#Farscape scripts

[karasbroken]

I recently acquired a script for Terra Firma, and on theme for the week, there was a little Braca/Scorpius scene hiding out that I don't recall even from deleted scenes. I took a snap to share.

I think it's interesting because of Braca's embarrassment and his acknowledgement that the sex with Grayza he thinks he's having isn't by choice, but neither of them really reacting to it. And it's confirmation that their collusion was planned and long standing.

I know that episode was long and several things were cut, but I like this little glimpse into their relationship. Maybe other folks will too.

[this-is-a-love-story-isnt-it]

I bought a Farscape script off Ebay because I like seeing early drafts of shows to see what they cut or changed and it’s a production draft, which makes it cooler because it has more detail in it for the production crew, like props and camera angles.

But anyway, the only scripts on Ebay were the pilot episode and Bone To Be Wild. And while I like the pilot episode a lot more than Bone To Be Wild, the pilot episode looked like a later draft and thefore might only be a little different from what we actually saw.

So I got the Bone to Be Wild script, and I’ve been following it along as I watch the episode and and it’s so interesting because scenes are in a different order, some lines are worded slightly differently, and some scenes were a lot different than the final version.

And WHY DID THEY CUT THIS JOKE?

This was after John got freaked out when he found out that Zhaan is a plant. 😂

[nindeoronra]

The Impossible Planet/Satan Pit Script

Ok, so with this being not just my favorite episode of Who, but I will put it up against ALL of television (even the body swap episode of Farscape). Sorry this is long, but y'all have no idea how much I fucking love this 2 parter. I just really wish I could go back in time and re-watch this again for the first time. This was also right when I got into Firefly, and I was just so amazed at how similar these two episodes were to that series--and the music was just fantastic for this, so similar to Firefly too!

Little bits of this--Jesus, I loved that scene with the way the Doctor looks at Rose.

Ok, so this is the 2nd script I've ever read in my life, and I'm comparing it to GitF (see previous post on that train wreck) and I just have to say it shows how much different the writing style is--and David and Billie really do love their characters--so much of the nuances they bring to the Doctor and Rose aren't really in the script--like the writer just trusted the actors to do their jobs or something.

This is why Rose will always be better than me. Sure, I'd probably try to comfort Toby, but I'd stay the fuck away from that boy. Yeah, no--sorry about the possession, but no huggies for you.

HERE WE GO:

If I am not mistaken, and I only got into Doctor Who way back when it was on Netflix, and it was just the first two seasons (I had to scramble around on YouTube and get S3 and S4 and this was back when the episodes were just in like little 15m bits, fuck I'm old.)

Telling you that to say that I literally must have punched the air and screamed in delight when this scene happened.

HERO SHOT! Fucking adore this!

Wow, so there's really no other direction on what the actors needed to do in this scene--so all that amazing looks that the Doctor and Rose were giving each other--that's all David and Billie.

Ok, sorry this got long--but as I have very little understanding of scripts and acting and filming in general, this was so much fun to read.

I might look at Fear Her next because I am definitely curious to see how much of the script said things vs what the actors did.

[lena-in-a-red-dress]

@theresnothingcruviswithme has given me permission to continue ranting about the Sam Carter character assassination that was done in yesterdays panel, so here's some more thoughts:

Sam was not always ready to lead. In S2, there's an episode called 'Spirits' where RDA (actor for Jack O'Neill) was unable to film, and so they basically had to rework the script and basically have Sam read his lines. It felt very OOC for her, bc the lines were literally not written for her character, but ultimately established in-world Sam's approach to the mission and her reactions to the plot developments were not right for leadership of a team. She got the job done, but she wasn't ready to lead a team of her own long term.

And that's okay. She didn't have much real world leadership experience under her belt at that point, and book learning only goes so far when it comes to field leadership. It gives her a starting point, and room for growth. And she does!

She grows a shitton by the O'Neill is promoted out of fieldwork. Before Mitchell comes into play, Sam Carter is promoted regularly on a realistic timetable commensurate to her development and improvement. It's only when the show needs a new male lead that suddenly Sam leading SG1 is "unrealistic"?

Also, while we're talking about unrealistic, you wanna know what's unrealistic? Two colonels on the same field team. It's a waste of resources, and confuses the line of authority-- ESPECIALLY when one of them is a new face on an existing team that has had almost a decade to bond and build trust in each other.

I will concede, however, that it's not really Mitchell's fault that he became a commanding officer of SG1. IIRC, he simply wanted to serve *with* SG1, not lead it. It's just that when he was able to join, they'd already gone their separate ways, and that in bringing the band back together, leadership was arbitrarily assigned to him, for some reason. Despite Sam's over-qualifications and his own lack thereof.

They didn't have to make Mitchell a Colonel. When he's introduced, I believe he's acting as a squadron leader during the battle over Antarctica. But to my knowledge, squadron leader is roughly the equivalent of the rank of major. So, why not leave him as a major and introduce him as a hotshot fanboy who just wants to serve with his idols? Suddenly Sam is not only a leader but a mentor, and gets to have journey not unlike the one O'Neill had?

The cold hard fact is that the execs didn't trust that Sam could carry the show, and probably wanted to bring in the Farscape fans, so they cast the leading Farscape stars to be the fresh new faces of the show. And its a goddamn shame.

[callistocalavarni]

Space Bounty Hunter dr

This post is going to be long cuz ive inserted pics that remind me of this dr... I just wanted a place were I can discribe and info dump about the places I have and am shifting to. I thought about starting a page on shifttok...but its tiktok.. and I don't like the people on there lol. They all have weird takes; ex; the constant hate on perma shifting. Not only that but they hold their opnions up like they are truth, everyone puts creators on a high horse and they are just insufferable. So instead im here, on a hopefully way more chill platform.. Anyway i'll stop yapping about shifttok and get on with the actual post.

I have a large amount of space dr's one of them being a bounty hunter reality with a metroid, sci-fi comic, farscape kinda of vibe to it. I'd also compare it to cowboy bepop.

All of my adventures take place in the milky way far far from earth. I'd say for earth its around the 1990s, I've scripted out time diliation when travling far because I just don't want to deal with it. Keep in mind some of the physics and logic is different from this reality. Earth is unware of any alien species, space travel and literally anything outside its solar system. Even with earth being oblivous to the intelligence out in space people still travel to the planet. And Its the way my grand-parents traveled out into the universe. The Neashe (na-shay) have helped and rescued people from earths many wars (without earths goverment knowing) promising them a new life in the aven section of the galaxy. Lazuo is the native planet to the naeshe. Being one of the most technologically advanced planets it exports the most weapons and ships among the star systems. It has the highest population including its moon ilumi. The naeshe are welcoming & peacefull species beliving in the search for life in the universe. The reason the Naeshe have not tried to contact the goverments of earth is because of the leaders constantly engaing in war. There is many other planets that I might mention so if its a word you don't know or you get confused its either a planet, its species, or some galatic goverment name.

For many years there has been an alliance between planets called "aven" the Adu word for friend. Adu is a water planet, its culture built on avation, exploring the depths and its diverse sea food. Since this alliance was formed interseller ships from all over travled to and from planets, exporting and importing goods of all kinds. Even though this guild was there to hold a title of saftey and peace it sprouted a problem. Space pirates, criminals, theifs, whatever you want to call them started to raid and attack these ships. Law enforcers failed to keep up with the rapid apperence of these pirates resulting in high rates of crime. Fed up with the persistent violence, people from all different cultures and planets volunteered to help capture these criminals. An association of bounty hunters was formed named space stalkers. Contractors from major companies started to pay space stalkers for their part, devolping a large influx of hunters. Being a space stalker is dangerous but since I have free rain in what I can script I find it fun.

companions

My name in most of my dr's is Callisto Calavarni and thats the name im going to use on this page.

My mother Estette Calavarni and father Castor Calavarni are alive and well in this dr. I know shocking... I didn't script a traumatic backstory, GASP!!!! They rasied me opposite of helicoptor parents, encouraging me to take risks and learn as much as I can about the world. My friends are Wesley Starkov an astrobiologist from the planet Kelzo. Anvi An, a female doctor who mostly works on hospital ships. And Niko lovell with a John Crichton personality from earth. I also have a pet! A fluffy tuxedo cat named Miso.

I have a deeper connection to Anvi than anyone else, we have been friends since the terrible twos lol. But I have more amusing stories with Wesley. I prefer to work alone as working with some hunters can be risky. I remember I needed help with a bounty and had told Wesley that I would give him half the check if he assisted me. Long story short the hunt didn't go as planned and I had to run to our vehicle and jump through the window like a loony tunes cartoon lol. I ended up kicking him in my uncoordinated climb through the window and he's never helped me with a bounty since -sob-

Thanks for reading, if I spelt anything wrong ignore, science is what im good at not english haha. This is my first post and im still new to tumblr so please ask me questions and tell me what kind of stuff you wanna hear about my dr's! Happy shifting!

[could-they-be-a-pro-wrestler]

EVENT POLL: 30-WOMAN ROYAL RUMBLE FOR FICTIONAL CHARACTERS TIME! (part 3)

[atopvisenyashill]

Dances of the dragons; what are things you like about the story in the show and book.

Well clearly I’m very fond of Rhaenyra and her little family. Something I really like exploring in fiction is ~blended families~ having been born into one myself and I find it fascinating especially in the pseudo-medieval context of a song of ice and fire. The complexity of balancing this family with what the world at large considers proper, of protecting this family when it's very existence is a threat to the established order of things.

I also really love the whole Aegon/Sunfyre and Baela/Moondancer stand off. I think the narrative aspects of it are amazing and it fits their characters so well. Baela being purposefully kept out of the war, kept even from defending Dragonstone, going off on this long shot stand off against the leader of the enemy faction and then she fails. I think what is often forgotten about Baela in this instance is that her amazing bravery is worth nothing in the end. Aegon still takes Dragonstone, Rhaenyra is still murdered, and worst of all, Moondancer dies and Sunfyre is mortally wounded. All she does is help kill two more dragons, help kill the power of her own family, sacrificing her own beloved dragon, her own agency later in life, for nothing not even a temporary win. Then you have Aegon as Sunfyre's only rider, Sunfyre feeling Aegon's distress and sacrificing his own life to come save Aegon, taking not one but two life ending crashes to the ground all for love of Aegon, and then just dying and leaving Aegon such a mess he's dragging Baela out and threatening to become a kinslayer with his own two hands in front of the entirety of King's Landing. The moment Sunfyre dies, Aegon is dead. They are too connected in a way many of the other bonds are not. It's not just like Vhagar or Caraxes mindlessly going into death because it's what their riders want from them; no, Sunfyre seeks death out in a vain attempt to save his rider, after Aegon goes through deliberate pains to separate himself from Sunfyre to spare Sunfyre the same fate as Vhagar, Caraxes, Arrax, or Meleys.

Also that final confrontation between Aegon and Rhaenyra - that i hope you died / you first, you are the elder exchange - is soooooo good. The way Aegon traumatizes the Younger the way Helaena and Jaehaera were, completely screwing over his own heir in his rage, and Rhaenyra's body isn't even safe from being sexually abused when she's dead.....George was cooking here.

As for the show, I think the casting is leaps and bounds better than the main show. I think probably the weakest links on the cast are (I'm about to get tomatoes thrown at me here) Ewan, Emily, and Sonoya but I don't think any of them are bad by any stretch. Emily does some amazing work showing Alicent's despair and anxiety and intelligence. I would put her on the same level as Maisie in the original show - she needs some time to find her feet as an actor but you can see her growing and changing as an artist and performer before your eyes. Sonoya has a bit of a lackluster script to work with (it's hard to adapt Mysaria, she's just a bunch of awful ~far east~ stereotypes rolled into one upsetting character) and she's also clearly struggling around her accent. I'm hoping she'll pull a Peter Dinklage next season and get used to the accent. Ewan is also here I guess (*kanye shrug* I think he looks too old and little Aemond was leagues better, sue me!!). But everyone else is just on their mark constantly, elevating the script with their own ideas or acting choices. And what I'll give Condal, Hess, and Miguel is that they also let the actors have a say in the characters. In my opinion, the best shows always include actor input. Three of my favorite shows in fact - Leverage, Battlestar Galactica, and Farscape - all include rather long arcs for several characters that came because the actors said "can we dig into what motivates my character more? i wrote out a backstory if you're interested" or "i'm not sure my character would react that way, i think it would go this way" and the writers listened and let them be part of the writing. I love to drag these writers for all the best ideas coming from the actors but I find it commendable that instead of plugging their ears to minor pushback like D&D did, they said "damn tom, olivia, this carriage scene is so much better the way you're doing it, go crazy" or "hey matt you're doing some great acting here, tell us what you're thinking, let's dig in" and emma has talked extensively about how they let them really dig into gender performance as they wrote the character.

Maybe that doesn't seem like a big compliment but, at the risk of sounding too cheesy, I think art is a conversation ya kno?! It's a push and pull between the performers, the writers, the cinematographers, the special effects, as well as the viewer. When you see art as a dictatorship, it stifles what you're saying. But when you bring in fresh eyes, when you collaborate, I think you are more likely to have a much more polished, much more beautiful end product. And I think in allowing like, Emily Carrey the ability to read her own queerness into Alicent and then portray that on screen made for an Alicent that feels so much more real than if Emily was forced to simply read the words on the page without emotionally connecting to it! Look at how Stephen Dillane and the guy who played Barristan were clearly phoning it in because they weren't listened to! Look at how clearly annoyed Gwendoline and Nikolaj were at the ending there because they didn't like how the plot was going! When the artists are involved in the making of their own craft, it's just better!

(but what about Rhys, you say, didn't you once say he had negative charisma? yes, yes he does, i think he's wildly overrated as an actor and i don't understand the appeal but i think otto himself is also devoid of charisma so rhys fits!! i am a hater sorry!!!)

Anyways, yes, I love Rhaenyra and Aegon because I love deranged gay older sister - violent beefy young brother duos from hell with all my heart, I love Baela the Burnt with all my heart, and I love all the actors and the collaborative nature of HOTD.

[these-are-the-first-steps]

Hey guys, I legit think you should all do a letter writing campaign and give netflix hell for this because it reeks of unsubstantiated tax write-off similar to what the WB has done recently and which has also earned them government officials riding their asses for fraud etc. Give Netflix hell, and also, as a tip from a Farscape fan, write to other networks you think would be a good home for Shadow and Bone and tell them you want to see them buy it and make more!!!!

I am dead serious, that is a real thing you can do and that has happened successfully in the past.

But it all depends on YOU, the FAN BASE! Organize on twitter and reddit and tumblr, and then tell the show's talent and writers and producers what you're doing so they can use the fan leverage to their advantage to try and save the show.

It's not impossible! And on a personal note I would strongly recommend HBO as a top contender to buy Shadow & Bone as they are not part of the AMPTP and work on different, separately negotiated contracts for scripted shows for the most part, and are therefore less likely to be tax-evasiony right now I think.

This is actually the most devastating news ever

[weirdpsychoticlife]

[leolaroot]

I don't know what it is about this scene that makes me laugh so hard I wish I could explain it.

[stardustinthesky]

I was checking the entry for Aeryn Sun on the Farscape Fandom Project on wikia for some minor info, and came across this:

Worried about the health of her fetus after the Scarran interrogation, Aeryn visited a surgeon while onboard Grayza's command carrier near Katratzi. She discovered that the Scarrans had released the fetus from stasis during her capture; and confirmed what she already knew, that it was indeed Crichton's child.

I always thought she was the one to decide to release the fetus from its stasis, so I immediately rewatched the scene on the boat when she tells John, and now I'm feeling like the most galactically stupid bitch ever because her behavior in Bad Timing (and later in PKW) makes so much sense if you consider that she didn't actually choose to activate the pregnancy, because the Scarrans made that decision, and that she spent the episode not knowing how to tell John the baby was coming, whether they liked it or not.

[this-is-a-love-story-isnt-it]

Farscape was technically an American produced show but in Australia. I mean that the creator and all of the producers of the show are American. I’m sure most of the writers were Australian, but the scripts have to go through the producers anyway. Plus, Ben and Claudia have talked about being very involved with how their characters’ relationship is portrayed. I think that makes a huge difference because at some point they know the characters better than the writers do, and the creator and producers realized that. The writers were usually open to input from the actors, which might actually be an Australian thing, because Ben and Claudia have talked about working on other (American) shows, and on most of them you don’t make suggestions to the writers or producers. It’s basically “what the writers say goes”.

But the creator of Farscape decided from the beginning that this was a love story between John and Aeryn, so that was always in his sight, and the actors made sure that that’s what was being portrayed.

So yeah I agree with you 100% about John and Aeryn’s relationship being unlike any other you’ll see on TV, and I think it’s because the creator had this vision since the beginning, the producers and writers were very open to input from the actors (which might be an Australian thing), and the producers recognized that after a while the actors knew their characters and their relationship better than the writers did most of the time.

And I think you were also speaking of the show overall paying more attention to details and having relationships make more sense- between all of the characters which I also notice, too. And is different from any other shows you’ll see.

Now... I'm on the end of S 2 of Farscape, this is hardly the first watch. More like around the 5th... It's all your fault. You, around here, who keep making gifs! There are things I am addicted to. This is one of them. It took only a look, and the old habits are back. Also, Crichton now looks even more deranged. But damn I love them. Now that is a dramatic love story. These characters are amazing. Oddly it never felt... incomplete. In comparison to The X-files, back in the day, I was wondering about the logic behind so many of the episodes, and after every episode. It felt so many times, that there was this abyss, a huge skip of time, something important that I somehow missed, or jumping into a completely different world. They would say things and after that -nothing, as if never happened. Maybe I just remember incorrectly. But with Farscape, this shit never felt that way, and we are talking aliens, made-up words, planets, space, time jumps, insane shit like creating made-up realities, playing with vague concepts, with difficult themes. Oddly enough after so many American TV shows and movies, Australian productions felt a lot more sane. The characters feel a lot more relatable. The way they speak, the way they react emotionally. The way they react to each other. Australians seem warmer, more open, and more genuine, even when it's about some evil character who does unspeakable things. They feel a lot more human to me. They seem to avoid this way of telling a story when characters conveniently miss some important information, even though everyone else knows it, or miscommunicate on purpose, with no logic, and they are much more understanding and forgiving, almost as if they know and accept that no one is without flaws... They seem much braver in depicting sides of human behavior, that are distasteful or controversial. And the judgment seems way less. As if they don't expect a person to always be able to take the high ground, and that's fine. Maybe I am wrong, and it's not like I have seen that much of Australian TV, but... this is how it feels. In comparison, US characters are expected to behave in a certain way, almost like society doesn't tolerate any mistakes, and it is expected to know perfectly what to do in every given situation and get over hurt and pain in the span of 3 to 5 business days, with no time off, no explanations. Mistakes are punished brutally, so much so that there is no second chance, no attempt to understand, even if we are talking about young people or children. But at the same time, certain people can get away with pretty much everything, because of their status in society and no one can say anything. There is a certain lack of communication and normal human conversations, these moments of talking about nothing in general, but about random small things, things that make up the human character - tastes in food, music, animals, favourite things, small oddities, dislikes, fears...

All of a sudden, you have people who know nothing about someone who they spent years around and call a friend. And all of a sudden - huge surprise, they have a close relative, who they never mentioned, a childhood that is beyond insane, some amazing skill they never shared before, like speaking an exotic language or being able to fly a plane, or spending their youth in jail, but in the same in a jungle of South America with some isolated tribe, or riding elephants in Africa or something... Or having a child with a former lover, they never spoke about. I mean, is this normal? Not to talk among each other? Is this not considered important? Or this is just for the sake of storytelling? Odd... It feels like with the way stories are told, I always have to wonder where is this going, and what to expect, always on my toes, even when there is no point to the story. I don't know if I am making any sense...

[this-is-a-love-story-isnt-it]

Farscape 2x16

[dedalvs]

Currently rewatching Defiance (again) and every time I can just feel the attention to detail and care put into the show. Thanks for being part of it, and I’m glad you’re back!

Defiance was a once in a lifetime opportunity because of a number of factors that are not likely to be repeated.

First, Defiance began its existence as a video game. It was supposed to be a show plus video game combination that was going to finally take advantage of the promise of transmedia (story telling on multiple platforms simultaneously). Syfy was brought along as the television partner, but it wasn't their idea. It was crazy expensive, which meant that even if nobody liked it, it wasn't going to get one season and get canned. Syfy was all but forced to give it space to breathe.

But the next thing was perhaps the most important. Rockne O'Bannon was brought on to helm the television show. He was a big name, and exactly the right person to helm such a project, since he had overseen Alien Nation and Farscape, two very successful large-scale scifi television projects. He had a script, he agreed with producer Tom Lieber to let me join the project, and we hit the ground running trying to get his vision for what Defiance could be off the ground.

Then he got a better offer.

An old show he'd pitched to the WB in the early 2000s was picked up again by the CW, and, in his words, it was his dream project (and, of course, his project, because most of the world-building for Defiance was done by Trion Worlds, the game company), and he absolutely had to go and see it come to life. That project was a television show called Cult. Ultimately, it never found an audience and was canceled mid-season.

That left Syfy in the lurch. Suddenly they have this huge multimillion dollar transmedia giant with no one to run it. They tapped Kevin Murphy, the former showrunner of Caprica, the Battlestar Gallactica spinoff series. Kevin Murphy came to this project and saw it for what it was: A massive sandbox with a bunch of heterogenous world-building elements that no one was really in charge of. Having to work with that, he, I believe, had the most reasonable response you could have: This is a great big thing that isn't my baby, or really anyone else's, so you know what? It's now our baby. Everyone throw out ideas! I'll guide the ship, but we're all going to decide collectively how it's going to get there.

What that meant was suddenly I could provide input, and it was valued! That was a tremendous experience, and far different from Game of Thrones, where I was a translator. I helped to do some of the world building, I got to visit the set, I talked to the writers, the cast, the art department… I was a part of the team, and that was a wonderful feeling.

It also meant that a lot of what you saw in the show was based on ideas by looooooooooots of different people, which is unusual. A lot of the time the discussions were like:

Crew Member: "What if we did x?"

Kevin Murphy: "Sounds great! Let's do it!"

Things were incredibly fluid, and sometimes we ended up overwriting canon if someone had a better idea later on, but it was a wild experience.

This isn't the only time I worked on a show where the original showrunner left. For example, there's Emerald City, which was a really cool project, but it was clear that NBC was just trying to get their money's worth by airing one season; they had no intention of bringing it back for a second. They weren't all in on it. Syfy was all in on Defiance—at least for three seasons, till the original executives left.

But yeah, on a show, the showrunner sets the tone, and Kevin Murphy was the best person for that job. He knew what needed to be done to make Defiance a success, and even though it only ran three seasons, it's so nice to know that the fans of the show felt it. :)

[callistocalavarni]

Wish me luck ❥ 𓄲 𓄴 

I have found love in a new reality and will be planning to shift there for a very long time.

I already posted this in Red Takami's shifting discord sever in the methods channel, but I also wanted to post it here because I feel like i've been neglecting my tumblr. When I first joined shifttumblr, the inital introduction I had to it was Leydenkilgore's profile. She is a saint. Even though I have shifted before I unfortunately have fallen into a slump do to personal issues and haven't shifted as much as I use to. I also fell out of love with a lot my old dr's; Though I hope they intrest me again later in my life. Leydens post about expermenting with methods stuck out to me, as i've never really thought about doing that. I wasn't familer with any of the methods she had talked about as I just make it up as I go when I shift but from here on out I will be changing my routine. In her post she talked about watching a film that helped create a new method. I read the google doc she made and now I have a plan on a new shifting routine. (I recommend reading the google doc if you're interested it is linked in her post, which I have linked earlier in this post.)

i’m experimenting. I didn’t try and shift last night like I said I was. Last night I FINALLY decided on a reality of which I wanted to shift to. (i swear everyday I think of a new dr; i’m trying to fix that) I had this problem were I would over script for my dr’s…. and then never ending up trying shifting there because of multiple reasons; I didn’t feel the connection I felt with it when I first thought of it, or I got really motivated to script every little detail instead of actually shifting… So i’m doing something new. I’m not going to script at all for the dr I’m shifting to and just trust my subconscious. I know the general vibe of what I want and who i’ll be but other then that it’s up to the right side of my brain. I’m going to try the hypnagogic method tonight and tomorrow, then i’ll be trying the somewhere in time method for two days after that. Then after that I will be trying a combined method of both; Hypnagogic Time method. ( i have tweaked it to my liking ) I have the intention to shift with each experiment. And i’ll log my dr experiences in my journals ( that i script into all my drs ) and if I ever come back or shift to a parallel reality like this one I will share them! I am also laying down on the floor for this method because every time I go and shift laying on my hardwood floor I always shift. I don’t know what it is about it that makes me shift, but if you want to switch up your shifting routine I definitely recommend it.

note; Lumari is a country I scripted, Kirasia being on of its regions.

I've always thought about shifting but didn't have a name for it. It was in the back of my mind since I was a kid; then it blew up on tiktok and then I started to get more into it, I just always felt that there was a possiblity of something like it; mainly because I wanted something like shifting to be real. Then, a couple years ago I did it for the first time and that made me full send into it. I mostly shifted to space dr's because space was what I was most interested in. I was huge on shows like farscape, cowboy bebop and the x-files. Before life in my or hit the fan and became really shitty, I was shifting to my space stalker dr non-stop. And then a bunch of family issues arose. And that's when the shifting slump started. I was having severe mental break-downs everyday, was extremely exhausted and just taxing to be around; I would blow up at people for the smallest things and my family would do the same to me. Thankfully, everything died down. My life gradually went back to normal, my family became safe to be around again and shifting just wasn't on my mind as much as it use to be. But now, it is. Since then, I haven't really thought about shifting to my space stalker dr but in the back of my mind a new idea popped up. I will maybe post about Lumari more, I have made one post showing the map but that's about it. I have also shifted there a couple of weeks ago but as a... guy?? Which I did not intend to do. I stayed there for a couple of days and shifted back on accident. Since then I haven't tried to shift. But I intend to tonight. ( as a girl lol ) Again I haven't made an indepth script for this dr because I do not want to lose the spark I have for it.

My plan for tonight is meditating, laying on my floor with my headphones and listenting to music that reminds me of my Kirasia reality. Then, focus on my breathing and think about slow calm moments in my reality. I have the intention to become aware of my dr while I am looking out of my bedroom gazing onto the mountains.

[could-they-be-a-pro-wrestler]

EVENT POLL: 30-WOMAN ROYAL RUMBLE FOR FICTIONAL CHARACTERS TIME! (part 5)