#Fight Comics

[gameraboy2]

Fight Comics #63 (1949), cover by Jack Kamen

[beartitled]

[MESSAGE RECEIVED]

[LOADING...]

Hi Bear!

I bring a weapon idea for you! (or your sona I'm not sure lmao)

I present to youuuuu

BEAR AXE 001

The first one has HIVE-ish colour and the second one has colours that would go better with ur sona's colours (I think-)

I originally had idea that your sona could have a hammer but brain said nuh uh and went BATTLE AXE

I'm not very familiar with drawing weapons so it's very simplified skkskskksk

Feel free to add some details if you would like to :D

I can't get this out of my head so there's a chance I might doodle more ideas lmao

Now I shall dissappear and hyperfixate on weapons

[CR2868]

🎉🎉IT’S DONE IT’S FINALLY DONE🎉🎉

@braisedhoney @insomniphic @idunnowhattowriteheretbh

I’m so happy I was able to finish it and take my time to experiment with colours ✨✨

Big thanks to you CR2868✨

This was such a fun ask to answer, I hope you enjoyed the comic ❤️

Just letting you guys know

🐝Hive asks are always welcome🐝

I always enjoy doing fan content for the Hive, I love this cozy honey ship 🫵❤️

(They will take time to answer most of the time, but ya know 💥 art time comics lost of time 💥💥)

Reminding ppl that

Hive belongs to @braisedhoney

If you’re new here and have no idea what Hive is

👉Check out @talesaboardthehive👈

Also in my navigation header you can find a bunch of silly comics I did for the Hive

❗️smol reminder, my comics are not canon to the official Hive lore (only if Ney decides they are 🫡/ silly)

oh

also

bumblebee puppy 🐝

(I love him)

(he’s stinky, but I love him)

[chernobog13]

Trying to seduce a shark is vintage Kinks Mason living up to his name.

[inky-curves]

Fight Comics #66 (January 1950)

[comicsart3]

Tiger Girl was an Indian princess version of Sheena who appeared continuously for nearly a decade in Fight Comics, published by the heroine-friendly Fiction House, between 1944 and 1954, the year of the publishing house’s demise. Apart from the setting of a never-never “lost kingdom” in a non-specific part of Africa, there was little to distinguish Tiger Girl from her East African inspiration, other than the lethal-looking bullwhip she wielded in order to subdue her enemies and her two “pet” tigers , the aptly named Scimitar and Spear, whom she deployed to protect her “domain” from evil intruders and exploiters.

Tiger Girl’s back story was interesting in that she was the daughter of an Indian aristocrat named Rajah Vishnu and an unnamed Irish mother. This actually made her the only mixed race jungle woman of the Golden Age but inevitably, and in true Sheena homage style, she was inexplicably depicted with flowing golden tresses (although interestingly, in her earlier adventures she is shown as a redhead). Her father brought her to Africa, somehow founded a realm there, which his daughter took to patrolling in adulthood in true jungle girl fashion, complete with tiger skin bikini. Tiger Girl, like Sheena, tended to the more “savage” aspect of the jungle heroine’s nature, frequently not taking her loathsome enemies alive to face justice, but allowing the brutal laws of the jungle to run their course. Derivative Tiger Girl may have been, but she was a popular storyline, indicated by the title’s longevity and by the fact she was Fight Comic’s cover character for much of her run.

In the page featured, a crazed scientist named Remington, attempting to take over Tiger Girl’s kingdom with an army of intelligent apes, is defeated by a combination of the jungle girl’s whip, her two tigers and a friendly local tribe. We are assured the vanquished Remington “shall pay!” but what that means is left to our imagination.

Tiger Girl was the creation of artist Robert Hayward Webb, who also worked on Sheena. The writers of her stories are unknown. The page featured is from the Tiger Girl adventure in Fight Comics #80 (May 1952).

Sources: Bleeding Cool website and comicbookplus

[comicartarchive]

Fight Comics 80 Tiger Girl pg2 by Robert Webb

[comicsart32]

Tiger Girl

“No wonder your people are not yourselves! But wait - I shall tie him up and leave him here!”

Bwana Hodges gets his comeuppance at the hands of the svelte jungle woman.

[cccovers]

Fight Comics #68 (May 1950) cover by Jack Kamen and Al Feldstein (?).

[downthetubes]

New Eagle Times spotlights pioneering female comic artist Lily Renée

The fist issue of Eagle Times, the journal of the Eagle Society, is available now, the cover spotlighting pioneering female comic artist Lily Renée Wilhelm, aka Lily Renée

[tomoleary]

George Appel - Fight Comics #12 Splash Page 60 Original Art (Fiction House, 1941) Source

[thebestcomicbookpanels]

Super-American from Fight Comics #17 by Jefferson Starr

[gameraboy2]

Fight Comics #50 (1947) Cover by Joe Doolin

[dickgraysonmybeloved]

Bruce, High on pain killers: I hate to tell you this, but one of you is adopted

The Batfam: …

Dick: .. only one?

[chernobog13]

Fight Comics #17 (February, 1942).  Cover by Dan Zolnerowich.

Super-America taking care of some Nazi scum, including stepping on one’s face.  That’s better than you deserve, Nazi!

[arkangelo-7]

Love the idea of the Batfamily showing a serious, united front whenever they’re working with the Justice League (i.e., obeying Bruce’s orders without question or defaulting to Dick’s authority, following Bruce’s comm protocol, upholding expected field etiquette, coordinating with one another with terrifying efficiency, and generally just not fucking around), but then the minute they get back to the Cave they immediately start to throw hands over who gets to use the PS5.

[comicsart3]

Sidekick Gals 6

Peaches was the PA and sometime love interest to Hooks Devlin, a lumbering private eye whose adventures featured in Fight Comics. Although the curvaceous Peaches (what a name!) certainly filled the obligatory role for so many Golden Age sidekick gals - that of damsel in distress - she was never a simple shrinking violet. Clearly a lot more intelligent than the low-browed Hooks, Peaches was often one step ahead of her employer/boyfriend in the cases his firm took on, and frequently accompanied Hooks on the trail of the various gangsters, spies and madmen that he tangled with. At one point in the series she actually buys the Devlin Detective Agency from the impecunious Hooks and effectively becomes his boss. In the pages featured here, Peaches goes solo and decides to crack the case without the help or presence of Hooks. Despite the somewhat racist caricaturing of the Chinese villains Peaches then encounters, her dealing with two male assailants with the assistance of an electric iron secreted in her handbag somehow manages to be both sexist and feminist at the same time. After tying up, gagging and stowing the kayoed bad guys in a trunk, the enterprising Peaches borrows one of the men’s clothes to disguise herself in order to infiltrate the gang and crack the case. Unfortunately this tale of female empowerment comes to an abrupt end when Peaches of course plunges herself into a whole new set of perils instead.

The pages featured appeared in the Hooks Devlin Special Agent story in Fight Comics #48 (February 1947) and was written and illustrated by John Campbell.

Source: comicbookplus