fersen has excellent self control because he knows how a lack thereof would hurt Marie’s reputation and escalate the growing chaos. You can see very clearly how Fersen does want the intimacy, but to him duty and the grander picture has priority. In all the small actions from Fersen you see how he is a savvy intellectual through and through. (More about reservation later).
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In contrast to 1789, we also get to see so much more of Fersen in MA because he is the narrator and a main character. Throughout the musical he’s been trying to de-escalate the chaos and even though his plans were actually well thought-out, the problems were just simply too big for any one person to solve. When Fersen mourns Marie there is a clear sense that he is not really surprised, just really upset that things had to come so far. Instead of singing something accusatory to the angry and hungry people, he sings: “fate, why did you give her everything, only to show her hell in the end?” Fersen truly understands why the people were duly angry, but that not taking away his sorrow of losing Marie who he knows is a better person than people make her out to be.
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Also in great contrast to 1789, the finale of MA is rather grim. It does not suggest hope or that all problems will eventually disappear. The story for these people have ended, but the problems and the world will continue to our days, and days far beyond ours. It gives a feeling that the world of MA is so extensive that we - the audience - are part of it. In the finale when we see Fersen again, he also stays in tune with this feeling. “How can the problems of the world be solved, what is true justice? We remain clueless” he sings, and the way he looks into the unknown distance is almost a reminder to us that nobody has reason to stop worrying and fight for justice.
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1789 - the Lovers of the Bastille
Now if we were to compare MA’s Furu Fersen to 1789′s Fersen, we see a stark contrast between the two. Where Furusen was incredibly reserved and hyper aware of everything, 1789′s Fersen is just the over-romantic lover who had been pining for his love. For a moment Marie realises she probably should not be cheating on her husband and backs away. Fersen however, is the one to make further advances, actively pulling her back to his side.
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When he embraces Marie you see how he is just dreaming and indulging, something Furusen would never do. Furusen might hug Marie, but not without sh*tting 50 colours. 1789′s Fersen is the sweeping Romeo that most of history makes him to be, and little more. But again, Fersen plays but a very small role in 1789, so it is also unfair to compare him to MA’s Fersen.
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Regardless of whatever nuance might or might not be there however, it is also just quite hard to like this Fersen because he is ‘just another privileged aristocrat who is just needy’. When making out with Marie in Palais Royale they find out that Ronan fell asleep there drunk. Ronan simply complained that Marie was too loud and woke him, and Fersen immediately shuts him up, and then draws his sword at him for ‘speaking rudely’.
First of all Fersen and Marie, if you’re gonna do a clandestine meeting, you CHECK your surroundings. Second of all, FERSEN Ò.Ó, this peasant is untrained and weaponless; you can’t just unleash your high-ranking martial arts at him with a shiny sword. This is EXACTLY the reason the revolution happened; the people were sick of the suppression of the powerless by the powerful. UGHUM. It truly is mind-blowing to consider how 1789 Fersen and MA Fersen are both...Fersens.
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This Fersen is not very involved with the revolution from either side. He just proposes to help Marie and the King escape once, but got dismissed immediately. The following time we see him it is in the finale.
There he stands, a knight in shiny armour singing a really hopeful phrase to a relatively upbeat and hopeful music: “do not rely on force, but seek for hope and courage.” Here again unlike with MA’s Fersen, you don’t really feel like this Fersen has experienced anything. It was like he was an employed special guard, told by his boss there’s nothing he needed to do, his boss is dead, and oh wellll, moving on!
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Conclusion
Because Marie and Fersen in MA are main characters whose stories are fleshed out, it really is very unfair to compare them to their 1789′s counterparts in a race of ‘who is better’. In the end of the day, 1789′s aim is to sell a spectacle, and it realllly is a phenomenal piece if you’re there for the spectacle. The choreography, songs, stage, everything is masterpiece-level. So if you’re there for the spectacle you get exactly what you went there for. The story and characters however... not so much. If one is more drawn to a direct, glittery spectacle with hands-down-amazing-songs however, they’d probably find Marie and Fersen from 1789 more enjoyable. If you’re into first and impressive impressions, the MA counterparts might demand a BIT too much attention and patience to get into.
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Related posts:
Introduction and character analysis Fersen ‘MA’ 2018
Comparative commentary on MA Cast M and Cast A
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sunmaylight · 4 years ago
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ORV AU where everything is the same, but KDJ’s group picked up four preschoolers after the first scenario. 
(I got a long idea that might be a plot list, but I’ll just list the main points and some characteristics about the preschoolers)
Preschoolers (Just a few characteristics, no names yet)
- Boy with a compass (Black, stepfather-Korean)
- Girl with a stuffed animal (Korean)
- Boy with a covered bucket (Foreigner, parent’s got a job transfer to Seoul)
- Girl with a book about space (Mixed, 1/4 European)
Premise
- The preschoolers are from the same school of a group of preschoolers that were going to a special overnight field trip that day. The four somehow got separated from their assigned group and wandered from train to train until they ended up in the same train as KDJ’s group when the apocalypse started.
- The preschoolers are the only survivors of car 3907. They survived because they heard something about squishing bugs from car 3807 and one of the preschoolers who has a bucket that has bugs in it (somehow) gave some to the other preschoolers to squish.
- After the First Scenario, one preschooler screamed and that notified KDJ’s group that other survived in the next car. KDJ was the unlucky person who was sent to check and immediately got tackled by four preschoolers. He brought them back with him and after much fussing from the others, they learned that the preschoolers survived the First Scenario just like they did.
- Sponsorship time. All of the preschoolers can read, but most of them didn’t choose one because they thought the names were stupid or something. Only the girl with a book about space choose a sponsor.
- Fast forward to KDJ reuniting with his group again. He notices that there are no signs of the preschoolers. When he asked about their whereabouts, he was told that HMO saw YJH leave with the preschoolers. 
- KDJ is utterly baffled. Why would YJH take these small children who would be getting in his way? KDJ then thought YJH took them because of some remnant parental instincts YJH has from the 2nd Regression. 
- Fast forward again to KDJ and YJH meeting again and KDJ’s group getting to have access to the bathroom. KDJ is tackled yet again by the preschoolers upon reunion. He then sees the small play area with toys made from monster parts and the Wagon.
- This Wagon is a unique item that hasn’t appeared at all in WOS. It is a rare item that is ranked below a Star Relic that has the potential to become a Star Relic in future Scenarios. This super rare item is owned by the preschoolers and is equipped by YJH?
- KDJ stares at YJH for an answer and in a surprising break of character, YJH complies. After he left Geumho Station, he noticed that he was being followed by the four preschoolers. It’s too late to turn back, so he kept on walking to the next station. YJH got a message from some constellations who love/care for children to slow down for the preschoolers to catch up. He does not comply. 
- The constellations who love/care for children notice this and send down the Wagon to the preschoolers through the girl who has a book about space’s sponsor. They then induced a penalty Scenario onto YJH to pull the Wagon until they get to the next station. YJH was not happy about this development, but could not object because the preschoolers already boarded the Wagon and a rope was attached to his wrist.
- So YJH kept walking towards the next station killing any monsters along the way. One monster decided to attack the Wagon instead of YJH and he noticed this too late. Just as the monster was going to attack one of the preschoolers, a barrier appeared around the Wagon protecting the preschoolers. 
- This is followed by a message stating that the special skill [Mother Bear Instincts] is activating. YJH got a massive status boost that helped him slaughter the monsters faster than before.
- YKJ decided then that he doesn’t mind his situation anymore and went on his way like canon but with the addition of four preschoolers in a Wagon. He also forced Gong Pildu into protecting the preschoolers until he says otherwise.
- After hearing this outrageous story, KDJ decides to blame it on the protagonist power at such a weird development. But at least he doesn’t have to worry about the preschoolers as much during the future scenarios.
- Fast forward to when everyone gets separated. Because the preschoolers were in the Wagon, they got teleported to their preschool instead of each of their homes. They were soon found by the JHW and the Wandering King’s group.
(And that is about it for now on what I got canon wise)
As for the preschooler’s constellations, I have nothing concrete for most of them. But here is what I have so far
- Boy with a compass - Sponsor: Myth/Narrative Grade Constellation
- Girl with a stuffed animal - Sponsor: Narrative Grade Constellation 
- Boy with a covered bucket - Sponsor: Constellation of Frost and Snow
- Girl with a book about space - Sponsor: An Outer God
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fyexo · 5 years ago
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191010 SuperM Aim to Conquer America By Staying Korean
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A monolithic coliseum, intimidating and gleaming in the sun, materializes in the desert like a mirage. Inside, seven men clad in black and metallics stand tall in its center, facing the thousands gathered to watch them.
The scene that opens South Korean supergroup SuperM’s debut music video, “Jopping,” is an apt metaphor for K-pop’s most buzzed-about new act — donning their armor, the gladiators prepare to take on one of the most intimidating contenders of them all: the U.S. market.
In August, Korean music juggernaut SM Entertainment, in partnership with Capitol Records and its subdivision Caroline, announced that it would debut a new K-pop supergroup featuring the cream of the crop, pulled from some of SM’s most popular active groups. These acts combined (SHINee, EXO, NCT 127, WayV) have sold more than 14 million adjusted albums and garnered nearly four billion views of their music videos. Though SM has experimented with a few supergroups in the past, this announcement was especially mind-blowing to K-pop fans, as it promised to take a cross-section of some of the very best dancers, singers, and rappers in the business — an Olympic-level performance team.
Taemin, 26, is the industry vet, who joined K-pop darling SHINee as its maknae (youngest member) in 2008. Along with a successful career in the group as its charismatic main dancer, he also has made a name for himself through his popular solo work, dramatic and often androgynous looks, and sultry vocals. From EXO — a group so revered they were chosen to perform at the 2018 PyeongChang Olympic Closing Ceremony — is SuperM’s leader Baekhyun, 27, known for his killer sense of humor and soaring tenor. Then there’s Kai, 25, the ballet-trained dancer whose secret weapon is a combination of long, sharp lines and arresting looks.
From subunits of the 21-person umbrella group, NCT, is NCT 127’s bright-faced Canadian rapper Mark, 20, and its 24-year-old charismatic leader and rapper Taeyong. And from the Chinese-language unit WayV is the quadrilingual Thai triple-threat Ten, 23, as well as 6-foot-something, 20-year-old striking Hong Kong-born rapper Lucas.
While the announcement garnered a monsoon of excitement online, it was also met with a hefty dose of skepticism and criticism. Some were upset that the activities of NCT 127, EXO, and WayV would be put on hold, and felt bad for the remaining members. But the most vocal faction seemed to float somewhere in the middle, unsure of what to make of the all-star lineup. One thing was sure: the sheer talent would be next-level. But SuperM was notably announced as group aiming to appeal to an international audience and debut in the U.S. — would that mean stripping it of its K-pop identity to make it palatable to the American mainstream?
That fear was all but quelled with one word: “Jopping.” The lead single off of SuperM’s self-titled seven-track EP is a bombastic, genre-bending dance track that blends English and Korean, and even samples the Avengers theme — apt for the self-proclaimed “Avengers of K-pop.”
K-pop can now can add “Jopping” — a blend of the words “jumping” and “popping” — to its lexicon, joining the ranks of “Boombayah,” “Dumb Litty,” and “kitty-incidence.” Not only is the title very K-pop, but the song is classic SM. In fact, it evokes a specific company-coined sonic style called SMP, or SM Music Performance, which is choreography synced with a mix of rock, R&B, and hip-hop beats.
“It's our debut single and first appearance as SuperM, so we knew that we had to do something that shows off all our best sides — whether it be our style or each of our personas and characters,” the affable Mark tells Refinery29 following SuperM’s debut Los Angeles showcase. “We knew that ‘Jopping’ had a large feeling to it and we knew that only something that big could contain our performances, our raps, our singing, and our dancing.”
It’s a bold move. Many K-pop acts looking to make it in the U.S. have opted to collaborate with big-name Stateside artists, or even release straightforward pop/hip-hop English-language songs that do everything to hide even a trace of a foreign accent. But SuperM deliberately chose to take a risk.
“Now that we’re entering the American market, we could have released a song that suits the American taste better, but that’s not what distinguishes us as a group,” says Kai, a silver Rolling Stones necklace adorning his graceful neck. “We chose ‘Jopping’ because we wanted to show something that hasn’t been done in the States. Also, given that we’ve pulled together all these great members for this kind of performance, we saw a potential in this song to captivate the world and show our identity.”
“It gives us an opportunity to show fans a variety of styles, and prove that we can pull off anything,” adds the purple-haired Taeyong.
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Dig deeper into the EP, and the tracks reveal a roadmap that winds even deeper into the group’s Korean identity. Take “I Can’t Stand The Rain,” an immense electro-pop song that opens with echoing traditional Korean drums and whose chorus is cradled by a classic haegeum melody. The synthy R&B B-side “2 Fast” features a classic K-pop tempo change halfway through, slowing down during the bridge before picking up the beat and adding undulating trills of vocal distortion.
“We’re from Asia,” says cotton candy-haired Baekhyun, who's taken quickly to his leadership role. “We wanted to emphasize the harmony between Western and Asian music. That’s why the drums and haegeum are on that Westernized beat [in ‘I Can’t Stand The Rain’]. With ‘2 Fast’, the sudden change within the track is very K-pop because K-pop itself changes all the time. There’s no limitation and it takes on many different forms. This song is just another representation of that, and how we try to differentiate ourselves.”
“I’m honestly constantly learning from these six people how we can best represent SM’s history and show Americans what K-pop is,” says Lucas, who palpably relaxes when he speaks in Chinese, his native language. “I’m learning how, through this music industry, to be a vessel for spreading culture, thought, and happiness.”
And people are certainly noticing. After releasing their EP, SuperM delivered a blowout debut showcase in LA. Hundreds of roaring fans gathered to watch their first performance in Capitol Records’ backlot, which was streamed live around the world on YouTube. The group has since sat on Ellen’s couch, and announced a 10-date North American tour that includes New York City’s Madison Square Garden. It’s a promising beginning for the septet, and something that Mark didn’t think he’d ever see growing up.
“Growing up in Canada and being in the West, nobody really knew about K-pop unless they were Korean,” he says, his expressive eyes growing contemplative. “To see a Korean group like SuperM that’s so powerful, making an impact on America and sharing their energy and story, and to have Amercian fans come and run to us to see our synergy, is something I’d never thought that I’d see, nevertheless be a part of. I always try to remind myself how lucky I am to bridge two cultures together. It’s a cool moment.”
Though the EP is rumored to make a strong debut on the Billboard 200 next week, it seems unlikely that the average American will be "jopping" anytime soon. But it’s not about simply putting out songs that can dominate charts or airwaves right away — if that were the case, we'd be hearing a much more Western-sounding lead single.
It all comes back to an ethos instilled by SM’s founder and K-pop pioneer, Lee Soo Man. “I love what I heard from him yesterday,” says Ten with a quiet confidence. “Be humble, and learn from other people. Don’t put yourself above other people. Then, if you do that, you’ll rise higher without knowing.” It’s about promoting cross-cultural understanding, and hoping to change minds enough for the world to make room for what Korean culture has to offer. “K-pop itself is not just a music genre, but a whole cultural phenomenon,” says Taemin warmly. “It includes fashion, music, and so much more. When other people look at K-pop with a more traditional Western lens, or when people listen to it, it may sound like a combination of all different genres. Although it might sound unfamiliar at first, I think it's in the process of being blended into the mix of U.S. culture. Hopefully, SuperM can also make a contribution.”
source: Natalie Morin @ refinery29
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letterboxd · 5 years ago
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How I Letterboxd #3: Dave Vis
If you are one of the thousands of Letterboxd completists attempting to log every film on our official top 250, you have Dave Vis to thank for keeping that list current. He tells us why he adopted ownership of the list, how he felt when Parasite “dethroned” The Godfather, the curious case of A Dog’s Will, and several Dutch filmmakers worthy of discovery.
You wear your tenure proudly on your profile (“Member since 12/11/2011”). How did you come across Letterboxd way back then? I joined in the beta days when I got an invitation in November 2011 from a good friend who knew I was into film. Up to this date, I have no idea how she got a beta invitation for a movie geek website from New Zealand, but I’m happy she did!
Here’s the $49 question: How do you Letterboxd? I joined because I found it useful to keep track of everything I watched. At that point, I was probably still ticking off films from IMDb’s Top 250, and Letterboxd was a cool way to make other lists and see how I was progressing. When I started using the site more often, I also got to follow more users and enjoyed reading their takes on films. I don’t follow a lot of people, just a few that I know in real life and some other early adopters of the site whose opinions of film I got to value.
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Talk us through your profile favorites. What spoke to you about these four films? The pragmatic reason for these four is that they were the last films I watched that got full marks from me. So the four favorites on my profile keep changing as I come across more films that I think deserve five stars. About the current ones: Jaws, of course, is an absolute classic, maybe even Spielberg’s greatest. How he creates that much tension with minimal exposition is masterful. Blade Runner 2049 baffled me, especially on an aesthetic level. I love how the story slowly unravels in probably one of the best world-building efforts of the last couple of years. The Lord of the Rings: The Fellowship of the Ring doesn’t need much explanation, I think. Peter Jackson did what was generally thought impossible and in a way that had me walking out of the cinema in awe of the spectacle and production design. Last but not least, Nausicaä of the Valley of the Wind. I’m a huge fan of the Studio Ghibli films and this one, [as well as] being the studio’s unofficial first, is probably my favorite. You can just tell that they worked years to get Hayao Miyazaki’s life’s work to the big screen.
Let’s get down to brass tacks: for the past six and a half years, you’ve been running the Official Letterboxd Top 250, one of our most popular and important lists. What prompted you to start the list? Did you think you’d be keeping it going this long? At least part of the credit goes to someone else on Letterboxd, because even my list is a cloned one! A great deal of thanks goes to a member called The Caker Baker, who sadly isn’t part of the community anymore, for having the idea of doing this list even before me. On the exact day Letterboxd introduced a sorting option by average rating on the Films page, he created the first top 250 list.
I decided to clone that list [Dave has archived it here], because I wanted to filter out the documentaries, shorts and miniseries. As long as I am interested in film and won’t have completed the list, I do see myself keeping it. I feel the overall quality of the list is outstanding and for my taste and film-watching experience it’s probably the best combination of blockbuster hits, timeless Hollywood classics, non-English spoken gems, and some pretty obscure entries.
What’s involved in keeping the top 250 up-to-date? What’s the hardest thing about it? Have you ever found the responsibility a burden—your ankle chained to Letterboxd each week? (We’re grateful!) These days it isn’t much of a bother at all, actually. I’m still so grateful for you guys introducing the ability to sort lists by average rating when editing them a while back. That was a huge relief, I can tell you! And apart from the odd comment when I’m a bit late on my weekly update or when I’m on a well-deserved holiday (yes, even the ankle chain comes off once in a while), I don’t feel like it’s a burden at all.
Let’s unpack it a bit. What are the best films you’ve discovered because of the list? Shoutout to my choices: A Special Day, Harakiri and The Man Who Sleeps. Harakiri is an excellent choice! If it wasn’t for Letterboxd’s top list, I would probably not even know about it today, although it also cracked IMDb’s top 250 last year. What a beautiful film. If I have to name two other, one would be The Cranes Are Flying. I’ve rarely seen a film about war being depicted so beautifully. The other is It’s Such a Beautiful Day, the animation by Don Hertzfeldt about a stick figure you get to care deeply about in a time span of just over an hour. Very different films that, without Letterboxd, the chances are next to zero that I would have checked either of them out. Joining a Kickstarter to finance my own Blu-ray edition of the latter was special too.
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Béla Tarr’s 1994 masterpiece ‘Sátántangó’.
So, what’s your percentage-seen of the top 250? Which films rank highest on your list of shame? Are there any that you don’t think you’ll ever watch? At this moment I’m at 175 of 250, so 70 percent. I rarely consider films as being on a ‘list of shame’, but as I scroll through the unseen ones, there are a few that stand out. La Dolce Vita and Sátántangó [Editor’s note: recently re-released in 4K, nudge nudge] are ones that I feel I should have watched by now. Both are magnum opuses from legendary foreign filmmakers. Don’t really know why I haven’t though, but all in good time. Any that I think I’ll never watch? There’s not much I wouldn’t watch, but some are just so daunting in their runtime, that I’m not sure if I will ever feel up to the task (yes, La Flor, I’m looking at you). Probably also the reason I never popped Sátántangó in.
Has the way Letterboxd’s membership has changed and grown affected what’s in the top 250 in any interesting or unexpected ways? That’s not a very easy question to answer, because different people will be surprised about different things. However, you do see a trend—surprising or not—of traditional western cinema classics giving way to more non-English language films doing well on the list. Asian and Brazilian films have skyrocketed to great heights, often at the expense of western classics. Films that are traditionally doing great at IMDb, such as Pulp Fiction or The Good, The Bad and The Ugly, were in Letterboxd’s top ten for a long time, but have both dropped out of the top twenty. Beloved classics among film critics such as Citizen Kane, Sunrise: A Song of Two Humans and Casablanca aren’t even in the top 100 anymore.
We now have a top ten with three Japanese films, one Taiwanese, one Russian, one Brazilian and a South Korean film at the very top. The only English spoken films left there are the two Godfathers and 12 Angry Men. I do tend to suspect that the growing community causes more diversity while also fuelling the more traditional moviegoers to broaden their interests. I personally think that’s a great development.
How did you feel when Parasite overtook The Godfather to become Letterboxd’s highest-rated film of all time? Do you think it’ll ever sink at this point? To say I was surprised is quite the understatement. For something to even come close to The Godfather’s record borders on sacrilege, let alone dethroning it. What you usually see is that new movies with overly positive reviews enter the list’s higher ranks with a bang, but when they are introduced to a bigger crowd, they slowly descend. For example, fellow acclaimed Best Picture nominees 12 Years A Slave, Her, Call Me By Your Name and Roma all peaked in the top twenty and only Call Me By Your Name is still in the list, at number 232 for now.
In these days of ready availability it is extremely hard to create something that has such a large following. That’s why this takeover by Parasite is so extraordinary. Seeing it rise day-by-day—even after the masses took it in—was something I didn’t think possible. I, for one, am very slow to watch new films, so when I got to watch it, it was already in first position. Safe to say my expectation level was through the roof, which probably wasn’t really fair. While I thought it was an excellent film, I personally wouldn’t rank it among my favorites. However, it’s not only the highest-ranked film on Letterboxd, but also the most popular one [a measure of the amount of activity for a film, regardless of rating]! So don’t expect to see it sink lower any time soon.
The top 250 is home to the largest comment section on the platform. Congrats! What’s monitoring that mammoth thread like? Thank you! Although that’s hardly an achievement on my part. I have to be honest, I don’t read everything in the comments section anymore. I try to keep up as much as possible, in order to respond to people who have an actual question. However, when I sign in in the morning and see dozens of new notifications, most probably about A Dog’s Will being in the top ten or about recency bias or about objective quality versus subjective quality, I let it pass me by every so often.
What is your take on A Dog’s Will’s rise to Letterboxd stardom? (At the time of writing, the 2000 Brazilian film from director Guel Arraes holds the number eight spot in the top 250.) Ah, there it is: the elephant in the room… My honest answer is a politically correct one, but also the truth: I haven’t seen it yet, so it’s impossible to pass judgment. However, from the comments section on the top 250, it seems clear that there are two camps: the Brazilians, who adore the film and continually claim the importance it in their cultural heritage. And there’s the other group, mostly non-Brazilians of course, who think it’s a fine film at best, but in their opinion not deserving of a top-ten spot. I’m quite impartial: if the statistics say that it is one of the best-rated films of the Letterboxd community, why would it not deserve to be there? I am curious though if more non-Brazilians will see it and if so, if that will have a significant effect on its rating. We can only wait and see.
Are there any films you’re surprised to have stayed in the list for so long? Conversely, what are some films that we’ll be surprised to hear have never made the list? If I have to name one film that I’m surprised about, it’s one I haven’t seen yet: Paddington 2. Every time I scroll past it, I find myself asking: “wow, this one still in?” It’s probably because I haven’t seen it, but it always strikes me as an odd one. I really have to seek it out some time. Some films that might shock people never having made it… Well, if you look at IMDb’s list for reference, you could say it’s shocking that a film like Forrest Gump never made it onto the list, but that might not be as much of a shock to Letterboxd members. Other popular crowd pleasers that never made it include E.T. the Extra-Terrestrial, Gladiator, all of Disney’s non-Pixar animated classics, and one of the films that also sparked my interest in movies, The Usual Suspects.
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Dave has not seen ‘Paddington 2’.
I’ve actually been working hard on completing the list during quarantine and I finished it yesterday. Has anyone else gotten to 100 percent yet or am I the first? I have no idea, to be honest! There will probably be others who have, but I wouldn’t be able to name one. I suspect Jakk might have reached 100 percent at some point.
My completist streak will need a new avenue. What are your next most essential top lists? If you ever feel up for a challenge, I recommend Top10er’s 1001 Greatest Movies of All Time. He combined the average ratings of critics and users from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results with general film data from several services. I have no idea how, but it’s a terrific list. Also, the directors’ favorites lists that are on Letterboxd are awesome. Edgar Wright’s 1,000 favorites and Guillermo del Toro’s recommendations are especially worth your while.
The top 250 list is the tip of the iceberg for the lists on your account. What is it you enjoy about keeping ranked lists? It’s a compulsion. I just really enjoy making lists, ranking films by certain directors, franchises or studios. Not really useful, mostly just fun to do! And I’m not the only one, it seems. Although, of course, lists like the Letterboxd Top 250 will always be an inspiration for finding well-rated films I haven’t seen yet.
Which films got you hooked on cinema? I do have a few titles that were important in terms of my film-watching development. Films like Terminator 2: Judgment Day and Jurassic Park came out when I was an early teenager and those were the ones luring me to the cinema to see and experience things you just couldn’t in the real world, both with groundbreaking special effects—I’m a sucker for those. Not much later, titles like The Shawshank Redemption and Pulp Fiction were popular and that’s probably around the time that IMDb’s list got my attention. That top 250 gets a lot of criticism, but the overall quality is fine and for me it was the perfect step in broadening my film-watching.
So, for a long time I watched a lot of films on that list and went to the cinema for your usual blockbusters, probably until Letterboxd arrived. That’s when I started watching the artsier stuff and foreign cinema of which, of course, all classics eluded me up till then. It was films like Seven Samurai, Persona and Werckmeister Harmonies that sparked that particular period. Now I just watch everything that comes my way that seems interesting or entertaining, from the new Marvel instalment to classic Godard.
Tell us about the one and only movie you’ve given a half-star. Ha, that’s an odd one… Once there was a challenge on the site that you could ask a fellow member to pick the next ten films for them to watch. I participated once and, of course, there would be underseen gems or personal favorites on that list, but also one or two that would be almost unwatchable. In my list that was Santa and the Ice Cream Bunny. If that title alone doesn’t give away how bad it was, watching the first five minutes will.
In your opinion, what’s the most underrated film according to Letterboxd average ratings? One that comes to mind, which was in the top 250 once, but has dropped substantially in the last few years, is Gravity. I also have a list where I collect all the films that were once in Letterboxd’s top 250 and it’s at the very bottom there. For me, seeing that film in a theater is what cinema is all about—finding new ways to immerse your audience into a movie experience they have never had before. Oh, did I mention I’m a sucker for special effects?
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Dave is a sucker for special effects, including those in Alfonso Cuarón‘s ‘Gravity’ (2013).
As a Dutchman, please educate us: what are the greatest Dutch films people should see? The Netherlands doesn’t really have a thriving movie industry that brings its films across borders. If I have to give the essential tip, it would be Spoorloos, which was remade starring Kiefer Sutherland and Sandra Bullock and was not half as good. Other than that I would recommend Paul Verhoeven’s early work, such as Soldaat van Oranje and Turks Fruit, and the two Dutch films that won the Oscar for Best Foreign Language Film, 1986’s De Aanslag and 1997’s Karakter. And to top it off, I want to mention two Dutch filmmakers worth your time, Alex van Warmerdam, director of De Noorderlingen, and Martin Koolhoven, director of Oorlogswinter.
What comfort movies are you watching whilst in quarantine? Are you working on any viewing projects? I actually am in a viewing project at the moment. One of mine and my wife’s guilty pleasures is superhero movies! So currently we are, again, on a Marvel Cinematic Universe rewatch streak. They just provide a wonderful form of escapism and are definitely deserving of the term comfort movies. Some are better than others of course, but the perspective of rewatching The Avengers, Thor: Ragnarok or Guardians of the Galaxy after a while still tends to fill me with excitement. In a way, there’s still a bit of the twelve-year-old in me that was so thrilled to see T2 or Jurassic Park.
How do you plan on inducting your kids into the cinephile life? Well, most important is that they just enjoy going to the movies like I did when I was young. Let’s hope we will be able to do so again in the near future. They are still young, but their access to screen time with Netflix, Disney+ and (mind-numbingly stupid clips on) YouTube is so different than the days when we were young. So having them watch some Ghibli classics is already quite a step. And then I think the rest should come naturally. If not, so be it.
Which, for you, are the most useful features on Letterboxd? Did you know they have a list with the 250 best rated narrative feature films? That’s basically all you need to know… All kidding aside, just reading reviews once in a while by fellow members whose opinions I value is still the heart of the service to me. That and the statistics pages. And browsing other lists.
Does anyone in your real life know that your list is kind of a Letterboxd big deal? Not really! Mostly because I don’t exactly feel that way about it. I mean: my wife knows, but other than that it’s pretty much still my pet project. To me, it’s still just a film enthusiast’s list that so happened to become the site’s official top 250. I do have to say that it is humbling to see the numbers of new followers every day—especially when Letterboxd mentions the list on her social accounts—and to realize that apparently almost 23,000 people around the globe have taken a liking to it.
Please name three other members you recommend we follow. Fellow countryman and longtime member DirkH. He is not as active as he was before, but writes beautifully personal reviews, always with his trademark witty humor or sometimes cheeky sarcasm, not always to the liking of everyone. You all got to know Lise in the first How I Letterboxd, but I’d definitely also recommend following her other half Jonathan White. His reviews are great, he knows so much about film and is always willing to share his thoughts or answer questions. And damn, that man can rhyme. Then there’s Mook, if only for his franchise lists. Check out his MCU list, it’s my go-to place when I want to read up on anything Marvel.
Related content
Official Top 100 Documentary Feature Films
Official Top 100 Narrative Features by Women Directors
Letterboxd’s ‘Official’ Top 50 of 2020
Several of the films mentioned in this interview—Sátántangó, La Flor—are (at the time of writing) available for virtual screenings. The details are in our Art House Online list.
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blackkudos · 5 years ago
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Colin Powell
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Colin Luther Powell (born April 5, 1937) is an American politician and retired four-star general in the United States Army. During his military career, Powell also served as National Security Advisor (1987–1989), as Commander of the U.S. Army Forces Command (1989) and as Chairman of the Joint Chiefs of Staff (1989–1993), holding the latter position during the Persian Gulf War. Powell was the first, and so far the only, Jamaican American to serve on the Joint Chiefs of Staff. He was the 65th United States Secretary of State, serving under U.S. President George W. Bush from 2001 to 2005, the first black person to serve in that position.
Powell was born in New York City in 1937 and was raised in the South Bronx. His parents, Luther and Maud Powell, immigrated to the United States from Jamaica. Powell was educated in the New York City public schools, graduating from the City College of New York (CCNY), where he earned a bachelor's degree in geology. He also participated in ROTC at CCNY and received a commission as an Army second lieutenant upon graduation in June 1958. His further academic achievements include a Master of Business Administration degree from George Washington University.
Powell was a professional soldier for 35 years, during which time he held many command and staff positions and rose to the rank of 4-star general. His last assignment, from October 1, 1989, to September 30, 1993, was as the 12th Chairman of the Joint Chiefs of Staff, the highest military position in the Department of Defense. During this time, he oversaw 28 crises, including Operation Desert Storm in the 1991 Persian Gulf War. He also formulated the Powell Doctrine.
Following his military retirement, Powell wrote his best-selling autobiography, My American Journey. In addition, he pursued a career as a public speaker, addressing audiences across the country and abroad. Prior to his appointment as Secretary of State, Powell was the chairman of America's Promise – The Alliance for Youth, a national nonprofit organization dedicated to mobilizing people from every sector of American life to build the character and competence of young people. He was nominated by President Bush on December 16, 2000, as Secretary of State. After being unanimously confirmed by the U.S. Senate, he was sworn in as the 65th Secretary of State on January 20, 2001.
Powell is the recipient of numerous U.S. and foreign military awards and decorations. Powell's civilian awards include the Presidential Medal of Freedom (twice), the President's Citizens Medal, the Congressional Gold Medal, the Secretary of State Distinguished Service Medal, and the Secretary of Energy Distinguished Service Medal. Several schools and other institutions have been named in his honor and he holds honorary degrees from universities and colleges across the country. Powell is married to the former Alma Vivian Johnson of Birmingham, Alabama. The Powell family includes son Michael (ex-chairman of the Federal Communications Commission); daughters Linda and Anne; daughter-in-law Jane; and grandsons Jeffrey and Bryan.
In 2016, while not a candidate for that year's election, Powell received three electoral votes for the office of President of the United States.
Early life and education
Powell was born on April 5, 1937, in Harlem, a neighborhood in the New York City borough of Manhattan, to Jamaican immigrants, Maud Arial (née McKoy) and Luther Theophilus Powell. His parents were both of mixed African and Scottish ancestry. Luther worked as a shipping clerk and Maud as a seamstress. Powell was raised in the South Bronx and attended Morris High School, from which he graduated in 1954. (This school has since closed.)
While at school, Powell worked at a local baby furniture store, where he picked up Yiddish from the eastern European Jewish shopkeepers and some of the customers. He also served as a Shabbos goy, helping Orthodox families with needed tasks on the Sabbath. He received a Bachelor of Science degree in Geology from the City College of New York in 1958 and has said he was a 'C average' student. He later earned an MBA degree from the George Washington University in 1971, after his second tour in Vietnam.
Despite his parents' pronunciation of his name as , Powell has pronounced his name since childhood, after the World War II flyer Colin P. Kelly Jr. Public officials and radio and television reporters have used Powell's preferred pronunciation.
Military career
Powell was a professional soldier for 35 years, holding a variety of command and staff positions and rising to the rank of general.
Training
Powell described joining the Reserve Officers' Training Corps (ROTC) during college as one of the happiest experiences of his life; discovering something he loved and could do well, he felt he had "found himself." According to Powell:
It was only once I was in college, about six months into college when I found something that I liked, and that was ROTC, Reserve Officer Training Corps in the military. And I not only liked it, but I was pretty good at it. That's what you really have to look for in life, something that you like, and something that you think you're pretty good at. And if you can put those two things together, then you're on the right track, and just drive on.
Cadet Powell joined the Pershing Rifles, the ROTC fraternal organization and drill team begun by General John Pershing. Even after he had become a general, Powell kept on his desk a pen set he had won for a drill team competition.
Upon graduation, he received a commission as an Army second lieutenant. After attending basic training at Fort Benning, Powell was assigned to the 48th Infantry, in West Germany, as a platoon leader.
Vietnam War
In his autobiography, Powell said he is haunted by the nightmare of the Vietnam War and felt that the leadership was very ineffective.
Captain Powell served a tour in Vietnam as a South Vietnamese Army (ARVN) advisor from 1962 to 1963. While on patrol in a Viet Cong-held area, he was wounded by stepping on a punji stake. The large infection made it difficult for him to walk, and caused his foot to swell for a short time, shortening his first tour.
Powell returned to Vietnam as a major in 1968, serving as assistant chief of staff of operations for the in the 23rd (Americal) Infantry Division. During the second tour in Vietnam he was decorated with the Soldier's Medal for bravery after he survived a helicopter crash and single-handedly rescued three others, including division commander Major General Charles M. Gettys, from the burning wreckage.
Powell was charged with investigating a detailed letter by 11th Light Infantry Brigade soldier Tom Glen, which backed up rumored allegations of the My Lai Massacre. He wrote: "In direct refutation of this portrayal is the fact that relations between American soldiers and the Vietnamese people are excellent." Later, Powell's assessment would be described as whitewashing the news of the massacre, and questions would continue to remain undisclosed to the public. In May 2004 Powell said to television and radio host Larry King, "I was in a unit that was responsible for My Lai. I got there after My Lai happened. So, in war, these sorts of horrible things happen every now and again, but they are still to be deplored."
After the Vietnam War
Powell served a White House Fellowship under President Richard Nixon from 1972 to 1973. During 1975–1976 he attended the National War College, Washington, D.C.
In his autobiography, My American Journey, Powell named several officers he served under who inspired and mentored him. As a lieutenant colonel serving in South Korea, Powell was very close to General Henry "Gunfighter" Emerson. Powell said he regarded Emerson as one of the most caring officers he ever met. Emerson insisted his troops train at night to fight a possible North Korean attack, and made them repeatedly watch the television film Brian's Song to promote racial harmony. Powell always professed that what set Emerson apart was his great love of his soldiers and concern for their welfare. After a race riot occurred, in which African American soldiers almost killed a White officer, Powell was charged by Emerson to crack down on black militants; Powell's efforts led to the discharge of one soldier, and other efforts to reduce racial tensions. During 1976–1977 he commanded the 2nd Brigade of the 101st Airborne Division.
A "political general"
In the early 1980s, Powell served at Fort Carson, Colorado. After he left Fort Carson, Powell became senior military assistant to Secretary of Defense Caspar Weinberger, whom he assisted during the 1983 invasion of Grenada and the 1986 airstrike on Libya.
In 1986, Powell took over the command of V Corps in Frankfurt, Germany, from Robert Lewis "Sam" Wetzel.
Following the Iran–Contra scandal, Powell became, at the age of 49, Ronald Reagan's National Security Advisor, serving from 1987 to 1989 while retaining his Army commission as a lieutenant general.
In April 1989, after his tenure with the National Security Council, Powell was promoted to four-star general under President George H. W. Bush and briefly served as the Commander in Chief, Forces Command (FORSCOM), headquartered at Fort McPherson, Georgia, overseeing all Army, Army Reserve, and National Guard units in the Continental U.S., Alaska, Hawaii, and Puerto Rico. He became the third general since World War II to reach four-star rank without ever serving as a division commander, joining Dwight D. Eisenhower and Alexander Haig.
Later that year, President George H. W. Bush selected him as Chairman of the Joint Chiefs of Staff.
Chairman of the Joint Chiefs of Staff
Powell's last military assignment, from October 1, 1989, to September 30, 1993, was as the 12th Chairman of the Joint Chiefs of Staff, the highest military position in the Department of Defense. At age 52, he became the youngest officer, and first Afro-Caribbean American, to serve in this position. Powell was also the first JCS Chair who received his commission through ROTC.
During this time, he oversaw responses to 28 crises, including the invasion of Panama in 1989 to remove General Manuel Noriega from power and Operation Desert Storm in the 1991 Persian Gulf War. During these events, Powell earned his nickname, "the reluctant warrior." He rarely advocated military intervention as the first solution to an international crisis, and instead usually prescribed diplomacy and containment.
As a military strategist, Powell advocated an approach to military conflicts that maximizes the potential for success and minimizes casualties. A component of this approach is the use of overwhelming force, which he applied to Operation Desert Storm in 1991. His approach has been dubbed the "Powell Doctrine." Powell continued as chairman of the JCS into the Clinton presidency but as a dedicated "realist" he considered himself a bad fit for an administration largely made up of liberal internationalists. He clashed with then-U.S. ambassador to the United Nations Madeleine Albright over the Bosnian crisis, as he opposed any military interventions that didn't involve US interests.
During his chairmanship of the JCS, there was discussion of awarding Powell a fifth star, granting him the rank of General of the Army. But even in the wake of public and Congressional pressure to do so, Clinton-Gore presidential transition team staffers decided against it.
Dates of rankAwards and decorationsBadges
Potential presidential candidate
Powell's experience in military matters made him a very popular figure with both American political parties. Many Democrats admired his moderate stance on military matters, while many Republicans saw him as a great asset associated with the successes of past Republican administrations. Put forth as a potential Democratic Vice Presidential nominee in the 1992 U.S. presidential election or even potentially replacing Vice President Dan Quayle as the Republican Vice Presidential nominee, Powell eventually declared himself a Republican and began to campaign for Republican candidates in 1995. He was touted as a possible opponent of Bill Clinton in the 1996 U.S. presidential election, possibly capitalizing on a split conservative vote in Iowa and even leading New Hampshire polls for the GOP nomination, but Powell declined, citing a lack of passion for politics. Powell defeated Clinton 50–38 in a hypothetical match-up proposed to voters in the exit polls conducted on Election Day. Despite not standing in the race, Powell won the Republican New Hampshire Vice-Presidential primary on write-in votes.
In 1997 Powell founded America's Promise with the objective of helping children from all socioeconomic sectors. That same year saw the establishment of The Colin L. Powell Center for Leadership and Service. The mission of the Center is to "prepare new generations of publicly engaged leaders from populations previously underrepresented in public service and policy circles, to build a strong culture of civic engagement at City College, and to mobilize campus resources to meet pressing community needs and serve the public good."
Powell was mentioned as a potential candidate in the 2000 U.S. presidential election, but again decided against running. Once Texas Governor George W. Bush secured the Republican nomination, Powell endorsed him for president and spoke at the 2000 Republican National Convention. Bush won the general election and appointed Powell as Secretary of State.
In the electoral college vote count of 2016, Powell received three votes for President from faithless electors from Washington.
Secretary of State (2001–2005)
As Secretary of State in the Bush administration, Powell was perceived as moderate. Powell was unanimously confirmed by the United States Senate. Over the course of his tenure he traveled less than any other U.S. Secretary of State in 30 years.
On September 11, 2001, Powell was in Lima, Peru, meeting with President Alejandro Toledo and US Ambassador John Hamilton, and attending the special session of the OAS General Assembly that subsequently adopted the Inter-American Democratic Charter. After the September 11 attacks, Powell's job became of critical importance in managing America's relationships with foreign countries in order to secure a stable coalition in the War on Terrorism.
Powell came under fire for his role in building the case for the 2003 Invasion of Iraq. In a press statement on February 24, 2001, he had said that sanctions against Iraq had prevented the development of any weapons of mass destruction by Saddam Hussein. As was the case in the days leading up to the Persian Gulf War, Powell was initially opposed to a forcible overthrow of Saddam, preferring to continue a policy of containment. However, Powell eventually agreed to go along with the Bush administration's determination to remove Saddam. He had often clashed with others in the administration, who were reportedly planning an Iraq invasion even before the September 11 attacks, an insight supported by testimony by former terrorism czar Richard Clarke in front of the 9/11 Commission. The main concession Powell wanted before he would offer his full support for the Iraq War was the involvement of the international community in the invasion, as opposed to a unilateral approach. He was also successful in persuading Bush to take the case of Iraq to the United Nations, and in moderating other initiatives. Powell was placed at the forefront of this diplomatic campaign.
Powell's chief role was to garner international support for a multi-national coalition to mount the invasion. To this end, Powell addressed a plenary session of the United Nations Security Council on February 5, 2003, to argue in favor of military action. Citing numerous anonymous Iraqi defectors, Powell asserted that "there can be no doubt that Saddam Hussein has biological weapons and the capability to rapidly produce more, many more." Powell also stated that there was "no doubt in my mind" that Saddam was working to obtain key components to produce nuclear weapons.
Most observers praised Powell's oratorical skills. However, Britain's Channel 4 News reported soon afterwards that a UK intelligence dossier that Powell had referred to as a "fine paper" during his presentation had been based on old material and plagiarized an essay by American graduate student Ibrahim al-Marashi.A 2004 report by the Iraq Survey Group concluded that the evidence that Powell offered to support the allegation that the Iraqi government possessed weapons of mass destruction (WMDs) was inaccurate.
In an interview with Charlie Rose, Powell contended that prior to his UN presentation, he had merely four days to review the data concerning WMD in Iraq.
A Senate report on intelligence failures would later detail the intense debate that went on behind the scenes on what to include in Powell's speech. State Department analysts had found dozens of factual problems in drafts of the speech. Some of the claims were taken out, but others were left in, such as claims based on the yellowcake forgery. The administration came under fire for having acted on faulty intelligence, particularly what was single-sourced to the informant known as Curveball. Powell later recounted how Vice President Dick Cheney had joked with him before he gave the speech, telling him, "You've got high poll ratings; you can afford to lose a few points." Powell's longtime aide-de-camp and Chief of Staff from 1989–2003, Colonel Lawrence Wilkerson, later characterized Cheney's view of Powell's mission as to "go up there and sell it, and we'll have moved forward a peg or two. Fall on your damn sword and kill yourself, and I'll be happy, too."
In September 2005, Powell was asked about the speech during an interview with Barbara Walters and responded that it was a "blot" on his record. He went on to say, "It will always be a part of my record. It was painful. It's painful now."
Wilkerson said that he inadvertently participated in a hoax on the American people in preparing Powell's erroneous testimony before the United Nations Security Council.
Because Powell was seen as more moderate than most figures in the administration, he was spared many of the attacks that have been leveled at more controversial advocates of the invasion, such as Donald Rumsfeld and Paul Wolfowitz. At times, infighting among the Powell-led State Department, the Rumsfeld-led Defense Department, and Cheney's office had the effect of polarizing the administration on crucial issues, such as what actions to take regarding Iran and North Korea.
After Saddam Hussein had been deposed, Powell's new role was to once again establish a working international coalition, this time to assist in the rebuilding of post-war Iraq. On September 13, 2004, Powell testified before the Senate Governmental Affairs Committee, acknowledging that the sources who provided much of the information in his February 2003 UN presentation were "wrong" and that it was "unlikely" that any stockpiles of WMDs would be found. Claiming that he was unaware that some intelligence officials questioned the information prior to his presentation, Powell pushed for reform in the intelligence community, including the creation of a national intelligence director who would assure that "what one person knew, everyone else knew."
Additionally, Powell has been critical of other aspects of U.S. foreign policy in the past, such as its support for the 1973 Chilean coup d'état. From two separate interviews in 2003, Powell stated in one about the 1973 event "I can't justify or explain the actions and decisions that were made at that time. It was a different time. There was a great deal of concern about communism in this part of the world. Communism was a threat to the democracies in this part of the world. It was a threat to the United States." In another interview, however, he also simply stated "With respect to your earlier comment about Chile in the 1970s and what happened with Mr. Allende, it is not a part of American history that we're proud of."
Powell announced his resignation as Secretary of State on November 15, 2004. According to The Washington Post, he had been asked to resign by the president's chief of staff, Andrew Card. Powell announced that he would stay on until the end of Bush's first term or until his replacement's confirmation by Congress. The following day, Bush nominated National Security Advisor Condoleezza Rice as Powell's successor. News of Powell's leaving the Administration spurred mixed reactions from politicians around the world — some upset at the loss of a statesman seen as a moderating factor within the Bush administration, but others hoping for Powell's successor to wield more influence within the cabinet.
In mid-November, Powell stated that he had seen new evidence suggesting that Iran was adapting missiles for a nuclear delivery system. The accusation came at the same time as the settlement of an agreement between Iran, the IAEA, and the European Union.
On December 31, 2004, Powell rang in the New Year by pressing a button in Times Square with New York City Mayor Michael Bloomberg to initiate the ball drop and 60 second countdown, ushering in the year 2005. He appeared on the networks that were broadcasting New Year's Eve specials and talked about this honor, as well as being a native of New York City.
Life after diplomatic service
After retiring from the role of Secretary of State, Powell returned to private life. In April 2005, he was privately telephoned by Republican senators Lincoln Chafee and Chuck Hagel, at which time Powell expressed reservations and mixed reviews about the nomination of John R. Bolton as ambassador to the United Nations, but refrained from advising the senators to oppose Bolton (Powell had clashed with Bolton during Bush's first term). The decision was viewed as potentially dealing significant damage to Bolton's chances of confirmation. Bolton was put into the position via a recess appointment because of the strong opposition in the Senate.
On April 28, 2005, an opinion piece in The Guardian by Sidney Blumenthal (a former top aide to President Bill Clinton) claimed that Powell was in fact "conducting a campaign" against Bolton because of the acrimonious battles they had had while working together, which among other things had resulted in Powell cutting Bolton out of talks with Iran and Libya after complaints about Bolton's involvement from the British. Blumenthal added that "The foreign relations committee has discovered that Bolton made a highly unusual request and gained access to 10 intercepts by the National Security Agency. Staff members on the committee believe that Bolton was probably spying on Powell, his senior advisors and other officials reporting to him on diplomatic initiatives that Bolton opposed."
In July 2005, Powell joined Kleiner, Perkins, Caufield & Byers, a well-known Silicon Valley venture capital firm, with the title of "strategic limited partner."
In September 2005, Powell criticized the response to Hurricane Katrina. Powell said that thousands of people were not properly protected, but because they were poor rather than because they were black.
On January 5, 2006, he participated in a meeting at the White House of former Secretaries of Defense and State to discuss United States foreign policy with Bush administration officials. In September 2006, Powell sided with more moderate Senate Republicans in supporting more rights for detainees and opposing President Bush's terrorism bill. He backed Senators John Warner, John McCain and Lindsey Graham in their statement that U.S. military and intelligence personnel in future wars will suffer for abuses committed in 2006 by the U.S. in the name of fighting terrorism. Powell stated that "The world is beginning to doubt the moral basis of [America's] fight against terrorism."
Also in 2006, Powell began appearing as a speaker at a series of motivational events called Get Motivated, along with former New York Mayor Rudy Giuliani. In his speeches for the tour, he openly criticized the Bush Administration on a number of issues. Powell has been the recipient of mild criticism for his role with Get Motivated which has been called a "get-rich-quick-without-much-effort, feel-good schemology."
In 2007 he joined the board of directors of Steve Case's new company Revolution Health. Powell also serves on the Council on Foreign Relations Board of directors.
Powell, in honor of Martin Luther King Day, dropped the ceremonial first puck at a New York Islanders ice hockey game at Nassau Coliseum on January 21, 2008. On November 11, 2008, Powell again dropped the puck in recognition of Military Appreciation Day and Veterans Day.
Recently, Powell has encouraged young people to continue to use new technologies to their advantage in the future. In a speech at the Center for Strategic and International Studies to a room of young professionals, he said, "That's your generation...a generation that is hard-wired digital, a generation that understands the power of the information revolution and how it is transforming the world. A generation that you represent, and you're coming together to share; to debate; to decide; to connect with each other." At this event, he encouraged the next generation to involve themselves politically on the upcoming Next America Project, which uses online debate to provide policy recommendations for the upcoming administration.
In 2008, Powell served as a spokesperson for National Mentoring Month, a campaign held each January to recruit volunteer mentors for at-risk youth.
Soon after Barack Obama's 2008 election, Powell began being mentioned as a possible cabinet member. He was not nominated.
In September 2009, Powell advised President Obama against surging US forces in Afghanistan. The president announced the surge the following December.
On March 14, 2014, Salesforce.com announced that Powell had joined its board of directors.
Political views
A liberal Republican, Powell is well known for his willingness to support liberal or centrist causes. He is pro-choice regarding abortion, and in favor of "reasonable" gun control. He stated in his autobiography that he supports affirmative action that levels the playing field, without giving a leg up to undeserving persons because of racial issues. Powell was also instrumental in the 1993 implementation of the military's don't ask, don't tell policy, though he later supported its repeal as proposed by Robert Gates and Admiral Mike Mullen in January 2010, saying "circumstances had changed."
The Vietnam War had a profound effect on Powell's views of the proper use of military force. These views are described in detail in the autobiography My American Journey. The Powell Doctrine, as the views became known, was a central component of U.S. policy in the Persian Gulf War (the first U.S. war in Iraq) and U.S. invasion of Afghanistan (the overthrow of the Taliban regime in Afghanistan following the September 11 attacks). The hallmark of both operations was strong international cooperation, and the use of overwhelming military force.
Powell was the subject of controversy in 2004 when, in a conversation with British Foreign Secretary Jack Straw, he reportedly referred to neoconservatives within the Bush administration as "fucking crazies." In addition to being reported in the press (although the expletive was generally censored in the U.S. press), the quotation was used by James Naughtie in his book, The Accidental American: Tony Blair and the Presidency, and by Chris Patten in his book, Cousins and Strangers: America, Britain, and Europe in a New Century.
In a September 2006 letter to Sen. John McCain, General Powell expressed opposition to President Bush's push for military tribunals of those formerly and currently classified as enemy combatants. Specifically, he objected to the effort in Congress to "redefine Common Article 3 of the Geneva Convention." He also asserted: "The world is beginning to doubt the moral basis of our fight against terrorism."
Powell endorsed President Obama in 2008 and again in 2012. When asked why he is still a Republican on Meet the Press he said, "I'm still a Republican. And I think the Republican Party needs me more than the Democratic Party needs me. And you can be a Republican and still feel strongly about issues such as immigration, and improving our education system, and doing something about some of the social problems that exist in our society and our country. I don't think there's anything inconsistent with this."
While Powell was wary of a military solution, he supported the decision to invade Iraq after the Bush administration concluded that diplomatic efforts had failed. After his departure from the State Department, Powell repeatedly emphasized his continued support for American involvement in the Iraq War.
At the 2007 Aspen Ideas Festival in Colorado, Powell revealed that he had spent two and a half hours explaining to President Bush "the consequences of going into an Arab country and becoming the occupiers." During this discussion, he insisted that the U.S. appeal to the United Nations first, but if diplomacy failed, he would support the invasion: "I also had to say to him that you are the President, you will have to make the ultimate judgment, and if the judgment is this isn't working and we don't think it is going to solve the problem, then if military action is undertaken I'm with you, I support you."
In a 2008 interview on CNN, Powell reiterated his support for the 2003 decision to invade Iraq in the context of his endorsement of Barack Obama, stating: "My role has been very, very straightforward. I wanted to avoid a war. The president [Bush] agreed with me. We tried to do that. We couldn't get it through the U.N. and when the president made the decision, I supported that decision. And I've never blinked from that. I've never said I didn't support a decision to go to war."
Powell's position on the Iraq War troop surge of 2007 has been less consistent. In December 2006, he expressed skepticism that the strategy would work and whether the U.S. military had enough troops to carry it out successfully. He stated: "I am not persuaded that another surge of troops into Baghdad for the purposes of suppressing this communitarian violence, this civil war, will work." Following his endorsement of Barack Obama in October 2008, however, Powell praised General David Petraeus and U.S. troops, as well as the Iraqi government, concluding that "it's starting to turn around." By mid-2009, he had concluded a surge of U.S. forces in Iraq should have come sooner, perhaps in late 2003. Throughout this period, Powell consistently argued that Iraqi political progress was essential, not just military force.
Powell donated the maximum allowable amount to John McCain's campaign in the summer of 2007 and in early 2008, his name was listed as a possible running mate for Republican nominee McCain's bid during the 2008 U.S. presidential election. However, on October 19, 2008, Powell announced his endorsement of Barack Obama during a Meet the Press interview, citing "his ability to inspire, because of the inclusive nature of his campaign, because he is reaching out all across America, because of who he is and his rhetorical abilities", in addition to his "style and substance." He additionally referred to Obama as a "transformational figure." Powell further questioned McCain's judgment in appointing Sarah Palin as the vice presidential candidate, stating that despite the fact that she is admired, "now that we have had a chance to watch her for some seven weeks, I don't believe she's ready to be president of the United States, which is the job of the vice president." He said that Obama's choice for vice-president, Joe Biden, was ready to be president. He also added that he was "troubled" by the "false intimations that Obama was Muslim." Powell stated that "[Obama] is a Christian—he's always been a Christian... But the really right answer is, what if he is? Is there something wrong with being a Muslim in this country? The answer's no, that's not America." Powell then mentioned Kareem Rashad Sultan Khan, a Muslim American soldier in the U.S. Army who served and died in the Iraq War. He later stated, "Over the last seven weeks, the approach of the Republican Party has become narrower and narrower [...] I look at these kind of approaches to the campaign, and they trouble me." Powell concluded his Sunday morning talk show comments, "It isn't easy for me to disappoint Sen. McCain in the way that I have this morning, and I regret that [...] I think we need a transformational figure. I think we need a president who is a generational change and that's why I'm supporting Barack Obama, not out of any lack of respect or admiration for Sen. John McCain." Later in a December 12, 2008, CNN interview with Fareed Zakaria, Powell reiterated his belief that during the last few months of the campaign, Palin pushed the Republican party further to the right and had a polarizing impact on it.
In a July 2009 CNN interview with John King, Powell expressed concern over President Obama growing the size of the federal government and the size of the federal budget deficit. In September 2010, he criticized the Obama administration for not focusing "like a razor blade" on the economy and job creation. Powell reiterated that Obama was a "transformational figure." In a video that aired on CNN.com in November 2011, Colin Powell said in reference to Barack Obama, "many of his decisions have been quite sound. The financial system was put back on a stable basis."
On October 25, 2012, 12 days before the presidential election, he gave his endorsement to President Obama for re-election during a broadcast of CBS This Morning. He cited success and forward progress in foreign and domestic policy arenas under the Obama Administration, and made the following statement: "I voted for him in 2008 and I plan to stick with him in 2012 and I'll be voting for he [sic] and for Vice President Joe Biden next month."
As additional reason for his endorsement, Powell cited the changing positions and perceived lack of thoughtfulness of Mitt Romney on foreign affairs, and a concern for the validity of Romney's economic plans.
In an interview with ABC's Diane Sawyer and George Stephanopoulos during ABC's coverage of President Obama's second inauguration, Powell criticized members of the Republican Party who "demonize[d] the president." He called on GOP leaders to publicly denounce such talk.
Powell has been very vocal on the state of the Republican party. Speaking at a Washington Ideas forum in early October 2015, he warned the audience that the Republican party had begun a move to the fringe right, lessening the chances of a Republican White House in the future. He also remarked on Republican presidential contender Donald Trump's statements regarding immigrants, noting that there were many immigrants working in Trump hotels.
In March 2016, Powell denounced the "nastiness" of the 2016 Republican primaries during an interview on CBS This Morning. He compared the race to reality television, and stated that the campaign had gone "into the mud."
In August 2016, Powell accused the Clinton campaign of trying to pin Democratic presidential nominee Hillary Clinton's email controversy on him. Speaking to People magazine, Powell said, "The truth is, she was using [the private email server] for a year before I sent her a memo telling her what I did."
On September 13, 2016, emails were obtained that revealed Powell's private communications regarding both Donald Trump and Hillary Clinton. Powell privately reiterated his comments regarding Clinton's email scandal, writing, "I have told Hillary's minions repeatedly that they are making a mistake trying to drag me in, yet they still try," and complaining that "Hillary's mafia keeps trying to suck me into it" in another email. In another email discussing Clinton's controversy, Powell noted that she should have told everyone what she did "two years ago", and said that she has not "been covering herself with glory." Writing on the 2012 Benghazi attack controversy surrounding Clinton, Powell said to then U.S. Ambassador Susan Rice, "Benghazi is a stupid witch hunt." Commenting on Clinton in a general sense, Powell mused that "Everything [Clinton] touches she kind of screws up with hubris", and in another email stated "I would rather not have to vote for her, although she is a friend I respect."
Powell referred to Donald Trump as a "national disgrace", with "no sense of shame." He wrote of Trump's role in the birther movement, which he referred to as "racist." Powell suggested that the media ignore Trump, saying, "To go on and call him an idiot just emboldens him." The emails were obtained by the media as the result of a hack.
Powell endorsed Clinton on October 25, 2016, stating it was "because I think she's qualified, and the other gentleman is not qualified."
Despite not running in the election, Powell received three electoral votes for president from faithless electors in Washington who had pledged to vote for Clinton, coming in third overall. After Barack Obama, Powell was only the second Black person to receive electoral votes in a presidential election. He was also the first Republican since 1984 to receive electoral votes from Washington in a presidential election, as well as the first Republican Black person to do so.
In an interview in October 2019, Powell warned that the GOP needed to “get a grip" and put the country before their party, standing up to President Trump rather than worrying about political fallout. “When they see things that are not right, they need to say something about it because our foreign policy is in shambles right now, in my humble judgment, and I see things happening that are hard to understand,” Powell said.
Personal life
Powell married Alma Johnson on August 25, 1962. Their son, Michael Powell, was the chairman of the Federal Communications Commission (FCC) from 2001 to 2005. His daughters are Linda Powell, an actress, and Annemarie Powell. As a hobby, Powell restores old Volvo and Saab cars. In 2013, he faced questions about a relationship with a Romanian diplomat, after a hacked AOL email account had been made public. He acknowledged a "very personal" email relationship but denied further involvement.
Civilian awards and honors
Powell's civilian awards include two Presidential Medals of Freedom (the second with distinction), the President's Citizens Medal, the Congressional Gold Medal, the Secretary of State Distinguished Service Medal, the Secretary of Energy Distinguished Service Medal, and the Ronald Reagan Freedom Award. Several schools and other institutions have been named in his honor and he holds honorary degrees from universities and colleges across the country.
In 1988, Powell received the Academy of Achievement's Golden Plate Award.
In 1990, Powell received the U.S. Senator John Heinz Award for Greatest Public Service by an Elected or Appointed Official, an award given out annually by Jefferson Awards.
In 1991, Powell was awarded the Presidential Medal of Freedom by President George H. W. Bush.
In 1991, Powell was awarded the Spingarn Medal from the NAACP.
In 1991, Powell was inducted into the Horatio Alger Association of Distinguished Americans, which "honors the achievements of outstanding individuals in U.S. society who have succeeded in spite of adversity and of encouraging young people to pursue their dreams through higher education."
On April 23, 1991, Powell was awarded the Congressional Gold Medal "in recognition of his exemplary performance as a military leader and advisor to the President in planning and coordinating the military response of the United States to the Iraqi invasion of Kuwait and the ultimate retreat and defeat of Iraqi forces and Iraqi acceptance of all United Nations Resolutions relating to Kuwait."
On September 30, 1993, Powell was awarded his second Presidential Medal of Freedom with distinction by President Bill Clinton.
On November 9, 1993, Powell was awarded the second Ronald Reagan Freedom Award, by President Ronald Reagan. Powell served as Reagan's National Security Advisor from 1987–1989.
On December 15, 1993, Colin Powell was created an honorary Knight Commander of the Order of the Bath by Queen Elizabeth II of the United Kingdom.
In 1998, he was awarded the prestigious Sylvanus Thayer Award by the United States Military Academy for his commitment to the ideals of "Duty, Honor, Country."
The 2002 Liberty Medal was awarded to Colin Powell on July 4 in Philadelphia, Pennsylvania. In his acceptance speech, Powell reminded Americans that "It is for America, the Land of the Free and the Home of the Brave, to help freedom ring across the globe, unto all the peoples thereof. That is our solemn obligation, and we will not fail."
The coat of arms of Colin Powell was granted by the Lord Lyon in Edinburgh on February 4, 2004. Technically the grant was to Powell's father (a British subject) to be passed on by descent. Scotland's King of Arms is traditionally responsible for granting arms to Commonwealth citizens of Scottish descent. Blazoned as
Azure, two swords in saltire points downwards between four mullets Argent, on a chief of the Second a lion passant Gules. On a wreath of the Liveries is set for Crest the head of an American bald-headed eagle erased Proper. And in an escrol over the same this motto, "DEVOTED TO PUBLIC SERVICE."
The swords and stars refer to the former general's career, as does the crest, which is the badge of the 101st Airborne (which he served as a brigade commander in the mid-1970s). The lion may be an allusion to Scotland. The shield can be shown surrounded by the insignia of an honorary Knight Commander of the Most Honorable Order of the Bath (KCB), an award the General received after the first Gulf War.
In 2005 Powell received the Bishop John T. Walker Distinguished Humanitarian Service Award for his contributions to Africa.
AARP honored Powell with the 2006 AARP Andrus Award, the Association's highest honor. This award, named in honor of AARP's founder, Dr. Ethel Percy Andrus, is presented biennially to distinguished individuals who have generated positive social change in the world, and whose work and achievements reflect AARP's vision of bringing lifetimes of experience and leadership to serve all generations.
In 2005 Colin and Alma Powell were awarded the Woodrow Wilson Award for Public Service by the Woodrow Wilson International Center for Scholars of the Smithsonian Institution.
Colin Powell was initiated as an honorary brother in Sigma Phi Epsilon.
Powell is a recipient of the Silver Buffalo Award, the highest adult award given by the Boy Scouts of America.
A street in Gelnhausen, Germany was named after him: "General-Colin-Powell-Straße."
In 2002, scholar Molefi Kete Asante listed Colin Powell on his list of 100 Greatest Blacks in America.
In 2009, an elementary school named for Colin Powell opened in El Paso. It is in the El Paso Independent School District, located on Fort Bliss property, and serves a portion of Fort Bliss. There is also a street in El Paso named for Powell, Colin Powell Drive.
Powell is an Honorary Board Member of the humanitarian organization Wings of Hope
Since 2006, he is the chairman of the Board of Trustees for Eisenhower Fellowships
In 2006, The Harry S. Truman Research Institute for the Advancement of Peace at The Hebrew University of Jerusalem awarded Colin Powell with the Truman Peace Prize for his efforts to conduct the "war against terrorism", through diplomatic as well as military means, and to avert regional and civil conflicts in many parts of the world.
In September 2012 Union City, New Jersey opened Colin Powell Elementary School, which was named after Powell, and dedicated the school on February 7, 2013, with governor Chris Christie in attendance. Powell himself visited the school on June 4, 2013.
In 2014, Colin Powell was named to the National Board of Advisors for High Point University.
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mash-notes · 6 years ago
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Season 11 Episodes Except for “Goodbye, Farewell and Amen,” Ranked
At long last!!!!!!! Thank you for your patience (if you were still waiting, that is). My MASH-writing momentum slowed way down in the past few months, but I am still here as you can see. As always, these rankings are strictly my personal choice; YMMV.
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15. U.N., the Night and the Music
It must be said that this episode title is stupid. I do like Margaret’s Hemingway-esque romance with the impotent Swede.
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14. Strange Bedfellows
Sherm’s son-in-law has been a naughty boy and Sherm becomes extremely, some might say uncharacteristically, relaxed about it.
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13. Run for the Money
Here’s your sports show—nearly every season has one. Wily Father is always a plus, and in a runner’s outfit, so much the better.
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12. Say No More
A Goldilocks perm and a lost voice effect a complete transformation in Margaret, that thankfully doesn’t outlast this episode.
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11. Friends and Enemies
This emotional show is rough on poor Sherm, who has to rat out his best friend. At least we get a look at BJ’s bare feet, which is good (?).
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10. Bombshells
BJ rips a page from season 1′s “Sometimes You Hear the Bullet,” giving his unearned bronze star to a kid in post-op. The most notable thing about this one imo is the Hawkeye/Winchester alliance.
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09. Settling Debts
Sherm vs. mortgage is a dry topic for sure, but it’s nice seeing so much attention paid to Mildred!
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08. Give and Take
The brief, sad story of the North Korean soldier who gives away his Hershey bar is very moving. (The main story, of Winchester trying to hand off the job of charity officer, is a bit dull.)
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07. The Moon Is Not Blue
An episode about movie watching, so it’s slightly meta—also and more importantly, you can almost smell the cast’s B.O. as they mill around in their hot-weather clothes. Let’s hear it for Sandy Helberg as the insecure Cpl. Bannister, too.
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06. Foreign Affairs
Winchester’s doomed love affair does not fuck around. You have not appreciated Chuck until you’ve seen him lie on his back in the Swamp weeping sideways tears.
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05. As Time Goes By
Everyone chooses items for a time capsule, and pretends this isn’t to mark the end of the series. A classic episode, doling out a heaping helping of fan service.
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04. Trick or Treatment
I kind of can’t believe it took until now to do a Halloween show, but the wardrobe department doesn’t disappoint (when has it ever?). Mulcahy’s moment in the dirt with the resurrected corpse is sublime—less a ghost story than a perfect encapsulation of his goodness.
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03. The Joker is Wild
The Best of BJ fully on display here, in a quite adorable show about pranks. The half-stache shot at the end is one of the very best freeze frames serieswide.
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02. Who Knew?
Millie Carpenter was not so lucky, but everyone else is treated to a truly excellent Hawkeye monologue—and a sweet coming-together that looks ahead to the end. As pre-finale sob fests go, this plot is much more organic than the one in “As Time Goes By.”
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01. Hey, Look Me Over
Season 11’s premiere is a clever, feminist script and a superb tribute to MASH’s most deserving bit player. Margaret’s inspection woes take a backseat to the charm of Nurse Kellye, who is funny and delightful throughout.
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101now · 2 years ago
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alethia000 · 5 years ago
Video
youtube
191128 Nichkhun attended adidas Originals Siam Center Gand Opening. He was delighted for being on the Top 10 Ranking of foreign stars whom Korean people love the most.
Video cr: ONE31
191122 KBS 연예가중계 (Entertainment Weekly) - Nichkhun ranks No.10 on “Foreign Stars Most Loved By Koreans Ranking.”
Ranking No.1-16
https://blog.naver.com/nasci/221715815736
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tatertotthethot · 6 years ago
Text
Series Masterlist! (No longer making bts content)
Angst: (A) Fluff: (F) Smut: (S)
[Steal any of my shit and I’ll sue you]
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🌺Kim Seokjin🌺
-Coming Soon
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💸Min Yoongi💸
-Coming Soon
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☀️Jung Hoseok☀️
-Coming Soon
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🌅Kim Namjoon🌅
-Coming Soon
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🌸Park Jimin🌸
-Coming Soon
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🥀Kim Taehyung🥀
• The Ultimatum— (Yandere!Taehyung x reader) (A)
Synopsis: Valentine’s Day has rolled around once again, and just like last year, you plan on spending it with none other than your emotional support dog. What you don’t know, however, is that you have an unexpected visitor awaiting for you at home.. and not only does he have a loaded gun on his hip, but he also has your beloved pet in his lap.
• The Doms Next Door— (TaeKook X Reader) (M) (A)(F) (On-going)
~ Au: in which you unknowingly accept the offer to become a tattoo model for the two, sexually-crazed men next door.
Part 1
Part 2.0
Part 2.1
Part 3.0
Part 3.1
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💎Jeon Jungkook💎
• Scream- (yandere!jungkook x reader) (posted on @yandere-society) (M) (A)
~ Synopsis: It’s been a year since your mother was slaughtered, with no leads pointing to any possible suspects. It’s been an up-hill battle for you to accept what happened— especially with no answers or closure— and the citizens of your hometown have been sleeping with one eye open ever since. But now, the mystery killer has decided to make an anniversary visit, and is making it known that they not only have a dire love for infamous horror films... but they also have their targets set on you and all of your closest friends.
• The Doms Next Door— (TaeKook X Reader) (M) (A)(F) (On-going)
~ Au: in which you unknowingly accept the offer to become a tattoo model for the two, sexually-crazed men next door.
Part 1
Part 2.0
Part 2.1
Part 3.0
Part 3.1
~ REQUESTS/DRABBLES~
• Gangtan— (Jungkook X Reader) (M) (one-shot preview)
~ Your father is the owner of a luxury resort in the most booming part of town, but uses it as a secret meet up for trading within the black market as he has an alliance with the Korean Mafia. Jungkook is a blooded member of the mafia with highest-ranking in self defense, and was hired to protect you. To the public, they just think he's a foreign MMA fighter with certifications to professionally handle defense weapons. Your job, however, is to keep the public distracted as you are an aspiring social-media star, living amongst the resort— daughter of a wealthy business man who's wife was mysteriously murdered back when you were 13. But unfortunately for you, you developed feelings for Jungkook that only grew over time, and wound up back firing when the two of you hooked up and he randomly left for a month-long trip to his hometown. Now, he's returned, and of course, you're pissed.
Part 1
Part 2
• Sincerely, the dude who feeds your bubble gum tea addiction— (Jimin X Reader!) (Fluff)
Request: An au in which Jimin works at a bubble tea shop and reader is a college student who stops by his shop almost every day to buy green tea flavored bubble tea. So he kinda likes her because of her smile whenever he gives her her drink so one day he takes all of his courage to put a sticky note on her drink asking her out.
Here
• PIZZA SUNDAYS— (JIMIN X READER! ) (Smut)
Jimin, your boyfriend, isn’t so lenient when it comes to your bodily insecurities.
Here
• The Boa Constrictor— (Yoongi X Reader!) (Fluff)
Suga is a really clingy cuddler that gets really annoyed whenever you get up for something throughout the night.
Here
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