#Fancy Interior

[malfnction-54]

from the inside of a hotel

[mrs-trophy-wife]

[aahanna]

These desi home aesthetics are looking soo mesmerising 🥹🤌🏼

[leroibobo]

the papier-mache walls of the shrine in kanqah naqshband sahib in srinagar, kashmir, built in its current form in 1633. the complex is dedicated to bukharan baha' al-din naqshband, who founded the naqshbandi sufi order, and is a mausoleum for one of his descendants. the shrine is a site for ziyarat as it contains what's said to be a lock of the prophet muhammad's hair.

[balkanradfem]

Art Noveau Furniture

[scoutingthetrooper]

[x-heesy]

Rainbow Warriors headquarters @cavegirl66

Kisses for Roses (feat. Aquarius Heaven) by Art Department 🎵

[baby304]

Vision for my own personal place

#mafia #lasvegas #penthouse #highrise #luxury #80s #eighties #80sinterior #black #gold #casino #highend #upscale #manifest #goals #myplace #interior #design #fancy #exotic #scarface #elivira #304

[moneyisnobject]

"Fú"

Courtesy: Studio Fancy by Dada

[royalty-nobility]

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Artist: Angelica Kauffmann (Swiss, 1741–1807)

Date: ca. 1776

Medium: Oil on canvas

Collection: Metropolitan Museum of Art, New York City, NY, United States

Description

In an imagined interior brimming with references to classical antiquity, this young aristocratic family makes a highly fashionable display of domestic bliss. The countess’s costume is vaguely classical, while her husband wears stylish fancy dress inspired by Van Dyck’s portraits from a century before. Unfortunately, the marriage was an unhappy one; roughly two years after Kauffmann painted this portrait, the countess left her husband for a lover. After her death, he married the actress Elizabeth Farren, whose celebrated portrait by Thomas Lawrence hangs in Gallery 628.

[dvnlyguided]

[galleryofart]

Ready for the Fancy Dress Ball

Artist: Alfred Stevens (Belgian 1823-1906)

Date: 1879

Medium:

Collection: Private collection

Description

By 1879, the year in which Ready for the Fancy Dress Ball was painted, Alfred Stevens had reached the height of his career and was among the most successful artists of the era. Stevens’ success can be attributed to years of intense training under François-Joseph Navez and Jean-Auguste-Dominique Ingres, as well as support from his family, who took an active interest in the arts (his brother Joseph was a fine animal painter and Arthur a prominent critic, curator and dealer). Stevens obviously attracted a broad array, both in Europe as well as America, as his pictures were acquired by great institutions and dignitaries, such as the Brussels Museum and the Belgian King Leopold. At the Exposition Universelle in Paris of 1867, he triumphed with eighteen entries, a first-class medal, and promotion to officer of the Legion d’Honneur. While Stevens was respected within Imperial circles and invited to balls at the Tuileries, he felt equally at ease with avant-garde luminaries within Édouard Manet’s circle, where he was friends with Edgar Degas, Berthe Morisot and Charles Baudelaire. Stevens’ commercial success enabled him to collect, and the beautiful period furnishings, pictures and objects that he amassed in his spectacular residence are often featured prominently in his paintings and provide a glimpse into the fashionable taste of the age. The present work is no exception.

[mrs-trophy-wife]

[wallpapedits-vvc]

Matching wallpapers #241

Like/reblog if you save ✨

1st: edit by me from here. 2nd: @obsessedbyneon. Credits of the original photos to their respective owners.

[luxurynation]

[strangestcase]

All in all it’s very funny to see the JH fans on here complain that adaptations reduce Hyde to being scary and evil (almost always true!) and dumb him down (very rarely true!) just to turn around and reduce Hyde to ✨feral gremlin✨. You’re missing the entire point as well but in a much more annoying way.