#Felix the inventor

[comma-tose]

Okay so I know they aren't the most popular characters, likely due to not much being known about them, but I genuinely think there was some real potential and mystery in both Felix and Vallory's backstories.

To start with we know that Felix was extremely smart, being able to bypass Hyperion's biometric security, hack into their systems and change his information, and made one of a kind things like Fiona's elemental derringer (or Sasha's healing pocket watch before it got retconned to be that stupid crystal). He was crafty, he was intelligent, and there was some mystery in his backstory teased in Tales.

The first time we find out that he had a past Fiona and Sasha didn't know about is in Hollowpoint, when Fiona finds a picture of a younger Felix with a woman that neither her nor Sasha recognise, but with Fiona remarking that they seem happy.

It's surrounded by multiple empty bottles, and since neither of the girls have ever seen the photo before it's fairly easy to assume it brings up painful memories. The photo has a crease down the middle which would probably indicate that it was something he carried around with him, folded up in his pocket instead of just being hidden away in a drawer somewhere.

Now there's a chance it could be a younger Vallory sure but considering how it's never elaborated on I don't think that's something that can be said for certain. Either way the pair are dressed in outfits that seem similar to each other, which would probably mean that they weren't just emotionally close with each other but probably worked together as well.

Now regardless of whether or not that woman in the picture is Vallory, we know that Felix and Vallory DID have prior history together. He clearly is afraid of what she can do, she's been well aware of both Fiona and Sasha for most of their lives despite them never hearing about her before which would likely indicate she'd been keeping tabs on Felix. On the contrary, Felix was completely unaware of what was going on in Vallory's life, that August was her son until the vault key deal was already in progress, which would mean he likely wanted absolutely nothing to do with Vallory and tried to stay far out of her life, potentially even trying to hide from her to protect both himself and Fiona and Sasha.

---------------------------------

Now then, onto Vallory. Vallory is introduced as the Queenpin, she's a feared crime boss that has some connections at Hyperion and plenty of bandits at her disposal. She's tactical and cruel and is one of the main antagonists for the Tales crew.

Regarding her relationship to Felix, she clearly holds a grudge against him for some prior reason that isn't explained. Sure she's mad about the vault key deal but she goes out of her way to tear Felix out of the photo she finds of him, Fiona, and Sasha.

She also seems to focus far more on Fiona, directing her questions at her, taunting her, and referring to her as the leader of the Tales group. She's callous and cruel and can stab either Sasha or Vaughn to deliberately to fuck with Fiona and make her agree to her terms.

She has connections at Hyperion. At first it seems like it's just Vasquez she knows but then Finch is able to walk around Helios freely without having to blend in so it seems likely she has more. When this started it isn't clear, whether it was while Jack was alive or after his death. We know Hyperion had dealings with some criminals on Pandora before, like with turning people over for experimentation, so it's possible she had a hand in that or something similar.

But where I think it gets really interesting is when Fiona confronts her during episode 5. While talking about the Traveller she says "it's bigger than any I've ever seen" which would seemingly point to her being someone involved with vault hunting in the past or at the very least involved with someone else who was vault hunting. Sure she could have seen the Warrior from a distance when Jack awakened it but that's not really enough to mention the Traveller being bigger than any vault monster she's ever seen.

That's not to say I think she was a successful vault hunter or anything, but maybe that she was someone who was able to attempt it and get pretty far, or was allies with someone else that did.

Aside from that Athena seemingly knows her, and Vallory was more than willing to fight Athena before August stopped her. Vallory isn't stupid, she sends in her goons to do her dirty work when she doesn't want to get involved. For her to be willing to fight a literal assassin/vault hunter, even if it was impulsively, she must have some kind of confidence that she could actually get somewhere with that.

Hell she even has the ability to contact the Crimson Raiders and enlist the help of Mordecai and Brick to take out Athena, sure they needed to get her for Lilith but the fact that Vallory even knew that they were going after her and implies that she has some idea of why is impressive.

All in all I think that those two were really interesting characters and I wish we would've gotten more lore about them, why they knew each other, what they did before, and what exactly was going on between them.

[starleska]

If we're talking CBeebies nostalgia, I used to watch Nina and the Neurons when I was little and lowkey had a crush on Felix the green touch neuron 😭 I also shipped him with Ollie the purple scent neuron, don't ask me why (again, long before I even knew what shipping or fandom were lol). I remember being disappointed when Felix's voice actor changed because I preferred his original voice 😂 All this to say, don't be embarrassed about your Archie From Balamory self-shipping. I'm gonna run and hide now! 😅

oh my goshhhh chattering!!!!! you are SO cute that's the sweetest thing i've ever heard in my life 🙈💖 i'm not going to lie, nothing could have prepared me for that glorious 2000s CGI in combination with James Dreyfus' voice 😂😂 and how lovely to hear about your early shipping adventures!! i wonder what pushes some of us to ship even when we're very small...perhaps it's our way of figuring out how relationship dynamics work? 👀 ahhhh hahahaHAAAA STOP.......!!!!!! (thank you 😳👉👈) honestly that specific character archetype in literally any media would've gotten me bad, he's perfect 🥴💖 i know of at least two other Balamory selfshippers, so it isn't just me!! and who knows. perhaps i'll convert some other people - as far as i'm aware, all of the main residents are eligible!! (i know several people who are weak in the knees about PC Plum 😭😭)

[itsgerges]

Best regards

 Can The Sun Rays Creation Process Depend On Saturn Motion?

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Abstract

Paper Question

Can The Sun Rays Creation Process Depend On Saturn Motion?

The question tells us (If Saturn Is Not Found In The Solar System The Sun Rays Can Not Be Created)- If This is a fact- That proves we understand wrongly (completely) how the sun rays is created!

The question refuses directly The Sun Nuclear Fusion Theory – and tells us – The Sun Rays Is Produced by another Method – and

This another method depends on Saturn motion perfectly and without Saturn motion this method can NOT work and No Sun Rays Can Be Produced

The question answer can be summarized in 3 points

(Point No. 1) The Refutation Of The Sun Nuclear Fusion Theory

(Point No. 2) The Planet Motion Reason And Design

(Point No. 3) Saturn Effect On The Solar System Motion

Let's discuss these points in following…

(Point No. 1) The Refutation Of The Sun Nuclear Fusion Theory

There Are 7 Facts Refute The Sun Nuclear Fusion Theory…

Planet Motion Produces Energy

The gravitational waves are produced by the planets motions energies and NOT by the sun gravitational field (Moreover the sun does Not create a gravitational field)

The Gravitational Waves Can Move By Speed Of Light (C= 300000 km/s)

The Sun Rays Is Created By The Gravitational Waves Motions

The Sun Rays Creation Process Depends on A Relative Motion

The Sun Corona Temperature Is (5 million Kelvin) and the sun surface is 5800 Kelvin because the energy is NOT produced by The Sun Nuclear Fusion.

The Sun Data Depends On The Planets Data 

Let's summarize these facts in following

(Fact No. 1) Planet Motion Produces Energy

Any moving body produces energy (1/2 mv^2), the planet motion produces energy also, but where's the planet motion energy?

The planet doesn't store the energy in its body because it would raise this planet temperature and no planet temperature is raised by its motion- logically where can the planet motion energy be stored? In the space in waves form-

Means- the planet motion energy creates waves in the space

The space is similar to the sea of water, and the planet is similar to a fish swims through the sea of water- as we know- the fish moves by hitting the water by its body and by this action waves are created in the water- also we conclude the water moves by a velocity equal the fish velocity because of the reaction force-

Similar to that, the planet motion energy creates waves in the space- these waves are similar to the water waves, they move far from their planet and can be reflected- also we conclude the space waves move by a velocity equal the planet velocity-

Also–because the planets revolve around the sun in one direction- the planets motions energies waves move toward Pluto perpendicular on the revolution direction.

In Pluto orbit these waves are unified into one unified wave moves by the planets velocities total (9 planets velocities total is 176 km/s)

Pluto reflected this unified wave toward Venus and this wave revolves around the sun through the Earth moon orbit- because- all planets motion energy is stored finally in the moon orbit-

 And because the wave revolves around the sun through the moon orbit- the moon velocity is added to the total (the moon velocity = the Earth velocity) – by that

The velocities total be (176 +29.8 = 205.8 km/s)

Shortly-

The Planets Motions Energies Are Unified Together And Produce One Unified Wave Revolves Around The Sun Through The Earth Moon Orbit And This Unified Wave Moves By A Velocity 205.8 km/s.

(Fact No. 2) The Gravitational Waves Are Produced By The Planets Motions Energies And Not By The Sun Gravitational Field (Moreover The Sun Does Not Create A Gravitational Field)

I claim the space waves which I have described are the gravitational waves, the scientists called them wrongly supposing that these waves are produced by the sun gravitational field but this is NOT True – on the contrary- these waves are produced by the planets motions energies.

The previous analysis proves clearly that, the planet motion must create waves in the space- by that- I have a reason to claim that (the gravitational waves are produced by the planets motions energies)- and also the sun doesn't create a gravitational field – let's prove that in following to cause a confidence in my conclusion

The Sun Doesn't Produce A Gravitation Field  

The Sun Rotation Period is (25.4 days at equator) and (34.4 days at pole), that proves the sun has NO massive gravity (even it has no gravity equal any planet gravity otherwise it would rotate in one period of time)

No planet moves by the sun gravity (Newton Is Wrong).

The planet moves by its creation force- means-  the planet creation and motion should be done by the same one force because if two forces have effects on the same one planet, this planet would be broken

Mass gravity Can Not Cause any Motion- (Newton is wrong)– let's explain that -Mass gravity is a bond between 2 masses – the Earth and the moon are bond together by the mass gravity- They are similar to a lorry and its trailer– If a force causes the Earth to move the moon will move with the Earth– this is the effect of the mass gravity but the mass gravity can't cause any motion! Why? Suppose the moon moves by the Earth mass gravity- The moon motion produces energy (1/2mv^2)- and– From what source this motion energy will be provided? From the mass itself! means- If the Earth causes the moon to move that necessitates to decrease the Earth and moon masses by the motion energy– it's wrong definition for the mass gravity - the mass gravity creates a bond between two masses- and if a force causes the Earth to move the moon will move with the Earth, in this case, this force will provide the motion energy for the Earth and the moon– but No Motion can be done by the mass gravity.

(Fact No. 3) The Gravitational Waves Move By Speed Of Light (C= 300000 km/s)

This fact I provide by a direct proof – in following –

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

This new article states the gravitational waves can move by high velocity motion and can produce a light beam. 

Notice –

I Claim The Sun Rays Is Created By This Method (The Gravitational Waves Motions) And Not By The Sun Nuclear Fusion

But- I have proved, the gravitational waves are produced by the planets motions energies- how can the gravitational waves move by speed of light if they are produced by the planets motions energies? And If the gravitational waves move by speed of light how they can produce a light beam?

The fact is that

The planets motions use different rates of time- for that – the planets motions energies are produced based on different rates of time and the motion by speed of light is done by using different rates of time – let's explain how the unified wave (205.8 km/s) moves by speed of light relative to the sun point of space

W agreed that

There's one unified wave revolves around the sun through the Earth moon orbit and this wave moves by velocity 205.8 km/s relative to the sun point of space

This is A Relative Motion between two players (the unified wave) and (the sun point of space)

The two players use different rates of time which is

(one second of the sun clock = 1461 seconds of the unified wave clock)

The unified wave (205.8 km/s) moves in 1461 seconds a distance = 300000 km/s

But the sun clock moves only (one second) during these (1461 seconds of the unified wave clock) –means-

The distance 300000 km is passed in (one second) of the sun clock- by that

The different velocity between the unified wave and the sun motions is 300000 km/s = speed of light (C)

This analysis asks a new question (How Can The Planets Motions Use Different Rates Of Time?) this question is answered in Point (No. 2* the planet motion reason)

But there's one more question we left behind- let's remember it  

If the gravitational waves move by speed of light (300000 km/s) how can these waves produce a light beam? Let's answer in the following fact No. (4*)

(Fact No. 4) The Sun Rays Is Created By The Gravitational Waves Motions

The gravitational waves move by speed of light (C=300000 km/s) relative to the sun point of space- this idea is proved by the article states (the gravitational waves move by speed of light) BUT

How Can This Motion Produce A Light Beam?  The energy is reflected in the solar system, and the energy reflection causes to square the velocities, for that, the speed of light (C=300000 km/s) be squared (C^2) by the energy reflection- and the value (C^2) is the source of energy can produce the light beam

The reflection of energy and its effects are proved strongly in my paper   

The sun rays creation process provides three new features which are

The Gravitational Waves Move By Speed Of Light (C)

The Energy Reflection Squares The Velocities (C^2)

The Sun Rays Is Produced From (C^2) That Means The Sun Rays Is Produced By  A Relative Motion

(Fact No. 5) The Sun Rays Creation Process Depends on A Relative Motion

There are three basic critics against The Sun Nuclear Fusion Theory-

(First Critic) The Source Of Energy- while the solar system is so rich in the motion energy- the nuclear fusion theory invented strange source of energy to produce the sun rays and left the stored motion energy without using- logically- the energy can NOT be stored forever and should be used- The sun rays is the very good outlet for the stored energy- means- the sun rays should be produced from the planets motions energies which are stored in the space in waves form (the gravitational waves)       

(Second Critic) The Sun Rays Production Method- The sun rays are produced by the relative motion- means- the used technical method is the relative motion- the motion produces a relative motion with different velocity = speed of light (C= 300000 km/s) and by the reflection of energy this velocity be squared (C^2) and the sun rays is produced from this value (C^2)

The important thing here is (The Relative Motion) why? because this relative motion is found between two players (the unified wave motion 205.8 km/s) and (the sun point of space motion 1 km/s) – the light production process depends on the different velocity between the two motions (C=300000 km/s)- means- if this different velocity is decreased (NO Light Beam Can Be Created)

So the method needs the different velocity to be (C= speed of light =300000 km/s) and that necessitates the unified wave velocity to be (205.8 km/s) and the sun point of space to be (1 km/s) BUT there's NO any other point in the space moves by this velocity (1 km/s)- only – the sun point of space moves by 1 km/s – later I prove that 

Means- the different velocity (C=speed of light =300000 km/s) can be produced only between the unified wave motion (205.8 km/s) and the sun point of space

That tells- the light can be produced only on the sun point of space because this is the only one point in the space moves by velocity 1 km/s –

for that reason- the sun point of space is defined geometrically!

What does that mean (The Sun Point Is Defined Geometrically)?

The designer used many mathematical calculations and geometrical rules to define the sun position in the sky and the sun creation data- let's give one example

(The sun diameter / the moon diameter) = (Earth orbital distance/ Earth moon dist)

The previous equation enables us to see the sun disc = the moon disc and that causes the total solar eclipse to be occurred- but– why the diameters rate = the distances rate? 

Because the designer made all mathematical calculations to guarantee the velocity of the sun point of space to be only (1 km/s) and Never be faster

Let's see more data behind the total solar eclipse

4900 mkm (Jupiter orbital circumference) = 1.39 mkm (the sun diameter) x 3475 km =12104 km x 406000 km = 12756 km x 384000 km = 6792 km x 2 x 363000 km

3475 km      = the moon diameter                 12104 km    = Venus diameter

12756 km    = The Earth diameter                6792 km      = Mars diameter

 363000 km, 384000 km and 406000 km are the distances between the Earth and its moon in perigee, orbital distance and apogee radiuses respectively

We see how the data is designed geometrically accurately- why the data is created by this accurate system? because the designer aimed by all means to make the velocity of the sun point of space to be 1 km/s and never moves by any faster velocity

We remember (Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s) this fact is proved by my planet diameter equation-

Here also- the sun diameter is defined geometrically in proportionality with many planets to guarantee the velocity of the sun point of space be only (1 km/s)

This argument is so powerful against the nuclear fusion theory, because

The Sun Data Proves The Sun Rays Is Produced By (A Relative Motion) and not by nuclear fusion- the designer had a necessity to create these proportionalities between the sun position and data on one side with the planets data on the other side- the required task was (to create a system guarantee the velocity of the sun point of space to be 1 km/s and never moves by faster velocity) – this is the cornerstone in the sun rays creation process because the rays is created by A Relative Motion- based on different velocity = 300000 km/s

This velocity is the method by which the sun rays is created and If This Velocity Is Decreased No Light Beam Can Be Produced.

Notice

The sun circumference =4.37 million km and the sun rotation period at equator is 25.4 days – if we calculate the velocity of this motion (4.37 million km /25.4 days) the velocity be = 2 km /sec

This is a strong proof for my theory- and we note that- the machine uses the velocity 1 km/s and the sun velocity (2 km/s) forced the machine to make (double for all values) means- for example- the sun rays is created not by (90000 million km) but created by (180000 million km) as I explain later- means – this change in velocity from (1 km/s) to (2 km/s) has great effect on the data but the machine can still produce the light beam- shortly- the sun rays is created by this relative motion with different velocity = C= speed of light = 300000 km/s

(Third Critic)

The sun corona temperature is (5 million Kelvin) but the sun surface is 5800 Kelvin

This data proves strongly my theory – where

The sun rays is NOT produced by the sun nuclear fusion – means – the energy is NOT produced from the sun body – BUT

The energy is produced by the planets motions energies and for that the corona has energy more than the sun body- because the energy comes from out of the sun into the sun- shortly- the energy out of the sun is greater than the energy inside the sun because the sun does NOT produce this energy- this energy is produced by the planets motions energies.

(Fact No. 6) The Sun Corona Temperature Is (5 million Kelvin) and the sun surface is 5800 Kelvin because the energy is NOT produced by The Sun Nuclear Fusion.

This fact is told just before – the sun corona temperature is a strong proof supports my theory tells (the sun rays is created by the planets motions energies total and not by the nuclear fusion)

(Fact No. 7) The Sun Data Depends On The Planets Data 

As We Have Seen In The Total Solar Eclipse Data, the sun data is in proportionality with the planets data proves the sun rays is created by the planets motions energies- But – not only this data

The sun all data is created depending on the planets data – let's see one more example

243/224.7= 29.53/27.3 = 27.3/25.4 = 1.0725

243 and 224.7 days Venus rotation and orbital periods respectively

29.53 and 27.3 days The moon day and rotation periods respectively

25.4 days = the sun rotation period at equator

The data shows clear harmony as if the sun data very similar to the planets data

(Point No. 2) The Planet Motion Reason And Design

A- The Solar System Creation Theory

The solar system is created from one energy- this energy is provided by one light beam its velocity is 1.16 million km per second

From this energy the space is created firstly and the light energy is consumed in the space creation and the rest energy is found in One Wave moves by speed of light (C=300000 km/s) – from this one wave the planets are created-

The creation is done in 2 stages

(First stage The Space Creation)

The original light beam (its velocity 1.16 million km per second) creates the planets orbits before any planet creation, starting from Mercury to Pluto, because of the orbits creation, the light energy is consumed and its velocity be 300000 km/s

We understand this is one light beam- its velocity was 1.16 million km per second and after the space creation this light velocity be 300000 km/s

(Second stage The Planets Creation)

The planets are created from this one wave moves by speed of light (C=300000 km/s)

NOTICE

There are strong proves prove a coherence of light is done between the light 1.16 million km per second and the light 300000 km/s- let's see this idea deeply

The original light beam its speed (1.16 million km per second) started its motion from Mercury orbit to Pluto orbit (Mercury orbit is the light motion origin point) – and this light beam created all orbits before any planet creation- and the light lost its energy in the space creation and the rest energy is one light beam move by the known speed of light is (C=300000 km/s)

The other light beam is the rest energy- it moves by the known speed of light (C=300000 km/s) and it moves in the reflected direction from Pluto toward Venus and Mercury-

Now –there's a coherence of light between these two light beams- the coherence is proved BUT we should ask (how can this coherence be occurred)? Because the original light (1.16 million km/s) is consumed and its energy is used already and the rest energy be this light its speed is (300000 km/s) - HOW can the light (1.16 million km/s) meet the light (300000 km/s)??

Imagine we have (116 dollars) and we spent all money except (30 dollars)- how can this (30 dollars) meet the original money (116 dollars)??

Let's try to answer

Suppose the light beam (300000 km/s) moves in the reflected direction (in the space) and also (in the time) – that can enable the light (300000 km/s) to move into its past and meet the original one (1.16 million km/s) in the past and the coherence can be done there in the past- and we see the coherence results and effects on the solar system-

Means – the light (300000 km/s) moves into its past and found the original light (1.16 million km/s) in the past and the coherence could be done there in the past

Please note- this analysis tells us the light can move on the time axis means can move into the future and into the past- but the matter can Not do that- I explain the reason in my paper (No. I-6)

Shortly- we have a proof for the motion on the time axis and we can create the time machine by this method and the light will be our tool which can move into the past to get pictures and data from the past to us-  

Now

Let's see how the planets are created

B- The Solar Planets Creation

We know- The solar system is one wave moves by speed of light (C=300000 km/s)

Through the space- (till now NO any planet is created)  

Now -The Solar System needs To Create A Stationary Point Its velocity Zero relative to the moving wave its velocity is 300000 km/s

This is the basic information in the solar system design-

The solar system needs to create a stationary point relative to the wave motion- by that – two velocities will be found which are (v1= the wave velocity 300000 km/s) and (v2= Zero= the stationary point relative to the wave motion)–these two velocities produce a relative motion with different velocity 300000 km/s–

Notice – the stationary point velocity is 1 km/s (= Zero approximately)

Notice– The solar system is one wave moves by speed of light (C=300000 km/s), or the solar system is carried on light beam moves by speed of light (C=300000 km/s),

Everything in the solar system is carried on this one light beam motion- and nothing is static- No stationary point can be found here-

This is similar to ships are found on the sea- nothing is stopped- all ships move and can't stop- because the motion is done forcedly by the sea waves.

The stationary point will be similar to the whirlpool (vortex) found on the sea page- 

We see the whirlpool doesn't move with the sea waves- for that the whirlpool can be considered as a stationary point relative to the sea waves.  

But

The solar system needs to create the stationary point

Now – let's try to create this stationary point in following

The solar system uses two procedures to do that,  

The first procedure

The wave its velocity 300000 km/s revolves around a point in space (any point in space), the revolution motion creates 2 equal velocities on both sides of the revolution- the two velocities are equal in value and opposite in direction- their total be equal Zero-means- the revolution motion creates One Stationary Point in the center of the revolution. 

The second procedure

The previous idea is correct- but –the velocity 300000 km/s is a huge one and to decrease it to Zero velocity this is a complex process– for that- the wave (300000 km/s) created small waves with low velocities to use them as steps to decrease the velocity to Zero- the small waves are The Planets- (The planet is a small wave moves by low velocity relative to the mother wave its velocity 300000 km/s) 

Why Are These Small Waves Required?

Because the velocity 300000 km/s is decreased to Zero by using these small waves and their low velocities- the low velocities are used as steps to decrease the wave velocity (300000 km/s) to be (Zero)- this process decreases the velocity gradually from 300000 km/s to Zero depending on these small waves velocities (the planets velocities)  

Means- the planets are created for this process to decrease the wave velocity from 300000 km/s to Zero- and The Planet Is A Small Wave Moves By Low Velocity  

Shortly – the solar system has one complete system of velocities, Starting from Zero to 300000 km/s where the planets velocities are the steps between the two velocities –

Please note clearly this idea- because-

The solar system has one motor for all motions which is the wave motion by speed of light (300000 km/s) No any other motor is found in the solar system

The planets are similar to carriages in one train but the train engine is the light motion by that the only motor under all motions in the solar system is the wave motion (speed of light 300000 km/s)

So, we have to ask- how can any planet move by a velocity Less than (300000 km/s)?

Because – The Planets Use Different Rates Of Time-

The rates of time is created based on the velocities rates –

For example-

Mercury velocity =1.6 Earth velocity, for that, one hour of Mercury clock= 1.6 hours of the Earth clock and by that Mercury and the Earth move equal distances in equal periods of time. 

This is very important fact because – the light moves carrying all planets with it- Now the light moves (one motion) and passes (one distance) in (one period of time)

All planets will move (this same motion) and pass (this same distance) in (this same period of time)- but

We need different velocities for the planets to work as steps to decrease the velocity (300000 km/s) to Zero (Stationary point)- means- it's essential to have (different velocities) and that causes the using of the rates of time inevitable and essential method to enable the solar system to do its motion.

C- The Rate Of Time Use

(i)

The Rate Of Time Effect

The rate of time controls the moving energy rate-

For example (One Hour Of Mercury Clock = 24 Hours Of Pluto Clock)

What does that mean?

It means, Pluto motion energy (for 24 hours) can be used by Mercury in (one hour)

Here - the solar system is similar to a river of water moves from a point to another and the rate of time defines the amount of the transported water (energy)

In more details

The energy is transported among the planets and the amount of energy is defined by the rates of time- because- the energy transportation necessitates to transport the motion among the planets and the motion transportation caused to transport the rates of time among the planets-

(ii)

The Rate Of Time Use

We agreed that, the solar system has one motor only which is the wave moves by speed of light (C=300000 km/s)- means- no velocity can be less than speed of light unless it depends on a rate of time –

Means- all planets velocities are created based on rates of time- that causes the rates of time to be used in all motions in the solar system  

Let's remember,

Planet motion energy creates waves in the space- we remember the accurate vision- we observed one swimming fish, the fish hits the water by its tail and swims, that creates a wave in the sea and this wave moves by the fish velocity because of the reaction-

Similar to that, Mercury (47.4 km/s) moves and its motion energy waves are created and these waves move by Mercury velocity (47.4 km/s) –BUT- Mercury velocity is created based on a rate of time- that causes the waves motions use rates of time-   

I try to show how the gravitational waves motions depend on rates of time

For more clear vision

We have to consider that the solar system has one motor only and this motor is the wave moves by speed of light (C=300000 km/s) for that any motion in the solar system with velocity less than speed of light (must depend on rates of time)  

The rates of time = the velocities rate –

Let's remember out example

Mercury velocity =1.6 Earth velocity by that (One second of Mercury clock = 1.6 seconds of the Earth clock)– by this rate of time Mercury and the Earth move equal distances in equal periods of time -

We understand the reason- where

The planets are geometrical points on the same one light beam- and this light beam moves carrying all planets with it- and

The light moves one motion, passes one distance in one period of time, for that, all planets move this same motion, pass this same distance in this same period of time

(iii)

The Solar Planets Basic Rates Of Time

Let's remember the basic rates of time

(one hour of Mercury clock = 24 hours of any planet clock) and

(one hour of Mercury clock = 576 hours of Saturn clock)

That causes

(one hour of any planet clock = 24 hours of Saturn clock)

This rate of time is defined by Mercury motion effect And

The major rate of time between the planet and light motion is

(one second of light clock = one solar day of the planet clock)

This rate is a complex one because there are 2 velocities of the light (as I proved) 

The original velocity 1.16 million km per second and the known velocity 300000 km/s

Means

(one second of light 1.16 mkm/s   = one solar day of the planet clock) and

(one second of light 300000 km/s = one solar day of the planet clock)

That causes the rate of time (1=24) to be so necessary to create the harmony between the planets and light motions- for that this rate (1=24) is used by Mercury motion 

Notice

The rate of time is defined basically by the planets velocities as explained before – for example - Mercury velocity = 1.6 the Earth velocity- means – one hour of Mercury clock = 1.6 hours of the Earth clock

But the solar system energy is reflected three times in the solar system, and each reflection causes to square the velocity, by that, the rate of time (v1/v2) be growing to be (v1/v2)^3

That explains why the planets orbital periods rate = (their velocities rate)^3

Also all other planets data is worked as rates of time-

D- The Unified Wave Moves By Speed Of Light

Let's remember out equation

300000 km = 7.1 x (205.8)^2 where

7.1 is Lorentz length contraction effect for velocity 297000 km/s (= 0.99 C)

205.8 km/s = the 9 planets velocities total (176 km/s) + the Earth moon velocity

(The moon velocity =29.8 km/s = the Earth velocity because they revolve together)

Why does the data use the squared value (205.8)^2?

We know the answer- but - Let's remember it

The planets are geometrical points on the same light beam and move with its motion- for that- the planets velocities rates creates rates of time– for example-  Mercury velocity = 1.6 the Earth velocity- that means – one hour of Mercury clock = 1.6 hours of the Earth clock- as I have explained before 

Now- the velocity (205.8 km/s) move relative to the stationary point its velocity Zero (The Sun) and creates a rate of time (1 second = 205.8 seconds) –

(One Second Of The Unified Wave Clock = 205.8 Seconds Of The Sun Clock)

But – the energy is reflected in the solar system (I proved in the paper),

The energy reflection reflects the players – means

(one second of the Sun clock = 205.8 seconds of the unified wave clock)

means (one second of the sun clock = 205.8 seconds of any planet clock) –

Now during one second of the sun clock, the wave clock needs 205.8 seconds while the wave moves by a velocity 205.8 km/s- means –

During one second of the sun clock, the wave moves 42253 km = 300000 km /7.1

By that the velocity is 42253 km/s which is equivalent to the speed of light

Notice

The velocity 42253 km/s is equivalent to the speed of light 300000 km/s because of the length contraction effect rate (7.1) – because

The reflection of energy causes to reflect the geometrical effects and the rate 7.1 which caused (length contraction) will cause (length increasing)

The length contraction and increasing both effects are produced by the same one motion but the reflection of energy causes to reflect the geometrical effects.

E- Planet Velocity Analysis

DATA

My 5th equation (v1v2=322)- the planets velocities prove it–let's see that in following  

322 = 47.4 km/s (Mercury velocities)  x 6.8 km/s  (Uranus velocities)                    

322 = 35 km/s  (Venus velocity) x 4.7 km/s (Pluto velocity) x 2             

322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2      

322 = 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity)               

322 = (17.9 km/s)^2 (Ceres velocity) (Max error 2%)

DATA ANALYSIS

The previous data tells the planets velocities are defined by two features

(1st Feature)

The planets velocities are complementary one another –means - each planet velocity is complementary with another planet – means– The planets velocities are defined in pairs and not in single planets. 

(Notice, the inner planets orbital inclinations are defined by the rule (v1/v2), for example, Mercury orbital inclination 7 deg = Mercury velocity 47.4/ Uranus velocity 6.8- that proves the effect of the rule (v1v2=322) on the planet motion)

(2nd Feature)

Why the constant is 322 because

1160000 seconds = 322 hours – means- there's a light velocity = 1.16 million km /s and this light moves for one second passes 1160000 km but we see this distance as a period (1160000 seconds =322 hours)- and - the planets velocities are defined based on this velocity 1.16 million km /s

Discussion

Ceres velocity tells the idea - Ceres is used as the origin point - as a result the outer planets be complementary with the inner planets – for that the rule (v1v2=322) controls the planets velocities.

(a)

The planets velocities are created based on one design- Ceres velocity is used as the origin point for this design

(b)

Shortly

Mercury (47.4 km/s) moves during 6.8 hours a distance             = 1160000 km 

Uranus (6.8 km/s) moves during 47.4 hours a distance               = 1160000 km 

And

Mars (24.1 km/s) moves during 13.1 hours a distance                = 1160000 km 

Jupiter (13.1 km/s) moves during 24.1 hours a distance             = 1160000 km 

(error 2%) - And

Earth (29.8 km/s) moves during 2 x 5.4 hours a distance             = 1160000 km 

Neptune (5.4 km/s) moves during 2 x 29.8 hours a distance        = 1160000 km 

And

Venus (35 km/s) moves during 2 x 4.7 hours a distance             = 1160000 km 

Pluto (4.7 km/s) moves during 2 x 35 hours a distance               = 1160000 km 

(error 2%)

Notice - Saturn (9.7 km/s) moves during 33.2 hours a distance = 1160000 km 

(between 33.2 and Venus velocity 35 km/s the error 5%) 

(c)

The planets velocities definition depend on the speed of light 300000 km/s

As we have seen before in the equation

300000 km = 7.1 x (205.8)^2

Here we see the planets velocities are defined based on two velocities which are – the speed 1.16 million km per second and the light speed 300000 km/s- that's one proof among many others which prove the coherence of light is done between the light 1.16 million km per second and the light 300000 km/s

Why is it necessary to review the planet velocity analysis here? 

Because the planet velocity analysis proves the sun is created after all planets creation and motion -Let's see that in the next point

F- The Sun Is Created After All Planets Creation And Motion (Proves)

We analyzed the planet velocity definition before, let's remember its basic feature  

DATA

We remember the rule (v1v2=322) (my 5th equation)– let's prove it

322 = 47.4 km/s (Mercury velocities)  x 6.8 km/s  (Uranus velocities)                    

322 = 35 km/s  (Venus velocity) x 4.7 km/s (Pluto velocity) x 2             

322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2      

322 = 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity)               

322 = (17.9 km/s)^2 (Ceres velocity) (Max error 2%)

DISCUSSION

The data tells

The Planets Velocities Are Defined Based On One Design

The planets are added in pairs in the solar group- means- No single planet can be added to the solar group

Now we have to ask

Can We Add A New Planet To The Solar Group?

Let's answer in following

I add a new planet after Pluto

I suppose the new planet orbital distance to be =7000 million km

This new planet velocity will be 4.3 km/s (We can define it by kepler law)

Now we need the complementary planet because of the rule (v1v2 =322)

(322 =4.3 x 75), means, the complementary planet velocity is 75 km/s   

Where can we find a planet its velocity 75 km/s? this planet must be in the distance between the Sun and Mercury –

This planet orbital distance should be 23.2 million km

(57.9/23.2) = (75/47.4)^2  where

(57.9 million km = Mercury Orbital Distance) and (47.4 km/s) Mercury velocity

Shortly –

It's hard to add any planet in the distance between Mercury and the Sun- means- we can't add any new planet to the solar group because of the Sun existence.

But-

How Could The Found Planets Be Added To The Solar System?

The Sun is created after all planets creation and motion- means – after all planets be in their orbits the Sun is created- In details-The planets were created in their orbits and revolve around a point of space, before the sun creation, and later the sun is created in this point of space around which the planets revolve

Because - technically-  the Sun existence prevents to add any new planet to the solar system and also the Sun existence prevents any planet to change its orbit

(For example- Mars original orbit was between Mercury and Venus and Mars had migrated to its current orbit before the Sun creation And Mars couldn't return to its original orbit because of the Sun existence ) (Mars Migration is proved in the paper) 

Notice

This analysis is another proof for my theory tells (The Sun Rays Is Created By The Planets Motions Energies And Nut By The Sun Nuclear Fusion)

Shortly

The sun rays can NOT be created without the solar planets because the sun rays are created from the planets motions energies – logically the planets are found and moving before the sun creation-

(Point No. 3) Saturn Motion Effect On The Solar System Motion

Let's remember our question

Can The Sun Rays Creation Process Depend On Saturn Motion?

The question tells us (If Saturn Is Not Found In The Solar System The Sun Rays Can Not Be Created)- Let's ask (what's Saturn role in the solar system motion?)

The main rates of time are

(one hour of Mercury clock = 24 hours of any planet clock = 576 h of Saturn clock)

That causes (one hour of any planet clock = 24 h of Saturn clock)

This rate of time is changed slightly by the velocities effect to produce the nest rate

205.8 km/s = 9.7 km/s (Saturn velocity) x 21.4 second

205.8 km/s = the planets velocities total

The data tells

(one hour of any planet clock = 21.4 h of Saturn clock)

And Saturn created its rotation period (10.7 h) based on this rate (21.4 = 2 x 10.7 h)

The data shows- Saturn has the smallest rate of time in the solar system and by that Saturn moves more than any other planet- in fact

In the same period - Saturn moves a distance = all planets motions distances total 

Shortly -the Sun rays is created by the planets motions energies BUT Saturn motion alone provides (50%) of all this energy – that makes Saturn the most important planet in the solar system -and because of that- Saturn motion provides the greatest rate of time in the solar system and based on this rate of time the sun rays is created

Shortly

The Sun rays creation depends directly on Saturn motion because Saturn provides (50%) of all provided energy for the sun rays and because Saturn motion creates the rate of time based on which the energy can be stored to produce the sun rays

Saturn is the motor behind the sun rays creation process – I analyze Saturn data in details in point no. (3) of the paper because Saturn data proves that – the planets motions causes to create the sun rays clearly

The Paper hypotheses

The paper provides 4 hypotheses with their explanations and proves – let's provide them in following

Hypothesis No. (1)

The space is created from one energy and this energy is provided by a light beam moves by a speed 1.16 million km per second – the speed is registered in the created space proves the speed is a fact.

Hypothesis No. (2)

The Gravitational Waves Are Produced By The Planets Motions Energies And Not By The Sun Gravitational Field– Moreover- The Sun Does NOT Produce A Gravitational Field And It Has No Massive Gravity- 

Hypothesis No. (3)

Mars original orbit was between Mercury and Venus and Pluto was The Mercury Moon (Pluto size was equal Mercury size) But these two planets had migrated from their original orbits as a result for a collision- the planets migration caused a risk for the solar system geometrical design- Uranus and Jupiter the Two planets worked to repair the solar system design– that caused Jupiter orbit to be the main orbit in the solar system design- Jupiter orbit proves the speed 1.16 million km per second is a fact.   

Hypothesis No. (4)

The Sun Is a phenomenon created by the planets motions

The sun rays is created from the gravitational waves motions energies and the gravitational waves are produced by the planets motions energies-

Based on that 

The Sun Is A Phenomenon Created By The Planets Motions

And

The Sun Is NOT Doing Nuclear Fusion To Produce Its Rays- instead- The Planets Motions Energies Total Is Used To Produce The Sun Rays

The Sun Is Created After All Planets Creation And Motion –

Means

The Planets Are Created And Moving In Their Orbits Around A Point Of Space Before The Sun Creation- And The Sun Is Created On This Point Of Space around which the planets revolve –

And

No Planet moves by The Sun Gravity (Newton is Wrong) –

And

The Sun Doesn't Produce A Gravitational Field (Einstein Is Wrong)

And

The Sun Is A Phenomenon Created By The Planets Motions– means-The Sun creation and death depends on a cycle – means – after this current sun death another sun will be created for the solar system.

The Hypotheses Explanation

The abstract provides the hypotheses explanation and the paper provides their proves and discussions- In following the hypotheses will be explained in details 

NOTICE –

The creatures and all matters on the Earth are created from the sun light energy and the sun light speed is 300000 km/s, because of that, the creature realization is limited to the speed 300000 km/s and can't realize the original speed (1.16 million km per second) that means the speed 300000 km/s is a limit for the creatures realization and not for the universe design.   

Hypothesis No. (1)

The space is created from an energy and this energy is provided by a light beam moves by a speed 1.16 million km per second – the speed is registered in the created space which proves the speed is a fact

The Hypothesis Explanation

I- The Space Is Created By One Light Beam Energy- And This Light Beam Speed Is 1.16 million km per second

I-1 Preface (the main idea)

I-2 The Space Creation Method (the distances are one network)

I-3 Light Coherence between light (1.16 million km /s) and light (300000 km/s)

I-4 The Matter definition (based on my planet diameter equation)

I-5 The Planets Creation

I-6 Can The Time Machine Be A Fact?

The Hypothesis Proves

I-7 The Proves Logic Analysis

I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)

I-9 Planets Orbits Are Defined By A Motion Its Speed = (1.16 million km /s)

I-10 Jupiter distances are defined by a motion by a speed = (1.16 million km /s)

I-11 The Solar System Geometrical Design Proves The Hypothesis

I-12 The Solar System Distances Analysis Prove The Hypothesis

I-13 Deep Analysis For The Planets Orbits

1-14 Light defines each planet orbital period

I-15 Can Planet Diameter Be Used As A Period Of Time

I-16 Mercury Orbit Analysis

I-17 The Planets Data Is Created By The Light Motion Directly

I-18 Light Defines Each Planet Rotation Period

I-1 Preface (The Main Idea)

The solar system (planets and distances) is created from one energy and this energy is provided by one light beam and this light beam moves by speed (1.16 million km/s)

The space is created before the planets creation-

Let's write the whole story in following

The light beam (1.16 million km per second) started its motion from Mercury orbit moves toward Pluto orbit– by that– we consider Mercury orbit is the origin point-

Now- we should notice- No planet is created yet- the motion from Mercury orbit to Pluto orbit defines the motion direction- and No planet is created before this motion end nor during this motion- the planets will be created after this motion is finished means when the light 1.16 million km per second reaches to Pluto (orbit)- after this event – the planets will be created –as I will explain later  

Notice

The light (1.16 million km per second) creates the distances by its motion- means- the light moves from Mercury point to Venus point– the distance from Mercury to Venus was not found and is created only by the light motion through it for first time- means – before the light motion this distance was NOT found- It's found after the light moves through this distance for first time-    

This is similar to the blood motion through the arteries, the blood creates these arteries and the blood moves through these arteries, but the blood created these arteries with its first motion and that needed energy- but – after the arteries creation the blood move through them without any energy is required- means- the first motion is the most important one because by it the arteries are created

Shortly- The space is created from the energy of this light beam its speed 1.16 million km per second – NOW- after the Space creation- the light beam energy is decreased because of the energy consumption in the space creation process- and the rest energy is one light beam its speed is (C=300000 km/s =the light known speed) – But - We understand that- it's the same one light beam- its speed was 1.16 million km /s before the space creation- and the light created the space and that caused to consume the light energy and that caused to decrease the light speed to be 300000 km/s

Shortly- the light beam started its motion from Mercury (orbit) with speed 1.16 million km /s and reaches to Pluto (orbit) with a speed 300000 km/s because of the energy consumption in the space creation process  

Let's give example to explain this idea

Imagine we create A Sea Of Water- we use energy to create this sea of water- now we have some energy and we use this energy to create this sea of water- BUT- our energy is NOT spent completely But there's a small part still rest with us – this small part of energy is used to create one wave moves through this sea and this wave speed is 300000 km/s (I suppose the space is similar to the sea of water)

Now – the rest energy is found in one light beam its speed 300000 km/s and this light beam is found NOW in Pluto Orbit – and this light beam will be reflected from Pluto orbit toward the inner planets– means- the rest energy will move in the reflected direction to the original light motion direction.

This idea will be explained in details in the next point- shortly

The light beam (300000 km/s) will be reflected from Pluto toward the inner planets

AND  the light 300000 km/s will meet the original light beam (1.16 million km per second) in the origin point (in fact – beside the origin point) and there's a coherence of light is done between the light beam (300000 km/s) and the light beam (1.16 million km per second) – this coherence of light is proved strongly- we have to ask (how can that be possible while the light beam 1.16 million km /s is consumed and the new light beam 300000 km/s is the rest energy? how this light beam (300000 km/s) can meet the original one (1.16 million km per second)? in points no. (I-3) and no.(I-6) I answer this question.

Notice (1) I suppose the rest energy is a light beam its speed is (C=300000 km/s) but this idea is for simplicity- the rest energy can be in any wave form its speed (C=300000 km/s) – no necessity to be in visible light beam form

It's simply energy moves by the known speed of light (C=300000 km/s)

Notice (2)

All Planets Orbits Are Defined Before Any Planet Creation-

The light used the distance from the sun to Pluto as one area and create one geometrical design for this area before any planet creation 

Notice (3)

The planets are created from the rest energy its speed (300000 km/s) – means- the space is created by the light 1.16 million km per second and the energy is consumed in the space creation and the rest energy is one light beam its speed 300000 km/s (or one wave moves by the known speed of light C=300000 km/s) – the solar planets are created from this one wave its speed 300000 km/s and that means all planets orbit are created and defined before any planet creation

Notice (4)

The Sun Is Created After All Planets Creations And Motions

The sun is a phenomenon created by the planets motions energies total

The sun doesn't produce a gravitational field and doesn't have massive gravity

Logically – No planet moves by the sun gravity

(The Planet Moves With The Energy From Which The Planet Is Created – Newton is wrong- later we discuss the proves)

Notice (5)

The child (fetus) inside his mother is created by the blood motion- the blood motion creates arteries for this child and through these arteries the blood moves also but the arteries themselves are created by this same blood motion- Similar to that- the distances are created by the light motion energy and the light moves through these distances also but originally these distances themselves are created by the light motion energy-  means the distances creation is done with the first time of the light motion through them - that required energy- but after the distances are created no more energy is required- the light (or planet) can pass simply through these distances

I-2 The Space Creation Method (the distances are one network)

Data

778.6 = 1.16 x 671

721    = 1.16 x 621

629    = 1.16 x 543

543    = 1.16 x 468

5906  = 1.16 x 5127

These numbers are distances in (million km)

778.6, 721, 671, 629, 551 are Jupiter distances to the sun, Mercury, Venus, Earth and Mars respectively- 5906 and 5127 Pluto distances to the sun and Jupiter respectively     

468 = 936 /2 where (940 million km = the Earth orbital circumference)

Discussion

(1)

The previous data tells us how the light beam motion creates the distances-

Simply the light uses a distance as (a period of time) and travels through this period another distance- that can be understood clearly from Jupiter distances- let's look deeply as possible

The light beam (1.16 million km per second) uses the period 629 seconds to pass a new distance = 729 million km (Mercury Jupiter distance is 721 million km error 1%) – where 629 million km = Jupiter Earth distance

Also  

The light beam (1.16 million km per second) uses the period 671 seconds to pas a new distance =778.6 million km (Jupiter orbital distance) 

where 671 million km = Jupiter Venus distance

by this method the light creates the distances based on each other- and that makes all distances to be created depends on one another and that makes all distances in the solar system to be One Network where all distances are created based on the same One Geometrical Design

(2)

The data shows the creation method- and we understand that- the distance 551 million km (Jupiter Mars Distance) is created firstly and the light (1.16 mkm/s) used this distance as a period of time (551 sec) and the light travels during this period a distance =(639 million km where 629 million km is Jupiter Earth distance error 1.5%) and then the light uses the new distance (629 mkm) as a period of time (629 sec) and the light travels during this period a distance = (729 million km – where 721 million km = Mercury Jupiter distance – error 1%)

The data shows the method clearly and we understand the light original motion started from Mercury orbit to Pluto orbit because the distances are created based on one another in that direction of motion as explained clearly

(3)

New data NO. (1)

2723 sec x 2 x 300000 km/s = 1622 million km – where

2723 million km = Uranus Earth Distance

1622 million km = Uranus Neptune Distance

The data shows- the light beam its speed (C=300000 km/s) is in proportionality also with the created distances but this proportionally is found in Reflected Direction

Logically, The light can NOT move from Uranus to Neptune and after that the light returns to move from Uranus to the Earth- it's simply reflected direction  

The distances are NOT created by the motion of this light beam (300000 km/s) – but the distances are created by the motion of the original light beam (1.16 million km per second) but the proportionality between the distances with the light (300000 km/s) is found because there's a proportionality between the original one (1.16 million km per second) and this light beam (300000 km/s) – AND 

Because the light (300000 km/s) moves in the reflected direction of the original light beam (1.16 million km per second) that causes the proportionality between the distances and the light (300000 km/s) be in a reflected form

New data NO. (2)

2094 sec x 300000 km/s = 629 million km

2094 million km = Uranus Jupiter distance

629 million km   = Earth Jupiter distance

The light (300000 km/s) moves in reflected direction- for that- the distance 2094 million km is used as a period of time to pass a new distance (629 mkm)

The data proves the idea clearly

Notice (1)

The proportionality between the light (1.16 million km/s) and the light (300000km/s) will be discussed in point no. (I-3)

Notice (2)

In Point (**) I prove the gravitational waves are produced by the planets motions energies- and I prove that – the planets motions energies move toward Pluto and this energy is reflected from Pluto toward Venus- this fact is proved by powerful data and proves- for that – I don't explain in details the light motion trajectory from Pluto toward the inner planets because this motion trajectory is studied in details in the hypothesis No. (2) of this discussion- understandable that- the planets motions energy trajectory is the same trajectory the light moves through it – means this trajectory is studied in details and powerful proves in point no. (**)

Notice (3)

Jupiter Distances Analysis shows that Jupiter orbit is the central orbit for the light (1.16 million km per second) based on which all planets orbits are defined.

But – this is not the first creation case –

The light (1.16 million km per second) created the planets orbits based on each other starting from Mercury orbit moves toward Pluto orbit – this is the fist creation case – and this fact is proved strongly in point no. (I-9*)

BUT

Mars had migrated from its original orbit (Mars original orbit was between Mercury and Venus) and Pluto had migrated also (Pluto Was The Mercury Moon revolves around Mercury and Pluto size was equal Mercury size)

The planets migration caused a serious risk for the solar system geometrical design- Uranus was the first planet tried to repair the solar system geometrical design and to save it- by that

Uranus created a vertical effect on Jupiter orbit to fix Jupiter in its orbit and prevent it to migrate with the migrant planets- and based on Jupiter orbit the other planets orbits are modified – that supported the solar system original design and saved it which causes to protect the geometrical design from the destruction.  

As a result

That causes Jupiter orbit to be the most important orbit in the solar system- the paper third hypothesis explains the planets migration and Jupiter orbit analysis is done with the solar system design analysis (I-11*)

I-3 Light Coherence between light (1.16 million km /s) and light (300000 km/s)

(1)

The Coherence Of Light

The previous explanation told us that we have 2 light beams-

The original light beam its speed (1.16 million km per second) and it started its motion from Mercury orbit to Pluto orbit (where Mercury orbit is the light motion origin point) – and this light beam created all distances in the solar system and lost its energy in the space creation process and the rest energy is one light beam its speed is (C=300000 km/s)

The other light beam is the rest energy- its speed is (C=300000 km/s) and it moves in a reflected direction from Pluto toward Venus and Mercury-

Now – we have a coherence of light between these two light beams- the coherence is proved by powerful proves BUT firstly we have to ask (how can this coherence be occurred)? Because the original light (1.16 million km/s) is consumed and its energy is used already and the rest energy is this light its speed is (300000 km/s) - HOW can the light (1.16 million km/s) meet the light (300000 km/s)??

Imagine we have (116 dollars) and we spent all money except (30 dollars)- how can this (30 dollars) meet the original money (116 dollars)??

Let's write the answer

Suppose the light beam (300000 km/s) moves in the reflected direction (in the space) and also (in the time) – that can enable the light (300000 km/s) to meet the original one (1.16 million km/s) in the past and the coherence will be done there in the past- and we see the coherence results and effects on the solar system -

Means – the light (300000 km/s) moves into the past and found the original light (1.16 million km/s) in the past

Notice No. (1)

The original light beam (1.16 million km/s) can NOT move toward the future to meet the light (300000 km/s) because in the future the original light beam (1.16 million km/s) is NOT found –by that – the coherence can't be occurred in the future - But – the light (300000 km/s) can move into the past because this light beam (300000 km/s) was found in the past because it's a part of the original light beam (1.16 million km/s)

Notice no. (2)

I prove the coherence is done by powerful proves- that tells- this idea is a fact–means- there's a strong proof tells (in fact the light beam 300000 km/s moved into the past) and if we can use this feature practically we can get photos from the past events and by that we can have photos from the catastrophe which killed the dinosaurs and know much better about what had happened really in that time - This can be a real machine of time – the light motion into the past is a strong method to perform this invention. 

Notice no. (3)

Why Can NOT We Move Into The Past As We Move Into The Future?

This question is answered in point no. (**)

(2)

The Light Coherence Proves

First Proof

The planets order is typical to the interference of Young –

In the double slits experiment, Young Interference is consisted of bright fringes and dark fringes - If we consider planet diameter is equivalent to bright fringe – we will see that- the planets order is typically to Young interference because

Jupiter (the greatest fringe) is in the middle and the fringes width is decreased gradually on both sides – typically to the planets order

Notice / I have proved that (Mars original orbit was between Mercury and Venus) if we restore Mars to its original orbit the order will be typical to the Young Interference

(I prove this fact in point no. **)

Second Proof

The planets velocities are defined based on the speed (1.16 million km per second) and the planets velocities analysis shows the speed (300000 km/s) is the planets motions limit- means- the planets velocities are defined based on both velocities (1.16 million km per second) and (300000 km/s) I prove this fact in point No. (**)  

Third Proof

The light coherence defines the solar day period (24 hours) which is the solar system design cornerstone 

(1.16 /0.3) x 2π = 24.3

By this equation the space and time are created- the equation tells–the space is created in curves (2π) and the time is created in units each unit is (24 hours) 

Please note – the solar system geometrical design depends on the light motion in a solar day (24 hours = 86400 seconds) 

The light (1.16 million km per second) moves in a solar day (86400 seconds) a distance  = 100733 million km (= the planets orbital circumferences total)

Fourth Proof

The planets data prove there's a speed (1.16 million km per second) found in the solar system but the sun light beam moves by speed (300000 km/s) that tells the two speeds are facts and found in the solar system and the coherence between them is a logical result

The hypothesis proves discuss many powerful proves for this fact-

Notice- the coherence of light is a very important fact because it tells the light (300000 km/s) moved into the past and by that gives us a proof for the motion on the time axis- for that – many powerful proves support this fact.

I-4 The Matter definition (Based On My Planet Diameter Equation)

(1)

Let's remember my planet diameter equation

Planet Diameter Equation (v1/v2)= (s/r)= I

v = Planet Velocity                                                          

r = Planet Diameter

s= Planet Rotation Periods Number In Its Orbital Period

I= Planet Orbital Inclination        (example, 1.8 degrees be produced as a rate 1.8)

v2, s, r and I are belonged to one planet and v1 is belonged to another planet

The planet (v1) is defined by test the minimum error 

Earth Equation uses Neptune velocity

Mars Equation uses Pluto velocity

Jupiter Equation uses the Earth moon velocity

Saturn Equation uses Mars velocity

Uranus Equation uses Neptune velocity (As Earth)

Neptune Equation uses Saturn velocity

Pluto Equation uses the Earth moon velocity (As Jupiter)

(The Equation works from The Earth To Pluto) (the discussion explains the reason)

Example

Neptune Equation (89143 /49528) = 9.7/ 5.4 =1.8         

89143          = Neptune rotation periods number in Neptune orbital period

49528 km    = Neptune diameter

9.7 km/s      = Saturn velocity

5.4 km/s      = Neptune velocity

59800 days = Neptune orbital period (and Neptune rotation period =16.1 hours)

1.8 degrees = Neptune Orbital Inclination

(the equation is proved and discussed in details in point no. **)

(2)

Can We Define The Matter Nature Based On My Planet Diameter Equation?

The equation tells, the matter is created based on its motion! means Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s!!

That tells the motion with velocity 5.4 km/s is defined before Neptune diameter is created! Can we understand such definition for the matter nature? let's try

(A)

The Matter Nature

The space and matter are created from the same original energy and they move with this original energy motion- BUT the matter has a distinguish picture and different velocity from the space picture and velocity (notice- The Gravitational Waves Prove That The Space Has A Motion)  

If we suppose the space is similar to the sea of water, the matter be similar to a whirlpool or a vortex found on the sea page- means- the matter is a geometrical design has a distinguish picture from the space- as the whirlpool, it's created from the sea water but it has a distinguish picture from the sea waves picture

Means

The whirlpool is carried by the waves motion- and- the matter is carried by its original energy and moves with it- No Mass gravity is required for the matter motion- means- the matter is MOVABLE by nature.

Also

The whirlpool dimensions are defined by the water motion - for example- we have a whirlpool its diameter is (2 meters)- this diameter is defined by the sea water motion features (velocity, pressure and other motion features) by that- the water motion analysis explains how the whirlpool dimensions are created

Also- the whirlpool is created but the creation requirements are needed every day- means- even if this whirlpool is found since years it can be changed immediately if the water motion features are changed- means- the whirlpool creation process is NOT a historical one.

Also- the matter is similar to a creature muscle, the muscle is found based on the blood motion and without this motion the muscle can be changed or removed.

Shortly

The Original Energy Was Found In Motion By Itself (As Moving Light Beam)

From This Moving Energy The Planet Matter Is Created

The Created matter dimensions are defined by the features of this original energy motion (means the planet creation data is defined by the energy motion features)

After the planet creation- The Planet Moves With This Original Energy – means- the created planet moves a motion depending on the motion of this original energy because the planet moves with this original energy motion- and – the planet moves by this original energy motion (No mass gravity is required to cause the matter motion)

The planet creation data is in full harmony with its motion features- this fact is produced logically because the planet data is defined by the original energy motion features.

This explanation tells (Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s)

Example For Explanation

We agreed that the space is similar to the sea of water and the planet (matter) is similar to a whirlpool found on the sea page-  this picture explains the idea clearly- because

We see the whirlpool doesn't move by the sea water waves velocity but by another velocity and that shows a distinguish in form and motion between the whirlpool (the planet) and the sea waves (the space)- BUT- the whirlpool dimensions are defined based on the sea water motion features- and if the motion features are changed the whirlpool dimensions will be changed also- also the whirlpool moves by the sea water motion even with a different velocity relative to the sea waves velocity but the whirlpool motion still is  caused by the sea water motion- based on this picture we can say (because the water motion velocity is 80 km/h that causes this whirlpool diameter to be 2 meters "for example') – this is perfectly our sentence – let's remember it     

(because Neptune velocity is 5.4 km/s that causes Neptune diameter to be 49528 km)

This idea is proved by my planet diameter equation (my fourth equation) (point No.**)  

(B)

Now The velocity is a motion in (A Defined Direction)

Means– the matter is created because it depends on a motion in a defined direction- as we have seen- Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s but this velocity is a motion in defined direction- and that tells Neptune creation depends on a motion in the direction of the (x axis positive "+x ") (for example)

That tells, if this motion moves in (x axis negative "-x ") that will cause Neptune diameter to be changed or perished

Means- the matter creation needs a motion in A Defined Direction

Now let's ask our question

Why Can't The matter (creature) Moves Toward Its Past?

Because the matter depends on a motion in one defined direction- that causes the matter moves into (the future) always and can't move into (the past) let's discuss this question more deeply in point no (I-6)

Notice

No Planet Moves By The Sun Gravity (Newton is wrong) – logically because- the planet moves by its creation force- means- the planet creation and motion should be done by one force only (one energy only) because if two forces have effects on the same one planet- this planet will be broken- this fact is proved strongly with the gravitational waves source discussion (Point no.**)  

I-5 The Planets Creation

I summarize the main idea in following and the idea proves and discussions are found in point no. (**)

(i)

We know, the solar system is created from energy of one light beam its speed is 1.16 million km per second- and – the light created the space (the planets orbits) firstly and the energy is consumed in the space creation- and for that- the rest energy is found in one light beam its speed is 300000 km/s - And

From this light beam 300000 km/s the solar planets are created

Shortly

before the solar planets creation

The solar system was one light beam (or one wave moves by speed of light (300000 km/s)- by that – the solar system is One Wave moves by speed of light (300000 km/s)

Now

The Solar System needs To Create A Stationary Point Its velocity Zero relative to the moving one wave (300000 km/s)

This is the basic information in the solar system design-

The solar system needs to create a stationary point relative to the wave motion- by that – two velocities will be found which are (v1= the wave its speed 300000 km/s) and (v2= Zero= the stationary point velocity relative to the wave motion)–these two velocities produce a relative motion with different velocity 300000 km/s– this relative motion is the solar system design cornerstone.

Shortly – the solar system needs to create A Stationary Point 

Notice– The solar system is carried by the light beam motion, NO stationary point can be found here – it's similar to a ship on the sea water- Nothing can stop- because the motion is done forcedly by the sea water –

The stationary point will be similar to the whirlpool (vortex) on the sea page-  BUT

The solar system needs to create this stationary point - Now – let's try to create this stationary point in following - The solar system uses two procedures to do that,  

(ii)

The first procedure

The wave its velocity 300000 km/s revolves around a point in space (any point in space), the revolution motion creates 2 equal velocities on both sides of the revolution- the two velocities are equal in value and opposite in direction- their total be equal Zero-means- the revolution motion creates A Stationary Point in the center of the revolution. 

The second procedure

The previous idea is correct- but –the velocity 300000 km/s is a huge one and to decrease it to Zero velocity this is a complex process– for that- the wave (300000 km/s) created small waves with low velocities to use them as steps to decrease the velocity to Zero- the small waves are The Planets- (The planet is a small wave moves by low velocity relative to the original wave its velocity 300000 km/s) 

Why Are These Small Waves Required?

Because the velocity 300000 km/s is decreased to Zero by using these small waves and their low velocities- the low velocities are used as steps to decrease the unified wave velocity (300000 km/s) to be (Zero)- this process decreases the velocity gradually from 300000 km/s to Zero depending on these small waves velocities (the planets velocities)  

Means- the planets are created for this process to decrease the wave velocity from 300000 km/s to Zero- and The Planet Is A Small Wave Moves By Low Velocity 

Shortly – the solar system has one complete system of velocities, Starting from Zero to 300000 km/s where the planets velocities are the steps between the two velocities – let's prove that here

(iii)

300000 km = 7.1 x (205.8)^2 where

7.1 is Lorentz length contraction effect for speed 297000 km/s (99% of speed of light)

205.8 km/s = the 9 planets velocities total (176 km/s) + the Earth moon velocity

(The moon velocity =29.8 km/s = the Earth velocity because they revolve together)

Why does the data use the squared value (205.8)^2?

We know the answer- but - Let's remember it

The planets are geometrical points on the same light beam and move with its motion- for that- the planets velocities rates creates rates of time– for example-  Mercury velocity = 1.6 the Earth velocity- that means – one hour of Mercury clock = 1.6 hours of the Earth clock- Why??

Because Mercury and the Earth are carried by the same one light beam- the light moves one motion and passes one distance in one period of time- by that Mercury and the Earth have to move this same motion and to pass this same distance in this same period of time- but the two planets velocities are different- for that- the planets use different rates of time based on their velocities rates and by that the planets move equal distances in the same period of time –

Now- the velocity (205.8 km/s) moves relative to the stationary point (Zero) and creates a rate of time (1 second = 205.8 seconds) –

(one second of the unified wave clock = 205.8 seconds of the stationary point clock)

But – the energy is reflected in the solar system (I prove that in point no.**),

The energy reflection reflects the players – means

(one second of the stationary point clock = 205.8 seconds of the unified wave clock)

The stationary point will be THE SUN – by that

(one second of the sun clock = 205.8 seconds of the unified wave clock) – means

(one second of the sun clock = 205.8 seconds of any planet clock) –

Now during one second of the sun clock, the wave clock needs 205.8 seconds while the wave moves by a velocity 205.8 km/s- means –

During one second of the sun clock, the wave moves 42253 km = 300000 km /7.1

That creates the different velocity 300000 km/s between the sun motion and the wave motion-

Notice 1

The wave (205.8 km/s) moves during 1461 seconds a distance = 300000 km, and we know the Earth cycle (1461 days = 365 +365 +365 +366)

That tells, the speed of light (300000 km/s) is performed by the rate of time and that causes to create the Earth cycle-    

Notice 2

Planet velocity is created by the rate of time- means- if no rate of time can be used – No planet velocity can be created – instead- all motions will be only by speed of light (300000 km/s)- the planet can create a small velocity because it can use rate of time

We realize that clearly because

The planets motions depend on the light motion- by that – the motion is done by One Motor only which moves by speed of light (300000 km/s), the planets can only move by speed of light or create a rate of time for their smaller velocities - No more options are provided.  

Notice 3

We understand that, the planets are geometrical points on the same light beam, means

The planets are similar to carriages in one train and the light motion is the train engine  means the planets are carried on the light beam and move with this light motion

I-6 Can The Time Machine Be A Fact?

To answer this question we need to review basics facts we have studied – let's do that in following

(1)

The solar system is created from one energy and this energy is provided by one light beam

(2)

The light moves simply and freely in any direction (for space) and (for time)- means- the light can move into the future (as matter does) or into the past (which the matter can Not do)

(3)

We know, the solar system is created from one light beam, and this light moves by a speed (1.16 million km per second) - And

We know, the light (1.16 million km per second) created the planets orbits firstly before any planet creation and the energy is consumed in the space creation and because of the energy consumption the light speed is decreased from  (1.16 million km per second) to the known speed of light 300000 km/s – also

We know, the light (1.16 million km per second) started its motion from Mercury orbit moves toward Pluto- that means- the light (1.16 million km per second) started from Mercury orbit with speed (1.16 million km per second) and the light created all planets orbits till Pluto orbit- before any planet creation- and by that- the light lost its energy and the light beam in Pluto orbit reduced its speed to be 300000 km/s as a result for the energy consumption in the space creation process

(4)

Also we know the energy is reflected from Pluto toward Venus (the inner planets)

By that the light beam (300000 km/s) moves in the reflected direction to the original light beam (its speed 1.16 million km per second) 

And – we know-

The light beam (300000 km/s) reaches to the original point (Mercury Orbit) from which the light (1.16 million km per second)  started its motion 

And we know that

A coherence of light is done between the original light beam (1.16 million km per second) and the light beam (300000 km/s)

BUT  we don't know how such coherence can be occurred? Let's analyze that deeply in following

(5)

The produced light beam (300000 km/s) moves in (the reflected direction) to the direction of the original light beam (1.16 million km per second) (In Space)  and reaches to Mercury orbit (the origin point)

But– logically – the produced light beam (300000 km/s) can NOT find the original light beam (1.16 million km per second) there because the original light beam is consumed already in the space creation process and the rest energy is this produced light beam (300000 km/s) – based on that –

How Can This Coherence Be Occurred? Means-

How can the produced light beam (300000 km/s) meet the original light beam (1.16 million km per second)?  The answer is

The produced light beam (300000 km/s) moves (in the reflected direction) to the motion direction of the original light beam (1.16 million km per second) (In Space) and (In Time) Means- the produced light beam moves into (Its Own Past) and in the past this produced light beam (300000 km/s) was (A Part of the original light beam 1.16 million km per second) and because of that the produced light beam (300000 km/s) can meet the original light beam (1.16 million km per second),

And

The two light beams create a coherence (in the past) and we see the results of this coherence in our present time-

The idea is very important because – the coherence of the two light beams (1.16 mkm/s and 0.3 mkm/s) is proved strongly and with powerful proves and any explanation for this coherence will prove that the produced light beam (300000 km/s) must move Into The Past to enable this coherence occurrence- and that tells clearly- the travel through the time is possible and fact

BUT

Can the matter moves into its past as the light does? NO

Why?? Because

We know the light can move simply in any direction (+ x, + y, + z, + t) by that the light can move into the future and can move into the past BUT

The matter creation depends on A Motion In A Defined Direction-

let's remember this idea

Neptune diameter =49528 km because Neptune velocity is 5.4 km/s

(This Fact Is Proved By My Planet Diameter Equation)

Now, Neptune velocity is a motion in a defined direction

(for example a motion in +x direction)

The energy moves in this direction (+x direction) and because of this motion Neptune matter is created and Neptune diameter is defined- now if the energy moves in (opposite direction "–x direction") that will change Neptune diameter or cause to perish its matter at all

Means- as long as – Neptune is found- that means – the energy moves in one direction (and not two directions) – for that Neptune can move into the future but can NOT move into the past.    

Notice

The matter can not move into the past but the light can do that-

Means- we have the time machine already- we need to know how to send the light into the past and by that we can have photos from the past events- and this will be The Time Machine

The Hypothesis Proves

I-7 The Proves Logic Analysis

I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)

I-9 Planets Orbits Are Defined By A Motion Its Speed = (1.16 million km /s)

I-10 Jupiter distances are defined by a motion by a speed = (1.16 million km /s)

I-11 The Solar System Geometrical Design Proves The Hypothesis

I-12 The Solar System Distances Analysis Prove The Hypothesis

I-13 Deep Analysis For The Planets Orbits

1-14 Light defines each planet orbital period

I-15 Can Planet Diameter Be Used As A Period Of Time?

I-16 Mercury Orbit Analysis

I-17 The Planets Data Is Created By The Light Motion Directly

I-18 Light Defines Each Planet Rotation Period

I-7 The Proves Logic Analysis

Why can we prove that, a light beam its speed 1.16 million km per second is found in the solar system? also, the theory tells this light beam energy is consumed and the rest energy is found in one light beam its speed 300000 km/s (the known speed of light), if this light energy is consumed, how can we prove its existence?

There are two major reasons, which are

The Planets Orbits Are Created Before Any Planet Creation- And These Orbits Are Created Based On One Motion- And This One Motion Is Done By A Speed 1.16 Million Km Per Second.

The Planets Matters Are Created Based On Their Orbits – means- the planet is similar to a tree and the orbit is similar to a ground and the tree is planted in the ground-

NOTICE

after the planet creation, the planet can migrate from its original orbit to any other orbit - as Mars and Pluto did and that will not cause to destroy the planet. 

Shortly-

the planet matter and data is created based on this planet orbit- the orbit is defined before any planet creation and based on the orbit the planet matter and data is created (we remember- the space is similar to the sea of water and the planet matter is similar to a whirlpool found on this sea page- that tells the whirlpool is created based on its place in the sea of water)

Shortly- The Planet Matter Is Created Depends On This Planet Orbit

The speed 1.16 million km per second is registered in the planets orbits because the orbits are created from the energy of the light beam (1.16 million km per second), and the planet matter is created from this planet orbit (energy)

Shortly

The light beam (1.16 million km per second) is the source of energy for (everything) in the solar system-

All orbits are defined by its energy, all matters are created by its energy, and all motions are done by its motion-

Can we prove this light beam is a fact? YES we can

The analysis for any data or any motion will discover this light beam because it's the source of energy for everything

Shortly

the light beam (1.16 million km per second) is The Source Energy of the solar system

The mother of all children can be discovered by analysis these children data  

A QUESTION

Can the solar system design uses a rate 1.16 and I can't understand that but wrongly consider this rate (1.16) as a speed of light 1.16 million km per second?

NO- this can't be possible – Because

The light beam (1.16 million km per second) behaves typically to the known light beam (300000 km/s) – as we will see in the data discussion

I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)

DATA

My 5th equation (v1v2=322)- the planets velocities prove it–let's see that in following  

322 = 47.4 km/s (Mercury velocities)  x 6.8 km/s  (Uranus velocities)                    

322 = 35 km/s  (Venus velocity) x 4.7 km/s (Pluto velocity) x 2             

322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2      

322 = 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity)               

322 = (17.9 km/s)^2 (Ceres velocity) (Max error 2%)

DATA ANALYSIS

The previous data tells the planets velocities are defined by three features

(1st Feature)

The planets velocities are complementary one another –means - each planet velocity is complementary with another planet velocity– means– The planets velocities are defined in pairs and not in single planets. 

(Notice, the inner planets orbital inclinations are defined by the rule (v1/v2), for example, Mercury orbital inclination 7 deg = Mercury velocity 47.4/ Uranus velocity 6.8 that proves the effect of the rule (v1v2=322) on the planet motion)

Ceres velocity tells the idea - Ceres is used as the main point - as a result the outer planets be complementary with the inner planets – for that the rule (v1v2=322) controls the planets velocities- that means- The planets velocities are created based on One Design- Ceres velocity is used as the main point for this design

(2nd Feature)

Why the constant is 322? because 1160000 seconds = 322 hours – means- there's speed of light = 1.16 million km /s - Shortly

Mercury (47.4 km/s) moves during 6.8 hours a distance             = 1160000 km 

Uranus (6.8 km/s) moves during 47.4 hours a distance               = 1160000 km  And

Venus (35 km/s) moves during 2 x 4.7 hours a distance             = 1160000 km 

Pluto (4.7 km/s) moves during 2 x 35 hours a distance               = 1160000 km 

Earth (29.8 km/s) moves during 2 x 5.4 hours a distance             = 1160000 km 

Neptune (5.4 km/s) moves during 2 x 29.8 hours a distance        = 1160000 km  And

Mars (24.1 km/s) moves during 13.1 hours a distance                = 1160000 km 

Jupiter (13.1 km/s) moves during 24.1 hours a distance             = 1160000 km  And

(Notice - Saturn (9.7 km/s) moves during 33.2 hours a distance = 1160000 km  - (between 33.2 and Venus velocity 35 km/s the error 5%)) (Data Max error 2%)

The Data Proves, The Planets Velocities Are Functions In The Speed 1.16 Million Km Per Second. That proves the speed (1.16 million km per second) is A Fact

(notice the planets velocities are complementary one another also based on the known speed of light 300000 km/s, the paper provides this data) 

(3rd Feature)

The planets velocities limit depend on the known speed of light 300000 km/s

Let's explain that in following

The 9 planets velocities total is 176 km/s (I add the Earth moon velocity 29.8 km/s)

The 10 planets velocities total is 205.8 km/s

300000 km = 7.1 x (205.8)^2

The speed 297000 km/s (99% speed of light) causes Lorentz length contraction effect with the rate 7.1

The velocity (205.8 km/s) moves during 205.8 seconds a distance 42253 km

Where 300000 = 7.1 x 42253 km BUT 42253 = (205.8)^2

The squared value (205.8)^2 is found because of the used rate of time

We have studied this equation in point (I-5**) -the data shows, the planets velocities are defined as parts of a complete system of velocities starts from (Zero = stationary point) and reaches to the speed of light 300000 km/s and between these two values the planets velocities are defined to support this same system- that tells- the planets velocities are defined with limit to the speed of light (300000 km/s) - The data proves the speed (1.16 million km per second) is a fact -and also the data proves the coherence is done between the light (1.16 million km per second) and the light (300000 km/s)

(CONT)

Gerges Francis Tawdrous +201022532292

Physics Department-  Physics & Mathematics  Faculty 

Peoples' Friendship university of Russia – Moscow   (2010-2013)

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[goji-pilled]

god bless ibuprofen honestly, this shit is the only reason i can even function in the slightest today.

i mean i went from curling into a ball and on the verge of crying to just vibing like damn. this shit is magical.

[literally-just-there]

Some Seekers Notes incorrect quotes because why not :)

[luvtak]

corona borealis, lfx

✧ genre/tw rambly soul-crushing fluff, one sweet kiss!!, lovely as a pet-name, felix being an undeniably sweet bf like always and hearing a bedtime story <3 , largely unedited.

✧ w/c 952 <3

✧ a/n definitely not brought on by asea felix are you kidding... he's so lovely i just had to dawdle on about it somewhere so here you go! also, the thought of telling lix a bedtime story makes me wanna cry i hope i'm not alone. mwah!!

His arm is hot around you, keeping you safe from the scary silhouettes the shadows bring, and the night is breathing. A group of you had come to this little campground for a night away from the city lights, and while the two of you are alone you can still hear the rest of the boy’s nighttime sounds mixing in with crickets and critters. 

Your boyfriend stands beside you, listening intently as you tell him stories of the stars. Usually, these tales come from the comfort of your bed–rustling under covers and speaking into his mouth, sharing breath and love until you fall asleep, tracing false shapes in the plastic stars adorning your ceiling. But tonight, under the cover of a too cold darkness you tell him his bedtime stories beneath the sky. 

His face is tilted up, looking to see where your fingers are pointing, and the soft glint in his midnight eyes makes you pause. You’ve never known someone who looked so alive, someone with a sun for a soul. Felix has the brightest smile you’ve ever seen, alight with joy and senseless mischief–eyes wide with wonder at the constellations rising above him. 

Looking at him is dizzying; that feeling when you put your arms out and spin so fast you fall, a carousel going so round and round. You feel like flying, rising up like the moment Icarus’ wings took him up and away. 

Sometimes you wonder if it’s normal to feel like this… if everyone in love feels as though they are the creator, the inventor of such depraved desire and compassion for another. Surely, you must be the first–no one else had felt Felix’s fingertips on their skin or his lips sweetly drinking them in. How could someone say they’ve encountered a deeper love than this when your sweetheart is the embodiment of love, Venus as a boy. 

He turns to you in your moment of hesitation, smiling at you with all the care in the world. He loves you endlessly, burns for you and the soft caress of your affection. You can tell he doesn’t know why you stopped speaking, but he’s happy just the same–sharing your space and time, living in this moment with you. He remembers the first time you told him a story, speaking the words softly, he thinks he fell in love right there. 

“What’s that one?” he asks, catching your still raised hand in his own. 

“Oh, it's a crown, see?” you can see his eyes tracing the points, finding the shape that connects the points together. “It’s Ariadne’s wedding tiara, she was a princess of Crete who helped Theseus slay her brother the Minotaur Asterion. After they escaped the labyrinth, the prince left her on the Island of Naxos where she was found by Dionysus,” 

“He left her there?!” he gasps, your sweet boy forever confused by ill intentions, even in a story. 

“Yeah, he’s so lame, right? Anyway, after the God finds her on his island they fall in love and eventually marry… the crown was her wedding present, and after she died Dionysus flung it into the sky to honor her.”

Felix is quiet for a long time after this, inhaling the story with all the deference you deserve. After every narrative he takes his time to think about how he feels about it: the first time you finished a movie with him and he was quiet for fifteen minutes before he told you he liked it, he is like that now. Quietly staring at the sky, not ignoring you for his hand still made its path up and down your arm and you know if you called his name he’d answer, but you don’t want to interrupt his silent seeking. 

His life is noisy, spirited, and wonderful in all the ways a beautiful boy like him creates, your infatuation came in chaos–in mindless chatter and kitchen counter dance parties, but you fell in love in silence. In the moments when the world was quiet and all you could hear was his heartbeat, the drawling intake of his lungs filling and releasing. You adore his voice, but just existing with him, sharing the same air would be lovely enough for a lifetime. 

Finally, after minutes of staring ahead, he speaks–softly but with no less intensity, 

“If something were to happen to you I would make you into a constellation.” 

His eyes, bright with longing stare into yours, and you know he’s not being funny. He means it with all of him, means it with every atom of his being. 

Shocked and in love with him you laugh, bursting with fondness never hidden. “I love you too,” you say, for you know that's what he means. A love that spills from his veins whenever he thinks of you, so massive and consuming that the words aren’t enough. “I’d make a constellation for you too, it’d be the prettiest one in the whole sky.” 

When he moves closer to you, you can feel the smile radiating on his shadowed face–sweeping his grin over the plane of your cheekbones. Scorching your skin where his lips touch, a traveling forest fire of kisses. When his journey ends, sliding his mouth over yours the flames grow, getting taller and taller as his caress goes deeper. 

The night is chilly, but there is no need for a coat when his arms are around you–sweeping you into his embrace with only the stars to watch. 

“Lets go to bed, lovely” he muttered, breathing through open-mouthed kisses and shared smiles. Leading you to where your tent lies, to where stories and sleep await you–love and life and dreams filled with him, your constellation of a boy. 

© LUVTAK 2024

[ahearthoficeandstone]

You are the first child of the Florinius family, your birth had predestined you to become the next ruler of H'afeara. But it has been ten long years since the Empire of Aea had declared war upon your home. Ten years fighting to keep your kingdom's independence- for your chance to rule- only for it to ripped away from you. And it's your own fault.

You had one more charge to lead against Aean forces, and you had lost that battle. Losing was no stranger to you, but none had been thorough and devastating. This loss had ended with you being taken as a prisoner of war, and the end of the war soon followed.

Now you are "free", a welcomed "guest" in the Aean court.  Being executed would have been a fairer fate.

[Contains elements of: court intrigue, romance, mystery, slice of life, and fantasy]

...

This side project is still in the planning stage, and things will be slow to come.

[Demo: TBA]

[Ask Rules][Playlists]

in progress...

- Semi Customizable MC (personality will be fairly set)

- Make friends, enemies, maybe lovers? Still deciding who gets to be an RO

- Decide how you navigate life in a foreign court

- under construction

Aea Royal Family

Empress Dalia Solia Vespera | she/her | 176

Dalia’s reign has thus far been one of tenuous peace, which is relative. Her predecessor had walked the path of conquest of new territories while Dalia prefers to keep the empire’s current territories in line. She is a calculated and distant with a face that is ever neutral. 

King Consort Caesario Julius Vespera  | he/they | 140~ish???

The reason for the war. 

Edela Soleil Vespera | she/her | 37

Crown heir of the Aean’s empire. Edela is a woman who holds her head high, some may call her over confident but she cares little for the words of others. The lives of most around her mean little to her anyhow. She is also known for her highly destructive gravitational magic and is a formidable battle mage you luckily did not have the misfortune of going up against.

Augustus Valentino Vespera  | he/him | 30 | RO

The second in line for the crown is the eldest son of the Vespera family. He is a formidable draconian knight, and the very soldier who struck you down in battle. Despite it all, he seems to be the only member of the royal family who wishes to make your stay at least somewhat bearable.

Camilla Junia Vespera + Camillo Felix Vespera | he/him + she/her | 28 (twins)

The Vespera twins are always found at each other’s side, even on the battle field. They are a terrifying duo, even the most twisted members of the court shudder in their presence. Camillo always has a sinister smile on his lips and is the clear leader of the duo while his sister Camilla trails behind him like a ghost. The two take care of criminals of the highest order, thankfully they were not permitted to try any of their information “extraction” tactics on you.

Diedre Vespera | he/him (atm) | 24 | RO

The youngest of the Vespera children. A sickly man with a bitter disposition. He bears no empathy for others and bringing others down with cruel words is the only thing that seems to bring a smile to his face. He takes special joy in ruining his wife's day.

Aea Royal Court

Astra Aurora Valeria | she/her | 27 | RO

Aurora is an confident woman that many look up to. She is gentle, intelligent, and beautiful, a potent combination that makes her a magnet for the court’s admiration. Occasionally you catch glimpses of cunning ambitions in her eyes. She is also the wife of Diedre Vespera. 

Arielle Seballius | he/him | 29 | RO

Ari is Lady Astra Valeria's loyal body guard, wherever she is he is not far behind. Ever since she married into the royal family he has been at her side, though he is not a knight in title or in spirit. He has a playful demeanor but the words that can come out of his mouth are as sharp as his sword, or they would be if he ever carried his weapon with him. 

Asrani Alim Valencia | they/them | 26 | RO

Cousin to Lady Aurora Valeria and leading inventor in the courts of Aea, many are jealous of the young noble and believe their position as royal inventor comes from nepotism through their cousin. Asrani is a quiet person always lost in thought, so quiet that it is easy to forget they are right next to you. 

Ambrose | she/they | 24 | RO

Ambrose is an actual guest of the court, from the kingdom of Vakar. She is sunny and deeply kind, with an earnest and genuine demeanor that is horribly out of place in such a miserable place. Like a candle in the dark, you don’t know how she still smile in this environment. As sweet as she is her attachment to her “god” is a bit disconcerting.

Ira Maenius | she/her | 35

A noblewoman from the coastal nation of Nizath, one of the empire's closest allies. Her family is known for amazing naval navigation and does a lot of foreign trade. Despite her affinity for water magic, Ira can be a bit hot headed. She is stubborn and quick to react, but she always tries to do right to the best of her ability. But that doesn't mean she can't complain a little while doing it.

Laika Aurelius | she/he | 32 | RO

A disowned child of a merchant family from Vakar, you can't imagine why she lives amongst the Aean court. People do not take too kindly to her and make that quiet known. Perhaps it's because he has a penchant to sleep around, or the fact that he has a sharp tongue that always seems to strike at the most sensitive of nerves. Regardless she seems to be having fun.

Volo | use whatever man | ??? | RO

A mysterious court artist, the empress' favorite at that. You don't know how Volo sees well enough through their mask to paint but you know talent when you see it. Painting is not Volo's only skill, Volo tends to jump from artistic hobby to hobby to fill time. Leaving half finished collages, music sheets, and screen plays in Volo's wake as Volo seeks Volo's next muse.

Noel | they/them | 26 | RO

Once a soldier in the Aean army now a medical professional, Noel is in line to be the next royal physician. They train under the current one and love their work dearly. Noel is compassionate and patient, seeking to soothe whatever pains you regardless of if you are their patient or not. They find beauty in all things, but is partial to the primal beauty of the natural world. Their magic allows them to work in tandem with nature to bring their patients the best medicine possible.

Venus | he/they | 28 | RO

An Aean knight with a grouchy disposition, seemingly friends with Lady Ira Meanius. Their tendency for bluntness and straightforwardness can be is both a blessing and a curse depending on who you ask. Venus is never seen without his scowl and a snide remark on his lips. Despite being a lower ranking knight he holds his head as high as any of the top knights, and takes great pride in his duties. His current one being your personal guard.

Yves | m/f  (gender selectable) | ???

Your personal attendant, assigned to make you feel more at home. Dutiful and never heard, like every servant should strive to be.

??? | ??? | ???

Fate is a strange thing isn’t it?

??|??|??

Some things were never meant to be...

[televised-uhhh-nerdistry]

currently thinking about how ages ago my friend sent me a long-ass explanation about why saltburn is an adaptation of the myth involving theseus, the minotaur, and the labyrinth.

nobody asked but here’s some of the fun proof that exists of this:

first and foremost, icarus, the boy who flew too close to the sun. during the party scene, it is evident that felix symbolises this poor ill-fated youth, and the symbolism here is potent. he flew too close to finding out what oliver truly is. he discovered something he shouldn’t have, and dressing him up in icarus cosplay is the perfect showcase for his fate and his mistakes. it’s also brilliant in terms of what icarus actually did to “deserve” death. realistically, he was told not to go too high or too low, but in actuality, such cryptic instructions were difficult to follow mid-flight, and it resulted in catastrophe. felix is trying to navigate the responsibilities of being a good friend with his baggage as someone in a family of rich pricks. it’s hard, and in flying too far away from his background, he “flew too close to the sun” and discovered things he shouldn’t have. as a small nod to further the icarus imagery, felix’s body is discovered under bright and direct sunlight as he lays motionless in his winged costume.

secondly, saltburn is in the center of a labyrinth. the labyrinth lore runs deep in this movie, because not only does the labyrinth function as symbolism, it has lore that runs adjacent to the lore of the actual labyrinth. in theseus and the minotaur, the labyrinth is a construct of greek architect and inventor daedalus, who was conscripted by king minos to create the maze. in saltburn, the labyrinth is constructed upon special request from james catton, the owner of the estate, and a very wealthy man (almost like a modern day king).

the labyrinth (in the original myth) is dangerous to all characters that reside within it. it keeps all in within a chance for escape, and those that get close die tragically. in saltburn, the labyrinth functions as an ode to the ways in which riches and fame poison those that reside in the walls, keeping them locked within its dangerous talons, or in this case, cleanly trimmed hedges. it’s suburbia on a larger and more internal scale. even those that do not have riches themselves, namely farleigh and annabel, do everything they can to remain on the estate and in the good graces of those on the property with immense money. it affects how they act and how they are expected to act. farleigh, as a good example, is very stuck on the particulars of rich people’s behaviour. as mentioned above, those that try to leave the maze die tragically, and icarus is a prime example. felix, in his attempt to be better than the riches of the estate socially allow, flies too close to a possible escape from the confines of the labyrinth and is murdered as a result.

in the story of the labyrinth, it is unsolvable, unless you are clever and quick witted (manipulative), which theseus luckily is. the same is true for oliver. oliver, like theseus, gets into the heads of multiple characters, manipulating his way to the top of the food chain. the scene where oliver views the wooden counterprt of the maze through the head office in the estate, he is told that he shouldn’t be there, and a sense of ominous foreboding takes place. we feel that he has seen something that will change him. however, i believe this is simply symbolism for the fact that oliver has figured out the secret to the maze: a secret that he, an outsider and a poorer, less sociable man should not be aware of, as he is a representation of theseus, a character who has no right being king.

thirdly, oliver is juxtaposed with imagery if the minotaur during the party scene, and though this costume doubles as a reference to the changeling in a midsummer night’s dream, it is still highly important. in the original myth, people are sacrificed to the minotaur on a yearly basis. at first, felix fits the profile for the minotaur: a rich, wealthy man in a labyrinth who is regularly described as going through friends the way a young boy would go through toys. it is also true that the minotaur has often been seen as a controversial figure, one that begs the question “is a monster just a tormented creature fated to behave according to the will of the gods?”. felix’s behaviour, or namely, his attempted deviancy from the behaviour he is expected to show, is a major prt of his character arch. we expect oliver to be the victim of felix’s behaviour exactly because of this. but he isn’t. an easy explanation is that oliver is the minotaur, going through the family members as though they were victims in a maze. however, oliver is NOT the minotaur, as the myth is a lot more complex than the minotaur being the bad guy. despite what we expect, director emily fennel is leaning into the concept that the minotaur’s storyline is that of fate versus free will. the minotaur is cursed by the gods to fall into certain patterns and to be punished for its behaviour, despite it doing exactly what was expected. felix attempts to deviate from what is expected, but ultimately he fits in well with the rich and social, and his death is a punishment at the hands of a sort-of theseus who believes he is more deserving. rather, oliver is also seen to be theseus, who famously invaded the maze, manipulated its dwellers in order to navigate it, killed the minotaur, and then manipulated his way into becoming king as a result. sound familiar? it is because of this that the imagery of oliver as the changeling is particularly important. the horns can be evocative of the minotaur, offering us a red herring, where he is truly disguised as the opposite. it’s a fake out.

fourthly, king minos (owner of the labyrinth) did not die directly at the hands of theseus, he did eventually meet his downfall and was boiled to death in a bath. james catton, head of the estate, dies of a supposed suicide, also not directly by oliver’s hands, but still implicitly connected to the events of the story, much like king minos’ death.

the lore in this film is incredible, and though emily fennel has not said that the film is an adaptation of greek myth, the parallels are deliciously undeniable. saltburn is fascinating, and truly one of the best films of 2023. there is so much stuff jam packed into it, and it’s one of those films that takes a few watches to fully grasp its depth. i love it!

[blueink01]

Ch. 5: Radio Killed the Video Star

The next day at Hazbin Hotel-

Charlie Is pacing back and forth in panic mode with Keekee walking alongside her owner.

"Okay. So the extermination is coming in six months instead of a year. No big deal. Just a little setback. Nothing we can't handle. Just angels cutting our timetable in half. But who needs a whole year to save souls? Am I right?!" Charlie starts to panic, "And next time when they cut the time in half again, and again, we'll just handle it, right?!"

Vaggie grabs Charlie, calming her down, "Yes. We will."

"This is nothing more than a minor set back." Yn added as she rubs her head, calming her down.

"Oh, please, ya had less than half a chance when you started all this salvation bullshit. And now..." Angel Dust's phone vibrates with violent threating messages such as 'fucking bitch', "Ain't no silver lining this time toots."

"Angel...Come on.. There's always a bright side!" Yn smiled as her phone vibrated with panickeing messages from IMP. "There's..always hope."

The messages on Yn's phone:

Blitz❤️: "Lovey, have you heard to news!?!"

M&M: "Sweety are you okay?! me and Moxxie have been trying to contact you?!"

Tweety Bird👑🪶💙: "Yn when will you come and visit me?, I've been feeling lonely here~"

Big Daddy Ozzie: "Yn by any chance have you seen Felix's favorite earrings?"

+15 More Messages Etc.

"Yn is right! We just...have to look a little harder for it!" Charlie smiled widely.

"Well, while you're lookin', the rest'a hell's goin' nuts." Angel waves his phone in their faces, "People are already freakin' out about the news. Look at what's happenin' in the Doomsday District."

He scrolls down an article with the bottom showing a demon screaming in front of a fire. Suddenly a pink message appears. Charlie gets closer to read it.

"Err, what is a. Donkey Show?" Charlie question.

Angel panics and retreats the phone back, "Aah, heh, nothin'. My boss, Val, is just freaked out about the news too. Like I said, everyone's losin' their shit." Angel Dust laughs nervously.

"Yeah, that's true. Sinners are desperate." Vaggie stated.

"Maybe desperate enough to try anything to escape the extermination?" Yn smirked.

Charlie gasps, "This is the perfect time to recruit more sinners for the hotel!" Charlie squeals.

"Cute idea and all, but you really gonna go out in all of this?" Angel Dust waves the phone with the place still on fire and demons in panic.

"Well, it's not like people are just gonna show up on our doorstep..." Yn texted on her phone as she smirked.

Suddenly, a massive explosion made Charlie scream in a fight from behind, getting their attention. They turn to see a freshly made hole in the wall.

"What the what?!" Yn shouted.

Outside the hotel Sir Pentious him and his Egg Boiz zeppelin armed for battle.

"Show yourself Alasssstor." Pentious slithers.

"Come and face..." Pentious pauses for a moment when he notices Alastor absent from the freshly made hole. He then looks to see him sipping coffee on the balcony of the second floor.

"Oh there you are. Face my wrath!" Pentious exclaims.

Alastor sips his tea, "Who are you?"

"Who am I? Who am I?! I am the great Ssssssir Pentiousssss!" Alastor dissolves into fog as he descends to the ground, materializing aside Yn, Angel, Vaggie, and Charlie who are in the scene watching Sir Pentious's zeppelin.

"Inventor, architect of destruction, villain extraordinaire!" Pentious smirked.

"Ooh you tell 'em boss." The eggs bois cheered on.

Niffty appears on Yn's right shoulder, clearly starstruck, "Ooooooh, he's a bad boy.." Niffty smirks.

Yn pats Niffty's head as Niffty smiles widely and seems so free.

"Ha, well if all that's true, you'd think I'd have heard of you." Alastor crossed his arms.

"I attacked you literally last week." Pentious blankly stated.

Alastor cocks his head, "We've done battle, like... 20 times...once while you were on a date with-" Pentious looked at Yn as his whole demeanor changed, "HI QUEENIE!!!!" Yn wave back.

Charlie and Vaggie looked at her with a confused expression and then change their expression again looking back at Pentious.

"Well, you must have been really bad at this." Alastor noted as his blood slowly boiled due to how Pentious was speaking to Yn.

Sir Pentious' went back to his usual demeanor, "Silence! Now cower! For when I've ssslain you, the almighty Vees will finally acknowledge me as their equal."

Niffty picked up from Yn's shoulder, "Ooh! Wait, who are the Vees?"

"Oh, nobody important." Alastor smirks. Yn nodded her head in agreement.

Vee's Headquarters-

A large crowd is in front of a store as they watch an advertisement on the tvs facing the window showing off a spy drone.

"New VoxTek designer voyeur scopes, Peeping on the neighbors has never been more stylish. VoxTek! Trust us with your money!"

Crowd immediately enters the store and stampedes out with boxes with voyeur scopes. then cuts to random people watching their computers laptops and phones, and reveals their eyes signifying the work of hypnosis.

"This week's episode of "Teah, I Fucked Your Sister, So What?" is brought to you by VoxTek. Trust us with your entertarment!"

A tv demon starts tapping his fingers in a large room with tvs showing off numerous consumers as "trust us" repeats and overlaps. electricity courses as Vox stands up from his chair laughing maniacally from his viewer's consumerism. Vox had a ring around his left ring finger, it had both a sun and moon engraved on it.

"Muhahaha! Now that's good television!" Vox laughed as he heard his phone ding, he checked it as he groaned.

Suddenly his screen-face shifts to reveal an icon of Velvette, another one of them Vees, signifying she's calling, with a clown horn ringtone. Vox puts his phone down. Vox courses the call from his screen to his hands via his electric powers and transfers it to one of his many screens to reveal Velvette in her studio, her hair into a large ponytail. Vox then sits down on his chair.

"Hello there, Velvette! How are you this hellish morning?" Vox crossed his legs.

<Oh, cut the shit, Vox. I need you up here now!> Velvette exclaimed.

Vox looks to one of his screens as he gets his coffee cup and drinks from it, "Whatever could be the problem, my dear?".

<Your little boy toy is wrecking my apartment, while I'm trying to pull together a show and...> Velvette pauses.

Off-screen we see several workers running and screaming, and objects being tossed, as Valentino is heard cussing. "FUCKING BITCH!"

<Just get your ass here! NOW! Damn it Valentino!> Velvette yelled.

The call ends, and Vox's smile fades away as he gets up, sighing, fixing up his bowtie. He quickly texted on his phone before shoving the phone into his pocket.

"Oh god. Here I go, Valentino. Just another fucking day with Val." Vox walked to a platform with a forced smile, "Hey hey hey. Fuck my life." Vox had a dead expression as the platform raised up.

An elevator with a smiling Vox with the world bubble saying trust us!', before opening to reveal a frowning Vox sighing, and putting on a smile for a crowd of reporters that overlap one another before pointing their microphones to him.

"Mr. Vox! What are your thoughts about the new extermination deadline?" A reporter asked.

"When is Yn coming back on the program? People miss her fashion show & competitions!" Another reporter asked.

"My dear people! We at VoxTek Enterprises have always been at the forefront of innovation. And now, with this new oncoming threat, we are shifting our focus, to your protection. We are pleased to announce..." Vox ignored the second question, answering the first.

The screen zooms to him and an ad featuring the VoxTek logo, now gold and with angelic wings, with the tagline reading.

"VoxTek Angelic Security is coming soon! Trust us, with YOUR safety." Vox forced a smile.

Vox uses his left eye to hypnotize the crowd the same way as his consumers. Vox's manager quickly rushed up to Vox.

"Uh sir, when did we begin working on Angelic Security?" The Manager asked in a soft voice.

"30 seconds ago." Vox speaks in a strained voice as he walks off, "Try to get that bitch Carmilla on the books and cancel all my appointments today. I have a fire to put out upstairs." Vox noted.

He then morphs his body into electricity and generates itself into the security camera on the wall.

Velvette's Studio-

The staff cleans everything up as she looks to four designers holding up dresses to show her.

"Ugh. No. Unacceptable. You're fired. What is this? WRIST RUFFLES?! Is this 1750?! Burn it like the witches who wore it!" Velvette groaned, "UGH I miss babycakes.. She was the best fucking designer I ever had." Velvette rolled her eyes.

As she sends the designer away, Vox appears next to her, "Velvette! I can see you're busy. Tell me, where's our hot headed friend now.?" Vox looked around.

"Up in his room, waiting for a flat-faced prince to calm him down!" Velvette noted.

Vox sighs, "And uh, what's got him so out of sorts today?"

"Who knows?! But he tore up my second best model! And you know, the show can't wait for that unlucky bitch to pull herself back together! Melissa! Get over here!" Velvette yells.

Melissa gets onto the platform, and Velvette uses her overlord powers to change her outfit one after another until she spots the one she wants. "No. No. Hideous. I want to die. Eww." Velvette gasps, "Yes! That's the one."

"Ahh, looks like you have everything under control here." Vox noted.

"Of course, I do! Fuck you!" Velvette flips him off, "Now shoo! Take care of the piss baby!" Vox goes upstairs and is greeted by two moth demons who open the door for him. Once he enters.

He finds Valentino sitting on his couch surrounded by a fog of red smoke. When Val notices Vox, he sits up with fury in his eyes.

"Fucking FINALLY!" Val throws his drink, "Kitty! Another drink!" The Robo Fizzie next to him nods as it quickly heads off screen and reappears with the drink.

"Ugh! Can you believe what that piece of shit did? THE UNGRATEFUL WHORE!!!" As he speaks, he tosses the drink at Vox, who moves away making the drink, hits the door, and shatters on the floor.

"Uh, which whore are we talking about this time?" Vox questioned, crossing his arms.

Valentino gets up, "Fucking Angel Dust!” He walks up to Vox, "Who the hell else would I be talking about?!.." Val walks past him, "..fucking SLUT walked out on me!" He turns to Vox, "ME! I fucking made him!" Vox walks a little way away, "Without me, he's just a bag of meat with some mildly entertaining holes."

"Oh! Angel quit?" Vox sounded surprised.

"NO! He didn't fucking quit! It's worse!" Val takes Vox's phone, "He MOVED!!!"

As he says that, he tosses Vox's phone to the wall making it shatter in half. Vox seemed pissed about that, that being his only communication to his girl.

"He thinks he can just walk in here, work, and then go home somewhere else? Can you FUCKING believe that?!?!?!?!" Val walks to the closet, "He thinks he can run off and shack up with Lucifer's BIMBO daughter!"

"Angel is living with Lucifer's daughter?.." Vox paused and smirked.

"YEAH! That BITCH Chuckie or Chandler, or I dunno. Something manish like that, she's got this hotel and..." Val stopped.

As he speaks, he opens the closet full of guns, drugs, and pictures including a poster of himself. Valentino brings up two long pistol guns: a long revolver and a semi-pistol.

"Which of these makes me look sexier?" Val turns to the closet. (The pink one obviously)

"Heh. What are you doing, Val? You're not going over there." As Vox speaks, his left eye starts its hypnotizing spell, but Valentino is busy loading his guns.

"That slippery twink is gonna remember who owns him. I'm gonna FUCK everyone *except Yn* in that rancid shit hole, I swear to god!" Val starts.

Before he finishes, Vox grabs him by the collar and shoves him to his face, clearly furious.

Vox's voice was distorted, "VAL..." He calms down, "Hehe. Think about it." Vox then walks Valentino towards the window, taking one of his guns, "Our brand is... perfection. And what do you think chasing whores around town will... do for our image?"

"Um....fuck it up?" Val replied.

"Right! Do you want people thinking you can't control your employees?" Vox questioned.

"No!" Val exclaimed.

"Exactly! And hey, you still have him under contract. He isn't going anywhere! SO.. you should.." Vox waited for Val to get it.

"Do nothing?" Val questioned.

Vox smirked, "Great idea! Now that's why they pay you the.." He pinches Val's cheek on his face, "Big bucks."

"Ugh. But I really wanted to shoot someone." Val whined.

As he speaks, Valentino gets a cigarette holder, and Vox lights it with his electricity powers.

"Well, lemme call up the lowest earners this month." Vox walks to TVs.

"Ohh, you know me too well." Val chuckles and blows smoke, "Ya know.... Angel isn't the only one spending time at this Ratty Hotel with the devil's princesa..." Val smirked.

"Oh? Who else is there? Someone who, owes you money?" Vox smirked.

Valentino chuckles, "Someone who owes us much more than money and someone very dear to us... the Radio Demon and babycakes is there..." Val smirked.

Upon hearing those words, electricity courses through Vox's head, and he scratches the desk so hard it leaves scratch marks. Vox made small ominous chuckles before turning to Valentino, two red lines appearing on the left side of his lower lip.

Vox's voice was distorted, "What did you just say?"

"You heard me." Val smirked.

"Alastor.." Vox walks to Val, "came back..and he is with Lucifer's..." Vox glitches, "..daughter and and not only that, but he's with our Yn? And that wasn't the..." He grabs Val by the collar, "FIRST FUCKING THING YOU TOLD ME?!!"

Valentino frees himself from grip, "Hey! killing Alastor is your kink and Yn existence is all of our kink."

As he speaks, he walks to the desk and turns on the television. Vox teleports to the center screen, which is a recording from a VoxTek Voyer scope.

From Drone POV-

Yn chuckles softly and Alastor using his powers to attack Sir Pentious zeppelin, laughing as he hears Pentious screaming.

"Arrgh! Oh! Please! Stop!" Pentious cries.

"Um...Alastor! I think he's had enough." Charlie noted.

"Nah. He's got a few more hits in him." Angel added. As much as it was entertaining, Yn whispered in Alastor ear, "I think he's had enough Al." He looks at her than back to Sir Pentious who falls from the zeppelin in front of Alastor, face first on the ground. Alastor twirls his staff.

"Thanks for another forgettable experience." Alastor smirked.

An Egg Boi falls and breaks into pieces in front of Charlie.

"Thank you... for letting your guard down!" Using his tail, he grabs a bit of Alastor's suit, "Haha! Yah! Oh, shit..." Pentious' eyes widened.

"That was a mistake little snake~" Yn warned. Sir Pentious looks up to see Alastor's shadow transform in front of him. The next shot shows a massive green explosion as Sir Pentious is seen flying off to the city screaming as he disappeared from sight.

"Well, it looks as though I need a visit to the tailor! Would you care to join me my dear Yn?" Alastor asked extended his hand to her.

"Of course and maybe we can get some tea." Yn takes his hand, "Best of luck, chums." Alastor waved. as he holds Yn's hand.

"Wait, you're LEAVING?! Alastor! We need your help! We need you to do your job." Vaggie yelled.

Angel Dust gestures to the hole on the wall, "We need a wall."

Alastor sighed, "Of course! Can't let my new project fall into disrepair already. What would the papers say?!" With a snap of his fingers, black ink demons appear with construction tools as Alastor walks away. Angel takes an interest and looks at one of the larger muscular demons, shoving Vaggie away as he walks up to him.

Angel Dust giggles, "Hey, sweet cheeks. Whatcha doin' later? I love me a man with a giant...tool."

The screen zooms out to reveal Valentino scowling at the current events, leaning his face against the screen.

"See?! Look how he flirts with that guy, and he's not even paying! Who is that? I'm gonna fucking kill his whole fucking family while fucking Yn in front of them! Vox?" Val slams his fist on the table, "VOX!?"

Vox was paying little attention, as his left pupil turns into a tilde as he eyes Alastor leaving, his appearance static and out of focus as the screen becomes a bit static. He glitched rapidly at seeing Yn with Alastor.

Vox glitches, "That FUCKER is back! AND HE'S WITH YN?!"

Valentino grins as he realizes the situation and walks to him, "Yeah! I thought he was gone for good too!"

"It's been 7 years!" Vox clenched his fist.

Valentino leans up to him and pinches his cheek, Vox clearly pissed to care.

"You still pissed that she almost beat you and "took" Yn from us that time?" Val smirked.

Vox grumbled, "Uh, FUCK YOU."

"Just saying." Val walks around him.

"Things have changed a lot since he left town!" Vox clenched his fist, "THAT'S for sure." Val smirked.

"I gotta send a message of who's REALLY in charge of things now!" Vox's face fills the screen as Valentino laughs in the background.

Vox grins as he marches to his chair.

"~Welcome home! I'm gonna make you wish that you stayed gone!~" As Vox sang, electricity courses through his arm as he sat down, and turns to face the numerous screens.

"~Say hello to a new status quo.~" Vox presses a button, and cords latch themselves to the plug-ins on the back of his head, connecting himself with the tv networks. "~Everyone knows that there's a brand, new daren, turn the TV ON!~"

"Camera, speeds, rolling in three, two..." The director counted down.

Chorus: "Welcome to the Show!"

"~Top of the hour and we're discussing a certain had-been who has been spotted cavorting around town after a seven-year absence.~" Vox had a horrible drawing of Alastor as he snapped to be on a night-late tv show with himself.

"~Did anybody miss him, did anybody notice? More on tonight's program. So, the Radio Demon is back in town! Why is he hanging around? What does that mean for your family? Well, handily, I've got good news!~" Vox appeared in front of a red curtain now.

"~He's a loser, a fossil, and I don't mean to sound hostile~" Vox now appeared on multiple TV's and each dressed like a gospel choir. With the words 'Obey N' Pray'.

"~But the demon is a coward! You can take that as gospel. Pulling my viewers? Impossible! I'm visual, he's barely audible! Stop giving him the time of day! Don't listen to a word he'd say. Hope he had a nice vacay! But he should have stayed away!~"

While Alastor finishes getting his coat tailored. He notices the crowd watching the advertisement of Vox. Yn noticed as well as she frowned a bit, Alastor noticing this. He smiles and walks away with an idea, pulling Yn along. as Vox continues singing.

"~While he hid in radio, we pivoted to video! *pulls out a deer head* And now his medium is getting bloody rare! Hell's been better since he split. Where's he been? Who gives a shit?!~"

Guts to Alastor making his reappearance, as he starts his radio broadcast from the Hazbin Hotel as he puts YN on his lap.

"~Salutations! Good to be back on the air. Yes, I know it's been a while since someone with style treated Hell to a broadcast. Sinners rejoice!~"

"~What a dated voice!~"

"~Instead of a clout chasing mediocre video podcast.~"

"COME ON!" Vox exclaimed as he paused hearing Yn's laugh, "YOU FUCKER..."

"~Is Vox insecure, pursuing allure? Flitting between this fad and that. Is nothing working?~"

"IGNORE HIS CHIRPING!" Vox yelled.

"~Every day he's got a nere format!~"

"YOU'RE LOOKING AT THE FUTURE! HE'S THE SHIT THAT COMES BEFORE THAT!~" Vox exclaimed.

"~Is Vox as strong as he purports.? Or is it based on his support? He'd be powerless without the other Vees!~"

"Oh, PLEASE." Vox crossed his arms.

"~And here's the sugar on the cream. He asked ME to join this team!~"

Vox grumbled, "Hold on!"

"~I said no, and now he's pissy! That's the tea.~" As Alastor continued with his radio broadcast, Vox was getting so pissed that his screen face was starting to glitch with anger rising.

"~You old timey *Glitches* PRICK! I'll show you suffering!~"

"~Uh oh, the TV is buffering!~" Vox couldn't handle his anger, causing him to overload his circuits with static electricity.

"~I'LL DESTROY *Signal breaking up* Y0000U LITTLE.....~" The camera head could not get anything loaded, and Vox lets out an outburst that overloads everything from the TV screens to Valentino and Velvette's phone to everywhere in Pentagram City, causing a citywide blackout with the exception of the Hazbin Hotel.

"~I'm afraid you've lost your signal. Let's begin.~" Alastor smirked as he slowly turned into his true demon form with every sentence. His arms wrapping around Yn.

"~I'm gonna make you wish that I stayed gone! Tune on in. When I'm done, your status quo will know it's race is run! Oh, this will be fun!~" Alastor makes one last evil laugh before cutting off Vox's signal throughout the city, leaving the Overlord dismayed that Alastor is still popular and powerful than last time plus he had Yn on his side.

"FUUUUUCK!" Vox yelled.

Vee's Meeting-

Vox, Velvette, and Valentino are at a table together discussing a matter about Alastor as a Robo-Fizz, Kitty, passes out drinks to each of them.

"We have a problem. Alastor is getting close to Yn and little princess Morningstar, so our main concern now is ensuring that no deal is ever struck between Lucifer's.." Vox slams the table, "BRAT, and that smiling freak! AND HIM STEALING OUR BABYCAKES!"

Velvette paused before taking a deep breath, "Well, how exactly are we supposed to stop them?" Valentino was putting so much glue on his revolver to decorate with glitter and marbles.

"Put something inside them. That's how I get the bitches to behave." Val smirked.

"Well, maybe someone on the inside isn't such a bad idea. Do you think Angel would?" Vox crossed his arms.

"That lanky prick won't even return my calls." Val sighed.

"We need someone who Little Miss Bleeding Heart would take in." Vox grumbled.

"Someone... pathetic, desperate, with no direct ties to us?" Velvette noted.

"I employ every down on their luck loser this side of Hell. Who the fuck is left?" Val questioned.

Vox scoffs, "I think..I have JUST the one."

As Vox slowly turns around, his right-hypnotic eye gleams with a sinister grin for a plan he has in stored but before they could do anything one of Vox employees comes into the room.

"Sir!, The crimson queen is here she is waiting for you in the guest room." He said out of breath informing the Vee's.

After hearing that all three stand up wasting no time and sprints towards Yn.

While the Vee's were on their way. Yn is smiling and hugging old friends and coworkers who work or used to work for her. Every demon there loves seeing her when she came by to the studio, she would always bring gifts for them and I mean ALL of them.

"How have you been?!" "What is it like living in that Hotel?" "How come you don't come so often?" "Did you come here to see us?" A lot of questions were thrown at her. She couldn't decide who to answer first.

Doors slammed open revealing Velvette who makes it there before Vox or Valentino. She scans the room until her eyes land on Yn's.

"BABYCAKES!~" she shouted.

"Hi Velvet-" Velvette jumps on her with a tight hug.

"It's so great to see you again! It hasn't been the same without your lovely presence." Velvette held on to her tightly.

Yn chuckled hugging her back signaling everyone in the room to leave them alone for a moment.

"It's nice to see you to Velvette." Yn chuckled hugging her back, signaling everyone in the room to leave them alone for a moment, "Did you get the new clothes I've been sending you? I hoped you like them."

"Like them? I LOVE them!" She smiled. She lets go Yn and hold her arms.

"Sit down sweety, I've been dying to see you again, how you've been? Did you come to see us?" Velvette gestured to the couch, as the sat across each other "or did you come here for something more~" she said teasing as she ran a hand on her on her leg under her dress. Yn blushed that the thought but clear her throat.

"No~, I just came here to bring you guys some gifts and have a word with-" the same doors Velvette came though slammed opened again with Vox and Valentino finally showing up.

"Vox." Yn frowned as she crossed her arms. Velvette looks at her for a moment wondering why she looks upset. Vox notice her expression change when she sees him.

"Hey Yn! What brings you-" He is cut off as glowing fc with fancy chain appears around his neck with a lock. Vox grunts as he falls onto his knees, Velvette takes a photo while Valentino bites his lip with a blush. Yn yanks the chain causing Vox to get dragged up in front of Yn, he chuckles nervously and looks up at Yn.

"Sit." She order him with glowing eyes. He does as his told not wanting to upset her more.

"Val, Velvette, could you two please wait for us outside, i like to talk to Vox alone for a moment." Yn said with her tone sounding dark at the end of her sentence. This made Vox nervous hearing her say it like that.

Valentino and Velvette do as she said, looking back to see a now frighten Vox looking at them with a 'please don't leave me' expression, Velvette took another picture with a thumbs up and Valentino had a sweat come down his forehead and both the Vee close the doors behind them.

Both of them put a ear on the door to hear what's happening inside. Now it was just Vox and Yn in the room.

"Do you know why I came?" Yn asked

"Ummm... No...? Heh..." Vox replied.

"Because of yours and Alastor's little "fight", all electricity across the Pride Ring has cut off!" She tightens her grib on the fc chain..

"Your screw up has cost me alot of money! These little shits will soon start complaining and rioting because of what you did, flat face! And we do not want that." Yn lectured him.

"Baby relax, look if money is the problem here don't worry about. Whoever you are getting your money from I can give you-" Yn interrupt him. Not letting him finish his sentence.

"You know I never take your money, nor will I ever. You are missing the point of this conversation Vox, your little 'fight' cause me money and I'm not okay with the fact that you still pick fights with Alastor." Yn said. Vox seemed annoyed hear the Radio freak's name coming from her mouth. He then gets up and pass back and forward in front of her.

"Ah here we go again with Alastor, you know  ever since you moved out, all I hear from demons is how 'close' you and that radio freak are getting. you know how that makes me feel?!" Vox argued. His screen glitches at bit as he looks at Yn with a distasteful look.

"Don't go pointing fingers on me Vox, I wouldn't have moved out if you and those two didn't try to put a 'spell' on me 3 months ago" Vox flinched with guilt at hearing her mention that, but he didn't make it noticeable to her. Val and Velvette had the same guilt look on the faces outside the room hearing their conversion further.

"Oh please, it's wasn't like the end of hell, it would have been great for us and knowing you,-" Vox claimed crossing her arms. He takes out his phone looking at something but is soon broken by a fc fly hair pin thrown his way.

"you would have liked it. It wouldn't have been that bad.-" Vox looks back at her to see a now teary Yn, Vox froze didn't say another word.

"Here I was hoping maybe we could fix our relationship and start over, but I guess nothing changes." Yn said, her head hanging down not showing her face. Vox tries to get close to her. But she stops him by holding her hand in front of him, stopping him on his tracks.

He wanted to hold her, apologize, anything to comfort her. But Vox was one who didn't know when to admit his wrongs or apologize at all so it was no surprise that he didn't dare show that to her. For someone who is a dangerous powerful and deadly overlord. Only he, the Vee's and anyone that's part of her harem are the only one who can see this side of her, her vulnerable side.

Yn got up from the couch, walk towards the door, not looking at Vox as she passed him. She stops in front of the door, "I'm leaving now, I'll be back in 2 weeks with the next transfer." She than opens the door seeing a guilty ears dropping duo trying to pretend they weren't listening.

Valentino walks over to Yn and caresses her whole body. Sensing his Babycakes is hurting, "There, there Babycakes~ I'm sure someone like you can forgive and forget our little problem~" Valentino in his weird way trying to stop her from leaving.

"As I said I won't be back until 2 weeks so take care of things here, yourselves as well." Yn said getting out of Val's grasp walks out of the building.

Vox, Valentino and Velvette stand there watching Yn walk away and out of the studio without looking back but not before she said her goodbyes to everyone she came across.

After she was gone from view, Velvette expressed changed to a pissed look, "Damn it Vox! Yn sure as fuck won't bang any of us any time soon because of you and that smiling ass!" Velvette groans loudly.

Vox just stood there wondering, why do I always fuck shit up, first he lost a fight with Alastor, and now he just hurt the love of his afterlife.

Back at the hotel-

Yn and Alastor make it back to the hotel while Alastor went upstairs satisfied, Yn sat next to Angel Dust laying her head on his chest fur while he was on his phone and he rap his arms around her.

the ink demons are currently fixing the hole in the wall as Charlie and Vaggie than returns. Charlie throws herself onto a couch, exhausted.

"Soooo? How'd it go?" Yn smiled nervously.

Vaggie sighs, "Not a single new recruit."

"'Yeah well, who would wanna use their last days not fucking and fighting?" Angel Dust groaned.

As Angel checks on his phone, Vaggie hears a knock on the front door. She walks over to it and opens the door, only to find Sir Pentious holding his hat.

"Why, hello my dear.." Sir Pentious is cut off by Vaggie punching him in the face.

He falls when Vaggie brings out her spear at him. Sir Pentious cowers in fear with the tip barely at his neck, and holds a peace sign gesture.

"Wait, wait, wait! I come in peace." Pentious cried.

"What are you doing here?" Vaggie asked. Charlie and Yn appears behind Vaggie, "Vaggie, what's the problem?" Charlie gasps, "Oh! Hello again!" "Pentious?"

"I didn't come looking for a fight. I uhh.. I heard that you're helping people, people who want to be better?" Pentious questions.

Charlie lets out a gasp and runs over to grab his hand and leads him to the door of the hotel.

Charlie gasps, "You heard right! Welcome to our home of healing, our resort of restoration, our..." Angel Dust appears from the door and cuts off Charlie, "Are you fucking nuts? This chump was trying to kill us like literally 6 hours ago! And now you wanna bring him in here to live with us?"

"Absolutely! This place is about second chances, and who deserves one more than this slithery... slippery. special little man!" Charlie forced a smile.

Angel turns to look at Yn and Vaggie, "Aren't you two supposed to protect this place?" Charlie gives Yn and Vaggie puppy-dog eyes, begging Yn and Vaggie to give Sir Pentious a chance to live in the hotel. Yn and Vaggie gives in as she sighs.

"I guess he's not much of a threat without the war machine." Sir Pentious' cobra head lifts with anticipation, "Or even with the war machine. Plus I guess Yn is here to make sure he doesn't do anything." Sir Pentious' cobra head flaps down with depression, sighing.

"Sure! I don't mind looking after him." Sir Pentious smiled.

Charlie was so happy that she hugged Vaggie, lifting her up in the process and twirling around once.

"Oh! Thank you thank you thank you thank you! Sir Pentious! Welcome to the Hazbin Hotel!" Charlie leads Sir Pentious to the door inside of the hotel.

"Oh no darling! Thank you! You won't regret this." He smiled sweetly as he slithers next to Yn.

Angel follows soon afterwards, "Eh, I give you a week, tops."

Charlie gives Sir Pentious the tour of the hotel, introducing Husk to him, the wall he blew up before it was fixed.

"So, this is the bar and the bartender. This is the curtain, and this is the new wall after you broke the last one, heh, and oh! Oh! This is the-" Charlie paused as Vaggie grabs Charlie to calm her down again, "Babe, you don't have to show him every detail."

"No." Charlie squealed.

Angel Dust put his arm around, "Uh, what the hell are I then?"

"you're an important part of our family here too, Angel, but you uhm, uh..." Charlie thought.

"Constantly make us look bad, sexually harass the staff, and have literally never once tried to improve?" Vaggie bluntly said.

"What she means is, it's just nice to have someone interested for once." Yn smiled.

As Charlie comes back to Sir Pentious, Angel Dust was having doubts, looking a bit upset at everything Vaggie described him to be. Nifty was playing Keekee with a string when Charlie and Sir Pentious approached them. Keekee hissed at the sight of Sir Pentious and scatters away while Niffty turns around to meet him.

"Over here we have our maid Niffty." Charlie gestured to Niffty.

Niffty gasps, "The bad boy is back!"

Niffty gets up on Sir Pentious and holds his collars, looking at him with insanity in her red eye and a very sadistic smile, which creeps out Sir Pentious.

Niffty spoke in a creepy whisper, "Never leave me again."

"We're about 80% sure she's harmless, and over here we have..." Charlie nearly bumps into Alastor, "Oh! Uh, Alastor! Our gracious facility manager! You've met our newest guest Sir Pentious... hehe.."

"Ah yes! You're the one who ruined my coat!" Alastor's eyes glow red in the dark with a violent temptation to rip him apart as Alastor spoke in a sinister tone, "I definitely remember you now."

Sir Pentious gulps nervously.

"Well, I guess this is a great time for your first lesson!" Charlie clears her throat, "How to apologize!'... The first step to becoming a better person is to admit when you are wrong, why don't you give it a try?"

Sir Pentious took a minute, "Yes. uhm.. Mr uhm.. Radio Demon sir, please forgive me for attacking you and ruining your very lovely coat.. uhm.. Here." As a token of apology, Sir Pentious hands back the small fabric he tore from Alastor's coat.

Alaster takes it and inspects the damage, "Ah-Ho! Not many people have been able to take even this much off me, it must have meant quite a lot to you."

Despite being generous, Alastor burns the fabric tear in green flames, leaving Sir Pentious and Charlie stunned.

The group gather around for a introduction with Sir Pentious. "You obviously know Yn, somehow, but that's not important! Yn is also our facility manager and entertainer along with Angel Dust." Charlie smiled, "Now, with a new resident, I think it's important we all get to know each other! So we are going to play a little game. Everyone, follow me."

"My name is Charlie!" Charlie claps twice, "I like to sing!" She claps twice, "and when we get to know each other it's the greatest thing!" She claps twice.

"My name's Sir Pentious" He claps twice, "I like to build." He claps twice, "and despite my stupid Egg Bois, I think I'm very skilled!" Pentious claps twice.

"My name is Yn." Yn claps twice, "I like to dance," She claps once again, "And if an Angel dares to hurt you..." She clapped twice again, "They will meet their end." Yn clapped twice more.

When it was Angel's turn, he looked disinterested, looking up from his phone, "This is stupid." Angel Dust stated.

"This is not stupid!" Charlie claps twice, "It's just a game!" She claps twice, "Sir Pentious did it well so now please try to do the same!" Charlie claps twice, seeming annoyed.

"I am too sober for this." Angel Dust groaned.

"Well, get used to it and learn how to play, this is gonna be your whole day!" Vaggie smirked and clapped twice.

Next the group try role-playing with Angel Dust wearing a trenchcoat and a hat while he reads a script. Sir Pentious was also role-playing as an innocent child wearing a sailor suit, licking a lollipop. As Husk was an unattentive parent for some reason. Husk didn't mind, he'd got to drink with Yn as she pet his fur.

"Oh, I'm a bad man on the streets who never got enough hugs, now, where's an innocent kid I can sell crack to?" Angel Dust paused, "Wow, who wrote this.?" He whispered.

"Who do you think?" Yn question Angel.

"It's great right? Keep going!" Charlie squealed.

"Hey you." Angel called.

"Who, me?" Pentious pointed to himself.

"Yeah, you look like a kid who could use some... devil's dandruff??" Angel groaned, "Oh, for fuck's sake."

Yn paused her petting Husk's fur, looking at Angel with a chuckle. Husk stopped his drinking looking at Yn waiting for her to let him again.

"Not me! I have to go home and study!" Pentious stated. Husk twitch his ear touching Yn hand, Yn catching on what he wanted she had a small smile on her face and continue to pet him, which caused Husk to purr quietly.

"Come on kid, it'll make you cool like me...the crackhead." Angel dully said.

"The only cool thing here is to say no to drugs! Now, if you'll excuse me, I'm off to not have sexual intercourse before marriage!" Pentious smiled.

Charlie stands up and claps, "Yes! Oh bravo! Bravo!" Charlie chuckles, "Wow Pentious! At this rate, you'll be redeemed in no time."

"I... I'm going to bed." As Angel heads back up to his room, he overhears Charlie congratulating Sir Pentious.

"I am so proud of you Sir Pentious! That was amazing!" Charlie cheers.

"Thank you! Thank you! You like me! You really like me!" Pentious smiled.

"Good Job, Pentious." Yn smiled.

"Awwww!! Thank you!!!" Pentious hugged Yn.

Yn backed up from the hug and rushed Husk who was drunk, thinking about Yn petting him again later.

In Angel's room, Fat Nuggets is asleep on his bed until Angel accidentally throws his coat on top of him. Fat Nuggets grunts and crawls out of the coat as he watches Angel lie down on his bed. Angel looks at his phone and sees all his voice mails from Valentino. Angel sighs and begins to play them. Valentino's voice mails switch back and forth between a friendly, apologetic tone and a barrage of screams threatening violence.

Valentino's Voice Message:

"Angel baby, come home! It's not the same without you here, I miss you! Come back-"

"ANGEL, YOU BITCH! IF YOU DON'T COME HOME, YOU'LL BE FUCKING GREASY TRUCKERS FOR THE NEXT YEAR-"

"Hey, amorcito, I didn't mean to yell, but you know hore crazy you make me-"

"YOU FUCKING SLUT!"

"Hey; Angie! About earlier-"

"-KILL YOUR WHOLE FUCKIN' FAMILY!"

"Work's really stressful!"

"-LITTLE COCKSUCKING PIECE OF SHIT!"

"[dead serious] You actually think you can change? Addict trash like you doesn't change. I'll see you soon, baby."

Angel sighs as Fat Nuggets gets on the bed next to him.

"Sorry, not now, Fat Nuggets." Angel sighs sadly.

Angel gets up and leaves his room with Fat Nuggets looking worried. Angel goes to Husk's bar and starts drinking alcohol. Then he notices a slithering noise. He finds Charlie's office door opened, and takes a peek inside.

There, he discovers that Sir Pentious is setting up a small camera in one of the bookshelves, a camera that belongs to Vox. Angel realizes what he was doing and slams the door open.

"You slippery little shit!" Angel yelled.

Sir Pentious screams.

"You're working for the Vees? I fucking knew there was something shitty about you." Angel Dust narrows his eyes.

"I don't know what you're talking about!.. whore bug!" Pentious shots back.

Angel was ticked off, and tackles Sir Pentious on the ground. He punches him in the face before wrestling with him.

"Get your aggressively average body...OFF OF ME!" Sir Pentious's eyes spiral hypnotic powers to him.

Angel becomes hypnotized, "Fuck!"

Angel backs away. He then quickly snaps out of it. He now has Sir Pentious cornered. Right then, Yn, Charlie and Vaggie woke up after hearing the scuffle.

Charlie yawns, "What's going on?"

"It's too late for anything." Yn said who was still a bit sleepy.

"This little bitch is a traitor!" Angel Dust gestured to Pentious.

"Preposterous! I would never betray you. You... are my best friends!" Sir Pentious hugs the three girls.

"Uh huh, then explain this!" Angel Dust smirked. Angel lifts off one of the books to reveal a camera, much to Charlie's shock. Sir Pentious realizes that his cover was blown scurries away.

He brings out his wrist watch to make contact with Vox.

"Ah! Ah! Abort! Abort! S.O.S! Agent Pentious in need of immediate evacuation!" Pentious sounded nervous.

Vox immediately picks up.

"Pentious? Wait... you were caught?!? It hasn't even been a day!" Vox laughed.

"Please! You've got to get me out of here!" Pentious begged.

"I can't believe we thought you could handle even something this simple. Do us a favour, if they don't kill you, go ahead and do it yourself! You miserable failure!" Vox hung up.

Sir Pentious was crying, "I... I... just make it quick I guess.. not that I deserve it." Sir Pentious lies on the ground, with Vaggie holding a spear ready to pierce the skull.

"Gladly." Vaggie smirked.

Right before Vaggie could put him out of misery, Yn stops her. "Whoa. Let's not jumps to murder straight away."

"Yn's right. We're not killing anyone." Charlie smiles and starts singing.

"Pentious?" Sir Pentious looks up to see Charlie reaching out for him.

"~It starts with sorry, that's your foot in the door~"

"~One simple sorry, spoken straight from your core.~"

"~The path to forgiveness is a twisting trail of hearts!~"

"~But sorry is where it starts!~"

"~Who could forgive a dirtbag like me?~"

"~I don't deserve your amnesty.~" Angel comes with dual Tommy submachine guns in both hands with Vaggie tailing behind with her spear.

"~Can't we just kill him?~"

"~Shoot him and spill his blood?~" Yn stand in front of Pentious. As Pentious' eyes sparkle.

"That's an option you could choose." Yn answered.

"~Works for us.~" Yn puts her hand out to Pentious who takes it immediately.

"~But who hasn't been in his shoes? It starts verth sorry.~" Charlie added.

"~Sorry.~"

"~Dig down deeper and say one sincere sorry!~"

"~I'm so sorry!~"

"~And your journey's underway!~"

"~It'll take time to cover your/my vast multitude of sins, But sorry is where it begins.~"

"~It starts with sorry.~"

As the song ends, Niffty was also awake, but she was disappointed that Sir Pentious isn't whom she thought he would be: a bad boy.

"I hated that song! Why are you so lame?!" Niffty kicks him on the body and walks away, 'Not a bad boy'."

Charlie happily sighs, "Good first day! Let's get some rest!"

As Charlie and the others except Yn leave with a wrist watch communicator still in the office, Yn looks back at the watch and then to the dark hallway.

"Alastor be a dear and please get rid of the trash in here, goodnight." Yn said as walks away to head back to sleep.

Alastor appears from the shadow of the dark hallway with a smile. He comes and picks up the watch before contacting Vox on the watch.

"WHAT?!?" Vox yelled.

Vox paused when he realized that it was Alastor who was calling him, showing fear in his screen face as Alastor laughed evilly.

"You'll have to try harder than that next time ol' pal!" Alastor smirked.

With a maniacal laughter, Alastor crushed the watch with his bare head, and the only sound Vox makes was a raging scream before Alastor retreats back into the darkness.

Previous Page: Ch. 4: Overtune

Next Page: Ch. 6: The New Sinner in Town (CS)

Beginning: Front Cover

[comma-tose]

I wonder how old Fiona and Sasha were when they became orphans.

In Debt or Alive, it's mentioned in Fiona's thoughts that their parents were murdered, but when this happens isn't made clear but I think based on context clues from both Tales and Debt or alive it can be figured out at least a little bit.

To start with we know from using the echo eye to scan them that during the events of Tales from the Borderlands Fiona is 29 and Sasha is 24. Inside the caravan you can scan a photo of the pair when they were younger and the echo eye determines it to have been taken around 15 years ago, so now we know that they were both 14 and 9 respectively at the time of that photo at least.

By this point the girls and Felix had already become a family and seemed quite close to it's reasonable to assume that a decent bit of time had passed and I think there's a bit more evidence towards this in chapter two when you're exploring Felix's safehouse.

One of the things you can find in the safehouse is yet another photo of Fiona and Sasha as kids but something important to note is that they are wearing the exact same outfit as they were in the other photo, minus Fiona's shirt. This isn't too surprising since they're poor and likely couldn't afford a lot of clothing so they'd have to reuse them quite often, but it's important to note how aged the clothing is in one of the pictures.

The photo in the safehouse is the earliest photo we have of them, you see that their clothes are clean and don't have any signs of wear and tear, whereas in the photo in the caravan they're dirty, look slightly faded, and Fiona's hair is shorter. It also looks like the clothes fit them better, with Sasha's hoodie not slipping off her shoulder and Fiona's jacket looking shorter on her so clearly they've grown more in the time between taking these photos.

So considering all that I'd wager that at least a year passed between those two photos, so that puts the ages down to 13 and 8 and so I'll use that as the base assumption of the age they met Felix.

Now in Debt or Alive you see a little bit of when they met Felix for the first time, unfortunately no age for either of them is stated (damn you Anthony Burch, why won't you make this easy on me), with Fiona mentioning that she's not sure how old she is. But knowing that Fiona doesn't remember how old she is and the fact that they're fairly capable at pickpocketing already, I think it's safe to assume that it's been a while since their parents died and they've had to fend for themselves.

When Felix asks Fiona if she doesn't have any family she doesn't seem to have an emotional reaction, which you'd expect her to, if the trauma was still fresh. So based on all this, and the fact it's been long enough for Fiona to lose track of her own age, I'd wager they'd been orphans for a few years at least by this point so I'll put my estimate at around 3 years which would make the age they lost their parents around 10 for Fiona and 5 for Sasha.

Now obviously this is just me trying to estimate based on the few bits of information we have so it's nothing concrete, but if I'm right that means that Fiona began raising Sasha when she was only ten years old herself, and even then it could have been even younger than that due to Fiona saying in Tales that it had just been only her and Sasha for a long time.

...So what I'm saying is that Fiona DOES in fact win the "sister of the year" award, everyone else pack up and go home, the prize is therapy and a lot of it.

[marukyubi]

Octobie Week 2: Anarchy Just a little drabble for this week '3 Pairing- Hobie x OC this week 'D (Couldn't squeeze out more. Was planning a drawing for this week but a sudden burst of desire to write has consumed me full and quick.) Brief Background - So, my oc, and her universe is in a type of dystopian world where only the people who are born rich keep getting more and more rich and powerful while the people below will never stand a chance truly, being kept in such chaos so they will never remember, get stronger, to trouble any of the "ELITES BORNS". The elites are tight-knit too, but also have tight rules that they made even their own kinds follow strictly, and very rarely that one survive from the pack if they defined the rules. My oc, Angelina, is born an Elite descendent whose family is kinda a feared outcast. Their family defies rules and even advocates the people who are not elites to defy them as well. Also support and try to make the people's lives and the society better even if it's a little bit (The irony of them being able to resist the elites this strongly is because their family has a long line of private military and the control of weapon trading businesses, which made them an essential among them. But in Angel's father's hand, to simply put how the family business stopped, "You know what. I tried the peaceful path first but you guys killed my *adopted* brother. FUCK YOU AND YOUR MOTHERS. I'm burning you all if given a chance.)

If you see Wayne family refs I took, no you don't-

Also, Angel is a Spidersona who now uses the mantle of prowler more often. She still has her organic webs, and she still uses them to have swinging dates with Hobie- but she doesn't like being associated with spiders (especially Peters) after being killed and resurrected. (Her universe Peter is not really that great. He's one of many main factors that caused her death.) She mainly uses magic weapons like her pa :D

Warning - Vulger words, mentions of violence, mentions of cannibalism, mentions of blood, brief old men yaoi, Hobie might be a bit ooc 'cause I wrote in a rush of creativity(sorry '3), it's (almost) an indulgence oc content

EAT THE RICH It's an old saying that originated from the French Revolution and is used by many people who have taken the mentality of anarchism to this day. EAT. the "RICH". When Hobie said it in front of his lover, and her dad who is a great inventor with such generational wealth but even joined him in the chant, and their family who... support him fully despite their power hold and background? (It's a weird family, he knows it when he gets in head first, but they were kind enough...?) He didn't expect her to take it as literally... "You're telling me..." asks Hobie to Angelina slowly, to take in fully of what he's about to say. "That you killed a bunch of big politicians... and fed the meats to... who!?" "My babies!" Angelina answers with a beaming smile, looking all too prideful to drench her limbs in the blood of said people. "Crowley did not mean literal babies," her brother, Felix, chimes in while working on a project near the conversation, and so does her pa(other dad :D). "We don't accept cannibalism in this household," says her pa as he tries out a new magic spell he had just found from an old grimoire. "At least not with those degraded meats." "Then what babies?" Hobie can't help but ask. "My... babies!" She replies with an emphasized voice as if he will just suddenly get the enlightenment of what she truly means. But she did catch her own mistake quick and pointed at the big aquarium behind him that has a wide variety of colorful fishes. "And hey, I'm not a meanie." She proclaims herself with a huff and a proud grin that is a bit terrifying, considering the situation. "I ground the meat to the softest pulp form I can get and mixed it with their normal diet so they won't get sick from the "treat". I also fed to the strayed animals too, no worries." It rendered Hobie a bit speechless, to hear her say all of this like it's nothing special and/or horrifying process. He's almost used to his partner's uncanny and abnormal thought processes but to see her commit one? She can always surprise him in ways he has never thought possible... "... And the reasoning?" asks Hobie quietly with a sigh. He just can't... help it, like how he fell for this bumbling idiot. And one thing he knows for sure about his love is... she would never do things out of irrational or unjustifiable excuses, no matter how the execution is. She sort of means well, almost always. It's just the acts that weird out the people who weren't around this strange family enough. And she does give him the answer immediately, with a brightening, childish smile. "Those pigs tried to legalize underage marriage in their state for the child trafficking shit they're covering for." "...Blimey, tell me you gave all in to torture those bastards." "Hell yeah! Started with making my men slice their dicks and balls off into thin strands with a bloody dull knife while keeping 'em fully awake."

[gregdotorg]

There's an exhibition of Felix Gonzalez-Torres' portrait-related work threaded throughout and around the National Portrait Gallery in DC. It rocks.

images: me reflected in "Untitled (Fear), and "Untitled" (Death By Gun) installed in front of an 1862 group portrait that includes Samuel Colt, inventor of the rapid repeating rifle and revolver, at the National Portrait Gallery.

Edit: Whoops, that link above is to a post about the 2010 Hide/Seek exhibition at the NPG. The fresh content is here:

[christian-oc-tournament]

Felix propaganda! :D

He's really cool!! :D (also a much better aim than the bad guy's robot soldiers lol)

He's also an inventor!

He grew up helping his dad out in his mechanic shop and tinkering around with little creations! Later on he figures out how to mix human technology with Faerie magic. That's what his vambrace is!

He can "summon" a magical forcefield to serve as either a shield or a blade.

Vote Felix! :D

.

[cherlockgomes]

Saltburn: an ode to all the weirdos in Greek Mythology

If Anyone But You is a modern remake of Shakespeare’s Much Ado About Nothing, then Saltburn is a clever culmination of elements from Greek Mythology. The film borrows imagery and symbolism from the island of Crete to hint at the underlying themes of ambition and the class system that mark the film.

In order to understand the references, you’d have to know about the minotaur, Icarus and the labyrinth. 

On the island of Crete lived another one of Zeus’ offspring ( honestly, at that point, who wasn’t one of his offspring). Minos, the king of Crete, is an objectively terrible dude, but to cut a long story short, he was supposed to sacrifice his prized bull to the sea god Poseidon but decided to keep it for himself instead. Now the gods just so happened to be the definition of petty bitches, so in the most Greek Mythological way possible, Poseidon cursed Minos’ wife to fall in love with the bull. Their torrid affair (yes, she slept with the bull) resulted in a monstrosity that is the Minotaur- half man, half bull, complete nightmare fuel. 

Minos commissioned Daedalus to make a complicated maze to trap the monster. Sacrifices were sent into the labyrinth to be killed. Among them was Theseus, who, with the aid of Minos’ daughter ( who fell madly in love with him), managed to be the first to escape after slaying the Minotaur. Minos needed a scapegoat to pin the blame on (there’s something about a ball of yarn, and as I said, Minos is just a terrible guy overall), so he turned to Daedalus. He then proceeded to have him and his son locked up in a tower that overlooked the Icarian sea (I don’t know why he was so upset- I’d kill for a tower away from everyone with the bonus of a sea view in this economy). Daedalus, being the incredible inventor that he was, fashioned two pairs of wings out of wax so that he and his son could escape. Drunk on freedom and fueled by the recklessness of one’s youth, his son Icarus paid no heed to his father’s warnings and aimed for the sun. The heat melted the wax, sending him plummeting to his death, much to his father’s dismay.

Ok, so now that you have a gist I can begin to explain how a story about beastialty and wax could find its way into a movie that possibly single-handedly increased bathtub sales. 

The story carries themes of bloodshed, cannibalism, imprisonment and fear. One can view the family as the people sent to die at the hands of the Minotaur, or in their case- Oliver—the seemingly random costumes and decorations, like the horns Oliver wears, further aid the parallels. The maze (or Labyrinth) holds a statue of the Minotaur in its centre, under whose gaze Felix falls into an early grave. The cannibalism aspect also gives a more suitable explanation for the infamous bathtub and vampire scenes.

Felix’s character alludes to that of Icarus: naive, reckless and the companion of a tragic fate. In a way that’s almost jarringly in-your-face, the party scene further brings out this parallel in the form of his seemingly low-effort costume. The golden wings stand out against the rest of Felix’s understated outfit, thus tying together the symbolism in a neat package.

Thank you for coming to my ted talk.

[galleryofart]

Death of Chopin

Date: Félix-Joseph Barrias (French, 1822–1907)

Date: 1885

Medium: Oil on Canvas

Collection: The National Museum in Krakow

Description

The French artist Felix-Joseph Barrias, since he painted this work 46 years after the composer's death, may have used an account of Chopin's dying moments that was conveyed to posterity by Solange, George Sand's daughter and the sculptor Clésinger's wife: "One October afternoon in 1849, on the 16th, around twenty people were apprehensively waiting in the drawing room […]. Chopin wanted to know whether Countess Potocka was also in the drawing room and if she would like to sing closer, the door was wide open, and the beautiful countess started to sing. She was singing with her heart broken, with a voice full of tears! The people in the room dropped to their knees, choking back their sobs.”

The refined lady in white, standing by the piano, is probably Countess Delfina Potocka, who, according to tradition, sang the song "Pieta Signore" (Have Mercy Upon Me), which at the time was attributed to Alessandro Stradelli and is now attributed to the 19th-century composer Niedermayer. At one side of the bed, on the left next to a nun, Solange herself is kneeling; at the other side of the bed, Chopin's sister Ludwika is holding the dying composer's hand; in the foreground to the right, Marcelina Czartoryska, Chopin's pupil, and further at the window, Father Aleksander Jełowiecki, the painter Teofil Kwiatkowski (he left a series of beautiful pencil and watercolor sketches representing Chopin both at the piano and on his death bed) and Wojciech Grzymała.

Two Swedish researchers, Cecilia and Jens Jorgensen, argue that Barrias created the painting in collaboration with his pupil, Countess Winnaretta de Polignac (1865–1943), Edmond de Polignac's widow and a philanthropist and patron of artists and scientists. She was the daughter of Isaac Singer, the inventor of the sewing machine. Reportedly, he wanted to name the first model of the sewing machine he constructed after Jenny Lind (1820–1887), an eminent Swedish soprano singer and, since Hans Christian Andersen dedicated one of his fairy-tales to her, also known as the Swedish nightingale. She met Chopin in 1848 in London during one of his last tours in the city and was intending to marry the composer.

Two weeks after the artist's death, she arranged and paid for an extremely ceremonious funeral, which started with a mass held at l'Église Sainte-Marie-Madeleine, during which she sang arias from Bellini's opera. In 1851, she met Countess Winnaretta de Polignac, and it is possible that they made a decision together to commission a painting that represents Chopin in his dying moments. We know a little about how the work was created, but we know that it was the property of Countess Winnaretta, and later Count Campofelice. According to the Jorgensens, the woman that the painting represents in white while standing at the piano is not Delfina Potocka, but Jenny Lind.